Come with Me [CD-single]

Product Description
Puffy's contribution to the 'Godzilla' soundtrack, acollaboration with Led Zeppelin guitarist Jimmy Page &featuring a sample of the unforgettable guitar riff fromZeppelin's 'Kashmir'. Contains four mixes of 'Come With Me':Radio Version, Morello Mix, Album

Come with Me,Puff Daddy & Jimmy Page,Sony,Club/Dance,East Coast Rap,Gangsta Rap,Hardcore Rap,Hip-Hop,Pop-Rap

Average customer rating: one of the best CDs I own Simply addictive! Haunting sounds The phenom Ms Jones Glad i bought it ( Part II )...!

Come Away with Me Norah Jones Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Acoustic Blues | Blues | Styles | Music General | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music Blue Note Records | Amazon.com Label Stores | Stores | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Feels Like Home Not Too Late Taking The Long Way Corinne Bailey Rae Continuum ASIN: B00005YW4H Release Date: 2002-02-26

Tracks:

1. Don't Know Why
2. Seven Years
3. Cold Cold Heart
4. Feelin' The Same Way
5. Come Away With Me
6. Shoot The Moon
7. Turn Me On
8. Lonestar
9. I've Got To See You Again
10. Painter Song
11. One Flight Down
12. Nightingale
13. The Long Day Is Over
14. The Nearness Of You

Amazon.com

It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to such masterpieces. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience and some careful listening to artists like J.J. Cale and Shirley Horn is the knack of remaining low-key without sounding sleepy--sometimes less is not, in fact, more. --Michael Ross

Amazon.com

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Not Too Late

Feels Like Home

The Little Willies

Customer Reviews:

one of the best CDs I own.......2007-07-25

Other reviewers have gone into a lot of depth about this CD already, so I'll keep my endorsement short and to the point. The CD is fantastic and is one of the best that I own. You will never get tired of listening to this one.

Simply addictive!.......2007-07-12

This is her best album!
Her voice is unbelievable, the delivery is amazing and the lyrics are stunning!

Haunting sounds.......2007-07-06

For 3 months, my Norah Jones CDs have taken over my car stereo. This woman is very talented!

The phenom Ms Jones.......2007-06-27

This is such an outstanding production, so much better than the later(I think) CD. Miss Jones should be careful which guitar players back her up. She should stick to Bill Frizell or maybe she should try Mark Knoffler, if she can get him away from Emmy Lou.

Glad i bought it ( Part II )...!.......2007-06-20

I knew that Nora Jones was good music but i had no idea just how good...My sister-in-law bought me this CD for Father's Day...i have listened to it 3 times today. The way i would describe her lyrics and delivery is equal to "Musical Rose Petals". So smooth and so inviting is her voice. I really love the Piano work also. Her birth name being "Geethali",Nora Jones along with the likes of Michael Buble have added a nice,new,fresh selection of music to today's currently enemic sound. This album made her only the second artist ever to sweep the "Big Four" being Album,Song,Record,& Artist of the Year at the Grammy Awards in 2003. Standouts for me include: "Come Away With Me","Don't Know Why", and i really like her rendition of Hank Williams SR.'s "Cold,Cold Heart". With her throw back to Billie Holiday/Roberta Flack days voice coupled with a very welcomed piano based style, Nora Jones can take me away anytime! If you've waited to give her a listen ,as did I, do yourself a favor and don't wait any longer.

Average customer rating: Best Buble BuBle SMASH HIT I love this music I would love to fly with you!!!

Come Fly With Me (CD & DVD) Michael Bublé Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Canada | North America | International | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Contemporary Big Band | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Rock | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: It's Time Caught In The Act (CD + DVD) Michael Bublé Totally Bublé Call Me Irresponsible ASIN: B0001IN07Q Release Date: 2004-03-30

Tracks:

1. Nice 'N Easy
2. Can't Help Falling In Love
3. My Funny Valentine
4. Mack The Knife
5. Fever
6. You'll Never Know
7. For Once In My Life
8. Moondance

Tracks:

1. Come Fly With Me (DVD)
2. For Once In My Life (DVD)
3. You'll Never Know (DVD)
4. Kissing A Fool (DVD)
5. Sway (DVD)
6. Mack The Knife (DVD)
7. That's All (DVD)
8. Fever (DVD)
9. How Do You Mend A Broken Heart (DVD)
10. The Way You Look Tonight (DVD)
11. Moondance (DVD)
12. My Funny Valentine (DVD)

Amazon.com

A year after his slickly produced recording debut launched him on a meteoric course to stardom, this combo CD/DVD set chronicles Michael Buble's crowd-pleasing live performances before amphitheater-sized crowds on a triumphant national tour. The audio portion kicks off with pair of new studio recordings again reinforce the 20-something Canadian heartthrob's 1950s-something artistic tack with mixed results: "Nice 'n' Easy" has a Sinatra-faithful jazzy swing; the overproduced, somnambulistic "Can't Help Falling in Love" evokes Perry Como more than Elvis. The remainder of the audio CD is comprised mostly of live versions of songs from Buble's debut, with his takes of "My Funny Valentine," "Fever," Van Morrison's "Moondance" and "Mack the Knife" again suggesting that Buble has an ear cocked wisely towards the Bobby Darin oeuvre. But with the notable exception of three elegant live-in-studio performances culled from Sessions@AOL, the live DVD does Buble's undeniabl! y charming stage presence a great disservice. Intercut awkwardly with offstage comments by Buble and his band, the balance of that disc suffers from an MTV-inspired, cut/dissolve-every-three-seconds style that's intended to focus one's attention, but does exactly the opposite. If sudden stardom virtually guarantees that Buble's impossibly smooth, expressive voice seldom ventures very far outside the Sinatra/Darin mold here, hopefully he'll leverage that fame towards greater artistic challenges in the near future. --Jerry McCulley

Album Description

In 2003,Michael Buble roared from being the latest discovery of David Foster (Josh Groban ,Celine Dion )to a gold debut album (double platinum,#1 in his native Canada)and being named along with Norah Jones,Harry Connick Jr.,Diana Krall and Rod Stewart as the leaders of a new-yet-trad pop move- ment. Now Come Fly With Me presents Buble with new songs on CD plus live performances and interview/backstage footage on DVD.It's time to get on board and come fly with Michael Buble.

Customer Reviews:

Best Buble.......2007-07-11

This is an album that I can listen to all of the time. You have to like buble or the old big band cronie. Very good

BuBle.......2007-04-01

I loved the cd/dvd of Michael buble, he's got such an awesome voice! He's so down to earth and brings back the good ol'days to the newer crowd.

SMASH HIT.......2007-01-18

Michael Buble is the best thing that has happened to music in the last twenty years.. The old standards, you can't beat them rate this cd as a number one..

I love this music.......2007-01-14

I have been told I am too old for my age as I love the Rat Pack music and American Standards. This is a great cover of those tunes.

I would love to fly with you!!!.......2006-11-10

This is a dynamite duo: cd/dvd!!! I first heard Michael Buble music in the Spring of 2005. The first purchase was It's Time, which is mind-blowing good!!! Come fly with me is awesome! The music is out of this world, and in my opinion, he sounds better than the original singers in the remakes he sings. WOW!!! The DVD is great! It shows his sense of humor, as well as his sensitive side. And there is no denying that he is an absolutely talented and amazing singer! The band is second to none as well! My impression of his talent was cemented even further when I saw his Concert in Spokane, WA in July of 2006. He never missed a beat and his voice was perfectly in tune. I have shared my excitement about his music and how it has touched my life with all of my friends, and have converted many of them to also be faithful fans of Michael's music. I now own almost all of his CD's and cannot wait to get the next one!

Average customer rating: The multi-channel mix is awful. Cd Music This version should be pulled. Poor Example of SACD I love this young lady...

