| 1. Mad [Mantronik Vs. Geek] |
| 2. Mad [Bleecker Street Hip Hop Mix] |
| 3. Mad [Mantronik Killer Robot Formula] |
| 4. Mad [Mantronik Vs. Quest Project] |
| 5. Mad [Mantronik Vs. Geek Radio] |
| 6. Mad [Mantronik Killer Robot Radio] |
Mad,Kurtis Mantronik,Oxygen Music Works,Big Beat,Dance Music,Electronica,Hip-Hop,Pop,Popular Music
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The Best of Italian Opera
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000UXN Release Date: 1997-01-21 |
Tracks:
- La Traviata: 'Libiamo, Libiamo'
- Rigoletto: 'La donna e' Mobile'
- The Barber Of Seville: 'Una voce poco fa'
- La Boheme: 'Che gelida manina'
- Rigoletto: 'Gualtier Malde!' Caro nome'
- Il Trovatore: 'Vedi! le fosche'
- Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
- TOSCA: 'Vissi d'arte'
- La Traviata: 'Di Provenza il mar, il suol'
- The Marriage Of Figaro: 'Voi che sapete'
- Aida: 'Se quel guerrier io fossi...Celeste Aida'
- Madama Butterfly: 'Un bel di vedremo'
- La Gioconda: 'Cielo e mar'
- Lucia di Lammernoor: 'Ardon gl' incesi'
Customer Reviews:
Great Stuff.......2007-07-22
A Great Introduction to Italian Opera.......2005-05-01
Best of the best!.......2003-01-11
Fabulous bargain for anyone.......2002-11-24
These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...
The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.
For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.
Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.
Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.
De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".
In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".
Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.
Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".
Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.
Great songs for a low price........2001-08-16
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Mad Season
matchbox twenty Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SVM8 Release Date: 2000-05-23 |
Tracks:
- Angry
- Black & White People
- Crutch
- Last Beautiful Girl
- If You're Gone
- Mad Season
- Rest Stop
- The Burn
- Bent
- Bed Of Lies
- Leave
- Stop
- You Won't Be Mine
Amazon.com
Sell 10 million copies of your debut album and you might find yourself putting on a few airs. Evidence that it's happened to matchbox twenty can be found in the new, spelled-out format of their all-lowercased name and the pretentious insertion of that name into the title of this, their sophomore set. The level of popularity achieved by their 1996 debut, Yourself or Someone Like You, posed a more profound problem, though--should they follow in the footsteps of that smash effort, or strike out in a different direction? To their credit, the Orlando quintet puts their massive popularity on the line by opting mostly for the latter course: there are no obvious retreads here of earlier hits such as "Push," "3 a.m.," and "Real World"--or of "Smooth," the multiple-Grammy-winning Santana hit penned and sung by matchbox frontman Rob Thomas. Instead, the album sports a nice mix of material that is catchy, but may take a little longer to settle into your memory banks, such as the moody yet intense "Bent," the horn-driven rocker "Black & White People," and several songs examining various aspects of relationships, "If You're Gone," "Rest Stop," and "Bed of Lies." Whatever the members of matchbox twenty want to call themselves, these guys may yet be able to have it all--artistic growth as well as massive sales. They're not headed for Hootieville just yet. --Daniel DurchholzCustomer Reviews:
Not amazing, but has AMAZING moments.......2007-01-25
Apart from these songs, there are none that particularly stand out to me. I do enjoy "Bent", "Angry", "Bed Of Lies", and "Crutch", but not enough to go out and buy the CD. They are nice in small doses, but not worth the money. The chord progressions seem not quite finished, almost, but the lyrics are very meaningful, which makes up for it in part, but not entirely.
In conclusion, my final rating for the album is three stars for several outstanding numbers ("You Won't Be Mine"!!!), and a whole lot of okay ones.
P.S. "Black and White People" is not, as I thought at first, a rather racist title-it's refering to the minds and/or souls of people... Black and white as opposed to technicolor, you might say. :)
it's unnerving.......2006-12-25
Not coincidental. Rather an announcement that the fabulous band Matchbox Twenty is back and is still who they were. Only better, if that's possible.
