Breakdown [EP] [CD-single]

Breakdown [EP] [CD-single]

Track Listings

1. Breakdown [LP Version]
2. Breakdown [Dunkafelic Remix]
3. Breakdown [Marc Niles Remix]
4. Breakdown [Dunkafelic Remix Instrumental]
5. Sneakin' up on Ya [LP Version]

Breakdown,Fu-Schnickens,Jive,Comedy Rap,Hip-Hop,R&B,Rap,Rap & Hip-Hop
Breakdown: Live Recordings 1973
Average customer rating: 5 out of 5 stars
  • Breakdown: Live Recordings
  • Real Bluegrass But With An Innovative Approach
  • Just Excellent!!
  • Vassar--Goodbye and Hello
  • Fantastic album
Breakdown: Live Recordings 1973
Old & in the Way , Jerry Garcia , and David Grisman
Manufacturer: Acoustic Disc
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. That High Lonesome Sound
  2. Old & In the Gray
  3. The Pizza Tapes
  4. Shady Grove
  5. Grisman & Garcia

ASIN: B00000391Q
Release Date: 1997-11-18

Tracks:

  1. Introduction-Peter Rowan
  2. Home Is Where The Heart Is
  3. Down Where The River Bends
  4. On And On
  5. The Hobo Song
  6. Old & In The Way Breakdown
  7. 'Til The End Of The World Rolls 'Round
  8. Panama Red
  9. You'll Find Her Name Written There
  10. Kissimee Kid
  11. Goin' To The Races
  12. Midnight Moonlight
  13. Working On a Building
  14. Muleskinner Blues
  15. Pig In A Pen
  16. Drifting Too Far From Shore
  17. Jerry's Breakdown
  18. Wild Horses
  19. Blue Mule

Amazon.com

Short-lived and with only a limited output, this five-piece bluegrass band nevertheless helped spread the gospel of this extraordinary genre via the famous coattails of its most notorious member: Jerry Garcia. However, they were no novelty act. Breakdown is the second posthumous release culled from a series of 1973 concerts in San Francisco. At a robust 70 minutes, the album flows like a complete live set, featuring scrumptious musicianship and harmonious camaraderie. Much better than the eponymous debut from 1975--and a perfect second volume companion to 1996's equally worthy That High Lonesome Sound--Breakdown features covers of greats Bill Monroe and Flatt & Scruggs, originals by the band's guitarist Peter Rowan, fiddler Vassar Clements and banjoist Garcia. A must own for any fan of acoustic music and a great primer for bluegrass neophytes. --Greg Emmanuel

Customer Reviews:

5 out of 5 stars Breakdown: Live Recordings.......2007-05-12

Great Bluegrass music! A must have for the fan of the genre.

5 out of 5 stars Real Bluegrass But With An Innovative Approach.......2006-01-20

What I like about this band is that is they are able to mix authentic bluegrass with a little something more experimental and unique. For example, the songs include several covers from bluegrass legends like Bill Monroe and the Stanley Brothers. But also some originals, mostly written by guitarist Peter Rowan. Actually I think Rowan demonstrates outstanding song writing ability on songs like "Panama Red" and "Midnight Moonlight". So it's a shame that he remained in relative obscurity as a musician. But still his music shines through on this album. I also love the mandolin sound of David Grisman and Vassar Clements' fiddle playing!

Among the traditional songs, I especially liked the patriotic "Down Where The River Bends" and the old gospel tune "Drifting Too Far From The Shore". It's ironic because the lyrics of these songs are so different from my personal experience and yet they manage to move me deeply. It's funny how music can do that to you. In any case, this is a fine album and I recommend it highly to both straight-up bluegrass lovers and rock fans drawn to it by Jerry Garcia. Good stuff!

5 out of 5 stars Just Excellent!!.......2005-09-15

I grew up on bluegrass, and then as i got older I grew away from it. Years later I was listening to Led Zeppelin, Grateful Dead, etc.. It was after listening to "Cumberland Blues" off the Dead's Workingmans Dead album that I heard the banjo in the background. I found out later it was Garcia. Looked into it further and found Old & In the Way years ago. I've been playing banjo going on 14 years now because of Jerry, and the love for the music that I rediscovered. A lot of people put down his playing, but you try picking a banjo with your thumb, pointy and ring (middle finger was chopped off in accident as a child) and you'll see his handicap didn't slow him down. The rest of the musicians are excellent as well. Vassar was a fiddling Wonder! And the "dawg" is great as well.All three OAITW albums are classics!

5 out of 5 stars Vassar--Goodbye and Hello.......2005-08-19

I agree wholeheartedly with reviewer Cox here. Most will come for Garcia, but will stay for Vassar. The group playing is a little ragged here and there (a live performance, after all), but so much is first rate bluegrass, and I've never heard Vassar Clements so fiery--more daring than on his work with Nitty Gritty DB (which is also splendid), Bela Fleck, or even on his solo albums. Grisman is a delight as always, bur VC steals the show. Sorry to say, I just read Vassar's obit in the NYTimes yesterday. Alas. But this CD is a reminder of his great talent.

