American Soul

American Soul

Track Listings

1. I Can't Stop Loving You
2. Over the Rainbow
3. You Don't Know Me
4. Georgia on My Mind
5. What'd I Say
6. Crying Time
7. Busted
8. Here We Go Again
9. That Lucky Old Sun (Just Rolls Around Heaven All Day)
10. Unchain My Heart
11. Your Cheatin' Heart

American Soul,Ray Charles,Brentwood,Blues,Country-Soul,Jazz Blues,Piano Blues,Pop,Pop-Soul,R&B,Soul,United States of America,Urban Blues


Elliott Yamin
Average customer rating: 4.5 out of 5 stars
  • Where's the Jazz...?
  • Impressive debut!
  • Elliott's AMAZING
  • Lovely lovely lovely
  • An exceptional debut that grows on you
Elliott Yamin
Elliott Yamin
Manufacturer: Hickory Records
ProductGroup: Music
Binding: Audio CD

Contemporary R&BContemporary R&B | R&B | Styles | Music
GeneralGeneral | R&B | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
GeneralGeneral | Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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  1. Daughtry
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  5. Taylor Hicks

ASIN: B000N60HD6
Release Date: 2007-03-20

Tracks:

  1. Movin On
  2. Wait For You
  3. Find a Way
  4. One Word
  5. You Are the One
  6. I'm the Man
  7. Trainwreck
  8. Free
  9. Alright
  10. Take My Breath Away
  11. A Song For You

Amazon.com

Elliott Yamin's debut is so agreeable and well-executed it may well convert hardened R&B experts--the kind who'd normally distance themselves from a disc with a TV pedigree. With sincerity and a voice that vaults itself to places no talent-show contestant should be able to go, Yamin bares his soul here in a way that would do his hero, Donny Hathaway, proud. Tracks like "Take My Breath Away" and "You Are the One" find him twisting a wrench around love-stained lyrics; "I'm the Man" and "Find A Way" flow with hat-in-hand grace (and, in the case of the latter, a scat worthy of a vintage jazz stage); and opener "Movin' On" immortalizes the season five judges'-table words of Paula Abdul: Ellliott Yamin is "one funky white boy." As he proves with this five-star album, he is also among the most gifted artists ever to a turn a stint on the show into a recording career. --Tammy La Gorce

Customer Reviews:

3 out of 5 stars Where's the Jazz...?.......2007-07-30

This is more about my musical preference than Elliott's album. That said, I'm pleased to see that he's being recorded. This is more about the type of music, rather than the quality. I love his voice. Selfishly, I'd like to hear more of him on the "Smooth Jazz" network. So.....I listened to the entire sampler first, and while I consider Elliott to be one of the best vocalists to pass through the Star Search mill, I truly believe that his handlers have yet to fit him into his zone. How can anyone listen to "Moody's Song" from the Season 5 show and album, and not see that Elliott should be showcasing his voice with quality jazz standards. Geeze, I'd love to hear Elliott do an album of Antonio Carlos Jobim. Sorry R&B'ers, but like a few other gifted singers that have passed through the Star Search machine, the material that made their voices soar on the show, the songs that said, "He/She sings this song better than I've heard it sung before...", well, that material doesn't seem to make it to their first commercial offerings? I'm not in the industry, yet I feel that as soon as someone puts Elliott into the same music circle of talent like Al Jarreau, Michael Franks and Bonnie Raitt...(yes, a mixed bag, but so talented), he'll shine as bright as any of today's contemporary smooth or traditional jazz greats. Give this boy the right material.

4 out of 5 stars Impressive debut!.......2007-07-30

I admit it, I watch the show. I've watched it from about mid-way season 1. This is the first time I've felt compelled to write a review. Elliott's voice and genuine feeling captured me, no question. I don't care about his mother (sorry), I don't care about his diabetes, or his deafness (again, sorry--I know other people care about this kind of stuff, but I don't). He has a voice that fills me up!! I don't know a more eloquent way to say it, and for that, I apologize. But, his voice makes me joyous!

Some of the songs on this CD felt a little lacking at first, but just let Elliott overwhelm you with his feeling--and believe me he will. He takes these songs--some of them average, some impressive--he takes them to a different level. He's shown it here, give him better songs, and he will hit them outta the field! Honestly, I can't wait to see what he does next.

5 out of 5 stars Elliott's AMAZING.......2007-07-25

I love it. I have never bought an American Idol record before... I've heard the songs they HAD to put out and hated them. I thought Elliott was so good on American Idol that I thought, like many others, that he should have remained on the show (like Daughtry also should have) but, nonetheless, he was dropped. Much to my shock, while walking through a department store I recently heard a song I loved.. it was "Wait for You" by Elliott. I was floored. He sounds SOOOO wonderful. Now I'm one of his biggest fans. Trust me, his voice just doesn't disappoint. And he's so down-to-earth in interviews and when he sings on shows (like Good Morning America, etc) that you can't do anything but just adore him. It's a great album and I look forward to his future released with great anticipation.

5 out of 5 stars Lovely lovely lovely.......2007-07-21

After I saw him in American Idol, I have been waiting for his CD, and now that it's here, I can't stop listening to it. His voice is very nice and he CAN sing. A good choice if you want nice music.

4 out of 5 stars An exceptional debut that grows on you.......2007-07-20

Elliott Yamin in my opinion probably has the best voice of any of the contestants from AI season 5, even though I liked Chris Daughtry a little better overall, I was pulling big time for them both to be in the finale. Alas neither of them made it, so I was excited to know that Elliott had gotten a record deal, because I was fearful he might not get one since he's not as commercially friendly as some of that season's alums, and it would have been a shame to let his amazing voice go unsigned. All that said however, if I would have reviewed this album three months ago when I first listened to it, I definitely wouldn't have given it a 4/5 stars, it probably would have been more around a 2 to 2.5.

Indeed when I first bought the album and upon the initial listens, I couldn't help but be disappointed that such a great talent had put out a CD that in my opinion was very forgettable, granted I did like a few songs at first, such as the first single "Wait For You" and "Movin On". Thankfully I refused to give up on the album, and after making myself listen to the tracks multiple times I soon realized my initial impressions of the album were pretty off. No this is not a 5 star album or a classic in my opinion (but then again how many debut albums are?), but I now regard it as a very solid r&b/pop album. The tracks on this album really do grow on you, so I just want to stress to fans of Yamin that if they're not crazy about the album at first give it a chance before making your final judgments.

