| 1. I Can't Stop Loving You |
| 2. Over the Rainbow |
| 3. You Don't Know Me |
| 4. Georgia on My Mind |
| 5. What'd I Say |
| 6. Crying Time |
| 7. Busted |
| 8. Here We Go Again |
| 9. That Lucky Old Sun (Just Rolls Around Heaven All Day) |
| 10. Unchain My Heart |
| 11. Your Cheatin' Heart |
American Soul,Ray Charles,Brentwood,Blues,Country-Soul,Jazz Blues,Piano Blues,Pop,Pop-Soul,R&B,Soul,United States of America,Urban Blues
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Elliott Yamin
Elliott Yamin Manufacturer: Hickory Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N60HD6 Release Date: 2007-03-20 |
Tracks:
- Movin On
- Wait For You
- Find a Way
- One Word
- You Are the One
- I'm the Man
- Trainwreck
- Free
- Alright
- Take My Breath Away
- A Song For You
Amazon.com
Elliott Yamin's debut is so agreeable and well-executed it may well convert hardened R&B experts--the kind who'd normally distance themselves from a disc with a TV pedigree. With sincerity and a voice that vaults itself to places no talent-show contestant should be able to go, Yamin bares his soul here in a way that would do his hero, Donny Hathaway, proud. Tracks like "Take My Breath Away" and "You Are the One" find him twisting a wrench around love-stained lyrics; "I'm the Man" and "Find A Way" flow with hat-in-hand grace (and, in the case of the latter, a scat worthy of a vintage jazz stage); and opener "Movin' On" immortalizes the season five judges'-table words of Paula Abdul: Ellliott Yamin is "one funky white boy." As he proves with this five-star album, he is also among the most gifted artists ever to a turn a stint on the show into a recording career. --Tammy La GorceCustomer Reviews:
Where's the Jazz...?.......2007-07-30
Impressive debut!.......2007-07-30
Some of the songs on this CD felt a little lacking at first, but just let Elliott overwhelm you with his feeling--and believe me he will. He takes these songs--some of them average, some impressive--he takes them to a different level. He's shown it here, give him better songs, and he will hit them outta the field! Honestly, I can't wait to see what he does next.
Elliott's AMAZING.......2007-07-25
Lovely lovely lovely.......2007-07-21
An exceptional debut that grows on you.......2007-07-20
Indeed when I first bought the album and upon the initial listens, I couldn't help but be disappointed that such a great talent had put out a CD that in my opinion was very forgettable, granted I did like a few songs at first, such as the first single "Wait For You" and "Movin On". Thankfully I refused to give up on the album, and after making myself listen to the tracks multiple times I soon realized my initial impressions of the album were pretty off. No this is not a 5 star album or a classic in my opinion (but then again how many debut albums are?), but I now regard it as a very solid r&b/pop album. The tracks on this album really do grow on you, so I just want to stress to fans of Yamin that if they're not crazy about the album at first give it a chance before making your final judgments.
The album is definitely very R&Bish / soulful (who says white men can't have soul right?), but there are also pop influences present on the album. Almost every song is well written, especially such ones as "Find a Way", a modern R&B track about the unfairness of the world, and how love has to find a way in order to cope with it all. "Free" is another lyrical highlight about how we have the freedom to be able to make our dreams realities if we put our mind to it, although it's not one of my favorite songs melody-wise.
Some of my favorite melodies on the album are the mid tempo first single "Wait For You" which mixes R&B and pop, and the soft and soothing "You Are The One", a straight up love ballad. "Train Wreck" is a pure R&B song, and a favorite of mine, where Yamin's voice is in top form as he sings about a relationship thats heading for a "train wreck", and I love the hook of the song. On the other end, I love the upbeat rhythms of "Movin On", which boasts a hand clapping beat that accompanies lyrics about getting tired of waiting for his significant other to decide what she wants, and "movin on" with his life. "Alright" is another upbeat track, that wouldn't feel out of place in a club, the song definitely has a hip/hop vibe to it and to me sounds similar to something Usher would record. It's a great change of pace and another favorite of mine.
Thats another good thing about the album, there really is a variety of appeal on here, "Wait For You" and "You Are the One" for example would be perfect for ac radio or even pop, whereas I could see songs like "Movin On" and "Alright" fitting in on current R&B/Hip Hop stations, the album really has a range of appeal from old to young, Adult Contemporary to R&B. Even commercially the album has potential, "Wait For You" has so far become a top 20 hit on the Billbaord Hot 100, and I don't think its the only song on here capable of making it into that tier of the charts.