5 out of 5 stars Fantastic album.......2005-08-15

In short, this is one immensely satisfying bluegrass album. The three soloists (Garcia, Clements, and Grisman) are excellent, and Clements' fiddling is jaw-dropping. Grisman, as usual, displays a keen sense of phrasing and a still-astonishing speed. Garcia can actually play the banjo with some ability, though his solo breaks are usually restricted to the melody or some spruced-up chord progression. It's interesting that after almost every solo, Jerry gets some cheers--from G.D. fans, I imagine--while Grisman and Clements (both of whom are vastly superior to Garcia in bluegrass terms) rarely get much individual applause.
I'm not trying to disparage Garcia's playing--he definitely holds it together, and considering his G.D. history, I was surprised by his abilities.
The group excells at making the songs accessible, both in the choice of songs and in the playing.

Some particularly enjoyable songs:
Kissimmee Kid (Clements and Grisman shine)
Wild Horses
Midnight Moonlight
The Hobo Song

Buy this album immediately. It's certainly worth it; when I first bought it, it didn't leave my car stereo for about 2 weeks.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Disciplined Breakdown
Average customer rating: 4.5 out of 5 stars
  • Household Favorite
  • Outstanding!
  • not a critic, however opinionated
  • As good as all their others.
  • Possibly the Best of Collective Soul
Disciplined Breakdown
Collective Soul
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dosage
  2. Hints Allegations and Things Left Unsaid
  3. Collective Soul
  4. Blender
  5. 7even Year Itch: Collective Soul Greatest Hits 1994-2001

ASIN: B000002JCB
Release Date: 1997-03-11

Tracks:

  1. Precious Declaration
  2. Listen
  3. Maybe
  4. Full Circle
  5. Blame
  6. Disciplined Breakdown
  7. Forgiveness
  8. Link
  9. Giving
  10. In Between
  11. Crowded Head
  12. Everything

Customer Reviews:

5 out of 5 stars Household Favorite.......2007-06-08

I got to first and foremost admit to being a huge Collective Soul fan. Well, this was the first record that came out since I've enjoyed listening to them so much, so naturally, I bought and fell in love with it almost immediately.

For Collective Soul, this is very similar to 2 of their other albums (even more so than the rest). Disciplined Breakdown breaks down like Collective Soul (the second record) and also like Blender (the fifth record). This is more consistently melodic than Blender while also seeming more consistently heavy than Collective Soul.

Less generally speaking, I love the songs here. Like Full Circle fits the title and somewhat tells a story while remaining melodic, catchy, a rock song, and a typical Collective Soul song. They took a stab at perfection with all of the brilliant timing setup in Blame: that song is just marvelous the way it all comes together. That old titlecut Disciplined Breakdown, well, here's the breakdown: not a radio single but it is the best song on the record. More???...well, it has it all--it is just a well-writen, fierce, complete song.

The songs on this album are vividly complex, by the way. I think Ed and Dean Rollands' Songwriting abilities really come through on this record. Wow, what a winner.

5 out of 5 stars Outstanding!.......2005-12-02

What a great CD! Haven't taken it out of CD player since I first heard it! I'm a newcomer to CS, starting with Youth and working my way backwards to the beginning of their collection--This is one terrific CD that I, as many other viewers, keep playing each song two and three times over until I get to the next song. This one just rocks! Every single song is awesome! Great lyrics, great writing. To me, this is the best one and not to be missed.

4 out of 5 stars not a critic, however opinionated.......2005-02-15

Another solid outing by Collective Soul

Precious Declaration gets the album off to an energetic start with a little of CS' way of telling it like it is. Things soften a little with Listen and Maybe, yet both songs show an intricacy and level of emotion not present in many songs today--especially Maybe. Full Circle is one of those feel-good songs, but it is a little too light musically--maybe it's the harmonica, maybe the horns--there is a definite yet very slight annoying quality. Blame is bookended by short acoustic numbers--maybe to calm listeners in advance of the harsh lyrics(that is, if they could refer to you). The title track is classic saw-blade distortion seen on previous Collective Soul work, and it works well here. The next four songs--Forgiveness, Link, Giving, and In Between--all have that endearing quality and beautiful production that is always present when Collective Soul show a softer musical side. Some may be turned off by the pristine production, but at the same time it enables the listener to pick out the various details. Crowded Head definitely lets out a little frustration, and is not a favorite here musically, yet it's done well. Everything returns to the old recipe of meaningful lyrics set over top of layers and layers of clear, concise giutar work, solid lyrics and good percussion--the norm on this album. Collective Soul continue to mature with this offering, and time has treated this one well.

