| 1. Tweedlee Dee | |||
| 2. Reconsider Baby | |||
| 3. Sincerely | |||
| 4. You Don't Have To Go | |||
| 5. Wall Flower (Aka Roll With Me Henry) | |||
| 6. Earth Angel (Will You Be Mine) | |||
| 7. I Got A Woman | |||
| 8. Ko Ko Mo | |||
| 9. Pledging My Love | |||
| 10. My Babe | |||
| 11. Flip, Flop & Fly | |||
| 12. What'cha Gonna Do | |||
| 13. Story Untold | |||
| 14. Bo Diddley | |||
| 15. Don't Be Angry | |||
| 16. Why Don’T You Write Me? | |||
| 17. It's Love Baby (24 Hours A Day) | |||
| 18. Ain't It A Shame | |||
| 19. Feel So Good | |||
| 20. Maybellene | |||
|
See all 29 tracks on this disc
| |||
Editorial Reviews
This 2005 Bear Family R&B Series Titled 'blowing the Fuse' Has Detailed Song-by-song Notes, Stories Behind the Songs, and Incredible Never-before-seen Photos in Huge Booklets in Specially Designed Digipacs. Compiled by Collector/ DJ, Dave 'daddy Cool' Booth who Went Through his Incredible Collection and 'billboard' Year-by-year, and Picked Out More Than Just the Hits. Includes the Absolute Best Music, Some of it Never Reissued on CD Until Now, as Well as the Biggest Hits. Compiled from the Absolute Best Sources,from the Original Labels, Then Carefully Remastered for the Absolute Best-ever Sound. A Must for Any Fifties R and B Collector and Fan.
29 R&B Classics That Rocked the Jukebox in 1955,Various Artists,Bear Family,Oldies Collections,R&B/Soul
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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The Complete Wedding Album
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006ONZ Release Date: 1998-04-28 |
Tracks:
- Rigaudon - Empire Brass
- Sinfonia - Michael Murray
- Toccata - Michael Murray
- Wedding March - Michael Murray
- The Prince Of Denmark's March - Michael Murray
- Trumpet Tune In D Major - Michael Murray
- Te Deum - Michael Murray
- Ave Maria - Michael Murray
- Canon In D Major - Yolanda Kondonassis
- Jesu, Joy Of Man's Desiring - Yolanda Kondonassis
- Prelude No. 1 In C Major - Yolanda Kondonassis
- Entrance Of The Queen Of Sheba - Keith Clark
- Air - Orchestra Of St. Luke's
- Hornpipe - Orchestra Of St. Luke's
- Rondeau - Empire Brass
- Unchained Melody - Erich Kunzel
- Through The Eyes Of Love - William Tritt
- Love Theme From Romeo And Juliet - William Tritt
- The Wedding Song (There Is Love - Danny Donnelly
- Dodi Li - Shira Kammen
Tracks:
- Rondeau - Michael Murray
- Sheep May Safely Graze - Michael Murray
- Ave Maria - Michael Murray
- Gymnopedie No. 1 - Michael Chertock
- Clair De Lune - Michael Chertock
- Adagio Sostenuto - Michael Chertock
- Largo - Angel Romero
- Largo - Larry Cooperman
- Largo - Keith Clark
- Allegro - Boston Symphony Orchestra
- Adagio In G Minor For Strings - Keith Clark
- Fantasia On 'Greensleeves' - Leonard Slatkin
- Adagio For Strings - Erich Kunzel
- 'Treulich Gefuart,' Bridal Chorus - Atlanta Symphony Orchestra And Chorus
- Wedding March - Atlanta Symphony Orchestra
Customer Reviews:
GORGEOUS!.......2007-06-13
Wonderful intro To MEHDl ..........2006-06-08
I was instantly blown away by the quality of this music and so I gave it a try and now that I have listened to these CDs several times I really must say that although I'm still a Tomaso Albinoni fan of, I find MEHDl to be a great addition to this CD. I had them both in my multi-disc CD player during the wedding and love the way they compliment each other. I highly recommend that you give this artist a try or atleast just go listen to the samples, I have a feeling you'll be glad you did.