The album is definitely very R&Bish / soulful (who says white men can't have soul right?), but there are also pop influences present on the album. Almost every song is well written, especially such ones as "Find a Way", a modern R&B track about the unfairness of the world, and how love has to find a way in order to cope with it all. "Free" is another lyrical highlight about how we have the freedom to be able to make our dreams realities if we put our mind to it, although it's not one of my favorite songs melody-wise.

Some of my favorite melodies on the album are the mid tempo first single "Wait For You" which mixes R&B and pop, and the soft and soothing "You Are The One", a straight up love ballad. "Train Wreck" is a pure R&B song, and a favorite of mine, where Yamin's voice is in top form as he sings about a relationship thats heading for a "train wreck", and I love the hook of the song. On the other end, I love the upbeat rhythms of "Movin On", which boasts a hand clapping beat that accompanies lyrics about getting tired of waiting for his significant other to decide what she wants, and "movin on" with his life. "Alright" is another upbeat track, that wouldn't feel out of place in a club, the song definitely has a hip/hop vibe to it and to me sounds similar to something Usher would record. It's a great change of pace and another favorite of mine.

Thats another good thing about the album, there really is a variety of appeal on here, "Wait For You" and "You Are the One" for example would be perfect for ac radio or even pop, whereas I could see songs like "Movin On" and "Alright" fitting in on current R&B/Hip Hop stations, the album really has a range of appeal from old to young, Adult Contemporary to R&B. Even commercially the album has potential, "Wait For You" has so far become a top 20 hit on the Billbaord Hot 100, and I don't think its the only song on here capable of making it into that tier of the charts.

But perhaps the best thing about this album, is Yamin's voice itself. Even when I wasn't too into the songs yet, I still loved listening to Yamin's strong soulful voice, which shines on pretty much every track here, and fans of Yamin should enjoy the "A Song For You" cover, which is definitely a showcase for Yamins vocals. Even the tracks I don't really care for such as "I'm the Man" and "Take My Breath Away" are made much better by the voice thats singing them.

So overall I'm pleased with Elliott's debut, it took some time, but the album is one that I'll be listening to for awhile. If Yamin can improve upon his debut and grow more as an artist, he should have a long, bright career ahead. 4/5 stars

My Top 5:
1. Wait For You
2. Alright
3. Train Wreck
4. Find A Way
5. Movin On
Taylor Hicks
Average customer rating: 4.5 out of 5 stars
  • Taylor Hicks is the REAL deal!
  • This Is Not Soul Music
  • IT'S A SOUL THING
  • Channeling Van the Man
  • Taylor Hicks CD
Taylor Hicks
Taylor Hicks
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

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ASIN: B000IY04S6
Release Date: 2006-12-12

Tracks:

  1. The Runaround
  2. Dream Myself Awake
  3. Heaven Knows
  4. Gonna Move
  5. Wherever I Lay My Hat
  6. Give Me Tonight
  7. Just To Feel That Way
  8. The Maze
  9. Places I've Been
  10. Soul Thing
  11. The Deal
  12. The Right Place

Amazon.com

The least you can say about Taylor Hicks is that he's not like prior American Idol champs: he already had almost a decade of gigging in bars when he won the fifth season in 2006, complete with songwriting experience, an ability to play harmonica and guitar, and a pair of self-released albums. On his major-label debut, the Silver Fox settles in a plush, comfortable sound framed by vintage-sounding soul and R&B, as well as classic rock--it's comfort food for the ears. The one thing that's not here is Hicks's first single, "Do I Make You Proud." Other than that, the songs are a well-balanced mix of oldies (Marvin Gaye's "Wherever I Lay My Hat"), newbies that sound like oldies (Rob Thomas's "Dream Myself Awake," Bryan Adams's "The Right Place"), the obligatory Diane Warren ballad ("Places I've Been"), and some party-fun anthems ("The Runaround," "Heaven Knows"). This last track actually is one of two paying tribute to Hicks's patron saint, Ray Charles--it references the piano riff from "What'd I Say," while "The Right Place" was originally written for Charles. Clearly, there are worse people to look up to. --Elisabeth Vincentelli

Album Description

Taylor Hicks's much-anticipated major-label debut is being released on December 5, 2006.

More Idol Releases

Katharine McPhee

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Fantasia

Customer Reviews:

5 out of 5 stars Taylor Hicks is the REAL deal!.......2007-07-30

Taylor Hicks is the real deal. There are no compromises on this CD. Every track is straight-forward. "Wherever I Lay My Hat", "Places I've Been", "The Right Place" and "Soul Thing" are my favorites. I find myself humming Taylor's tunes throughout the day. This CD not only has soul it rolls!

1 out of 5 stars This Is Not Soul Music.......2007-07-16

After listening to every song on this CD, I can understand why Taylor Hicks has not found success in the music industry. The songs all sound very outdated, and should be labeled as 70's pop, not soul, as others are claiming in their reviews. If you thought this CD would have the type of music that Taylor performed on AI or on his previous two CD's, then expect to be disapointed. If you didn't think that, then still expect to be disapointed because this CD just isn't good at all.

5 out of 5 stars IT'S A SOUL THING.......2007-07-16

I love this albums different dementions but all have that Soul Thing running thru them. His original song "Soul Thing" should have been the title to this CD. Love the man and his music.

5 out of 5 stars Channeling Van the Man.......2007-07-12

Taylor has his own style and originality. I was intrigued by him the minute I saw his first audition on AI. He's a star! I hope his career endures as I feel he has true passion and soul for his music. This album does NOT disappoint. I know I am drawn to him because I have become such a big Van Morrison fan and his music reminds me of Van's and I love the harmonica...go figure!

