The Real One [Clean]

1. 2 Live Is Here

2. 2 Live Party - Freak Nasty, , K.C., 2 Live Crew

3. Take It Off

4. Real One - Ice-T, , 2 Live Crew

5. Come on, Get Up and Dance

6. Shake Your Pants

7. Bring That Money to Me

8. Raise the Roof - 2 Live Crew, Verb

9. It's Time

10. World Famous

11. Show You a Shot

12. Call Me

13. Ay Papi

14. Rock Ya Baby

15. Be My Private Dancer [Spin Remix]

The Real One,2 Live Crew,Little Joe Records,Bass Music,Dirty Rap,Hip-Hop,Party Rap,Pop,Rap & Hip-Hop,Southern Rap

Average customer rating: AWESOME!! MacRae and Jones soar in this tragic R&H musical Great Music Response to David Pabian's review below Gummed up an Original

Carousel (1956 Film Soundtrack) Shirley Jones , Claramae Turner , Robert Rounseville , Cameron Mitchell , Barbara Ruick , Robert Rounseville , Richard Rodgers , Oscar Hammerstein II , and Gordon MacRae Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: Oklahoma! (1955 Film Soundtrack) The King and I (1956 Film Soundtrack) South Pacific (1958 Film Soundtrack) Camelot (1960 Original Broadway Cast) The Music Man (1962 Film Soundtrack) ASIN: B00005A7XD Release Date: 2001-03-13

Tracks:

1. Introduction - Gordon MacRae/William Le Massena
2. Main Title: The Carousel Waltz - 20th Century-Fox Orchestra/Alfred Newman
3. You're A Queer One, Julie Jordan - Barbara Ruick/Shirley Jones
4. When I Marry Mr. Snow - Barbara Ruick
5. If I Loved You - Shirley Jones/Gordon MacRae
6. June Is Bustin' Out All Over - Claramae Turner/Barbara Ruick
7. June Is Bustin' Out All Over Ballet - 20th Century-Fox Orchestra/Alfred Newman
8. Soliloquy - Gordon MacRae
9. Blow High, Blow Low - Cameron Mitchell
10. When The Children Are Asleep - Robert Rounseville/Barbara Ruick
11. A Real Nice Clambake - Barbara Ruick/Claramae Turner/Robert Rounseville/Cameron Mitchell
12. Stonecutters Cut In On Stone - Cameron Mitchell
13. What's The Use Of Wond'rin - Shirley Jones
14. You'll Never Walk Alone - Shirley Jones/Claramae Turner
15. Ballet - 20th Century-Fox Orchestra/Alfred Newman
16. If I Loved You (Reprise) - Gordon MacRae
17. You'll Never Walk Alone (Finale) - Shirley Jones
18. Carousel Waltz (LP Version) - 20th Century-Fox Orchestra/Alfred Newman

Amazon.com

Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi

Customer Reviews:

AWESOME!!.......2007-05-12

LOVE SOUND TRACTS FROM OLD MOVIES - SING ALONGS AND THE BEST ESPECIALLY WHEN YOU ARE TRAVELING AND CAN SING LOUD. IT IS A KEEPER

MacRae and Jones soar in this tragic R&H musical.......2007-02-11

This film adaptation of Carousel came shortly after the Oklahoma! film and reunited Gordon MacRae and Shirley Jones. Although the film was not well-received at the box office, the soundtrack shows MacRae, Jones and the superb cast performing their roles to their heart's content. Their performance helps bring out the pathos in this tragic R&H musical, which Rodgers himself considered his favourite of all his works.

MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.

If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.

However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals.

Great Music.......2007-01-04

Rogers and Hammerstein were in a different league when it came to writing musicals. Their music, lyrics and story are never alike. These two partners were exceptional and their music shows it. Carousel is a tragic story but also shows that human nature can rise above adversity. The music is wonderful and the characters believable. A great movie.

Response to David Pabian's review below.......2004-06-30

Response to David Pabian's review:

My review was not in error, as Mr. Pabian expects. The review was for the original CD release, not this expanded version. Amazon lifted it out of that spot and dropped it here, which of course makes it anachronistic. Why they did it without reading it is certainly an inept decision.

Gummed up an Original.......2003-06-10

This overblown "completeitis" has got to stop. The original soundtrack album Carousel Waltz is now relegated to Appendix status, and terrible sonics accompany dancers' footstomping in the "new" expanded musical sequences, taken directly from the soundtrack rather than from still-existing musical tracks. There was a reason soundtrack recordings were studio performances. The proportions were right, the timings were correct for an overall BALANCED listening experience. These gawdawful expanded editions, often with dialogue thrown in, completely throw off those balances. An argument might be made for expanded sequences appropriate to a CDs longer playing time than the standard L.P. 45min., but possibly only if those sequences are from their original studio-recorded, pre release-print mix -- which could have easily been done in this case. A quick word on one of the above reviews: This is not the first time the complete Carousel Waltz is heard in stereo. There were two previous CD remasterings of the original soundtrack whereon it was included. And the reprise of "If I loved You" was part of every soundtrack release, mono and stereo.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition What to Listen for in Music ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Haven't I heard this before? a beautiful score A Beautiful Mind Haunting, lovely, majestic Dark

A Beautiful Mind: Original Motion Picture Score James Horner Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Legends Of The Fall: Original Motion Picture Soundtrack Beautiful Mind (Score) (Sl) Apollo 13: Music From The Motion Picture Road to Perdition (Score) A Beautiful Mind (Widescreen Awards Edition) ASIN: B00005TPFV Release Date: 2001-12-11

