Les Fleurs [Import]

Product Description
Minnie Ripeton's voice was one of the most versatile and rich instruments ever heard. Her range, as showcased in 'Lovin You' was incredible, but it's the seductive tones of songs like 'Inside my Love' that really shine. 'Les Fleurs' and 'I Am the Black Gold of the Sun' are a trimphant and joyous psychedelic treat. Also included is a duet of 'Light my Fire' with Jose Felliciano. 14 tracks in all. EMI.

Les Fleurs,Minnie Riperton,EMI/Capitol,Popular Music,R&B/Soul,Soul/R & B

Average customer rating:

Bright Star
Anna Netrebko: Opera Arias
First DGG album--very promising
Remarkable!
Beautiful voice, beautiful girl

Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Sempre Libera
Russian Album
Violetta: Arias and Duets from Verdi's La Traviata [Includes DVD]
Anna Netrebko - The Woman, The Voice
Verdi - La Traviata

ASIN: B00008MLSH
Release Date: 2003-09-09

Tracks:

Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
Rusalka: "Mesicku na nebli hlubokem" - Dvorak
La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini

Amazon.com

Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella tale—the bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May

Customer Reviews:

Bright Star.......2007-07-13

If you like opera, if you like the lyric soprano, if the vocal range of the colortura causes goose bumps to rise, Anna Netrebko is a must. Roberta Peters, Beverly Sills, Anna Moffo, Joan Southerland, Maria Callas, she takes a back seat to none of them,she sits he front seat with the best of them and guess what? She is beautiful too.

Anna Netrebko: Opera Arias.......2007-03-29

Her voice takes my breath away, I fell in love with her.
I highly reccomend it.

First DGG album--very promising.......2007-02-01

Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.

A few selections illustrate:

Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.

Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.

Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.

Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.

Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.

Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.

All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.

Remarkable!.......2006-11-02

Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.

Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.

Beautiful voice, beautiful girl.......2005-11-22

When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!

Delibes - Lakmé / Mesplé, Burles, Soyer, Millet, Opéra-Comique, Lombard [highlights]

Average customer rating:

Great treat for the musical omnivore
Delibes Lakme
did not order
Lakme
Classic Lakme

Delibes - Lakmé / Mesplé, Burles, Soyer, Millet, Opéra-Comique, Lombard [highlights]
Léo Delibes , Choeurs et Orcestre du Théâtre National de l'Opéra-Comique , Alain Lombard , Mady Mesplé , Danielle Millet , Charles Burles , Roger Soyer , and Jean-Christophe Benoît
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Delibes: Lakme (Highlights) / Sutherland, Bonynge
The Most Famous Opera Arias
Aria: A Passion for Opera

ASIN: B000002S1Q
Release Date: 1990-05-15

Tracks:

Lakme: Prelude
Lakme: Act I: Duettino: 'Viens, Mallika...'
Lakme: Act I: Air: 'Prendre Le dessin...' (Gerald)
Lakme: Act I: Recit Et Strophes: 'Les Fleurs Me Paraissent Plus Belles' (Lakme)
Lakme: Act I: Duo: 'D'ou Viens-Tu?' (Lakme, Gerald)
Lakme: Act II: Stances: 'C'est Un Pauvre Qui Medie ... Lakme, Ton Doux Regard Se Voile' (Nilakantha)
Lakme: Act II: Scene De La Legende De La Fille Du Paria (Air Des Clochettes): 'Par Les Dieux Inspires ... Ou Va La Jeune Hindoue' (Nilakantha, Lakme)
Lakme: Act II: Duo: 'Lakem, Lakme, C'est Toi' (Gerald, Lakme)
Lakme: Act III: Berceuse: 'Sous Le Ciel Tout Etoile' (Lakme)
Lakme: Act III: Recitatif Et Cantiene: 'Quel Vague Souvenir...' (Lakme, Gerald, Frederic, Nilakantha, Choeur)
Lakme: Duo et finale: 'Tu M'as Donne Le Plus Doux Reve' (Lakme, Gerald, Nilakantha)

Customer Reviews:

Great treat for the musical omnivore.......2007-05-18

'Lakme', a lesser known work by Leo Delibes is not 19th Century opera at it's zenith, but then who wants to listen to 'Tannheuser' or 'Aida' all the time. For those like me who enjoy poking around some of the less familiar corners of world music, this is a great find. It has lots of the same feel of later, 20th century stage music, and the French is a nice change from the German and Italian heaviweights. It also has a few of the very nicest operatic duets in this collection of highlights.

Delibes Lakme.......2007-05-13

The music was beautiful and haunting. I am especially fond of Flower Duet and have loved it from the first time I heard it some years ago. This whole recording is great and I have much enjoyed it!

did not order.......2007-03-11

I did not order anything and did not receive anything and i told my credit card company to put the charge in "debate"
murray coe

Lakme.......2006-01-14

Mady Mesple is simply the best for this role. Yes, Joan Sutherland is known for this song (and I love Sutherland), but I have to say this opera is Mady's. When I hear the Bell Song sung by Mady - chills go up my spine. Definitely a keeper!

Classic Lakme .......2003-07-07

Mady Mesple in her signature role - she made her debut in 1953
in Lakme and has been considered one of the best exponent of
the role throughout her distinguised carreer. The archetype of
the light french coloratura soprano - the voice is small and
slightly tremoulous but well focused and her technical assu-
rance (stupendous high notes) refined musicianship and idioma-
tic phrasing make for a highly polished performance. Charles
Burles is light and musical and blends exquisitely with Mesple
in their duets while Roger Soyer's rich voice makes him a
strong presence. The supporting cast is in very capable hands.
Well recorded and conducted - a classic performance indeed.

