| 1. Shower (Intro) |
| 2. Check N' Me Out |
| 3. Countdown - Def Squad, |
| 4. Full Cooperation |
| 5. Ride Wit' Us - Def Squad, Too Short |
| 6. Lay 'Em Down (Skit) |
| 7. Rhymin' Wit' Biz - Biz Markie, Def Squad |
| 8. Game [Freestyle] |
| 9. World Announcement (Skit) |
| 10. Can U Dig It? |
| 11. You Do, I Do |
| 12. Ya'll Niggas Ain't Ready |
| 13. Say Word! |
| 14. No Guest List |
| 15. Babies Father Committee (Skit) |
| 16. Def Squad Delite |
Editorial Reviews
Japanese Version featuring Bonus Tracks.
El Niņo,Def Squad,Import [Generic],East Coast Rap,Gangsta Rap,Hardcore Rap,Hip-Hop,Pop,Rap,Rap & Hip-Hop
Average customer rating:
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Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009VK0LO Release Date: 2005-09-13 |
Tracks:
- Moment Musical In E Mino Op. 12 No. 4
- Prelude In G Op.32 No.5
- Etude-Tableau In D Op.39 No.9
- Prelude in D Flat Op.17 No.3
- Prelude In E Flat Minor Op.16 No.4
- Prelude In G Op.13 No.3
- Etude in C Sharp Minor Op.42 No.5
- La Vida Breve: First Spanish Dance - Manuel De Falla
- Goyescas: Quejas O La Maya Y El Ruisenor
- Danza Del Viejo Boyero
- Danza De La Moza Donosa
- Danza Del Gaucho Matrero
- Nocturne In D Flat Op.27 No.2
- Fantaisie-Impromptu In C Sharp Minor Op.66
- Mephisto Waltz No.1
Tracks:
- On Rachmaniov: Vocalise
- On The Theme From Bach 'Goldberg Variations'
- On Chopin: Nocturne In D Flat
- On Rachmaninov: Piano Concerto No.2
- Inspired By Scriabin
- On Duermete Mi Nino
- In The Style Of Tango
- On Granados: 'Quejas O La Maya El Ruisenor'
- In The Style Of Bach
- On Chopin: Prelude In A
- 'Improvisation in Blue (Gabriela Montero)'
- 'Song for Natalia and Isabella (Gabriela Montero)'
Customer Reviews:
Gabriela Montero CDs.......2007-06-12
Non-professional Review.......2007-03-27
Absolutely Magnificent!.......2007-03-09
Improvisations Unbelievable!.......2007-01-26
A beautiful breath of fresh air!.......2007-01-20
It's interesting hearing the negative response coming from some classical musicians and fans. At times it can seem to roughly follow the stages of grief as proposed by Kubler-Ross. I'm a professional guitarist, and it's funny because it's almost identical to how guitarists react to hearing another guitarist, but with an big class-conscious overlay (all very civilized, of course). Think of the "guitarist screwing in a lightbulb" joke. To paraphrase and extrapolate on what someone might say upon hearing her improvisation:
1. Shock: Wow, he's good. Oh, and it's a woman!? And you say it's improvisation??
2. Denial: That can't possibly be improvisation. Classical musicians don't engage in that untidy process. What she's playing must be written out, and I can tell! Don't ask, I just know it.
3. Anger: This stuff is no good. Only permanent music is of value through the ages, and that's why classical music (and only the European kind) is better than any other music. Besides, I can't improvise, so I reject it - and only THOSE people engage in improvisation.
4. Depression: She can play all the classical music, and seemingly can improvise, or at least pass her stuff off as such. Not only that, she's getting attention and money, and we're not. Why is the world unfair?
5. Acceptance: (sort of) Well, I guess she's selling CD's, and is becoming successful. She is, I hate to admit it, a great player. Even if she is a faker. Of course, they're begging my Muffy to become artist-in-residence in Spoleto....
The other reviewer has a point when he says that she may be viewed as a curiosity. Because she's crossing genres, people may not know what to make of it, and this often causes reflexive hostility. As an improvisor, I would agree that it's hard to say that something is 100% improvised - players tend to have pet phrases and favorite general ideas they return to. But to me, Gabriela's playing is at the highest level of skill, beauty, and feeling, whether improvising or playing written pieces.
