Double Up [Explicit Lyrics]

Amazon.com
These are the things you need to know about Double Up, Mase's sophomore effort. "Stay Out of My Way" samples Madonna and Public Enemy; "Get Ready" rides a interpolation of Shalamar's "Night to Remember" (curiously nothing is heard from the Temptations' classic "Get Ready"); "Make Me Cry" samples Fleetwood Mac and Natalie Cole. And so on. Yeah baby, Puff Daddy taught his protégé well. Like his mentor, Mase is not a preposessing rapper, and his monotone can become rather wearying since he rarely changes cadences. His rhymes are pedestrian at best--he rhymes "Lewinsky" with "convince me," but he's not talking politics. Still, this is a good party or hip-hop dance-class album; the production is razor sharp and the samples are well chosen. Unlike most hip-hop that demands to be foreground, Mase makes music that is perfectly content to be pleasant, lightly funky background music. --Martin Johnson

Double Up,Mase,Bad Boy,Pop,Rap & Hip-Hop

Average customer rating: I wish R. Kelly would shut up! Music for the indiscriminate ONE IN THE CAR,ONE AT HOME,ONE AT WORK HOT ALBUM!!!!! It's what the man does...

Double Up R. Kelly Manufacturer: Jive ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: Sex Love & Pain Epiphany Because Of You T.I. vs T.I.P. Ain't Nothin' Like Me ASIN: B000P29B3U Release Date: 2007-05-29

Tracks:

1. The Champ featuring Swizz Beatz
2. Double Up featuring Snoop Dogg
3. Tryin' To Get A Number featuring Nelly
4. Get Dirty featuring Chamillionaire
5. Leave Your Name
6. Freaky In The Club
7. The Zoo
8. I'm A Flirt Remix featuring T.I. and T-Pain
9. Same Girl duet with Usher
10. Real Talk
11. Hook It Up featuring Huey
12. Rock Star featuring Ludacris and Kid Rock
13. Best Friend featuring Keyshia Cole and Polow Da Don
14. Rollin'
15. Sweet Tooth
16. Havin' A Baby
17. Sex Planet
18. Rise Up

Amazon.com

R. Kelly's rep could be considered controversial at best, but that's not to say the man who does for raunch what Beyoncé does for backsides (that is, caused the masses to arrive at a more multidimensional consideration) is not a fascinating artist. On Double Up, arguably his most sex-crazed, diabolically sleazy CD to date, Kelly grunts like a monkey, envisions a hot and heavy interplanetary romp, and indulges in NC-17-rated rhymes. Stylistically, the self-described king of R&B kicks up a hip-hoppy storm, spitting rapid-fire rhymes and tossing the 'n' word around too freely. But then there's the saving grace: that voice. Throughout a couple of inspirational numbers and collaborations with friends such as Usher ("Same Girl") and Nelly ("Tryin' to Get a Number"), Kelly does what he did so capably on the megahit "I Believe I Can Fly": he reaches even reluctant listeners with deep-seated sincerity. Even when he doesn't, he still knows how to capture catchy--first single "I'm a Flirt," for example, locks it up with a whisper and a wink. --Tammy La Gorce

Album Description

The King of R&B's Double Up delivers a potent potion of pure signature R&B with some Hip Hop on top. Featuring collaborations with T.I., T-Pain, and more, the legendary R. Kelly joins forces with some of the hottest and best Hip-Hop talent and the result is fiercly sexy. From the amazing duet with Usher "Same Girl", to the smooth stylin of "Freaky In The Club," fans around the globe will jump at the opportunity to Double Up with R. Kelly

Customer Reviews:

I wish R. Kelly would shut up!.......2007-07-30

Okay... I have never liked R. Kelly and I never bought any of his albums before. I don't even really pay attention to any of the male R&B singers these days because, except for a select few, they all spit out the same tired mess and are just not distinct. But I actually liked the first two singles and I figured that since this album pushed over 300,000 units in its first week that it would have to be at least okay. Right? So I ignored the numerous negative reviews already on this page and bought it at a time of weakness. Do not make the same mistake I did!

There are way too many guest appearances here. (Twelve, if you want to get technical.) And I believe this is because R. Kelly was fresh out of ideas. I think that he did all this doubling up to swagger jack. You'll see what I mean after hearing "Tryin' To Get A Number" with Nelly. Mr. Kelly is trying to sound exactly like him... imitating him. He even kinda sounds like Usher on "Same Girl." But this is the least of R. Kelly's problems. The songs on here, especially the upbeat tracks, are so simple that they are almost monotone! Seriously, some of these tracks only use two notes on a musical scale. It's like he's trying to rap or something. The songs drag on to the point where it is unbearable. His melodies lack structure or a clear direction, which is really terrible if he wants to make his album almost 80 minutes long. His lyrics are absolutely bogus, seriously imitating monkey sounds, mentioning Charmin toilet paper... and this album has enough terrible metaphors to make and English teacher faint. His subject matter is extremely limited and quite disgusting. This is the biggest waste of money and I'm quite disappointed in myself. Even the two songs I initially liked have become played out and I will never listen to this again. I can't think of anything positive to say for this album. Please heed my warning and do not buy this.

Music for the indiscriminate.......2007-07-26

This album is a symptom of a much larger problem as this is what passes for R&B nowadays. R&B has taken on the worst aspects of Hip-Hop radio style with every track being made to bang in the club rather than touch the soul. As the previous reviewer wrote, I too was expecting a little more maturity from a 40-yr-old with Peter Pan syndrome. Throughout this album I wasn't sure if Kelly was trying to get me to dance or just make me laugh. Tracks like "The Zoo" and "Sweet Tooth" are just to darn juvenile. A concept that you would think a person in his position would be trying to distance himself from. "Sex Planet" is just plain dumb and most of the songs dont say anything beyond the usual Rap themes of party and bull. The only saving grace is the tracks are banging so its okay party music to have in the backround if you can turn your brain off to the lyrics. My wife can do that, I'm cursed with the need for substance so I can't do that. 2 1/2 stars

ONE IN THE CAR,ONE AT HOME,ONE AT WORK.......2007-07-25

WE DO LIKE US SOME DOUBLE UP IT IS GOOD!I AM IN THE 35 PLUS AND THEN SOME AGE BRACKET AND UNDERSTAND R.KELLY'S MUSIC. I HAVE BEEN WITH HIM EVERY SINCE PUBLIC ANNOUNCEMENT DAYS. THIS HOW MUCH I LOVE R.KELLY ALL THE WAY FROM KICKIN'IT OFF OF KING DRIVE AND CICERO AND RACINE ON THE SOUTH SIDE. I CAN TRULY SAY HE IS GOOD!