4 out of 5 stars As good as all their others. .......2004-09-01

I have always liked "Collective Soul" since their first single came out, but for some reason I never gave this third album a listen. My mistake. What a great record. I find it to be just as good as anything else they've done, so if you like anything from the debut to "Blender", you should like this. It starts with the two excellent songs "Precious Declaration" and "Listen", picks up again with the title cut and "Forgiveness", and continues to impress with "Link", "Giving", and "Everything". Overall a must for fans, and anyone who likes pop, rock, or grunge should enjoy it. I hear they're working on album #6, let's hope it's this good.

5 out of 5 stars Possibly the Best of Collective Soul.......2003-07-09

I first heard of Collective Soul with the single "Shine" and I was a little impressed, but not enough to buy the CD. When "Disciplined Breakdown" came out, I decided to give it a shot. WOW!! Talk about major growth as artists!! I was amazed at the complexity and layers of their music as well as the deepness of their lyrics. "Precious Declaration" is one of my favorite songs to rock out to, "Listen" is very artistic pop/rock, "Maybe" is one of my favorite songs - speaks of the feelings you experience of losing someone close to you - beautifully acoustic guitar here. "Full Circle" and "Blame" are gems of pop/rock music as well with very intense lyrics. This was one of the most under-sold and under-rated CDs of the 90's and remains one of my most-played CDs even today. I highly recommend this band to people who value deep lyrics and artistic music... Collective Soul does not disappoint!
Make Up the Breakdown
Average customer rating: 4 out of 5 stars
  • Good Good Greatness
  • Sing-A-Long fun
  • Nothing like before...
  • Super Happy Funky & Energizing!!!
  • great CD
Make Up the Breakdown
Hot Hot Heat
Manufacturer: Sub Pop
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Elevator
  2. Scenes One Through Thirteen
  3. The Bravery
  4. Employment
  5. First Impressions of Earth

ASIN: B00006L3PY
Release Date: 2002-10-08

Tracks:

  1. Naked In The City Again
  2. No, Not Now
  3. Get In Or Get Out
  4. Bandages
  5. Oh, Goddamnit
  6. Aveda
  7. This Town
  8. Talk To Me, Dance With Me
  9. Save Us S.O.S.
  10. In Cairo

Album Description

'Make Up The Breakdown' is the second album release for the Canadian angular post-punk pop act, who have been compared to XTC & The Cure. It follows 2002's 'Scenes One Through Thirteen' which brought together tracks from their early EPs. 10 tracks. Limited edition UK reissue is scheduled to include UK versions of the two songs 'No Not Now' & the single 'Bandages'. B-Unique. 2003.

Album Details

Limited UK Edition CD in Special Packaging with Extra Bonus Tracks.

Customer Reviews:

5 out of 5 stars Good Good Greatness.......2007-07-20

I became obsesed with hot hot heat after the debut of Elevator. I couldn't believe that this band could become anymore upbeat. That is untill I listened to this album. It is simply the kind of cd that you want to listen to very LOUD while jumping around because otherwise there would be too much energy trapped inside of you. Well I guess you could jog to it too or something if you are more practical, but anyways this is a GREAT ALBUM especially if your a indie rock fan.

5 out of 5 stars Sing-A-Long fun.......2006-09-06

This is party music with a 80's new-wave vibe. Every song is a hit and it's so catchy that some of the songs will stay in your head long after hearing them. Get it!

5 out of 5 stars Nothing like before..........2006-08-03

When you first hear them your like "what was that?" 10 great songs to dance to, even "In cairo" the slow ballad of which he is not sure of. The whole album is full of yelping and screaming, well not much screaming more melodic. Catchy, but fast some might say to fast as one learns in the first single "bandages". having many rhymes and truths about life that come out subtlely (not sure if it is spelled right) "Make up the breakdown" is Dance, sing, catchy, truthful, and awesome!

5 out of 5 stars Super Happy Funky & Energizing!!!.......2006-07-29

Every time I listen to this album, I have to jump up and down!!! Lot's of fast tempo beats and super fun lyrics! I highly recommend it!

5 out of 5 stars great CD.......2006-07-21

i completely love this whole album. what's great about it is that you can never get any of these songs confused with another on the CD, each song has something different and special about it. "bandages" and "this town" are great songs. as well as everything else on the cd. but those are just my favorites. it's definately worth owning.
The Constant Gardener
Average customer rating: 4.5 out of 5 stars
  • Beautiful Score
  • Only track 13
  • Great Service
  • A nice reminder of a very moving movie
  • it captures the spirit of the movie
The Constant Gardener
Alberto Iglesias
Manufacturer: Higher Octave
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Africa | International | Styles | Music
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  1. En Mana Kuoyo
  2. African Voices
  3. Munich
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  5. The Constant Gardener (Widescreen Edition)

ASIN: B000A7DVPY
Release Date: 2005-08-16

Tracks:

  1. Tessa's Death
  2. Roadblock
  3. To Germany
  4. Tessa In The Bath
  5. Jomo Gets An HIV Test
  6. Dicholo - Ayub Ogada
  7. We'll Both Be Dead By Christmas
  8. Motorbike
  9. To Airport
  10. Funeral
  11. Three Bees Testing
  12. Sandy Goes To The Hospital
  13. Kothbiro
  14. Justin Returns To The House
  15. Raid
  16. Destruction
  17. To Loki
  18. Kindergarten
  19. Hospital
  20. Kenny Curtis
  21. Landing In Sudan
  22. Justin's Breakdown
  23. Justin's Death
  24. Dropped Off At Turkana
  25. Roadblock II
  26. Procession

Album Description

Featuring original music composed by Alberto Iglesias. Adapted from the best-seller John le Carre's romantic thriller, two-time Academy Award nominee Ralph Fiennes and Rachel Weisz head the cast of "The Constant Gardener." In a remote area of northern Kenya, the dedicated activist Tessa Quayle (Weisz) is found brutally murdered. Her travelling companion, a local doctor, appears to have fled the scene and the evidence points to a crime of passion. Sandy Woodrow (Danny Huston), Sir Bernard Pellegrin (Bill Nighy), and other member of the British High Commission assume that Tessa's widower, their mild-mannered colleague Justin Quayle (Fiennes) will leave the matter to their discretion. They could not be more wrong... Featuring music performed by acclaimed Kenyan percussionist and Real World recording artist Ayub Ogada, Alberto Iglesias' ("La Mala Educacion," "The Dancer Upstairs," "Todo Sobre Mi Madre") lush score evokes the film's compelling African and European landscapes.

Customer Reviews:

4 out of 5 stars Beautiful Score.......2007-04-24

For someone like me who purchases soundtracks for the score to use for dance & skating programs, this soundtrack definitely made it into my collection. My only minus to the soundtrack is that there isn't much variety among the many tracks. But I am still able to work around it.

3 out of 5 stars Only track 13.......2007-03-31

In my opinion, only track 13 is worthy of buy this CD. Track 13 is beautiful, other than that extremely depressing music...... Once again track 13 is the most beautiful adn touching music that I have ever heard!

5 out of 5 stars Great Service.......2007-02-12

My CD was delivered in a very timely manner and the product was in great shape upon arrival.

4 out of 5 stars A nice reminder of a very moving movie.......2007-01-12

Favorite songs are the ones by Ayub Ogada. I think it's wonderful that we found his music through this film.

3 out of 5 stars it captures the spirit of the movie.......2006-11-10

I like this soundtrack because it reminds me of the movie, which I loved. I am not sure I would appreciate it much if I hadn't seen the movie and didn't have pictures in my mind for each theme. It is redolent of Africa though and that in itself is satisfying.
Elgin Avenue Breakdown Revisited
Average customer rating: 5 out of 5 stars
  • Elgin Ave. Breakdown
  • I've Got Rabies From the Dogs of Love for This Album!
  • I can't believe I found this
  • Bloody brilliant!
  • Joe Strummer was cool.
Elgin Avenue Breakdown Revisited
The 101'ers
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

PunkPunk | Hardcore & Punk | Alternative Rock | Styles | Music
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  1. Walker
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  4. Streetcore
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ASIN: B0009IW8DU
Release Date: 2005-06-14

Tracks:

  1. Letsagetabitarockin
  2. Silent Telephone
  3. Keys To Your Heart (version 1)
  4. Rabies (From The Dogs Of Love)
  5. Sweet Revenge
  6. Motor Boys Motor
  7. Steamgauge '99*
  8. 5 Star R'n'R
  9. Surf City
  10. Keys To Your Heart (version 2)
  11. Sweety Of The St Moritz
  12. Hideaway (previously unreleased)
  13. Shake Your Hips (Live)(previously unreleased)
  14. Lonely Mother's Son (Live)(previously unreleased)
  15. Hideaway (Live)
  16. Don't Let It Go (Live)
  17. Keep Taking The Tablets.(Live)(previously unreleased)
  18. Junco Partner (Live)(previously unreleased)
  19. Out Of Time (Live)(previously unreleased)
  20. Maybelline (Live)(previously unreleased)
  21. Gloria (Live)(previously unreleased)

Amazon.com

Those who doubt the obsessive, unbridled affection Clash mainstay Joe Strummer held for traditional rock and R&B roots need only punch up virtually any track on this infectious collection of live and studio cuts from the 101ers, the raw yet accomplished band Strummer fronted just prior to his punk superstardom. While most such early-catalog excavations are suspicious and often spotty, Elgin Avenue Breakdown Revisited is a revelatory rush, from the opening blowout of "Letsagetabitarockin'." Many of the tracks rock with the rootsy charm of fellow pub rockers Ducks Deluxe, yet one can hear the later sound of the Clash nearly fully formed on tracks like the blue-beat-seasoned "Sweet Revenge," "Keys to Your Heart," and "Junco Partner." The collection's second half kicks into even higher gear, presenting a generous slate of previously unreleased live workouts that hammer familiar R&B staples like "Shake Your Hips" and "Maybellene" into submission and closing with a frenzied rave-up of Van Morrison and Them's Brit Invasion staple, "Gloria." --Jerry McCulley

Customer Reviews:

5 out of 5 stars Elgin Ave. Breakdown.......2007-01-10

This is a great album. I just wish there was more 101ers to listen to.

