I Feel It

I Feel It

Track Listings

1. Only a Dream
2. Baby Be There
3. Are You Ready
4. I Feel It
5. Fallen Angel
6. Everyday
7. In the Beginning
8. Because I'm Loving You
9. How Could I Let You Go
10. This Thing Called Love
11. Time to Party

I Feel It,E.Y.C.,Red Ant / Bmg,Club/Dance,Dance-Pop,Hip-Hop,Party Rap,Pop,Popular Music,R&B,Urban
Chicken Little
Average customer rating: 4 out of 5 stars
  • my little one loves Chicken Little
  • this is a great kids cd!!
  • Great soundtrack for the children, especially if they liked the movie!
  • Her favorite gift...
  • Chicken Little Soundtrack
Chicken Little

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Madagascar
  2. Cars
  3. Disney's Karaoke Series: Chicken Little
  4. Chicken Little
  5. Shrek 2

ASIN: B000BBOVEY
Release Date: 2005-11-01

Tracks:

  1. Stir It Up - Patti Labelle
  2. One Little Slip - Barenaked Ladies
  3. Shake A Tail Feather - The Cheetah Girls
  4. All I Know - Five For Fighting
  5. Ain't No Mountain High Enough - Diana Ross
  6. It's The End Of The World As We Know It (And I Feel Fine) - R.E.M.
  7. We Are The Champions - Chicken Little
  8. Wannabe - Abby Mallard And Runt Of The Litter
  9. Don't Go Breaking My Heart - The Chicken Little Cast
  10. The Sky Is Falling - John Debney
  11. The Big Game - John Debney
  12. Dad Apologizes - John Debney
  13. Chase To Cornfield - John Debney
  14. Dodgeball - John Debney
  15. Driving With Dad - John Debney

Amazon.com

This soundtrack offers a pretty standard mix of new songs, old chestnuts, and excerpts from the score (here by John Debney). On the new tip, Joss Stone and Patti LaBelle engage in an overheated battle of the divas on CD opener "Stir It Up," a bouncy piece of fluff that sounds more like Aretha Franklin circa "Freeway of Love" than classic soul. Other originals include Barenaked Ladies' "One Little Slip" (this movie's answer to Counting Crows' "Accidentally in Love" from Shrek 2) and the Cheetah Girls' peppy-but-bland cover of "Shake Your Tail Feather." But the real highlights are the songs performed by the movie's vocal cast, which includes Joan Cusack, Garry Marshall, Zach Braff, Steve Zahn, and Amy Sedaris. Their group cover of Elton John and Kiki Dee's "Don¹t Go Breaking My Heart," for instance, sounds as if half of them were drunk in the recording studio (and this is meant as a compliment.) Braff's a cappella version of "We Are the Champions" is smashing and Cusack and Zahn's take on the Spice Girls' "Wannabe" is completely demented. The kids will laugh; their parents will laugh even harder for completely different reasons. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars my little one loves Chicken Little.......2007-04-05

My husband bought the Chicken Little movie for our 3 year old (mostly to get us OFF the Cars movie that we all have memorized) and he fell in love with it! He likes to act out the scenes and loves the music. He loves this CD at night when he's going to bed. We all have to dance to One Little Slip (he knows all the words) and then we have to "shake our tail feathers" before he jumps in bed every night! I enjoy the cd too, so it's good for everyone!

5 out of 5 stars this is a great kids cd!!.......2007-03-24

My daughter absolutely loves this cd. I could not find it anywhere until i looked on amazon, so thank you amazon!!

5 out of 5 stars Great soundtrack for the children, especially if they liked the movie!.......2007-03-14

My son loved the movie Chicken Little, so we decided to purchase this for him to listen to on his discman. He loves the soundtrack as much as the movie, which made it an awesome investment(especially since the soundtrack has many good singers that aren't too hard on the ears for the adult crowdes either). My son was very happy with this item, and so was I.

5 out of 5 stars Her favorite gift..........2006-12-23

I bought the CD to accompany the movie. My four year old watches the movie everyday. When I gave her the CD, after listening to it nightly, she takes it to bed with her everynight where I have to pry it out of her hands after she falls off to sleep. I don't get it, but she does...so it's worth what I paid for it.

