Work It Out [Import]

Product Description
Canadian edition of the synth-funk act's 1990 release on Solar Records. Tracks include the hit single 'Money Can't Buy You Love'. Bonus tracks 'Do It (One More Time)' (Extended Dub Mix & Till You Drop House Mix), 'Luv-U-Up' (Extended Mix & Luv-a-dub Mix). 1999 release. Standard jewel case.

Work It Out,Midnight Star,Unidisc,R&B/Soul

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Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition What to Listen for in Music ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Fun Show, Average Score Cleverness personified Fantastic Jazz Musical That's FUN!!! Great Jazz-Oriented Score I love it!

City of Angels (1990 Original Broadway Cast) Cy Coleman , David Zippel , James Naughton , and Randy Graff Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music 4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Soundtracks | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: City of Angels (Applause Musical Library) On The Twentieth Century (1978 Original Broadway Cast) Seesaw (1973 Original Broadway Cast) Grand Hotel: The Musical - Broadway Cast Recording The Drowsy Chaperone (2006 Original Broadway Cast) ASIN: B00000272K Release Date: 1990-02-09

Tracks:

1. Prologue-Theme From City Of Angels
2. Double Talk
3. What You Don't Know About Women
4. You Gotta Look Out For Yourself
5. The Buddy System
6. With Every Breath I Take
7. The Tennis Song
8. Ev'rybody's Gotta Be Somewhere
9. Lost And Found
10. All You Have To Do Is Wait
11. You're Nothing Without Me
12. Stay With Me
13. You Can Always Count On Me
14. Alaura's Theme
15. It Needs Work
16. L.A. Blues
17. With Every Breath I Take-Duet
18. Funny
19. I'm Nothing Without You
20. Epilogue-Theme From City Of Angels
21. Double Talk Walk

Amazon.com

Cy Coleman and David Zippel's City of Angels is a seductive depiction of 1940s Los Angeles, capturing swinging jazz, torchy ballads, witty lyrics, and even a Manhattan Transfer-like Greek chorus (arranged by ManTran guru Yaron Gershovsky). James Naughton and Gregg Edelman star as Stone and Stine, respectively a tough Raymond Chandleresque PI and the writer who dreams up his adventures. Randy Graff plays Stone's long-suffering secretary and Dee Hoty the requisite femme fatale. Loads of atmosphere and tasty songs such as "What You Don't Know About Women," "With Every Breath I Take," "You're Nothing Without Me," and "You Can Always Count on Me" make City of Angels a modern classic. It won 1990 Tony Awards for Best Musical, Leading Actor (Naughton), Featured Actress (Graff), Best Book (Larry Gelbart), and Best Original Score. --David Horiuchi

Customer Reviews:

Fun Show, Average Score.......2007-02-21

Fun show, ingenuos concept, so-so score, with one exception. The ballad With Every Breath I Take is brilliant. One of Coleman's best pieces.

Cleverness personified.......2006-10-16

A duet between an author and the character he created, each claiming "you're nothing without me," is just one example of how sharp, witty and clever show is, with an unusual score, jazzy and bluesy and very 1940s, and some of the best lyrics I know.

Fantastic Jazz Musical That's FUN!!!.......2006-04-14

City of Angels is an incredibly fun, classy, and jazzy musical that delivers. Stellar vocal performances are provided by the entire cast, particularly the female end. The fact that Randy Graff was the only female from this cast nominated at the Tony Awards that year floors me. Kay McClelland and Rachel York deserved nods for their powerful solos, With Every Breath I Take and Lost Found, alone. These two songs are also the type of sultry, jazz solos that one would expect in the 40's, which is why the show works. The music is completely period with when the show takes place, and that's why I love it. The best tracks are:

3) What You Don't Know About Women
6) With Every Breath I Take (destined to be a classic)
9) Lost and Found (wonderful solo)
10) All You Have To Do Is Wait (FUN! FUN! FUN SONG!!! Hilarious as well)
11) You're Nothing Without Me
13) You Can Always Count On Me (Randy Graff's Tony!)

Great Jazz-Oriented Score.......2005-06-25

1990 Tony winner for Best Musical, "City Of Angels" contains a great score, filled with jazz-oriented melodies & torch songs. Not all the songs are terrific, but most of the score lends itself to repeat listenings. Best tracks include:

Double Talk
What You Don't Know About Women
With Every Breath I Take [beautiful song!]
Lost And Found
You're Nothing Without Me [the show's hit]
You Can Always Count On Me
Funny

Great cast ... great buy!