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Paz
El Nino Josele Manufacturer: Sony International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HD1OI2 Release Date: 2007-04-17 |
Tracks:
- Peace Piece
- Waltz for Debby
- Peacocks
- I Do It for Your Love
- My Foolish Heart
- Dolphin
- Hullo Bolinas
- Minha
- Never Let Me Go
- Turn out the Stars
- When I Fall in Love
Customer Reviews:
an exotic, exceptional tribute album.......2007-07-19
Pure Magic ! .......2007-05-08
just get it !
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Diáspora Sefardí
Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004RBWV Release Date: 2000-03-14 |
Tracks:
- El Moro De Antequera
- Levantose El Conde Nino
- El Rey De Francia
- Por Alli Paso Un Cavallero
- Por Que Llorax Blanca Nina
- La Guirnalda De Rosas
- Nani Nani
- El Rey Que Tanto Madruga
Tracks:
- Las Estrellas De Los Cielos
- En La Santa Helena
- A La Una Yo Naci
- Improvisacion
- Paxarico Tu Te Llamas
- Yo Era Nina De Casa Alta
- Longe De Mi Tu Estaras
- Hermoza Muchachica
- Axerico De Quinze Anos
- Improvisacion Sobre 'Axerico'
Amazon.com essential recording
The Sephardic Jews, scattered through the world after their expulsion from Spain in 1492, kept alive for centuries not only their language, Ladino, but an extraordinary repertory of "folk" songs, many of them quite sophisticated. As Ladino culture began to slowly fade away over the course of the 20th century, musicologists collected and transcribed these melodies from Ladino-speaking communities in Sarajevo, Sofia, Salonika, Smyrna, Jerusalem, and other cities. Beginning in the 1970s, these extraordinary songs were revived (to considerable excitement) for concert audiences--a revival sparked in large part by a 1976 recording by Hesperion XX. This now-legendary early music ensemble, renamed Hesperion XXI for the new century, has returned to the music of the Sephardic Diaspora with this beautifully produced and packaged release. Disc 1 contains eight songs performed lovingly by the magnetic Montserrat Figueras (who sings with an appropriately unstudied tone). The second disc includes eight more melodies performed instrumentally; the choice of instruments reflects the influence of the Muslim-ruled areas where the Sephardim settled with the oud, rebab, and qanun (Middle Eastern equivalents of the lute, fiddle, and dulcimer) performing alongside harps, lutes, flutes, and frame drums. (Inexplicably, however, the final track of this second CD--an improvisation for the sarod and tabla--sounds nice but feels completely foreign to the theme of this release.) It may have been more effective programming to mingle the vocal and instrumental tracks across the two CDs rather than segregating them. --Matthew WestphalCustomer Reviews:
One of Savall's finest.......2004-05-19
Led by the impeccable soprano Montserrat Figueras, a generous collection of sephardic romances resides on disc one, and ten instrumental pieces are found on disc two. Savall (performing on lira, viola and rebab) is joined by some virtuoso players here: Pedro Estevan on percussions, Yair Dalal on oud, Andrew Lawrence-King on arpa doppia, Pedro Memelsdorff on flutes, and a handful of others on psaltry, qanun, laud, sarod and medieval harp. This recording differs in kind from other interpretations (by Savall or by countless other interpreters of this music) in that it employs a more diverse instrumentation that lies beyond the standard western European grouping of percussion, viol, flutes and harps, and rather embraces the instrumentations of eastern influences of this music (oud, qanun, sarod, etc.).
Disc one, subtitled "Por que llorax blanca nina" (Why do you weep fair child?) is a selection of beautiful songs, mostly from 16th and 17th century documents, though all of them look back much earlier to a very old tradition of songs. Montserrat Figueras is full of vitality, her breathtaking voice and accomplished techniques show her complete mastery of this challenging material.
Disc two, "Las estrellas de los cielos" (The stars in the sky), is a diverse collection of instrumental pieces, interpreted and performed to perfection by this ensemble. This second disc is the real jewel here. Even in the complexity of rhythms, fostered by Pedro Estevan's challenging techniques, the rhythms are extremely accessible, allowing the listener to move around within the multifaceted and subtle instrumentations. Some are traditional dance pieces, while others more meditative reflections and variations on the music of the popular romances.