Come Away With Me Norah Jones Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Acoustic Blues | Blues | Styles | Music General | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Cabaret | Broadway & Vocalists | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music Blue Note Records | Amazon.com Label Stores | Stores | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Dark Side of the Moon 30th Anniversary Edition Avalon Concord Records SACD Sampler 1 (Multichannel Hybrid SACD) The Girl in the Other Room Genius Loves Company ASIN: B00008WT49 Release Date: 2003-06-10

Tracks:

1. Don't Know Why
2. Seven Years
3. Cold Cold Heart
4. Feelin' The Same Way
5. Come Away With Me
6. Shoot The Moon
7. Turn Me On
8. Lonestar
9. I've Got To See You Again
10. Painter Song
11. One Flight Down
12. Nightingale
13. The Long Day Is Over
14. The Nearness Of You

Amazon.com

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Not Too Late

Feels Like Home

The Little Willies

Customer Reviews:

The multi-channel mix is awful........2007-07-12

As noted in another review, the multi-channel is absolutely awful. It's as if the bass is eq'd out of the mix. Honestly, it's completely unlistenable in my opinion. Thankfully the two channel SACD mix is fine. For that reason, I'm still glad that I bought it because I enjoy this album quite a bit.

Cd Music.......2007-04-06

I was really looking forward
to this cd, but unfortunatally
I didnt receive it.

This version should be pulled........2004-12-02

One of the requirements of SACD releases, as set forth by Sony and Phillips, is that there be at least an SACD (DSD) stereo layer. The surround DSD and hybrid Red Book PCM CD compatible layers are optional. As the previous reviewer mentioned, the stereo DSD layer on this release was taken from the Red Book 16/44.1 PCM master used to make the CD layer. So Blue Note skirted a basic requirement of the format they were releasing on by deceptively scamming consumers into thinking they were getting a true SACD. As far as anyone knows, however, the surround SACD layer was taken directly from the 2 inch multitrack and sampled to DSD, then remixed and mastered to the SACD surround layer. I haven't heard anything to the contrary. As it stands right now, I agree with Fremer that Blue Note should simply apologize, pull the current release, rerelease a proper SACD, and give past purchasers a free exchange. I listened to the surround layer at my parents house in Oregon and was pleased at the music and sound quality. I do think it is overall a bit emotionally monotonal and placid though, as the recent SNL (or was it Mad TV) spoof parodied. But I think people who buy it are looking for that. Still enjoyable.

Let me clear up some of the misconceptions floating around:

Keep your universal DVD player set up internally for 5.1 channel with all channels on at fixed volume (usually max output), set to large, and your reciever/preamps on Surround Direct Analog with no digital conversion...then pray that you have a DVD player and reciever that doesn't do anything else funky. All of the older Denon universal units really messed with the sound. If you're still not getting good bass, then you need full range speakers. Never ever have speakers turned off or set to small in your DVD player when listening to SACD's. In fact, you shouldn't even do this with stereo CDs, since you'll mess up the dynamic range that the outputs are working at.

Most universal players use the original Sony DSD chip, which has a little port that connects to the DAC. Contrary to popular belief, SACD is not converted to DVD-Audio (PCM as opposed to the PWM of DSD) when it goes into that little port. That just sends the analog signal to the filter stage to lop off the high frequency noise. The only conversion that will ever occur is if you try and do bass management, which will kick the Sony converter chip into what's called Wide-DSD...a euphamism for a form of very high frequency PCM, also called Narrow PCM. It's still PCM, it's just that Sony doesn't like to call it that. So, keep everything On, Large, and Fixed in the player and Pure Analog Direct after it gets out and you'll probably be fine. Do volume changes in the reciever in the analog domain.

I also wouldn't trust the new players that convert everything to SACD internally to do bass management. It's another form of Wide-DSD. Why? Because you can't do computations with a 1-Bit format. You can't mix in SACD or produce in that format until you either convert it to analog or PCM. You can only record/master live to each descrete 1-Bit DSD channel, then you're stuck with it as is. All the SACD recording consoles are actually this psuedo-DVD-Audio format internally, though they likely sound quite good. To get true DSD through and through you either record/produce to analog tape, or you mix live, which is probably why Telarc likes the format so much.

PCM has good points and bad. PWM has good points and bad, too. They're both very low noise, but PCM tends to sound a bit artificial and lacking in that organic body of analog. PWM is hella organic and analog-like (probably due to its psuedo-analog 1-bit nature), but embeds subtle quantization noise within the signal permanently, often leaving it sounding not quite as transparent and Oh-My-God-clear and pristine as DVD-Audio at 192khz. Some engineers claim that the high frequencies are inferior in transient response to even normal Red Book CD, but transients are so difficult to measure, Red Book so rife with other problems, and DSD does so well in all the other departments (including other characteristics of its highs) that I find it to be a non-issue. At least you get SACD on all the channels in 5.1, definitely as good or better than 24/96. The last thing you want is conversion back and forth between the two formats internally; then you get the worst of both worlds. Remember that DSD was invented for archival purposes to permanently store the Columbia Records inventory. The archival format's actually twice the bitrate of consumer SACD, so it likely sounds as lovely as is claimed.