They're still remembering:
'So scream you, out from behind the bitter ache
Heavy on the memory, you need most'
'Black and White People' continues this heavily-caffeinated album, with its brass back-up, upbeat tempo, and enigmatic lyrics:
'If it's just that you're weak
Can we talk about it
It's gettin' so damn creepy
Just nursing this ghost of a chance
The fiction, the romance
And the Technicolor dreams
Of black and white people'.
OK, then. I think we need some color commentary.
Or not. Because the anger resumes with highly intelligible clarity on the next track, 'Crutch':
'Man I feel like hell so come on over
Be a love machine and I could be your friend
Ain't no shame feel strong for one another
Make a real true color come end to end then
God damn, change of pace
I think there's still a piece of my heart on your face
It's a shame to let it waste
How does it taste? How does it taste?
I don't want to be the crutch
One step from down
I don't want to be the crutch
One step from down, down, down, down, down'
It's too earlier to tell how this emotionally raw self-disclosure will wear. Will we hum 'Crutch' in 2025?
But for now, the golden appeal of Matchbox Twenty derives from the fact that they write this stuff down as the feel it. And then they sing it to really, really good music.
One hopes, for their sake, that they find some mutuality, some enduring reconciliation of love and self-interest, some peace. One hopes for the music that they don't make this discovery too soon. Not, say, before one more album like this one.
Alas, the boys of Matchbox Twenty are only sure of one thing: that hearts will continue to break. In this, they are the quintessential children of their generation:
'It won't be the first heart that you break
It won't be the last -- beautiful girl
The one that you wrecked wont' tak you back
If you were the last ...
This will all fall down
Like everything in the world
This too must end
And all the words we said
We can't take back.'
But they were only words, or at least words is all that's left because the stuff of those words has gone. Again. Leaving only loneliness and a sing-able melody line. Good grief, guys, didn't it ever go right, just once? Didn't it last?
No? OK, then. Please keep writing, singing, recording. We need to hear more of this.
No relenting. 'If you're gone' continues what looks like a MAD SEASON theme if not a Matchbox Twenty dominant motif. Only this time, the loss comes with a hint, a whisp, a remote possibility of reconcilation:
'If you're gone, maybe it's time to go home
There's an awful lot of breathing room
But I can hardly move
If you're gone, baby, you need to come home
Cuz there's a little bit of something me
In everything in you'
But not too much hope:
'I bet you're hard to get over
I be the room just won't shine
I bet my hands I can stay here
I bet you need more than you mind'
Good grief, they captured the loss, didn't they?
The eponymous song of the album is actually quite forgettable. It's kind of a foil to the hauntingly beautiful 'Rest Stop', arguably the song we *will* be humming in 2025:
'Just three miles from the rest stop
And she slams on the brakes
She said I tried to be but I'm not
And could you please collect your things ...
She said: while you were sleeping
I was listening to the radio
And wondering what you're dreaming when
It came to mind that I didn't care
So I thought - hell, if it's over ...
Jus three miles from the rest stop
And my mouth's too dry to rage
The light was shining from the radio
I could barely see her face
But she knew all the words that I never said
She knew the crumpled-up promise of this
Broken-down man, and as I opened the door ...'
This is the selective verbiage of abandonment that isn't supposed to come to men's pens until they've turned forty-five and suffered enough for poignance.
But it keeps on flowing out of the tracks of this magnificent CD. Hear 'The Burn':
'I thought about
Leaving but I couldn't even get outa' bed ...
Thought about
Singin' but I couldn't remember all the words ..
So I wonder how I ever got the burn
Everything and everyone I needed before
Tryin' to get a handle on a reason to shine
Pickin' up the pieces that are falling behind takes time'
There's a sad, almost dissolute self-absorption in all of this, but one that finds its way quickly outward to the lips and hips of Matchbox Twenty's fans and followers. Like the biblical psalms (though these work there way more quickly towards hope), the typical ballad in this CD is intensely personal, yet offered up to a wider community to words that they can instantly claim as their own. There is *almost* not a miss on this entire album, the headline track laid aside for one moment.