Average customer rating:

Breathtaking
operatica "o"
First few songs are good, the rest are???
This is the pits. . . the absolute pits
Adding To My List Of Vices: A Continuation

O: Operatica, Vol. 1

Manufacturer: E-Magine Records
ProductGroup: Music
Binding: Audio CD

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Myth of Red
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Etterna
The Fifth Element: Original Motion Picture Soundtrack

ASIN: B00004Z42O
Release Date: 2000-10-03

Tracks:

Ave Maria
Vocalise
Melancholy Rose
L'Heure Exquise
O Del Mio Dolce Ardor
Charmed By A Rose
In The City
Get Off My Land
Dite Oime
Bachianas Brasileiras No.5
Maria's Dream (Instrumental)
Bonus Track

Customer Reviews:

Breathtaking.......2006-12-17

I bought this CD before it was even well-known, though I wonder how many people even know about it right now. This is truly a gem of a find. The fusion of electronica and opera is amazing and the vocals are haunting and beautiful. I have had several friends listen to this CD and all of them fall in love with it, just like I did when I first heard it. I have since bought Operatica: Shine and the more recent Operatica: Christmas Classics and I can truly say I am just as pleased with both follow-up albums. I listen to a variety of music and have a large collection, and this is one of my favourite CDs! Bravo to the creators, composers, vocalist(s) and artists that brought this compilation together.

operatica "o".......2005-09-19

I have this album and think it is unusually beautiful, innovative, a woman with a lovely voice.

Why is she not mentioned or given the credit she deserves, it would appear she is some kind of a secret!

Maureen O'Flynn is only mentioned in the booklet of credits in the jewel case itself, why?
Enter her name in the search in CDNOW and it comes up blank! Why?

First few songs are good, the rest are???.......2004-02-13

First few songs are good, but the rest of the album is no good!

This is the pits. . . the absolute pits.......2003-08-23

Maureen O'Flynn is a perfectly good singer, but whoever thought this "marriage" of opera and pop was a good idea is the same guy that thinks John Tesh is a great composer. People have simply stopped listening seriously to music, and it is a real shame. This recording is for the scrap heap. The accompaniment is cheesier than a big wedge of provolone. There isn't a single live musician in the studio with this young lady. The people who think this is good music are the same ones that aren't bothered by the prospect of a canned sound track in a Broadway show or the "pop stylings" of Charlotte Church. Go out and find some REAL MUSIC, people! It's there if you look. As the great American composer Charles Ives wrote: "Open your ears!"

Adding To My List Of Vices: A Continuation.......2003-05-05

When coupling sounds from two opposing polarities into one another and blending them into the perfect texturization of harmonics, one has to have a few things that fit nicely together in order to succeed. One has to first have a musical stylization that works when placed into an arena that isn't normally associated with its feel, making sure that the seams that could be ripe for the picking aren't taken advantage of. Next, one has to make sure that the voice behind the work, if there is a vocal combination in the work at all, is something that will work smoothly and will not let the vehicle of sense assailment down. Otherwise, the end result is painful and the art, it is merely noise. This is especially true when one is trying to fit a glove on the hand that isn't accustomed to wearing it, making certain that the fit is right and that the end result isn't too rudimentary because something was overlooked.

With Operatica: "O" Volume 1, the components come together fabulously and the seams don't really show at all except on the rarest of occasions (two songs out of eleven by my count, and perhaps that's more beat than anything), throwing a mixture of motions into a vocally moving ocean that would, on many occasions, be seen as items that wouldn't fit together. Here, the beautiful voice of Maureen O'Flynn mixes the operatic sounds I had never truly experienced into a sea of electronic beats, ambient rhythms, speaking pianos, and other vessels to compose the perfect structure. This takes a classical form and introduces it to a world that paints new scenes that couldn't have been painted otherwise, letting its audience ingest a spectrum of thoughts that they wouldn't intake normally. I, myself, was stunned to find that I was instantly addicted to the release, listening to it over and over again and wondering where Opera had been all of my life. Honestly, being a child of electronic music that drifts into heavier organisms of feeling, I never thought I would ever think such thoughts.

For people that can't bridge the span of biases and enjoy items that span gaps in tastes and in sensations, then this wouldn't be something that you would enjoy. There are many things within it, like the work itself, that aren't traditional and that a person looking for the flairless would find flavorless, from the sound clips used as accents to the beats that infest the sounds and make them dance through the mind with zeal. For someone that is looking for something that breaks outside the mundane drum and bass notions of music and that wants to hear an angelic voice pouring through synthetically fashioned skylines, then this might be something you'd look into tasting. Me, I never thought that something like this would find its way into my home, but it did more than that. It actually made me listen to things I hadn't really listened to, liking them for what might amount to a first time.

Delibes: Lakme (Highlights) / Sutherland, Bonynge
Average customer rating:

Delibes: Lakme - Sutherland

Incomparable voice

the perfect vehicle for Sutherland

The Most Beautiful Music

Delibes: Lakme (Highlights) / Sutherland, Bonynge

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The #1 Opera Album

Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

ASIN: B000024756
Release Date: 2000-09-12

Tracks:

Lakme: Act I, Viens, Malika... Dome epais le jasmin
Lakme: Act I, Quand une femme est si jolie...
Lakme: Act I, Prendre le dessin d'un bijou
Lakme: Act I, Les fleurs me paraissent les belles...
Lakme: Act I, D'ou viens-tu?... C'est le dieu de la jeunesse
Lakme: Act II, Allons, avant que midi sonne
Lakme: Act II, Lakme, ton doux regard se voile
Lakme: Act II, Ah!... Ou va la jeune Indoue
Lakme: Act II, Lakme! Lakme! C'est toi... Ah! c'est l'amour endormi...
Lakme: Act III, Sous le ciel tout etoile...
Lakme: Act III, Lakme! LAkme! qu'as-tu?... C'est lui! C'est lui!