Tracks:

1. A Kaleidoscope Of Mathematics
2. Playing A Game Of 'Go!'
3. Looking For The Next Great Idea
4. Creating 'Governing Dynamics'
5. Cracking The Russian Codes
6. Nash Descends Into Parcher's World
7. First Drop Off. First Kiss
8. The Car Chase
9. Alicia Discovers Nash's Dark World
10. Real Or Imagined?
11. Of One Heart, Of One Mind
12. Saying Goodbye To Those You So Love
13. Teaching Mathematics Again
14. Prize of One's Life... The Prize of One's Mind
15. All Love Can Be - Charlotte Church
16. Closing Credits

Amazon.com

This Ron Howard film parlays the troubled story of Nobel laureate John Forbes Nash Jr., a gifted Princeton mathematics professor tormented for decades by paranoid schizophrenia, into something considerably richer than typical Hollywood triumph-against-all-odds fare. Howard has teamed here again with frequent collaborator James Horner, and it's the composer who deftly shades the film's difficult emotional landscape and helps impart a compelling humanity. Horner's first task is not inconsiderable: musically portraying the arcane realm of mathematical theorems that are the story's backdrop. In doing so, the composer leans heavily on modern minimalist technique, bright flourishes that recur briefly throughout an orchestral score that increasingly reflects Nash's bleak inner landscape in its quietly somber and brooding tones. And while Horner has frequently been accused of excessively repeating himself in his scores, the neo-minimalist gambit employed on this reflectively pastoral, postmodernist soundscape neatly nips such criticism in the bud. Nash's triumph is ultimately an intensely personal one, well reflected in Welsh soprano Charlotte Church's lilting performance of the Horner/Will Jennings ballad "All Love Can Be." This enhanced CD also features notes by the director and composer, as well as exclusive photos and the film's trailer. --Jerry McCulley

Customer Reviews:

Haven't I heard this before?.......2007-06-20

As other reviewers will tell you yes this is another Horner machine made soundtrack. But it still sounds good! If you are a Horner fan by all means buy it otherwise "at your own risk"!

And another thing that gets me is no one even bothered to mention "Alicia Discovers Nash's Dark World" I happened to like this one this is the song that plays when he is in the hospital.

a beautiful score.......2007-02-09

James Horner's soundtrack for A BEAUTIFUL MIND is as psychologically intense as the film it so effectively embellishes.

Charlotte Church provides an appropriately eerie and largely non-verbal soprano to this remarkable motion picture score, yet one that would seem only quirky were it not so beautifully embedded in a musical stream that draws one inexorably and almost vicariously into the emotional turbulence of the Princeton mathematician John Nash.

There is an angelic nature to the shape and texture of this music, one that is able to turn demonic as the story line requires. Both by brilliance and by dementia, Nash seems the object of external forces, rising with supreme heroism (at least in the film's version of events) to conquer. The music is there at each score, coaxing the viewer into empathic solidarity with this deeply troubled man and his long-suffering and preternaturally beautiful wife.

This is mood music of the deeply engaging variety. Its lush tonal landscape is achieved under the baton of the composer himself. The score's vast range of volume and expression would certainly have made it a joy to watch in performance.

Alas, we don't have that.

But we have this.

An ethereal, compelling, even gripping tone poem. Buy it.

A Beautiful Mind.......2006-08-09

Absolutely gorgeous - my husband keeps it in his car and listens to it whenever he's driving.

Haunting, lovely, majestic.......2006-04-04

The sound track for "A Beautiful Mind" stayed with me long after the movie. The CD has all the themes that made the movie so emotionally powerfull. James Horner, composer and conductor, perfectly matches the excitement of genius and the terror of mental disability. Charlotte Church's clear and gentle voice compliments the music and used instrumentally creates a haunting refrain. I loved the movie and this music is wonderful.

Dark.......2006-02-20

This is one of the darkest and most emotional soundtrack, and yet it is filled with more inspiring songs.
Best soundtrack ive ever heard.

Average customer rating: A good value The Sound Track Since Bernard Hermann Good mix of film music A mixed collection of movie music Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Elfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Waxman | Waxman, Franz | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Paramount 90th Anniversary Collection: Scores In Session: Film Music Celebration The Essential Elmer Bernstein Film Music Collection Jerry Goldsmith: 40 Years of Film Music The Incredible Film Music Box ASIN: B00008WI90 Release Date: 2003-04-22

Tracks:

1. The Man from Snowy River (Bruce Rowland)
2. The Winds of War (Bob Cobert)
3. Blue Velvet (Angelo Badalamenti)
4. Witness (Maurice Jarre)
5. Raising Arizona (Carter Burwell)
6. Pee Wees Big Adventure (Danny Elfman)
7. Halloween (John Carpenter)
8. A Nightmare On Elm Street (Charles Bernstein)
9. The Fly (Howard Shore)
10. RoboCop (Basil Poledouris)
11. The Empire Strikes Back (John Williams)
12. The Right Stuff (Bill Conti)
13. The Final Conflict (Jerry Goldsmith)
14. The Abyss (Alan Silvestri)
15. Brainstorm (James Horner)
16. Peggy Sue Got Married (John Barry)
17. My Left Foot (Elmer Bernstein)
18. The Dead (Alex North)
19. Stanley & Iris (John Williams)
20. The Milagro Beanfield War (Dave Grusin)
21. Driving Miss Daisy (Hans Zimmer)

Tracks:

1. Steel Magnolias (Georges Delerue)
2. Unforgiven (Lennie Niehaus and Clint Eastwood)
3. Raggedy Man (Jerry Goldsmith)
4. The Grifters (Elmer Bernstein)
5. Green Card (Hans Zimmer)
6. City Slickers (Marc Shaiman)
7. Father Of The Bride (Alan Silvestri)
8. While You Were Sleeping (Randy Edelman)
9. Babe (Nigel Westlake)
10. The Adventures Of The Great Mouse Detective (Henry Mancini)
11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
13. The Secret Garden (Zbigniew Preisner)
14. A Little Princess (Patrick Doyle)
15. Rudy (Jerry Goldsmith)
16. Iron Will (Joel McNeely)
17. Memphis Belle (George Fenton)
18. Eye Of The Needle (Mikl)
19. Total Recall (Jerry Goldsmith)
20. Back To The Future Part III (Alan Silvestri)

Tracks:

1. To Die For (Danny Elfman)
2. The Player (Thomas Newman)
3. Black Robe (Georges Delerue)
4. Medicine Man (Jerry Goldsmith)
5. 2001 (Alex North)
6. Star Wars: Shadows Of The Empire (Joel McNeely)
7. The Crow (Graeme Revell)
8. Blade (Mark Isham)
9. The Omen (Jerry Goldsmith)
10. Vertigo (Bernard Herrmann)
11. Scream (Marco Beltrami)
12. The Sixth Sense (James Newton Howard)
13. Xena: Warrior Princess (Joseph LoDuca)
14. Air Force One (Jerry Goldsmith)
15. Starship Troopers (Basil Poledouris)
16. The Matrix (Don Davis)
17. The Iron Giant (Michael Kamen)
18. Youve Got Mail (George Fenton)
19. A Little Romance (Georges Delerue)
20. Pleasantville (Randy Newman)

Tracks:

1. Sunset Boulevard (Franz Waxman)
2. L.A. Confidential (Jerry Goldsmith)
3. Rounders (Christopher Young)
4. The Score (Howard Shore)
5. The Replacements (John Debney)
6. Gone In 60 Seconds (Trevor Rabin)
7. The Bourne Identity (John Powell)
8. Rush Hour 2 (Lalo Schifrin)
9. XXX (Randy Edelman)
10. Die Hard (Michael Kamen)
11. The Last of the Mohicans (Trevor Jones)
12. Moby Dick (Christopher Gordon)
13. The Mists Of Avalon (Lee Holdridge)
14. Cleopatra (Alex North)
15. Life As A House (Mark Isham)
16. Emma (Rachel Portman)
17. In The Bedroom (Thomas Newman)
18. Cast Away (Alan Silvestri)
19. One True Thing (Cliff Eidelman)
20. Unfaithful (Jan A.P. Kaczmarek)
21. Far From Heaven (Elmer Bernstein)
22. Ice Age (David Newman)
23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

Average customer rating: didn't work for rehearsals Big for folks doing the Musical It's Awesome, It's Amazing, It's BIG!!!! a lost gem Ungodly awful

Big: The Musical (1996 Original Broadway Cast) Richard Maltby Jr. Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Big: The Musical Baby (1983 Original Broadway Cast) Nick & Nora (1990 Original Broadway Cast) Curtains (2007 Original Broadway Cast) Little Women The Musical (2005 Original Broadway Cast) ASIN: B000005AY0 Release Date: 2001-09-25

Tracks:

1. Overture/Can't Wait
2. Talk To Her/Carnival/Zoltar Speaks
3. This Isn't Me
4. I Want To Go Home
5. The Time Of Your Life/Fun
6. Josh's Welcome/Here We Go Again
7. Do You Want To Play Games?/Stars, Stars, Stars
8. Cross The Line
9. It's Time
10. Stop, Time
11. The Nightmare
12. Dancing All The Time/I Want To Know
13. Coffee, Black
14. The Real Thing
15. One Special Man
16. When You're Big/Skateboard Ballet
17. I Want To Go Home/Stars, Stars, Stars (Reprise)/Finale

Customer Reviews:

didn't work for rehearsals.......2007-03-22

I used this CD to help me rehearse for the BIG production I was in, but it didn't match the libretto at all. I think there was one song on there that I could use.

Big for folks doing the Musical.......2006-03-20

If you're getting this CD to help prepare for your school or community group doing the musical, there are a lot of changes from the CD to the book. Aside from finding the book in a new key and some chunks added/deleted, Here We Go Again and When You're Big aren't included anymore.

Overall, the music's a little trite, but there are some nice moments -- mostly the stuff sung by the female leads.

It's Awesome, It's Amazing, It's BIG!!!!.......2006-01-22

My high school did "Big" my sophomore year, and oh my god, it was such a fun musical to do. I kind of forgot about it until my senior year, when I suddenly craved some of that music again. So I purchased this CD and I've been loving it since. They got rid of a couple of the songs and replaced them with others as the show progressed on Broadway, so I was suprised to hear new material (to me anyways), and for the most part, I actually enjoyed these original songs over their replacements that my production contained. This cast is phenomenal and the guy who plays Josh Baskin sounds so much like Tom Hanks at points, its crazy. It's a simple, yet a bit fantastic musical about growing up, and it's funny and romantic, and a lot of fun. I love all the songs, and it's a shame it didn't do too well on B-way. At least this recording will keep the music alive.