'Bent' comes closes to describing the trauma of their voices in a way that takes some degree of responsiblity:
Yet even the confession of being 'bent' ('So can you help me, I'm bent // Im' so scared that I'll never get put back together') is a plea for community, for togetherness, as though the solution to bent-ness is not one to be found in solitude or self-reform:
'If I fall along the way
Pick me up and dust me off
And if I get too tired to make it
Be my breath so I can walk
If I need some other love
Give me more than I can stand
And when my smile gets old and faded
Wait around, I'll smile again'
There are other deeply soulful tunes. 'Bed of Lies'. 'Leave'. 'Stop'. 'You Won't be Mine'. In fact, one rattles on from one emotionally draining track to the next, marveling that MT can keep up the pace.
But they do. These dudes have articulated a life, a throbbing, mobile, abandoned, wishful, painfully memorable pain.
Embedded in this sea of music, listening to it over and over, one hopes for the men of Matchbox Twenty that they truly are 'marking it down to learning'.
There Isn't a Single Bad Song........2006-07-05
Awesome Album!.......2006-04-15
I'd never heard of Matchbox 20 before that track. I absolutely fell in love with the whole album. Great listening!
Crossing the Threshold From Pop Success to Serious Artist Expression.......2005-12-02
Forget the cut by cut commentary - this music reflects an artistic maturation process that is awe-inspiring and stunning; they've become tighter in their delivery and, perhaps that is reflected by the truly talented arraingments and writing. They make it sound easy.
The last cut, "You Won't Be Mine" signals very good things to come. Indeed, it does it's job so well that you will simply sit and contemplate it's delicacy until, perhaps four minutes after it has ended you will get another surprise and a variation of the arraingment floods the senses with the promise of what talent and sensitivity can mean to such an art form as this.
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Above
Mad Season Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002B2T Release Date: 1995-03-14 |
Tracks:
- Wake Up
- X-Ray Mind
- River Of Deceit
- I'm Above
- Artificial Red
- Lifeless Dead
- I Don't Know Anything
- Long Gone Day
- November Hotel
- All Alone
Amazon.com
Alice in Chains vocalist Layne Staley teams with Seattle pals Mike McCready (Pearl Jam) and Barrett Martin (Screaming Trees) in the tradition of other part-time grunge aggregations like Brad and Hater. These 10 numbers--mostly somber, acoustic-hued ballads like the single "River of Deceit"--are a therapeutic soul-cleansing for the troubled Staley. Core fans of any of the aforementioned bands will rank this with the solo work of Screaming Tree frontman Mark Lanegan (a guest vocalist here). --Jeff BatemanCustomer Reviews:
RIP layne staley.......2007-06-05
Gooaasch.......2007-05-05
And, I like it all. Electronica, Jazz, Funk, Hard Rock, Trip-Hop, 50's 60's, 70's, 80's, 90's and current, etc. Classics as well as new. This album makes you feel.
Sure, since it's release 10+ years ago, it has found itself not on my "go-to" list more than once. That's the nature of music though.
Yeah, Alice fans will dig, but it's bigger than that.
Where it hits hard...Staley. The man was obviously pained. That in turn produced a moving experience. Although he did the same with Alice, this seems more poignant.
"Wake Up" is THE most memorable cut. Starts out mellow, Layne crying out, a blues/rock riff, and leads to McCready getting off...just amazing.
The combo of musical influences is evident. Staley, McCready, Lanegan, et al just make beautiful, rocking music.
Not one song disappoints. From beginning to end it messages the soul. Whether a soothing effect or a punch in the the kidney...it's perfect.
Led Zeppilin III is in my top 5 of all time...and this rivals.
Good as hell, all the way through.......2007-04-04
Great experience.......2007-03-22
Layne's voice still echoes from Above.......2007-03-12
His voice on every track is completely mesmerizing. Many of the songs contain a small hint of anger that has been overwhelmed by an infinite sadness. The lyrics are so painfully searing, you get a real feel for the agony behind the words. This entire journey is a therapeutic attempt for Layne to overcome his inner demons.
I love every song on this album. The first track, Wake Up, is a soft, mellow song that really showcases his amazing voice. With the accompaniment of a very basic, throbbing bass guitar and some xylophones, Layne acknowledges his need to wake up from his nightmare.
On X-Ray Mind, Layne admits his need to step away from the grind of his regular life, and how he can tell some of his so called friends might not have his best interest in mind.
The third track, River of Deceit, is the only song that received any radio play. It's about anguish and about choices. Mike McCready (Pearl Jam) skillfully adds to Layne's undeniable energy with his acoustic guitar.