great.......2006-02-19
The Complete Wedding Album.......2005-08-05
Almost the compete wedding album.......2004-05-07
Average customer rating:
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Rachmaninov Plays Rachmaninov--Ampico Recordings (1919-29)
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041WS Release Date: 1990-03-30 |
Tracks:
- Cinq Morceaux de fantasie, op. 3: Elegie In E Flat Minor
- Cinq Morceaux de fantasie, op. 3: Prelude In C Sharp Minor
- Cinq Morceaux de fantasie, op. 3: Melodie In E Major
- Cinq Morceaux de fantasie, op. 3: Polichinelle In F Sharp Minor
- Cinq Morceaux de fantasie, op. 3: Serenade In B Flat Minor
- Barcarolle In G Minor, Op. 10 No. 3
- Humoresque in G Major, Op. 10 No. 5
- Prde In G Minor, Op. 23 No. 5: Prelude In G Minor, Op. 23 No. 5
- Etude-tableau In B Minor, Op. 39 No. 4
- Etude-tableau In A Minor, Op. 39 No. 6
- Lilacs, Op. 21 No. 5
- Polka de V.R.
- Hopak
- Wohin?
- The Flight of the Bumble Bee
- The Star-Spangled Banner
- Liebeslied
- Liebesfreud
Customer Reviews:
Rachmaninov plays Estonia piano.......2007-05-17
Beautiful CD.......2004-11-10
Love at First Listen.......2002-01-20
The way it should be played..........2001-12-19
One of the best........2000-11-21
The only song on here It could have done without is 'The Star Spangled Banner'. Other then that, A great album!
Highly recommended.
Average customer rating:
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Kaleidoscope
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QIT6 Release Date: 2001-11-13 |
Amazon.com
This may be the only recorded classical piano recital in which you're likely to burst into "From the halls of Montezuma to the shores of Tripoli," since the music of the Marine Corps' anthem stems from an Offenbach operetta duet, performed here in Hamelin's edition of Jakob Gimpel's piano arrangement. That's an indication of the fun you'll hear among the 20 piano miniatures in this recital. There's also a truckload of superior salon music: tuneful, often sentimental pieces favored by 19th century pianists and audiences. And there are plenty of pianistic fireworks, too, as in Hamelin's gloss on a Paganini-Liszt étude and Josef Hofman's dazzling Kaleidoskop, which gives the disc its title. Throughout, Hamelin plays with his usual virtuosity, demonstrating mastery of various styles, from waltzes to technical exercises and even jazz, as in Kapustin's Toccatina. Several works on the disc are by composers even keyboard buffs will not have heard of, but everything clicks. First-rate sonics, too. Piano fanciers won't want to miss this one. --Dan DavisCustomer Reviews:
A pleasing variety of piano miniatures.......2003-12-11
These are but four pieces out of the 20 Mr. Hamelin has chosen for this recital. All have their musical merits and each would add spark and a fascinating variety to the piano recital, which is too often composed of recycled repertoire.
Give the Man a Break.......2003-06-05
Where's Liberace when you need him?.......2002-05-18
As fast as a player piano and just about as musical.
The works don't have any substance either.
Divine Madness And Other Fun.......2002-04-20
Hamelin teases us with another addition to his incomplete set of virtuoso etudes. The third etude, after Paganini-Liszt, is absolutely uproarious. Hamelin also gives Jakob Gimpel's (who?) Offenbach transcription a performance worthy of the pre-retirement Horowitz. This alone is worth the price of admission.
There is a rendition of the Blumenfield left-hand etude that is on par if not better than any of Simon Barere's famous recordings. And, since Shura is no longer with us it is nice to hear Josef Hofmann's Kaleidoskop once again in capable hands. Hofmann's Nocturne receives a resurrection as well. There is a ravishingly beautiful piece which Hamelin has adapted from Glazunov's The Seasons. But, the piece I could not stop playing over and over was the infectiously rythmic Kasputin Toccatina--true virtuoso jazz!
Leopold Godowsky accused Theodore Leschetizky of setting the art of piano playing back a hundred years. Hamelin has set back most of today's pianists at least that much. The only thing missing here is the kitchen sink; Hamelin has thrown everything else in. The only thing missing here is Rubinstein's Staccato Etude and the Melody in F. Not exactly a balanced recital, but marvelous fun. If you love piano, you have to have this! It's better than the entire Kissin discography combined.