But perhaps the best thing about this album, is Yamin's voice itself. Even when I wasn't too into the songs yet, I still loved listening to Yamin's strong soulful voice, which shines on pretty much every track here, and fans of Yamin should enjoy the "A Song For You" cover, which is definitely a showcase for Yamins vocals. Even the tracks I don't really care for such as "I'm the Man" and "Take My Breath Away" are made much better by the voice thats singing them.
So overall I'm pleased with Elliott's debut, it took some time, but the album is one that I'll be listening to for awhile. If Yamin can improve upon his debut and grow more as an artist, he should have a long, bright career ahead. 4/5 stars
My Top 5:
1. Wait For You
2. Alright
3. Train Wreck
4. Find A Way
5. Movin On
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Taylor Hicks
Taylor Hicks Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IY04S6 Release Date: 2006-12-12 |
Tracks:
- The Runaround
- Dream Myself Awake
- Heaven Knows
- Gonna Move
- Wherever I Lay My Hat
- Give Me Tonight
- Just To Feel That Way
- The Maze
- Places I've Been
- Soul Thing
- The Deal
- The Right Place
Amazon.com
The least you can say about Taylor Hicks is that he's not like prior American Idol champs: he already had almost a decade of gigging in bars when he won the fifth season in 2006, complete with songwriting experience, an ability to play harmonica and guitar, and a pair of self-released albums. On his major-label debut, the Silver Fox settles in a plush, comfortable sound framed by vintage-sounding soul and R&B, as well as classic rock--it's comfort food for the ears. The one thing that's not here is Hicks's first single, "Do I Make You Proud." Other than that, the songs are a well-balanced mix of oldies (Marvin Gaye's "Wherever I Lay My Hat"), newbies that sound like oldies (Rob Thomas's "Dream Myself Awake," Bryan Adams's "The Right Place"), the obligatory Diane Warren ballad ("Places I've Been"), and some party-fun anthems ("The Runaround," "Heaven Knows"). This last track actually is one of two paying tribute to Hicks's patron saint, Ray Charles--it references the piano riff from "What'd I Say," while "The Right Place" was originally written for Charles. Clearly, there are worse people to look up to. --Elisabeth VincentelliAlbum Description
Taylor Hicks's much-anticipated major-label debut is being released on December 5, 2006.
More Idol Releases
Katharine McPhee |
Daughtry |
Fantasia |
Customer Reviews:
Taylor Hicks is the REAL deal!.......2007-07-30
This Is Not Soul Music.......2007-07-16
IT'S A SOUL THING.......2007-07-16
Channeling Van the Man.......2007-07-12
Taylor Hicks CD.......2007-07-11
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Destination Moon
Deborah Cox Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ND91U4 Release Date: 2007-06-19 |
Tracks:
- Destination Moon
- What A Difference A Day Made
- Misery
- Baby, You've Got What It Takes
- This Bitter Earth
- Squeeze Me
- New Blowtop Blues
- Blue Skies
- I Don't Hurt Anymore
- Smoke Gets In Your Eyes
- September In the Rain
- Look To the Rainbow
Amazon.com
Those who don't know any better are apt to dismiss Deborah Cox as another R&B/dance diva determined to cling to the spotlight by whatever means necessary, including a giant genre-leap. Those who've been listening carefully, though, will check their doubts at Destination Moon's door. On this, her fourth disc, Cox sidles up to jazz--the jazz of her role model Dinah Washington--with subtlety and surefooted grace; along the way, she makes something of a masterpiece. From classics such as the title track to lesser-known but deeply felt compositions such as "I Don't Hurt Anymore," she avoids the temptation to rub a modern sheen over these songs and settles contentedly into the mood Washington carved for them instead. "This Bitter Earth" gets the "mm-hmm" treatment Dinah delivered so well, and "Misery" and "New Blowtop Blues" don't dream of belying their blueswoman roots. Best of all are the more delicate tracks: "Look to the Rainbow" captivates with a contemplative sadness, and "Blue Skies" is a natural wonder as beautiful as a dose of pure azure on a cloudless day. --Tammy La GorceAlbum Description