Poor Example of SACD.......2004-11-13

My rating of 2 stars applies to the SACD version of this record and not the CD. I consider the CD to be a 5 star recording. After carefully listening to both the two channel SACD mix and the CD stereo versions I could not discern an audible difference. I enjoyed the 5.1 mix and found the rear surround to be tasteful and subtle, not at all distracting, but, again, no significant improvement in detail except that created by spreading the sound around to five channels. A recent article on the "Stereophile" website suggests that the SACD mix in fact shares the same 16 bit lineage as the CD, which would explain why the two channel mix and the CD mix sound identical. Norah's label has cheated its customers with this one and should go back and do an actual DSD mix and replace these "CDs" for free or give us our money back. There is no reason to purchase this SACD in addition to or in lieu of the CD unless you are interested in listening to a standard resolution 5.1 mix.

I love this young lady..........2004-02-27

I have to agree with the others - the SACD analog mix in 5.1 was a blunder(4 stars). I borrowed this from a friend for a test run. I have the same content on DVD/video - Very nice... - When I choose to listen only - I just turn off the TV and listen to a very good 5.1 DD/EX version. I admit it is not quite the quality of SACD but very good nonetheless. Spyro Gyra has 2 SACD's available and they are the standard for SACD comparison - absolutely flawless... Waiting for 2 of my all-time favorites on SACD - Eat a Peach and Live at the Fillmore from the ABB... SACD is just a small notch above DVD-Audio - although with DVD-Audio you can also listen on most any DVD player that supports DTS, DD-5.1 and DD-Stereo. SACD's are more dicriminating - I bought the Onkyo DVSP-800 specifically because of the SACD and DVD-Audio discrete analog and outstanding DVD-progressive scan video capabilities...

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition What to Listen for in Music ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Opera for Children Great Opera for Children My six-year old liked it! Fun, accessible opera for you and your child to enjoy

Pavarotti's Opera Made Easy-My Favourite Opera For Children Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Allen, Thomas | ( A ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Gounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Humperdinck, Engelbert | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Offenbach, Jacques | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Wagner, Richard | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Sutherland, Joan | Divas | Opera & Vocal | Styles | Music Troyanos, Tatiana | Divas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: World's Very Best Opera for Kids... in English! Classical Music for Children: A Toddler's Introduction to Classical Music The Classical Child at the Opera Children's Favorites David Bowie Narrates Prokofiev's "Peter and the Wolf" ASIN: B00000424Y Release Date: 1994-08-23

Tracks:

1. Carmen: Children's March
2. Carmen: Toreador Song
3. Carmen: Toreador Chorus
4. The Barber Of Seville: Largo Al Factotum
5. Faust: Soldiers' Chorus
6. Il travatore: Anvil Chorus
7. Madame Butterfly: Humming Chorus
8. Die Walkure: The Ride Of The Valkyries
9. The Tales Of Hoffman: The Doll Song
10. Aida: Triumphal Choruses And March
11. The Magic Flute: Papageno's Song: A Birdcatcher Am I
12. The Magic Flute: Papagena! Papagena! Papagena!
13. The Magic Flute: Pa-Pa-Pa-Pa
14. Hansel And Gretel: Brother, Come Dance With Me
15. Hansel And Gretel: I Am The Little Sandman
16. Hansel And Gretel: Children's Prayer
17. Hansel And Gretel: Song Of The Gingerbread Children
18. Hansel And Gretel: Ral-la-la-la, Ral-la-la-la

Customer Reviews:

Opera for Children.......2005-10-14

This is an excellent CD to introduce children to some of the more familiar operas. I would highly recommend this CD for children and also for adults who want to become familiar with opera.