Divine Madness And Other Fun.......2002-04-20
Hamelin teases us with another addition to his incomplete set of virtuoso etudes. The third etude, after Paganini-Liszt, is absolutely uproarious. Hamelin also gives Jakob Gimpel's (who?) Offenbach transcription a performance worthy of the pre-retirement Horowitz. This alone is worth the price of admission.
There is a rendition of the Blumenfield left-hand etude that is on par if not better than any of Simon Barere's famous recordings. And, since Shura is no longer with us it is nice to hear Josef Hofmann's Kaleidoskop once again in capable hands. Hofmann's Nocturne receives a resurrection as well. There is a ravishingly beautiful piece which Hamelin has adapted from Glazunov's The Seasons. But, the piece I could not stop playing over and over was the infectiously rythmic Kasputin Toccatina--true viruoso jazz!
Leopold Godowsky accused Theodore Leschetizky of setting the art of piano playing back a hundred years. Hamelin has set back most of today's pianists that much. The only thing missing here is the kitchen sink; Hamelin has thrown everything else in. The only thing missing here is Rubinstein's Staccato Etude and the Melody in F. Not exactly a balanced recital, but marvelous fun. If you like piano, you have to have this! It's better than the entire Kissin discography combined.
Average customer rating:
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Rachmaninov: Sonata No. 2; Balakirev: Islamey
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006TN8E0 Release Date: 2005-05-10 |
Tracks:
- I. Allegretto Agitato
- II. Non Allegro
- III. L'Istesso Tempo-Allegro Molto
- I. Elegie
- II. Prelude
- III. Melodie
- IV. Polichinelle
- V. Serenade
- Polka De V.R.
- I. Prelude
- II. Fugue
- Prelude In D-Flat Major, Op.57 No.1
- The Musical Snuff Box, Op.32
- In The Garden
- Islamey (Oriental Fantasy)
Amazon.com
This is a fascinating, unusual collection of Russian piano music. Kern, a gold medal winner at the 2001 Cliburn Competition, mixes familiar music with novelties in an intelligently programmed recital. We get Rachmaninov's over-familiar Prelude in C Sharp Minor in the context of the otherwise unfamiliar Morceaux de fantaisie, Op. 3, of which it is the second piece. Balakirev's notorious fingerbuster Islamey is preceded by his rarely-heard In the Garden. Most unusually, Kern includes the Prelude and Fugue in G Sharp Minor by Sergei Taneyev, pupil of Tchaikovsky and teacher of Rachmaninov, considered one of Russia's most important composers by Russians and mostly unknown elsewhere. Kern's playing is colorful, fluent, and convincing throughout most of the recital, and she makes Rachmaninov's Second Piano Sonata less bombastic and more attractive than usual. She rather falls apart in Islamey, though, introducing strange pauses at the ends of phrases and generally showing the strain of the murderous writing. Up to that point, the disc has more than an hour of excellent playing, and thus it's still very much worth hearing. --Leslie GerberCustomer Reviews:
A Superlative Musician.......2007-06-20
Beverly Crandall
What a Delight, that Olga Kern!.......2005-11-22
Average customer rating:
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Sergei Rachmaninoff: The Complete Recordings
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FB7 Release Date: 1992-09-15 |
Tracks:
- Concerto No. 2, Op. 18 In C Minor: Moderato; Allegro
- Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
- Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
- Concerto No. 3, Op. 30 In D Minor: Allegro ma non tanto
- Concerto No. 3, Op. 30 In D Minor: Intermezzo: Adagio
- Concerto No. 3, Op. 30 In D Minor: Finale: Alla breve
Tracks:
- Concerto No. 1, Op, 1 In F Sharp Minor: Vivace
- Concerto No. 1, Op, 1 In F Sharp Minor: Andante