Amazon.com

Delibes's opera Lakmé is full of gorgeous melodies, even if you don't count the coloratura sensation, the famous "Bell Song." That aria virtually demands a soprano of Sutherland's agility and ease, and it gets it here (this is the highlights version of Sutherland's complete recording). Even the few singers who can match her in the upper altitudes can't do it with a voice so rich and full. Sutherland's is a Lakmé beyond comparison with twittering, thin-voiced, coloratura specialists. She did make this recording at a time when her diction was mushy and her vocal lines sometimes drooped, so she's not beyond criticism. But revel in the voice; after all, Lakmé is a cardboard character, and the opera, for all its considerable charms, isn't another Ring cycle. Sutherland's colleagues are excellent too. Vanzo was one of the finest lyric tenors of his generation, and he's by far the best Gérald on disc. Jane Berbié and Gabriel Bacquier are also unmatched, and Bonynge's conducting is idiomatic and flowing. Add engineering from Decca/London's golden age of recording, and here's a Lakmé to treasure. --Dan Davis

Customer Reviews:

Delibes: Lakme - Sutherland.......2007-05-14

A brilliant rendition of Delibes: Lakme - runs about 13 minutes and every minute is a delight. Sutherland captures the full essence of the opera.

Incomparable voice.......2006-11-06

For those both familiar and unfamiliar with Sutherland's beautiful voice, this CD won't disappoint. It's a nice compilation. Sutherland's performance singing the "Flower Song" has got to be among the most beautiful musical experiences I know of. I bought myself one recently and one for a friend. I plan to buy more for Christmas presents!

the perfect vehicle for Sutherland.......2001-06-28

I'm a fan of those great operas that for whatever reason aren't immediately thought of by the general public when asked to name an opera. So Lakme is no Carmen- it doesn't need to be. So the plot is paper-thin: that's what Verdi and Wagner are for. I was glad to hear Joan paired with another great soprano for the flower duet. Jane Berbie comes dangerously close to overshadowing Joan Sutherland, with her sultry, rich style.

I have one other recording of Joan Sutherland singing the Bell Song. It is on her Art of the Prima Donna CD. That rendition is slower, more technically precise, with less flourishes. On this recording of Lakme, she speeds it up considerably, with a few more flourishes.

A third highlight is her duet with Alain Vanzo, "Lakme! Lakme! C'est toi..." What a wonderful, wonderful pairing and performance. Curiously enough, this gorgeous duet isn't even mentioned on the back of the CD jewel case as one of the high points of this highlights package!

Not every "highlight" here will take your breath away, but if nothing else, you can push the repeat button, and listen to the meltingly beautiful flower song again and again.

The Most Beautiful Music.......2000-10-24

This incredible music moved me to tears and lifted my spirits to the heights. I heartily recommend it!

Average customer rating:

Valuable compendium
Rareties available on CD at last!
Heavenly
WHO ELSE CAN SING LIKE THIS TODAY?

The Art of Joan Sutherland

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Serate Musicali
The Art of the Prima Donna
Bellini - Norma / Sutherland, Tourangeau, Bonynge
The Voice of the Century

ASIN: B000654OUQ
Release Date: 2005-03-15

Customer Reviews:

Valuable compendium.......2007-01-24

This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.

Rareties available on CD at last!.......2006-03-29

While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").

While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.

I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.

Heavenly.......2006-01-31

I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.

WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10

This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.

Rameau - Les Indes Galantes, Suites d'orchestre / La Chapelle Royale · Herreweghe

Average customer rating:

Rameau and the Rococo

Rameau - Les Indes Galantes, Suites d'orchestre / La Chapelle Royale · Herreweghe
Jean-Philippe Rameau , Philippe Herreweghe , and La Chapelle Royale
Manufacturer: Hmf Musique D'abord
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B00004TVGG
Release Date: 2000-08-15

Customer Reviews:

Rameau and the Rococo.......2007-01-09

I used to think the Rococo was nothing but Mozart and Haydn with a few lesser lights imitating them. I discovered Rameau in college when I bought an old Vox recording of Les Indes back in the 1960s. Gunter Kerr led his fine ensemble in a forthright performance. This recording by the Chapelle royale is a revelation. This is the full--as far as I can tell--set of incidental music to the opera, and what a joy the music is. It is full of the Rameau touches, and this recording along with another recording of the suites from La Naissance d'Osiris by the very fine Capella Savaria belongs in any serious rococo lover's library. Tops all the way--the Chaconne from the Les Indes being one of the supreme gifts of Rameau's art.