"This Isn't Me" is one of my favorite tracks, as it's a lot of fun and has a great beat, but suprisingly it was replaced with "Good Morning to Mom", which was only so-so. "I Want To Go Home" is a great ballad that Josh sings, and its simple, a bit funny, and the ending is the best, as its cute and sad. Another song they got rid of, "Here We Go Again", is a song Susan sings, and again, I like it alot. It has a quirky melody that I like. "Stars, Stars, Stars" is another great song, and is quite cute. One of the more popular songs. "Cross The Line" is the finale to Act I and is also very excellent and up beat, and makes you want to dance. "Stop, Time" is my favorite song on the album by far. Sung by Josh's mom, it is one of the more poignant moments of the show. Heartfelt, sad, and truly beautiful, it defiantely makes you appreciate your mom. Barbara Walsh sounds superb on this: she has a great voice. I love this one. "Dancing all the Time" is another good Susan song, and it leads into "I Want To Know" by Young Josh, which is another good ballad. "Coffee, Black" is another showstopper, fun ensemble song, and again, very comedic. "One Special Man" is Susan's ballad to Josh, and it is very beatiful. My only regret is that its only 2:21 so its a short one, and I just want her to start belting at the end, but no, its a quiet ending. Still, I love this one too. The finale is great too, and features an amazing duet between Josh and Susan. I love the harmonies they do.

All in all, this is a great album. Sample the songs and give it a try. This is a must have!!

a lost gem.......2004-10-14

i saw this musical at the local high school in 2001 and was plesently suprised i of course saw the movie and the only thing i knew about this musical was it didnt stay long on broadway, so when i saw it was i shocked this is a delight cross the line still resenates in my head 5 years later.

Ungodly awful.......2004-06-19

BEWARE. This musical is perhaps one of the five worst pieces of music I have ever experienced. I began to wonder if the composer was attempting to make the world's worst musical. Listen for yourself and enjoy the disjunct vocal lines, the desperate attempt at "fun music", and - worst of all - how the highlight of the entire show both dramatically and musically is the insipidly awful "Heart and Soul". Stick to the movie because this baby is horrendous.

Average customer rating: Calms My Day Perfect for Massage Presentation of Real Music Artists Together Prospect Park/Brighton Beach Dreams. Pure Happiness

One Mark Ciaburri Manufacturer: Real Music ProductGroup: Music Binding: Audio CD General | New Age | Styles | Music Meditation | New Age | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Sacred Healing Waters Sacred River Honoring Namaste Call of the Mystic ASIN: B0007GADWM Release Date: 2005-02-22

Tracks:

1. One 66:44

Amazon.com

As a title, One principally represents the body-mind-spirit cohesion aspired to in keyboardist Mark Ciaburri's slowly unfolding journey toward a state of sublime relaxation. It may also serve as a small pun, indicating the number of tracks found on this disc (and the number of recordings in this newcomer's discography). One is a nearly 67-minute, multi-instrumental bliss-out that also could have been appropriately titled Meditation Jam. First, Ciaburri electronically establishes the recording's underpinnings, a warm, gently glowing soundscape that hovers near the fringes of deep space. He then allows a host of accompanists--most prominently Bruce BecVar on acoustic guitar, plus others on cello, harp, oboe, English horn, flute, tabla, and voice--to add contemporary textures and benign, slow-motion abstractions, all with the intent of creating a sanctuary of sustained restfulness. It succeeds on most counts, though at times the disc seems busy, with instruments too often overlapping or crowding one another for prominence. Offering a little more openness, by extending spaces between notes or taking a more spare approach to instrumentation, might have turned a very good recording into a great one. Ciaburri's subtle use of voices (created by "The Angels Choir of Maui," a nod to where the disc was recorded) is particularly attractive. Massage and yoga enthusiasts, take note. --Terry Wood

Album Description

Music for meditation, massage, yoga or just being...

Remember when you've heard music so beautiful that it captured you, lifted you up, opened your heart and mind? Perhaps you were having a massage, doing yoga or just being silent but whatever you were doing, you wanted that music to continue. This is the music of One. Music to keep you there.

Over an hour of guitars, tablas, oboe, cello, tamboura, harp, English horn, voice and many other soft sounds woven together with no abrupt changes, the timing set to the gentle rhythm of the ocean.

Customer Reviews:

Calms My Day.......2006-02-25

This is a wonderful CD which I play constantly in my car. In busy rush hour traffic, both morning and evening, this music calms my mind and nourishes my soul. It is also great as a backdrop to my evening meditations.

Perfect for Massage.......2005-08-29

One of the best in my massage practice collection...and one of the few I'd listen to at home as well.

It is great because, as the title says, it is One - One long, intricate, peaceful track. I'm very picky about my massage music, and much prefer accoustic instrumentation to synthesizers. I was sold on this CD when I heard the cello, and was further gratified upon listening to the entire piece, which incorporates so many different instruments.

Terrific! A definite YES - add it to your collection!

Presentation of Real Music Artists Together.......2005-06-11

A very interesting presentation, One is one track, put together by various artists on the Real Music label. The talents of Bruce Becvar on acoustic guitar, Daniel Paul on tablas and tamboura, Ginny Morgan on cello and harp, Jazlyn Woods on oboe and English horn, John Zangrando on alto/bass flutes, Mark Ciaburri on keyboards and percussion and The Angeles Choir of Maui providing the vocals all blend together to produce one long piece of ambient streams.

The combination of instruments is unique, creating a crossroad somewhere between East and West, going back and forth, and sometimes blending perfectly. There does not appear to be an obvious melody, but rather the melodies vary, each progressing on the last, never sounding out of place but never sounding contrived.