HOT ALBUM!!!!!.......2007-07-25

EVERYONE NEEDS TO STOP HATING ON R KELLY IIGHT IF U ARE 35+ THAN YES THE ALBUM PROLLY IS ISNT FOR U BUT IF U ARE 14-29 YOU WILL LOVE THE ALBUM IT HAS PLENTY OF HITS THAT INCLUDE OBVIOUSLY IMMA FLIRT AND SAME GIRL BUT ALSO HOOK IT UP ROCKSTAR RISE UP BEST FRIEDN SEX PLANET ROLLIN BASICALLY THE WHOLE ALBUM IS TIGHT ANYONE WHO SAYS OTHER WHISE IS EITHER OLD SCHOOL OR THEY ARE FLAT OUT STUPID THERES A REASON WHY EVERYONE IS BUYING THE ALBUM AND IT HAS SOLD 800,000 COPIES SO FAR BUY THE ALBUM THIS IS ONE IF HIS BEST IF NOT HIS BEST CD!!!!!!!JUST GO AND DOWNLOAD A FEW SONGS IF U WANNA MAKE SURE U WILL LIKE IT BUT I BET U WILL!!!!!!

It's what the man does..........2007-07-24

Loved the album. Plain and simple, you listen to R. Kelly for the upbeat club vibes or mellow tracks that provide the perfect background music for intimacy. That's this man's inventory. My personal favorites on the album are Double Up, Hook It Up, Sex Planet, Sweet Tooth, and I Like Love. In my opinion, Kells is still the top 3 best R&B producers and any time he's on a song the stock is automatically raised. Enjoy.

Average customer rating: Selection is not good Baby Einstein: Traveling Melodies Saved My Sanity A Very Pleasant CD for Little Ones in the Car

Baby Einstein: Traveling Melodies Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Polkas | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Children's Music | Styles | Music Compilations | Children's Music | Styles | Music CDs Under $7 | Children's Music | Today's Deals in Music | Formats | Music All Bargain Titles | Children's Music | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Baby Einstein: Lullaby Classics Baby Einstein: Playtime Music Box Baby Mozart Baby Neptune Baby Einstein: Music Box Orchestra ASIN: B0009AJK3O Release Date: 2005-05-10

Tracks:

1. Orchestra Tune-Up
2. Bartered Bride Overture
3. Symphony 5, 1st Movement
4. The Four Seasons, Autumn, RV293, 1st Movement
5. Divertimento In F, K.138, 1st Movement
6. March Militaire
7. Symphony 5, 4th Movement
8. Annen Polka
9. Capriccio Espagnol, Alborada
10. Trish-Trash Polka
11. Concerto In C, RV537, 3rd Movement
12. Capriccio Espagnol, Fandango
13. The Four Seasons, Spring, RV269, 1st Movement
14. Serenade For Strings, Waltz
15. The Bartered Bride, Polka
16. Symphony 100, 'Military' 2nd Movement
17. Piano Sonata 15, Op.28, 4th Movement
18. Waltz In G Flat Op.70, No.1
19. Symphony 101, 'Clock' 2nd Movement
20. 6 Children Pieces, Op.72, 2nd Movement
21. Lullaby

Customer Reviews:

Selection is not good.......2006-07-27

This tape is short and the melodies are not engaging for kids. It was waste of money.

Baby Einstein: Traveling Melodies .......2006-02-23

Hello everyone,
This CD is great!
My son has ADD & when we are out & he gets Anxious I put this CD in his portibale CD player.
It seems to help him calm down & better cope with things.
I think that every parent should have this CD that has a special needs child.
Thanks so much for putting it online for people to buy.
Thanks Again,
A Greatfull Mom

Saved My Sanity.......2005-11-03

My husband and I are musicians so I inwardly groaned when we were given this CD as a gift--I'd rather play the originals rather than some synthesized kiddie version. However, on a recent road trip we got desperate when our colicky son would not stop screaming. We popped this in the CD player and it calmed him down immediately. I swear, it's like aural crack for babies. We now play it at bedtime to help calm him down and it still works. You may not love this CD, but your baby will.

A Very Pleasant CD for Little Ones in the Car.......2005-11-01

I picked this up for driving around music and was very pleasantly surprised. Quite enjoyable (and my son seems to like it too!) and perfect for exactly what it says--traveling around. Easy listening and could possibly make your child smarter, great!

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition What to Listen for in Music ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Just another day at the office... Not What He Used To Be! kellz is by far the best in the game of R&B/Hip -Hop...enough said Soon to be a Classic It's not supposed to be an R&B album, folks!

Double Up R. Kelly Manufacturer: Jive ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: From Nothin' to Somethin' T.I. vs T.I.P. Because Of You Good Girl Gone Bad Music Is My Savior ASIN: B000P29B44 Release Date: 2007-05-29

Tracks:

1. The Champ
2. Double Up
3. Tryin' To Get A Number
4. Get Dirty
5. Leave Your Name
6. Freaky In The Club
7. The Zoo
8. I'm A Flirt
9. Same Girl
10. Real Talk
11. Hook It Up
12. Rock Star
13. Best Friend
14. Rollin'
15. Sweet Tooth
16. Havin' A Baby
17. Sex Planet
18. Rise Up
19. Bonus Track 1
20. Bonus Track 2

Album Description

The King of R&B's Double Up delivers a potent potion of pure signature R&B with some Hip Hop on top. Featuring collaborations with T.I., T-Pain, and more, the legendary R. Kelly joins forces with some of the hottest and best Hip-Hop talent and the result is fiercly sexy. From the steamy "Pull Ya Hair", to the smooth stylin of "Freaky In The Club," fans around the globe will jump at the opportunity to Double Up with R. Kelly.

Customer Reviews:

Just another day at the office..........2007-06-10

4 of 5 Stars

The most difficult task a music lover and follower of R&B/Hip-Hop has when listening to the latest and greatest R.Kelly album is identifying which one of his multiple personalities will be the center of focus for his creative genius.