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin

Average customer rating:

Essential for the chansom junkie. Buy It.
Almost completely wonderful
Indisputable Gallic flair
Idiomatic, fresh, cleanly recorded
the best songs ever ruined by uneven performing

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
Francis Poulenc , Dalton Baldwin , Elly Ameling , Gérard Souzay , Nicolai Gedda , Michel Sénéchal , and William Parker
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Debussy - Mélodies / Ameling · Mesplé · Command · Souzay · von Stade · Baldwin
Fauré - Mélodies / Souzay · Ameling · Baldwin
A French Song Companion
Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles
The Songs of Henri Duparc

ASIN: B000002S31
Release Date: 1992-01-23

Tracks:

LE BESTIAIRE OU CORTEGE D'ORPHEE: I - Le Dromadaire
LE BESTIAIRE OU CORTEGE D'ORPHEE: II - La Chevre Du Tibet
LE BESTIAIRE OU CORTEGE D'ORPHEE: III - La Sauterelle
LE BESTIAIRE OU CORTEGE D'ORPHEE: IV - Le Dauphin
LE BESTIAIRE OU CORTEGE D'ORPHEE: V - L'ecrevisse
LE BESTIAIRE OU CORTEGE D'ORPHEE: VI - La Carpe
COCARDES: I - Miel De Narbonne
COCARDES: II - Bonne D'enfant
COCARDES: III - Enfant De Troupe
5 POEMES DE RONSARD: I - Attributs
5 POEMES DE RONSARD: II - Le Tombeau
5 POEMES DE RONSARD: III - Ballet
5 POEMES DE RONSARD: IV - Je N'ai Plus Les Os
5 POEMES DE RONSARD: V - A Son Page
CHANSONS GAILLARDES: I - La Maitresse Volage
CHANSONS GAILLARDES: II - Chanson A Boire
CHANSONS GAILLARDES: III - Madrigal
CHANSONS GAILLARDES: IV - Invocation Aux Parques
CHANSONS GAILLARDES: V - Couplets Bachiques
CHANSONS GAILLARDES: VI - L'offrande
CHANSONS GAILLARDES: VII - La Belle Jeunesse
CHANSONS GAILLARDES: VIII - Serenade
AIRS CHANTES: I - Air Romantique
AIRS CHANTES: II - Air Champetre
AIRS CHANTES: III - Air Grave
AIRS CHANTES: IV - Air Vif
Epitaphe
3 POEMES DE LOUISE LALANNE: I - Le Present
3 POEMES DE LOUISE LALANNE: II - Chanson
3 POEMES DE LOUISE LALANNE: III - Hier
4 POEMES DE GUILLAUME APOLLINAIRE: I - L'anguille
4 POEMES DE GUILLAUME APOLLINAIRE: II - Carte Postale
4 POEMES DE GUILLAUME APOLLINAIRE: III - Avant Le Cinema
4 POEMES DE GUILLAUME APOLLINAIRE: IV - 1904
5 POEMES DE MAX JACOB: I - Chanson Bretonne
5 POEMES DE MAX JACOB: II - Cimetiere
5 POEMES DE MAX JACOB: III - La Petite Servante
5 POEMES DE MAX JACOB: IV - Berceuse
5 POEMES DE MAX JACOB: V - Souric Et Mouric
8 CHANSONS POLONAISES: I - La Couronne
8 CHANSONS POLONAISES: II - Le Depart
8 CHANSONS POLONAISES: III - Les Gars Polonais
8 CHANSONS POLONAISES: IV - Le Dernier Mazour
8 CHANSONS POLONAISES: V - L'adieu
8 CHANSONS POLONAISES: VI - Le Drapeau Blanc
8 CHANSONS POLONAISES: VII - La Vistule
8 CHANSONS POLONAISES: VIII - Le Lac

Tracks:

5 POEMES DE PAUL ELUARD: I - Peut - Il Se Reposer?
5 POEMES DE PAUL ELUARD: II - Il La Prend Dans Ses Bras
5 POEMES DE PAUL ELUARD: III - Plume D'eau Claire
5 POEMES DE PAUL ELUARD: IV - Rodeuse Au Front De Verre
5 POEMES DE PAUL ELUARD: V - Amoureuses
A Sa Guitare
TEL JOUR, TELLE NUIT: I - Bonne Journee
TEL JOUR, TELLE NUIT: II - Une Ruine Coquille Vide
TEL JOUR, TELLE NUIT: III - Le Front Comme Un Drapeau Perdu
TEL JOUR, TELLE NUIT: IV - Une Roulotte Couverte En Tuiles
TEL JOUR, TELLE NUIT: V - A Toutes Brides
TEL JOUR, TELLE NUIT: VI - Une Herbe Pauvre
TEL JOUR, TELLE NUIT: VII - Je N'ai Envie Que De T'aimer
TEL JOUR, TELLE NUIT: VIII - Figure De Force Brulante Et Farouche
TEL JOUR, TELLE NUIT: IX - Nous Avons Fait La Nuit
3 POEMES DE LOUISE DE VILMORIN: I - Le Garcon De Liege
3 POEMES DE LOUISE DE VILMORIN: II - Au-Dela
3 POEMES DE LOUISE DE VILMORIN: III - Aux Officiers De La Garde Blanche
2 POEMES DE GUILLAUME APOLLINAIRE: I - Dans Le Jardin D'anna
2 POEMES DE GUILLAUME APOLLINAIRE: II - Allons Plus Vite
MIROIRS BRULANTS: I - Tu Vois Le Feu Du Soir
MIROIRS BRULANTS: II - Je Nommerai Ton Front
Le Portrait
La Grenouillere
Priez Pour Paix
Ce Doux Petit Visage
Bleuet
FIANCAILLES POUR RIRE: I - La Dame D'andre
FIANCAILLES POUR RIRE: II - Dans L'herbe
FIANCAILLES POUR RIRE: III - Il Vole
FIANCAILLES POUR RIRE: IV - Mon Cadavre Est Doux Comme Un Gant
FIANCAILLES POUR RIRE: V - Violon
FIANCAILLES POUR RIRE: VI - Fleurs

