Rooftop Soundcheck

1. Due Our Time

2. Trouble on My Mind

3. Flexin' Tha Ill Funk

4. Dedication to Bambaataa

5. Summer in the City

6. Santana

7. Ill-River Expedition

8. Justice Funkin'

9. Jacquelina

10. Just Because

11. Soulstyle

12. Take It to the Stage

13. Summer in the City [Sunshine Blend]

14. Jacquelina Outro

Tracks:

Due Our Time
Trouble on My Mind
Flexin' tha Ill Funk
Dedication to Bambaataa
Summer in the City
Santana
Ill-River Expedition
Justice Funkin'
Jacquelina
Just Because
Soulstyle
Take It to the Stage
Summer in the City [Sunshine Blend]
Jacquelina Outro

Customer Reviews:

Completely unlike ANY other..........2007-06-13

Justice System's 1994 debut "Rooftop Soundcheck" is simply one of the most unappreciated masterpieces in hip hop. This album is beyond hip hop at its best; it's pure music at its best. This album is unique to the point that I have a hard time comparing it to any other, and it's genre-defying so that labeling it "hip hop" doesn't do it justice. Justice System is a seven piece band, including bass, guitar, sax, drums, keyboards, and two rappers. When you hear this description, The Roots probably come to mind, but I wouldn't really compare the two. Justice System's sound is rich, focused, and absolutely original, and those familiar with The Roots probably wouldn't find too many similarities. Justice System's songs are so well produced. For one thing, the songwriting is great. The songs are free-flowing yet structured, and the instrumentation is incredibly tight. The musicians are so amazingly talented individually, yet play together like a unit. It's hard to describe the musical sound using comparisons. The music is very funky, but has a soulful vibe and ranges from bobbing and midtempo to swinging and upbeat. The soaring horn lines evoke the finest jazz-rap of the early-90s, and the percussion adds a great feel. The music maintains a very live feeling, but at the same time is quite clean. Anytime I put this in, my head nods immediately and does so until it's done. The rappers of Justice System are Folex and Jahbaz. These two are fun to listen to, they have versatile flows and artistic inclinations, capable of painting vivid pictures of an urban setting or putting together clever lines and verses. They would be able to hold their own without a great band behind them, but the spotlight usually isn't taken off the excellent instrumentation. This album is so amazing and unique it's hard to put in words, but every track is so well done it can really make you feel good. "Rooftop Soundcheck" is also so consistent that there's not a single track worth skipping, there's really not any track that's much better than any other, and that can't be said about very many albums of any genre. All in all, this album is a true masterpiece and musical triumph, and you must hear it to appreciate it.

The album opens with "Due Our Time," a driving, upbeat number which shows lyrical artistry and great songwriting. The light guitar strums and drum kicks make for a great start to the album. I love "Trouble on My Mind," which has great verses, showing deep thought and vocabulary, along with some clever one-liners. The hook is awesome, I really like the sax part and bassline. The simple, twangy funk of "Flexin' tha Ill Funk" allows the verses from Folex and Jahbaz to take the spotlight. "Dedication to Bambaataa" is happy sounding all around, a track giving props to the hip hop pioneer, it's a lot of fun. Perhaps the best track is the incredible "Summer in the City," a song that will have you coming back to play over and over again all summer. This song has a really laidback vibe, mostly influenced by the lyrics, capturing a sunny weekend day. But all the instrumentals here are so well executed, this is really the band at their best and shows what they're really capable of. This is a song that really can evoke great feelings. The instrumental "Santana" features some guitar and keyboarding reminiscent of the great Carlos himself, and his band during the seventies, musically another highlight. "The Ill-River Expedition" showcases excellent guitar solos, and the ultra-funky "Justice Funkin'" is just great, with a musical chorus that makes this track worth putting on repeat. Both of these songs have the elements that make this album so great: true musical talent, lyrical artistry, and a totally unique vibe. They are impeccably written and produced and sound unlike anything else, yet are executed to perfection. The short musical interlude "Jacquelina" precedes "Just Because," a really fun song. The muted trumpet that starts the song gives way to a great guitar line, and if your head's not nodding by the time the sax kicks in then something's wrong with you. Lyrically, it's just as fun, centering around a funny conversation with a woman. "Soulstyle" is just short of incredible, with a rolling bassline and understated instrumentals that evoke the imagery of a rainy day. The vocals are delivered in a beautiful manner, the sing-song flow that gives way to the laidback hook is so cool, this song is among the best. "Take It to the Stage" is a swinging, horn-heavy number, quite enjoyable, and it's followed by another mix of "Summer in the City," a little simpler and rawer than the other, with some cool female vocals. The tracklist closes with the short "Jacquelina Outro."