5 out of 5 stars I've Got Rabies From the Dogs of Love for This Album!.......2006-04-04

This is the first review of an album I've done on Amazon. I'm listening to it right now, and I'm just driven to tell everyone.... this is awesome! I love it. It is a must for fans of Joe Strummer. Don't expect The Clash. This is nothing like any Clash album. This is very Beatles-esque for the most part. It shows a lot of early, leather-clad rock influence.

BTW, I bought the club version, which is manufactured for BMG. I was worried about that a bit, but no longer. Sounds awesome, and the packaging is excellent, with liner notes and lyrics. I was also worried about the anti-piracy notes on the back which are not present on the non-club version. I burn backup copies of my cds not to pirate, but to use in my car. I have successfully burned a backup copy of this and other club cds.

4 out of 5 stars I can't believe I found this.......2006-01-15

"Lonely Mother's Son," huh? More like Jail Guitar Doors. That track brought a big smile to my face as soon as the chorus started and I realized it was the song he'd later do as part of The Clash.

This CD is a real find, not just for completists, but for fans of old school rock and roll, and of Strummer's growling voice. If this was a little more polished and edited down, it would be London Calling quality. It's really that good. The sound quality on the live stuff is awful, but I don't wish they had left it off.

5 out of 5 stars Bloody brilliant!.......2005-08-31

This record feels like a resurrection not only of the sound of original punk but of the man, Joe Strummer himself. The sound of the 101ers is every bit as fresh as his later work with The Mescaleros yet takes its place with the music of its time. Letsagetabitarockin, the first on the album, is a brilliant start to the collection. Overall this record is one that should be added to any avid Clash, punk, or in general rock 'n roll fan.

5 out of 5 stars Joe Strummer was cool........2005-08-14

You know you can't get enough of Joe's modernized 40's/50's macho, so buy this disc.
Lenox Avenue Breakdown
Average customer rating: 4.5 out of 5 stars
  • do the breakdown, baby
  • Flawless, Inspiring, Essential
  • Superb, soon to be classic recording
  • All In A Name
  • A Perfect Breakdown
Lenox Avenue Breakdown
Arthur Blythe
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

Avant Garde & Free JazzAvant Garde & Free Jazz | Jazz | Styles | Music
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ASIN: B00000DBVL
Release Date: 1998-10-20

Tracks:

  1. Down San Diego Way
  2. Lenox Avenue Breakdown
  3. Slidin' Through
  4. Odessa

Amazon.com

You could easily call this reissue a lost treasure, as it came and went after its 1979 release, not even seeing much light after bandleader Arthur Blythe and his six colleagues reached critical acclaim and success. Blythe counts this loose session as a paean to Harlem, where the assemblage of sounds and rhythms along Lenox Avenue translates into an amalgam not unlike the mix of James "Blood" Ulmer's funk-painted guitar strum backed by the twin engines of drummer Jack DeJohnette and percussionist Guillermo Franco, each of whom makes a sky-crying racket. They do so, surely, in a fit of inspiration, sitting as they are behind a potent frontline: Blythe on alto sax; James Newton on flute; and Bob Stewart on tuba. A tuba on the frontline? Well, in truth, these chaps are all playing the frontline, really. Newton's so revolutionary on the flute that his Rahsaan Roland Kirk-isms make for great rhythm, and his intricate Eric Dolphy-isms cut sharp harmony. Blythe takes his notes seriously as little living things, but his art is in the web work and the melodies. Stewart plays the chameleon, doing tempo a while and then showing slippery riffs galore to the band. Very little in jazz--much less major-label jazz, which this was--around 1979 could match this recording. And now it's back. --Andrew Bartlett

Customer Reviews:

4 out of 5 stars do the breakdown, baby.......2007-04-30

probably no more than a name, but if not, hopefully, someone who knows for sure will provide information, the breakdown first occurred, at least in my collection of jazz, with louis armstrong's recording of chicago breakdown.

the recording at hand. blythe's recording is just outrageously great. the lineup is great and worth the purchase, james newton, cecil mcbee, jack dejohnette, bob stewart who was a member of lester bowie's brass fantasy, james 'blood' ulmer, and guillermo franco. the songs are great,written, every one of them, by arthur blythe. and the title song, had it no jazz name tradition (the poet, amiri baraka, dedicated a poem, entitled: in the tradition, to arthur blythe) lenox avenue breakdown would still stand, does still stand, a great piece of music on a recording of great music.