4 out of 5 stars Taylor Hicks CD.......2007-07-11

Pretty Good CD. Taylor Hicks is a good singer -- definitely a different style, but I still like his music and his personality.
Destination Moon
Average customer rating: 5 out of 5 stars
  • Fantastic CD
  • Love her voice
  • Deborah Shines
  • Jazz & Blues with Deborah !
  • This is one of the top CD of this Year!!!
Destination Moon
Deborah Cox
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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HouseHouse | Dance & DJ | Styles | Music
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ASIN: B000ND91U4
Release Date: 2007-06-19

Tracks:

  1. Destination Moon
  2. What A Difference A Day Made
  3. Misery
  4. Baby, You've Got What It Takes
  5. This Bitter Earth
  6. Squeeze Me
  7. New Blowtop Blues
  8. Blue Skies
  9. I Don't Hurt Anymore
  10. Smoke Gets In Your Eyes
  11. September In the Rain
  12. Look To the Rainbow

Amazon.com

Those who don't know any better are apt to dismiss Deborah Cox as another R&B/dance diva determined to cling to the spotlight by whatever means necessary, including a giant genre-leap. Those who've been listening carefully, though, will check their doubts at Destination Moon's door. On this, her fourth disc, Cox sidles up to jazz--the jazz of her role model Dinah Washington--with subtlety and surefooted grace; along the way, she makes something of a masterpiece. From classics such as the title track to lesser-known but deeply felt compositions such as "I Don't Hurt Anymore," she avoids the temptation to rub a modern sheen over these songs and settles contentedly into the mood Washington carved for them instead. "This Bitter Earth" gets the "mm-hmm" treatment Dinah delivered so well, and "Misery" and "New Blowtop Blues" don't dream of belying their blueswoman roots. Best of all are the more delicate tracks: "Look to the Rainbow" captivates with a contemplative sadness, and "Blue Skies" is a natural wonder as beautiful as a dose of pure azure on a cloudless day. --Tammy La Gorce

Album Description

Platinum-selling recording artist Deborah Cox reinterprets the classic songs of Dinah Washington on her Decca debut, Destination Moon. Destination Moon thrusts the R&B/dance diva into whole new territory, showcasing her range and scope as an artist capable of tackling jazz, blues and "big-band" with ease and confidence. Deborah Cox's first exposure to Washington came very early, when she was a little girl. "I first became aware of Dinah when I was growing up, when I was about 8 or 9 years old" she says. "A lot of jazz was played about the house. I heard my mother playing a 45 of "This Bitter Earth" -- this first song I had ever heard from Dinah. It was the richness and the tonality of her voice that I gravitated to." For the arrangements and the production, Deborah turned to the highly-versatile New York-based music man Rob Mounsey, whose credits with such diverse performers include Paul Simon, Steely Dan, Aretha Franklin and Tony Bennett to name a few. The record was made live in the studio, with 40 musicians in the same room with her, playing and singing in real time under Mounsey's direction. "I'm doing this to broaden people's awareness of what I can do and also for the sheer love of her music." As a result, Deborah's homage to Dinah Washington does not lean overwhelmingly toward one particular style. It was designed from the beginning to be a compendium of several of Dinah's idioms - the big-band swing of "All Of Me" and "Destination Moon," swaggering R&B ("I Don't Hurt Anymore)," the blues that earned her the misleading nickname "Queen of the Blues" ("Misery," "New Blowtop Blues"), the lush ballads that put her on the jukeboxes of Middle America ("What A Diff'rence A Day Made," "This Bitter Earth").

Customer Reviews:

5 out of 5 stars Fantastic CD.......2007-07-21

I was so totally impressed with her voice and her style. Jazz is definitely Deborah Cox' forte'!! I bought two and gave one to a friend who feels exactly the same way. Hope to hear more from her along the "Jazz" lines....
S. Washington
Greenbelt, MD

5 out of 5 stars Love her voice.......2007-07-18

I guess I'm a big sucker for souful, strong, powerful voice. Me loving this album proves it again. It's all jazz standards, nothing new. In the past year, getting new albums from Diana Ross, Natalie Cole, Diana Krall, it's like one disappointment after another. So when I heard this new album, I was more than happily surprised how good it is. If you're a fan of jazz standards, I bet you'll like this one.

5 out of 5 stars Deborah Shines.......2007-07-05

From her self-titled debut, to One Wish, to The Morning After to Destination Moon, Deborah's albums are like mini-greatest hits compilations, and Deborah scores again with her interpretations of Dinah Washington's songs on Destination Moon. Deborah has the best voice in contemporary music today, and this album continuously showcases her incredible range and talent. Personal favorites will include the title track, "Misery", and "This Bitter Earth". The album's best songs are "What a Difference a Day Makes" and the closing "Look to the Rainbow". Flawless from start to finish, Deborah again creates a masterpiece.

4 out of 5 stars Jazz & Blues with Deborah !.......2007-06-25

Deborah takes the less is more approach with her first collection of standards. With a restraint that gives the arrangements plenty of room to breathe, she croons beautifully, showing us different facets of her vocal personality.
While her hits have generally called on her to be very angry or very sad, these classic songs allow her to be at turns gentle, sassy, reflective, happy and wry. The productions and arrangements are reminiscent of the golden era of era of Billie, Sarah, Dinah and others, but contain enough surprises to keep them from sounding old-fashioned.
Deborah - who shifted from pop siren to Broadway star with Aida, further expands her range to include jazz, blues and big band. Cox and her backing musicians were recorded live in the studio, playing and singing in real time. The effect pays off as Cox accurately renders each song with her own textures.
No one expects Cox to abandon the dance-floor (she just released a new dance track with Tony Moran), but her latest offering "Destination Moon" allows her to explore another musical landscape with glowing results.
Deborah takes the jazz route on "Destination Moon", a tribute to one of her all-time heroines, Dinah (The Queen) Washington. Whether you view it as a tribute album, a jazz debut or just a collection of good music, this album succeeds on all levels. From the swinging big-band to piano-voice ballads, Cox captures the essence of Washington, yet adds her own touches. Washington's milestone recordings are here. Cox gives "What a Difference a Day Makes" a mid-tempo turn with strings, getting the Queen's innocent voicing, but injecting more feeling into the lyrics.
"Baby, You've Got What It Takes" comes at us as a fast shuffle. Cox fills "This Bitter Earth" with Washington tics - the up-speak at the end of phrases, the self-satisfied "mmh-hmmm" after a line. Washington first made her name as a blues singer, and Cox lays the blues on in "Misery" and "New Blowtop Blues", that classic mean-woman lament where she sings of her run-in with a jealous ".45-packin' mama."
On "Destination Moon", focusing on Washington, the jazz singer, dishing out several of the standards most closely associated with her career, Deborah also wraps her powerful pipes around gems like "I Don't Hurt Anymore", "September in the Rain" and "Smoke Gets in Your Eyes".
Producer/arranger Rob Mounsey pulled out all the stops for these sessions, surrounding Cox with a 40-piece orchestra that laid down a gorgeous foundation for her to build on. And she did just that.
In an interview conducted to promote her new album, , Cox said she recorded this record for two reasons -- to pay tribute to an artist who had so inspired her and to show that she, like Washington, was capable of doing a lot more musically than some people might have expected.
She succeeded on both counts. It's very nice work.
Think long, rainy afternoons, dinners for two and early mornings on the patio.

