| 1. Triple Gold d's |
| 2. Now What?... |
| 3. I Got Yo Back |
| 4. Yeah, Yeah, Yeah |
| 5. Represent Tonight |
| 6. You Wanna Be a Player |
| 7. Someone to F**k You |
| 8. Wrong Place, Wrong Time |
| 9. No Flaugin' |
| 10. Hell Naw |
| 11. Heavenly Thugs |
| 12. You Wanna Be a Player [Remix] |
| 13. Got Somethin' to Say |
| 14. Heavenly Thugs [Remix] |
Now What?,The Down South Players,Restless Records,Pop,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues
Average customer rating:
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Odyssey
Hayley Westenra Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AXWHPI Release Date: 2005-10-18 |
Tracks:
- Prayer
- Both Sides Now
- Never Saw Blue
- Dell' Amore Non Si Sa
- What You Never Know (Won't Hurt You)
- May It Be
- Quanta Qualia
- You Are Water
- She Moves Through the Fair
- My Heart Belongs To You - Hayley Westenra
- Ave Maria
- I Say Grace
Album Description
Hayley Westenra's new album Odyssey was always going to be a different proposition to Pure, the record-breaking 2003 collection which marked her international debut. A lot has happened to the young New Zealander over the past two or three years--and those changes are clearly reflected by a record which encapsulates her growth from a budding teenage prodigy into a mature young woman. Now, at 18, Hayley is ready to show the world how much she has grown up, both as an artist and as an individual. Fans of Pure will be pleasantly surprised by her new album. Her wonderful voice retains its crystal-clear purity, but Westenra's singing is now richer and more rounded than before. Touring the world and singing in some of its greatest concert venues, such as the Sydney Opera House, Royal Albert Hall, and Carnegie Hall, has worked wonders for her confidence. Suitably emboldened, she has embraced an even wider range of musical styles including classical, hymns, folk and pop. "I was happy with Pure at the time, but I've moved on so much," says Hayley. "It's really exciting to have something new out there for people to listen to. I wanted to make a record that represented me as a person. And I think I've improved as a vocalist." Variety is certainly one of the keywords with Hayley's new album. When she first entered a recording studio in New Zealand as a 12-year-old, Westenra restricted herself to classical pieces and show tunes. Now, in addition to impressive takes on classical works, Hayley uses her new album to perform an inspired cover of Joni Mitchell's "Both Sides Now" and has arranged and written much of the material. "I like to push myself, and I'm now confident enough to try different things. I have been much more involved behind the scenes with this album--I wanted to put my individual stamp on each song." With her career stretching out promisingly before her, Hayley is also keen to continue experimenting. She is still primarily a classical crossover artist but she also wants to keep broadening those musical horizons. Three years after her international debut CD, Hayley Westenra is still pure: she exudes pure quality and she remains pure class--but her musical journey continues with her new album Odyssey.Customer Reviews:
Wonderful melodies.......2007-06-08
Hayley Westenra - Odyssey.......2007-06-08
Very soothing.......2007-05-14
I would definitely recommend it to anyone interested. Quanta Qualia and Ave Maria are my most favourite tracks. Quanta Qualia is pure magic! I really feel as if I'm flying in Heaven when I listen to it.
very good pop singer voice.......2007-05-13
Voice & level head deserve high marks .......2007-04-20
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Harem
Sarah Brightman , and Frank Peterson Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008W2QZ Release Date: 2003-06-10 |
Tracks:
- Harem
- What A Wonderful World
- It's A Beautiful Day
- What You Never Know
- The Journey Home
- Free
- Mysterious Days
- The War Is Over
- Misere Mei
- Beautiful
- Arabian Nights
- Stranger In Paradise
- Until The End Of Time
- You Take My Breathe Away
Amazon.com
If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulleyAmazon.com
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More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
harem .......2007-05-28
New to Sarah Brightman.......2007-03-12
Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30
No voice like hers in the world.......2006-10-01
Brilliant Brightman, Her best CD........2006-09-18
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King Arthur
Hans Zimmer Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IQIWE Release Date: 2004-07-27 |
Tracks:
- Tell Me Now (What You See)
- Woad To Ruin
- Do You Think I'm Saxon?
- Hold The Ice
- Another Brick In Hadrian's Wall
- Budget Meeting
- All Of Them!
Amazon.com
What are legends if not for reinventing -- and/or hyper-inflating into Hollywood summer fare? In retooling the Arthurian legend for the goth-beguiled video game age, mega-producer Jerry Bruckheimer did away with details small (the lady in the lake, sword in the stone, etc.) and large (this Arthur is actually Eastern European, by way of Rome). Composer Hans Zimmer picks up that gauntlet, producing an orchestral score bristling with massed brass, chorus and percussion -- if little of the indigenous mysticism that made his work on Gladiator/ so rewarding. What there is of that precious commodity is frontloaded via the song "Tell Me Know (What You See)," his evocative opening collaboration with Clannad's Moya Brennan. From there, Zimmer emphasized this version's Eastern conceits with a half-dozen suites of cues that thunder in the Russian classical tradition -- and all the melodic range of "Jingle Bells." Zimmer--not to mention Poledouris--has done it better, but fans of outsized orchestral Gothic moodfests may yet take this one to heart. --Jerry McCulleyCustomer Reviews:
We Will Go Home.......2007-07-13
Good music.......2007-05-16
Want to hear Gladiator II?.......2007-04-12
And you better believe it, Hans Zimmer actually managed to blow up his sound from Gladiator even more, and I really didn't think this was possible, mainly because I thought it would sound utterly pathetic and over the top. And make no mistake, Zimmer's King Arthur is just that.