5 out of 5 stars Chicken Little Soundtrack.......2006-08-29

This is a great soundtrack from a variety of different artists. If your child loved the movie you will absolutely love this CD!!!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Tommy
Average customer rating: 4.5 out of 5 stars
  • The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE
  • A Landmark Classic Now Made Even Better.
  • A Milestone of Early Rock!
  • I Love it !
  • The Who's classic rock opera gets a 35th birthday celebration fit for a king!
Tommy

Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  1. Who's Next (Deluxe Edition)
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  3. My Generation (Dlx) (Dig)
  4. Avalon
  5. The Who by Numbers

ASIN: B0000DJZAH
Release Date: 2003-10-28

Tracks:

  1. Overture
  2. It's A Boy
  3. 1921
  4. Amazing Journey
  5. Sparks
  6. Eyesight To The Blind (The Hawker)
  7. Christmas
  8. Cousin Kevin
  9. The Acid Queen
  10. Underture
  11. Do You Think It's Alright
  12. Fiddle About
  13. Pinball Wizard
  14. There's A Doctor
  15. Go To The Mirror!
  16. Tommy Can You Hear Me?
  17. Smash The Mirror
  18. Sensation
  19. Miracle Cure
  20. Sally Simpson
  21. I'm Free
  22. Welcome
  23. Tommy's Holiday Camp
  24. We're Not Gonna Take It
  25. See Me Feel Me/Listening To You

Tracks:

  1. I Was
  2. Christmas (Out-Take 3)
  3. Cousin Kevin Model Child
  4. Young Man Blues (Version 1)
  5. Tommy Can You Hear Me? (Alternate Version)
  6. Trying To Get Through
  7. Sally Simpson (Out-Takes)
  8. Miss Simpson
  9. Welcome (Take 2)
  10. Tommy's Holiday Camp (Band's Version)
  11. We're Not Gonna Take It (Alternate Version)
  12. Dogs (Part 2)
  13. It's A Boy
  14. Amazing Journey
  15. Christmas
  16. Do You Think It's Alright?
  17. Pinball Wizard

Customer Reviews:

5 out of 5 stars The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE.......2007-06-12

The Album is a masterpiece of all time rock n roll, even if this is "the less Who album" of the Who... but nevermind!
The Sound in both Stereo (from the original master tape discovered in the vault of UMG) and 5.1 (mixed by Pete Townshend himself) is great...
As you put the disc in your player you'll hear the great differences from the 1996 reissue even if you have only a "simple" CD player..
If You're a great Who fan and you a have SACD player buy ABSOLUTELY this album and enjoy it 'til the laser of your player won't work anymore...
The second disc is clearly for fans only but the quality of some track even if are demos or outtakes is very very good!!

5 out of 5 stars A Landmark Classic Now Made Even Better........2006-12-26

One of the most important, groundbreaking amd influential albums in the history of rock and roll, The Who's 1969 magnum opus "Tommy", a rock opera about a deaf, dumb and blind kid who sure plays a mean pinball, is now better than ever thanks to the brilliance of SACD and DSD remastering techniques.

Every song on the cd sounds like it was recorded just yesterday. It is 100 % crystal clear, perfectly remixed and remastered. It gives you a clearer view of the story as well as a more pleasurable than ever listening experience. Pete Townshend and the people involved in this truly put their hearts into making "Tommy" better than ever.

The bonus disc is also worth it. A lot of awesome raritis. The liner notes are an interesting read, and the album itself is of course a masterpiece nobody should be without.

5 out of 5 stars A Milestone of Early Rock!.......2006-09-29

"Tommy" is beyond question one of the big milestones of early rock. Musically the band were at the peak of their creativity.

All band members were obviously extremely talented musicians and both Roger Daltrey and Pete Townshend were/are great singers. Apart from few exceptions like "Cousin Kevin" all songs are outstanding; and it's really great to have the whole story on one CD - compared to the old double vinyl album.

Though the storyline may seem a little weird today ( to me it always did ), there is so much great music on this album.

The second bonus CD gives a very interesting insight in the developement of some of the songs. Though the sound quality is exellent CD 2 will mainly be of interest to hard-core Who fans. None of these alternate versions are better than the ones chosen for the album, though a few come close. The studio version of "Young Man Blues" which did not appear on the original album is a nice addition too!

5 out of 5 stars I Love it !.......2006-09-06

I was so blind-sided by this reissue - really. I have looked at this for a few years now, but I never picked it up. My impression of this was that it had some very good music along with some dated sounding tracks, so it wasn't a high priority. I'd been having very good luck buying hybrid SACD's even though I don't own a SACD player; the CD layers benefit greatly from the DSD mastering, making them stand head and shoulders above the latest PCM remasters (there are a few exceptions), so I decided to take the plunge.