5 out of 5 stars This is one of the top CD of this Year!!!.......2007-06-20

This CD is Amazing!!! Deborah Cox vocals are outstanding! I was very surprised to hear that she had a new CD release. They should be promoting this album like crazy. At first i heard that this was a throwback album so i wasn't sure how to take this but i went and purchased it anyway and i'm amazed at her depth of talent. Her Phrasing is just perfect and the live instrument just add to the excitement of the music. I would have to say that this is the top album released this year as a tribute.
Also check out Amel Larrieux new CD its the same kind of music. I love it!
Enjoy and reccomend!
7even Year Itch: Collective Soul Greatest Hits 1994-2001
Average customer rating: 4.5 out of 5 stars
  • Metamorpho-Let Your Light Shine Down....
  • Awesome Hits
  • Good classic stuff!
  • Greatest Hits
  • Melodious rock
7even Year Itch: Collective Soul Greatest Hits 1994-2001
Collective Soul
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005O6E7
Release Date: 2001-09-18

Tracks:

  1. Heavy
  2. She Said
  3. Shine
  4. Energy
  5. Run
  6. Gel
  7. Precious Declaration
  8. Why Pt. 2
  9. The World I Know
  10. Next Homecoming
  11. Listen
  12. December
  13. Forgiveness

Customer Reviews:

4 out of 5 stars Metamorpho-Let Your Light Shine Down...........2007-07-24

After the Cleopatra episode (which has happily embedded itself into my conciousness) I had another dream whereby the all elusive premier ultimate force of the Universe spoke to me. "You realize that you are a part of the eternal conciousness and collective soul of all". Said with total aplomb, I might add. "Yes. But what does it all mean?", I asked with equal aplombably. "Oh nevermind", was the exasperated reply. "Here's a c.d. , pop it into your dune buggy tomorrow"! Now folks, you have to remember that I envison the Ultimate Force as wearing a Seer's hat. And why not? Certainly the Universe has to be user-friendly, and something I can relate to. Then again, they say that universal remotes are user-friendly as well. I think it's time to beckon Cleopatra to reappear.
That said, we have hear the Best of Collective Soul 1994-2001. I took it and indeed played it in my dune buggy, happily motoring past mimes, Tweedle-Dee and Tweedle-Dum, and starfishes of reknown. A sunny day. The winds flowing through my grey (but substantial) Seer's hair. The music was certainly a rush. And I cannot offer a better remedy to listen to while stuck in rush hour. The traffic is not a rush- but this music is.
Be advised, this music is not for the faint of heart-but it is very well done accomplished rock.
It is hard for me to zero in on any one song here. Probably because the tunes, for the most part, offer up enigmas that cannot often be easily answered. And yet, there are songs that prod one to think about reality in more meaningful terms. "Why can't you listen? Why can't you hear"? from "Listen". "I was blind, but now I see", from "Precious Declaration".
In many ways- the lyrics try for a breakthrough of the mind. Excellently written in concise and short verse, it is also home to many an alluring hook. This is not metal. This is not soft-rock and easy listening. This is rock at some of it's finest and most listenable. So very well done.
I think that if you start this and listen all the way through , you will find fine arrangements, nice accompaniment, and substantial rock grooves to make you move. The ballads are grand and the rockers can be hard and insistent. In all, not a bad job at all.
I would say, though, that this band is not classic-thus the four stars. But, if you like good rock music-it certainly deserves 4 and 1/2 stars.
So good. And let's not forget the l.p. scratchiness of "She Said". Funny that c.d.s, with their ability to give pristine clarity should want to imitate the l.p. But, that is a touch that gives this album just another reason to like it.
Now it is time to put the pedal to the metal and see what this dune buggy can do. Whoa! Is that the beach police gaining on me? Time to contact that ultimate souce! Now-where did I put that cell number?

Calling collect---your desperate Metamorpho

5 out of 5 stars Awesome Hits.......2007-07-16

I am a die-hard Collective Soul fan. I have followed them since their first album and "Shine." This is an excellent greatest hits CD and a great start for someone just discovering them or someone wanting a sample of their music. "Energy" is a great song, too, that can't be found on the other albums.
There are only about 2 or 3 Collective Soul songs that I don't care for much, so the other CDs are still great even in addition to this one.

4 out of 5 stars Good classic stuff!.......2007-02-06

This music was some of the best when I was in High School. Great stuff!

4 out of 5 stars Greatest Hits.......2007-01-11

I am very happy with my purchase of this CD. I am a big collector of Greatest Hits and adding this one to my collection is just a bonus especially if you enjoy the 90's alternative rock genre.I highly recommend it.