The CD booklet carries the message the composition intends to convey: Don't just do something, sit there. - Osho

However, in listening to the piece, while intended for meditation, massage, yoga or other such pastime, I felt the composition should be listened to for the quality of the work, the blending of the styles and the beauty of the melodies and their progression. There is a calling in the piece, asking you to also consider the emotion that is conveyed. Yes, there is energy in this composition. It is restrained in some places, but allowed to surface and be felt in others.

There is a remarkable blending of different instruments in this composition. Guitar and cello, flute and oboe, harp and horn all against a background of tablas and tamboura and percussion. Each instrument has a chance to be heard, expertly played by each of the artists, and then they blend with another, coming together as one as a complete orchestra" to emerge again and be heard individually or with another instrument. It is a wall of sound softening to a single voice coming back to wrap you in the total experience again.

Softly, this could play in the background to whatever work you are doing. However, in a pair of headphones, this music can be a powerful experience. Turned up on your stereo this will fill a room with energy. It can sooth, it can distract. The soft harmonies lull you into a quiet place, only to have your ear pick up on a momentary melody or a poignant beat.

The artists are well known in the ambient community. Mark Ciaburri is the composer of this piece. His time spent with Indian teachers and the various musical influences of the 60s are evident in this composition. His own musical background flavors the work, with touches of jazz and
classical mixed into the hour of music.

But without the varied talents of Bruce Becvar, Ginny Morgan, Jazlyn Woods, John Zangrando or Daniel Paul, this could have come out sounding like so much blended noise. This is a tribute to their remarkable talents to interpret the piece so expertly and not end up with so much mush
which it could easily have digressed to. And The Angles Choir of Maui blends so well with the composition that they emerge quietly, allowing you to suddenly notice them and then they vanish, to resurface again to the delight of the listener.

While intended for quiet work, this piece contains more energy than that and deserves to be placed up front to be appreciated rather than take for granted. While it may be meditative in nature, it is more so for the artist than the listener. This is more a piece to be listened to and
enjoyed.

But whatever you do with it, it will be happily added to your collection of ambient/world music to be enjoyed again and again. This is a very lovely presentation of the composition skills of Mark Ciaburri and the talents of some very remarkable artists. mafoster

Prospect Park/Brighton Beach Dreams........2005-05-20

This performance transcends the mediocrity of over sanitized over rehearsed recordings that are canned in impulse shopping points. This is real, free flowing stuff. Music to come back to again and again is a good thing. There's an edge here that we can't find from trendy musician origins i.e. Hollywood, Santa Fe, Tucson, Sedona, etc. This CD will help to turn on the Mind and refresh the spirit. Me thinks Mr. Leary will agree.
Sincerely yours,
William Velovich

Pure Happiness.......2005-04-22

This CD is simply amazing. You can't help but to be happy and at peace with the world while listening to it. I would have to say that this CD is by far the best new age CD currently on the market. Relaxing and yet motivating at the same time.

Average customer rating: Another starkly gorgeous CD from one of the great ones beauty and terror

Every Sound Below Tim Eriksen Manufacturer: Appleseed Records ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Similar Items: Tim Eriksen Back Roads to Cold Mountain Songs From the Mountain Spine Cold Mountain ASIN: B00020HB4G Release Date: 2004-05-25

Tracks:

1. The Stars Their Match
2. The Southern Girl's Reply
3. The Cumberland And The Merrimac
4. The Soldier's Return
5. Careless Love
6. A Tiny Crown
7. Occom's Carol (O Sight Of Anguish)
8. Friendship
9. John Colby's Hymn
10. Bassett Creek
11. Red Rosy Bush
12. Two Sisters
13. Omie Wise
14. Every Sound Below

Album Description

The commercial and critical success of the "old-time"/bluegrass-drenched music in the 2000 movie "O Brother, Where Art Thou," its "Down from the Mountain" tour-film spin off, and recent "Cold Mountain" blockbuster proved that millions of Americans were eager to connect to their country's musical roots. This second solo CD by Tim Eriksen, already a burgeoning cult figure as one of the leading U.S. traditional folk balladeers, should be their next focus.

Eriksen, featured vocalist on three "Cold Mountain" songs and arranger of two "shape note" songs on the soundtrack, sees music as a link between the past and present and between individuals and communities, which has led him to the ten traditional American folk ballads he reanimates here and the four haunting original compositions that comprise this view of pre-20th Century life and its 21st Century resonance. Tim brings sounds of the American past into the "now," starting with the first track, an original a cappella salute to sunrise in the strong, brave tenor voice that has won him awe. He follows with chilling accounts of the Civil War, the lament of a traveling preacher (one of two songs utilizing harmonic, "overtone" singing that imitates the buzz of nature), murder ballads, and sprinkles in a pair of instrumentals. Tim's has a scholar's instinct for uncovering obscure, often unrecorded folks songs, and his liner notes give a fascinating insight into their history and his own sensibilities. Tim's two other compositions are "A Tiny Crown," a tale of imagination, reality and sea monkeys, and the eerie, hovering title song.

Using the same minimal, live-in-the-studio technique as on his first CD, Tim performs alone here, cycling between guitar, banjo, and fiddle without overdubs, an approach in keeping with the direct connection between Tim, his music and his listeners.

Customer Reviews:

Another starkly gorgeous CD from one of the great ones.......2004-08-04

What a pleasure to be sitting here listening to a new austerely beautiful and enigmatic CD from one of my favorite musicians in the world. It's amazing to me that Tim can sound so individual and idiosyncratic within the self-imposed confines of his stark, traditional sonic palette. The only analogy I can think of would be Bjork doing a whole album accompanied solely by harpsichord and viola de gamba.