The CD layer is stunning. I must have been sitting there with my mouth open after "Overture" began. I experienced emotion that wasn't there on previous listens to this on CD and vinyl. Yes, some of the tracks still sound dated, but most of this album is very good indeed, and this remaster is so incredible. If you own a great stereo rig, I highly recommend buying this - in fact, even if you don't have a great rig, I recommend it!

5 out of 5 stars The Who's classic rock opera gets a 35th birthday celebration fit for a king!.......2006-08-13

The Who's fourth studio(and fifth overall) album Tommy was released in May of 1969.
The Tommy album by The Who was the make or break for the group because if Tommy had failed, The Who would have probably disbanded due to lack of funds despite their concerts selling out based on Pete Townshend's guitar smashing and Keith Moon's drum kit demolishing at the end of each gig.
Guitarist Pete Townshend, under the gun after I Can See For Miles failed as a single in the UK(although it was their biggest ever hit here in the US) came up with a rock opera about a deaf, dumb and blind kid named Tommy whom becomes those aforementioned things after witnessing an event as a child that traumatized him(his father killing his step-father whom he considered his father).
Originally considered to be a single length album, the band felt it didn't make sense so they expanded it into a double album and the result is one of rock's Top 10 greatest double studio albums in history(alongside other classic double albums like the then-already released Jimi Hendrix's Electric Ladyland and The Beatles' White album and would help pave the way for more classics like The Rolling Stones' 1972 masterwork Exile on Main Street, The Who's 1973 release Quadrophenia, Elton John's 1973 classic Goodbye Yellow Brick Road, Genesis' 1974 masterwork The Lamb Lies Down on Broadway, Led Zeppelin's 1975 classic Physical Graffiti, Pink Floyd's 1979 masterpiece The Wall and Bruce Springsteen's 1980 classic The River among many others).
Alot of classics appear on this album like the Overture, the classic Top 20 hit Pinball Wizard, Amazing Journey, the Underture(best instrumental on here which is basically a repeat of the album's other instrumental Sparks), Go to the Mirror, I'm Free, Cousin Kevin(one of bass player John Entwistle's greatest compositions), Fiddle About(about the perverted Uncle Ernie), Tommy's Holiday Camp(another excellent ditty written by drummer Keith Moon whom did an excellent rendition in the film version of Tommy in 1975) and the classic finale We're Not Gonna Take It/See Me Feel Me.
The other tracks on the album It's a Boy, 1921(You Didn't Hear It), Eyesight to the Blind, Christmas, The Acid Queen, Do You Think It's Alright, There's a Doctor I've Found, Tommy Can You Hear Me?, Smash the Mirror, Sensation, Miracle Cure, Sally Simpson and Welcome are all great pieces as well though tend to be overlooked.
The album made The Who legends for good and peaked at #4 on the Billboard chart and was their first Gold seller(eventually Platinum).
In 1996, the album was re-released as a remastered CD but used different masters for the remixed reissue.
In October of 2003(just in time for Tommy's 35th Anniversary), Geffen Records(formerly known as MCA) re-released the album as a 2-disc Hybrid SACD with the original mix on the CD layer and a killer 5.1 mix on the SACD layer and this version uses the very original tapes that were found in Universal's vault after being said that the original tapes were destroyed by Kit Lambert in a fire. As a result of the discovery of the original tapes, the sound quality is amazing on here.
Disc two has great outtakes and demos like I Was, The Who trying to record Sally Simpson with hilarious results and instrumental versions of Tommy Can You Hear Me and Tommy's Holiday Camp among many other rarities plus a cool booklet with rare photos.
Highly recommended.
I Found It!
Average customer rating: 4.5 out of 5 stars
  • One of our favorites
  • Ok, not great
  • Children's music that is fun for all ages
  • Your kids will love it and so will you!
  • so glad I FOUND IT!
I Found It!
Brady Rymer
Manufacturer: Bumblin' Bee Records
ProductGroup: Music
Binding: Audio CD

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  1. Look At My Belly
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ASIN: B0006HTYTA
Release Date: 2004-11-01

Tracks:

  1. Drawing on the Sidewalk
  2. I Found It!
  3. Cookin' Saturday
  4. I'm a Little Raindrop
  5. Bathtub Soup
  6. Under the Bed
  7. Eatin' Animal Crackers
  8. One Little Letter
  9. Ding Dong
  10. Hey, Mr. Moonlight
  11. Turn the World Around

