| 1. Alive and Kickin' |
| 2. Let's Go for Love |
| 3. You Don't Know What Love Is |
| 4. I Wanna Be Your Baby |
| 5. I Wanna Doop Doop Doop Your Doo Wop She Doo Wop (Tweedle Your Tweedle L |
| 6. In Your Face |
| 7. Sexy Thing |
| 8. There's No Me Without You |
| 9. Waylon James |
| 10. Gone Fishin' |
| 11. Let the Good Times Roll |
Alive & Kickin',Chairmen of the Board,Surfside (Rock),Pop,Pop-Soul,Popular Music,R&B,Soul,Soul/R & B
Average customer rating:
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Frampton Comes Alive!
Peter Frampton Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009HF2 Release Date: 1998-07-28 |
Tracks:
- Something's Happening
- Doobie Wah
- Show Me The Way
- It's A Plain Shame
- All I Want To Be (Is By Your Side)
- Wind Of Change
- Baby, I Love Your Way
- I Wanna Go To The Sun
- Penny For Your Thoughts
- (I'll Give) You Money
- Shine On
- Jumping Jack Flash
- Lines On My Face
- Do You Feel Like We Do
Amazon.com
If you were challenged to name five rock albums that epitomized the '70s, Frampton Comes Alive! should probably top the list. Former Humble Pie guitarist Peter Frampton recorded a few perfectly fine albums with his band Frampton's Camel, but it wasn't until some of those tracks were recorded at a live performance in San Francisco and released as Frampton Comes Alive! that he became a household name. Buoyant pop, sentimental ballads, arena rock--this album has it all. The double-LP package set sales records and contained three bona fide radio hits ("Baby, I Love Your Way," "Show Me the Way," and "Do You Feel Like We Do?"), one of which, shockingly enough, was over 14 minutes long. No wonder that, to many, the two-and-a-half-minute songs of the Damned and the Sex Pistols felt like a breath of fresh air a year or two later. --Lorry FlemingCustomer Reviews:
A Classic Sensation.......2007-07-01
It takes me back.......2007-06-27
Frampton Comes Alive.......2007-04-04
No other releases by Frampton measure up to this one. He made one great copulation of recordings ever. This is it. After this he Petered' Out!
Excellent.......2007-02-05
great album -- more to frampton than you think.......2007-01-19
then i listened to this and -- WOW! Frampton is a superb guitar player with a unique sound (this album made it famous); an impeccable songwriter as well as a charismatic and, ok, good looking lead singer.
when you go past this album, you realize that frampton has a solid track record of pop songwriting & impeccable musicianship.
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Staying Alive (1983 Film)
Bee Gees Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001F4F Release Date: 1990-10-25 |
Tracks:
- The Woman In You
- I Love You Too Much
- Breakout
- Someone Belonging To Someone
- Life Goes On
- Stayin' Alive
- Far From Over - Frank Stalone
- Look Out For Number One - Tommy Faragher
- Finding Out The Hard Way - Cynthia Rhodes
- Moody Girl - Frank Stalone
- (We Dance) So Close To The Fire - Tommy Faragher
- I'm Never Gonna Give You Up - Frank Stallone
Customer Reviews:
Great.......2007-04-10
Staying Alive DVD.......2006-03-21
bee gees rock.......2005-09-01
Little Know Fact, The Bee Gees were Staying Alive in the 80s.......2004-09-14
Only six songs from the soundtrack are penned by the boys, and you'll have to forgive me for skipping over the other six songs by Frank Stallone, Cynthia Rhodes, and Tommy Faragher. (The last guy I don't even know who he is!) I don't care, I don't think you care. The movie is guilty pleasure cheese directed by Sly Stallone. Enough on that, let's move on.
I downloaded a few of these songs, and then I found the soundtrack on cassette. Oddly enough, the day I started this review I snagged the LP! Both formats present The Gibb tunes on Side A and the rest on Side B. The Woman In You leads off with a harsh edge to it. It's well put together but it doesn't sound like The Bee Gees from Living Eyes. Perhaps a tad too far in the rough and tumble direction.