As usual, Tim's voice is arrestingly intense, sometimes even desperate, but always with that deadpan Appalachian affect that conveys a kind of weather-beaten optimism. And as usual, his guitar and banjo playing are intricate, driving, sometimes hypnotically repetitive, sometimes jagged, always lush and transporting. He makes self-deprecating comments about his fiddle playing in the liner notes, but it's becoming more confident, and its dry tone suits his hymnal material well. He's broadened his vocal technique in subtle ways as well, with more whistling, humming and overtone singing than on his previous recordings.

Tim always gets me shaking my head in awe at the little details in his music. The guitar arpeggio and hummed line that open A Tiny Crown manage to be ominously dissonant and delicately graceful at the same time. And that's the first three seconds - I've been listening to it over and over trying to wrap my head around the rest of it. In John Colby's Hymn, listen to the way he extends the word "share" into overtone singing. On Careless Love and other tunes, listen to the way he lets notes a half-step apart ring on adjacent strings of the guitar - it should be dark and conflicting, but like Thelonious Monk's chords, it's so wrong it's right. Listen to the spitting, thumping sound he gets from his fingerpicking. If ever an artist deserved a much bigger audience than they have, Tim is that artist. Anyone with the remotest interest in "folk" or singer-songwriter music owes it to themselves to listen to this CD and its predecessors. I'm certainly looking forward to whatever else this cat has coming down the pike.

beauty and terror.......2004-05-31

There is no finer young singer of traditional American music than Tim Eriksen. His performance is austere, even demanding, and it is more chill wind than warm breeze. He sings inside a 19th Century of sheer existential intensity, conjuring up visions of a Southern church of Sacred Harp singers or a blood-soaked Civil War battlefield or a murderer's icy heart, and confronting life at its most elemental in its friendships, loves, hates, mortality, and fate. His gaze is straight, and it never flinches.

Eriksen's repertoire mostly eschews familiar titles from the American folk canon. Only "Careless Love," "Two Sisters," and "Omie Wise" leap to easy recognition, though his readings of each are distinctive. The first, however, is one of the rare moments that betray Eriksen's linkage to the modern folk revival. The languid arrangement brings to mind the work of the brilliant (though sadly no longer active) British ballad singer/guitarist Nic Jones. The original "A Tiny Crown" is slightly reminiscent of another British folk guitarist, Bert Jansch (or, for that matter, the early, Jansch-besotted Donovan, before he went all wacky). You need not have heard of Jones or Jansch to be moved -- or, more likely, unsettled -- by what Eriksen does with these songs.

In the purely technical or aural sense the sound is crisp as a gorgeous fall day. Yes, the album was recorded in the basement studio of my old friend, the Twin Cities guitarist and producer Dakota Dave Hull, but I would admire it wherever it came from. If 2004 ushers into the world a superior example of hard-core folk at its most brilliantly flinty, I will be very, very surprised.

Average customer rating: decieving How Amazon screwed me this time Put it on and hit the repeat button Very surprised it didn't win an Oscar Awesome Sound Quality

Beautiful Mind (Score) (Sl) Various Artists Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: A Beautiful Mind: Original Motion Picture Score A Beautiful Mind (Widescreen Awards Edition) Master and Commander Pirates Of The Caribbean: The Curse Of The Black Pearl Tapestry ASIN: B00006WL5I Release Date: 2002-10-29

Customer Reviews:

decieving.......2006-07-08

I did not know I had to buy a special Cd player for this 16 dollar cd. They range from 300-500 dollers.

My bad. I guess I had to read the FINE PRINT.

bad description, especially when this cd format is not widely known.

How Amazon screwed me this time.......2005-10-04

Amazon sent me some kind of funky CD "enhanced" version that did not play in a normal CD player. When I wrote about it some person made it very clear the it was my error -- I guess I should know that I am not very knowledgable. Of course they say that they will return it but they charged me for shipping. I know they will print this becuase they don't read anything that I send them. rob k in St. Thoams USVI

Put it on and hit the repeat button.......2004-01-01

This soundtrack is like LOTR in that you can put it on in the background and play it over and over.
Highly recommended!

Very surprised it didn't win an Oscar.......2003-09-26

This soundtrack is one of the most powerful soundtracks I've ever listen to. I believe Howard Shore won an Oscar for his soundtrack to Lord of the Rings: The Fellowship of the Ring the same year that A Beautiful Mind came out... unfortunately, Horner was robbed that year, although I also too love Shore's score.

Horner opens with "A Kaleidoscope of Mathematics." It comepletely draws the listener, or watcher (if viewing the movie), in. The music literally sounds like a Kaleidoscope, as if one could litterally HEAR the different colors ... and yet not randomly, but in a cohesive mathimatical way. And then, approximately one and a half minutes into the piece, a sobering, more pensive movement, yet colored again with the interesting flurishes abundant in the first minute and a half.

I've never reviewed music before, but have been an avid listener to scores and soundtracks for years. This, along with the single piece from Castaway by Alan Silvestri, and both the scores from Empire of the Sun and Hook by John Williams, TOPS the list of all time favorites. Check 'em out!