Album Description

This is music for kids with a rock `n' roll heart. Brady Rymer's Parent's Choice Recommended, iParenting Media Hot Product Award, and NAPPA Honors Award-winning "I Found It!" is a hip descendant of the happy, sing-along spirit of Motown, the party atmosphere of the E Street Band and Bruce Springsteen, and the warmth and heart of Bob Marley. Says Rymer, formerly of the RCA roots rock band From Good Homes, "I wanted this CD to be a soulful, funky, feel-good party for kids and their raised-on-radio parents, to show folks just how much fun they can have listening to good, happy music with people they love!" The songs encourage children to creatively explore new and familiar aspects of the world around them, and celebrate small but momentous achievements in a child's world. The infectious "Drawing on the Sidewalk" invites kids to show the world all that's in their hearts by using their imagination; "I Found It!" turns the loss of a loved toy into a celebration of! finding it; "Bathtub Soup" creates a deliciously silly meal from the stuff children bring to bathtime.

Customer Reviews:

5 out of 5 stars One of our favorites.......2006-06-21

My 6 and 8 year old, love this CD. He's also great in concert if you get a chance to see him.

3 out of 5 stars Ok, not great.......2005-09-16

After reading all the reviews, I was expecting to love this CD. But the music starts to all sound the same. It's Brady's version of Bob Dylan-ish music with kid-like beats and words - but much of it is boring. It's not terrible, and my daughter gets a kick out of some of the words, but all in all, I suggest her other music CDs and I wouldn't recommend someone buy this one.

5 out of 5 stars Children's music that is fun for all ages.......2005-02-15

WOW! Brady's latest album is his best. The tunes are growing up (as are our kids). They are still young and fun, and yet "cool" enough to keep our 6 and 8 year old boys' attention.
I especially enjoy the title track "I Found It'.

5 out of 5 stars Your kids will love it and so will you!.......2005-01-06

This is one of those situation where a few years from now, you'll say, "I knew him when..." because there is no better kids music out there. The tunes are great and the lyrics capture the sweetness, silliness, and innocence of youth. Brady has 2 kids of his own and is well aware that kids' music is listened to by both kids AND parents. If your kids are like most, not only do they not mind repetition, they relish it, so it is a huge bonus that this music is so great to listen to. I really like this album, with Look at My Belly a close second, while my son's favorite is Fall Leaves. Buy 'em all and you won't be sorry.

5 out of 5 stars so glad I FOUND IT!.......2004-12-30

This is the children's album we've been looking for. "I Found It" is a pretty apt title. The kids adore Brady's tunes and-- incredibly-- so do we. Nothing against Raffi or baby belugas, but a lot of music aimed at kids is pretty hard to take. Some of Brady's stuff, on the other hand, stands up to the best of adult rock. If your own idea of great music is Neal Young or Dave Mathews, you are in for a treat. We stumbled upon this, then went and bought the other albums by Brady. All are wonderful.
I Wish It So
Average customer rating: 5 out of 5 stars
  • Crossover at Its Best
  • If Dawn Upshaw had made only one album...
  • Great songs by a better than average singer. Buy It.
  • A must album for all musical theatre lovers.
  • Timeless recording
I Wish It So
Dawn Upshaw , Marc Blitzstein , Eric Stern , Stephen Sondheim , Kurt Weill , Leslie Stifelman , Leonard Bernstein , and Matthias Naegele
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005J2V
Release Date: 1994-08-02

Tracks:

  1. I Wish It So
  2. There Won't Be Trumpets - Sondheim
  3. What More Do I Need? - Sondheim
  4. That's Him
  5. The Girls Of Summer - Sondheim
  6. The Saga Of Jenny
  7. Like It Was
  8. Stay Well
  9. I Feel Pretty
  10. Glitter And Be Gay
  11. My Ship
  12. In The Clear
  13. Never Get Lost - Take Me To The World
  14. My New Friends - Bernstein

Amazon.com essential recording

With a spirit of innocence and excitement, no audible breaks of register, and perfect diction, Dawn Upshaw graces us with a satisfying crossover recording in which each song is a fully realized musical monologue. The eclectic and infrequently performed repertoire, from Bernstein, Blitzstein, Sondheim, and Weill, compliments her charm and interpretive acuity. There's her humorous "Saga of Jenny," her adorable "That's Him," her poignant "Like It Was," and her freshly vibrant "I Feel Pretty." Conductor Eric Stern is divine in his arrangements and accompaniment. This is one of the best musical theater albums available. --Barbara Eisner Bayer

Customer Reviews:

5 out of 5 stars Crossover at Its Best.......2006-11-15

"I Wish It So" is the CD that first introduced the exceptional "crossover" talents of soprano Dawn Upshaw. The album, which comprises (mostly) little-heard songs by Kurt Weill, Marc Blitzstein, Leonard Bernstein, and Stephen Sondheim, opens with the title number, a lyrical gem from Blitzstein's JUNO, and continues with Sondheim's vibrant "There Won't Be Trumpets," in which Upshaw, rather than belting, lets her voice ring. She then slam-dunks Sondheim's "What More Do I Need," a truly raucous number. Other highlights include the two songs from Weill's LADY IN THE DARK: the haunting ballad "My Ship" and the witty "The Saga of Jenny," presented here in a superb jazz arrangement. The sound of Upshaw's lower middle voice in this number is thrilling. Her combining of Blizstein's "Never Get Lost" and Sondheim's soaring, life-affirming "Take Me to the World" is perfect, as is her musical yet emotional rendition of "Like It Was" from Sondheim's MERRILY WE ROLL ALONG. The album climaxes with the mock-coloratura aria "Glitter and Be Gay" from Bernstein's CANDIDE, in which Upshaw scales the heights with consistently pure and beautiful tone. In a day when many great opera singers attempt, unsuccessfully, to sing "popular" song, "I Wish It So" is an example of crossover at its very best. It is a CD that no one who loves both opera and musicals should miss.

5 out of 5 stars If Dawn Upshaw had made only one album..........2006-08-24

I have a weak spot for crossover albums by opera stars, which can often be train wrecks or embarrissing self-parodies. There's not a cringe-worthy note in this one, however. Dawn Upshaw has never been as vibrant on disc, and her style in pop music (albeit serious pop music) surpasses expectations. She is a master at touching vulnerability and stars-in-her-eyes vulnerability. There's no current Broadway star who can match her in any of these songs form Sondheim, Weill, and Bernstein, certainly not for sheer beauty of voice and charm. Upshaw went on to make an excellent album of Rodgers and Hart songs, but nothing else quite matches this first effort.

5 out of 5 stars Great songs by a better than average singer. Buy It........2006-04-24

'I Wish It So' sung by popular / classical switch hitter, Dawn Upshaw is a very, very good interpretation of classical American musical theatre pieces by four masters of the genre, Leonard Bernstein (music), Marc Blitzstein (lyrics), Stephen Sondheim (lyrics) and Kurt Weill (music). As I am most familiar with female interpretations of Kurt Weill's songs, especially by the likes of his widow, Lotte Lenya and Weill interpreter extraordinare, Ute Lemper, I have to say that while Upshaw does them justice, she does ont outshine the very best Weill interpretations. Primarily, I believe she suffers from never actually performing the works on stage, as Lenya has.

And, since Ute Lemper did an album with a similar collection of songs (Illusions) from Sondheim and others, I thing Lemper still has the edge on interpreting other composers as well.

On the positive side, I find Upshaw's interpretation as good or better than almost everyone else who makes a career out of these songs, such as, dare I say it, Barbra Streisand. This is a good thing, because I believe Upshaw is not up to the very best mezzos who share her classical works. She can't hold a candle, for example, to Renee Fleming or Anne Sofie von Otter, although her interpretations of Weill are as good as von Otter, just not as good as Lenya and Lemper.

A very, very nice album if you like female vocalists.

5 out of 5 stars A must album for all musical theatre lovers........2005-04-21

Dawn Upshaw once again disproves the adage that opera singers can't sing showtunes properly. Her diction, her ability to act out the lyrics and her crystal clear angel-like voice are just heavenly. Miss Upshaw could teach quite a few Broadway and Cabaret singers a thing or two about interpretation and she would have her hands full teaching opera singers like Te Kanawa or Fleming how to put over a showtune properly. Simply divine!

5 out of 5 stars Timeless recording.......2004-07-20

This is an endlessly rewarding album by an operatic soprano who demonstrates an expressiveness and range rare in crossover albums of this sort. Upshaw modifies her classical technique without compromising it, narrating with a conversational tone and youthful ebullience well-suited to musical theater. She continues her tradition of championing obscure American art songs with three gorgeous Blitzstein pieces, and wisely avoids the standard, overdone Sondheim showpieces in favor of several gorgeous lesser-known songs. "I Feel Pretty" is given a refreshing makeover, while "Glitter and Be Gay" demonstrates both her impressive vocal control and comedic prowess. Despite the odd choice of "There Won't Be Trumpets", which demands a belter to properly execute the climax, this album is a well-conceived and cohesive collection that becomes more enjoyable on each subsequent listen.
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Average customer rating: 4 out of 5 stars
  • The Price Club
  • A living legend
  • not your daddy's old timey spiritual
  • Immaculate Vocals of Leontyne Price
  • Great Gospel Stuff
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Leontyne Price: The Ultimate Collection
  2. Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
  3. Amazing Grace: Jessye Norman
  4. Spirituals in Concert
  5. Spirituals