I am reviewing this score in retrospect, and it is truly fascinating to do that. When you look at other composers and make a little journey to their past, you usually find more creativity. The further back you go, the more original and fresh music you find. With Hans Zimmer, it's the opposite. With each year you go back, his scores just get more dreary, and that's saying alot because his latest works also don't really qualify as schoolbook examples for colourful scoring.
From Gladiator to Pirates Of The Caribbean 2, Hans Zimmer has yet to come forth with a truly fresh and unique score. Zimmer never, ever, not in a million years, escapes his usual box. And King Arthur is no exception whatsoever. From the get go, 20 horns are amassed and play a overly simplistic motif somewhere between a and A, the strings mush together in midrange, melodramatic chords, and dwell in the shallow realm of overbearing dullness.
I don't understand how an artist - and the art of film composing is severely underrated - can be content with repeating the same thing over and over. If I were Hans Zimmer, I would be embarassed by now to even write one more note for that droning bass.
To top it all off, Zimmer incorporates an Enyaesque voice that is easy on the ears, but in the end signifies nothing, does nothing and does all that with an amazing lack of substance.
That is, amongst others, the major difference between a serious film composer and Hans Zimmer: a good and skillful film composer takes an average film like King Arthur and makes it sound like something worthwhile. Hans Zimmer on the other hand embraces mediocrity and underlines it to create an even more average film.
King Arthur.......2007-04-09
Hans' Best.......2007-03-12
That said, King Arthur is Hans' most intriguing score to date. Backdraft and Gladiator (overrated) were very good, but this score is a departure from Hans' usual motifs. The only bad part for me(not related to the music itself) is that there are only seven tracks and each are very long. I like shorter tracks so I can pinpoint the themes or variations I want to lsiten to, but this is extremely minor. The music is great, and I reccommend you go enjoy Hans' best music yet.
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What Now My Love
Herb Alpert & the Tijuana Brass Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009I7O6G Release Date: 2005-06-07 |
Tracks:
- What Now My Love
- Freckles
- Memories Of Madrid
- It Was A Very Good Year
- So Whats New
- Plucky
- Magic Trumpet
- Cantina Blue
- Brasilia
- If I Were A Rich Man
- Five Minutes More
- The Shadow Of Your Smile
Album Description
Issued in April 1966, What Now My Love held the #1 spot for nine weeks, longer than any other Tijuana Brass album, and the title track garnered two Grammy Awards.Each album in the Herb Alpert Signature Series features meticulously remastered sound, deluxe packaging, detailed liner notes, and an intro by Herb Alpert containing personal recollections and anecdotes.
Customer Reviews:
Marimba/Brass/Mariachi/Jazz, and Rock--the sweetest sounds this side of the Rio Grande !!!.......2007-04-10
The CD starts with "What Now My Love;" for this number the horn carries the bulk of the melody as the arrangement makes great use of the percussion to enhance it's beauty. The guitar solo in the middle of this track shines like gold! "Freckles" follows next; the guitars, horns and percussion all combine to produce a joyful musical number.
The guitars and horns work hard once again to make "Memories Of Madrid" work very well; and I liked that the tempo of "Memories Of Madrid" spins somewhat faster than the tempo for the first two tracks. Excellent!
Other gems on this CD include "It Was A Very Good Year;" this number uses the piano, guitars, horns and percussion to produce a lush and rather sensitive musical arrangement. "So What's New?" uses the ukulele and percussion to work wonders; the whistling and the tempo also make "So What's New?" a very joyful sounding tune. "Magic Trumpet" also stands out as the trumpets, whistle and percussion infuse this ballad with a marching tune flavor. The cries of joy from the performers as they do this number highlight the joyfulness of this marching band-style number.
"If I Were A Rich Man" demonstrates Herb Alpert & The Tijuana Brass' ability to blend together what would appear to be two completely different styles of music: the band successfully infuses a Jewish Broadway show tune with a Latin American flavor. The horn and guitar start out carrying most of the arrangement and when the percussion joins in you can really sense the happiness of this very special number. Excellent accomplishment!
The CD ends with the classic love song entitled "The Shadow Of Your Smile." The strings and percussion begin this melody; and when the horn joins in it only serves to enhance the beauty of this number. In fact, the depth of the emotion associated with "The Shadow Of Your Smile" makes this ballad a strong and fitting ending for this album.
The liner notes include awesome photos. You also get a commentary by Herb Alpert; and Josh Kun contributes an informative essay as well.
Fans of Herb Alpert & The Tijuana Brass will not be disappointed with this great CD. I also recommend this CD for people who enjoy easy listening music from the 1960s.