- Concerto No. 1, Op, 1 In F Sharp Minor: Allegro vivace
- Concerto No. 4, Op. 40 In G Minor: Allegro vivace
- Concerto No. 4, Op. 40 In G Minor: Largo
- Concerto No. 4, Op. 40 In G Minor: Allegro vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Variation I: (Precedente)
- Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation II: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation III: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation IV: Piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation V: Tempo precedente
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VI: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VII: Meno mosso, a tempo moderato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII: Tempo I
- Rhapsody On A Theme Of Paganini, Op. 43: Variation IX: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation X: Poco marcato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XI: Moderato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XII: Tempo di minuetto
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII: Allegro
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XV: Piu vivo scherzando
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI: Allegretto
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII: (Allegretto)
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII: Andante cantabile
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX: A tempo vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XX: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII: Un poco piu vivo (Alla breve)
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV: A tempo un poco meno mosso
Tracks:
- Isle Of The Dead, Op. 29
- Vocalise, Op. 34, No. 14
- Symphony No.3, Op. 44 In A Minor: Lento; Allegro moderato
- Symphony No.3, Op. 44 In A Minor: Adagio ma non troppo
- Symphony No.3, Op. 44 In A Minor: Allegro
Tracks:
- Sonata, Op. 30, No. 3 In G: Allegro assai
- Sonata, Op. 30, No. 3 In G: Tempo di minuetto, ma molto moderato e grazioso
- Sonata, Op. 30, No. 3 In G: Allegro vivace
- Sonata D. 574 In A: Allegro moderato
- Sonata D. 574 In A: Scherzo: Presto; Trio
- Sonata D. 574 In A: Andantino
- Sonata D. 574 In A: Allegro vivace
- Sonata, Op. 45 In C Minor: Allegro molto ed appassionato
- Sonata, Op. 45 In C Minor: Allegretto espressivo alla Romanza
- Sonata, Op. 45 In C Minor: Allegro animato
Tracks:
- Partita No. 4, BWV 828: Sarabande
- Harpsichord Suite No. 5: Air And Variations - 'Harmonious Blacksmith'
- Sonata, K. 331: III: Turkish March
- 32 Variations, WoO 80 In C Minor: Thema: Allegretto
- 32 Variations, WoO 80 In C Minor: Variation I
- 32 Variations, WoO 80 In C Minor: Variation II
- 32 Variations, WoO 80 In C Minor: Variation III
- 32 Variations, WoO 80 In C Minor: Variation IV
- 32 Variations, WoO 80 In C Minor: Variation V
- 32 Variations, WoO 80 In C Minor: Variation VI
- 32 Variations, WoO 80 In C Minor: Variation VII
- 32 Variations, WoO 80 In C Minor: Variation VIII
- 32 Variations, WoO 80 In C Minor: Variation IX
- 32 Variations, WoO 80 In C Minor: Variation X
- 32 Variations, WoO 80 In C Minor: Variation XI
- 32 Variations, WoO 80 In C Minor: Variation XII
- 32 Variations, WoO 80 In C Minor: Variation XIII
- 32 Variations, WoO 80 In C Minor: Variation XIV
- 32 Variations, WoO 80 In C Minor: Variation XIX
- 32 Variations, WoO 80 In C Minor: Variation XXII
- 32 Variations, WoO 80 In C Minor: Variation XXIII
- 32 Variations, WoO 80 In C Minor: Variation XXIV
- 32 Variations, WoO 80 In C Minor: Variation XXV
- 32 Variations, WoO 80 In C Minor: Variation XXVI
- 32 Variations, WoO 80 In C Minor: Variation XXVII
- 32 Variations, WoO 80 In C Minor: Variation XXVIII
- 32 Variations, WoO 80 In C Minor: Variation XXXI
- 32 Variations, WoO 80 In C Minor: Variation XXXII
- Return Home
