| 1. Medley: What's Going On? ~ Ain't No Sunshine When She's Gone |
| 2. Don't Go |
| 3. Good Livin' (Good Lovin') |
| 4. Day Dreaming |
| 5. Song For Aretha |
| 6. Put It Where You Want It |
| 7. Heavy Soul Slinger |
Soul Is,Bernard Pretty Purdie,Bmg,R&B/Soul,Soul/R & B
Average customer rating:
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What It Is! Funky Soul And Rare Grooves (1967-1977)
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GIWS4W Release Date: 2006-10-03 |
Tracks:
- Spreadin' Honey -- Watts 103rd St. Rhythm Band
- Soul Finger -- Bar-Kays
- The Shadow Of Your Smile -- Brother Jack McDuff
- Gangster Of Love (Parts 1 and 2) -- Jimmy Norman
- The Memphis Train -- Rufus Thomas
- Get Out Of My Life Woman -- Grassella Oliphant
- Live Right Now -- Eddie Harris
- Pig Snoots, Part 1 -- Natural Bridge Bunch
- Soul Sound System -- The Freedom Sounds featuring Wayne Henderson
- Snatching It Back -- Clarence Carter
- Stoned Soul -- Artie Christopher
- Getting The Corners -- The T.S.U. Tornadoes
- Sexy Coffee Pot -- Tony Alvon & The Belairs
- Don't Come Around Here Anymore -- Mark Putney
- Keep On Dancing -- The Commodores
- Right On Brother--Part 1 -- The Southshore Commission
- Pop, Popcorn Children -- Eldridge Holmes
- It's Your Thing -- Cold Grits
- It's All In Your Mind -- Soul Angels
- Funky John -- Johnny Cameron & The Camerons
- Help Me Make Up My Mind -- Joyce Jones
- Rock Me Baby -- Lou Johnson
- Sing A Simple Song -- The Noble Knights
- Do You Dig It -- Titus Turner
- Funky Canyon -- Phil Moore Jr.
- Jan Jan -- The Fabulous Counts
- Tampin -- The Rhine Oaks
Tracks:
- Gossip -- Cyril Neville
- Somebody In The World For You -- The Mighty Hannibal
- Stanga -- Little Sister
- Jumpin' Jack Flash -- Ananda Shankar
- The Deacon -- Brute Force
- Sookie Sookie -- Don Covay & The Jefferson Lemon Blues Band
- Right On -- Clarence Wheeler & The Enforcers
- (Don't Worry) If There's A Hell Below We're All Going To Go -- Curtis Mayfield
- Stepping Stones -- Johnny Harris
- I'm Just Like You -- 6ix
- Funky Thing--Part 1 -- The Unemployed
- Messie Bessie -- Shirley Scott
- Fairchild -- Willie West
- Cold Bear -- The Gaturs
- I Can't Get Next To You -- Mongo Santamaria
- Feelin' Alright -- Lulu
- Soul Bowl -- Memphis Horns
- Tuane -- Hammer
- Take It Off--Part 2 -- Johnny Tolbert & De Thangs
- Seeds Of Life -- Harlem River Drive featuring Eddie Palmieri & Jimmy Norman
- Engine Number 9 -- Wilson Pickett
Tracks:
- Hard Times -- Baby Huey & The Baby Sitters
- What So Never The Dance--Pt. 1 & 2 -- Houseguests
- Headless Heroes -- Eugene McDaniels
- Spinning Wheel -- Wade Marcus
- Bad Tune -- Earth, Wind & Fire
- Mr. Cool -- Rasputin's Stash
- Don't Cha Hear Me Callin' To Ya -- Junior Mance
- Hang On In There -- The Stovall Sisters
- Funky Nassau (Part 2) -- The Beginning Of The End
- Whatever's Fair -- Mark Holder & The Positives
- Face It -- Ed Robinson
- Wah Wah Man -- Young-Holt Unlimited
- Rock Steady (alternate mix) -- Aretha Franklin
- Won't Nobody Listen -- Black Haze Express
- Goin' Down -- Allen Toussaint
- Suavecito -- Malo
- You Gotta Know Whatcha Doin' -- Charles Wright
- Mo Jo Hanna -- Tami Lynn
- Ridin' Thumb -- King Curtis
- Almendra -- Macondo
- Nuki Suki -- Little Richard
Tracks:
- Getting Uptown (To Get Down) -- United 8
- 8 Days On The Road -- Howard Tate
- Moon Shadow -- Labelle
- Let It Crawl -- Society's Bag
- Wanaoh -- Black Heat
- If It Was Good Enough For Daddy -- Clarence Reid
- Everything I Do Gonna Be Funky -- Claudia Lennear
- Cosmic Sea -- The Mystic Moods
- Kissing My Love -- Cold Blood
- Flute Thing -- Seatrain
- Chug Chug Chug-A-Lug (Push N' Shove) Part 2 -- The Meters
- Funky To The Bone -- Freddi/Henchi & The Soul Setters
- Try It Again -- Bobby Byrd
- . Teasin' -- Cornell Dupree
- (Everybody Wanna Get Rich) Rite Away -- Dr. John
- Chicken Heads -- Oscar Brown Jr.