ASIN: B000003FWE
Release Date: 1997-01-14

Tracks:

  1. Ev'ry Time I Feel The Spirit - Various Artists
  2. Let Us Break Bread Together On Our Knees - Various Artists
  3. His Name So Sweet - Various Artists
  4. 'Roun' About The Mountain - Various Artists
  5. Swing Low , Sweet Chariot - Various Artists
  6. Sit Down, Servant - Various Artists
  7. Were You There - Various Artists
  8. He's Got The Whole World In His Hands - Various Artists
  9. Deep River - Various Artists
  10. Honor! Honor! - Various Artists
  11. My Soul's Been Anchored In De Lord - Various Artists
  12. On Ma Journey - Various Artists
  13. A City Called Heaven - Various Artists
  14. Ride On, King Jesus - Various Artists
  15. I Wish I Knew How It Would Feel To Be Free - Various Artists
  16. Sinner, Please Don't Let This Harvest Pass - Various Artists
  17. Sweet Little Jesus Boy - Various Artists
  18. There Is A Balm In Gilead - Various Artists
  19. Let Us Cheer The Weary Traveler - Various Artists
  20. Ev'ry Time I Feel The Spirit - Various Artists
  21. My Way Is Cloudy - Various Artists
  22. Nobody Knows The Touble I've Seen - Various Artists
  23. I Couldn't Hear Nobody Pray - Various Artists

Tracks:

  1. Holy, Holy, Holy - Leontyne Price
  2. Lead, Kindly Light - Leontyne Price
  3. Blessed Assurance - Leontyne Price
  4. Ave Maria - Leontyne Price
  5. What A Friend We Have In Jesus - Leontyne Price
  6. Amazing Grace - Leontyne Price
  7. The Lord's Prayer - Leontyne Price
  8. Pass Me Not, O Gentle Savior - Leontyne Price
  9. The Church's One Foundation - Leontyne Price
  10. Bless This House - Leontyne Price
  11. I Need Thee Every Hour - Leontyne Price
  12. Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
  13. I Wonder As I Wander - Leontyne Price
  14. Ave Maria - Leontyne Price
  15. Porgy And Bess: Summertime - Leontyne Price
  16. America The Beautiful - Leontyne Price
  17. Lift Ev'ry Voice And Sing - Leontyne Price
  18. A Mighty Fortress Is Our God - Leontyne Price
  19. Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

5 out of 5 stars The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

5 out of 5 stars A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

1 out of 5 stars not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

5 out of 5 stars Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

4 out of 5 stars Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.
One Hand, One Heart - Bernstein's Greatest Love Songs / Carreras, et al
Average customer rating: 3.5 out of 5 stars
  • Not such a great sampling....
  • nice but operatic
One Hand, One Heart - Bernstein's Greatest Love Songs / Carreras, et al

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00003XAGP
Release Date: 2000-01-11

Tracks:

  1. West Side Story: Something's Coming
  2. West Side Story: Maria
  3. West Side Story: Tonight (Balcony Scene)
  4. West Side Story: One Hand, One Heart
  5. West Side Story: I Feel Pretty
  6. West Side Story: Somewhere
  7. West Side Story: I Have A Love
  8. Wonderful Town: A Quiet Girl
  9. Wonderful Town: A Little Bit in Love
  10. Wonderful Town: It's Love
  11. On The Town: Gabey's Coming - Pickup Song
  12. On The Town: Taxi Number : Come Up To My Place
  13. On The Town: Lonely Town
  14. On The Town: I Can Cook Too
  15. On The Town: Lucky To Be Me
  16. On The Town: Ya Got Me
  17. On The Town: Some Other Time
  18. Candide: Oh, Happy We
  19. Candide: Candide's Lament
  20. Candide: You Were Dead, You Know
  21. Candide: My Love (Governor's Serenade)
  22. Candide: Make Our Garden Grow (Finale)

Customer Reviews:

3 out of 5 stars Not such a great sampling...........2001-01-21

Some of these songs are really stretching for a romantic mood. Especially some of the On the Town songs. It's not that they're not good though....All of this music is from other CDs that have been already been released. Don't limit yourself to just these songs. Go ahead and buy the other recordings. Deutsche Grammophon did the On the Town recording along with West Side Story and Candide. I'd recommend a different recording of West Side Story though. The one of Wonderful Town is the kinda newly released complete version of the musical. It's a good but expensive one. Also, this recording left out some of THE greatest love songs from Peter Pan (Dream of Me, Peter Peter), Trouble in Tahiti (Well of all people, There is A Garden, Finale), 1600 Pennsylvania Avenue (Seena, Lud's Wedding), and Quiet Place (There is so much, too much). I think this recording, though okay, is a stumbling block to finding out about the real Bernstein saga of musicals. And if you are still getting this recording, the sound quality is really good. West Side Story is done by the masters of the opera so they sing it that way. Candide is operetic too, but then again it is an operetta. That's about all I have to say on this recording.