- Polish Songs: The Maiden's Wish
- Die schone Mullerin: Das Wandern
- Schwanengesang: Serenade
- Polonaise No. 2 In E
- Songs Without Words, Op. 67: Spinning Song
- Impromptu, Op. 90, No. 4 In A Flat
- Concert Etude No. 2: Gnomenreigen
- Orfeo ed Euridice: Melodie
- Etude, Op. 104b, No. 2 In F
- Etude, Op. 104b, No. 3 In A Minor
- Spanisches Liederspeil: The Smuggler
- Minuet, Op. 14, No. 1 In G
- Liebesfreud
Tracks:
- Sonata No. 2, Op. 35 'Funeral March': Grave; Doppio movimento
- Sonata No. 2, Op. 35 'Funeral March': Scherzo
- Sonata No. 2, Op. 35 'Funeral March': Marche funebre
- Sonata No. 2, Op. 35 'Funeral March': Presto
- Carnaval, Op. 9: Preambule
- Carnaval, Op. 9: Pierrot
- Carnaval, Op. 9: Arlequin
- Carnaval, Op. 9: Valse noble
- Carnaval, Op. 9: Eusebius
- Carnaval, Op. 9: Florestan
- Carnaval, Op. 9: Coquette
- Carnaval, Op. 9: Replique
- Carnaval, Op. 9: Sphinxes
- Carnaval, Op. 9: Papillons
- Carnaval, Op. 9: A. S. C. H. - S. C. H. A. (Letteres dansantes)
- Carnaval, Op. 9: Chiarina
- Carnaval, Op. 9: Chopin
- Carnaval, Op. 9: Estrella
- Carnaval, Op. 9: Reconnaissance
- Carnaval, Op. 9: Pantalon et Colombine
- Carnaval, Op. 9: Valse allemande
- Carnaval, Op. 9: Pganini (Intermezzo)
- Carnaval, Op. 9: Aveu
- Carnaval, Op. 9: Promenade
- Carnaval, Op. 9: Pause
- Carnaval, Op. 9: Marche des 'Davidsbundler' contre les Philistins
- Nocturne, Op. 9, No. 2 In E Flat
- Waltz, Op. 64, No. 2 In C Sharp
- Waltz, Op. 64, No. 3
- Ballade No. 3, Op. 47 In A Flat
- Mazurka, Op. 68, No. 2
- Waltz, Op. Posth. In E Minor
Tracks:
- Partita No. 3, BWV 1006: Preludio
- Partita No. 3, BWV 1006: Gavotte
- Partita No. 3, BWV 1006: Gigue
- A Midsummer Night's Dream: Scherzo
- Liebersfreud
- Die schone Mullerin: The Brooklet
- Polka de V.R.
- Etude-tableau, Op. 39, No. 6 In A Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
- Sorochintsy Fair: Hopac
- Lullaby, Op. 16, No.1
- Tsar Saltan: Flight of the Bumblebee
- The Ruins Of Athens: Turkish March
- Scherzo In A Flat
- The Seasons: November: Troika
- Prelude No. 8, Op. 11, No. 8 In F Sharp
- One Lives But Once
- Powder and Paint
- Polka italienne (Piano 4 Hands)
Tracks:
- Concerto No. 2, Op. 18 In C Minor: Maderato; Allegro
- Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
- Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
- Prelude, Op. 23, No. 10 In G Flat
- Prelude, Op. 32, No. 3 In E Major
- Prelude, Op. 32, No. 7 In F Major
- Prelude, Op. 32, No. 6 In F Minor
- Etude-tableau, Op. 33, No. 2 in C Major
- Etude-tableau, Op. 33, No. 7 In E Flat
- Daisies, Op. 38, No. 3
- Oriental Sketch
- Melodie, Op. 3, No. 3 in E
- Serenade, Op. 3, No. 5 In B Flat
- Humoresque, Op. 10, No. 5 In G
- Lilacs, Op. 21, No. 5
- Moment Musical, Op. 16, No. 2 In E Flat
Tracks:
- Mazurka, Op. 63, No. 3 In C Sharp Minor
- Nocturne, Op. 15, No. 2 In F Sharp
- Waltz, Op. 18 'Grande valse brilliante' In E Flat
- Waltz, Op. 34, No. 3 'Valse brilliante' In F
- Waltz, Op. 64, No. 1 'Minute'
- Waltz, Op. 69, No. 2 In B Minor
- Waltz, Op. 70, No. 1 In G Flat
- Scherzo No. 3, Op. 39 In C Sharp Minor
- Waltz, Op. 64, No. 1 'Minute' In D Flat
- Le coucou
- L'Arlesienne Suite No. 1: Minuet
- Carnival Of The Animals: The Swan
- Songs Without Words, Op. 67: Spinning Song
- Waltz
- Lyric Pieces, Op. 12: Elfin Dance
- Etude, Op. 28, No. 6 In F Minor
- If I Were a Bird
- La jongleuse
- Dr. Gradus ad Parnassum
- Children's Corner: Golliwogg's Cakewalk
- The Seasons: November: Troika
- Humoresque, Op. 10, No. 2 In G
- Waltz, Op. 40, No. 8 In A Flat
Tracks:
- Prelude, Op. 23, No. 5 In G Minor
- Prelude, Op. 32, No. 12 In G Sharp Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
- Prelude, Op. 32, No. 5 In G
- Serenade, Op. 3, No. 5 In B Flat
- Lilacs, Op. 21, No. 5
- Polichinelle, Op. 3, No. 4 In F Sharp Minor
- Polka de V.R.