All of them have provided us with #1 hits and albums and all of them offer enough material to fill a double-disc project and then some.

In case you have a hard time remembering:

R.Kelly: The "bread-and-butter". He will bump and grind you and make you want to wax your Jeep!

The R: Smooth and silky. Like an assembly line at a Chocolate Factory.

Robert Kelly: The more human side. Spiritual, inspirational and uplifting.

The Weatherman: Put on your dancing shoes and "step to the left--step to the right".

Kellz: Hip-Hop with a vengeance! A fusion of smooth and calculated R-and-B with a shot of hip-hop.

His latest effort at making our Jeep speakers burst and our sexual energy peak is Double Up; where the personality "Kellz" runs wild. The artist who invented sing-rapping gives us flow and energy that some artists who classify themselves as rappers can rarely do. The flow between whatever catchy and infectious chorus the R in R&B has decided to infect our minds with is so calculated, so smooth and so rhythmic that on some phrases he doesn't even bother rhyming or connecting the phrases! But at that point, who cares?! R.Kelly's latest literally "has you at hello".

The system that this album works off of has become a staple for the 2000's era of R.Kelly releases. Why create an album based on each personality when you can include ALL of R.Kelly's platinum selling personas at different points in the album? Once he does this, all other R&B singers might as well pack their bags.

R.Kelly brings us lustful and dripping sexual metaphors that which can only come from a man who calls his unit a " giant rocket full of fuel" are found in cuts like Sex Planet, The Zoo and Sweet Tooth. They leave your leg shaking and eyes rolled back for the complete four to five minutes.

Kellz unleashes beasts of radio and windows-down-anthems like Im'a Flirt (Remix), Double Up, Rollin' and Hook It Up. Not only can these be found at your local club but they can also be found endlessly echoing in your head days after your first listen.

Somewhere in the midst of this musical orgasm you find yourself in the Caribbean dancing on the beach with cuts like Freaky in the Club and I Like Love. The Weatherman's taste for the international is only complimented by his taste for a Pina Colada!

The R in R&B's lyrical operas such as Best Friend, Same Girl and Real Talk are in a genre of their own. No one in modern music has been able to construct, compose, story-tell and touch audiences like R.Kelly's sinful and guilty pleasure soap opera music.

After sleeping off the club, sex and fights with his girlfriend we find Robert Kelly serenading us about the birth of his child in Having a Baby. Soon after that we are all driven to Rise Up out of the terrible Virginia Tech tragedy like only R.Kelly inspirational music can make us do.

A song that currently has no real R.Kelly personality tagged to it and is by far the most standout track is Rockstar. This monster of a song featuring Ludacris, Kid Rock and Kellz himself leaves your jaw somewhere by your all-white Air Forice Ones. The haunting electric guitar beat laced with Kellz sing-rapping and Luda's taste for the sexually outrageous is enough. But couple that with Kid Rock's 80's power ballad verse and ubiquitous screaming and you have somewhere R&B and Hip-Hop has NEVER gone before...and would be inclined to say it should go more often.

Double Up is new, fresh, innovative, constructive, risky, calculated and a top seller.

But that's just what R.Kelly does and has done for more than 15 years.

Not What He Used To Be!.......2007-06-03

I will start by sayng that I am a 34yr old who was hooked on Kelly since his start with Public Announcement. I was 15 or 16 and Kelly was the bomb. Somewhere after You Remind Me, it went all wrong! I gues we, his initial audience, became to old for his interest so he aimed for the younger fans and got himself wrapped up.

Nevertheless, I supported him. I remember when Chocolate City was released with the bonus Loveland disc, I was the only person waiting to purchase it and got it for only $7.99. Best purchase I ever made as I still play it continously to this day.

Well, I have said all this to say it's been a long time for Kelly to still be in the game but it is time he realizes that a 40 yr old SHOULD NOT be still singing about being a babby daddy and tryin to get a number. I mean the same girl track, come on - he nor Usher is 15!

I rated this album 1 star because I am not a 13 yr old and two, zeros aren't a choice.

kellz is by far the best in the game of R&B/Hip -Hop...enough said.......2007-06-02

for all these people on here saying kellz have no depth it is totally unbelievable...yes we all remember at our middle school graduation we all were trying to sing i believe i can fly..but thats the beauty of kellz..the man reinvents himself on every album..he can sing...harmonize, rap..and it will be good no matter what..so this is not a tradtional chocolate factory or best of both worlds or The "R"..this album is suited for younger fans and loyal fans..i wouldnt expect a newly recruited R kelly fan to be excited to buy this album but he is a seller when it comes to his music...forget all his scandals and take the cd for its face value...he is the best in the game and he is over 40 thats says alot either about kellz or R&B in general...you figure it out..this album will go platinum or better i gurantee....

Soon to be a Classic .......2007-06-02

I'm neutral. I remember how R. Kelly was in the beginning. He did more traditional singing. I'll admit that. But, he also had hip hop. After much success in the past year with rap collaborations, "Double Up" is just an extension of that.

Yes, the lyrics weren't deep. But, neither are lyrics for most of the urban stuff coming out these days. So to blame it on just R. Kelly isn't fair. You also have the fans who dictate what's going to fly.

All that said, I like the album from a music standpoint. The production is nice. Most of the rap cameos (minus Nelly) work. The "Zoo" song featuring animal noises was silly toward the end. But, there's also "Rise Up". It's about Virginia Tech, but I'm sure Kelly had that song in the works prior. It's something you can listen to for any situation. Oh..and there's a bonus song that's good.

Overall,I like the album. I see what other people are saying from BOTH sides. But, R. Kelly is an artist who we all should know by now what we're getting into when we purchase an album. There's no real surprises.

It's not supposed to be an R&B album, folks!.......2007-06-02

Listen to the lyrics of the opening song "The Champ": he's sticking with the 'hood cuz he's from the 'hood. Just because he's switched genres a bit doesn't mean it sucks. In fact, in my opinion, this is a damn fine rap/hip-hop album, especially compared to the crap you hear on the radio these days (are you listening, "Rich Boy"?) And, uh, yeah, the songs are almost all about sex....this is Kells we're talking about here! Oh and anyone who thinks he's a pedophile needs to read "Hammer of the Gods". Rock stars have been having sex with teenage girls since the beginning of time. 'Nuff said.