Herb Alpert & The TJB, What Now My Love.......2007-03-04
This is a beautiful album. It opens up with the hit What Now My Love. Freckles, a happy swinger, Memories of Madrid, a nice rolling tune, It Was A Very Good Year, the classic Sinatra piece, So What's New, John Pisano's popular original, and Plucky round out side one on the original record.
Side two opened up with Bert Kampferts, Magic Trumpet; a happy mexican march. The album then proceeds to Sol Lake's Catina Blue, Julius Wechter's Brasilia, If I Were A Rich Man, Five Minutes More, and the beautiful standard, The Shadow Of Your Smile.
Overall this is a great record. The first in a string of albums that really epitomized the TJB sound.
What now my love.......2006-07-23
Eventually I will purchase the remaining CD by Herb Alpert.
Excellence in Easy Listening!.......2006-05-26
I would not consider this one of their best albums but, when dealing largely in superlatives, lesser works are very good indeed. These are all very good. Don't look for great vocals; look for catchy tunes and superb musicianship. Look for fun.
Finally is on CD!!!!.......2005-10-12
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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What Were Once Vices Are Now Habits
The Doobie Brothers Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KF4 Release Date: 1990-10-25 |
Tracks:
- Song To See You Through
- Spirit
- Pursuit On 53rd St.
- Black Water
- Eyes Of Silver
- Road Angel
- You Just Can't Stop It
- Tell Me What You Want (And I'll Give You What You Need)
- Down In The Track
- Another Park, Another Sunday
- Daughters Of The Sea
- Flying Cloud
Customer Reviews:
A nice choice for all Doobies fans!.......2007-06-08
Included are some very nice tunes like "Eyes OF Silver", "You Can't Stop It", a very nice romantic song titled "Tell Me What You Want (And I'll Give You What You Need)" (why this ever was selected as a major radio Hit?), and the wonderful, beautiful Superhit "Black Water", at no doubt one of the best Doobies' creatures!!!
Believe me, this CD is worth to be included in your collection even if you're not a serious Doobies fan!
One of the bests from the 70's.......2007-02-24
This is THE difinitive Doobies album!.......2007-01-31
It is now a habit listening to this.......2007-01-14
Doobie Magic.......2006-12-02
Average customer rating:
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Now That's What I Call Christmas!
Various Artists Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OLYC Release Date: 2001-10-23 |
Tracks:
- The Christmas Song - Nat King Cole
- Bing Crosby - White Christmas
- Blue Christmas - Elvis Presley
- Have Yourself A Merry Little Xmas - Frank Sinatra
- Winter Wonderland - Tony Bennett
- Sleigh Ride - Ella Fitzgerald
- Let It Snow - Dean Martin
- Home For The Holidays - Perry Como
- It's The Most Wonderful Time Of The Year - Johnny Mathis
- Have A Holly Jolly Christmas - Burl Ives
- Rudolph The Rednosed Reindeer - Gene Autry
- Grandma Got Run Over By A Reindeer - Elmo & Patsy
- Rockin' Around The Christmas Tree - Brenda Lee
- Jingle Bell Rock - Bobby Helms
- Little Saint Nick - The Beach Boys
- Merry Christmas Darling - Carpenters
- Christmas Collage - Kathy Mattea
- Little Drummer Boy - David Bowie/Bing Crosby
Tracks:
- Happy Christmas (War Is Over) - John Lennon
- Santa Claus Is Coming To Town - Bruce Springsteen
- Do They Know It's Christmas - Band Aid
- Wonderful Christmastime - Paul McCartney
- Love Is A Holiday - Michael Bolton
- It Must Have Been Old Santa - Harry Connick Jr.
- Jingle Bells - Diana Krall
- Away In A Manger - Mannheim Steamroller
- Deck The Halls - Ottmar Liebert
- Love On Layaway - Gloria Estefan
- Don't Save It All For Christmas Day - Celine Dion
- This Christmas - Joe
- Special Gift - Isley Brothers
- Christmas In The Yard - Shaggy
- My Only Wish (This Year) - Britney Spears
- You Don't Have To Be Alone - 'N Sync
- O Come All Ye Faithful - Luther Vandross
- Silent Night - Boyz II Men
Amazon.com
The title doesn't lie, even if it does sounds like a hyperbolic pitch from an old late-night cable TV ad. With 36 tracks of various genres spread over two discs, Now That's What I Call Christmas might be the best, most eclectic "value-plus" holiday record ever released, assuming your tastes embrace crooners such as Cole, Crosby, and Como, plus contemporary boy bands such as Boyz II Men, as well as the ubiquitous Britney Spears.In between there are the sumptuous classics by Bobby Helms, Brenda Lee, the Beach Boys, Elvis, and Burl Ives on disc one, balanced on disc two by more recent standards, including Bruce Springsteen's live version of "Santa Claus Is Comin' to Town" and John and Yoko's "Happy Xmas (War is Over)." You're not obligated to like everything here, but that's why Santa invented the forward button on your CD player. --Martin Keller
Customer Reviews:
Now thats what i call super.......2007-03-16
perfect christmas cd!.......2007-01-20
Fantastic.......2007-01-18
This is definitely the best Christmas CD ever made.