I love it!.......2005-02-22

This is one of my favorite soundtracks ever! Since I'm going to be working on music for the show, I'm happy that this is the case. It has been in my CD player for a few weeks now, and there's enough variety for it not to get old. But having read through the script makes the lyrics infinitely wittier. Musicals are supposed to rely partially on the lyrics and partially on the script. This show does that perfectly. Without the script, the lyrics are (apparently) lacking. But without the lyrics, the script is missing something. When you put the two pieces together, however, it's really easy to see why this show won a Tony.

Average customer rating: Awesome Set! Elmer Bernstein Film Music Collection Overall a strong Goldsmith sampler Jerry Goldsmith - 40 years of pleasure Almost the perfect compilation

Jerry Goldsmith: 40 Years of Film Music Jerry Goldsmith Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Trek | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Similar Items: The Essential Elmer Bernstein Film Music Collection The Music of John Williams: 40 Years of Film Music Epics: The History of the World According to Hollywood John Barry: The Collection Paramount 90th Anniversary Collection: Scores ASIN: B0009KIYDG Release Date: 2005-08-09

Tracks:

1. Blue Max, The
2. Blue Max, The
3. Blue Max, The
4. Blue Max, The
5. Blue Max, The
6. The Man From U.N.C.L.E.: Doctor Kildare / Room 222 / Waltons, The / Barnaby Jones / Television Themes Medley
7. In Harm's Way
8. The Sandpebbles: Chinatown / Patch Of Blue, A / Poltergeist / Papillon / Wind And The Lion, The / Motion Pictures Medley
9. Generals, The
10. Tora! Tora! Tora!
11. Wild Rovers, The
12. Pursuit
13. Wind And The Lion, The

Tracks:

1. QB VII
2. QB VII
3. QB VII
4. QB VII
5. QB VII
6. Waltons, The
7. Papillon
8. Police Story
9. Omen, The
10. Capricorn One
11. Swarm, The
12. Boys From Brazil, The
13. , The (First) Great Train Robbery
14. Alien
15. Star Trek The Motion Picture

Tracks:

1. Masada
2. Poltergeist
3. First Blood - Rambo II
4. Twilight Zone: The Movie
5. Under Fire
6. Under Fire
7. Under Fire
8. Under Fire
9. Gremlins
10. Baby - Secret Of The Lost Legend
11. Legend
12. Lionheart
13. Rambo III
14. Total Recall

Tracks:

1. Star Trek Voyager
2. Basic Instinct
3. Russia House, The
4. Gremlins II
5. Medicine Man
6. Shadow, The
7. Forever Young
8. First Knight
9. Powder
10. Airforce One
11. L.A. Confidential
12. Mummy, The
13. Haunting, The

Album Description

Jerry Goldsmith's death in 2004 marked the end of one of the greatest careers in film composing. This lavish 57 track 4 CD set traces the path of his astonishing achievements and includes recordings conducted by Goldsmith himself. Featuring The City Of Prague Philharmonic Orchestra, The Philharmonia Orchestra, The National Philharmonic Orchestra, and The Daniel Caine Orchestra. Includes over 280 minutes of music.

Customer Reviews:

Awesome Set!.......2007-07-01

I am a huge fan of Jerry Goldsmith. They did a great job preserving his vision. I can listen to this collection for hours. Great music!

Elmer Bernstein Film Music Collection.......2006-11-03

This is compilation of hit film music from one of the greatest composers in motion pictures. What is surprising though is the music not included like the Ghost And The Darkness, the 13th Warrior, Rudy and others. To be sure, 4 discs are not enough for a composure of this stature. THe recording, however, is an "engineering masterpiece" which makes the music even more enjoyable than when you first heard it at the movies. When are we ging to get the music that was omittd from this compilaton?

Overall a strong Goldsmith sampler.......2006-04-11

Okay, this is a CD review, so the focus is on music, but I've got to say this first: this has got to be a contender for the ugliest cover art ever. I mean, come on...instead of a tribute to the composer, the cover looks like someone spilled a glass of merlot over a NASA photo.

Fortunately, even an ugly cover will not ruin good music. And the good news is that I'd say about 75 percent of the music is good....and on a 4 cd set, that's a lot. Like other Silva compilations, the strength of this compilation is the variety. There are selections from the big releases (Star Trek, Omen, Rambo), but there is also a healthy dose of tracks from the smaller releases(Under Fire, Lionheart, The Swarm).