Average customer rating: A Must Have Broad Spectrum Virtuosity Cool Pairing for Meyer/Fleck Fans Bela Fleck + Edgar Meyer = strange mixture Virtuosity Knows No Musical Boundaries

Music for Two (Bonus DVD) Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Eccles, Henry | ( E ) | Featured Composers, A-Z | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Jazz | Styles | Music General | New Age | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Pop Rock | Pop | Styles | Music Bluegrass Jam Bands | Jam Bands | Rock | Styles | Music Jam Bands | Live Albums | Rock | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Bluegrass | Live Albums | Country | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music Country | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Perpetual Motion Uncommon Ritual The Telluride Sessions The Bluegrass Sessions: Tales From The Acoustic Planet, Vol. 2 Bach Unaccompanied Cello Suites: Performed on Double Bass ASIN: B0001XAMS6 Release Date: 2004-04-27

Tracks:

1. Bug Tussle
2. Invention 10, BWV 796
3. Pile Up
4. Prelude No.24, BWV 869
5. Solar
6. Blue Spruce
7. Canon
8. The One I Left Behind
9. V. Menuet I - II, BWV 825
10. Prelude No.2, BWV 847
11. Palmyra
12. The Lake Effect
13. Largo/Allegro Vivace
14. Allegro Vivace
15. Wrong Number
16. Woolly Mammoth
17. Wishful Thinking

Amazon.com

On Music for Two, banjo wizard Béla Fleck and stand-up bass maestro Edgar Meyer effortlessly sail through a challenging program that includes compositions by Bach, a sonata by Henry Eccles, a Miles Davis tune, and a number of self-composed finger twisters. The amazing thing about this varied selection is not its eclecticism--which is only to be expected with these two--but that it all blends together so seamlessly. Fleck's jazz-tinged compositions (like "The Lake Effect") and Meyer's bluegrass-inspired tunes (like "Wishful Thinking") sit so comfortably next to Bach's baroque jewels and Davis's cool jazz that it makes you question the entire of concept of musical classification. (In fact, the Bach preludes, inventions, and partitas translate so well to the banjo/bass arrangements, you have to wonder if old JSB might not have had a bit of bluegrass in his soul.) Music for Two was recorded live at a series of 2001 concerts, where Fleck and Meyer proved conclusively that the banjo and the bass were capable of remarkable subtlety and not just twang and boom. --Michael John Simmons

Customer Reviews:

A Must Have.......2007-04-25

These two really sound good together. If you're not so impressed with the music when you first hear it (I don't know if that's possible), check out the DVD that comes with it. You will gain such an appreciation for the music that's being played. Watch out for the guy making the banjo jokes. This CD is really an incredible work, I can't say it enough. Very relaxing music.

Broad Spectrum Virtuosity.......2007-04-23

This album runs the gamut of styles and genre. It is hard to get bored when a musical turn is but a few notes away. The two musicians integrate their instruments with incredible skill. I hate to give it a four star rating. The music is worth the 5. The loooooong, live applause tracks detract from the album. The asides by the musicians are sometimes hard to hear. Minor aggravations aside,this album plays frequently, very frequently, in our home,car, iPods, etc.

Cool Pairing for Meyer/Fleck Fans.......2007-01-02

I've seen both Edgar Meyer and Bela Fleck live (unfortunately not together) and I really think this album just captures the magic of their live shows: I can almost see them in my living room together! For those not so familiar with the music of one or both the inclusion of classical tunes with those composed by Meyer/Fleck and other contemporary songwriters is a cool drink of water. Music for Two is a good intro to the world of cozy bluegrass.

Bela Fleck + Edgar Meyer = strange mixture .......2006-11-10

Bela Fleck is one of the my jazz favorites... And hi with combination called Edgar Meyer are... great music!!!

Virtuosity Knows No Musical Boundaries.......2006-10-22

Béla Fleck & Edgar Meyer are both extraordinarily accomplished musicians who spend much of their time in very different worlds: Fleck in his newgrass space and Meyer in a more classical mode. But each has travelled in the other's territory before, and on this CD they connect around more genres than you can shake a stick at. In addition to their own compositions they tackle many of their joint favorites. The affection shows in the passion of the playing and the obvious camaraderie. And the accompanying DVD is a treat. Don't miss this one.

Average customer rating: Superb with just one reservation Go ahead, test your intelligence... The definitive recordings. Sound Splitting Music An aural knockout

Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly Edgard Varese , Riccardo Chailly , Mireille Delunsch , Sarah Leonard , Royal Concertgebouw Orhcestra , and Asko Ensemble Manufacturer: Decca ProductGroup: Music Binding: Audio CD Octets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Percussion | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Varese: Arcana; Ameriques; Ionization; Offrandes; Density 21.5; Octandre; Integrales Penderecki: Anaklasis; Threnody; etc. György Ligeti Edition 1: String Quartets and Duets - Arditti String Quartet Xenakis: Orchestral Works & Chamber Music Anton Webern: Complete Works, Opp. 1-31 ASIN: B00000AFR8 Release Date: 1998-09-15

Tracks:

1. Tuning Up
2. Amques (Original Version)
3. Po ectronique
4. Arcana
5. Nocturnal
6. Un Grand Sommeil Noir (Orchestral Version)

Tracks:

1. Un Grand Sommeil Noir (Original Version)
2. Offrandes: Chanson de laut
3. Offrandes: La Croix du Sud
4. Hyperprism
5. Octandre: Assez lent
6. Octandre: Trvif et nerveux
7. Octandre: Grave - Animt jubilatoire
8. Intales
9. Ecuatorial
10. Ionisation
11. Density 21.5
12. Drts: 1st Episode
13. Drts: 1st interpolation of organized sound
14. Drts: 2nd episode
15. Drts: 2nd interpolation
16. Drts: 3rd episode
17. Drts: 3rd interpolation
18. Drts: 4th episode
19. Dance for Burgess