The fourth song is my favorite poem, titled I'm Above. It is the only song that doesn't have elements of personal suffering in it. It basically is stating what comes around, goes around. It demonstrates the power to take the higher ground.
Artificial Red is next, filled with abrasive guitars that control the pacing. Lyrically it seems to be about isolation and recovery. Kind of the entire theme of this album.
Lifeless Dead apparently torments over a lost love. Layne sings this song with a monotone voice, which signifies the drainage of emotion. The guitar riffs are simplistic in their execution plus rigid in their delivery.
Next, the song I Don't Know Anything builds up quickly and then evens out with it's repetitive chorus. The guitars really battle it out.
The final poem, Long Gone Day, is a heartfelt recollection of times gone by. There are sounds of desperation, mistakes, and regret.
Mike closes out this phenomenal collaboration with an awesome instrumental, November Hotel. He demonstrates his remarkable talent even more here at the end. This is followed by kind of an eerie, angelic goodbye.
Mad Season's lone output is one of my most treasured CD's. It's as good as Dirt(Alice in Chains) or Ten(Pearl Jam). That is some lofty praise. We can always still hear Layne's voice, and sometimes I can still feel his tears raining down from Above...
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Solo Piano
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026Y4 Release Date: 1989-08-07 |
Tracks:
- Metamorphosis: Metamorphosis One
- Metamorphosis: Metamorphosis Two
- Metamorphosis: Metamorphosis Three
- Metamorphosis: Metamorphosis Four
- Metamorphosis: Metamorphosis Five
- Metamorphosis: Mad Rush
- Metamorphosis: Wichita Sutra Vortex
Customer Reviews:
I think I heard this once before!.......2007-07-20
A total masterpiece.......2007-05-12
My First Minimalist Piano.......2007-04-05
Basically, I would have to say that minimalist piano is not for everyone - particularly people who don't like a lot of repetition. At the same time, I think that people who do not typically enjoy solo piano music should give it a chance, since minimimalist piano is not the same as the piano music we tend to hear. One of the things that I like about it is, like classical music, if you have it on in the background it is unobtrusive, but still present. I have found this music to be beautiful and relaxing and I hope that other people enjoy it as much as I have.
An excellent minimalist piece.......2007-01-09
Brilliant!.......2006-11-04
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Some Mad Hope
Matt Nathanson Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000RHRFVI Release Date: 2007-08-14 |
Tracks:
- Car Crash
- Come on Get Higher
- .Heartbreak World
- Gone
- Wedding Dress
- Bulletproof Weeks
- To the Beat of Our Noisy Hearts
- Still
- Detroit Waves
- Falling Apart
- Sooner Surrender
- All We Are
Amazon.com
With rapturous romanticism and over-the-top, heart-on-sleeve emotion, Matt Nathanson can't decide whether he wants to be U2's Bono (particularly on the opening "Car Crash") or John Mayer (with whom he's toured as an opening act). Though his roots are in the folk coffeehouse, he plainly has his ears aimed toward the rock arena, as the propulsive "To the Beat of Our Noisy Hearts" and "Detroit Waves" attest. "Wedding Dress" sounds like it's aspiring to become a first-dance standard, while the sensuality of "Come On Get Higher" suggests more stripped-down delights. A couple of lines here compete for the album's cheesiest: "C'mon let's make this dream that's barely half-awake come true" (from "Heartbreak World") and "All we are we are/and every day's a star/something beautiful" (from the breathy closing track). Honorable mention: "What happened to feeling cheap radio songs?" (from "Bulletproof Weeks"). --Don McLeeseProduct Description
"Nathanson has offered an album so solid, so addicting, so enduring on repeat listens that it will quickly become the soundtrack of your late summer."Blogcritics
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Donnie Darko (Score)
Michael Andrews Manufacturer: Everloving ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006471F Release Date: 2002-04-02 |
Tracks:
- Carpathian Ridge
- The Tangent Universe
- The Artifact & Living
- Middlesex Times
- Manipulated Living
- Philosophy of Time Travel
- Liquid Spear Waltz
- Gretchen Ross
- Burn it to the Ground
- Slipping Away
- Rosie Darko
- Cellar Door
- Ensurance Trap
- Waltz in the 4th Dimension
- Time Travel
- Did you Know Him?