Thanks
Carmen Pucci
Great Christmas music.......2007-01-18
Great Seasonal Mix of Songs.......2007-01-15
Average customer rating:
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Mendelssohn: Elijah
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV31A Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
Average customer rating:
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Now That's What I Call Music! 7
Various Artists Manufacturer: Now Hits Collections ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LOAH Release Date: 2001-07-31 |
Tracks:
- Survivor - Destiny's Child
- All for You - Janet Jackson
- Baby Come on Over - Samantha Mumba
- In My Pocket - Mandy Moore
- Play - Jennifer Lopez
- The Call (Remix) - Backstreet Boys
- Playas Gon' Play - 3LW
- Ride Wit Me - Nelly
- Danger - Mystikal
- Fiesta - R. Kelly with Jay-Z
- Let Me Blow Ya Mind - Eve with Gwen Stefani
- What Would You Do - City High
- Don't Let Me Be the Last - Britney Spears
- This I Promise You - N'Sync
- Never Had a Dream... - S Club 7
- Hanging By a Moment - Life House
- Jaded - Aerosmith
- From My Head to My Heart - Evan & Jaron
- Flavor of the Weak - American Hi-Fi
Amazon.com
Smartly programmed and laden with hits from the first half of 2001, the seventh entry in the Now compilation series is a more-than-agreeable, summer-party soundtrack. Moving from up-tempo pop/R&B to various stripes of hip-hop (including a snapping Neptunes remix of Backstreet Boys'"The Call") to three draggy ballads you can easily program out to reminders from Aerosmith, Lifehouse, Evan and Jaron, and American Hi-Fi that guitars still exist, this disc is one of the strongest Nows yet. With the high-quality likes of "Jaded," Janet Jackson's "All for You," Nelly's "Ride wit Me!" (heavily edited for language), and Mystikal's "Danger (Been So Long)" on tap, even Jennifer Lopez sounds pretty good as the beats power by. Does the style-by-style sequencing effectively segregate genres, particularly by placing the rock stuff at disc's end? It's more likely that the appearance of all these tunes in one place demonstrates that the notion of pop as a big tent isn't dead yet. --Rickey WrightCustomer Reviews:
Now 7.......2007-02-15
2.All For You-gets annoying but still good. 3/5
3.Baby Come On Over-I prefer 'Don't Need You to Tell Me I'm Pretty' but this song will do. 3/5
4.In My Pocket-I love Mandy Moore and this song! Love the beat, love the lyrics, love everything. 5/5
5.Play-gets annoying but still good. 3/5
6.The Call-ugh! Love the BSB but they are not rap song people! 0/5
7.Playas' Gon' Play-this song may not make sense to some people but it makes sense to me. Just listen. 4/5
8.Ride Wit Me-too much censoring but good! 3/5
9.Danger-ugh! Not my type of music! 0/5
10.Fiesta-ugh! Again, not my type of music! 0/5
11.Let Me Blow Your Mind-ugh! Again, not my type of music! 0/5
12.What Would You Do-this song is on repeat! I don't like how it's censored though. No part should be censored. This song talks about serious issues which most songs these days don't. This song is awesome! It's sad; it's based on a true story! 5/5
13.Don't Let Me Be the Last to Know-I HATE BRITNEY SPEARS but surprisingly, I like this song! Girls can relate! 3/5
14.This I Promise You-OMG! My mom and I love this song! This song is so beautiful! 5/5
15.Never Had A Dream Come True-I love this song! I can relate to it. 5/5
16.Hanging By A Moment-Jason Wade says this song is about his parents divorce. This is a good song to play if you're depressed--it helps. Even if you're not depressed it rocks! 5/5
17.Jaded-I like this song. This song gets annoying after a while. 4/5
18.From My Head to My Heart-OMG! Evan and Jaron rock! I love this song! They kept making hit after hit! 5/5
19.Flavor of the Weak-awesome song! I only heard this song on the radio once but I love it! 5/5
Anyways, get this CD! IT ROCKS! Play it at a party and you'll be dancing all night!
Vol. 7.......2006-07-18
Laced though with not so common hits, 'Now! 7' still has something to offer to those who are looking for a blast from the past. Samantha Mumba (where is she now) delivers a song we can all remember tearing up the airwaves ('Baby Come on Over') and Mandy Moore gives us another great track with 'In my Pocket' which I don't remember as well as some of the other tracks here.
Never was a fan of Janet's 'All for You' or J. Lo's 'Play', heck, or even Destiny's Child's 'Survivor', but they all have their place in the memory of yesterday right. I actually like 'The Call' and this remix by The Neptunes is off the hook. There is some ballads that maybe should have been avoided, most notably Britney's 'Don't Let me be the Last to Know' and S Club 7's 'Never had a Dream Come True' which is just irritatingly cliche. I always liked N'Sync's 'This I Promise You' but even that may have been beter suited for another CD.
The real gem here though is City High's 'What Would You Do?' which is a song I almost forgot about. It was such a good song back in the day, and even now, listening to it for what feels like the first time I'm left with the same feeling. Great song, great sound and great message.
Yes, I agree that the constant editing of the songs is annoying...I just really with they'd pick songs that don't have to be edited, but I doubt they ever will. These rap songs (like the awful crap R. Kelly and Jay-Z delivered) is too popular with today's generation for them to get avoided when putting together these CD's. Oh well, it's something we all have to deal with to get what we want, if this is indeed what you want.