4 out of 5 stars nice but operatic.......2000-02-23

This is a nice collection of Bernstein miscellany. Note however that the West Side Story, On the Town, and Candide are the "operatic" versions, with Te Kanawa and Carreras, Von Stade and Hampson, and Jerry Hadley, respectively. Bernstein conducts WSS and Candide and Tilson Thomas OTT. The surprise is the bits from Wonderful Town, which was recorded on JAY, not DG like the others. Featuring Ron Raines and Rebecca Luker, it's probably the most authentically "Broadway" of this set.
Songs of Free Men/ A Paul Robeson Recital
Average customer rating: 4.5 out of 5 stars
  • Robeson on wax
  • The voice, the sound quality and the interpretation
  • A Voice from the 40s, often dated, often moving
  • Robeson at his best
  • some of the greatest songs of the last century
Songs of Free Men/ A Paul Robeson Recital

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  5. Spirituals

ASIN: B0000029YJ
Release Date: 1997-12-09

Tracks:

  1. Balm in Gilead
  2. Chassidic Chant
  3. Quiet Flows The Don: From Border To Border
  4. Quiet Flows The Don: Oh, How Proud Our Quiet Don
  5. Elijah, Op. 70: The Lord God Of Abraham
  6. The Purest Kind Of Guy
  7. Joe Hill
  8. The Peat-Bog Soldiers
  9. The Four Insurgent Generals
  10. Native Land
  11. Song Of The Plains
  12. Cradle Song
  13. Within Four Walls
  14. By An' By
  15. Sometimes I Feel Like A Motherless Child
  16. John Henry
  17. Water Boy
  18. My Curly Headed Baby
  19. Mah Lindy Lou
  20. Wagon Wheels
  21. The House I Live In
  22. Showboat: I Still Suits Me
  23. Sylvia
  24. Showboat: Ol' Man River
  25. Porgy And Bess: It Ain't Necessarily So

Amazon.com

There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler

Customer Reviews:

4 out of 5 stars Robeson on wax.......2007-06-19

I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.

5 out of 5 stars The voice, the sound quality and the interpretation.......2004-09-24

Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.

4 out of 5 stars A Voice from the 40s, often dated, often moving.......2002-09-01

"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.

5 out of 5 stars Robeson at his best.......2000-05-12

It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.

In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).

5 out of 5 stars some of the greatest songs of the last century.......2000-05-05

In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.
Greatest Songs from the Musicals
Average customer rating: 3 out of 5 stars
  • You'll be disappointed
  • Pretty good musical mix
Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD

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ASIN: B000077JS0
Release Date: 2002-10-21

Tracks:

  1. Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
  2. If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  3. I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
  4. Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
  5. What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
  6. This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
  7. All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
  8. Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  9. America [From West Side Story] - National Symphony Orchestra
  10. Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
  11. Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
  12. Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
  13. I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
  14. One Song Glory [From Rent] - Sean McDermott, Martin Yates

Tracks:

  1. Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
  2. I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
  3. Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  4. As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
  5. Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
  6. Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
  7. Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
  8. I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
  9. One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
  10. Peggy Sue [From Buddy Holly Story] - Dominic Curtis
  11. Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
  12. Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
  13. All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
  14. We Will Rock You [From We Will Rock You] - Martin Yates

Tracks:

  1. It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
  2. If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
  3. I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  4. Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
  5. Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
  6. Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
  7. Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
  8. Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
  9. Quintet [From West Side Story] - National Symphony Orchestra
  10. I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
  11. Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
  12. If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
  13. Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
  14. Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson

Customer Reviews:

1 out of 5 stars You'll be disappointed.......2006-09-02

Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.