5 out of 5 stars Melodious rock.......2007-01-09

This music is evokes a deep sense of reflection for me. Besides, the product is beautifully melodiuos.
Forrest Gump: The Soundtrack - 32 American Classics On 2 CDs
Average customer rating: 4.5 out of 5 stars
  • Need a quick trip to somewhere else?
  • Soundtrack for 50+ folks like me
  • Funny reissue of a "Classic" soundtrack... Why?
  • Dodgy reviews
  • THE BEST OF THE BEST
Forrest Gump: The Soundtrack - 32 American Classics On 2 CDs
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002AQQ
Release Date: 1994-06-28

Tracks:

  1. Hound Dog - Elvis Presley
  2. Rebel Rouser - Duane Eddy
  3. (I Don't Know Why) But I Do - Clarence 'Frogman' Henry
  4. Walk Right In - The Rooftop Singers
  5. Land Of 1000 Dances - Wilson Pickett
  6. Blowin' In The Wind - Joan Baez
  7. Fortunate Son - Creedence Clearwater Revival
  8. I Can't Help Myself (Sugar Pie Honey Bunch) - The Four Tops
  9. Respect - Aretha Franklin
  10. Rainy Day Women #12 & 35 - Bob Dylan
  11. Sloop John B - The Beach Boys
  12. California Dreamin' - The Mamas And The Papas
  13. For What It's Worth - Buffalo Springfield
  14. What The World Needs Now Is Love - Jackie DeShannon
  15. Break On Through (To The Other Side) - The Doors
  16. Mrs. Robinson - Simon & Garfunkel

Tracks:

  1. Volunteers - Jefferson Airplane
  2. Let's Get Together - The Youngbloods
  3. San Francisco (Be Sure To Wear Some Flowers In Your Hair) - Scott McKenzie
  4. Turn! Turn! Turn! (To Everything There Is A Season) - The Byrds
  5. Medley: Aquarius/Let The Sunshine In - The Fifth Dimension
  6. Everybody's Talkin' - Harry Nilsson
  7. Joy To The World - Three Dog Night
  8. Stoned Love - The Supremes
  9. Raindrops Keep Falling On My Head - B.J. Thomas
  10. Mr. President (Have Pity On The Working Man) - Randy Newman
  11. Sweet Home Alabama - Lynrd Skynrd
  12. It Keeps You Runnin' - The Doobie Brothers
  13. I've Got To Use My Imagination - Gladys Knight & The Pips
  14. On The Road Again - Willie Nelson
  15. Against The Wind - Bob Seger & The Silver Bullet Band
  16. Forrest Gump Suite - Alan Silvestri

Amazon.com

Forrest Gump (1994) is one of the most successful films ever made, winning Tom Hanks his second successive Best Actor Oscar (he won the previous year for Philadelphia) as well as claiming the Best Picture Oscar and many other awards and nominations, including several for music. A unique fable of American life from the 1950s to the 80s, the film blends comedy, drama, war, romance and groundbreaking special effects into a social and political portrait of the passing years, all seen through the eyes of the intellectually challenged but immensely likeable Forrest Gump. The soundtrack is a double album featuring 31 classic pop tunes plus a suite from Alan Silvestri's rich orchestral music, represented more completely on the companion score album. Opening with Elvis Presley's "Hound Dog", this is a fine anthology of three decades of American music, taking in everything from Joan Baez's "Blowin' In The Wind" to Aretha Franklin's "Respect", The Mammas and The Papas' "California Dreamin'" and Simon & Garfunkel's "Mrs. Robinson". Here also is Scott McKenzie with "San Francisco", plus Jefferson Airplane, the Supremes, Lynyrd Skynrd and many more. Like American Graffiti (1973), this is one of the great pop soundtracks, happily at home in just about any music collection. --Gary S. Dalkin

Customer Reviews:

5 out of 5 stars Need a quick trip to somewhere else?.......2007-06-26

If you need a quick getaway this score will take you there. This is my favorite score from my favorite movie and I'm not sure which influenced the other most. Track 1 - "I'm Forrest . . . Forrest Gump" will immediately turn a day around for me, it is a strange song that calms the spirit and instills confidence at the same time; much like the rest of the score. Great for background music at work! The soundtrack is a great collection of classic hits but it doesn't take me where the score can. Just an incredible work of art!

5 out of 5 stars Soundtrack for 50+ folks like me.......2007-01-12

When you need to get your mojo back, this CD might help.

3 out of 5 stars Funny reissue of a "Classic" soundtrack... Why?.......2006-10-28

I loved Forrest Gump since the first time I saw it in a cinema, even when some people considered it as a "Soap Box-Opera" movie. And kept watching it over and over again, every time is on TV. So I got the soundtrack as soon as it was on the record stores, because the 32-Hit selection made it a "Classic" almost automatically. However, in 2001 the same soundtrack is reissued as "34 American Classics On 2 CDs". This is, those crazy guys in Sony/Columbia Production Dept. decided to add two extra songs, Fleetwood Mac's "Go Your Own Way" and Jackson Browne's "Running On Empty". However, they never considered to add The Doors' "Love Her Madly", even when the song was included in the original movie audio track, as well as other wonderful songs... Why???? I agree with "fendercustomstrat": this soundtrack should have been issued as a 3 or 4-CD boxed compilation... The extra bucks for having all those beautiful songs together, would be worth the price!!!

4 out of 5 stars Dodgy reviews.......2006-03-17

Hi all, I've just been reading through the reviews and saw one that made me laugh at the stupidity of some: this one was credited to a guy who calls himself Music Man - so to quote verbatim

"THIS MAY BE A GOOD SOUNDTRACK, BUT WHAT THE HELL..I'VE SEEN THIS FILM A HUNDRED TIMES, AND I NEVER FROGOT THAT SONG WHEN HE WAS RIDING IN THE HELECOPTOR ON THE WAY TO VIETNAM.I COULDNT REMEMBER THE NAME OF THE SONG AND FORGOT WHO THE ARTIST WAS.SO I SEARCHED ON THE CRAPPY INTERNET.... FOR OVER AN HOUR MY POOR TUSH HURTS, AND I FOUND NOTHING, AND IT'S A CLASSIC SONG!!!!! SO I THOUGHT TO MYSELF MY BROTHER MIGHT KNOW, SO I SAID TO HIM, REMEMBER FORREST GUMP WHEN HE WAS IN THE HELECOPTOR AND THE SONG WENT "THERE MUST BE SOME WAY OUTTA HERE" AND IMMEDIATELY HE SAID JIMI HENDRIX, ALL ALONG THE WATCHTOWER.... SHAME SHAME WHOEVER PUT TOGETHER THIS SOUNDTRACK NEEDS TO BE SMACKED UPSIDE THE HEAD.. WHO WOULD FORGET JIMI, AND THAT BEAUTIFUL CLASSIC SONG. NOW I KNOW, NO WONDER I COULDNT FIND IT. IT AINT EVEN ON HERE! AFTER ALL THOSE CLIPS I LISTENED TO. WASTE OF TIME, PLUS WHAT A DISAPPOINTMENT TO JIMI FANS" -

so Music Man, you've seen the film a hundred times and you've never forgotten the song, however, in the next sentence you counter that statement by saying that you have indeed forgotten it, or at least who the artist was! But alas, later in your tirade, you inquire as to "who would forget Jimi, and that beautiful classic song" - well you for one mate and to vent your spleen, what instrument did you use - the crappy internet.