Two examples come to mind. Capricorn One and The Great Train Robbery are two movies that are not exactly household names today, but are dominated by two of Goldmith's finest main themes. The City of Prague Philharmonic come through with terrific renditions. And there are plenty of other strong performances...a few being concert versions conducted by Goldsmith himself. Suprisingly, "The Wind and the Lion" works, which is no small accomplishment given the ferentic original performance of "Raisuli Attacks".

It's not a complete success. A few of the performances fall flat, particularly some of the more inventive scores. Total Recall is just bad, mangling the performance with poor percussion and synthesizer choices to boot. Also a letdown is the Klingon Attack from the first Star Trek movie. The Prague Philhamonic attempt doesn't sound bad--it's just that once you've heard the original soundtrack's "blaster beam" with enough bass to rattle your teeth...well let's just say Silva's version is a little tinny in comparison.

But I shouldn't dwell on the negative. Overall, this is a strong sampler of Goldsmith's variety. There are plenty of quality performances here, and despite a few omissions (noticeably Planet of the Apes)this is a very good release from Silva.

Jerry Goldsmith - 40 years of pleasure.......2006-02-22

It was wonderful to hear Mr. Goldsmith's music that went all the way back to The Man from UNCLE, The Waltons, Dr Kildare, etc. And then to hear his music up to the present. The man was a genius!

Almost the perfect compilation.......2005-12-31

Age has its value.... This sweeping collection of compositions brings back so many great memories. This collection shows how significant Goldsmith was for both the movie screen and the small screen. With such a grand collection, every reader can be assured that at least one movie or TV program they like or remember had Goldsmith's contribution. It was an amazing life and the collection well worth having.

However, as sweepig as it is, there are a few holes in the selection. "First Contact", one of the sweetest and richest compositions from the Star Trek is absent. "The Ghost and the Darkness" is missing and the "Medicine Man" music should include the theme song. By dwelling on several selections from the Blue Max, these were squeezed out. Three full and important movie themes got the axe.

However, all but "The Ghost and the Darkness" are readily available and not overly expensive as is the "Ghost" CD. This is a must have for the TV and movie music fan.

Before there was Hans Solo there was Napolean Solo, before ER there was Dr. Kildare. Jerry Goldsmith IS Sci-Fi. "Resistance is futile.. you MUST assimilate this CD collection."

Average customer rating: Great CD Simply the Best Inconsistent, but mostly excellent "Celebration" is not strong enough a word A maginificent evening, a magnificent album

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast) Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music 1990s | By Decade | Soundtracks | Styles | Music General | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music 1990s | By Decade | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music 1990-1999 | Decades | Compilations | Miscellaneous | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Side By Side By Sondheim (1976 Original London Cast) Sondheim Evening: A Musical Tribute (1973 Concert Cast) Send in the Clowns: The Ballads of Stephen Sondheim Sondheim: A Celebration at Carnegie Hall / Liza Minnelli, Patti LuPone, Bernadette Peters, Glenn Close Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall ASIN: B000003FDW Release Date: 1993-02-23

Tracks:

1. Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
2. Evening Introduction--Bill Irwin
3. Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
4. Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
5. Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
6. Being Alive--Patti LuPone
7. Good Thing Going--The Tonics
8. Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
9. Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
10. Anyone Can Whistle--Billy Stritch
11. Water Under the Bridge--Liza Minnellli, Billy Stritch
12. Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

1. Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
2. Sooner or Later--Karen Ziemba
3. Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
4. Green Finch and Linnet Bird--Harolyn Blackwell
5. The Ballad of Booth--Patrick Cassidy, Victor Garber
6. Broadway Baby--Daisy Eagan
7. I Never Do Anything Twice--BETTY
8. With So Little to Be Sure Of--Jerry Hadley, Carolann Page
9. Not a Day Goes By--Bernadette Peters
10. Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
11. Send in the Clowns--Glenn Close
12. Old Friends--Liza Minnelli
13. Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

"Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."