Platinum-selling recording artist Deborah Cox reinterprets the classic songs of Dinah Washington on her Decca debut, Destination Moon. Destination Moon thrusts the R&B/dance diva into whole new territory, showcasing her range and scope as an artist capable of tackling jazz, blues and "big-band" with ease and confidence. Deborah Cox's first exposure to Washington came very early, when she was a little girl. "I first became aware of Dinah when I was growing up, when I was about 8 or 9 years old" she says. "A lot of jazz was played about the house. I heard my mother playing a 45 of "This Bitter Earth" -- this first song I had ever heard from Dinah. It was the richness and the tonality of her voice that I gravitated to." For the arrangements and the production, Deborah turned to the highly-versatile New York-based music man Rob Mounsey, whose credits with such diverse performers include Paul Simon, Steely Dan, Aretha Franklin and Tony Bennett to name a few. The record was made live in the studio, with 40 musicians in the same room with her, playing and singing in real time under Mounsey's direction. "I'm doing this to broaden people's awareness of what I can do and also for the sheer love of her music." As a result, Deborah's homage to Dinah Washington does not lean overwhelmingly toward one particular style. It was designed from the beginning to be a compendium of several of Dinah's idioms - the big-band swing of "All Of Me" and "Destination Moon," swaggering R&B ("I Don't Hurt Anymore)," the blues that earned her the misleading nickname "Queen of the Blues" ("Misery," "New Blowtop Blues"), the lush ballads that put her on the jukeboxes of Middle America ("What A Diff'rence A Day Made," "This Bitter Earth").Customer Reviews:
Fantastic CD.......2007-07-21
S. Washington
Greenbelt, MD
Love her voice.......2007-07-18
Deborah Shines.......2007-07-05
Jazz & Blues with Deborah !.......2007-06-25
While her hits have generally called on her to be very angry or very sad, these classic songs allow her to be at turns gentle, sassy, reflective, happy and wry. The productions and arrangements are reminiscent of the golden era of era of Billie, Sarah, Dinah and others, but contain enough surprises to keep them from sounding old-fashioned.
Deborah - who shifted from pop siren to Broadway star with Aida, further expands her range to include jazz, blues and big band. Cox and her backing musicians were recorded live in the studio, playing and singing in real time. The effect pays off as Cox accurately renders each song with her own textures.
No one expects Cox to abandon the dance-floor (she just released a new dance track with Tony Moran), but her latest offering "Destination Moon" allows her to explore another musical landscape with glowing results.
Deborah takes the jazz route on "Destination Moon", a tribute to one of her all-time heroines, Dinah (The Queen) Washington. Whether you view it as a tribute album, a jazz debut or just a collection of good music, this album succeeds on all levels. From the swinging big-band to piano-voice ballads, Cox captures the essence of Washington, yet adds her own touches. Washington's milestone recordings are here. Cox gives "What a Difference a Day Makes" a mid-tempo turn with strings, getting the Queen's innocent voicing, but injecting more feeling into the lyrics.
"Baby, You've Got What It Takes" comes at us as a fast shuffle. Cox fills "This Bitter Earth" with Washington tics - the up-speak at the end of phrases, the self-satisfied "mmh-hmmm" after a line. Washington first made her name as a blues singer, and Cox lays the blues on in "Misery" and "New Blowtop Blues", that classic mean-woman lament where she sings of her run-in with a jealous ".45-packin' mama."
On "Destination Moon", focusing on Washington, the jazz singer, dishing out several of the standards most closely associated with her career, Deborah also wraps her powerful pipes around gems like "I Don't Hurt Anymore", "September in the Rain" and "Smoke Gets in Your Eyes".
Producer/arranger Rob Mounsey pulled out all the stops for these sessions, surrounding Cox with a 40-piece orchestra that laid down a gorgeous foundation for her to build on. And she did just that.
In an interview conducted to promote her new album, , Cox said she recorded this record for two reasons -- to pay tribute to an artist who had so inspired her and to show that she, like Washington, was capable of doing a lot more musically than some people might have expected.
She succeeded on both counts. It's very nice work.
Think long, rainy afternoons, dinners for two and early mornings on the patio.
This is one of the top CD of this Year!!!.......2007-06-20
Also check out Amel Larrieux new CD its the same kind of music. I love it!
Enjoy and reccomend!