Amazon.com essential recording

For a composer who is (now) recognizably part of the 20th-century classical canon, the French émigré Edgard Varèse's output was astoundingly meager. Just 15 compositions from his entire life (he destroyed the compositions from his early years, and was a merciless editor of his own material in general) made it out to the listening world. Varèse was caught in the chasm between the music of yesterday and the music of tomorrow: scoring music for modified theremin, steamboat whistles, or air sirens, all balanced with the force of a large orchestra; writing pieces based on the flows of water and wind because that's what shapes the earth; using the concepts of chemical reactions and specific gravity as a basis for his music. Using extremes of contrast, dissonance, and variety in sound, Varèse's pieces had power in the way he attacked and shaped the sound he imagined. From Ionisation (1929), scored almost entirely for unpitched percussion, to the electronic-only, three-dimensionally produced Poeme Electronique (1958), he's provided a foundation that many genres, musicians, and composers were to build from not only for the next 40 years, but inevitably beyond. --Robin Edgerton

Customer Reviews:

Superb with just one reservation.......2006-11-10

This complete works of Varèse, superbly performed and recorded, is a fine accomplishment. My only disappointment was its version of Poème Elèctronique being the sole representation of that ground-breaking work that still holds up for me today as one of the finest pieces of electronic music yet created. It is interesting to be able to hear the version in this collection, which appears to be a loving restoration of what must have been primarily the raw, performing version, to be further enhanced during its performances in a very large space? What I miss in the present version is the more clearly heard textures of its huge sound palette; the resonant and often humerous interplay between them, and its dramatic sweep as it was presented on a sparcely documented stereo mix that first appeared on a Columbia Records LP, later reissued on a CD, now out of print. That one is surely more like an actual performance, presumably mixed to re-create as well as possible then what it might have sounded like over its four hundred loudspeakers in the Philips Pavillion. I hope there will be further reissues. To me the CBS version's drama and energy are more like that of the performances of the other pieces in this wonderful Complete Works set. -Curt Wittig

Go ahead, test your intelligence..........2006-06-18

Frank Zappa used to play Varese to test the intelligence of his friends, and most of them used to look at him like he was "out of his f---ing mind" as he put it. As a major Zappa fan, I bought this compliation, and I love every minute of it. This 2 CD set contains all of Varese's work (needless to say, Edgar wasn't very prolific). You really hear Varese's influence in Zappa's work. Some favorite pieces are Deserts, Poem Electronique, and Un Grand Sommeil Noir (Original Version). Varese's music reminds me of universes being created, in all their violence, beauty, and glory. Instruments crashing down upon one another. This music is reminiscent of Zappa's Weasels Ripped My Flesh and his orchestral work especially. Varese is one of the great American composers, like Aaron Copland, John Cage, and Conlon Nancarrow. Superb....

The definitive recordings........2005-11-09

Riccardo Chailly once said Varèse was going to be the Brahms of the XXI Century. I really don't know if he will be right or wrong, specially because of the very conservative auditoriums we have all around the world, but it should be this way, as the french composer has died too many years ago and his music should be understood but most of the public. It's sad to know that composers, like the own Mahler said, use to be years, decades, even centuries in advance to the general public .

Anyway, it's very important for the popular knowledge of this composers to have recordings like this, in which everything works perfectly as if it was a clock. After many years having some good recordings conducted by Boulez (Sony) and Nagano (Erato) mainly, we have now the possibility of listening one of the most musical and technical orchestra & baton of this time: The Concertgebouworkest and Riccado Chailly.

Most of the versions in this 2CDs set are the best I know, specially the orchestral works, played with conviction and precision by the Concertgebouworkest, an orchestra that had some problems with Mr.Chailly when they begin to play this, for them, `rare' music. The way Arcana sounds its incredible, full of power, mistery and perfection, the performing of Ameriques is breathtaking and I can only compare it with the truly outstanding version by Pierre Boulez with the CSO for DG. Deserts is a new dimension in Chailly's hands, really terrible and full of dark emotions.

Of course, there are little things that could be a bit better, like the Spanish sung in Ecuatorial, better sung in Nagano's version, but generally the performing is marvellous and the instrumental and ondes Martenot's playing in this piece is perfect in Chailly's version.

The ASKO Ensemble versions are outstanding too, showing a very modern Varèse. The performing of Ionisation, that great jewel, listened with a good Hi-Fi system is a experience not to be lost.

The recordings are very good, not outstanding, as it sounds like distant sometimes, but clear and with good definition, of course better with good electronics.

Booklet and presentation of the box is marvellous too; as it has to be in real event in recorded music in the last decades.

Sound Splitting Music.......2002-06-25

First, let me state that I am a long-time Varese fanatic. I first heard Ionisation live at a contemporary music concert in my town when I was 12, and I was hooked. I immediately bought the old Robert Craft double album on Columbia and played it until there were scratches on the scratches. So I was overjoyed to see a modern "complete" recording with up to date sonics. For the most part, I haven't been too disappointed with the performances either.

Chailly is great on much of this music. Ameriques and Arcana are sonic extravagazas. And this is the best recording I've heard of Nocturnal and Ecuatorial. Chailly does a good job with the chamber pieces of the 20s and 30s, though I agree with other reviewers, Boulez is much clearer on Ionisation. Chailly misses some of my favorite parts, and I find it hard to hear the first snare drum theme. (I'm also quite partial to Craft's version, but I don't think it's available anymore.)

I also must add to the chorus of exceptions on the questionable material. The orhestrated version of the solo song has no place on this CD. It doesn't sound like Varese, more like Debussy, and though the song is quite impressionistic, I think we presume too much to orchestrate it and pass it off as "complete" Varese. And neither Tune Up nor Dance for Burgess really add much to our understanding of Varese, and are of questionable value. I suspect that Varese would have destroyed them completely had he been able. Much better to have a recording of the revised version of Ameriques. The revision is so extensive, that a side by side comparison would be illuminating.

All in all, I like this CD. Chailly's take on Varese is big and passionate, something that I think both Boulez and Craft miss. Abravanel comes close to this passion, but Chailly wins because of the gorgeous sonics. I highly recommend this CD to those interested in exploring the unique sound world of Varese.

An aural knockout.......2002-02-01

Here are two discs with some of the most exciting 20th-century music around. Chailly and the Concertgebouw give definitive readings of Varèse's complex pieces, some written for a huge orchestra, and recorded in typically opulent London sound.