Average customer rating: has its place... Crate of records A very "mixed" album Impressive! Buy it for the Manic's remix track

Brothers Gonna Work It Out: A DJ Mix Album The Chemical Brothers Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Big Beat | Dance & DJ | Styles | Music Trip-Hop | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Dance & DJ | Indie Music | Stores | Music Electronica | Dance & DJ | Indie Music | Stores | Music Similar Items: Exit Planet Dust Dig Your Own Hole Come with Us Surrender Push the Button ASIN: B000009Z4T Release Date: 1998-09-22

Tracks:

1. Brother's Gonna Work It Out/Not Another Drugstore (Planet Nine Mix)/Block Rockin' Beats...
2. Makin' A Living/Hot Wheels-The Chase/The Theme (Unique Mix)/Gimme Some Love
3. The Jazz/Sidewinder (312 Vs. 216 Stomp Mix)/Doin' It After Dark (D-Ski's Dance)/Don't Stop...
4. Morning Lemon/Mars Needs Women/Thunder/Losing Control/Mother Earth
5. The Riot/Trip Harder/Everything Must Go (Chemical Brothers Remix)/I Think I'm In Love...

Amazon.com

Perhaps once you become as famous and as in demand as Tom Rowlands and Ed Simons, the world is your oyster and it's up to you to select the pearls. As the Chemical Brothers, these two DJs have turned the anonymous world of club DJ-ing into celebrity sport and ushered in the electronica wave. From Britain with love, the Brothers send this hourlong collection of remixes on which they seamlessly traverse everything from '70s soul (Willie Hutch's "Brothers Gonna Work It Out") to their own "Block Rockin' Beats" to industrial faves Meat Beat Manifesto and Renegade Soundwave, ending their trip with a treatment of Spiritualized's "Think I'm in Love." The pace is relentless, the demands of the dance floor being never-ending. And while much of their stuff is just a matter of getting devilish with the dials and juicing everything up, the CBs have managed to bring some fine taste to their party as the ultimate gift. --Rob O'Connor

Customer Reviews:

has its place..........2005-12-10

this chemical brothers release may disappoint some puritans, but it is hot. is that some wink i hear??

Crate of records.......2005-05-28

This is a bit of a different mix-up album. Be warned it only has five tracks, which makes a big difference how you approach after hearing it once. While most discs like this would have about four times the tracks (going through every break, etc) this one breaks the whole mix down into five distinct parts, lending each track its own specific feel. Sometimes it's funky and pumped up like the first track, then it settles into some extremely repetitive beeps and blips and whoops and becomes almost two much at one point, but thankfully differs up later on after 'Mars Needs Women'.

I don't tend to think of this disc in individual track terms, I can barely remember who they mix up on here, though several Chemical tracks appear given a serious makeover.

Recommended for fans of the Brothers, others might opt for the Crystal Method's Community Service discs.

A very "mixed" album.......2005-04-30

If you're a big Chemical Brothers fan, then this disc is for you... but ONLY after you've bought ever single other album they've released!

"Brother's Gonna Work it Out" is a couple of beautiful highlights (particularly the last track of the album, which features some material very reminiscent of the brothers' version of Mercury Rev's "Delta Sun Bottleneck Stomp") surrounded by grungy, annoying loops of early 90s electro squished awkwardly over grungy, annoying loops of late 70s hip-hop and house. Bland beats and two-note bass riffs roll over and over and over with irritating squeeky synths blathering away in a different key on top for a hauntingly large portion of this album. It's too dissonant to count as "music", but too pointless and repetitive to count as "art".

Avid fans who are after a few rare CB tracks can find "Morning Lemon" and "Not Another Drug Store" on the 2CD version of "Singles 93-03", which should definately be purchased well before attempting to digest this album.

Having said that, there are a few sub-tracks on this CD that are very cool indeed, but listeners must be prepared for a long haul of badly DJed rubbish around them.

Impressive!.......2004-08-31

I have read about this and sounded intrigued about hearing Tom and Ed's rare DJ sessions combined onto this album called 'Brother's Gonna Work It Put'. It was very wicked how they combined every song together so you would never notice that the track number changed. I loved how the song Brother's Gonna Work It Out silently builds into 'Not Another Drug Store (Planet Nine Mix)' and I thought the Micronauts Mix or 'Block Rockin' Beats' was ACE (I've always been impressed with what The Micronauts could do after hearing their remix of 'Bruce Lee' by Underworld). A lot of these other artists I have never heard of when you get to tracks two and three. I was anxious to hear how 'Morning Lemon' was used in the mix. It pretty much sounds the same if you've heard it on their Singles album, but it makes it unique on the DJ Mix album. It starts off through the high-pitched sound effects of the last song and ends with the building up of 'Mars Needs Women'. Morning Lemon along with other songs like 'Come With Us' and '(The Best Part Of) Breaking Up' have been some of the most wildest songs I've heard from The Chemical Brothers. Brother's Gonna Work It Out is DYNAMITE! GET IT!