Great Opera for Children.......2005-05-01

This CD is an excellent compilation of opera for children and adults alike. The operas that are represented on this disc are: Carmen, Il Barbiere di Siviglia, Faust, Il Trovatore, Madama Butterfly, Die Walkure, Les Contes d'Hoffmann, Aida, Die Zauberflote, and Hansel und Gretel. People love the Children's March, as well as the Toreador Chorus, from the opera Carmen. The well known Toreador Song is performed on this CD by great bass- baritone Jose van Dam. Children who watch Bugs Bunny will recognize "Largo al factotum" from Il Barbiere di Siviglia. Sherrill Milnes performs the role of Figaro expertly, and his falsetto is evident in Figaro's famous patter aria. Great choruses, like the Soldier's Chorus from Faust, the Anvil Chorus from Il Trovatore, the Triumphal Chorus from Aida, and the Humming Chorus from Madama Butterfly make appearences on this CD. The Doll Song from Les Contes d'Hoffmann is performed by soprano Joan Sutherland. She uses her voice to rise up and down, like a mechanical doll. My favorite German baritone, Hermann prey, performs Papageno's entrance aria from Die Zauberflote, as well was the duet with Papagena. Choruses from Hansel und Gretel round the CD.

My six-year old liked it!.......2001-04-02

My six year-old son enjoyed hearing this CD. We like to sing together, so we found many of the pieces quite alot. But to be honest, when we discovered the more recently released CD, The Classical Child AT the Opera, he went wild because all the pieces have been translateded into English, so it's much more enjoyable for us to sing along. So I would recommend it, but check out the other one as well -- your kids will be glad you did. All the best, Steven

Fun, accessible opera for you and your child to enjoy.......1999-11-05

I bought this CD for my then 3 year old son. He loved it then because it was the "Bugs Bunny" music he was familiar with from the cartoons. He listened to it for awhile then we put it away. After he turned 4, he said to me one day -- let's listen to opera, and now we listen to this CD every day. This music gets his blood going; he struts around his room when he listens to this. And, he is in every respect a typical boy who likes Pokemon and the Back Street Boys. So, I consider this CD successful in introducing opera to a youngster.

Average customer rating: Wonderful, but not my first choice THE BEST recording of the BEST oratorio ever... Too bad there are so few recordings of Elijah

Mendelssohn: Elijah Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Franz Joseph Haydn: The Creation Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel Mahler: Das Lied von der Erde Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Brahms: Ein deutsches Requiem [A German Requiem] ASIN: B0002XV31A Release Date: 2005-02-15

Tracks:

1. Introduction: As God The Lord Of Israel Liveth
2. Overture
3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
4. No.2: Lord! Bow Thine Ear To Our Prayer!
5. No.3: Ye People, Rend Your Hearts
6. No.4: If With All Your Hearts
7. No.5: Yet Doth The Lord See It Not
8. No.6: Elijah! Get Thee Hence
9. No.7: For He Shall Give His Angels Charge Over Thee
10. Recitative: Now Cherith's Brook Is Dried Up
11. No.8: What Have I Do To Do With Thee?
12. No.9: Blessed Are The Men Who Fear Him
13. No.10: As God The Lord Of Sabaoth Liveth
14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
15. No.12: Call Him Louder, For He Is A God!
16. No.13: Call Him Louder! He Heareth Not!
17. No.14: Lord God Of Abraham, Isaac And Israel!
18. No.15: Cast Thy Burden Upon The Lord
19. No.16: O Thou, Who Makest Thine Angels Spirits
20. No.17: Is Not His Word Like A Fire?
21. No.18: Woe Unto Them Who Forsake Him!
22. No.19: O Man Of God, Help Thy People!
23. No.20: Thanks Be To God!