"Rooftop Soundcheck" always has me coming back for more, especially in the summer. I'll go through phases where I listen to nothing but this album. It's sad to me that such an incredible product can go so overlooked by the mainstream and be dropped by record labels, but I guess the world just can't appreciate the true artistic greatness of Justice System. You certainly don't need to be a hip hop fan to like this album, I've passed it to aficionados of all types of music and I've yet to find someone who doesn't like it. You can still find this album around record shops, and it also has become recently available on iTunes (in the iTunes store, the title is "Sounds of the Rooftop," but the tracklist and cover are identical). I might be getting redundant, but I can't sing the praises enough. I've heard hundreds of hip hop albums, but honestly this is one of a select few that can bring so much joy. Don't just take my word for it: this album is a piece of musically creative perfection.

PURITY...Flexin' the ill funk!.......2006-06-12

What you're looking at here, is the most musically diverse and original masterpieces in hiphop, from a time when creativity and orginality was at its peak, 1994. Rooftop souncheck is one of the best albums, that you've never heard of. As with many groups from the 90's, Justice system never got the recognition they so deserved, and as a result have to be one of the most slept on & under-appreciated groups ever to make an album. The first thing to note about this album is the fact that it is very fresh, with all real instruments which just gives of that pure vibe, that is sadly missing from Hiphop, now and then (Similar to the roots, but more funky and with more instruments being played). Justice System consists of; Folex (MC), Jahbaz (MC,Scracthes), Coz Boogie (Bass), Wizard C Roc aka Mudfoot (Guitars) Mo' Betta Al aka Starchild (Tenor Sax, Rhodes Piano), Eric G (Drums) & Bim - E ("Raw Bronx vocals"). The best thing, every artist holds their own, and contribute their essence to make "rooftop souncheck" a total essential to those looking for Hiphop done right, for the love & purity of what it is. Now, unlike what another reviewer has said, the MC's (Folex & Jahbaz) are phenomenal, and posess that typical freestyle/original b boy flava that was so evident in the 90's. By no means necessary do they have an "old school flow", both flippin' their styles from fiery to laid back whenever they need to, to suit the beat. Similarly, the lyrical substance displayed throghout the album is very thought provoking, down to earth and most importantly conscious ; Justice system are all about making music, not gimmicks.

There are 14 tracks on the album (2 of which are short musical interludes and "Santana" being a track with no Mc'ing, allowing all musicians to display their natural funk and raw talent). THERE IS NOT ONE SINGLE WEAK TRACK ON THE ENTIRE ALBUM, nor is their any tracks that even scrape "OK", with each song having it's own concept; they all bring their own individuality and enable the hiphop heads to truly indulge in a variety of music, straight consistency.

Now after reading this, I beg fans of that TRUE hiphop, the type that doen't talk about materialistic ish or gimmicks, to cop this right away. It needs to be in your collection, don't even listen to it (take my opinion for what it is worth) and show respect where respect is due to one group who ironically, gained absolutely no justice under the system.What a shame. PEACE! DON'T SLEEP ANY LONGER!

Lyrics - 10/10
Beats - 10/10
Origianlity - 10/10
Replay Value - 10/10 >>>>>>Flawless

If you found this helpful, check my other reviews

Best funk-jazz based Hip-Hop.......2003-02-11

This is a very good old school hip-hop record. It combines very up beat rythms with groovy funk and soulful jazz. Most of the lyrics and verses are smooth, but their flows are still old school and lack in complexity. Overall I think anyone who likes hip-hop or jazz will enjoy this album thoroughly.

Average customer rating:

Completely unlike ANY other...
A big mistake
Fantastic Groovealicious Funk-Hop
CASTLE HILL/BRONX RIVER MEMORIES

Rooftop Soundcheck
Justice System
ProductGroup: Music
Binding: Audio CD

General | Rap & Hip-Hop | Styles | Music
ASIN: B0000564N0

Customer Reviews:

Completely unlike ANY other..........2007-06-13

Justice System's 1994 debut "Rooftop Soundcheck" is simply one of the most unappreciated masterpieces in hip hop. This album is beyond hip hop at its best; it's pure music at its best. This album is unique to the point that I have a hard time comparing it to any other, and it's genre-defying so that labeling it "hip hop" doesn't do it justice. Justice System is a seven piece band, including bass, guitar, sax, drums, keyboards, and two rappers. When you hear this description, The Roots probably come to mind, but I wouldn't really compare the two. Justice System's sound is rich, focused, and absolutely original, and those familiar with The Roots probably wouldn't find too many similarities. Justice System's songs are so well produced. For one thing, the songwriting is great. The songs are free-flowing yet structured, and the instrumentation is incredibly tight. The musicians are so amazingly talented individually, yet play together like a unit. It's hard to describe the musical sound using comparisons. The music is very funky, but has a soulful vibe and ranges from bobbing and midtempo to swinging and upbeat. The soaring horn lines evoke the finest jazz-rap of the early-90s, and the percussion adds a great feel. The music maintains a very live feeling, but at the same time is quite clean. Anytime I put this in, my head nods immediately and does so until it's done. The rappers of Justice System are Folex and Jahbaz. These two are fun to listen to, they have versatile flows and artistic inclinations, capable of painting vivid pictures of an urban setting or putting together clever lines and verses. They would be able to hold their own without a great band behind them, but the spotlight usually isn't taken off the excellent instrumentation. This album is so amazing and unique it's hard to put in words, but every track is so well done it can really make you feel good. "Rooftop Soundcheck" is also so consistent that there's not a single track worth skipping, there's really not any track that's much better than any other, and that can't be said about very many albums of any genre. All in all, this album is a true masterpiece and musical triumph, and you must hear it to appreciate it.