Awesome Sound Quality.......2003-06-02

I saw this movie and was very impressed with it. Russel Crowe and Jennifer Connelly put on wonderful performances. Although one of the best parts of this movie is the haunting soundtrack. There is a bit of mathematical precision to the music and because of the multichannel aspect of the SACD, the room is filled with music. One of the things I like about this format is the fuzzyness of the music. You can hear the reverberations and things and they aren't cleaned out by the clipping. Given all the interplay on this soundtrack, this is probably the best format to hear it on.

Average customer rating: An aural journey through diverse cultures

Yes Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Glass | Glass, Philip | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | International | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Yes Yes: Screenplay and Notes Claude Chalhoub Orlando: Original Motion Picture Soundtrack 21 Grams ASIN: B0009HBPCQ Release Date: 2005-06-21

Tracks:

1. Glass: Paru River [Aguas da Amazonia] - Ensemble: Uakti
2. Chopin: Waltz No. 7 in C Sharp Minor, Op. 64, No. 2 - Piano: Dmitri Alexeev
3. Ten Long Years - B.B. King, Eric Clapton
4. Iguazu - Gustavo Santaolalla
5. Norketsou Bar - Winds of Passion
6. Pink Shoes - Fred Firth, Thomas Bloch
7. Rachmaninov: 1. Moderato [Piano Concerto No. 2 in C Minor, Op. 18] -Conductor: Esa-Pekka Salonen Piano: Yefim Bronfman The Philharmonica
8. Satie: No. 1 Lent [Gnossiennes Arranged by Claude Chaloub] - Daryl Johnson, Michael Brook, The String Octet Violin: Claude Chaloub
9. Run - Fred Firth, Thomas Bloch
10. Brahms: Waltz, Op. 39, No. 15 - Piano: Katia Lab, Marielle Labe
11. El Carretero - Gonzalo Grau
12. Sweet - Fred Firth, Thomas Bloch
13. Yeghishi Bar - Yeghish Monaukian
14. 12/12 - Cafacuba, Kronos Quartet
15. Fawn - Fred Firth, Thomas Bloch

Album Description

From "Orlando" to "The Tango Lesson" and onward, director Sally Potter has always been closely involved with the soundtracks to her films--with outstanding results. This score for "Yes" is no different, as it weaves diverse music--including Philip Glass, Gustavo Santaolalla, Kronos Quartet, "Fawn" (by Tom Waits and Kathleen Brennan), and Eric Clapton with BB King--into both a superb tapestry for this motion picture and as a compelling listening experience on its own.

Further original music by Sally Potter was made with the participation of long-term collaborator, the celebrated guitarist, composer and improviser Fred Frith, who has played on Sally's last four films. Frith has composed for Ensemble Modern and Asko Ensemble amongst others. Best known world-wide as an improvising guitarist, he played on albums ranging from The Residents and Reni Lussier to Brian Eno and Amy Denio.

Customer Reviews:

An aural journey through diverse cultures.......2005-06-28

Quite an eclectic mix of artists and music. I am not sure this CD is for everyone...

From hypnotic instrumentals to howling blues to middle eastern influenced dances to chill dance grooves to classical piano to latin salsa, the soundtrack takes you on an aural journey through diverse cultures. I'm sure it reflects the culture clash depicted in the movie's storyline.

Listening to the sample tracks (at Barnes & Noble.com) makes me wish that I lived in a more culturally diverse area... This is the type of movie I have to watch on DVD because theaters won't risk showing independent films here.

To find the sample tracks at B&N search for "Yes" as the title, then sort the results by "date released". Since it just came out, it should be near the top of the list. Enjoy.

BTW, my 4-star rating is based only on the sample tracks I was able to hear.

Average customer rating: It's good THIS IS A GOOD WANNABE ALBUM Excellent Euro-pop/techno/house CD Germans Light Up the Sky.....AGAIN! One More Time

One More Time The Real McCoy Manufacturer: Arista ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music House | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Euro Dance | Dance Pop | Dance & DJ | Styles | Music General | Rock | Styles | Music General | Euro Pop | Pop | Styles | Music Similar Items: Another Night Sweet Dreams All Their Best The Sign Platinum & Gold Collection ASIN: B000002VT1 Release Date: 1997-03-25

Tracks:

1. One More Time
2. I Wanna Come (With You)
3. Give A Little Love
4. (If You're Not In It For Love) I'm Outta Here
5. Love Almost Faded
6. Look At Me
7. Love Save Me
8. Take A look At Your Life
9. The Sky Is The Limit
10. Love Is A Stranger
11. Tomorrow
12. Tonight
13. CD-Rom Multimedia Presentation

Customer Reviews:

It's good.......2005-07-24

This is hard for me to review because I have the 15-track European version rather than the 12 track -US version. Because the beautiful vocals of 'Karin Kasar' are not here on this album, the album is split between songs that Vanessa sings like Karin and there are other songs she sings in her own style. On my edition, tracks 2-5 are 'Give a little love', 'The sky is the limit', 'Tomorrow' and 'I wanna come with you'. My personal opinion of these songs is that they are excellent girl-pop songs. Vanessa has some lyric-writing credits here and she helps deliver the sultry soul-ballad 'Look at me'. This is a very complex song, accomplished song, like a ballad written by a progressive rock band. The Real McCoy were a great band, as 'Love is a stranger' proves, a catchy pop song with some fantastic synth passages. Party is heaps of fun and Take a look at your life is also another dark song, again lyrics co-written by Vanessa. The European version has three songs the American version doesn't, 'Silly', 'Party' and 'Start loving me'. Silly is a fun song, like 'Party', but Start loving me is an experimental song that combines folk elements with aggressive, Limp-Bizkit like rage-rap.