Listening to this music is always a rewarding enterprise. Full of surprises, it never provokes the same response twice. This release comes highly recommended for the curious listener. It comes beautifully packaged with lyrics and an informative essay by Paloma Diaz-Mas.
Nearly every night for 6 months!.......2003-05-01
Diáspora sefardí / Hespèrion XXI.......2000-11-13
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Sing We Christmas
Chanticleer Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000SNL Release Date: 1995-09-19 |
Tracks:
- Es ist ein Ros entsprungen
- O magnum mysterium
- In dulci iubilo
- O virgo virginum
- O Jesulein s Jesulein mild
- Hodie Christus natus est
- Marabile mysterium
- Verbum caro factum est: Y la Virgen le dezia
- A un nilorando
- Here Is The Little Door
- Noel canon
- Quelle est cette odeur agrle
- El Noi de la Mare
- A Christmas Carol
- A virgin unspotted
- In the bleak mid-winter
- Glory to the newborn King
- Stille nacht - Douce nuit - Silent night
Amazon.com
Christmas is the season for whipping out those holiday-specific standard recordings. This splendid gift by Chanticleer should top the list, for one will never tire of this a cappella choir's interpretations. With selections spanning the last five centuries of Latin, German, English, Spanish, and French festive fare, this recording exemplifies the sacrifice of the ego to the higher form of choral sound. Jacob Handl's "Mirabile Mysterium" takes you on a trip into the chromatic wonderlands, where you temporarily lose tonal balance. Victoria's eerie and dissonant "O Magnum Mysterium" treats us to rich voices swelling out of one organic whole. The phenomenal blend and perfect intonation elevate this recording above others in its category. --Barbara Eisner BayerCustomer Reviews:
Pure Christmas.......2007-01-16
Christmas magic.......2007-01-10
a voice teacher and early music fan.......2006-12-02
'Es ist ein Ros entsprungen' is a hymn that originated in western Germany around 1500, and is best known in the harmonization by Michael Praetorious published around 1609. The poem used biblical imagery that pictures the newborn Christ growing forth from the "stem of Jesse'(the father of King David), as foretold in Isiah 11. The metaphorical writings of the Middle Ages depict the patriarchal figure of Jesse as a rose bush.
'O Magnum mysterium',Victoria's most famous motet, uses a subline text from the Christmas Vespers. This is incredibly beautiful with its interweaving polyphony which leads to a hushed choral declamation at the words "O beata Virgo"(O Blessed Virgin) ending with a Alleulia Section.
'Here is the Little Door' is from a set of three "carol anthems", dating from 1918-1920. Herbert Howells was revered as one of the 20th century's most distinguished Choral composers, and I recently discovered him thru the album " by the Corydon Singers conducted by Matthew Best. It includes Howells Requiem in addition to the Vaughan Williams Mass in G Minor. It is the most heavenly somewhat exotic choral music I think I have heard in many years of listening; I highly recommend it.
'Glory to the newborn King'. Joseph Jennings, Georgia native and present musical director of Chanticleer, has often drawn upon his roots to create special gospel and spiritual arrangements of familiar songs. 'Glory to the newborn King' features four traditional songs combined to showcase Chanticleer's unique choral virtuosity!
This is an excellent group of carols,and it is always refreshing to hear 'new' melodies, arrangements; a joy for the ear!!!!