Its not a disappointment for Jimi fans, because they probably have the track at least a dozen times over what with all the greatest hits and re-releases etc.

The owners of recording rights etc, whilst quite happy to have their music in films, do not allow the tracks to be used on the released soundtrack - this is mainly because of the way in which royalties are paid and the company/person feels that there is more to gain by not allowing the release of their work.

If someone really wants to find the music, they will.

5 out of 5 stars THE BEST OF THE BEST.......2006-03-11

I dont know why it didnt won the oscar for best score. This is one of the best music Ive ever heard. This shows the genius of this composer. Silvestri knows his art.
Avant Gershwin
Average customer rating: 4.5 out of 5 stars
  • Sorely Disappointed!
  • Could have been better.
  • Austin may have just found her niche!
  • Gershwin done right!
  • She is a swinger!
Avant Gershwin
Patti Austin
Manufacturer: Rendezvous
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
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ASIN: B000IOM0UQ
Release Date: 2007-03-06

Tracks:

  1. Medley: Overture/Gershwin Medley
  2. I'll Build A Stairway To Paradise
  3. Who Cares
  4. Funny Face
  5. Medley: Love Walked In/Love Is Sweeping The Country
  6. Swanee
  7. Porgy & Bess Medley
  8. Lady Be Good

Amazon.com

In this decade of twin musical obsessions--for fond revisits to classic American composers and for all things '80s--it's a wonder Patti Austin hasn't stolen the show with a Great American Songbook set sooner. Her '80s duets--"How Do You Keep the Music Playing" and "Baby Come to Me" among them--remain indelible, and she's already proved she's a worthy interpreter with 2002's justly praised For Ella. Plus, her voice on Avant Gershwin, rich and to the rafters, suggests she's been ready to give this material a spin for decades. From the first moments of "I Got Rhythm," part of the opening "Overture/Gershwin Medley," Austin swings through these songs with the ease and exuberance of a born showman; you can practically see her onstage in a slinky evening gown, arms outstretched, head back, eyes squeezed shut, surges of electric sound all around her. Her "Porgy & Bess Medley" benefits from a manufactured breeziness that suits "A Woman Is a Sometime Thing" and "Summertime" especially well, and her "Swanee" saunters closer to modern sensibilities by replacing the "mammy" of the original with a simple "momma." In addition to Austin's energy, the spirit of jazz gives these numbers juice. The WDR Big Band, which Austin has worked with previously, comes at a tune with a blend of boisterousness and sophistication, and Austin has a way of melting right in. She convincingly makes a case that she may have been born a bit late, but she was made to sing these songs. --Tammy La Gorce

Customer Reviews:

1 out of 5 stars Sorely Disappointed!.......2007-06-27

I think Patti Austin is one of the great talents of our time. However, this offering is terribly disappointing. For me, Gershwin is an icon, and I have heard Ms. Austin render Gershwin before (with Gregory Hines at the Hollywood Bowl). At that venue, she soared, and gave fresh meaning to the words and music of the Gershwins. At that time, I longed to have her do a complete album of Gershwin standards. Sometimes, what one wishes for can be a disaster. Such is the case with this album. The music is compromised by the overly "creative" jazz interpretations, and as a result, the lyrics are equally compromised. The Gershwins were genius. Why do some musicians believe they can "improve" upon that brilliance, simply because George and Ira are not here to challenge such sordid interpretations of their creations? Ms. Austin is lost in the shuffle, and her talent is rendered, for this listener, useless. Wouldn't it be nice if Austin has stayed with the script and done the Gershwins justice? This offering?...and injustice to Austin, George and Ira Gershwin, and to aficionados of the standards. Better luck next time, if there is one.

3 out of 5 stars Could have been better........2007-06-16

Given that it's Patti Austin it's not unfair to expect a lot. Unfortunately, she misses the mark here. As expected there is nothing technically wrong with the album, it's just that the arrangements are lackluster, and the song pairings don't really work.

Incredible voice though.

5 out of 5 stars Austin may have just found her niche!.......2007-06-10

A performer for over thirty years, Patti Austin has done it all: pop, R & B, a little gospel, standards, and even a highly sought after jingle singer. It wasn't until 2002's Grammy-worthy "For Ella" that it appeared that the singer was now getting recognition for her singular vocal style as she paid tribute on that album to one of jazz's greats, Ella Fitzgerald.

Now, five years later, Austin takes on the music of the Ira and George Gershwin, who along with Cole Porter and Irving Berlin, were possibly the greatest songwriters of all time, not just the twentieth century. Backed by a full band and recorded live last year in Germany, Austin lets it all out as she interprets songs that will stand the test of time long after the current chart-toppers have turned to dust.

Austin's vocal instrument is so flexible that she is able to be poignant yet sassy, seductive yet saintly, trashy yet classy, and provocative yet conservative.

She can do it all and really pours it on thick with the opening twelve-minute long "Gershwin Medley" and the equally impressive "Porgy and Bess Medley." Even the remaining songs are lustrous and provide a venue for one of the great songstresses of the last and this century.

Austin is just hitting her prime and, besides her singing, she has a new look, having shed some pounds and getting a makeover.

When one looks at the singer, glamorously decked out and coiffed on the back cover, one can only exclaim, "D**N! She looks just as good as she sounds."

5 out of 5 stars Gershwin done right!.......2007-06-09

I've been a fan of Patti Austin's magnificent voice since the time she was doing great songs in the pop/R&B vein like "Baby Come to Me." Since she released the fantastic "For Ella" - and now this one - I am in love all over again.

Using the Gershwin songbook as a springboard, Patti and the amazing WDR Big Band/Orchestra (under Michael Abene's brilliant direction) compliment each other all the way. I loved the unique approach taken by both vocalist and arranger, and the live audience recording was right on the mark!

Patti, the music was amazing - and so were the photos!