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7even Year Itch: Collective Soul Greatest Hits 1994-2001
Collective Soul Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005O6E7 Release Date: 2001-09-18 |
Tracks:
- Heavy
- She Said
- Shine
- Energy
- Run
- Gel
- Precious Declaration
- Why Pt. 2
- The World I Know
- Next Homecoming
- Listen
- December
- Forgiveness
Customer Reviews:
Metamorpho-Let Your Light Shine Down...........2007-07-24
That said, we have hear the Best of Collective Soul 1994-2001. I took it and indeed played it in my dune buggy, happily motoring past mimes, Tweedle-Dee and Tweedle-Dum, and starfishes of reknown. A sunny day. The winds flowing through my grey (but substantial) Seer's hair. The music was certainly a rush. And I cannot offer a better remedy to listen to while stuck in rush hour. The traffic is not a rush- but this music is.
Be advised, this music is not for the faint of heart-but it is very well done accomplished rock.
It is hard for me to zero in on any one song here. Probably because the tunes, for the most part, offer up enigmas that cannot often be easily answered. And yet, there are songs that prod one to think about reality in more meaningful terms. "Why can't you listen? Why can't you hear"? from "Listen". "I was blind, but now I see", from "Precious Declaration".
In many ways- the lyrics try for a breakthrough of the mind. Excellently written in concise and short verse, it is also home to many an alluring hook. This is not metal. This is not soft-rock and easy listening. This is rock at some of it's finest and most listenable. So very well done.
I think that if you start this and listen all the way through , you will find fine arrangements, nice accompaniment, and substantial rock grooves to make you move. The ballads are grand and the rockers can be hard and insistent. In all, not a bad job at all.
I would say, though, that this band is not classic-thus the four stars. But, if you like good rock music-it certainly deserves 4 and 1/2 stars.
So good. And let's not forget the l.p. scratchiness of "She Said". Funny that c.d.s, with their ability to give pristine clarity should want to imitate the l.p. But, that is a touch that gives this album just another reason to like it.
Now it is time to put the pedal to the metal and see what this dune buggy can do. Whoa! Is that the beach police gaining on me? Time to contact that ultimate souce! Now-where did I put that cell number?
Calling collect---your desperate Metamorpho
Awesome Hits.......2007-07-16
There are only about 2 or 3 Collective Soul songs that I don't care for much, so the other CDs are still great even in addition to this one.
Good classic stuff!.......2007-02-06
Greatest Hits.......2007-01-11
Melodious rock.......2007-01-09
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Forrest Gump: The Soundtrack - 32 American Classics On 2 CDs
Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002AQQ Release Date: 1994-06-28 |
Tracks:
- Hound Dog - Elvis Presley
- Rebel Rouser - Duane Eddy
- (I Don't Know Why) But I Do - Clarence 'Frogman' Henry
- Walk Right In - The Rooftop Singers
- Land Of 1000 Dances - Wilson Pickett
- Blowin' In The Wind - Joan Baez
- Fortunate Son - Creedence Clearwater Revival
- I Can't Help Myself (Sugar Pie Honey Bunch) - The Four Tops
- Respect - Aretha Franklin
- Rainy Day Women #12 & 35 - Bob Dylan
- Sloop John B - The Beach Boys
- California Dreamin' - The Mamas And The Papas
- For What It's Worth - Buffalo Springfield
- What The World Needs Now Is Love - Jackie DeShannon
- Break On Through (To The Other Side) - The Doors
- Mrs. Robinson - Simon & Garfunkel
Tracks:
- Volunteers - Jefferson Airplane
- Let's Get Together - The Youngbloods
- San Francisco (Be Sure To Wear Some Flowers In Your Hair) - Scott McKenzie
- Turn! Turn! Turn! (To Everything There Is A Season) - The Byrds