5 out of 5 stars Flawless, Inspiring, Essential.......2006-01-16

This is one of my all-time favorite recordings. It's rare when concept and execution so perfectly meet. Arthur Blythe had been playing the New York loft scene for some years before this album, exploring a wide range of musical settings (tuba and conga, quintet featuring cello, etc.) and avant-garde stylings. He said he used the tuba because it reminded him of old New Orleans music, and he saw it as a way to stayed rooted in the tradition while pushing forward musically. Blythe's playing itself was/is very individual, a fat, warm sound that seems impossible to get out of an alto, with a lot of Coltane inspiration but he definitely has his own voice--you could pick him out in a blindfold listening test in about two seconds. Anyway, on this album he got to take his explorations a bit further and managed to get some big name players to help out, like Jack DeJohnette, James Blood Ulmer, James Newton and Cecil McBee. The result is less austere than the albums Blythe made before this (Metamorphosis, Bush Baby), still true to an avant-garde exploratory spirit, but often melodic and lush, full of the blues, eminently accessible to almost any jazz fan.

The first two songs are great, but it's songs three and four that make this album transcendent. "Slidin' Through" has an earthy blues theme that's complemented by a slightly atonal riff by Ulmer, a wonderful McBee solo right after the head, played while the band keeps a subdued vamp going, DeJohnette doing some of that great bob-and-weave rhythm-keeping that's his trademark, then Bythe comes in and opens it up, and from there the song builds and builds, with passionate, rapid-fire interaction between Blythe and DeJohnette, and DeJohnette taking the song out with so much power, pushing everyone in the band--there's no tension/release when the song's theme is played at the end, things aren't over--it keeps a blistering amount of energy going through all the way to the fade-out.

This song was cited by Rafi Zabor in his novel "The Bear Comes Home" (recommended in its own right) as an example of why mere mortal musicians feared the prospect of playing with Mr. DeJohnette. He wasn't an accompanist, he was a force of nature, kicking everyone's musical behinds until they were all playing their utmost.

The next song, "Odessa", is very loose, Blythe melodically soloing over a meter-less rhythm section, kind of like Coltrane, with a slow, deep, almost mournful feel--for years I have hit the "repeat" button to hear that solo over and over, it's so emotionally enagaging...

Anyway, this is definitely a desert-island disc for me. I've played it for jazz fans of all stripes and everyone has found something to like in it.

5 out of 5 stars Superb, soon to be classic recording.......2005-09-28

When I first got this LP in '79 I wore it out. From its opening notes this release makes an impression with an air of textural sophistication and swing. It's an outing by players completely at ease with their virtuosity. Nothing is pressed or forced here. It's simultaneously adventurous in composition and soloing and unpretentious. The arrangements feel organic. DeJohnette, Ulmer, McBee, Franco and Newton all acquit themselves really well. Bob Stewart's tuba playing is rock steady and funky and makes you wonder why more ensembles bottoms aren't anchored by a tuba. The focal point of it all, Blythe, solos crisply and smartly and leads one of the great group efforts of the last 30 years.

5 out of 5 stars All In A Name.......2003-08-01

Like the sun, Blythe's hot joyous sax boils up and flares, but the flute refreshes, the rhythms crackle, and there're enough hooks here to fill a curtain rod. You just gotta love this kind of breakdown -- not since college English have you heard such radical deconstruction. And not since Armstrong's Hot Seven have you heard such great tuba. Welcome back, Black Arthur, the blithe.

5 out of 5 stars A Perfect Breakdown.......2003-02-08

Despite its much too long in coming reissue, Lenox Avenue remains a largely unknown jazz classic, at least to those too young or too old to have followed the scene close enough when it originally came out. In my mind, it's a must have, an essential CD. No jazz lover should be without this magical send up. The unusual instrumentation and the harmonic awareness of these musicians melds groove and melody with the seemless free improvisation that marked the era to form the most cogent piece of late '70s jazz now available.

How much does this work mean to me? The lump in my gut the day my LP version of Lenox broke while moving wasn't removed until it was finally reissued.
Beauty and the Breakdown
Average customer rating: 4.5 out of 5 stars
  • You want heavy, this is heavy!!
  • Definitely worth the money
  • Heavy, Heavy, Heavy
  • Quite the satisfying skullcracker
  • moshcore masters return
Beauty and the Breakdown
Bury Your Dead
Manufacturer: Victory Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FZESJ4
Release Date: 2006-07-11

Tracks:

  1. House Of Straw
  2. A Glass Slipper
  3. The Poison Apple
  4. Twelfth Stroke Of Midnight
  5. Trail Of Crumbs
  6. A Wishing Well
  7. Let Down Your Hair
  8. Mirror, Mirror...
  9. Second Star To The Right
  10. The Enchanted Rose
  11. House Of Brick

Customer Reviews:

5 out of 5 stars You want heavy, this is heavy!!.......2006-12-02

I really love moshcore, it's the most angry, and and loudest! Bassist Aaron was right, it'll make your heart pump faster! In my opinion, "House Of Straw", "Twelth Stroke Of Midnight", "Trail Of Crumbs", "Let Down Your Hair", and "Second Star At The Right" are the best tracks in this album.

1."House Of Straw" 11/10- Beginning was great, awesome screaming! "Holding hands with a liar!"