5 out of 5 stars Pretty good musical mix.......2006-03-10

Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.
Love It When I Feel Like This
Average customer rating: 3 out of 5 stars
  • Madchester redux
  • Good band, lousy singer
Love It When I Feel Like This
The Twang
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
GeneralGeneral | Indie & Lo-Fi | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Similar Items:
  1. Wait for Me
  2. Hats off to the Buskers
  3. Sound of Silver
  4. Our Love to Admire
  5. An End Has a Start

ASIN: B000PUB1YE
Release Date: 2007-06-11

Tracks:

  1. Ice Cream Sundae
  2. Wide Awake
  3. Neighbour
  4. Either Way
  5. Push the Ghosts
  6. Reap What You Sow
  7. Loosely Dancing
  8. Two Lovers
  9. Don't Wait Up
  10. Got Me Sussed
  11. Cloudy Room
  12. [CD-Rom Track]

Album Description

Hugely anticipated 2007 debut album from the Britpopsters. Recorded with long term producer Gavin Monahan at his Magic Garden Studios in Wolverhampton and mixed by Mark `Spike' Stent at Olympic Studios. The Twang are a gang but they're a hardworking gang, they're from the normal life lived in towns and cities across the country but they want more and they are getting it. Most importantly, they've achieved their initial goal; to make this record and document the world as they see it, the world as they, and their friends (who are a huge part of this story and this album), live it. They are the most talked about band of this year but they are also one of the brightest hopes to emerge from the UK in years. 12 tracks including the singles 'Wide Awake' and 'Either Way'. B-Unique.

Album Details

The Twang Release What Can Only Be Described as a Very Highly Anticipated Debut Album. Recorded with Long Term Producer Gavin Monahan at his Magic Garden Studios in Wolverhampton and Mixed by Mark `spike' Stent at Olympic Studios, "Love it When I Feel Like This" Follows their Debut Single, "Wide Awake" which Crashed Into the UK Charts at Number 15. The Debut Album Brings Together the Best of their Work in the Previous Two Years, from the Full on Dance Inflected Grooves of "Ice Cream Sundae" and "Loosely Dancing" to the Confessionals of "Wide Awake" and "Got Me Sussed", Phil Etheridge's Knack of Defining Universal Experiences with Humour and Insight to the Fore Throughout. Fusing their Well Documented Love of Guitar Music from Oasis Through to their Contemporaries with their Equal Love of Dance Music from an Adolescence Spent Clubbing, the Album Draws on a Catalogue of Genres Over Its Eleven Regular Tracks.

Customer Reviews:

4 out of 5 stars Madchester redux.......2007-06-17

Is it the early to mid 90s all over again? That's what I thought when I first heard tracks from an earlier EP, songs like "Ice Cream Sundae" and "Either Way". I've never fallen out of love with the sounds of that scene and it seems neither have The Twang. You cannot miss the influences from the Mondays, Northside, Inspirals, and Space Monkeys in this music. Check out "The Neighbour", which channels Northside like no band I know, for good or bad. The EP I easily give 4.5 stars to.

Now for the full length release. All the EP songs are present but alas they are easily still the best tracks. The "new" tracks are more poppy (e.g. "Two Lovers") yet unmistakably Twang. On the strength of the earlier tunes and "Don't Wait Up" on the full length, I'm going to rate this a 4. Put me in the "like" camp regarding the vocal stylings of the lead singer.

2 out of 5 stars Good band, lousy singer.......2007-06-10

These guys mix a funk ska rap oy spoken word scuffle rock with a lot of four letter words and despite being solid in terms of composition and writing, this is something you are either going to like or hate, and I don't need to tell you what I feel about it. The pity is that in many places they show they have what it takes to be far more interesting. "Push the Ghosts" could be a nice rock anthem with a little work on the chorus, but the singer (not really, he just talks fast for the most part) intrudes way to much and wrecks it. "Got me Sussed" could work as well, with a little discipline in the writing, but again the lead singer so dominates everything that you can't focus on the good parts of their sound. I see no hope, unless some other members of the band involved in the songwriting move on and do better. Or they dump Phil.

Dance Music:

  1. I Like It That Way
  2. If You Could See Inside Me [Explicit Lyrics]
  3. Ironman [Explicit Lyrics]
  4. It's Mine [CD-single] [Explicit Lyrics]
  5. It Was All a Dream / Clean
  6. Kinship Konnection [Import]
  7. L.A. Meets I.E. [Explicit Lyrics]
  8. Last Poets
  9. Let It Ride
  10. Let It Ride [Explicit Lyrics]

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dance music

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Environmental Research

Ein Lied Kann Eine Bru [Import]

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Heavens Journey [Import]

Copland: Music for the Theater; Concerto for Piano & Orchestra

Ghost Stories [Expanded] [Extra tracks] [Original recording remastered]

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