The album opens with "Due Our Time," a driving, upbeat number which shows lyrical artistry and great songwriting. The light guitar strums and drum kicks make for a great start to the album. I love "Trouble on My Mind," which has great verses, showing deep thought and vocabulary, along with some clever one-liners. The hook is awesome, I really like the sax part and bassline. The simple, twangy funk of "Flexin' tha Ill Funk" allows the verses from Folex and Jahbaz to take the spotlight. "Dedication to Bambaataa" is happy sounding all around, a track giving props to the hip hop pioneer, it's a lot of fun. Perhaps the best track is the incredible "Summer in the City," a song that will have you coming back to play over and over again all summer. This song has a really laidback vibe, mostly influenced by the lyrics, capturing a sunny weekend day. But all the instrumentals here are so well executed, this is really the band at their best and shows what they're really capable of. This is a song that really can evoke great feelings. The instrumental "Santana" features some guitar and keyboarding reminiscent of the great Carlos himself, and his band during the seventies, musically another highlight. "The Ill-River Expedition" showcases excellent guitar solos, and the ultra-funky "Justice Funkin'" is just great, with a musical chorus that makes this track worth putting on repeat. Both of these songs have the elements that make this album so great: true musical talent, lyrical artistry, and a totally unique vibe. They are impeccably written and produced and sound unlike anything else, yet are executed to perfection. The short musical interlude "Jacquelina" precedes "Just Because," a really fun song. The muted trumpet that starts the song gives way to a great guitar line, and if your head's not nodding by the time the sax kicks in then something's wrong with you. Lyrically, it's just as fun, centering around a funny conversation with a woman. "Soulstyle" is just short of incredible, with a rolling bassline and understated instrumentals that evoke the imagery of a rainy day. The vocals are delivered in a beautiful manner, the sing-song flow that gives way to the laidback hook is so cool, this song is among the best. "Take It to the Stage" is a swinging, horn-heavy number, quite enjoyable, and it's followed by another mix of "Summer in the City," a little simpler and rawer than the other, with some cool female vocals. The tracklist closes with the short "Jacquelina Outro."

"Rooftop Soundcheck" always has me coming back for more, especially in the summer. I'll go through phases where I listen to nothing but this album. It's sad to me that such an incredible product can go so overlooked by the mainstream and be dropped by record labels, but I guess the world just can't appreciate the true artistic greatness of Justice System. You certainly don't need to be a hip hop fan to like this album, I've passed it to aficionados of all types of music and I've yet to find someone who doesn't like it. You can still find this album around record shops, and it also has become recently available on iTunes (in the iTunes store, the title is "Sounds of the Rooftop," but the tracklist and cover are identical). I've heard hundreds of hip hop albums, but honestly this is one of a select few that can bring so much joy. Don't just take my word for it: this album is a piece of musically creative perfection.

A big mistake.......2002-06-08

Someone at the record label made a big mistake if they dropped these guys. If the group broke up , that was a mistake too. I bought this album when it first came out several years ago. I still listen to it today and it still sounds better than 99.9 % of the stuff I come across. It is like jazzy old school funk and rap. People who don't like live instuments
might have a problem with it.It is not one guy and some rappers in the studio or in a bedroom with a synthesizer and a sampler. This album is what hip-hop/ rap ought to be. It sounds like a bunch of guys with instuments who can really play hookin' up with some primo rappers from the Bronx and just jammin'. It is unfortunate that they got zero promotion. I would really like to know what happened to them.

Fantastic Groovealicious Funk-Hop.......2002-02-19

What happened to these guys? Take away the fact that these cats are relatively unknown (I first heard their track off of a music comp cd), this CD is an essential part of any hip-hop/funk collection.
With tracks like 'Take it to the Stage', you cant go wrong. This album has Funk all over it. Some great musicianship and fantastic production here as well, try it, you'll like it!

CASTLE HILL/BRONX RIVER MEMORIES.......2001-05-04

This album is all about stylish, eclectic, jazzy grooves; mellow, non-gansta rhymes; and memories of days long gone. Even if you didn't grow up in the Bronx, and don't get all the references, you will still be able to nod your head to this one. Find a copy and give it a listen. This is what hip-hop should be: talent and style, not sociopathic swagger. Avoid the endless parade of negative urban imagery and suburban splatterpunk fantasies. I only wish this CD was still available in the U.S.