- Mad World
- Mad World (remix version)
Album Description
The original score, to 2001 indie film, written & performed by Michael Andrews includes 'Mad World' featuring Gary Jules. Enjoy Records. Digipak.Customer Reviews:
Donnie Darko.......2007-07-03
just wanted "mad world".......2007-01-09
Gary Jules' remake of Mad World is superb!.......2007-01-06
Liked only one cut.......2007-01-04
Atmospheric and all-around cool........2006-06-05
Andrews uses many bizarre non-musical instruments and female vocals to great effect, and creates an ambient, sad world that works regardless of your having seen the film.
His song "Mad World" is one of the saddest and most beautiful songs I've ever heard.
The disk isn't very long--just a little over thirty-seven minutes as I recall. But definitely recommended.
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Mad Dogs & Englishmen
Joe Cocker Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B8I896 Release Date: 2005-10-18 |
Tracks:
- Honky Tonk Women
- She Came In Thru The Bathroom Window
- The Weight
- Sticks And Stones
- Bird On A Wire
- Cry Me A River
- Superstar - Rita Coolidge
- Feelin' Alright
- Something
- Darling Be Home Soon
- Let It Be - Claudia Lennear
- Further On Up The Road - Don Preston
Tracks:
- Let's Go Get Stoned
- Space Captain
- Hummingbird - Leon Russell
- Dixie Lullaby - Leon Russell
- The Letter
- Delta Lady
- Give Peace A Chance
- Blue Medley: I'll Drown In My Own Tears/When Something Is Wrong With My Baby/I've Been Loving You Too Long
- With A Little Help From My Friends
- Girl From The North County
- Warm-Up Jam (Including Under My Thumb) - Leon Russell & The Shelter People
- The Letter (Studio Single Version)
- Space Captain (Studio Single Version)
- The Ballad Of Mad Dogs & Englishmen - Leon Russell
Amazon.com
The rock & roll road show never really caught on, which is surprising given that Joe Cocker's Mad Dogs & Englishmen revue showed tour dogs how it's done. Recorded live at New York's Fillmore East in the spring of 1970, this set (as well as a film of the same name) documents a slapdash extravaganza (the whole thing was conceived, organized, and abandoned over the course of two months) that overflows with big, brassy, rockin' soul. Front and center is Joe Cocker, a spastically charismatic Brit soul shouter. The bandleader is Leon Russell, playing some of the best rock piano ever waxed. And the crack company (boasting 21 singers and players) features the Rolling Stones' future horn section and Derek & the Dominoes' rhythm-section-in-waiting. Cocker shines on "Cry Me a River," "Give Peace a Chance," "The Letter," and a slew of other covers that benefit greatly from the volcanic arrangements whipped up by Russell and Chris Stainton. It may have been the Ray Charles revue for the Woodstock Generation, but, shockingly, the Genius himself hasn't made too many records that surpass this one. --Steven StolderAlbum Description
In the pantheon of classic live albums as well as concert films, Joe Cocker's Mad Dogs & Englishmen is near the top, alongside Woodstock and The Last Waltz in defining the spirit of a generation. The tour, album and film catapulted Cocker, Leon Russell, and Rita Coolidge to stardom. Now, for the first time, the album, originally issued in 1970, is heard with previously unreleased tracks and studio cuts. The two-CD Mad Dogs & Englishmen: 35th Anniversary Deluxe Edition reveals in full for the first time the repertoire of the craziest, loudest, longest rock 'n' roll circus to have ever hit America. Along with already-legendary performances of "She Came in Through the Bathroom Window," "The Letter," "Delta Lady," "Bird on a Wire," "Cry Me a River," "Feelin' Alright," "Let's Go Get Stoned," and "Space Captain" are seven previously unreleased live performances (whose inclusion now reflects the actual sequence of the show's set list) and four rare studio recordings. The debuting live performances are of Cocker's "The Weight," "Something," "Darling Be Home Soon," and "With a Little Help from My Friends"; Leon Russell's "Hummingbird" and "Dixie Lullaby"; and Don Preston's "Further On up the Road." In addition, Claudia Lennear's performance of "Let It Be," a single B-side, makes its album premiere. That recording, as well as Rita Coolidge's "Superstar," were taped at the Santa Monica Civic Auditorium; the other performances took place earlier at the Fillmore East. Added too are the studio singles sessions of Russell's "The Ballad of Mad Dogs & Englishmen," the previously unreleased "Warm-Up Jam" (including "Under My Thumb"); the album debut and stereo debut of the single B-side "Space Captain" as well as "The Letter." The tour rolled across America, from Detroit to New York to California, from March to May 1970. With Cocker in his prime, driven by a phenomenal band; ringmaster Russell; three drummers; horn section; 10-strong choir; wives, lovers and children; film crew; roadies; and a black-and-white-spotted dog, the tour was one of the greatest and most colorful in history. Thirty-five years later, the excitement of Mad Dogs & Englishmen remains.Customer Reviews:
The Best Rock, Blues, and Gospel Recording Ever.......2007-07-15
A True Band of Gypsies! .......2007-03-19
Get It!.......2007-01-12
A Superior Live Album.......2006-12-03
absolutly fabulous trip back to timeless majical music!.......2006-03-22
Average customer rating:
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Keep It Going
Mad Caddies Manufacturer: Fat Wreck Chords ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O75VO4 Release Date: 2007-05-01 |
Tracks:
- Dirge
- Backyard
- State of Mind
- Today
- Without You
- Reflections
- Lay Your Head Down
- Tired Bones
- Coyote
- Don't Go
- Pyramid Scheme
- Souls for Sale
- Riding for a Fall
- Whatcha Gonna Do
Customer Reviews:
Great Cd.......2007-06-27
A bit of a change in pace in my opinion........2007-06-08
Mad Caddies Best to Date.......2007-06-06
Super review #4!!!.......2007-05-03
Generally I prefer the fasetr Caddies songs, but the slower ones here are fantastic too, perhaps better than their previous stuff!
Might be the Best work yet!.......2007-05-02
Average customer rating:
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Diary of a Mad Band
Jodeci Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OQ3 Release Date: 1993-12-21 |
Tracks:
- My Heart Belongs To U
- Cry For You
- Feenin'
- What About Us
- Ride and Slide
- Alone - Mr. Dalvin
- You Got It
- Won't Waste You - Misdemeanor Of Sista
- In The Meanwhile - Timbaland
- Gimme All You Got
- Sweaty - Mr. Dalvin/Misdemeanor Of Sista
- Jodecidal Hotline
- Success
Amazon.com
Much of the thrill of soul balladry is hearing a singer, especially a male singer, overcome the cultural emphasis on toughness and self-sufficiency and confess the most vulnerable of desires. In this hip-hop era of exaggerated toughness, there are greater obstacles to overcome and thus the potential for even more thrilling revelations. DeVante Swing, the mastermind behind the male vocal quartet Jodeci, seizes that potential more than once on the group's new album, Diary of a Mad Band. The group shares the vocal responsibilities, but the credits on nine of the album's 13 tracks read, "Music and Lyrics by DeVante Swing; Vocal arrangement: DeVante Swing; DeVante Swing: All Instruments." Thus the challenge of juggling romantic vulnerability with street credibility comes down on DeVante's 23-year-old shoulders. He fumbles the ball on a few occasions--the dumb, juvenile demands for sex on "You Got It" and "Sweaty"--but more often than not he comes through with soul ballads in the classic mode, revealing the tender heart beneath the thickened skin. The first single, "Cry for You," harkens back to the slow hymns of Jodeci's church backgrounds; the singers promise, "I would get on my knees for you," and the dizzying free fall of the melody underscores the total surrender of the lyrics. The next single, "Feenin'," is a similar confession, but it's juiced up with tape-reverse percussion sounds, a Zapp-like vocorder riff and a gruff lead set against angelic harmonies. Even "Ride & Slide" and "Alone," rather frank sexual propositions, have the good grace to plead rather than demand; they even promise detailed attention to female erogenous zones. At its best, Jodeci is the most promising soul harmony group of the hip-hop generation. --Jeffrey HimesAlbum Description
UK pressing of the R&B outfit's 1993 opus features two bonus tracks: 'Lately' and 'Let's Go Through The Motions'. MCA.Customer Reviews:
Feein' for Jodeci.......2006-12-10
This diary needs more depth.......2006-08-02
"Ride and Slide" is not a good track. Its very sexually explicit, the lyrics are bad, and the production is bland. I found nothing appealing about this song. It was obviously a filler. "Sweaty" is also too sexually distasteful. In this song, they speak about intesnse sex. The production is lackluster just like the song. "Feenin" is not a bad song, but its definitely not this groups best work. This song talks about feenin' to sleep with a woman. Now who would have guessed that? The harmonies on this song are worth mentioning because they did very, very well. Overall, a pretty bland and not memorable song. "Cry For You" and "Jodecial Hotline" (which is actually an interlude) are the best songs on this piece of work. These songs are lyrically strong, contain decent production and good lyrics. They are both simply marvelous! A very young Missy Elliot is heard on "Won't Waste You". She delivers a supbar rap to go with the whack song. This song is about two people not wasting each other's time.