Buy it for the Manic's remix track.......2004-08-06

This is one of the very rare places you can hear the Chemical Brothers remix of "Everything Must Go" by the Manic Street Preachers. The Manics best-of CD release "Forever Delayed" came out without this track - so the only other place to hear it is on the Manics' original 12" vinyl release (mega rare) of the single "Everything Must Go".

Enjoy!

Average customer rating: excellent entertainment The Christmas I Love A Christmas Collection That Is Just Plain Fun Wonderful; marvellous ABSOLUTELY WONDERFUL

The Christmas I Love Andre Rieu , and Johann Strauss Orchestra Manufacturer: Philips ProductGroup: Music Binding: Audio CD General | Classical | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Pop Instrumental & Easy Listening | Holiday | Miscellaneous | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General Christmas | Holiday Music | Special Features | Music Pop Instrumental & Easy Listening | Holiday Music | Special Features | Music Similar Items: Tuscany At The Movies The Homecoming The Vienna I Love, Waltzes From My Heart Romantic Moments ASIN: B0000041OB Release Date: 1997-10-21

Tracks:

1. O Daughter Of Zion
2. White Christmas
3. Sleigh Ride
4. From Heaven High I Come To You: Tomorrow's The Day Children/Gloria In Excelsis Deo...
5. Ave Maria
6. Transeamus
7. Softly Falls The Snow: Ring Out Little Bell/O Come Al Ye Faithful
8. Evening Prayer (From Hansel & Gretel)
9. Jingle Bells
10. Lullaby: O Sweet Child Jesus/Let Us Be Happy And Jolly
11. Mille Cherubini In Coro (Lullaby)
12. Christmas Rose
13. The Four Seasons: Winter: Largo
14. O Christmas Tree: The Little Drummer Boy/Lullaby
15. Every Year A New: Oh, How Joyfully/Never Have The Bells Sung More Sweetly
16. Dearest Believe Me
17. Come Little Children
18. The Christmas Concert: Pastorale
19. The Holy City
20. Silent Night

Customer Reviews:

excellent entertainment.......2007-01-20

I thoroughly enjoyed this Christmas DVD . I want to buy more of Andre Rieu.

The Christmas I Love.......2007-01-10

I was very pleased with the CD and would recommend it to everyone.

All of Andre Rieu's music is very enjoyable to listen to.

A Christmas Collection That Is Just Plain Fun.......2005-11-19

Sometimes I think the only person who is happy that Public television is financially challenged, other that certain legislators who believe that it is too liberal and the culmination of all that is evil, is Andre Rieu. Now don't get me wrong, this happy Dutch musician who models himself after Johan Straus is not a cruel or vindictive person. At least from what I can tell he's not, but let's face it. If PBS did not have financial woes, Andre Rieu, one of its favorite stars, would not have received the exposure he has, and his sales in the United States would probably be next to nothing. Of course for anyone who has ever seen one of his extravaganzas, we would be missing something enjoyable. He's musically sound and he knows how to entertain, and quiet frankly, though some classical purists may cringe at his name, I don't believe the composers whose music he uses are rolling in their graves because it's become popular once again.

Of all his concerts and CDs, I enjoy THE CHRISTMAS I LOVE the most. The jitterbug version of "Jingle Bells" shows that an old tune can produce new tricks. His arrangement of "The Holy City" (a.k.a. "Jerusalem") is almost as moving as when it is performed with a vocalist. The recording has a number of medleys that include favorites from all over Europe show how Christmas has such an international flair. For me, however, this album provides true variety. Many of the carols are not familiar to Americans, so we hear something different yet also authentic to the holiday season.

I'm surprised that there have not been other Rieu Christmas discs. He's an original musician and a consummate showman, so I'm sure there's more he could do with holiday music, but maybe he knows he has a classic with this collection and it will stand the test of time.

Wonderful; marvellous.......2000-09-30

Andre Rieu proves again he is the best of the best! I bought this CD in october 1997, a few weeks before Andre's concert In Quebec city. In this CD, you'll find all the classics of Christmas. They are well played because Andre and his orchestra know how to bring us the atmosphere of Christmas. The desing of the CD is well done. If you,re looking for good music, please try this CD You'll enjoy it. If you have the occasion to see his Christmas concert on TV, watch it. It's very beautiful.