- Rien Ne Va Plus -- Funk Factory
- Cajun Moon -- Herbie Mann
- Improve -- Darrow Fletcher
- Riding High -- Faze-O
- Four Play -- Fred Wesley & The Horny Horns
- California Dreamin' -- Eddie Hazel
Amazon.com
Too many reissue compilations are content to merely slice 'n' dice familiar catalog choices in not particularly original ways. But this four-disc, 91-track trove of obscure '70s R&B and funk from Warner-distributed labels great and small argues there's still treasure to be gleaned from studio vaults--a five-hour groove-fest that's as interested in shaking booty as in opening ears. Even the genre's groundbreaking usual suspects (Wilson Pickett, the Bar-Kays, Curtis Mayfield, Earth, Wind & Fire, et al) are represented by selections that aren't immediately familiar, while Queen of Soul Aretha Franklin serves up a radically different, previously unreleased take of "Rock Steady." Still other stars contribute their sonic touches to some of the lesser-known cuts, as witnessed by the patent trippiness of Sly Stone alter-egos 6ix and Stanga on "I'm Just Like You" and "Little Sister," respectively; the stark, party-not-so-hearty contrast of the Mayfield-written-and-produced "Hard Times" by Baby Huey & Baby Sisters; and the Meters' version of "Tampin'," released under the moniker of the Rhine Oaks. Sequenced in rough chronological order, it's a savvy window into a musical evolution as well, with the rhythmic guitars, organ swells, and horn flourishes of traditional '60s R&B giving way to sinewy synths and increasingly chunky bass lines as the decade grooves on. While savvy hip-hoppers will note that many of the rarities here have already been repurposed by shrewd mixers, it's a revelation to hear them in their original form. A compelling deconstruction of an often clichéd and too-narrowly-defined genre, this is an anthology that showcases music that has influenced such contemporary artists as Tupac, the Beastie Boys, Snoop Dogg, and Kanye West, annotated by many of the original musicians who set the dance floor in motion. --Jerry McCulleyAlbum Description
91 tracks deep and five hours long, this multi-artist, 4CD set mines rare, renowned, legendary, and little-known grooves from the vaults of Atlantic, Atco, and Warner Bros Records!Customer Reviews:
Mm-hmm! I can smell that funky music!.......2007-06-18
WHAT IT IS ?.....NOTHING BUT A NON STOP PARTY! .......2007-02-10
I'm only 25 years old. Every time I play this set, I feel like I'm at a 70's block party, chillin' in a long black cadillac fleetwood and scoping out some foxy mamas with hot pants and thigh high leather boots
(that's how good the music sounds). With 20 plus tracks each per disc, you can't help but be amazed with the consistent quality of the music.
All I gotta say is buy this set and let the funk be your guide to love, happiness, and your rites of passage to throw it on down and dance your
a-- off!!! If you ain't diggin on this, you're diggin a hole for yourself!
Long live the funk baby!
Amazing. Mind blowing. Worth every penny. And so on........2007-02-04
Never a dull moment.......2007-01-28
Soul-tastic... All Hail Rhino! Nobody knows box like Rhino knows box.......2007-01-14
I won't say there's no filler--by filler I mean the cover tunes--and I'm confused as to why "What So Never The Dance" is credited to the Houseguests when this is a longtime Bootsy Collins track? What, is Bootsy in trouble with Warner Brothers and can't re-release his own stuff under his own name anymore?