Simply beautiful.......2006-02-20
It's that time of year...for Chanticleer!.......2005-12-20
These twelve male voices create an ambience that can only be labeled 'spiritual', so resonant and exquisitely performed are each of the generous works on this recording. The moods pass through Praetorius, Victoria, Bach and traditional carols of unknown authorship to works by Ives, Billings, Holst, Guerrero, Howells and Sametz. The repertoire is both familiar and rarely heard and the result of combining all these forms is the truest form of Christmas spirit on record: this is music to cleanse the Muzak blitz! Highly recommended. Grady Harp, December 05
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Lauro: Venezuelan Waltzes for Guitar
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004NK2H Release Date: 2000-03-14 |
Tracks:
- Seis Por Derecho: Joropo
- Maria Carolina
- El Marabino
- Maria Luisa
- Angostura
- Adios A Ocumare
- Papelon
- Nelly
- Suite Venezolana: I. Registro (Preludio)
- Suite Venezolana: II. Danza Negra
- Suite Venezolana: III. Cancion
- Suite Venezolana: IV. Vals
- Suite Venezolana: El Nino
- 4 Valses Venezolanos: Vals No.1
- 4 Valses Venezolanos: Vals No.2
- 4 Valses Venezolanos: Vals No.3 (Vals Criollo)
- 4 Valses Venezolanos: Vals No.4 (Yacambu)
- 4 Valses Venezolanos: El Negrito
- 4 Valses Venezolanos: La Gatica
- Triptico: 1. Armida
- Triptico: 2. Madrugada
- Triptico: 3. La Negra
- Variations Sobre Una Cancion Infantil Venezolana
- Zulay
- Carora
Customer Reviews:
Excellent music and musician.......2007-07-17
great composer.......2006-07-31
i am going to pay cd and nylon string guitar soon too i feel.
what a beautiful melodies Lauro is!.......2004-05-25
Their songs is not long scale songs, though they are small songs, include many unique melodies with alpegio picking style.
It is very difficult to select his best songs because there are a lot of wondeful songs. I love Nataria and Angostuna especially. I think that he is genious in the point that make the songs with minor chords. In addition to that, his songs do not exist bad songs, all the songs is more that good.
Thank you for reading my poor English.
Holzman plays Lauro beautifully.......2003-03-07
The finest CD in my collection.......2002-11-10
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The Very Best of Victoria de los Angeles
Victoria De Los Angeles Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000083GOE Release Date: 2003-04-22 |
Tracks:
- O Mio Babbino Caro
- Un Bel Di Vedremo
- Si. Mi Chiamano Mimi - Jussi Bjorling
- Senza Mamma
- Voi Lo Sapete, O Mamma
- Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
- Ebben? Ne Andro Lontana
- Nacqui All'Affano...Non Piu Mesta
- Una Voce Poco Fa
- E Strano!... Ah, Fors' E Lui...Sempre Libera
- Porgi, Amor
- Dich, Teure Halle
- Einsam In Truben Tagen
- Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
- Les Grands Seigneurs...Ah! Je Ris
- Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle
Tracks:
- Auf Flugein Des Gesanges
- Ich Liebe Dich
- Wiegenlied
- Les Filles De Cadiz
- Cuba Dentro De Un Piano
- Chevre
- Punto De Habanera
- Cancion De Cuna Para Dormir A Un Negrito
- Canto Negro
- De Espana Vengo
- Cancion Del Amor Dolido
- Cancion Del Fuego Fatuo
- La Pastoura Als Camps
- Bailero
- Chut, Chut
- Uno Jionto Postouro
- Oh! Had I Jubal's Lyre
- An Die Musik
- Dein Blaues Auge
- Vergebliches Standchen - Gerald Moore
- L'Invitation Au Voyage
- La Flute Enchantee
- Chanson Espagnole
- Chanson Francaise
- Chanson Italienne
- Clavelitos!
- Malaguena - Gerald Moore
- Granadina - Gerald Moore
- Adios, Granada
- Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha
Customer Reviews:
Very nice introduction to the work of a great soprano.......2007-07-13
Some cuts exemplify her art:
"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.
"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.
From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."
Rossini's "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.
From "Carmen," "L'amour est un oiseau rebelle." Richly and nicely sung.
Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.
And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." I'm not normally so excited about songs, but in this case I found her work enchanting.
So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!
The very best performance by Victoria de los Angeles.......2006-09-13
In Memoriam: A Tribute To The Late Victoria.......2005-02-01
Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.
Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.
Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.
the genius of de los angeles.......2004-02-14
A n angelic voice.......2004-02-06
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Zarzuela Arias & Duets
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FW6 Release Date: 1995-09-04 |
Tracks:
- El Rey que rabi?: Mi t?o se figura
- El Caser?o: Bueno d?as
- La Canci?n del olvido: Marinela, Marinela
- El Cabo primero: Yo quiero a un hombre
- La Leyenda Del Beso: Amor, mi raza sabe conquistar
- Bohemios: No quiero que sepa que aqu? vengo yo
- La generala: Mi dulce sueno de adolescente
- MARINA: Pensar en ?l
- La Dolores: !Dolores m ... ! Aquu!
- El Nino jud?o: De Espana vengo
- Luisa Fernanda: Caballero del alto plumero
- La Rosa del Azafr?n: No me duele que se vaya
- Don Gil de AlcalBendita cruz
- El D?o de la Africana: Comprende lo grave de mi situaci?n
Customer Reviews:
One of he greatest voice ever!.......2007-01-10
overall.......2006-03-16
Great music selection, Great orchestration
Every thing is what I was looking for.
I wish you had the same subjects in DVD
Thank you
Beautiful.......2001-09-29
Caballe is in as beautful voice as ever and feels at home with this non very taxing repertoire. She doesn't overindulge in her other times frequent "floatiness" and is very expressive throughout. Thogh sometimes when some coloratura is needed she tends to drop the consonants blurring her enunciation of the words. We are used to this from her opera recordings though she's not as bad as Sutherland.
Marti is a nice tenor but is not in the same league as Caballe. That's why he never got star recognition though he made a few recordings whith his wife, like Bellini's "Il Pirata". His is a lyrical tenor, a little throaty but with nice projection of the sound. He sounds a little strained over the "passagio" but hits all the notes. More importantly, he compensates for his lack of vocal lustre with burning impersonations of his characters. Passionate and burning in some, tender and caressing in others. In this respect is better than his wife who is a little more doll like hidding behind her vocal resources. So I specially enjoyed the many and varied duets in this recording.
Strongly recommended.
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The Movie Album Classical Pictures; John Bayless
John Bayless , Luis Enrique Bacalov , Giacomo Puccini , Michel Legrand , Joaquin Rodrigo , Nino Rota , John Williams , James Horner , Sergey Rachmaninov , and Harold Arlen Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SLY Release Date: 1996-11-19 |
Tracks:
- Il Postino, From The Postman - Visi d'Arte, From Tosca
- El Canto de Ensarria - The Summer Knows, From Summer Of '42 - Concierto de Aranjuez, 2nd Movement
- A Time For Us, Love Theme From Romeo And Juliet- Adagio In G Minor
- Theme From Schindler's List - Prelude In C-Sharp Minor - Hatikva (Interlude)
- Somewhere Out There, From An American Tail - Rhapsody On A Theme Of Paganini Variations No.18
- When I fall In Love, From Sleepless In Seattle - Liebestraume
- Moon River, From Breakfast At Tiffany's - Piano Concerto No.2, 1st Movement
- Beauty And The Beast, From Beauty And The Beast - Prayer From Hansel And Gretel
- Over The Rainbow, From The Wizard Of Oz - Legends
Customer Reviews:
Wonderful, sensitive playing...........2003-11-02
John Bayless is awesome.......2003-10-13
The One CD in My Collection I Never Tire of Listening To.......2001-03-24
Gorgeous arrangements. Very dramatic and melodic........1999-11-16
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John Adams - El Nino / Hunt-Lieberson, Upshaw, W. White, Nagano
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NHNU Release Date: 2001-08-28 |
Tracks:
- I Sing Of A Maiden
- Hail, Mary, Gracious!