2."A Glass Slipper" 10/10- Began with Mat screaming out TAKE IT BACK!! This was fast and really good!

3."Poison Apple" 9.5/10- This was OK, the beginning sounded kinda werid.

4."Twelth Stoke Of Midnight" 11/10- The intro was great! With heavy guitars and love when Mat screams very fast.

5."Trail Of Crumbs" 10/10- The beginning was awesome! One of my favorites.

6."A Wishing Well" 10/10- Great screaming! Intro began with Mat's awesome screaming!

7."Let Down Your Hair" 10/10- I love this song! Love when they go "I hear your heart, and it sounds the bells of WAR!!

8."Mirror, Mirror" 9/10- This song was a little slower at the beginning, with drumming at the intro, and some parts were kinda catchy.

9."Second Star To the Right" 10/10- The beginning was awesome! This is another one of my favorites. Love when Mat goes "my faith in humanity died, calling out her name!"

10."The Enchanted Rose"- nothing special

11."House Of Brick" 10/10- I love this song! Great guitars at the beginning too, and tremendous screaming in this song, so beautiful.

This album was amazing! Heavy guitars! Mat's angry, grumpy, and loud screaming! And great, fast drumming too!

5 out of 5 stars Definitely worth the money.......2006-09-19

These guys were at the Family Values Tour this year, and they were one of the best bands there. They played some songs off of this album and I'm going to buy it now. It says a lot about a band when they're good live and not just in the recording studio. If you like scream metal this CD is worth picking up.

4 out of 5 stars Heavy, Heavy, Heavy.......2006-09-03

A very good cd from the band currently touring on the Family Values Tour this year. And from someone who saw them live on said tour, they do not disappoint in any way, shape or form. Get ready for hard, heavy riffs, and prepare to have a headache when it's all over with.

4 out of 5 stars Quite the satisfying skullcracker.......2006-08-21

Due to the recent popularity resurgence of heavy metal (particularly hardcore influenced metal), a number of cool bands have kind of slipped through the cracks and are unjustifiably dismissed as being an untalented Johnny-come-lately. Consider Bury Your Dead: there are several other mosh/hardcore groups out there today and some of them are fairly popular, so bands like this one are sometimes passed off as a poor man's Hatebreed. But BYD should be (and probably will become) quite a bit more popular, because this genre has many loyal fans, and "Beauty And The Breakdown" (the Boston-based quintet's junior release) is actually very good. The musicianship and songwriting on display here are, while not awe-inspiring, completely solid and professional. The songs ooze with blistering guitars and cement-block-to-your-head drums which accumulate to produce catchy, brutal rhythms. And, of course, the songs are made complete when straight-from-the-gut (though generic) vocals and powerful, well-placed breakdowns are added. Album highlights are the super-heavy, churning rhythms on the two opening tracks ("House Of Straw" and "A Glass Slipper"), the explosive, bulldozing "The Poison Apple," the rapid power chords and propulsive, driving double bass work which fuels "A Wishing Well," and the door closing "House Of Brick," which sounds like a waterfall spewing...uh...bricks. Ultimately, "BATB" is nothing you haven't heard before, but that's a small price to pay for the immense levels of great energy and brute force found here.

5 out of 5 stars moshcore masters return.......2006-08-14

Bury your dead are baco with their fourth album, "Beauty and the breakdown". Sort of a concept album in the very loosest term, the booklet for the story tells a "fairytale" about a corrupt king. This album is just as heavy and brutal as the previous three, except the band experiments just a little bit with keyboards on a couple tracks on here, but they make it work . A very good album from a very good band
Bluegrass Breakdown: 14 Instrumentals
Average customer rating: 3.5 out of 5 stars
  • Bluegrass Breakdown: 14 Instrumentals
  • good but not great
  • Great bluegrass -- Excellent value
  • Bluegrass Breakdown: 14 Instrumentals
  • Bluegrass Breakdown
Bluegrass Breakdown: 14 Instrumentals
Various Artists
Manufacturer: Easydisc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000006OU1
Release Date: 1998-06-09

Tracks:

  1. Cluck Old Hen - Alison Krauss & Union Station
  2. John Henry - Tony Furtado
  3. Back Up And Push - Jason Carter
  4. Bluegrass Breakdown - Tom Adams
  5. Katy Hill - Bobby Hicks
  6. Goodbye Liza Jane - Bill Evans
  7. Sally Ann - Dreadful Snakes
  8. Schuckin' The Corn - Ronnie & Rob McCoury
  9. Orange Blossom Special - Johnson Mountain Boys
  10. Foggy Mountain Chimes - Bluegrass Album Band
  11. Whistlin' Rufus - Stuart Duncan
  12. Crazy Creek - Bill Keith
  13. Fishers Hornpipe - Wyatt Rice
  14. Carroll County Blues - Nashville Bluegrass Band

Customer Reviews:

1 out of 5 stars Bluegrass Breakdown: 14 Instrumentals.......2007-05-16

This product was delivered on Monday, April 16th to the wrong address. The postal service is very uncooperative.They supposedly have put a trace on it.So as of today I have still not received my CD which was for a wedding in April. I finally figured out how to email Amazon last week and I still haven't heard anything from them either. I do a lot of shopping on line, but this has been a real bad experience, especially with the P.O.