I did not enjoy this album overall. The production and instruments are used repeatedly and the lyrics show that this group obviously had a one track mind while they were in the studio creating this. Next please.
Mikeisha's Top 5
1. Jodecial Hotline
2. Feenin'
3. Cry for You
4. My Heart Belongs to You
5. What About Us
Diary of a Mad Band - A Classic Album.......2006-06-21
jodeci elite.......2006-03-30
Diary of a Mad Band !.......2006-03-17
My Favourite Tracks are "My Heart Belongs To U" "Cry For You" "Feenin'" "What About Us" "Ride & Slide" "Alone" "In The Meanwhile" and "Gimme All You Got". there voices and the beats are like meant for eachother!! and i see not one reason not to purchase this, its definetly a must have!
Average customer rating:
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Diary of a Mad Black Woman
Various Artists Manufacturer: Motown ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0008ENIZC Release Date: 2005-04-19 |
Tracks:
- Purify Me - India Arie
- Sick And Tired - Monica
- Different Directions - Angie Stone
- Things I Collected - Tamia
- I Wanna Swing - Cheryl Pepsi Riley
- I Wanna Love Again - Natalie Cole
- Fallen In Love - Darlene McCoy
- Ain't It Funny - Heather Headley
- One Of Us - Cheryl Pepsi Riley
- I Wanna Be Free - Patti Labelle
- Father Can You Hear Me - Tamela Mann
- Take It To Jesus - Tamela Mann
Amazon.com
For years now, music video directors have had no problem at all making the leap to the big screen to direct feature length movies. The cinematic virtues of this are up to debate, but surely a veteran video director will be able to corral a world-class soundtrack, right? In the case of Diary of a Mad Black Woman, the answer's yesand no. The talent is certainly impressive on Diary—Natalie Cole, Angie Stone, India Ariebut most of the songs sound like cuts that were left off an album. India Arie's "Purify Me" is a sweet, light, and excellent bit of confectionery that might be about God, it might be about a physical man—it's hard to tell. Her other song here , "Different Directions," is definitely about a man, and it kicks. Cheryl Riley's cover of Jewel's "One of Us," however, is run-from-the-room-screaming bad. Ms. Cole's "I Wanna Love Again," a new song, is a sweet, excellently-produced torch ballad, but is not the thing that comebacks are made of. --Mike McGonigalCustomer Reviews:
A Must Have.......2007-05-22
POWERFUL.......2007-03-06
diary soundtrack cd.......2007-01-14
Touching.......2007-01-11
Diary of a Mad Black Woman.......2007-01-11
Dance Music:
- Maximum Boom For Your System: Vol. 2
- Mix Tape 3 [Explicit Lyrics]
- Mucho Dinero
- Next 2 Blow [Explicit Lyrics]
- Original Hip Hop Selection [Import]
- Pain [Explicit Lyrics]
- Pain [Explicit Lyrics]
- Pick 3 [Explicit Lyrics] [Special Edition]
- Quik Is the Name
- Rated XXX [Explicit Lyrics]
Dance Music
Lars-Erik Larsson: Förklädd Gud; Symphony No. 3
Liza Minnelli at Carnegie Hall (The Complete Concert) [Live]
D-D-Don't Don't Stop the Beat [Enhanced]
Legendary Sun Records Story V.2 [Import]