- La Anunciacion
- For With God No Thing Shall Be Impossible
- The Babe Leaped In Her Womb
- Magnificat
- Now She Was Sixteen Years Old
- Joseph's Dream
- Shake The Heavens
- Se Habla De Gabriel
- The Christmas Star
Tracks:
- Pues Mi Dios Ha Nacido A Penar
- When Herod Heard
- Woe Unto Them That Call Evil Good
- And The Star Went Before Them
- The Three Kings
- And When They Were Departed
- Dawn Air
- And He Slew All The Children
- Memorial De Tiatelolco
- In The Day Of The great Slaughter
- Pues Esta Tritando
- Jesus And The Dragons
- A Palm Tree
Amazon.com's Best of 2001
To clear up one thing first: this is not about the El Niño weather system that hits the western Pacific every few years. Instead, this is a rather beautifully done Nativity Oratorio by John Adams, filled with his trademark dancing minimalist rhythms and tuneful melodies. The text is in Spanish, English, and Latin, and comes from both New World and Old World sources, all centering on the birth of Christ. Particular kudos must go to the three principals: Lorraine Hunt Lieberson, mezzo-soprano; Dawn Upshaw, soprano; and Willard White, baritone. Even though there are moments when White's baritone threatens to dominate, they aren't significant enough to forestall any pleasure in the overall work. And while there are moments of drama here, they aren't nearly as spooky as those in The Death of Klinghoffer, Adams's other clear masterpiece. But El Niño is definitely a masterpiece and a must for anyone's collection of contemporary music. --Paul CookCustomer Reviews:
El Nino.......2007-01-13
Adams oratorio completely renews an old genre for our times.......2006-12-10
I'm sure the Sellars staging in the original was impressive but I was glad to have an opportunity to experience the music only, which sustains the listeners' attention as surely as does Handel's oratorio.
This recording is to be prized for another reason. The truly great Lorraine Hunt-Lieberson, one of the most electrifying stage presences in classical music in our times, died of cancer last summer. And now the news that Dawn Upshaw, the other, spectacular lead female singer, is battling the same disease. They would both have been featured in this Boston production, but one is gone and the other has cancelled her season while she battles the disease. Here they are on this beautiful recording, as they will not be heard together again.
John Adams El Nino.......2006-08-14
Revisiting El niño.......2005-12-20
Now a few years later and with the CD studied, the next exposure to the work was in concert form and surprisingly 'El niño' works better without the distractions! The admixture of Spanish, Latin and English texts, using some wondrous poetry, the clarity of the vocal lines as sung to perfection by Upshaw, Hunt Lieberson and White, and above all the chance to really hear the brilliant orchestral details result in an oratorio that begins to work some magic. Adams creates a universality of message about birth and brotherhood that will help this rather overlong work sustain. The recording is quite fine and fortunately does not bear the stigmata of Adams' insistence of using mikes for the singers during live performance. Knowing this is one of his 'traits' forces devotees of his music to accept amplification as an instrument: even in his newest work 'Doctor Atomic' the singers are miked when they are all completely capable of filling a large house with their well-supported voices.
But ah, this is the 21st century and amplification is too much with us everywhere we go. So one can only shrug and say 'get over it.' It looks like 'El niño' has staying power: give it a chance. Not Adams' greatest work, but it ages well. Grady Harp, December 05
An American Masterpiece.......2002-10-04
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El Niño
Def Squad Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007QCA Release Date: 1998-06-30 |
Tracks:
- Shower (Intro)
- Check N' Me Out
- Countdown
- Full Cooperation
- Ride Wit' Us
- Lay 'Em Down (Skit)
- Rhymin' Wit' Biz
- The Game (Freestyle)
- World Announcement (Skit)
- Can U Dig It?
- You Do, I Do
- Ya'll Niggas Ain't Ready
- Say Word!
- No Guest List
- Babies Father Committee (Skit)
- Def Squad Delite
Amazon.com
In the late 1990s so many rappers are appearing on each other's records that it becomes easy to forget just whose album it is. On El Niño, Keith Murray, Erick Sermon, and Redman--all lethal MCs--took the next logical step and joined forces. The result? Chemistry class is in session. What cannot be understated is how reenergized the trio sound together. They appear invigorated with a sense of focus and duty: "Full Cooperation" is pure park-after-dark rhyming; "The Game" is the trio at its freshest, freely trading four bars each over classic cuts, breaks, and beats; and then there's "Ride wit Us," with one of the most surreal exchanges on the album, when guest rapper Too Short passes the mic to Murray over a Sermon beat. Juice Crew veteran Biz Markie also adds some old-school spice to a cover of "Rhymin' with Biz" that pairs the original hook with James Brown's "Payback" guitar. --Todd InoueCustomer Reviews:
slightly boring..........2006-02-26
OK.......2005-11-26
DEF SQUAD BABY.......2004-08-02
Classic, amazing album. Don't agree? Then y'all ain't ready.......2004-03-06
I have been following the careers of "The Funk-Lord / MC Grand Royal / Green-Eyed Bandit" Erick Sermon, "The Philles Blunt King" Keith Murray & "Funk Doctor Spot" Redman under a microscope from day one. Each brings a unique style & attitude to the mic, but there is and will never be, another trio as great as this one. With E-Double producing the entire album (execpt "You Do, I Do" by Red), the entire LP is bursting at the seams with funky-ass beats.