- Liebesleid
- Hungarian Rhapsody No. 2
- Pastorale In E Minor
- Theme and Variations
- Waltz, Op. 42 'Two - Four' In A Flat
- Waltz, Op. 64, No. 3 In A Flat
- Polka de V.R.
- Bacarolle, Op. 10, No. 3 In G Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
Amazon.com
We remember Rachmaninov today mostly for the music he wrote. But as this set quickly reveals, he was one of the greatest pianists of the 20th century, able to play his own music and a great variety of others with tremendous personality and a technique that is still astonishing. There's no point picking highlights from this set, since they are everywhere. But if you've never heard Rachmaninov play Schumann's Carnaval, try starting there for one of the most imaginative recreations of a piece of music ever recorded. The set also includes Rachmaninov's only recordings as a conductor in two of his own major works. --Leslie GerberCustomer Reviews:
Save some $ money! Get the newer January 2006 reissue set instead........2006-05-17
Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.
For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.
To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.
(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)
6, or Even 7 Stars!.......2005-06-04
Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.
While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.
Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.
Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...
His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!
The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!
A must have for Piano and classical music lovers.......2005-04-04
Ah, Rachmaninoff, brilliant star of music, how we adore you.......2003-09-14
Review from a spoiled modern listener.......2003-07-13
Average customer rating: |
Historic Organ Of Louisville
Manufacturer: Organ Hist. Society ProductGroup: Music Binding: Audio CD ASIN: B000004AHS Release Date: 1996-12-17 |
Tracks:
- Funeral March And Humn Of Seraphs
- Sonata No.1, Op.42: III. Finale
- 'The Little Red Lark'
- Fireside Francies, Op.29
- Lord Enthroned
- Suite Folklorique: Canzona
- Lied des Chrysanthemes, Op.3, No.1
- Fantasie And Fugue In B-Flat
- We Know That Christ Is Raised
- Peer Gynt Suite I.: Ases Tod
- Andante
- Concerto No.1: Organ Solo
- Johnson Rag
Tracks:
- Sonata IV.
- Ave Maria, Op.104, No.2
- Allegro Maestoso And Fugue On America
- Homage To Persichetti
- Dawn Hymn, Op.138
- Sunset To Sunrise
- O God, Thou Faithful God, Op.65
- Church Cantata: b. Aria
- Hymn Interpret: Beach Spring
- Sonata V.
- Elevation, No.30
- Secondo Dialogo
- Monologue, Op.162, No.1: Fughetta On B-A-C-H
- Homeward Bound
- Prayer
- Offertoire (La madone)
- Chanson de nuit, Op.15, No.1
- Thais: Meditation
- Prelude On Pisgah
Tracks:
- Sonata No.4 In B-Flat Major: I., II.