My favorites are, without a doubt, "Ameriques" and "Arcana," two explosive showpieces that will give your sound system quite a workout. But far from being merely loud, the scores have many beautiful textures (including quiet ones) scattered throughout the orchestra, and Chailly captures much of the glittering detail.

I even like "Tuning Up," which may seem like a less substantial work to most ears. To be fair, if the piece is not the last word in Varèse's imagination, it is clever enough for its short duration, and as with everything on this disc, the orchestra sounds superb and totally undaunted. Their virtuosity is both satisfying and thrilling, especially in such seldom-performed music.

Make sure your neighbors are away before turning up the performance of "Ameriques," though - the last few pages will blow your roof off.

I suspect Varèse would have loved this collection.

Average customer rating: One of my favorite cast recordings Thougt You Were The Candyman Didn't ya freggy! The Rockiest Recording to Date Good recording, bad show. Oh Daphne!

The Rocky Horror Show (2000 Broadway Revival Cast) Alice Ripley , Tom Hewitt , Raul Esparza , Sebastian Lacause , Jarrod Emick , Lea Delaria , Daphne Rubin-Vega , and Richard O'Brien Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Revivals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Rocky Horror Show (Original 1973 London Cast - Rhino) The Rocky Horror Show: Original Roxy Cast (1974 Los Angeles Cast) The Pirate Queen (2007 Original Broadway Cast) The Rocky Horror Show (1995 Studio Cast) The Rocky Horror Picture Show (Widescreen Edition) ASIN: B00005B605 Release Date: 2001-05-15

Tracks:

1. Overture
2. Science Fiction Double Feature
3. Damn It, Janet
4. Over At The Frankenstein Place
5. Time Warp
6. Sweet Transvestite
7. The Sword Of Damocles
8. I Can Make You A Man
9. Hot Patootie
10. I Can Make You A Man (reprise)
11. Touch-A-Touch-A-Touch Me
12. Once In A While
13. Eddie's Teddy
14. Planet Schmanet-Wise Up Janet Weiss
15. Floor Show/Rose Tint My World
16. I'm Going Home
17. Spaceship
18. Super Heroes
19. Science Fiction Double Feature (reprise)
20. Time Warp (reprise)

Amazon.com's Best of 2001

The movie version of The Rocky Horror Show has turned into such an enduring cult success that it has pretty much obliterated the fact that it all started with a stage show. And now Richard O'Brien's musical is back on stage, where some say it truly belongs (it was nominated for the category Best Revival of a Musical in the 2001 Tony Awards). With a great cast that includes Dick Cavett, Alice Ripley (Janet), Tom Hewitt (Frank 'N' Furter), and Daphne Rubin-Vega (Magenta), the revival fires on all cylinders. Note that while Joan Jett was in the cast as Columbia, she's not on the CD (Kristen Lee Kelly is). But Lea DeLaria, last seen stealing the show in On the Town, more than compensates by playing both Eddie (Meat Loaf in the movie!) and Dr. Scott--and doing great by both. As a bonus, the song "Once in a While" is back after being cut from the movie. Bursting with energy, this recording brings the rock back in Rocky. --Elisabeth Vincentelli

Customer Reviews:

One of my favorite cast recordings.......2007-01-17

This was the first Rocky Horror album I've ever listened to besides the movie soundtrack. Despite the lack of Joan Jett as Columbia and the 2nd Usherette, this album is sweet. Daphne-Rubin Vega is perfect as Magenta. And Tom Hewlett 's interpretation as Frank N. Furter is just in sync with the character. But he's still no Tim Curry. And the rest of the cast is sublime. And with Dick Cavett as the Criminologist and famed lesbian comedienne Lea DeLaria as both Eddie and Dr. Scott is just excellent.

Thougt You Were The Candyman Didn't ya freggy!.......2006-06-22

I thought that this was gonna be just another edition of the Rocky Horror Show.But boy was I wrong.I loved it they really modernized and gave it more of a Rock flavor than in the original play which was more pop.I just loved how they had the Overture and Space shipa partof the cd.They really recreated great for broadway.When i heard that broadway was doing Then Rocky Horror Show I didn't know what to think.Because Rocky Horror had been an off-broadway show for many years.The thought of it being onBroadway was just amazing Because people back in the 70's and 80's always thought that The Rocky Horror Show was much too trashy to be put on Broadway.Because you always think about broadway plays as being classy and eligent.They didn't want a play about Sex and Horror and Gay Transvestites.But this was just a head turner.I loved it.It's definitely 5 stars.The cd quality was great.It was so professionally done and it was great.I think any RHS Fan will love it.This was no candyman!

The Rockiest Recording to Date.......2006-06-07

This 2000 Broadway revival of the cult classic THE ROCKY HORROR SHOW boasts a completely re-vamped orchestration of Richard O'Brien's score. This is certainly the most rock-fused version of these songs to date, and right from the "Overture" the listener can assume this. Many may not be able to accept this harder, bolder score and I myself am a bit skeptical, considering the more piano-driven and sci-fi sounding orchestrations of the film soundtrack or Roxy cast recording. However, it is so interesting to hear these songs done like this that I cannot help but enjoy it. The performances are half-and-half. Daphne Rubin-Vega belts out the opening number in that great gravelly voice she has, and Raul Esparzza sends chills down my spine every time I hear his two great solo moments ("The darkness must flow down the river...." and "Frank 'N' Furter, it's all over..."). Sebastian LaCause is amazing as Rocky, as thankless a part that is. Eddie and Dr. Scott being portrayed by a woman (Lea DeLaria) is one of the strangest casting decisions ever and is too distracting to be able to even listen to her (his? I don't know!!!) songs: "Hot Patootie" and "Eddie's Teddy." Tom Hewitt does his best as Frank 'N' Furter, but the character was so well defined by Tim Curry in the film (one of the most underrated performances ever) that one can't help but ignore him. I'd say that this recording is something every ROCKY HORROR fan should listen to; it just all depends on whether you like the new or original orchestrations.

Good recording, bad show........2006-03-10

Rocky Horror is an American institution. It's indelible, unforgettable, and entirely unique. But without the audience participation, the show is revealed - it's simply not very good. It's a passable (if dated) parody of '50s B-movies with a transvestite main character and some halfway decent songs. The show lives with and dies without an audience. The lyrics, the characters - nothing is half as fun without the audience throwing and shouting and bantering right along.