- Medley: Aquarius/Let The Sunshine In - The Fifth Dimension
- Everybody's Talkin' - Harry Nilsson
- Joy To The World - Three Dog Night
- Stoned Love - The Supremes
- Raindrops Keep Falling On My Head - B.J. Thomas
- Mr. President (Have Pity On The Working Man) - Randy Newman
- Sweet Home Alabama - Lynrd Skynrd
- It Keeps You Runnin' - The Doobie Brothers
- I've Got To Use My Imagination - Gladys Knight & The Pips
- On The Road Again - Willie Nelson
- Against The Wind - Bob Seger & The Silver Bullet Band
- Forrest Gump Suite - Alan Silvestri
Amazon.com
Forrest Gump (1994) is one of the most successful films ever made, winning Tom Hanks his second successive Best Actor Oscar (he won the previous year for Philadelphia) as well as claiming the Best Picture Oscar and many other awards and nominations, including several for music. A unique fable of American life from the 1950s to the 80s, the film blends comedy, drama, war, romance and groundbreaking special effects into a social and political portrait of the passing years, all seen through the eyes of the intellectually challenged but immensely likeable Forrest Gump. The soundtrack is a double album featuring 31 classic pop tunes plus a suite from Alan Silvestri's rich orchestral music, represented more completely on the companion score album. Opening with Elvis Presley's "Hound Dog", this is a fine anthology of three decades of American music, taking in everything from Joan Baez's "Blowin' In The Wind" to Aretha Franklin's "Respect", The Mammas and The Papas' "California Dreamin'" and Simon & Garfunkel's "Mrs. Robinson". Here also is Scott McKenzie with "San Francisco", plus Jefferson Airplane, the Supremes, Lynyrd Skynrd and many more. Like American Graffiti (1973), this is one of the great pop soundtracks, happily at home in just about any music collection. --Gary S. DalkinCustomer Reviews:
Need a quick trip to somewhere else?.......2007-06-26
Soundtrack for 50+ folks like me.......2007-01-12
Funny reissue of a "Classic" soundtrack... Why?.......2006-10-28
Dodgy reviews.......2006-03-17
"THIS MAY BE A GOOD SOUNDTRACK, BUT WHAT THE HELL..I'VE SEEN THIS FILM A HUNDRED TIMES, AND I NEVER FROGOT THAT SONG WHEN HE WAS RIDING IN THE HELECOPTOR ON THE WAY TO VIETNAM.I COULDNT REMEMBER THE NAME OF THE SONG AND FORGOT WHO THE ARTIST WAS.SO I SEARCHED ON THE CRAPPY INTERNET.... FOR OVER AN HOUR MY POOR TUSH HURTS, AND I FOUND NOTHING, AND IT'S A CLASSIC SONG!!!!! SO I THOUGHT TO MYSELF MY BROTHER MIGHT KNOW, SO I SAID TO HIM, REMEMBER FORREST GUMP WHEN HE WAS IN THE HELECOPTOR AND THE SONG WENT "THERE MUST BE SOME WAY OUTTA HERE" AND IMMEDIATELY HE SAID JIMI HENDRIX, ALL ALONG THE WATCHTOWER.... SHAME SHAME WHOEVER PUT TOGETHER THIS SOUNDTRACK NEEDS TO BE SMACKED UPSIDE THE HEAD.. WHO WOULD FORGET JIMI, AND THAT BEAUTIFUL CLASSIC SONG. NOW I KNOW, NO WONDER I COULDNT FIND IT. IT AINT EVEN ON HERE! AFTER ALL THOSE CLIPS I LISTENED TO. WASTE OF TIME, PLUS WHAT A DISAPPOINTMENT TO JIMI FANS" -
so Music Man, you've seen the film a hundred times and you've never forgotten the song, however, in the next sentence you counter that statement by saying that you have indeed forgotten it, or at least who the artist was! But alas, later in your tirade, you inquire as to "who would forget Jimi, and that beautiful classic song" - well you for one mate and to vent your spleen, what instrument did you use - the crappy internet.
Its not a disappointment for Jimi fans, because they probably have the track at least a dozen times over what with all the greatest hits and re-releases etc.
The owners of recording rights etc, whilst quite happy to have their music in films, do not allow the tracks to be used on the released soundtrack - this is mainly because of the way in which royalties are paid and the company/person feels that there is more to gain by not allowing the release of their work.
If someone really wants to find the music, they will.