Tracks:

1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
2. No.22: Be Not Afraid, Saith God The Lord
3. No.23: The Lord Hath Exalted Thee
4. No.24: Woe To Him, He Shall Perish
5. No.25: Man Of God, Now Let My Words Be Precious
6. No.26: It Is Enough; O Lord Now Take My Life
7. No.27: See, Now He Sleepeth
8. No.28: Lift Thine Eyes To The Mountains
9. No.29: He, Watching Over Israel, Slumbers Not
10. No.30: Arise, Elijah, For Thou Hast A Long Journey
11. No.31: O Rest In The Lord
12. No.32: He That Shall Endure To The End, Shall Be Saved
13. No.33: Night Falleth Round Me, O Lord!
14. No.34: Behold! God The Lord Passed By!
15. No.35: Above Him Stood The Seraphim
16. No.36: Go, Return Upon Thy Way
17. No.37: For The Mountains Shall Depart
18. No.38: Then Did Elijah The Prophet Break Forth
19. No.39: Then Shall The Righteous Shine Forth
20. No.40: Behold, God Hath Sent Elijah
21. No.41: But The Lord, From The North Hath Raised One
22. No.41a: O Come Everyone That Thirsteth
23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating: It's Dreamy My Favorite Composer of all time An American classic from Hampson that brings smiles and tears OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!! It's simply lovely

American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Hampson, Thomas | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Oldies | Pop | Styles | Music Tin Pan Alley | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Foster, Stephen | ( F ) | Composers, A-Z | Classical Music Blowout | Stores | Music Hampson, Thomas | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Song of Home Song of America Harvest Home Civil War Classics Stephen Foster Song Book ASIN: B000002SK7 Release Date: 1992-10-20

Tracks:

1. Opening Solo Violin
2. Jeanie With The Light Brown Hair
3. Hard Times Come Again No More
4. The Voice Of Bygone Days
5. Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
6. Open Thy Lattice, Love (1844)
7. Beautiful Dreamer (1864)
8. That's What's The Matter
9. Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
10. Molly! Do You Love Me? (1850)
11. Sweetly She Sleeps, My Alice Fair (1851)
12. Comrades, Fill No Glass For Me (1855)
13. Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
14. My Wife Is A Most Knowing Woman (1863)
15. Gentle Annie (1856)
16. Linger In Blissful Repose (1858)
17. Ah! May The Red Rose Live Alway (1850)

Customer Reviews:

It's Dreamy.......2007-01-10

This is a very wonderful recording of Stephen Foster by a master singer.
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).

The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.

Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.

I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.

If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."

If you love good music, and you have heart which can be stirred, and you love your country, this is for you.

I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.

I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.

My Favorite Composer of all time.......2006-08-20

Growing up playing his stuff on piano, I love the instrumentality of this CD..the violins give off that wail that he speaks of..I am not sure what it is about Stephen Foster but these verses..grab me like no other..there is so much sensitivity to it..

I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour

but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..

An American classic from Hampson that brings smiles and tears.......2006-07-17

Stephen Foster was the greatest American composer of sentimental parlor ballads--he so perfectly imitated folk songs that his music wound up turning into them. In an age of home music-making and later of families sitting around the radio, Foster's songs were a staple, often performed by crossover artists from opera like Lawrence Tibbett. Those were plump, ripe styles of singing, highly flavored by church hymns.

In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.

OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25

Simply one word, WOW!!!
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.

It's simply lovely.......2004-12-14

I didn't know Stephen Foster (I thought): wrong: Oh Susanna, etc, I knew, but had no idea who the composer was.

This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway: The American Musical Broadway - The American Musical (PBS Series) Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: Grat album, Mastered a little too loud Frank could sell a song without even trying--and that's no small feat !!! Frank Flys Sky High It's oh so nice to come home Come Fly With Frank

Come Fly with Me Frank Sinatra Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Classic Vocalists | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Come Dance with Me! A Swingin' Affair! Songs for Swingin' Lovers! Frank Sinatra Sings for Only the Lonely In the Wee Small Hours ASIN: B00000AEVD Release Date: 1998-09-08

Tracks:

1. Come Fly With Me
2. Around The World
3. Isle Of Capri
4. Moonlight In Vermont
5. Autumn In New York
6. On The Road To Mandalay
7. Let's Get Away From It All
8. April In Paris
9. London By Night
10. Brazil
11. Blue Hawaii
12. It's Nice To Go Trav'ling
13. Chicago - (mono, bonus track)
14. South Of The Border - (mono, bonus track)
15. I Love Paris - (bonus track)