- Fugue In A-Flat Minor
- Prelude On Hyfrydol
- L'Apres midi faune: Prelude
- The Ride Of The Walkuren
- The Last Rose Of Summer
- Laudate Dominum: O Praise Ye the Lord
- Three Pieces
- Fantasie
Tracks:
- Partita On Ein fest Burg
- A Mighty Fortress
- Sonata II.: I. Lebhaft
- Prelude And Fugue In E-Flat
- Sing Alleluia Forth
- Trumpet Tune
- Grand March In B-Flat Major
- Partita On Resonet In laudibus
- When In Our Music: Chorale
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29 R&B Classics That Rocked the Jukebox in 1959
Various Artists Manufacturer: Bear Family ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E6UKP0 Release Date: 2006-03-27 |
Tracks:
- Try Me - James Brown & His Famous Flames
- So Fine - The Fiestas
- Pretty Girls Everywhere - Eugene Church & The Fellows,
- I Crued a Tear - LaVern Baker
- Stagger Lee - Dan Costa Orchestra, Lloyd Price
- Sorry (I Ran All the Way Home) - Leroy Holmes & His Orchestra, , The Impalas
- It's Just a Matter of Time - Brook Benton
- Kansas City - Wilbert Harrison
- Twist - Hank Ballard & the Midnighters,
- 16 Candles - The Crests
- Farmer John - Don & Dewey,
- Happy Organ - Dave "Baby" Cortez
- There Is Something on Your Mind - Big Jay McNeely,
- You're So Fine - The Falcons
- Almost Grown - Chuck Berry
- What a Diff'rence a Day Makes - Dinah Washington
- There Goes My Baby - The Drifters
- What'd I Say, Pts. 1 & 2 - Ray Charles Orchestra
- Sea of Love - Phil Phillips with the Twilights,
- Love Potion, No. 9 - The Clovers
- Hey Little Girl - Dee Clark
- Shout, Pts. 1 & 2 - The Isley Brothers
- I Only Have Eyes for You - The Flamingos
- Clouds - The Spacemen
- You Got What It Takes - Marv Johnson
- I Want to Walk You Home - Fats Domino
- Say Man - Bo Diddley
- Poison Ivy - The Coasters
- You Better Know It - Jackie Wilson
Album Details
The "Blowingthe Fuse" Series Imaginatively Compiles R&B Tracks in Splendid Sound and Detail, Assembled by Canadian Collector and DJ Dave "Daddy Cool" Booth and Knowledgeably Annotated by Hank Williams-biographer Colin Escottare. The Music Comes from the Dawn of the Post-war R&B Era in 1945 and Continues Through to 1960! Other Labels Lift Photos from Old Books and Magazines and Commission Quickie Liner Notes that Tell You Little Or Nothing and Often Get it Wrong. This Series Has Detailed Song-by-song Notes, Stories Behind the Songs and Incredible Never-before-seen Photos in Huge Booklets So Big They Won't Fit Inside a Standard Jewelbox. Each Comes in a Specially Designed Digipac. These Are True, Properly Thought-out Compilations in the Spirit of Guy Stevens, Paul Oliver, Mike Leadbitter and the Others who Compiled Groundbreaking Blues/R&b LPs Back in the 1960s and 1970s.
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Remembrance: A Charles Ives Collection
Manufacturer: Koch Int'l Classics ProductGroup: Music Binding: Audio CD ASIN: B000001SG3 Release Date: 1995-01-25 |
Tracks:
- March III - With The Air (Old Kentucky Home)
- Ann Street
- Calcium Light Night
- Holiday Quick Step
- Four Songs For Brass Quintet: On the Counter
- Four Songs For Brass Quintet: Side Show
- Four Songs For Brass Quintet: Slow March
- Four Songs For Brass Quintet: Tarrant Moss
- Fugue in Four Keys (On The Shining Shore)
- The Unanswered Question
- Remembrance
- Evening
- Mists
- A Brass Serenade: The Circus Band
- A Brass Serenade: Romanzo di Central Park
- A Brass Serenade: Scherzo (All The Way Around And Back)
- A Brass Serenade: Scherzo (Over The Pavements)
- A Brass Serenade: Gyp the Blood
- A Brass Serenade: Adagio Sostenuto
- A Brass Serenade: Tone Roads No. 1
- A Brass Serenade: Tone Roads No. 3
- A Brass Serenade: March II -With The Air (Son Of A Gambolier)
- A Brass Serenade: The See'r
- A Brass Serenade: Luck and Work
- A Brass Serenade: Like a Sick Eagle
- A Brass Serenade: Hallowe'en
Customer Reviews:
The Brass Band Marches on with Ives.......2005-05-28
Ives had great respect for brass ensembles and wrote music expressly for them. These are included as are a number of works for chamber orchestra etc. The collection is played beautifully and the recorded sound is excellent. With some reservations this 'Remembrance: A Charles Ives Collection' is not only successful but a fine addition to the Ives recordings.