5 out of 5 stars She is a swinger!.......2007-06-03

I'm a great fan of Patti... I don't like very much swing and live but I had to buy her new album! I prefer the old albums, but I admit I've never heard Patti singing so good.
Youth
Average customer rating: 4.5 out of 5 stars
  • A Solid Band Finding Improvement By Learning From Their Mistakes!
  • best collective soul album yet
  • Great Collective Soul CD
  • Their best album yet
  • 3-1/2 stars -- Calm, cool and collected...sort of
Youth
Collective Soul
Manufacturer: El Music Group
ProductGroup: Music
Binding: Audio CD

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ASIN: B0003QJRK0
Release Date: 2004-11-16

Tracks:

  1. Better Now
  2. There's A Way
  3. Home
  4. How Do You Love?
  5. Him
  6. Feels Like (It Feels All Right)
  7. Perfect To Stay
  8. Counting The Days
  9. Under Heaven's Skies
  10. General Attitude
  11. Satellite

Customer Reviews:

5 out of 5 stars A Solid Band Finding Improvement By Learning From Their Mistakes!.......2007-06-21

Rewind to October 10, 2000, post-grunge band Collective Soul released their most pop-oriented album to date, their fifth album entitled "Blender." In an effort to maintain commercial success, Collective Soul attempted to target a younger audience by altering their sound as well as their look. Though the 11 songs on "Blender," along with the rest of the band's music catalog, is far superior than the competition, the album clearly fell short of the band's potential.

Their sixth studio album entitled "Youth," which was released on November 16, 2004, is considered by many as their "big comeback album." The record is similar to "Blender" in its production, however, the sound showcases a healthy balance between their old and new sounds. Highlights of the album include the catchy and impressive "Perfect To Stay," the flawless "How Do You Love," and "Under Heaven's Skies" as well as a song displaying the band's signature sound, "Counting The Days." Below, please find the rating for each song individually:

Better Now - 10/10

There's A Way - 9/10

Home - 8/10

How Do You Love? - 10/10

Him - 6/10

Feels Like (It Feels Alright) - 6/10

Perfect To Stay - 10/10

Counting The Days - 10/10

Under Heaven's Skies - 10/10

General Attitude - 9/10

Satellite - 10/10

5 out of 5 stars best collective soul album yet.......2006-12-01

I've been a fan of CS from the first album on, and this is their best, in my opinion. It has that unique sound to it that only this band can pull off. You know, that light and airy quality to their music, and yet it has a deeper thoughtful quality to both the music and the lyrics. I've always admired the fact that CS has not adapted their music at all to the bubble-gum mainstream garbage out on the air waves today. Their music today sounds the same as it did in the beginning. And that's not a sign of stagnancy. They have evolved and matured in the landscape of their own sound, not anyone else's sound. Basically, they haven't sold out and conformed to the top 40 crowd. Their new album, Youth, is a wonderful collection of sincere, unique melodies with lyrics that evoke a sense of love, community and definitely spirituality. My personal favorite tracks are There's A Way, Perfect To Stay, and General Attitude. No explicit or immoral messages on this album. Just peace, love and harmony in the form of good post-alt rock and roll. Above all, this album is fun. And shouldn't that be the reason we listen to music in the first place?

5 out of 5 stars Great Collective Soul CD.......2006-11-12

A must for CS lovers! Not a bad song on it!!!!! Ranges from touching ballads to great rock!!!

5 out of 5 stars Their best album yet.......2006-09-03

As a long-time Collective Soul fan, I can assure you this is their strongest full album yet with a number of top-rated songs. Great, great stuff. The only thing better is seing it done live. A must-have for fans of great music.

3 out of 5 stars 3-1/2 stars -- Calm, cool and collected...sort of.......2006-08-10

It's been a long time since people had heard from the quintet known as Collective Soul; in fact, I wasn't aware they'd made a comeback at all until I saw them perform on the Tonight Show a month or so ago. I don't remember what song they did (I think it was "Better Now", though), but they sounded pretty decent, so I decided to check out Youth to see if they still had it.

Well, yes and no. For one thing, it's surprising that Ed Roland and the boys left Atlantic Records and jumped to an indie label for this album. But for the most part, things do sound fine. The melodies are as good as they've always been, but the lyrics...well, not to start an argument, but I was initially wondering why they titled the album Youth, and after listening to it, I came to the conclusion that it could be because some of the songs sound like a youth wrote them ("Feels Right (It Feels All Right)" and "Under Heaven's Skies" come readily to mind).

There are a few other songs that are lyrically challenged, but thankfully there are more songs that sound better, like "Satellite", "General Attitude" and especially "How Do You Love" (actually, the lyrics in the latter don't look like much on paper either, but it's all in the way Ed sings them). In short, Youth feels more like a safe album than a truly great album. There isn't a "Shine" or "December" to be found on here, but it's still above-average. If you're a hardcore Collective Soul fan, you'll either love it or hate it, so pick it up and make your own judgment.

Anthony Rupert
Princess P
Average customer rating: 3.5 out of 5 stars
  • All Hail Princess P
  • Didn't meet expectations
  • I hope she makes a second better album
  • Run-of-the-mill pop throw away
  • Don't Waste your Money!!!
Princess P
Paris Bennett
Manufacturer: 306 Entertainment
ProductGroup: Music
Binding: Audio CD

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ASIN: B000O5B4Q0
Release Date: 2007-05-08

Tracks:

  1. All Hail the Princess Intro
  2. Ordinary Love
  3. Dreamin'
  4. Daddy
  5. Let Me Rap (featuring Kevin Covais aka Chicken Little)
  6. My Boyfriend's Back
  7. Can't Control Myself
  8. Duet (featuring J. Isaac)
  9. I'm So Hot (Interlude)
  10. I'm So Hot
  11. Get Bizzy
  12. Caught Up
  13. B-Bye
  14. Burnt Up
  15. I Will (featuring James Grear & Company)
  16. Best Friends (featuring Ann Nesby & Jamecia Bennett)