THE BEST OF THE BEST.......2006-03-11
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Avant Gershwin
Patti Austin Manufacturer: Rendezvous ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IOM0UQ Release Date: 2007-03-06 |
Tracks:
- Medley: Overture/Gershwin Medley
- I'll Build A Stairway To Paradise
- Who Cares
- Funny Face
- Medley: Love Walked In/Love Is Sweeping The Country
- Swanee
- Porgy & Bess Medley
- Lady Be Good
Amazon.com
In this decade of twin musical obsessions--for fond revisits to classic American composers and for all things '80s--it's a wonder Patti Austin hasn't stolen the show with a Great American Songbook set sooner. Her '80s duets--"How Do You Keep the Music Playing" and "Baby Come to Me" among them--remain indelible, and she's already proved she's a worthy interpreter with 2002's justly praised For Ella. Plus, her voice on Avant Gershwin, rich and to the rafters, suggests she's been ready to give this material a spin for decades. From the first moments of "I Got Rhythm," part of the opening "Overture/Gershwin Medley," Austin swings through these songs with the ease and exuberance of a born showman; you can practically see her onstage in a slinky evening gown, arms outstretched, head back, eyes squeezed shut, surges of electric sound all around her. Her "Porgy & Bess Medley" benefits from a manufactured breeziness that suits "A Woman Is a Sometime Thing" and "Summertime" especially well, and her "Swanee" saunters closer to modern sensibilities by replacing the "mammy" of the original with a simple "momma." In addition to Austin's energy, the spirit of jazz gives these numbers juice. The WDR Big Band, which Austin has worked with previously, comes at a tune with a blend of boisterousness and sophistication, and Austin has a way of melting right in. She convincingly makes a case that she may have been born a bit late, but she was made to sing these songs. --Tammy La GorceCustomer Reviews:
Sorely Disappointed!.......2007-06-27
Could have been better........2007-06-16
Incredible voice though.
Austin may have just found her niche!.......2007-06-10
Now, five years later, Austin takes on the music of the Ira and George Gershwin, who along with Cole Porter and Irving Berlin, were possibly the greatest songwriters of all time, not just the twentieth century. Backed by a full band and recorded live last year in Germany, Austin lets it all out as she interprets songs that will stand the test of time long after the current chart-toppers have turned to dust.
Austin's vocal instrument is so flexible that she is able to be poignant yet sassy, seductive yet saintly, trashy yet classy, and provocative yet conservative.
She can do it all and really pours it on thick with the opening twelve-minute long "Gershwin Medley" and the equally impressive "Porgy and Bess Medley." Even the remaining songs are lustrous and provide a venue for one of the great songstresses of the last and this century.
Austin is just hitting her prime and, besides her singing, she has a new look, having shed some pounds and getting a makeover.
When one looks at the singer, glamorously decked out and coiffed on the back cover, one can only exclaim, "D**N! She looks just as good as she sounds."
Gershwin done right!.......2007-06-09
Using the Gershwin songbook as a springboard, Patti and the amazing WDR Big Band/Orchestra (under Michael Abene's brilliant direction) compliment each other all the way. I loved the unique approach taken by both vocalist and arranger, and the live audience recording was right on the mark!
Patti, the music was amazing - and so were the photos!
She is a swinger!.......2007-06-03
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Youth
Collective Soul Manufacturer: El Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0003QJRK0 Release Date: 2004-11-16 |
Tracks:
- Better Now
- There's A Way
- Home
- How Do You Love?
- Him
- Feels Like (It Feels All Right)
- Perfect To Stay
- Counting The Days
- Under Heaven's Skies
- General Attitude
- Satellite
Customer Reviews:
A Solid Band Finding Improvement By Learning From Their Mistakes!.......2007-06-21
Their sixth studio album entitled "Youth," which was released on November 16, 2004, is considered by many as their "big comeback album." The record is similar to "Blender" in its production, however, the sound showcases a healthy balance between their old and new sounds. Highlights of the album include the catchy and impressive "Perfect To Stay," the flawless "How Do You Love," and "Under Heaven's Skies" as well as a song displaying the band's signature sound, "Counting The Days." Below, please find the rating for each song individually:
Better Now - 10/10
There's A Way - 9/10
Home - 8/10
How Do You Love? - 10/10
Him - 6/10
Feels Like (It Feels Alright) - 6/10
Perfect To Stay - 10/10
Counting The Days - 10/10
Under Heaven's Skies - 10/10
General Attitude - 9/10
Satellite - 10/10
best collective soul album yet.......2006-12-01
Great Collective Soul CD.......2006-11-12
Their best album yet.......2006-09-03
3-1/2 stars -- Calm, cool and collected...sort of.......2006-08-10
Well, yes and no. For one thing, it's surprising that Ed Roland and the boys left Atlantic Records and jumped to an indie label for this album. But for the most part, things do sound fine. The melodies are as good as they've always been, but the lyrics...well, not to start an argument, but I was initially wondering why they titled the album Youth, and after listening to it, I came to the conclusion that it could be because some of the songs sound like a youth wrote them ("Feels Right (It Feels All Right)" and "Under Heaven's Skies" come readily to mind).