That said, this is a VERY good recording of what's there. Tom Hewitt does as good a job as anyone trying to fill Tim Curry's sequined heels, and brings some nice twists to the table instead of going the Curry-imitation route. Raul Esparza as Riff-Raff is electric - his rendition of "Time Warp" is unlike anything else you're likely to hear on a cast recording. He blasts it right into outer space, screaming like the world's going to end. Daphne Rubin-Vega is plenty of fun as Columbia, giving a nicely sinuous and raw-edged sexiness to the role. The orchestra gives their all to the new arrangements, and they sound crystal clear.

It's definitely the best recording of the show available, even sans Tim Curry.

Oh Daphne!.......2005-12-29

Most of the reviews have it right here - this production wasn't really Rocky at it's best. That being said, I must say that Daphne Ruben-Vega as magenta is probably one of the most interesting, refreshing, and note worthy things about this recording. Very cool in that regard.

That's All...

Average customer rating: question Hear what u see Perfect soundtrack to a nearly perfect TV show Best TV Soundtrack The Best soundtrack EVER from a TV series!

Alias Michael Giacchino Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Alias - Season Two Alias - The Complete Fourth Season Alias Declassified: The Official Companion Alias - The Complete Fifth Season 24 ASIN: B0000TAZ88 Release Date: 2003-11-18

Tracks:

1. Main Title
2. Dissolved
3. Red Hair Is Better
4. Spanish Heist
5. Double Life
6. Tunisia
7. In the Garden
8. Looking for a Man
9. Anna Shows Up
10. Home Movies
11. On to Paris
12. Page 47
13. The Prophecy
14. Badenweiler
15. Arvin at the Poles
16. Sleeping Beauty
17. Blow'd Up
18. It's Not the C.I.A.
19. Oh My God!!!!
20. The Tooth Doctor
21. It Was Anna
22. Wet Suits
23. Ball Buster
24. The End?
25. Bristow & Bristow
26. SD-6 Dance Party

Amazon.com

Its muscular aura of international intrigue informed by smart characters, sharp writing, and a sleek cinematic sense, the episodes of the hit Alias often seem more like a chapters of a successful movie spy franchise than mere network television series. Key to achieving that masterful illusion is young composer Michael Giacchino, whose soundtracks range across a dizzying range of musical styles and dramatic undercurrents. This anthology of cues from the show's first season incorporates shrewd, techno-savvy club beats, sweeping orchestral sequences of pounding action, brooding suspense worthy of Bond, and inventive indigenous music of indeterminate nationality. Firmly grounded in rich Hollywood traditions, yet hip enough to keep an ear cocked to pulsing, contemporary styles, Giacchino's TV scores often outshine those of the pricier, big budget Hollywood boilerplate he's competing with. --Jerry McCulley

Customer Reviews:

question.......2006-04-25

ok, as most reviews, said, it is amazing and fits the show perfectly!
but...
does anyone know which episodes/scenes go with each song?
i've tried to watch and listen for them, but i get too into it!

Hear what u see.......2005-08-12

while listenin to this album in every track i feel like i can feel the energy and danger

Perfect soundtrack to a nearly perfect TV show.......2005-03-17

If Henry Mancini and Ferry Corsten collaborated on a TV soundtrack for a spy drama set in the 21st Century, the results couldn't be any better than Michael Giacchino's work on this CD. Giacchino can compose for an orchestra like the best of them, but he's also savvy enough to add a contemporary edge with multiple nods to electronica. Synth pads and drum loops are phased through various low-pass and comb filters on several selections here, resulting in a delicious, chewy-sounding percussive effect. Other reviewers have commented on this being a great exercise CD; I agree and would also add that this is a great CD for driving or browsing through glossy photo magazines.

My favorite pieces on the CD are "SD-6 Dance Party," "Red Hair is Better," and "Spanish Heist." I've no idea who the guitarist is on the latter two cuts, but he's quite good!

I recommend this first and foremost to anyone who fears that soundtracks are a dead medium; Giacchino's a challenging composer and takes some real risks. Alias fans will snatch this up (although it doesn't include any soundbites from the TV series), as will anyone willing to play both techno and retro lounge on their CD players. Completists may not be happy with this CD as none of the popular music heard in the show is reproduced here, nor is the torch song Jennifer Garner sang in one episode. But that's what future installments of Alias soundtrack CDs are for!

Best TV Soundtrack.......2005-01-09

This is well worth your money for any Alias fan, and it's better than most movie scores.

The Best soundtrack EVER from a TV series!.......2004-08-23

I think the title says it all, but it's true. I bought this CD knowing and loving the show and realizing just what the music adds to all of the highly enjoyable adrenaline rush scenes. This CD does not disappoint. I now exercise/kick box to it and if your pumped up by just watching the series, you'll really enjoy playing this CD in your car while driving....just try not to get a speeding ticket because the impulse to floor it will definately be there!!

Average customer rating: Very versatile Toddler music

Baby Vivaldi Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Children's Music | Styles | Music Educational | Children's Music | Styles | Music CDs Under $7 | Children's Music | Today's Deals in Music | Formats | Music All Bargain Titles | Children's Music | Today's Deals in Music | Formats | Music Similar Items: Baby Neptune Baby Galileo Baby Mozart Baby Bach Baby Beethoven ASIN: B000065VAB Release Date: 2002-05-07

Tracks:

1. Orchestra Tune-Up
2. Concerto in D Major, RV93, 1st Movement
3. Concerto in D Major, RV93, 3rd Movement
4. Concerto in F Major, RV539, 1st Movement
5. Violin Concerto No. 3 in G Major, RV310, 1st Movement
6. Concerto in B Minor, RV580, 1st Movement
7. Concerto in C Major, RV537, 3rd Movement
8. Concerto in C Major, RV537, 3rd Movement
9. Concerto in G Major, RV532, 1st Movement
10. Four Seasons, Spring, RV269, 1st Movement
11. Four Seasons, Spring, RV269, 3rd Movement
12. Four Seasons, Summer, RV269, 1st Movement
13. Four Seasons, Autumn, RV293, 1st Movement
14. Four Seasons, Autumn, RV293, 3rd Movement
15. Four Seasons, Winter, RV267, 2nd Movement
16. Violin Concerto No. 12, RV265, 1st Movement
17. Violin Concerto No. 12, RV265, 3rd Movement

Customer Reviews:

Very versatile Toddler music.......2004-04-29

Smarter Toddler Daycare NYC plays this CD during naptime and lunchtime and interestingly enough this CD works extremely well for both of those very different activities so it is very versatile. Since Smarter Toddler has a pretty varied music program they have most of the CDs in the "baby series" but I like this one the most.