Perhaps just returning from a performance of 'The Unanswered Question' performed by the LA Philharmonic with Esa-Pekka Salonen conducting where the mystery and spirit of Emerson's poem "The Sphynx" which inspired Ives to write this brief 6-minute piece colors this listener's full appreciation of these transcriptions. Originally scored for strings, four flutes, and trumpet (in the wondrous Disney Hall acoustics Salonen stood alone on the stage conducting the off stage strings, the flutes in the organ loft and the trumpet in the highest balcony in a three way conversation that seemed to come both from within the bodies of the audience and the ether of the universe, this work fails to hold the importance of the solo brass instrument playing against a brass ensemble. A small quibble perhaps, but some of Ives' works were specifically designated for certain instruments and defy tampering.
In all a recording to add to the Ives Collection and one that is certainly well performed. Grady Harp, May 05
A great collection.......2003-05-12
Many of these pieces, most in fact, are difficult to find anywhere else, and are of enormous interest. One of Ives's earliest pieces, "Holiday Quickstep," for instance. There are also engaging interpretations of his more esoteric and mysterious works (The Unanswered Question, Ann Street), personal pieces written for piano and soprano (Remembrance, Evening, Mists), tone poems, and more lively, sometimes comic, sketches (Gyp the Blood or Hearst, Tarrant Moss). The performances, by the Detroit Chamber Winds, are energetic and gratifying. For most of the stuff on this disc, however, there is very little to compare it to.
This is an immensley charming collection of short pieces that any Ives fan is sure to value.
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DEBUT ~ Katarina Karnéus - R. Strauss, Mahler, Marx Lieder
Richard Strauss , Gustav Mahler , Joseph Marx , Katarina Karnéus , and Roger Vignoles Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD ASIN: B00000IWVX Release Date: 1999-05-18 |
Tracks:
- Die Nacht, Op. 10 No. 3
- Meinem Kinde, Op. 37 No. 3
- Begegnung
- Nachtgang, Op. 29 No. 3
- Ruhe, meine Seele!, Op. 27 No. 1
- Allerseelen, Op. 10 No. 8
- Mein Herz ist stumm, Op. 19 No. 6
- Morgen!, Op. 27 No. 4
- Wie sollten wir geheim sie halten, Op. 19 No. 4
- Leider und Gesange: I: Fruhlingsmorgen
- Des Knaben Wunderhorn: II: Ich ging mit Lust durch einen grunen Wald
- Des Knaben Wunderhorn: II: Ablosung im Sommer
- Leider und Gesange: II: Erinnerung
- Leider und Gesange: III: Hans und Grethe
- Des Knaben Wunderhorn: III: Scheiden und Meiden
- Ruckert-Lieder: Ich atmet' einen linden Duft
- Ruckert-Lieder: Blicke mir nicht in die Lieder
- Ruckert-Lieder: Liebst du um Schonheit
- Ruckert-Lieder: Ich bin der Welt abhanden gekommen
- Und gestern hat er mir Rosen gebracht
- Maienbluten
- Hat dich die Liebe beruhrt
- Wofur
- Venetianisches Wiegenlied
Christian Music:
- 360 Degrees of Billy Paul [Import]
- Acid Queen [Import]
- Are We Cool
- Beats & Rhymes: Hip-Hop Of The '90s - Part 2
- Bestial [Import]
- Boogie [CD-single] [Import]
- Coast Along with the Coasters
- Collaborations [Import]
- Dangerously in Love [Import]
- Destiny Fulfilled (Bonus Dvd) [Import]
Christian Music
Mozart: Serenades, KV 239 & KV 203 / March KV 237
Live: the Tasmanian Tapes [Import]
I Can Hear Kentucky Calling Me
Reggae Master Blaster, Vol. 2 [Import]
Song to Comus: The Complete Collection [Import]
Puccini - Madama Butterfly / Scotto, Bergonzi, Panerai, Di Stasio, Opera di Roma, Barbirolli