Vicky

3 out of 5 stars good but not great.......2007-03-23

This album was good, not great. If you want to hear great then get Tony Rice the bluegrass album or another one called "ultimate Pickin'" , for bluegrass with singing try ricky skaggs at charleston hall. Those are great albums, this was okay.

5 out of 5 stars Great bluegrass -- Excellent value.......2003-01-05

All-instrumental collections of bluegrass are hard to find, and if you like it when a band takes a break from singing and just plays their instruments, here's your chance for total immersion. All the songs on this compilation are from Rounder Records albums released 1976-1998, by artists with familiar names like Alison Krauss and Tony Rice, and others you may never have heard of. All are first rate, foot stompin' renditions of bluegrass traditionals, with a few great originals -- Bill Monroe's "Bluegrass Breakdown" and Earl Scruggs' "Foggy Mountain Chimes." Best known for most listeners is a rousing version of "Orange Blossom Special" by the Johnson Mountain Boys. If you like bluegrass with plenty of pickin' at breakneck speed, this CD will keep you smilin' through many, many replays.

2 out of 5 stars Bluegrass Breakdown: 14 Instrumentals.......2002-02-06

I liked only the tracks 1 and 6. The songs have good banjo picking but are not beautiful enough to keep me listening more than one time.

5 out of 5 stars Bluegrass Breakdown.......2000-09-04

...It's a shame the scale only goes to 5 stars,because this CD is...if you know and love Bluegrass is of the best I've heard in a long time..not withstanding the major bands out there!!!...If you crave Bluegrass.....GET THIS CD.....!!!!
Foggy Mountain Breakdown: 16 Bluegrass Instrumental Hits
Average customer rating: 4 out of 5 stars
  • Good instrumental
  • We need more of this!
  • Bluegrass magic
Foggy Mountain Breakdown: 16 Bluegrass Instrumental Hits
Various Artists
Manufacturer: Cmh Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000010QM
Release Date: 1994-03-17

Tracks:

  1. Foggy Mountain Breakdown - Joe Maphis
  2. Bluegrass Shuffle - Lester Flatt
  3. Rutland's Reel - Osborne Brothers
  4. Shuckin' The Corn - Lester Flatt
  5. Carter Country - Joe Maphis
  6. Flint Hill Special - Wynn Osborne
  7. Gretna Green - Josh Graves & Bobby Smith
  8. Foggy Mountain Rock - Don Reno
  9. Earl's Breakdown - Josh Graves
  10. Foggy Mountain Special - Lester Flatt
  11. Cripple Creek - Joe Maphis
  12. I'll Fly Away - Osborne Brothers
  13. Two By Four - Eddie Adcock
  14. Sand Mountain - Stonemans
  15. False Hearted Lover - Josh Graves
  16. Maryville Breakdown - Pinnacle Boys

Product Description

1. Foggy Mountain Breakdown - Joe Maphis
2. Bluegrass Shuffle - Lester Flatt
3. Rutland s Reel - Osborne Brothers
4. Shuckin The Corn - Lester Flatt
5. Carter Country - Joe Maphis
6. Flint Hill Special - Wynn Osborne
7. Gretna Green - Josh Graves & Bobby Smith
8. Foggy Mountain Rock - Don Reno
9. Earl s Breakdown - Josh Graves
10. Foggy Mountain Special - Lester Flatt
11. Cripple Creek - Joe Maphis
12. I ll Fly Away - Osborne Brothers
13. Two By Four - Eddie Adcock
14. Sand Mountain - Stonemans
15. False Hearted Lover - Josh Graves
16. Maryville Breakdown - Pinnacle Boys

Format: CD

Customer Reviews:

4 out of 5 stars Good instrumental.......2007-02-05

THis is a good instrumental bluegrass album. It is not as good as "ultimate Pickin'" . That was an amazing album but this isn't bad.

3 out of 5 stars We need more of this!.......2005-09-03

Bravo CMH - this is what we need. Bluegrass instrumentals are quite rare these days and the best of them were done in the 1970's. CMH have delivered a fine package for the bluegrasser who prefers not to listen to a bluegrass voice which often detracts from the fine acoustic music. Let us be honest and say that many singers have B-Awful voices and instrumentals like this terrific collection are wonderful to locate. Thank you CMH.

5 out of 5 stars Bluegrass magic.......2003-10-03

There are lots of wonderful Bluegrass albums around, but this one is really great. I recommend it very highly, and would give it more than five stars if possible. Every song is brilliant and it is impossible to single out any one track as better than the rest. Even non-bluegrass fans would enjoy this album if they like first-rate musicians plying their trade. A truly excellent album!

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7

Midnight Marauders