There are a few other songs that are lyrically challenged, but thankfully there are more songs that sound better, like "Satellite", "General Attitude" and especially "How Do You Love" (actually, the lyrics in the latter don't look like much on paper either, but it's all in the way Ed sings them). In short, Youth feels more like a safe album than a truly great album. There isn't a "Shine" or "December" to be found on here, but it's still above-average. If you're a hardcore Collective Soul fan, you'll either love it or hate it, so pick it up and make your own judgment.
Anthony Rupert
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Princess P
Paris Bennett Manufacturer: 306 Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O5B4Q0 Release Date: 2007-05-08 |
Tracks:
- All Hail the Princess Intro
- Ordinary Love
- Dreamin'
- Daddy
- Let Me Rap (featuring Kevin Covais aka Chicken Little)
- My Boyfriend's Back
- Can't Control Myself
- Duet (featuring J. Isaac)
- I'm So Hot (Interlude)
- I'm So Hot
- Get Bizzy
- Caught Up
- B-Bye
- Burnt Up
- I Will (featuring James Grear & Company)
- Best Friends (featuring Ann Nesby & Jamecia Bennett)
Amazon.com
Princess P, American Idol season five finalist Paris Bennett's debut, trots out 16 urban-flavored tracks that are sensationally sung and at times uplifting. But the disc's goofiest number is the one that'll grow on listeners quickest: "Let Me Rap," a seriously silly hip-hop joint that finds Bennett swapping rhymes with fellow season five alum Kevin Covais, a.k.a. Chicken Little, is innocent, affectionate, and not-bad sounding. At a minute and 37 seconds, it cements a friendship ("Kevin always got your back/Like your coat do," spits Covais) that sets the tone for the rest of this not quite grown-up but not easily dismissed album. While "Get Bizzy" gets playful, "Caught Up" and "Can't Control Myself" keep it light with hand claps and a freewheeling vibe. Two late tracks, "I Will" and "Best Friends," back up the good-girl graciousness TV audiences loved, effectively belying the notion that princesses have to be prima donnas. Here, Bennett takes her throne with a wink and a giggle. --Tammy La GorceProduct Description
There is no single road to massive success as a solo artist. And certainly no easy one. Just ask 18 year old, 4 11 Paris Bennett. She survived one of the toughest challenges of all, singing in front of an estimated 38 million weekly national TV audience as she delivered time and time again on the fifth season of American Idol. The Rockford, Illinois born singer was an early audience favorite, who placed 5th out of an outstanding American Idol class that graduated Taylor Hicks, Katharine McPhee, Chris Daughtry and Kellie Pickler.But American Idol was just the latest musical step for Bennett as she prepares for the release of her debut solo album, "Princess P" on 306 Entertainment through TVT Distribution. Paris whole life has been immersed in music from the age of four, when she began singing in her grandfather s church in Fayetteville, Georgia. Indeed she had the best of teachers her mother Jamecia Bennett is a vocal instructor and her grandmother Ann Nesby was the lead vocalist in the '90s r&b/gospel phenomenon that was Sounds Of Blackness. Paris set the bar high is how Entertainment Weekly assessed her Idol performances, which included challenging songs from truly gifted singers like Prince and Mary J. Blige, the first time either artist granted the show clearance rights to their material.
Now comes Ordinary Love , the first single off of Princess P, which showcases her desire not to be pigeonholed. It s r&b flavored with touches of electric guitar and topped off by Paris retro, gut-driven vocals. The video of Ordinary Love features Bad Boy Recording Artist Dustin from B-5. The album deftly showcases the multiple personalities that comprise Bennett the singer, as she prepares to take her place amongst American Idol superstar alumni.
Customer Reviews:
All Hail Princess P.......2007-07-19
Didn't meet expectations.......2007-07-08
I hope she makes a second better album.......2007-06-04
I was also happy that she had a song with Kevin in this, as he was another favorite of mine, but that song was not good. Maybe he could come out with an album too, only with good song choices.
Run-of-the-mill pop throw away.......2007-05-24
Don't Waste your Money!!!.......2007-05-24
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
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