Tracks:

BANALITES: I - Chanson D'orkenise
BANALITES: II - Hotel
BANALITES: III - Fagnes De Wallonie
BANALITES: IV - Voyage A Paris
BANALITES: V - Sanglots
CHANSONS VILLAGEOISES: I - Chanson Du Clair Tamis
CHANSONS VILLAGEOISES: II - Les Gars Qui Vont A La Fete
CHANSONS VILLAGEOISES: III - C'est Le Joli Printemps
CHANSONS VILLAGEOISES: IV - Le Mendiant
CHANSONS VILLAGEOISES: V - Chanson De La Fille Frivole
CHANSONS VILLAGEOISES: VI - Le Retour Du Sergent
METAMORPHOSES: I - Reine Des Mouettes
METAMORPHOSES: II - C'est Ainsi Que Tu Es
METAMORPHOSES: III - Paganini
2 POEMES DE LOUIS ARAGON: I - C
2 POEMES DE LOUIS ARAGON: II - Fetes Galantes
2 POEMES DE GUILLAUME APOLLINAIRE: I - Montparnasse
2 POEMES DE GUILLAUME APOLLINAIRE: II - Hyde Park
2 POEMES DE GUILLAUME APOLLINAIRE: I - Le Pont
2 POEMES DE GUILLAUME APOLLINAIRE: II - Un Poeme
Paul Et Virginie
Mais Mourir
Hymne
3 CHANSONS DE FEDERICO GARCIA LORCA: I - L'enfant Muet
3 CHANSONS DE FEDERICO GARCIA LORCA: II - Adelina A La Promenade
3 CHANSONS DE FEDERICO GARCIA LORCA: III - Chanson A L'oranger Sec
Le Disparu
Main Dominee Par Le Coeur
CALLIGRAMMES: I - L'espionne
CALLIGRAMMES: II - Mutation
CALLIGRAMMES: III - Vers Le Sud
CALLIGRAMMES: IV - Il Pleut
CALLIGRAMMES: V - La Grace Exilee
CALLIGRAMMES: VI - Aussi Bien Que Les Cigales
CALLIGRAMMES: VII - Voyage

Tracks:

Mazurka
LA FRAICHEUR ET LE FEU: I - Rayon Des Yeux...
LA FRAICHEUR ET LE FEU: II - Le Matin Les Branches Attisent...
LA FRAICHEUR ET LE FEU: III - Tout Disparut...
LA FRAICHEUR ET LE FEU: IV - Dans Les Tenebres Du Jardin...
LA FRAICHEUR ET LE FEU: V - Unis La Fraicheur Et Le Feu...
LA FRAICHEUR ET LE FEU: VI - Homme Au Sourire Tendre...
LA FRAICHEUR ET LE FEU: VII - La Grande Riviere Qui VA...
PARISIANA: Le Joueur De Bugle
PARISIANA: Vous N'ecrivez Plus?
Rosemonde
LE TRAVAIL DU PEINTRE: I - Pablo Picasso
LE TRAVAIL DU PEINTRE: II - Marc Chagall
LE TRAVAIL DU PEINTRE: III - Georges Braque
LE TRAVAIL DU PEINTRE: IV - Juan Gris
LE TRAVAIL DU PEINTRE: V - Paul Klee
LE TRAVAIL DU PEINTRE: VI - Joan Miro
LE TRAVAIL DU PEINTRE: VII - Jacques Villon
La Souris
Nuage
Dernier Poeme
Une Chanson De Porcelaine
LA COURTE PAILLE: I - Le Sommeil
LA COURTE PAILLE: II - Quelle Aventure!
LA COURTE PAILLE: III - La Reine De Coeur
LA COURTE PAILLE: IV - Ba, Be, Bi, Bo, Bu
LA COURTE PAILLE: V - Les Anges Musiciens
LA COURTE PAILLE: VI - Le Carafon
LA COURTE PAILLE: VII - Lune D'avril
Toreador
4 CHANSONS POUR ENFANTS: I - La Tragique Histoire Du Petit Rene
4 CHANSONS POUR ENFANTS: II - Nous Voulons Une Petite Soeur
4 CHANSONS POUR ENFANTS: III - Le Petit Garcon Trop Bien Portant
4 CHANSONS POUR ENFANTS: IV - Monsieur Sans-Souci
Fancy
Colloque

Customer Reviews:

Essential for the chansom junkie. Buy It........2006-10-25

'Poulenc Melodies' performed by a really impressive lineup of vocal talent including Elly Ameling and Nicolai Gedda is exactly the kind of recording you need if you are compulsive about having 'complete' collections of things. This shows a range of composition which smaller releases such as single CD 'Voyage a Paris' (Hyperion, with Felicity Lott and Graham Johnson)can give us. For starters, many of these chansom showed a lot more evidence of more modern stylings and a far greater range of interpretation. In fact, I even had to check the lyrics in the included booklet to verify that on some songs, the performers were singing in French. Even though I have a smattering of knowledge of French, I would have sworn that the singers were performing songs in Russian.

I am happy that all four discs run for more than 60 minutes. No cheap short changing here. If you don't want to spring for the large set, the Hyperion release is great, but this is worth every penny.