Amazon.com

When critics refer to Sinatra's Capitol albums, their highest praise is usually reserved for the dark melancholy of Wee Small Hours or Only the Lonely. But the upbeat "Swinging" records should not be ignored. Probably the finest of these albums is Come Fly with Me. The first of Sinatra's albums with arranger Billy May (whose arrangements have been overshadowed by Nelson Riddle's), Fly is the conceptual equal of Lonely-a carefree, romantic musical travelogue. From the opening invitation--one of Sinatra's most rollicking vocals--to the tender invocations of "Autumn in New York" and "April in Paris," and the serene seductiveness of "Moonlight in Vermont," Sinatra personified the modern traveler--jaunty, cosmopolitan, irrefutably cool. --Steven Mirkin

Amazon.com

Franks Sinatra Photos

More from Ole Blue Eyes

Classic Sinatra	In the Wee Small Hours	Frank Sinatra Sings for Only the Lonely
The Capitol Years	Songs for Swingin' Lovers	Come Dance with Me!

Customer Reviews:

Grat album, Mastered a little too loud.......2007-07-18

A great Frank Sinatra album at his best vocally. Being a sound engineer I must admit a bit of dissapointment at the Re-mastering of this CD....Why push the volume up so much on these old analog recordings...I understand that everyone wants to be as loud as Diana Kralls last CD, but they souldn't do it at the expense or the overall sound....Fortunatly Sinatra's voice wasn't affected much, but the big band sometimes sounds a little distorted...I'm sure it didn't on the original LP.

I'm sure that most folks don't even hear these things....But there ya go.

Frank could sell a song without even trying--and that's no small feat !!!.......2007-06-09

Frank Sinatra justly deserves to be forever remembered for his marvelous singing both on his record albums and in concert; when I was younger I played this record so much I nearly wore the grooves off the vinyl! Come Fly With Me features Frank in excellent form; and the arrangements shine with that distinct Billy May sound that will make you fall in love with CD the very first time you hear it. There are three bonus tracks at the end of the CD that feature Nelson Riddle arrangements as well.

The CD track set begins with the title track, "Come Fly With Me." "Come Fly With Me" boasts a breezy, cheerful melody and Frank sings this number so enthusiastically without a single superfluous note. Awesome! "Come Fly With Me" makes for a strong beginning to this CD. "Around The World" lets Frank sing this song to the tune of "Around The World In Eighty Days;" but Frank clearly makes this his own as he sings with a sublime panache; and the melody with its emphasis on the strings enhances the beauty of this number.

Other gems on this CD include the beautiful "Isle Of Capri;" this song features Frank singing of two ships that pass in the night. In addition, "Moonlight In Vermont" and "Autumn In New York" showcase Frank performing sensitive romantic ballads with slow tempi that glisten like only pure gold ever could!

"Let's Get Away From It All" switches back to a much more playful romantic number and Frank bats this one straight out of the ballpark as only Frank ever could. The musical arrangement by Billy May makes good use of the horns and percussion; this mixed with Frank Sinatra's upbeat singing provides us with a cheerful song that celebrates the joys of love. "Brazil" also sports a catchy melody that stuns you with its beauty as Frank performs the vocals to perfection.

The CD also gives you three bonus tracks that were not on the original record album. You get "Chicago;" "South Of The Border" and "I Love Paris." "Chicago" gets the royal treatment from Sinatra as he sings this number with panache and a very high level of sophistication. Frank's excellent diction lights up the beauty of "Chicago;" and the musical arrangement by Nelson Riddle makes excellent use of the strings, percussion and horns. "South Of The Border" is another playful, joyous number that celebrates the joys of enjoying a romantic fling; and "I Love Paris," the final track, provides a very strong ending for this romantic album that once again rejoices in the joys of love as it is found all over the globe. Great!

The liner notes include a very informative essay about Sinatra and his work on this CD with both Billy May and Nelson Riddle. You get the song credits and recording dates; and the artwork is awesome, too!

Overall, Sinatra fans will consider this to be a "must-have" for their collections; and anyone who enjoys classic pop vocals will love this CD, too. This album would also make an excellent introduction to Frank Sinatra for anyone who wants to become acquainted with his singularly beautiful artistry.

Enjoy! Thank you, Frank!!!

Frank Flys Sky High.......2007-05-31

With his 1957 Come Fly With Me recording, Sinatra continued his theme based album concept - all the songs on this dat