But disc one is an absolute gem--you can't make your own mix better than they've done it here. If you're a fan of James Brown, Parliament, Otis Redding, Sly Stone, the aforementioned Bootsy, Tower Of Power, Prince, early Stevie Wonder, Motown, Isaac Hayes, then you shouldn't be without this set.
Absolutely worth buying.
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Who Is Jill Scott? Words and Sounds, Vol. 1
Jill Scott Manufacturer: Hidden Beach ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004UARR Release Date: 2001-01-03 |
Tracks:
- Jilltro
- Do You Remember
- Exclusively
- Gettin' In The Way
- A Long Walk
- I Think It's Better
- He Loves Me (Lyzel In E Flat)
- It's Love
- The Way
- Honey Molasses
- Love Rain
- The Roots (Interlude)
- Slowly Surely
- One Is The Magic #
- Watching Me
- Brotha
- Show Me
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Silent
- Try
Amazon.com's Best of 2000
Jill Scott's debut, Who Is Jill Scott?, is a luscious portrait of the artist as a grown woman. In R&B, black femininity has often been reduced to two dimensions: sex and materialism. But Scott lives in 3-D, and it shows in her voluptuous songwriting. She combines a beautiful voice with an extreme generosity of spirit, making her music a dreamy, soulful delight. Lizz Mendez BerryAmazon.com
Jill Scott is the singer-songwriter who wrote the unforgettable hook on the Roots' "You Got Me." Jill Scott is a better singer than the garble-mouthed Erykah Badu, who mangled those lines (albeit prettily) on the Roots' single. If Scott had sung them (which she does, and marvelously so, on the group's live album, The Roots Come Alive), we would have known what the hell the words were. Thankfully, Jill Scott has put out her own album, which exceeds all hook-derived expectations. She is, in fact, a wonder--a magically soulful tunesmith who writes tunes like "The Way" and "Watching Me" that feel as comfortable, warm, and sexy as Al Green on a cold day. And then she rips into the songs' haunting melodies with a gorgeous honey-crisp alto that'll leave you wanting more. --Sylvia W. ChanCustomer Reviews:
Who Is Jill Scott? Words & Sounds, Vol. 1.......2007-07-21
This is a disc that still gets constant play in my house, in the car & at work! There was such a huge buzz on Jill Scott prior to the release of her debut that I could not wait to get my hands on it. Every song & interlude just flows so magically into the track making this not only one of the best debuts by any artist but also one of the best "neo-soul" albums ever produced so those who still don't know who Jill Scott is but enjoy good music will not be sorry in adding this disc to their collection.
My fave tracks to this day are: THE WAY, I THINK IT'S BETTER, WATCHING ME, ONE IS THE MAGIC #, HE LOVES ME, IT'S LOVE & HONEY MOLASSES. Another honorable mention goes to LOVE RAIN (although I like this version very much, I adore how she switched it up on her live cd).
If you didnt know...........2007-07-09
jill scott.......2007-06-30
Jill Scott is Neo-Soul.......2007-06-27
OVER 500 PEOPLE TOOK TIME TO REVIEW THIS CD.... .......2007-05-18
If you are looking for more good music check out Chrisette Michele's.. I Am.