Almost completely wonderful.......2005-04-29

Its very considerable advantage lies in its completeness. Poulenc was one of the very greatest songwriters of any era. If you have no Poulenc songs in your collection, start here. The recommendation of Kruysen is a fine one, but only after you have heard this as a basis of comparison. Of Ameling, Senechal, Souzay, Gedda, and Parker, the only disappointment is Parker, who - I'll just say it - sings with his usual bleat. Souzay is a shade past it in vocal quality, but he still understands these songs as well as anybody, with great declamation (and that, after all, is what most of French singing is about). The dryness of the voice is nowhere close to disastrous, as it might have been in Italian opera. Indeed, it lends an air of life lived, without excuses. Gedda is okay. The standouts are Souzay, Ameling, and Senechal. Baldwin accompanies superbly.

Indisputable Gallic flair.......2004-06-06

These performances are piquant and stylistically right on target. Even if Souzay is past his best here, he brings a lifetime of experience to bear and the other performers are wonderful. Ignore the curmudgeon who blasted this set. You will enjoy this tremendously if you love Poulenc.

Idiomatic, fresh, cleanly recorded.......2001-05-12

This is a fine set. Dalton Baldwin accompanies each singer with clarity and zest. And who can resist the affectionate singing of the likes of Nicolai Gedda and Elly Ameling? The "melodies" themselves are magnificent--among Poulenc's finest creations. Whether you have other performances of these works or not, I think you'd be pleased with this beautifully recorded set. Certainly the 70's-vintage performances are more individual in profile, more "romantic," if you will, than those conjured by most of the "anonymous" singers of our own age. Recommended with enthusiasm.

the best songs ever ruined by uneven performing.......2001-05-05

This is a warning for all Poulenc fans NOT to take the bargain route and purchase this immense collection -- you might think you're getting a great deal but: the singing and pianism is substandard and doesn't do the music justice (remotely). Songs like Bonne Journe'e or Ho^tel are all but ruined... Here's what to buy: Bernard Kruysen's CD of selected Poulenc masterpieces (favoring the Elouard settings)... nobody will ever come close to Kruysen in interpreting Poulenc. Avoid THIS CD. They still get 2 stars for (1) being encyclical and (2) delivering clear and even sound quality.

Average customer rating:

The artistry and allure of a French nightingale
High note feast :)
Simply beautiful high notes
Mady Mesplé's wonderful album
A glorious bit of memorabilia from a sadly forgotten soprano

The Very Best of Mady Mesplé

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Airs D'opérettes
Very Best of
Natalie Dessay - French Opera Arias
The Very Best of Kirsten Flagstad
The Very Best of Lucia Popp

ASIN: B0006VYELY
Release Date: 2005-04-26

Tracks:

Ah!...Ou Va La Jeune Hindoue?
Ah! Je Veux Vivre
Oui! Pour Ce Soir...Je Suis Titania La Blonde (Polonaise)
Les Oiseaux Dans La Charmille
A Vos Jeux...Partagez-vous Mes Fleurs...Et Maintenant, Ecoutez Ma Chanson!
Una Voce Poco Fa
Ah! Non Credea Mirarti...Ah! Non Giunge
Di Piacer Mi Balza Il Cor
Gualtier Malde...Caro Nome
Il Dolce Suono...Ardon Gl'Incensi...Spargi D'Amaro Pianto

Tracks:

Quartet No.2 For Soprano, Violin, Viola, & Cello
In Furore Giustissimae Irae
I. La Dame D'Andre - Gabriel Tacchino
II. Dans L'Herbe - Gabriel Tacchino
III. Il Vole - Gabriel Tacchino
IV. Mon Cadavre Est Doux Comme Un Gant - Gabriel Tacchino
VI. Fleurs - Gabriel Tacchino
Les Chemins De L'Amour Op.106 (Anouilh) - Gabriel Tacchino
A Chloris (Viau) - Dalton Baldwin
Si Mes Vers Avaient Des Ailes (Hugo) - Dalton Baldwin
L'Heure Exquise (Chanson Grises, Verlaine) - Dalton Baldwin
Le Chapelier (Chalupt)
Dapheneo (Godebska)
La Diva De L'Empire (Intermezzo Americain) (Bonnaud & Bles)
Ecoutez, C'est Le Chant Des Cigales
Au Bord Du Chemin Qui Passa A Ma Porte
La Bergere Colinette (Villanelle)
Tout Est Soleil, Tout Est Printemps