Average customer rating: 3.5 stars: Bad Boy's golden boy retires............... Mase is my favorite rapper... Ma$e or Murda Ma$e: 2nd Greatest Alive Respect For The Man Better then Harlem World

Double Up Mase Manufacturer: Bad Boy ProductGroup: Music Binding: Audio CD East Coast | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: Harlem World Welcome Back Movement Money, Power & Respect Forever ASIN: B00000J69W Release Date: 1999-06-15

Tracks:

1. Intro
2. Stay Out Of My Way
3. Get Ready
4. Make Me Cry
5. Awards Show (Interlude)
6. Same Niggas
7. No Matter What
8. If You Want To Party
9. Jail Visit (Interlude)
10. F#!* Me, F#!* You
11. Do It Again
12. Another Story To Tell
13. Blood Is Thicker
14. You Ain't Smart
15. All I Ever Wanted
16. Mad Rapper (Interlude)
17. From Scratch
18. Gettin' It

Amazon.com

These are the things you need to know about Double Up, Mase's sophomore effort. "Stay Out of My Way" samples Madonna and Public Enemy; "Get Ready" rides a interpolation of Shalamar's "Night to Remember" (curiously nothing is heard from the Temptations' classic "Get Ready"); "Make Me Cry" samples Fleetwood Mac and Natalie Cole. And so on. Yeah baby, Puff Daddy taught his protégé well. Like his mentor, Mase is not a preposessing rapper, and his monotone can become rather wearying since he rarely changes cadences. His rhymes are pedestrian at best--he rhymes "Lewinsky" with "convince me," but he's not talking politics. Still, this is a good party or hip-hop dance-class album; the production is razor sharp and the samples are well chosen. Unlike most hip-hop that demands to be foreground, Mase makes music that is perfectly content to be pleasant, lightly funky background music. --Martin Johnson

Customer Reviews:

3.5 stars: Bad Boy's golden boy retires......................2006-11-25

Mase disappointed a lot of people when he abrumptly retired in the spring of 99. This particular joint is a lot more dramatic than the fun filled Harlem World. Anyways, nuff said. Give it up to Harlem's greatest MC, Mason Betha.

Top Joints:
Stay Out My Way
Get Ready
Do it Again
Same N*ggas
Blood is Thicker

Mase is my favorite rapper..........2006-05-13

and this is his seminal cd, though alot of people like "Harlem World" more than this one, I feel he was at his peak here. He drops gem after gem, tight lyrics over tight beats. Too bad he's with g-unot today, he needs to hook back up with Diddy and the Bad Boy machine and put out some more classics!

Ma$e or Murda Ma$e: 2nd Greatest Alive.......2006-05-01

I agree with the guy below, Ma$e is very influential in today's hip hop... He is the 2nd best rapper alive only behind Eminem..
Here is the list of the greatest rappers alive in my opinion:

1) Eminem
2) Mase
3) 50 Cent
4) Dr. Dre
5) Cam'ron
6) Trick Daddy
7) San Quinn

You got to respect Mase... This album was a classic and Harlem World was one of the greates albums of all time... The only reason Welcome Back was a flop was because there was no promotion what so ever... Diddy did a horrible job.. We all know Mase can see because Harlem World has sold colse to 10 Million copies to date... Now that he is leaving Bad Boy Records, and is offically signed to G Unit, he will get the attention he deserves... Mase is an inspiration to us all and he sends a great messege. 50 Cent is probably the best promoter alive(Thats probably why Jay Z got him to co-executive produce Freeway's sophmore release Free At Last... Jay Z failed to promote his first one at all and it barley went gold so now he callin 50 for help.). As of now, Mase is signed to Bad Boy as well as G Unit, but G Unit's parent company, Interscope, will not sign Mase until he is released from his Bad Boy contract... The working title to his new project is now being called Offically Back... He has also released a mixtape under the classic G Unit Radio series. It is titled.. G Unit Radio pt. 16: Crucified 4 The Hood: 10 Years Of Hate. It was an instant classic... Everybody needs to quit hating and show Mase the proper respect he deserves...

Respect For The Man.......2006-02-23

M-A-$-E best rapper ever!!! You gotta admire the man for taking a stand and leaving Millions of dollars behind in order to follow GOD. If you don't like Ma$e atleast show the Man some RESPECT!!! This dude started the Bling Era and popularized the R&B/Rap style!!! All the rappers today need to pay homage to MA$E. M-A-$-E best rapper ever!!!

Better then Harlem World.......2005-03-03

This was Ma$es last LP before he came back just last year. This album was better then Harlem World even though this album wasn't rated very high.For someone to not promote an album and have it still go multi-platinum is just amazing and shows u what kind of skills he really has. Not 1 song you need to skip on this LP u cna bump to it non stop.Anyway that is a Ma$e fan or Bad Boy fan u should definately cop this classic LP

Dance Music:

1. Double Up [Explicit Lyrics]
2. Droppin' Soulful H2O on the Fiber
3. Fatality
4. Flawless
5. Gang Bangin' Hitsmixtap, Vol. 1 [Explicit Lyrics]
6. Get Ready [CD-single]
7. Get Ready [CD-single] [Import]
8. Get Ready [Import]
9. Get U Open
10. Goodfellaz

Dance Music

dance music

Dance Music

Turn Up the Barn

Verdi: Overtures, Preludes, Ballet Music

Winter Romance [Import]

Renaissance Presents: The Therapy Sessions, Vol. 2

Year of Trance [Limited Edition] [Import]

Windowpane [CD-single]

Zie Mwea: Natural Conditions

Where the Girls Are, Vol. 6

Woke Up This Morning: Theme From The HBO Hit Series

Where the Sunsets Bleed

We're Outta Here! [Import] [Live]

Winterheart's Guild [Import]

Velocidad

Lee Carrol Levine ... Plus!

We Got By