Amazon.com

Princess P, American Idol season five finalist Paris Bennett's debut, trots out 16 urban-flavored tracks that are sensationally sung and at times uplifting. But the disc's goofiest number is the one that'll grow on listeners quickest: "Let Me Rap," a seriously silly hip-hop joint that finds Bennett swapping rhymes with fellow season five alum Kevin Covais, a.k.a. Chicken Little, is innocent, affectionate, and not-bad sounding. At a minute and 37 seconds, it cements a friendship ("Kevin always got your back/Like your coat do," spits Covais) that sets the tone for the rest of this not quite grown-up but not easily dismissed album. While "Get Bizzy" gets playful, "Caught Up" and "Can't Control Myself" keep it light with hand claps and a freewheeling vibe. Two late tracks, "I Will" and "Best Friends," back up the good-girl graciousness TV audiences loved, effectively belying the notion that princesses have to be prima donnas. Here, Bennett takes her throne with a wink and a giggle. --Tammy La Gorce

Product Description

There is no single road to massive success as a solo artist. And certainly no easy one. Just ask 18 year old, 4 11 Paris Bennett. She survived one of the toughest challenges of all, singing in front of an estimated 38 million weekly national TV audience as she delivered time and time again on the fifth season of American Idol. The Rockford, Illinois born singer was an early audience favorite, who placed 5th out of an outstanding American Idol class that graduated Taylor Hicks, Katharine McPhee, Chris Daughtry and Kellie Pickler.

But American Idol was just the latest musical step for Bennett as she prepares for the release of her debut solo album, "Princess P" on 306 Entertainment through TVT Distribution. Paris whole life has been immersed in music from the age of four, when she began singing in her grandfather s church in Fayetteville, Georgia. Indeed she had the best of teachers her mother Jamecia Bennett is a vocal instructor and her grandmother Ann Nesby was the lead vocalist in the '90s r&b/gospel phenomenon that was Sounds Of Blackness. Paris set the bar high is how Entertainment Weekly assessed her Idol performances, which included challenging songs from truly gifted singers like Prince and Mary J. Blige, the first time either artist granted the show clearance rights to their material.

Now comes Ordinary Love , the first single off of Princess P, which showcases her desire not to be pigeonholed. It s r&b flavored with touches of electric guitar and topped off by Paris retro, gut-driven vocals. The video of Ordinary Love features Bad Boy Recording Artist Dustin from B-5. The album deftly showcases the multiple personalities that comprise Bennett the singer, as she prepares to take her place amongst American Idol superstar alumni.

Customer Reviews:

5 out of 5 stars All Hail Princess P.......2007-07-19

I was glad Paris came out with a CD but at first I was thinking, 'Just because she was good on American Idol doesn't mean her CD is going to be good'. But this CD is actually very nice. Now because I'm 16 I can relate to at least half of these songs like My Boyfriend's Back and Ordinary Love and all (which are my favorite songs) so I'm not sure what older women (or men) might think of this CD. But hey, it's not my money. If you want it, go getta. It's very nice in my opinion

3 out of 5 stars Didn't meet expectations.......2007-07-08

I don't think this is what anybody would expect from the Paris we knew and loved on AI. With the exception of the last 2 tracks (now that's more like it!), overall I think the music is just okay and/or mediocre. I can do without the "Princess P" as well.

2 out of 5 stars I hope she makes a second better album.......2007-06-04

When I saw that Paris had made an album I was so happy because she was one of my favorites of the season she was in. But, after listening to the tracks, I am disappointed. Only a few of these songs are even good, not one is great. All of the songs could have been great had she chosen better.

I was also happy that she had a song with Kevin in this, as he was another favorite of mine, but that song was not good. Maybe he could come out with an album too, only with good song choices.

2 out of 5 stars Run-of-the-mill pop throw away.......2007-05-24

Saw the album in a store today. almost bought it. So glad I didn't. Just listened to all the samples here and for the most part it's trash. Paris was my favorite singer in American Idol - a performer with enormous talent, star quality, and impressive vocals that left the hairs on my back standing. This CD is basic "corporate" cookie cutter R&B/pop garbage - sung today forgotten tomorrow. It does nothing to showcase her soul, spirituality, and emotions. Trite lyrics from someone who has much to share even at the tender age of 18. Paris' handlers need to do a better job of picking her songs. It would have been nice to hear some stuff along the lines of say crystal waters, ce ce peniston, mary j blige etc. What we have here is one of the worse CDs I have ever heard. but I still have faith in Paris, once they let Paris be Paris!

1 out of 5 stars Don't Waste your Money!!!.......2007-05-24

What a big disappointment. The intro started bad and the whole production was bad. I was a big fan when she was on American Idol and I was anxiously awaiting her first CD. I don't understand the intro, how can you declare yourself a "Princess" when you haven't even sold your first million CD's yet. I feel that her mother and grandmother should have directed her career better since they have experience in the record industry. The rap song with Chicken Little is a joke. He was a poster child for "Vote for the Worst" She should have stuck with the songs that made her a hit on Idol. This CD will be in cutout bins in 3 months and you will be able to buy it used on Amazon for $1.99 in 6 months. My advice to her Dump your record producers and go back to your roots. Also don't go to Glamor Shots for the album cover!!!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WeillAll Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ManciniAll Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
EnglishEnglish | Languages | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Similar Items:
  1. The Best of Broadway - The American Musical (PBS Series)
  2. Broadway: The American Musical
  3. Broadway: The American Musical
  4. Broadway - The American Musical (PBS Series)
  5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Christian Music:

  1. Are You Ready [CD-single] [Import]
  2. Are You Ready for Me
  3. Aretha Franklin - Greatest Hits [Original recording remastered] [Import]
  4. As Good As It Gets: Rhythm & Blues [Import]
  5. Beats & Rhymes: Hip-Hop Of The '90s - Part 3
  6. Beautiful Brother: The Essential Curtis Mayfield
  7. Beautiful Day/Nobody But You [Original recording remastered] [Import]
  8. Best of Percy Sledge [Import]
  9. Best of Wally-O-Productions
  10. Body Moves: Non-Stop Oldies Party Mix, Vol. 3

Christian Music

christian music

Christian Music

Presents Complete Pet Soul [Import]

Rich: The Hudson Oratorio

Phantom Blues

Hank by George: George Jones Sings Hank Williams

Nightgrooves: Berlin [Import]

Shaolin Master Music, Volume 2

Passions and Prayers

Seventh Heaven

Real 80's the Video Hits

Prokofiev: Piano Concerto No. 3; Piano Concerto No. 1

Sandinista

Remember [CD-single] [Import]

Papel de Plata

Live at Bonnaroo

Worlds Within