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

The artistry and allure of a French nightingale.......2007-06-03

This is one of the rare cases when the title of a CD matches completely its content. The Very Best of Mady Mesplé showcases the amazing talent and legacy of the beautiful lady that was the star coloratura soprano of the Paris Opera during the second part of the twentieth century. The first CD is dedicated to opera arias, and only a hearing of the first number, The Bell Song from Delibes' Lakmé, gives us a summary of what makes Mesplé so special. There is hardly a more musical or virtuosic version than the one presented here (from her complete recording of the opera). The legend is presented by the soprano with engaging interest and great attention to the words. The bell refrains are amazingly fast, with diminutive stacatti, a great trill and ravishing high notes. The final cadenza is very exciting, ending with a firm, beautiful high E that soars triumphally over the orchestra. All these qualities are present when she is singing Juliette, Philine, Ophélie and Olympia. Particularly on this last aria she conveys in her voice the illusion of hearing an automaton instead of human being and there is no ornamentation except on an interpolated high Eflat at the end. It is remarkable how Mesplé always is musical with her ornamentation. The Italian arias that end the first Cd are very pretty, even though they are not as successful, given the distinctive sound of the soprano, more in her element with the nuances of her native language than the legato singing that is proper to the belcanto style. However, the arias are still lovely, specially Una voce poco fa, where Mesplé showcases not only her high register but also the lower part of her voice by singing the first part of "Io sono docile" exactly the way it is written. CD number 2 takes the listener to a totally different aspect of Mady Mesplé's artistry with incursions into contemporary music, a Baroque cantata, French art song and French operetta. The Quartet no.2, for soprano, violin, viola and cello is a very demanding piece where the soprano becomes another instrument: dissonant and difficult intervals are required in all the registers of the voice. The soprano succeeds on this as well as the motet by Vivaldi, a totally different number of equal difficulty. A great part of the CD is then dedicated to songs by Poulenc, Hahn and Satie, where the singer perfectly conveys the mélodie style with her very distinctive sound, that can convey all degrees of emotion, from innocence to worldliness. Specially remarkable are Poulenc's Le chemin de l'amour, Hahn's Si mes vers avait des ailes and Satie' La diva de l'empire. The final part of the CD is dedicated to French operetta arias, a very important part of Mesplés discography. All the selections are a delight. It is worth noticing that she recorded the virtousic aria from Massé's Les noces de Jeanette in 1981, in the later part of her career and there is no difference in the sound and technique from Mesplé's debut recordings. The CD ends in a high note (literally and metaphorically) with a delightful waltz by Johann Strauss where she ends with a stunning Aflat over high C. In summary, this is a superb presentation of the career of Mady Mesplé, a singer who was not only one of the most stunning coloraturas of all time, but also a gifted and versatile artist.

High note feast :).......2006-10-02

I love this set. Her voice is similar to that of Pons, but this is in clear stereo sound! And her highest notes don't sound like whistle tones! The Bell song won me over; Sutherland is still my favorite singer, but she did not have the acuti of Mesple. Very good listening here.It is all so effortless - that final note on CD 2 (A-flat above high c''') is astonishing!

Simply beautiful high notes.......2006-08-14

I feel ashamed of myself. Really. For all the years I have been listening to pons and sutherland and callas and the more recent dessay and jo, I never really paid attention to Mady Mesple. I really wished I had. Her voice is so pure and bell-like similar to Pons but with a much richer middle range and with the most impressive solid low range I have heard on a coloratura sopranos. It is a tragedy that she was over shadowed by the coloratura powerhouse which is Joan Sutherland. Her high notes are to die for and really it would hard to find anyone who can hit them like her. She may not have Pons agility but the lightness and tone of her high e flat can certainly go head to head with pon's and may possibly be a tiny step above pon's which up until this point didn't think was possible.

Mady Mesplé's wonderful album.......2005-08-30

I felt a sense of awe listening to Mady Mesplé's voice. Of the two CD set, I much prefered CD #1 as #2 was a bit too modern for me. #1 has many of my favorite soprano arias, and Mlle. Mesplé did them all justice.

A glorious bit of memorabilia from a sadly forgotten soprano.......2005-05-10

Mady Mesple is one of the best kept secrets of the music industry today. Of course, when you're singing around the same time as Joan Sutherland you're rather likely to be overshadowed. Still, Mesple offers a wealth of musical goods that even Sutherland never could have given. Not only is her coloratura technique virtually flawless, she (gasp)inflects every word she sings with great sensitivity to the text, never losing grasp of the character she is striving to portray. Of course, she does have a rather controvertial aspect to her voice that many listeners may object to, As a classic french coloratura, her vibrato is VERY fast, fluttering tremulously at all times but never getting in the way of her pitch. Still, her high notes are exceptional (the second CD ends with a glorious high A flat) and the fresh, girlish beauty of her tone is unsurpassed even today (my apologies to Natalie Dessay). Be sure not to miss her Bell Song, by FAR the best I have ever heard! Her voice has a crystaline quality that is PERFECT for that particular aria. Her Doll Song is rather weak, but her mad scene from Hamlet MORE than makes up for it (can we say eight seconds of beautiful high F harp?!!). The second CD offers Mady in a more matura phase of her life, singing sensuously in more traditional art songs before going on to challenging operetta arias. And you won't want to miss the violin, viola, cello, soprano quartet that opens the CD!!! Let's just say you're in for a surprise... this CD is a must-have!

Average customer rating:

Nous sommes tous comme les fleurs
Charlotte Diamond
Manufacturer: Hug Bug Music
ProductGroup: Music
Binding: Audio CD

General | Children's Music | Styles | Music

Educational | Children's Music | Styles | Music

International Folk | International | Indie Music | Stores | Music
Similar Items:

Qu'il Y Ait Toujours Le Soleil
Soy una Pizza
10 Carrot Diamond
Todo el Mundo Come Banana!
Charlotte Diamond's World

ASIN: B00019POYC
Release Date: 2001-09-15

Tracks:

Nous sommes tous comme les fleurs
Tout le monde aime les bananes
Mi Caramelita
Y'a un chat a la porte
Les animaux ont une personnalite
Di, Di Dinosaure
A la volette
Aime-moi comme je suis
Le Hug Bug
Je suis une bulle
Bats ta pate
Pour que le monde soit plus beau
Mon ecole est le monde
Dix belles carottes
Aujourd'hui, il pleut
Je suis pret pour les montagnes
Petit Papa Noel
Bonjour Bonsoir

Album Description

18 of Charlotte best-known songs in French Includes "Di, Di Dinosaure", "Tout le monde aime les bananes", "Dix belles carottes" and the traditional "À la volette".

Bidu Sayao: Opera Arias and Brazilian Folksongs

Average customer rating:

mesmerising
great stuff
Brazilian's Soprano
The most charming voice you will ever hear!
Perfection!