This his not the first CD made by Andre. In 1992, he released "Spielt Die Schonten Weihnachtslieder".

ABSOLUTELY WONDERFUL.......1999-08-18

Another wonderful Andre Rieu CD. All the Rieu recordings and videos are a breath of fresh air - a joy to the soul.

Average customer rating: Elly Ameling now more available Delight in every note While they last... Treasures From a Treasure More than fully earned praise for an exceptional singer.

Artistry of Elly Ameling (Coll) Elly Ameling Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Ellington | Ellington, Edward Duke | ( E ) | Featured Composers, A-Z | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Similar Items: Elly Ameling ~ Schubert · Schumann - Songs Philips and Decca Recordings, 1961-1979 (Limited Edition) Fauré - Mélodies / Souzay · Ameling · Baldwin The Very Best of Lucia Popp Ave Maria--Lieder ASIN: B00007KMSJ Release Date: 2003-10-14

Tracks:

1. Matthaus-Passion
2. Johannes-Passion
3. Weihnachts-Oratorium
4. Juditha Triumphans
5. Messiah
6. Crudel Tiranno Amor
7. Die Schopfung
8. Orlando Paladino
9. 7 Lieder
10. Le Nozze Di Figaro
11. Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
12. Misera! Dove Son! K369
13. 18 Lieder
14. Frauenliebe Und- Leben
15. 11 Lieder
16. 20 Morike-Lieder

Customer Reviews:

Elly Ameling now more available .......2007-03-07

I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.

Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.

I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.

I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.

Delight in every note.......2006-03-10

To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.

So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.

I recommend this set unequivocally. It truly is sheer delight.

While they last..........2005-05-17

Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.

Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.

Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05

Treasures From a Treasure.......2004-09-25

Treasures from a Treasure.

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.

What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)

Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.

More than fully earned praise for an exceptional singer........2003-07-15

As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!

Average customer rating: Mixed feelings Your love for this superb collection will be here to stay... He's done it again Absolutely 'S WONDERFUL! A beautiful 2 disc CD-another hit for Michael

The Michael Feinstein Anthology Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Nostalgia | Miscellaneous | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Romance on Film/Romance on Broadway Hopeless Romantics Pure Gershwin Nice Work If You Can Get It: Songs by the Gershwins Michael & George (Feinstein Sings Gershwin) ASIN: B000065DVH Release Date: 2002-05-21

Tracks:

1. Nice Work If You Can Get It
2. Isn't It Romantic
3. Swinging On A Star
4. Ask Me Again
5. Rhode Island Is Famous For You
6. 'S Wonderful
7. Wonder Why
8. Too Marvelous For Words
9. Where Do You Start
10. Theme From The Bad And The Beautiful
11. Easy To Love
12. Alexander's Ragtime Band
13. Who Are You Now?
14. You're An Education
15. You Are There
16. Sophisticated Swing
17. Love Can Change The Stars
18. Come Out, Come Out Wherever You Are
19. Half Of April (Most Of May)
20. Marianne
21. They Can't Take That Away From Me
22. I Love A Piano

Tracks:

1. That's Entertainment
2. My Favorite Year
3. Ten Feet Off The Ground (With Rosemary Clooney)
4. I Never Felt Better
5. Someone To Watch Over Me
6. Kiss Her Now
7. The Ugly Bug Ball
8. For You, For Me, Forever More
9. The Mole People
10. And So To Bed
11. You're All The World To Me
12. Old Friend
13. Isn't It A Pity (with Rosemary Clooney)
14. Pattisserie
15. Open Your Eyes
16. For Love Alone
17. I Won't Send Roses/Time Heals Everything
18. Get Out And Get Under The Moon (with Page Cavanaugh)
19. My Romance
20. Love Is Here To Stay
21. Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Average customer rating: Beatles Baroque Boring - Boreades

Beatles Baroque II Les Boréades de Montréal Manufacturer: Atma Classique ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical | Imports | Stores | Music Similar Items: Beatles Baroque Beatles Baroque III Bach Meets the Beatles: Revisited The Beatles Gregorian Songbook Cello Submarine: Beatles Classics by the 12 Cellists of the Berlin Philharmonic ASIN: B00006L6W6 Release Date: 2002-11-12

Tracks:

1. Hello Goodbye
2. Ob-La-Di-Ob-La-Da
3. Michelle
4. Maxwell's Silver Hammer
5. Come Together
6. For No One
7. I Am The Walrus
8. The Inner Light
9. We Can Work It Out
10. Within You Without You
11. Girl
12. Love You To
13. When I'm 64
14. Julia
15. A Day In The Life

Customer Reviews:

Beatles Baroque.......2005-09-26

Sometimes you long for that old 'elevator music'. This is the one to get!!!