Buy this album..........2005-06-07
#1 Way To Keep Cool.......2005-03-03
(1) Destiny's Child "Survivor" A-. It may have been overplayed, but it still remains a great modern R&B track. Most distinguishing is that the song is about joyfully moving on. Listener's respond to the song because it offers a positive attitude. It also helps that the beat is terribly addictive, and I'm sure that it's popularity was also helped by the fact that the TV show of the same name was popular at the time as well.
(2) Janet Jackson "All For You" A-. Shows what a dance song is supposed to be, and showcases some of Janet's best work. There isn't too much substance, yet the beat a production are so infectious that you get caught up in it. Janet's vioce sounds as smooth as ever, and adds a nice sexy undertone.
(3) Samantha Mumba "Baby, Come Over (This Is Our Night)" B. Her standard material is compenstated by the urgency in her voice. However she achives it, the song sounds very convincing and even carries some depth. Not a great pop song by any means, but a pretty fun one.
(4) Mandy Moore "In My Pocket" A. From the start we think that this will be your standard pop song, yet it blooms with so much dimension and hidden feelings. The mesmerizing beat engulfs the listener and the lyrics create some mysterious images. This is Mandy Moore at her best.
(5) Jennifer Lopez "Play" B+. Sheds the emotion of "I'm Real" and "Ain't It Funny"; leaving a playful dance single left. J. Lo doesn't settle for average material though, as this is a catchy, clever and original track about her wanting to hear her favorite dance song. Fiery beats make this impossible to resist.
(6) Backsteet Boys "The Call" (Neptunes Remix w/ Rap) A. While it may feel like a strange remix at first; the song does grow on you. Cheating has always been a common theme in music, but this enters a new area with it's modern edge. The lyrics create a true dilemma, while the Neptunes lace them with their quircky beats and rhymes.
(7) 3LW "Playas Gon' Play" B. 3LW doesn't break much new ground; as they don't seem to stand out from the pop crowd. Still, this contains a nice idea with some intelligent writing that rings true. Pop and hip-hop are easily mixed, but the mixture here doesn't pick up flair like it should.
(8) Nelly feat. City Spud "Ride Wit Me" A. A perfect showcase for why Nelly is the best new rapper pf the 2000s. Jason "Jay-E" Eppereson production catchy, bouncy and highy enjoyable. Strange how the song is both "gangsta" and "old school" at the same time. This is hands down a great rap song.
(9) Mystikal feat. Nivea "Danger (Been So Long)" A. Mystikal's usually unappealing voice somehow works here. Maybe it's not really his voice; it could be Nivea's mesmerizing voice, or the striking beat that drive it. I don't even know what this is about, yet I can't help but get dragged into the fun.
(10) R. Kelly feat. Jay-Z and Boo & Gotti "Fiesta Remix" B. Not bad a bad song, just not a satisfiing one. For R. Kelly, it's nowhere near as deep as "I Wish", or as cool as "Thoia Thoing". Jay-Z isn't given much to do and Boo & Gotti are disposible. Fun while it last, then utterly forgetable.
(11) Eve feat. Gwen Stefani "Let Me Blow Ya Mind" A-. One of Eve's best songs ever. Functions in as both a pop and rap song; mainly because Eve and Gwen blend so well together. In general, Dr. Dre and Scott Storch's production make this a stylish little charm of a single.
(12) City High "What Would You Do" A. Less than three minutes long, yet it tell's a striking story with alot of deoth and enotion. Yes, it's cold and startles the listener, but that's the whole intention. Definetly a nice change of pace from most rap songs.
(13) Britney Spears "Don't Let Me Be The Last To Know" B+. The changes that can occur when she drops the "naughty image". True emotion can be found in this pop ballad; the lyrics display true urgency and feelings. Tragedy this didnt find as much success as the disasterous "Oops!...I Did It Again".
(14) *N Sync "This I Promise You" A-. A traditional pop that is done to pefection. The boys never have to try too hard, and just let everything develop natrually. By the end, we see exactly how this beautiful song slowly formed. Also serves as a flip-side to "Bye Bye Bye" and "It's Gonna Be Me".
(15) S Club 7 "Never Had A Dream Come True" A. This usually disposable group (from the awful TV show) somehow hits a home run here. Words that describe this song: deep, emotional, powerful, heartfelt, honest and beautiful. The content is so touching that anyone can relate to it. This is a small pop treasue.
(16) Lifehouse "Hanging By A Moment" A-. They never quite equaled it afterwards, but this is a terrific rock song. It's intelligent, catchy and heartfelt. Falls into the same league as the best work by the Goo Goo Dolls and Matchbox Twenty. In fact, it did go on to become Billboard's #1 song of 2001.
(17) Aerosmith "Jaded" A. One of the best songs the group has ever recorded; and that's no small accomplishment. Steve Tyler's voice delivers the lyrics with true emotion; all set to the piercing guitar beats. This is great rock track which packs quite a punch during its running time.
(18) Evan and Jaron "From My Head To My Heart" B+. It's just as good as "Crazy For This Girl", and that was well done. The two boys have a nice relaxed feel and carry true feeling in their lyrics. Quite refreshing to hear a good natured pop tune these days.