Erick Sermon, as we all know (or at least all should know), started his hip-hop tenure paired w/ Parrish Smith (PMD) in the classic & hugely influential duo, EPMD. Everyone knows that Sermon had all the talent, as it was evident in his production and superior rhymes w/ his classic lisp. As soon as the duo temporarily broke apart in 1992, Sermon simply blew up but didn't go pop. He took understudies, Redman & Keith Murray and turned them each into Hip-Hop icons, via practically producing and guiding both of their entire careers. He also released two solo albums, "No Pressure" in 1993 & "Double or Nothing" in 1995, both are amazing.
The first time the world heard Redman on the mic was on EPMD's 1992 LP, "Business as Usual" on the tracks, "Headbanger" & "Brothers on my Jock." Soon after, Redman released his debut album "Whut? Thee Album," later that year (entirely produced by E-Dub) and it went gold. Ever since then, Redman has become a huge staple in east-coast hip-hop. Sermon and Redman were good buddies and Sermon (I'm guessing) just figured that Red could rap over his beats, and it'd be ill. I have a feeling (not officialy confirmed) that Sermon's growing friendship with Redman & Murray played a part in EPMD's break-up.
Keith Murray is a completely different story, sort of. He was brought to Sermon's legendary basement one night by fellow "Hit Squad" member, K-Solo. Murray was homeless and broke, but he could rap like nobody had ever heard, (it's true I read this in an interview w/ Murray). The hip-hop world was first introduced to Keith Murray on Sermon's first solo album, "No Pressure" in 1993 on the tracks "Hostile" & "Swing it Over Here." The latter is to my expert knowledge, the first track the trio ever collaborated on, and it's dope. The next year in 1994, Murray released his debut LP "The Most Beautifullest Thing in This World," produced entirely by Sermon, and everybody loved it.
Dating from 1993, up to "El Nino" in 1998, each member of Def Squad had released at least 2 albums apiece. The beauty of it is, each solo album had at least one track that featured all three members. This is why I love this album so much...for years I had been getting tastes of what Sermon, Redman & Murray sound like when they all surround a mic, and I could never get enough. This album is a full 16 tracks (minus interludes and intros) of all three members. It's truly a beautiful thing that serious hip-hop heads had been waiting for, for years.
Now, don't expect much from this album by means of insight, emotion or even tracks that make you think. That's not their style. What these three heavyweights represent is pure funky, sh*t-talking hip-hop. It's all in good fun. They rhyme to entertain - not change lives. What's funny about Def Squad, is that not one of the tracks on the album have anything that seperates one from another. They all just rhyme about how dope they are, but the beats change from track to track and it couldn't sound better. My friends and I always joke that this album is like one big track. It's perfect, if that's what you're in the mood for.
Bottom Line: Those of us who know, know that this album was a long time coming. In an odd way, it's history in the making. The beats are incredible and the rhymes suit them perfectly. This is the perfect definition of a fun album. Any fan of Erick Sermon, EPMD, Redman, or Keith Murray will love this. 5 funky stars. Peace.
Collaboration.......2003-12-10
Dance Music:
- Enstein Rosen Bridge [Explicit Lyrics]
- Equilibriums
- Eve: First Lady of Ruff Riders
- Frontline / Ladofionda [CD-single]
- Frontline/Ladofionda [CD-single]
- Full Clip: Decade of [Import]
- Full Time [CD-single] [Explicit Lyrics]
- Glama World
- Gonna Let U Know [CD-single]
- Heroz4hire
Dance Music
Ben's Birthday Present - A Classical Music Adventure for Children
Bing Sings Whilst Bregman Swings
Andare Camminare Lavorare [Import]
Allan Pettersson: Symphonies Nos. 7 & 11