Boring - Boreades.......2005-09-15

I think that this CD is really boring, it's music of The Beatles performed in Barroque Instruments, but the music is 99% The Beatles and 1% Barroque. Really boring.

Average customer rating: Classic, but not the definitive... Essential

Steve Reich 1965-1995 Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Reich, Steve | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Minimal Techno | Techno | Dance & DJ | Styles | Music Classical | Box Sets | Stores | Music Opera & Vocal | Box Sets | Stores | Music Similar Items: The John Adams Earbox: A 10-CD Retrospective Two Pages: Contrary Motion - Music in Fifths Music with Changing Parts Nancarrow: Studies for Player Piano Rainbow in Curved Air ASIN: B000005J4P Release Date: 1997-06-03

Tracks:

1. Come Out
2. Piano Phase
3. It's Gonna Rain, Part I
4. It's Gonna Rain, Part II
5. Four Organs

Tracks:

1. Part 1
2. Part 2
3. Part 3
4. Part 4

Tracks:

1. Music For Mallet Instruments, Voices And Organ
2. Clapping Music
3. Six Marimbas

Tracks:

1. Music For 18 Musicians: Pulses
2. Music For 18 Musicians: Section I
3. Music For 18 Musicians: Section II
4. Music For 18 Musicians: Section IIIA
5. Music For 18 Musicians: Section IIIB
6. Music For 18 Musicians: Section IV
7. Music For 18 Musicians: Section V
8. Music For 18 Musicians: Sectionn VI
9. Music For 18 Musicians: Section VII
10. Music For 18 Musicians: Section VIII
11. Music For 18 Musicians: Section IX
12. Music For 18 Musicians: Section X
13. Music For 18 Musicians: Section XI
14. Music For 18 Musicians: Pulses

Tracks:

1. Eight Lines
2. Tehillim: Part 1: Fast
3. Tehillim: Part 2: Fast
4. Tehillim: Part 3: Slow
5. Tehillim: Part 4: Fast

Tracks:

1. The Desert Music: First Movement
2. The Desert Music: Second Movement
3. The Desert Music: Third Movement, Part One
4. The Desert Music: Third Movement, Part Two
5. The Desert Music: Third Movement, Part Three
6. The Desert Music: Fourth Movement
7. The Desert Music: Fifth Movement

Tracks:

1. Works: New York Counterpoinnt: Fast
2. Works: New York Counterpoint: Slow
3. Works: New York Counterpoint: Fast
4. Works: Sextet: 1st Movement
5. Works: Sextet: 2nd Movement
6. Works: Sextet: 3rd Movement
7. Works: Sextet: 4th Movement
8. Works: Sextet: 5th Movement
9. Works: I. Strings
10. Works: II. Percussion
11. Works: III. Winds And Brass
12. Works: IV. Full Orchestra

Tracks:

1. Works: Different Trains - America - Before The War
2. Works: Different Trains - Europe - During The War
3. Works: Different Trains - After The War
4. Works: Electric Counterpoint - Fast
5. Works: Electric Counterpoint - Slow
6. Works: Electric Counterpoint - Fast
7. Works: Movement I
8. Works: Movement II
9. Works: Movement III

Tracks:

1. The Cave: Typing Music
2. The Cave: Who Is Abraham?
3. The Cave: Who Is Ishmael?
4. The Cave: Genesis XVIII
5. The Cave: Genesis XXI
6. The Cave: The Casting Out Of Ishmael And Hager
7. The Cave: Machpelah
8. The Cave: Genesis XXV
9. The Cave: Interior Of The Cave
10. The Cave: Surah 3
11. The Cave: El Khalil Commentary
12. The Cave: Who Is Abraham?W
13. The Cave: Who Is Sarah?
14. The Cave: Who Is Hagar?
15. The Cave: Who Is Ishmael?
16. The Cave: The Binding Of Isaac
17. The Cave: The Cave Of Machpelah

Tracks:

1. Proverb
2. Nagoya Marimbas
3. City Life: 'Check It Out'
4. City Life: Pile Driver - alarms
5. City Life: 'It's Been A Honeymoon - Can't Take No Mo'
6. City Life: Heartbeats - Boats & Buoys
7. City Life: 'Heavy Smoke'

Amazon.com essential recording

In the afterglow of his 60th birthday in 1997, Nonesuch Records delivered Steve Reich and his listeners an immense gift, this 10-CD retrospective of his work for the label, extending from his earliest tape-manipulation pieces to his most recent compositions utilizing samplers and the video artistry of Beryl Korot. Aside from the ear's liquid sense-making when it hears the dense and limber marimbas of Reich's Six Marimbas or his taut, dizzying Piano Phase, there is a physical response almost inevitable in Reich's music. It stuns and holds you. And he knows it. It's Gonna Rain struck an early chord of inventiveness, featuring an African American Pentecostal preacher's sermon and eventually spinning the title phrase into a jangling repetition of single words. Percussion works abound here: Clapping and Drumming stun with their deceptive similarity and warm clarity. Perennial favorite Piano Phase features pianists Nurit Tilles and Eduard Neumann synched up on two pianos and careening at full tilt in unison before their four hands fall out of time and phrase with each other, only to realign in a powerful swooping demonstration of energy and focus. The latter CDs hold abundant delights, many revealing Reich's late-discovered spiritualism and Judaica: Different Trains' examination of the Holocaust; Tehillim's shimmering Hebrew texts sung with fascinating choral power; Proverb's invocation of Perotin. Closing the set are recent pieces: Nagoya Marimbas, and the sampler-rich City Life and The Cave. --Andrew Bartlett

Customer Reviews:

Classic, but not the definitive..........2004-05-20

While a multi CD collection spanning 30 years does sound very promsing, Nonesuch cannot offer all of the best recordings of some of Reich's masterpieces (Music for 18 Musicians or Drumming), and some have been missed out completely (Music for a Large Ensemble), presumably because the piece was not recorded under the Nonesuch label. While the collection is formidable, a listener wanting to hear the best recordings of all the pieces might do better seeking out the older (or longer!) recordings of the pieces.

Essential.......1999-02-24

The term "essential" gets thrown about too much. And heck, the claim that certain words get thrown about too much gets thrown about too much. But here is a collection that really *is* essential to understanding the nature of a whole shift not just in classical music, but in popular music and indeed in popular culture. So many of Reich's ideas and concepts have become so deeply embedded in current classical music, film scoring (any number of examples, but think about Tangerine Dream's score for "Risky Business" and Hans Zimmer's score for "Thin Red Line," for starters), electronic music and even the visual arts.

This box set gives the listener all of Reich's major works. I can't even attempt to describe them individually, but every one of these 10 CDs is compelling. For the totally uninitiated, take out "Music for 18 Musicians" (presented here in a crystalline new recording) to get an idea of what the core of this guy is all about. From there, you might want to listen to "Different Trains," "Electric Counterpoint" and "Six Marimbas" to get an idea of the pointillistic pulse minimalism that Reich contributed to the world. The earlier material is the more challenging, exploring the subtleties of rythym, phase relationships between sounds and shifting timings. Among these, the new recording of "Four Organs" is just outstanding.

Reich's works, along with the early works of Terry Riley and Philip Glass, form the foundation of an enormous edifice that has grown of music that attempts to return to its essential and hypnotic roots. With this box set, one of those pylons becomes clear.

Christian Music:

1. Year 2000//My Favorite Person [Import]
2. Your Wish Is My Command
3. Your Wish Is My Command [Import]
4. 500,000 Kilowatts of P-Funk Power [Live]
5. A Little Deeper [Explicit Lyrics] [Import]
6. Adventures in Afropea 1
7. Angel of Mine [CD-single] [Import]
8. As Good as It Gets: Doo Wop
9. Baby Boy [CD-single] [Import]
10. Baby Workout/Somethin' Else!! [Import]

Christian Music

christian music

Christian Music

Love Tonight

Live Recital No.2

Life Is Like That [Import]

Harold, Lew, Phil & Don

Nikki Music, Vol. 2

Memories Of Christmas

Maxximum [Limited Edition] [Import]

Mondo Garaj

Most Beautiful Things

Mozart: Great Piano Concertos

Lounge Candelas I

My Best (Japan Only) [Import]

Hombre [Import]

Hoochie Coochie Man

The Hard Way