(19) American Hi-Fi "Flavor Of The Weak" A. This workls as well as it does because of it's bluntness. There is a story to be told in it's lyrics, and the song tell's that story straight; holding nothing back. Great summer track that demonstates hard rock at its finest.
Bottom Line: ****. As compilations albums are a dime-a-dozen these days; "NOW" always shows how it should be done. They even top themselves in putting together this masterpiece. It may have been the perfect album for Summer 2001, but it happens to be a great album for any season, of any year. THIS is an album!
One of the best Nows, but nobody beats Now 13.......2004-12-30
Original Grade: C-
Should it be on: B+
Released: May 8, 2001
Earliest Now it could've been on: 7
2. Janet Jackson - All For You: I kind of like this song, but Janet's other songs are a bit better.
Original Grade: B+
Should It Be On: B
Released: March 27, 2001
Earliest Now it could've been on: 6
3. Samantha Mumba - Baby Come On Over: I liked the Now 6 song much better.
Original Grade: B+
Should it be on: A++
Released: September 3, 2001 (released before Now 7 in stores, which is awesome)
Earliest Now it could've been on: 8
4. Mandy Moore - In My Pocket: I like her other songs like "Candy" much better.
Original Grade: B-
Should it be on: A
Released: June 4, 2001
Earliest Now it could've been on: 7
5. Jennifer Lopez - Play: A great song, but a bit old.
Original Grade: A
Should it be on: B+
Released: April 23, 2001
Earliest Now it could've been on: 7...but maybe could've been on Now 6
6. BSB - The Call (Remix): I really hate this group and this song. The remix isn't any better anyway. Plus, it's outdated.
Original Grade: D-
Should it be on: C+
Released: February 19, 2001
Earliest Now it could've been on: 6
7. 3LW - Playas Gon Play: I really do miss 3LW, and I think they should have been around a bit longer.
Original Grade: A
Should it be on: A++
Released: October 18, 2004
Earliest Now it could've been on: 8
8. Nelly - Ride Wit Me: Great song, but the edited version took out the fun of it.
Original Grade: A-
Should it be on: A++
Released: August 27, 2001
Earliest Now it could've been on: 8...or I guess 7 if they made the CD
9. Mystikal - Danger: I have never liked this song. Plus, it's outdated too.
Original Grade: F
Should it be on: C
Released: February 13, 2001
Earliest Now it could've been on: 6
10. Jay-Z/R.Kelly/Boo(?) - Fiesta (Remix): Hate this song!!!
Original Grade: F
Should it be on: A-
Released: May 7, 2001
Earliest Now it could've been on: 7
11. Eve - Let Me Blow Ya Mind: It's an ok track.
Original Grade: B-
Should it be on: A-
Released: May 15, 2001
Earliest Now it could've been on: 7
12. City High - What Would You Do: Another ok track. Also, a bit outdated.
Original Grade: B
Should it be on: B-
Released: February 13, 2001
Earliest Now it could've been on: 6
13.Britney Spears - ...Last To Know: Beautiful bllad, but not as good as "Everytime" or "I'm Not A Girl..."
Original Grade: A-
Should it be on: B-
Released: March 15, 2001
Earliest Now it could've been on: 6
14. Nsync - This I Promise You: Hate boy bands! Very outdated! Ugh!
Original Grade: F
Should it be on: D
Released: October 9, 2000
Earliest Now it could've been on: 5
15. S Club 7 - Never Had A Dream Come True: A bit on the boring side, but I guess it's ok. Heard much better though.
Original Grade: B-
Should it be on: A+++
Released: November 27, 2000
Earliest Now it could've been on: 9
16. Lifehouse - Hanging By A Moment: Great rock song!!!
Original Grade: A+
Should it be on: A
Released: June 5, 2001
Earliest Now it could've been on: 7
17. Aerosmith - Jaded: Ok track. Very outdated.
Original Grade: B
Should it be on: B
Released: February 20, 2001
Earliest Now it could've been on: 6
18. Evan and Jaron: It's a great song....but was never a hit
Original Grade: A
Should it be on: F (see below)
Released: Never was released as a single.
Earliest Now it could've been on: --
19. American Hifi - Flavor Of The Weak: Another awesome rock track!!!
Original Grade: A+
Should it be on: A++
Released: August 27 2004
Earliest Now it could've been on: 8
_________________________________________________________
Top 3 Highest Grade:
1. American Hifi - Flavor Of The Weak (A+)
2. Lifehouse - Hanging By A Moment (A+)
3. 3LW - Playas Gon Play (A)
Top 3 Lowest Grade:
1. NSYNC - This I Promise You
2. Mystikal - Danger
3. Jay-Z/R.Kelly/Boo? - Fiesta (Remix)
Top 3 Most Deserving Songs:
1. S Club 7 - Never Had A Dream Come True
2. 3LW - Playas Gon Play
3. Samantha Mumba - Baby Come On Over
Top 3 Least Derserving Songs
1. Evan And Jaron - From My Head To My Heart
2. NSYNC - This I Promise You
3. Mystikal - Danger
____________________________________________________________
Overall Original Grade: A
Overall Should It Be On Grade: A-
Overall Month For Released Songs: Late-May
Overall Earliest Now: 7
Now 7 did a good job at keeping the latest songs on it. The CD overall grade is very good. This may be the best now CD, but I'm not sure, considering Now 13 is the best. This may be the second best.
