| 1. Satanic Reverses |
| 2. Famous and Dandy (Like Amos and Andy) |
| 3. Television, the Drug of the Nation |
| 4. Language of Violence |
| 5. Winter of the Long Hot Summer |
| 6. Hypocrisy Is the Greatest Luxury |
| 7. Everyday Life Has Become a Health Risk |
| 8. Ins Greencard A-19 191 500 |
| 9. Socio-Genetic Experiment |
| 10. Music and Politics |
| 11. Financial Leprosy |
| 12. California Über Alles |
| 13. Water Pistol Man |
Hypocrisy Is the Greatest Luxury,The Disposable Heroes of Hiphoprisy,4th & Broadway,Alternative Rap,Hip-Hop,Political Rap,Rap,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues
Average customer rating:
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Hypocrisy Is the Greatest Luxury
Disposable Heroes Of Hiphoprisy Manufacturer: Fontana Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005HST Release Date: 1992-03-03 |
Tracks:
- Satanic Reverses
- Famous And Dandy (Like Amos 'n' Andy)
- Television, The Drug Of The Nation
- Language Of Violence
- The Winter Of The Long Hot Summer
- Hypocrisy Is The Greatest Luxury
- Everyday Life Has Become A Health Risk
- INS Greencard 1-19 191 500
- Socio-Genetic Experiment
- Music And Politics
- Financial Leprosy
- California Uber Alles
- Water Pistol Man
Amazon.com
Although this group is long defunct, its one major recording will be fondly remembered for years--if not decades--to come. The Heroes consisted of rapper Michael Franti and percussionist Ron Tse; together, the San Francisco Bay area-based duo created a biting, politically savvy record that touched on both personal vulnerability and governmental venality. Franti used the microphone to preach about injustice, homophobia, materialism, and apathy. Although Public Enemy had long before established hip-hop's political potential, they never quite attained Franti's ability to translate black rage into universal themes. In the Heroes' best number, "Television, the Drug of the Nation," Franti raps, "Imagination is sucked out of our children by a cathode ray nipple / Television is the only wet-nurse that would create a cripple." Unfortunately, after extensive touring, the pair went their separate ways, Tse to a variety of solo projects and Franti to Spearhead. --Martin JohnsonCustomer Reviews:
History is so kind.......2007-03-17
Largely ignored on its release, treated as an oddity by those who knew about it, this album is not the great political or artistic statement some reviewers would have you believe. It's certainly different, and if you're one of those tiresome people who believe anything different is 'better', you'll probably enjoy it. At the time of its release the only real hype around the album was based around its odd percussive elements, which turned out to be much more interesting conceptually than sonically.
Really this isn't even a rap album. It's spoken word, a form of performance art that I find incredibly difficult to tolerate even on good days. It's Franti rambling - strangely without passion or any real cleverness - over admittedly bizarre beats. But that's really it. And although I'd probably agree with you if you started lecturing me about how profanity is too rampant in entertainment, etc, it's just odd - almost Raffi-esque - to hear an entertainer use the word 'poop' in a song.
Franti moved on to more structured songwriting with Spearhead, whose work is much easier to listen to and somewhat more mature. Nostalgia aside, this album is probably best forgotten along with Me Phi Me and the Fu-Schnikens.
Best Album of All Time.......2007-02-27
sensationally underrated rap album.......2006-10-18
It's brilliant. What it does is give a great rap vocalist a platform to preach on - Franti has quite a heavy voice - a good one - and it needs a heavy soundtrack behind it. The music is clever, catchy and powerful, the lyrics are well thought through but it's a very good mix of sounds right through the album. 'television' stands out a bit, 'socio genetic experiment' is another but it's top shelf right through.
Only failing of the record is that it's not going to fit a lot of people's tastes. Is a 100% different thing to any of Michael Franti's Spearhead stuff, which I like also but it's nothing like that. And because of that it may be hard for many people to conceptualise. It's not a classic rap album and nor is it a classic 'industrial' album.
Is definitely worth a listen - at least to Television and Socio... just to get a feel if you're interested or not - it is really clever and enjoyable.
Oh enough already!.......2006-06-29
They have plenty to say, of course, but that doesn't make their music good. On the contrary, the lyrics are so preachy that it's like having a sledgehammer hitting you over the head. Not that the lyrics have the force hip hop lyrics should. These guys drone out their whiny manifestos without a trace of rhythm or passion. And, on top of that, the beats are among the worst I've ever heard on a rap album.
I have no idea what the Amazon.com reviewer above is talking about (and clearly neither does he). I was into hip-hop back when this thing was released. It sank without a ripple because there were plenty of excellent hip hop artists speaking their minds AND making great music (try Public Enemy, Ice Cube, or even Arrested Development). This CD was not important back when it was released, and it had no impact at all on the development of hip hop or rap.
Buy this now.......2006-02-12
The album was a socially aware rant at society back in the day, using spot on lyrics, fantastic beats, scratches and instruments such as angle grinders and chains, but it hasn't lost relevance because we still have so much to learn.
I realise that it's now 2006, but this is still one of my favourite albums of all time. While some of the songs have dated slightly others (esp. Winter of the Long Hot Summer about Gulf War 1991) are all the more significant.
There is not a bad song (lyrically or musically) on the album and if I could give it 6 stars I would.
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