If I may, I would also like to complement the band for comming up with some great textures. The "intergalactic" texure on 'Give a little love' is priceless, and then there's heaps of great textures that paint a picture in your mind. For example, there's a "bubbly" texture to the bass on 'Love save me' and then there's other songs that have really intruiging textures that I can't really describe, but fairly cloud-like and colourful. I really liked that.

This paragraph is only criticism: I personally felt there was a little bit of 'over-singing' and forced vocals, notably the catch line to 'Save me' isn't a very pretty vocal, very forced sounding. But most of the time the vocals are fairly natural in their delivery.

I think this is a good, solid album, don't hesitate to buy if you like this band (unless you are starving or have hit bad times). Anyway, you can check out the Amazon.com music samples to see if you like it or not.

THIS IS A GOOD WANNABE ALBUM.......2005-06-26

WITHOUT VOCALS FROM THE REAL VOCALIST 'KARIN KASAR"
THIS ALBUM IS JUNK
ITS NOT WORTH BUYING
WHY DO YOU THINK THEY STOP SELLING IT
RAN OUT OF RECORDS
NO WAY
MORE LIKE RAN OUT OF BUYERS

Excellent Euro-pop/techno/house CD.......2005-03-19

I miss the days of house and techno music on the top 40. This album is like a microcosm of those few years. Real McCoy's first album (Another Night) contained all their biggest hits, like "Another Night", "Runaway", and "Come And Get Your Love", but this album is actually better.

Great tracks include "Take A Look At Your Life", "One More Time", "Give A Little Love", and "Love Is A Stranger".

The Euro-pop craze was over at this point (1997), techno and house having retreated back to the clubs and the discos. Looking back now, from an almost unbelievable distance in regards to pop music styles, it's possible to appreciate the brilliance of material like this. So slip it into the CD player and turn up the bass.

Germans Light Up the Sky.....AGAIN!.......2004-02-17

I remember when I first heard the Irresistible "One More Time" on the radio sometime in 1997 or 1998. I knew that one of my favorite bands at that time was back again, Lightning stroke twice! And "One More Time" sounded Energetic, Catchy with great Beat, and very similar to "Another Night" or "Runaway". Simply a Great Dance/Pop track.

This album starts with the Awesome "One More Time" and it delivers an Unstoppable string of HITS, yeah they are all nothing less than Great Dance, and 2 songs some are slower, but they are Great and Beautiful Love songs.

Unlike the first album, that had 3 Covers, this album has only One, and it's an Awesome Fast Classic EuroDance cover of Shania Twain's hit "If You're Not in It for Love", written by the Great Mutt Lange. It's a Great Classic EuroDance take on this Already Great song. It Picks you up and does not let you down.

All other songs on this album are Original songs, All written by the talented team of Jeglitza/Argovits/J Wind, they're talented songcrafters.

Actually "Love Save Me" was written by Billy Steinberg and Rick Nowels, who wrote one song for their 1-st album too. It's a Great Synth/Dance song!

Actually all songs have Electronic/Synth elements, and are All Great, many are done in a Reggae/Dance style with synths! Great Synths, Beats, and Great Melodies, Female Vocals and Male Rap (sometimes Reggae Rap too). Great Stuff!!

I would like to single out "Love is a Stranger" because it's one of my Extra Extra favorite synth/dance songs on this CD. They are All my favorite though, so hard to pick out.
BTW "Take a Look at Your Life" is a Great Dance song about money (of all things!).

There are also 2 of the Most Beautiful Love Ballads on this Album. These are "Look At Me" and "Tomorrow". Both of these are just Heavenly and their Beauty is Beyond words, one needs to hear them. They are very heart-warming.

I've had this album for a long time, and I still enjoy Listening to it. It's FANTASTIC DANCE/POP/TECHNO. A Must for any Pop/Dance collection. I just wish Arista promoted them more in US. They got little promotion.

Thank You for reading this review.

One More Time.......2003-06-27

While the explosive title track is one of the catchiest Euro-pop hits in years, Real McCoy's second LP, One More Time, doesn't quite pack as strong of a punch on the rest of the tracks. "I Wanna Come (With You)" and "Give A Little Love" are both energetic but marred by clichéd lyricism, as are much of the other songs. Their double-platinum debut, Another Night, successfully mixed R&B vocal stylings with the Berman Brother's brand of upbeat dance-pop, but on One More Time this basic formula spreads itself too thin. There is such a thing as sophomore slump, but more times than not it's due to the artists' and their producers' impulses to re-manufacture the sounds of their first outing.

Dance Music:

1. The Real One [Explicit Lyrics]
2. The Real One [Explicit Lyrics]
3. Twenty2 Life
4. Unfadeable
5. Up All Nite Paper Chase
6. Urban Beats, Vol. 1
7. Wanna Be Like Puffy [CD-single]
8. Watch Me Grow
9. Wetblack [Explicit Lyrics]
10. Work Dat Body [CD-single]

Dance Music

dance music

Dance Music

Spin [Import]

Rameau in Versailles - 6 Concerti / Hippolyte & Aricie

Les Bourgeois [Limited Edition]

Essence

Salsoul Philly Flavas [Import]

Reiki

Mina/Celentano [Import]

Platinum & Gold Collection [Original recording remastered]

Make Amends With Your Adversary Before Dawn [Import]

Morton Feldman: Early and Unknown Piano Works / Debora Petrina, piano

Lovers Leap

Nasty [CD-single] [Import]

Live Concert Series [Live]

Hammer & Nail

The Elektric Band