____________________________________________________________
Average customer rating:
|
Now That's What I Call Music! 5
Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000051XVR Release Date: 2000-11-14 |
Tracks:
- It's Gonne Be Me - 'N Sync
- Give Me Just One Night (Una Noche) - 98 Degrees
- Jumpin' Jumpin' - Destiny's Child
- Don't Think I'm Not - Kandi
- I Think I'm In Love With You - Jessica Simpson
- Faded - SoulDecision
- Shake It Fast - Mystikal
- Case of the Ex - Mya
- Aaron's party (Come Get It) - Aaron Carter
- Lucky - Britney Spears
- Show Me The Meaning of Being Lonely - Backstreet Boys
- Incomplete - Sisqo
- I Wanna Be With You - Mandy Moore
- Doesn't Really Matter - Janet
- Back Here - BBMak
- Absolutely (Story of a Girl) - Nine Days
- Kryptonite - 3 Doors Down
- Wonderful - Everclear
- It's My Life - Bon Jovi
Amazon.com
The U.S. version of the Now That's What I Call Music series is often pegged as strictly kid stuff. There's no denying that many or most of the singles collected on volume 5 are beloved teen and preteen faves; even with a title cleanup, though, Mystikal's James Brown tribute "Shake It Fast" provides plenty of grownup kicks. As do Destiny's Child, Mya, and Kandi, whose delicious pop-R&B tracks trump the over-30 rock of Everclear's "Wonderful" and Bon Jovi's "It's My Life" for sheer radio wisdom. At the same time, the CD's reliance on cuts stamped from a small handful of templates suggests that a new mainstream revolution is just about due. Till then, the likes of "Don't Think I'm Not" and "Jumpin' Jumpin'" will do just fine. --Rickey WrightCustomer Reviews:
Now 5.......2007-02-15
The Best NOW CD There Is.......2006-09-06
A good stay-in-touch sampler for 2000, at least.......2006-07-27
Track 1, "It's Gonna Be Me" by *Nsync 5/5
For bubble-gummy pop bands of the late 90s, *Nsync is one of the better ones, I think. They always have interesting production. This song grooves, and it has a nice melody. I've picked up a couple *Nsync discs because of this song and I've been happy with them.
Track 2, "Give Me Just One Night (Una Noche)" by 98 degrees 2.5/5
The 16th note groove in the verses should work better than it does for me, but it's okay. The block-harmonized melody in the chorus is a bit too stereotypical for my tastes. Okay, but not great.
Track 3, "Jumpin' Jumpin'" by Destiny's Child 2/5
I keep mentioning groove, but that's about all this song has going for it. There's a melody in the vocals, but it's not very interesting or memorable, and otherwise this is pretty tuneless. Tuneless can work, but this sounds like an incomplete drums/percussion and vocals track, which also makes it overlong.
Track 4, "Don't Think I'm Not" by Kandi 4/5
The opening guitar part sounds like a rip-off of something that I can't quite place. I think it's part Air Supply's "Even the Nights Are Better" and maybe part Christopher Cross' "Arthur's Theme". I haven't heard either for a long time. Anyway, it's changed enough, and I don't mind conspicuous influence in general. Great singing on this track, and a nice, surprising chorus--the strong contrast doesn't seem like it should work, but it does.
Track 5, "I Think I'm in Love with You" by Jessica Simpson 3/5
Of course, this is more than conspicuous influence, the verse and chorus music is a hip-hop drumbeat under a sample of John Cougar Mellencamp's song, "Jack and Diane". I think it works better for the chorus than the verse. I would have rather heard something original on the verses. Simpson can definitely sing, though. This song is nice and catchy, but seems pretty much calculated to be a pop hit, rather than existing because of an artistic desire to express something.
Track 6, "Faded" by Soul Decision 1.5/5
Banal, but with a couple hints of something more interesting wanting to pop out, particularly in the chorus, but I can't get over the lame bass and drum part, the hokey rap break, or the hokey 16th-note "chingy" guitar part. This stuff should only be done this way as a joke by this point.
Track 7, "Shake It Fast" by Mystikal 4/5
Nice. If James Brown did hip-hop. Too bad he hasn't kept out of jail and kept current like that. This is an example of how to do sparse (like the Destiny's Child track) right--it's not tuneless, just minimalistic.
Track 8, "Case of the Ex" by Mya 4.5/5
This has a creative structure with some very interesting orchestration. The whole song, except for the bridge, is the same chord sequence/groove repeated over and over, but the subtle orchestration builds it and develops variations that avoid monotony. The bridge is equally creative and unusual. The vocals are far more traditional but very well done.
Track 9, "Aaron's Party (Come Get It)" by Aaron Carter 1.5/5
The many samples are put together competently, but there's nothing very special or interesting about them. Carter is pretty useless as a rapper. Overall, it sounds like a bad skit from the New Mickey Mouse Club.