Bidu Sayao: Opera Arias and Brazilian Folksongs
Bidu Sayao , Heitor Villa-Lobos , Charles Gounod , Jules Massenet , Reynaldo Hahn , Henri Duparc , Claude Debussy , Maurice Ravel , Charles Koechlin , Ernest Moret , Francisco Ernani Braga , Fausto Cleva , Pietro Cimara , Erich Leinsdorf , Paul Breisach , Leonard Rose , and Milne Charnley
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Sayao, Bidu | Divas | Opera & Vocal | Styles | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

La Damoiselle elue / Opera Arias
Rarities
Villa-Lobos: Bachianas Brasileiras Nos. 1, 2, 5 & 9 / ORTF National Orchestra, De Los Angeles
Bach Bachianas / Arleen Augér, The Yale Cellos of Aldo Parisot
Villa-Lobos: Forest of the Amazon

ASIN: B0000029PG
Release Date: 1996-10-01

Tracks:

Bachiana brasiliera no.5 Aria
Romeo et Juliette: Je vieux vivre
Faust: Roi de Thule
Faust: Jewel Song
Manon: Je suis encore tout etourdie
Restons ici: Restons ici...Voyons, Manon
Adieu, notre petit table
Obeissions
Si mes vers avaient des ailes
Chanson triste
L'Enfant Prodigue: L'annee en vain chasse
De fleurs
L'Enfant et les sortileges: Toi, le couer de la rose
Si tu le veux
Le Nelumbo
Folk Songs Of Brazil: Nigue-nigue-ninhas
Folk Songs Of Brazil: Capim di Pranta
Folk Songs Of Brazil: O kinimba
Folk Songs Of Brazil: Sao Joao da ra Rao
Folk Songs Of Brazil: Engenho Noval
Folk Songs Of Brazil: A Casinha pequenina
Folk Songs Of Brazil: Meu boi barroso
Folk Songs Of Brazil: Ogunde uarere

Amazon.com

Bidú Sayão's silvery, impeccably tuned voice was small in size, but rich in nuance, shading, and emotion. Her recording of the Villa-Lobos Bachiana Brasileira No. 5 is justly famous, unmatched for lightness and sensuality. Few have dashed off the Jewel Song from Faust with similar insouciance or imbued the last phrases of Manon's "Adieu , notre petite table" as touchingly as Sayão does here. Her French song interpretations glow with charm and style, and a previously unreleased snippet from Ravel's L'enfant et les sotilèges makes one regret she never recorded the entire role, Sony's transfers are more lifelike and three dimensional than previous issues. A delectable disc. --Jed Distler

Customer Reviews:

mesmerising.......2007-05-10

I first heard her voice on a Met compilation and became intrigued enough to buy this CD.
I love her voice...its so simple, unfussy and pure and yet so very unique. you know its her from the first few notes on.
I love her Manon, probably more so than Sills or Fleming. Her voice reminds me of De Los Angeles, but is different.
I'm glad I was introduced to this great, stylish and classy singer.

great stuff.......2007-01-24

I don't consider myself much more than a novice when it comes to opera; but I'm a musician, and I'd like to think I know good music when I hear it.

This is good music!

I've only recently become aquainted with Bidu Sayao, but I have to say that all the accolades I've read from the "experts" are well deserved. There is a character that shines through these recordings. And the recordings themselves are warm and pleasant, considering they come from mono shellac sides from another era.

There's something really special about this "vintage" music that seemingly cannot be replicated in modern recordings; an ethereal quality that's hard to explain, clearly belonging to the age from which it came. We are greatly enriched by its preservation!

Brazilian's Soprano.......2005-08-26

Excellent, amazing, recommend.

(excelente para conhecermos melhor uma das mais importantes e conhecidas sopramos de todo o mundo)

The most charming voice you will ever hear!.......2004-07-19

Bidu Sayão is considered the best Brazilian soprano ever and certainly one of the most taltented singers of the 20th century. Do you want to know why? This disc contains some important selections of Sayão's wonderful artistry. It includes arias and songs from French repertoire, in which Sayão is even in our days considered the most perfect example of French singing and style, some lovely Brazilian folksongs and her legendary recording of the Cantilena of Bachianas Brasileiras no. 5. It's a very good selection for every listener, since it shows Sayão's perfect vocal technique and sincere and moving interpretation. We have a joyful "Je veux vivre" as well as a heartbreaking "Adieu, notre petite table". Ah, but the true show here is her Bachianas Brasileiras. I'm absolutely sure you will never hear a better interpretation of this song! Sayão could sing from the most lyric parts and the most wonderful pianissimi to the most incredible coloraturas with no difficulty. Actually, she had exactly what I would call "perfect vocal technique", since it never, I mean, never fails. Her voice was small, but so carefully trained that it amazes me more than many big voices I heard. It's always pure, sweet and charming.

Dont' miss this singer who was maybe the best lyric soprano of the first half of the 20th century. If you are interested in listening to good music sung by a legendary voice, you really need to buy it!

Perfection!.......2003-12-16

There is a tremendous sincerity and perfection present in this CD. The Villa Lobos has attained classic status and should be owned by serious collectors. I have not heard No. 5 surpassed yet. Rosa Ponselle wrote in her biography that Sayao's pianissimi were "unequalled in my experience", the finest she had ever heard. Mind you, Ponselle heard them all including that Spanish Diva that made a career of singing softly. However, in Sayao's voice they have meaning are used to emotional effect superbly. Otherwise, the voice is so finely tuned that this old mono recording often gives a studio effect.

Bravo Madame Sayao!

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