Average customer rating:
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Music From A Farther Room
Astor Piazzolla , Maurice Ravel , Richard Rodgers , Paul Schwartz , Jean Sibelius , Traditional , Paul Schwartz , Craig Macintyre , Tariqh Akoni , Tim Curle , Lang Lang , Lee Musiker , Zachary Provost , Lucia Micarelli , Leigh Nash , and Lisbeth Scott Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002GU2NM Release Date: 2004-07-27 |
Tracks:
- Samarkand
- Oblivion
- Meditation From Thais
- Portrait
- To Love You More
- Reflexio
- Aurora
- Lady Grinning Soul
- Ravel String Quartet IN F Major: Assez Vif - Tres Rythme
- She Is Like The Swallow
- My Funny Valentine
- Nocturne/Bohemian Rhapsody
Amazon.com
Josh Groban fans who caught the singer's 2004 Closer tour would no doubt take note of Lucia Micarelli, who was the violinist and concertmaster for Groban. Like her boss, who also is executive producer of Music From A Farther Room, Micarelli is a young, attractive, and talented player who has the classical training, but who is also enchanted with pop music. Also like her boss, her strain of classical crossover works thanks to tasteful accompaniment, in this case from arranger/composer Paul Schwartz. The smartly chosen program of material comes from such varied catalogs as David Bowie and Rogers and Hart. Micarelli's playing is emotional without being overreaching, assertive when called upon, and nuanced. When she does go over-the-top pop on Queen's "Bohemian Rhapsody," it's brief but fun; when she navigates Piazzolla's "Oblivion" she draws upon the song's passion more than its technical requisites. This is a debut with likeable pizzazz, coming in a genre not often enough known for it. -- Tad HendricksonAlbum Description
For anyone who has attended Josh Groban's phenomenal live show, you will have undoubtedly had the pleasure of seeing and hearing his lead violinist, Lucia Micarelli. Lucia came to Josh's tour after appearing with the Trans- Siberian Orchestra playing arenas across the U.S. in 2003. With the close of the second leg of Josh's tour, Lucia is recording her debut album in New York and London with producer Paul Schwartz. Musical selections will range from the works of composers Ravel and Ennio Morricone to David Bowie.Customer Reviews:
Nice CD.......2007-07-15
Music from a Farther Room.......2007-05-22
relaxation.......2007-05-13
amazing.......2007-05-07
Talented violinist.......2007-03-29
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The Way It Is
Keyshia Cole Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00096S3PY Release Date: 2005-06-21 |
Tracks:
- (I Just Want It) To Be Over
- I Changed My Mind
- Thought You Had My Back
- I Should Have Cheated
- Guess What?
- Love
- You've Changed
- We Could Be
- Situations
- Down And Dirty
- Superstar
- Never
Album Description
KEYSHIA COLE is the real deal. Like many young people raised in tough neighborhoods, the 21-year-old songstress endured a tumultuous childhood in Oakland, California, and has fought all her life to keep her dream of a music career alive. Now she's realizing that dream on her own terms with her first album for the A&M label, The Way It Is. It's been a long road for Keyshia, but it's her powerful voice - a bell-like instrument whose soaring clarity is topped off with a tantalizing touch of soulful grit - that's carried her through, not to mention the diminutive singer's personal combination of sugar, spice, sass and sex appeal, along with a solid-steel spine. With production by Kanye West, Krucial Keys, Ron Fair and Chink Santana, Keyshia's dreams have been realized.Customer Reviews:
great CD.......2007-07-14
Keyshia is Da Bomb!!.......2007-07-09
She alright!.......2007-06-29
Keyshia Cole is my favorite!.......2007-06-23
I love her new song out right now with Missy and Lil Kim "Let It Go'!
I can't wait for her reality show to come on this fall to promote her second album. I can hardly wait!
Keyshia Cole has the kind of voice that DEMANDS your attention!
I'M IN LOVE WITH KEYSHIA COLE.......2007-06-04
SHE IS OVER RATED AND WEAK AND FAKE AND FULL OF WEAVE.KEYSHIA COLE IS REAL TALENT CAN SANG AND HER MUSIC COMES FROM THE HEART. I DON'T LIKE HOW BEYONCE ACTS ALL NICE WHEN YOU SEE HER ON TV AND STUFF BUT TRUST ME YOU CAN TELL SHE IS A B!T*H
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On How Life Is
Macy Gray Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JQFG Release Date: 1999-07-27 |
Tracks:
- Why Didn't You Call Me
- Do Something
- Caligula
- I Try
- Sexomatic
- I Can't Wait To Meetchu
- Still
- I've Committed Murder
- Moment To Myself, A
- Letter, The
Amazon.com's Best of 1999
Gray starts from a solid foundation of retro funk and soul and builds on it by adding hip-hop signifiers and modern studio techniques. The result is one of the better debuts of the year, thanks to Gray's blunt proclamations ("I've committed murder... and I don't feel bad about it") and inimitable vocal phrasing. On How Life Is offers the sass of a '20s blueswoman plus the don't-mess-with-me strength of a 21st-century R&B icon-in-the-making. --Keith MoererAmazon.com
Macy Gray's debut draws heavily on '70s funk traditions to make its progressive-R&B points. With help from a band including former Red Hot Chili Peppers guitarist Arik Marshall, she uses her raw yet controlled voice to celebrate sex ("Sexomatic," "Caligula"), God ("I Can't Wait to Meetchu"), and injustice ("I've Committed Murder"). Gray's songwriting doesn't seem fully developed yet, but On How Life Is is a striking first shot nonetheless. --Rickey WrightCustomer Reviews:
Perfection..........2007-05-13
Groovy.......2006-09-01
One word: unique.......2006-05-08
What The %#&@ Is This??!.......2005-11-22
The Best Rod Stewart Album of a Generation? .......2005-09-17
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This Is Who I Am
Heather Headley Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JJ6L Release Date: 2002-10-08 |
Tracks:
- He Is
- Nature of a Man
- Fallin' for You
- I Wish I Wasn't
- Fulltime
- Like Ya Use To
- Always Been Your Girl
- Sunday
- Four Words From a Heartbreak
- Sista Girl
- Why Should I Cry
- If It Wasn't for Your Love
Amazon.com
You don't expect a Broadway star to be slow burning and funky (Ben Vereen notwithstanding), but Heather Headley is both. Best known for her stage roles in The Lion King and Aida--the latter won her a Tony--the Trinidad native is used to arch performance. Yet her debut album focuses on smooth, lean R&B grooves and Headley's honeyed voice. Heartbreak is Headley's ace. "I Wish I Wasn't" is a tortured missive dispatched from an empty home. "Always Been Your Girl"--the set's hands-down centerpiece--finds Headley pleading with a longtime friend to consider her in a different light. It's a staggeringly powerful song--the kind you can imagine Headley belting out beneath a stark spotlight--made all the more stunning by the fact that the whole collection isn't tied to that one emotion. Also here are the breezy, Mars-Venus meditation "Nature of a Man" and the near-tribal thump of "Like Ya Used To." There are producers and guests aplenty, but Headley is, as always, the star of the show. --Kim HughesCustomer Reviews:
Heather Rocks!!.......2007-01-07
One of the best CDs ever made.......2006-12-27
For me, this is a musical masterpiece. Heather's voice is a divine gift that floats the listener into some parallel universe for the length of the cd. I totally "feel" her and would recommend this to anyone looking for darn good R&B, Pop, Lounge-y sounds.
great cd.......2006-08-01
Her album is all singles.......2006-06-18
A great CD!.......2006-06-05
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What Time Is It?
The Time Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KXX Release Date: 1990-10-25 |
Tracks:
- Wild And Loose
- 777-9311
- Onedayi'mgonnabesomebody
- The Walk
- Gigolos Get Lonely Too
- I Don't Wanna Leave You
Amazon.com
Junking '70s-funk cliches for a stripped-down sound (keyboards and synthesizers replaced the horns) built around a hard-rockin' guitar and a tougher-than-tough rhythm section--all topped off with a heapin' helping of humor--this Minneapolis-based sextet was once the best funk band in the land. This second LP is the best single album from the act, which soon imploded, owing to an over-abundance of talent. Bug-eyed vocalist Morris Day and guitarist Jesse Johnson went on to semi-successful solo careers; keyboardist Jimmy Jam and bassist Terry Lewis became a mega-platinum writing/production team (Janet Jackson, most notably); drummer extraordinaire Jellybean Johnson and keyboardist Monte Moir were the other members. Co-produced by Day and Jamie Starr (a.k.a. Prince), this six-song 1982 effort sports three wall-rattling party-starters: the self-explantory "Wild and Loose," the tongue-in-cheek dance tune "The Walk," and the still-percolating, knotty-but-nice rhythms of "777-9311." Toss in a "New Wave"-style rocker, a droll take on the obligatory love-man ballad, and the band's straight-faced answer to the titular question ("Time to fix your clock!") is O-B-V-I-O-U-S. --Don WallerCustomer Reviews:
YOU KNOW WHAT TIME IT IS.......2007-07-13
Chilli Sauce!!!.......2007-04-12
a flashback bomb from around the way.......2007-02-24
Somebody Bring Me A Mirror !.......2006-11-19
Pretty Good.......2006-09-25
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A Change Is Gonna Come
Leela James Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007Z9RBG Release Date: 2005-06-21 |
Tracks:
- Intro
- Music
- Good Time
- Ghetto
- Untitled
- Soul Food
- Rain
- Untitled
- When You Love Somebody
- Mistreating Me
- Don't Speak
- Untitled
- My Joy
- It's Alright
- Didn't I
- Prayer
- Untitled
- A Change Is Gonna Come
- Long Time Coming
Album Description
With a dynamic,utterly distinctive blend of breathtaking rhythm & blues, fiery funk and roof-raising gospel inflections, Leela James delivers original music with a vocal prowess that both honors and advances the cause of true soul music. On A Change Is Gonna Come, her stunning debut album produced by some of today's biggest names-from Kanye West and Wyclef Jean to Commissioner Gordon and Raphael Saadiq-Leela James reaches back to the best and brings it up to the date for today...and tomorrow.Customer Reviews:
4-1/2 stars -- Black-and-blue-eyed soul.......2007-07-18
Even though the subject matter of "Music" is starting to get played out, I don't understand why most of the reviewers don't seem to like that song. But it IS true that the rest of the songs are a lot better than that. "Good Time" and "Rain" are just plain funky, while "Soul Food" is very satisfying. And if you think you'll already know what "Mistreating Me" is about, just listen to the song and you'll find some very interesting lyrics. Kanye West also drops in to produce two back-to-back gems that compliment each other: "It's Alright" and "Didn't I".