Track 10, "Lucky" by Britney Spears 5/5
Spears isn't anything special (or rotten, either) as a singer, but she tended to have excellent producers, songwriters and musicians working for her. These guys thoroughly know their craft. This song is no exception. Very catchy, with great, unusual production and very solid musicianship. I've picked up a couple Spears CDs, too, and like them a lot.
Track 11, "Show Me the Meaning of Being Lonely" by Backstreet Boys 3.5/5
Also solid craftsmanship, but a bit too traditional, over-the-top early 1980s styled Adult/MOR production for my tastes. It tends to sterilize things. Still, this is a decent, well-written song.
Track 12, "Incomplete" by Sisqo 2.5/5
The very beginning is so hokey-syrupy that it's scary, but it quickly recovers some authenticity. Okay song, but too by-the-numbers. A computer program could have written it.
Track 13, "I Wanna Be With You" by Mandy Moore 5/5
Very melodically and rhythmically interesting vocal, sung well by Moore. This has a surprising, almost kd lang-ish feel, and I love lang. You can also hear a heavy, almost trippy 1960s pop influence at times. Yet, it is able to still remain very commercial. Well done.
Track 14, "Doesn't Really Matter" by Janet Jackson 5/5
I liked Jackson long before hearing her here. Impressive singing with a difficult melody as always, with very creative grooves, production, song structure and effective harmony/chord progressions.
Track 15, "Back Here" by BBMak 5/5
A great combination of styles, from slightly Beatles-esque, folky verses to the very artfully written hip-hop/new country choruses. I need to hear more from this artist.
Track 16, "Absolutely (Story of a Girl)" by Nine Days 4/5
A bit derivative and typical, but a good, catchy song. The prechoruses and the short bridge (before the guitar solo) work the best.
Track 17, "Kryptonite" by 3 Doors Down 2/5
Why does the production on this sound horrible? Anyway, the beginning is orchestrated unusually, but doesn't do anything for me--the chord progression and drums are way too banal, the bass (when it arrives) is on autopilot, and that's the case for the whole song. Not much of a melody either.
Track 18, "Wonderful" by Everclear 2.5/5
Argh. Another insipid chord progression and groove. The choruses are better, but not enough.
Track 19, "It's My Life" by Bon Jovi 3/5
More banality harmonically on the verses, but the production makes up for it a bit. Also a nice, typically effective, melodic and anthemic chorus for Bon Jovi.
Vol. 5.......2006-07-18
Pop/R&B sensations Destiny's Child make the grade with 'Jumpin' Jumpin', and while it's not the best song on the album (Bug-a-boo was) it still deserves to be heard. As does Kandi's 'Don't Think I'm Not' which I had all but forgotten about until slipping this in the other day and reliving the fun and energy in this great track. Simpson before she sucked...well, she still wasn't anything great but at least she could carry a tune.
LOVE 'Faded' and always will, just a great song with a great vibe and some dirty lyrics while still remaining somewhat clean! Mystikal is great, but 'Shake it Fast' should never be cleaned up, it just loses EVERYTHING! Loved Mya when 'Case of the Ex' was released, and while she's lost something with me over the past few years this song will always be one I enjoy.
Skip the yuck that is Carter.
Britney should have puked on 'Lucky' when they handed her this crap, instead she sung it and we all had to listen to it. Thank god she became a skank. I can take or leave Backstreets offering, just not the best for them. Sisqo should have never left Dru Hill, or was it that they should have never taken him back...I always forget. Mandy gives us more of what we like (although she's a far better actress than singer...but a far better singer than the other teen queens) and Janet finally gives me a track to be proud of...I just love this little ditty! BBMak, Nine Day, 3 Doors Down, Everclear and Bon Jovi (!) close out the album with it's rock/poprock set and they do a decent job, everyone of them, although Everclear and Bon Jovi stand out as the vetrans and the more polished artists, although I will mention that BBMak's track was very good for a new artist.
All in all it's good but I don't know if they can really be forgiven for giving us 'Aaron's Party'!
Now 5.......2005-11-17
So as you can see, this has something for everybody: pop, R&B, hip-hop, rap, and even rock. It has everything from boy bands to teen pop soloists to rock bands. I recommend you buy this Cd, although I definitely recommend that you skip the *N Sync song and go right to track #2. Almost every song from track #2 on is worth listening to. Buy this Cd if you haven't yet already!
Dance Music:
- Obey Consume Marry Reproduce
- On Our Worst Behavior
- Orange Moon Over Brooklyn [Explicit Lyrics]
- Pure Poverty
- Pushin' Weight [CD-single] [Explicit Lyrics]
- Raw Deluxe [Extra tracks] [Import]
- Rhythm-al-ism [Explicit Lyrics]
- Rhythm & Rave
- Roots of Evil [Explicit Lyrics]
- RZA as Bobby Digital in Stereo [Explicit Lyrics]
Dance Music
Maurice Ravel: Miroirs and Gaspard de la Nuit
Monkiana: Tribute to Thelonious Monk
Let's Get It on [Import] [Original recording remastered]
Men in Plaid: A Tribute to the Bay City Rollers
Mahler - Symphony No. 3 & No. 10 (Adagio) / Podles, Wit
Puritani-Complete Opera-1967: W. Moffo, Duval, Giaiotti; Guadagno - Phil./1967