I don't know if I'll do like another reviewer and put Leela in the same league as Otis Redding and Aretha Franklin (although she does a damn good job with her rendition of Sam Cooke's title track); speaking of remakes, her cover of No Doubt's "Don't Speak" is also quality. But that leads me to another point. As reviewer E. Sims says, Leela's singing voice sounds a little too much like Joss Stone's, and the thing about that is, well, not to be cruel, but it's like this: when a white artist sings "black" music in a soulful voice, it's invigorating. When it's the other way around, it's a little odd. In other words, Leela sounds like a white person singing like a black person, which might not sit right with everyone.
But that doesn't really bother me, and it's also not the reason why I knocked half a star off my rating; the reason IS because the Wyclef-assisted "Ghetto" completely throws everything off. But A Change Is Gonna Come still proves that Leela James deserves much more attention than she's getting, so help her get some by picking this up.
Anthony Rupert
Ms. Leela.......2007-07-09
Would give 6 stars if I could...........2007-06-14
Soul found its resting place in Leela James THROAT!!!.......2007-06-13
Speechless.........2007-01-28
HIGHLY recommended!
For music lovers that give this cd anything below a 5..you don't appreciate GOOD music!
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
This Is Who I Am
Kelly Price Manufacturer: Gospocentric ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ICLTJ6 Release Date: 2006-10-24 |
Tracks:
- This Is Who I Am
- Heaven's Best
- The Warning
- God Is Faithful
- God Is Not Dead
- Just As I Am
- What A Friend
- Get Up And Praise
- I Can't Turn Back
- Healing
- Nobody But Jesus
Customer Reviews:
Love it! Take her or leave her, this is who she is now!.......2007-07-19
Uplifting & Spirit-Filled.......2007-06-27
AWESOME.......2007-06-13
THIS IS A GREAT CD!! PLEASE PURCHASE ONE AND PRAISE GOD ON #4!!!!
mixed review.......2007-06-08
The portions of the duet ballads where she sang were great and those portions that were sung by other people were subpar. For example, I LOVE that song "God is not dead" up until the point Joe Ligon sings. Maybe it's my taste but I did not care for his voice or Vanessa Bell Armstrong's. I bought the CD to hear Kelly...not these other vocalists. Their voices were much more old fashion than kelly's. As a listener and fan, I would recommend that Kelly do all the singing herself unless she has the opportunity to work with singers like Whitney, Aretha
or other people of their caliber.
Not what I expected.......2007-05-07
Christian Music:
- Soul Man
- Soul of Minit Records [Import]
- Spread Love: Feel Good Grooves & Inspirational Soul
- Straight Ahead
- Tellin' It Like It Is: The Mala Sessions [Extra tracks]
- The Belle Album
- The Best of Gloria Gaynor
- The Boogie Shack Madison Shuffle: 25 Vintage R&B Dancers From The Fire/Fury Vauts
- The Coasters/One by One
- The Legends Collection
Christian Music
Finally I Speak [Explicit Lyrics]
Graceful Meditations With Linda Lauren
newreleasebooks.com Music: 6.0