I Love You Too Much, however, has that easy eighties vibe too it. It has some great lyrics and a recognizable Gibb sound. This might be the best song here. Lyrical balladry with a speedy track of music. The lyric of `under me is where you should be' then turned around as `under you is where I should be' symbolizes this either way style. Good stuff!
Breakout returns to this odd and rough vibe. The music overtakes Barry's vocals, which I think are about the same old surviving the city et al, but the lyrics and lack of harmony here are a miss.
Although this soundtrack didn't do as well as Fever for a number of reasons, one naturally being the song quality is a tad lower, but also, the movie and the music aren't as perfectly matched. Can anyone tell me where Someone Belonging To Someone is in the film? Granted It's been awhile, but the song is at least on par with How Deep Is Your Love, yet this ballad does not stick in my mind the way the How Deep sequence from Fever does. Someone's got a great hook and a sweet blended vocal sound to it and is worthy of much more than its second rate obscurity.
Life Goes On makes it into the plus column, and not just to give the album a split vote either, ;0) It's not comparable to More Than A Woman in quality, but similiar in style. The easy dance song with some good lyrics. Lyrics and Harmony that you can always hear and understand is a good thing.
And naturally we come to Staying Alive. I must admit this is a very symbolic and penne ultimate song that represents so much, that must be why it's been played to death! This is the one memorable part of the film, at the end where Travolta says he's feels like 'strutting' and does so into the credits. The song definitely has its place, and has indeed immortalized The Brothers Gibb. Just over and over I can't take all that clichéd Ah Ah Hah Hah Staying Alive Staying Alive. ARGH! People have come to think this is all The Bee Gees are about, and that is wrong.
Their contribution to this soundtrack may not exactly show why the Brothers are in The Rock and Roll Hall of Fame, but its an integral part in the transition of the boys' move from Fever to producing for others, working solo, and progressing themselves. An easy find to complete your collection.
At Long Last.......2004-05-27
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Jacques Brel Is Alive and Well and Living in Paris (1966 Original Off-Broadway Cast)
Jacques Brel , Ocr , Elly Stone , and Mort Shuman Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000067AS5 Release Date: 2002-05-28 |
Tracks:
- Marathon
- Alone
- Madeleine
- I Loved
- Mathilde
- Bachelor's Dance
- Timid Frieda
- My Death
- Jackie
- Desperate Ones
- Sons Of.
- Amsterdam
- The Bulls
- Old Folks
- Marieke
- Brussels
- Fanette
- Funeral Tango
- The Middle Class
- You're Not Alone
- Next
- Carousel
- If We Only Have Love
Amazon.com
At the time of this show's 1968 Greenwich Village debut, French singer-songwriter Jacques Brel's body of theatrically insightful ballads was already an obscure but deeply influential treasure trove for many American musicians. The revue's success would go on to influence artists as diverse as Leonard Cohen, Bowie (who covered "Amsterdam" shortly thereafter), and Sinatra, and it may even be responsible for one-hit wonder Terry Jacks's revival of "Seasons in the Sun".More important, the pioneering musical-without-a-book helped introduce Brel's oft-brooding, ever evocative art to a wider American audience--and arguably had an evolutionary influence on Broadway itself. This complete reissue of the 1968 boxed set cast album offers up a rich cross-section of Brel's songs about life, death, and love--and typically sharp-eyed observations about the human follies that season them--deftly performed by a cast that includes Elly Stone, Alice Whitfield, Shawn Elliott, and, crucially, rock pioneer, Brel associate, and co-producer Mort Shuman. This new edition fleshes out the set with the sessions' only unreleased song, a sprightly take on the deliciously cynical "The Middle Class." --Jerry McCulley
Customer Reviews:
Jaques Brel still lives.......2007-04-02
Fabulous Show.......2007-02-22
Jacques Brel lives on through English Translation of his songs.......2007-02-12
A Little Night Music...........2007-01-23
I had a good friend who was in the show for one summer, maybe 79 or 80. Just a sad staging in a little town in Appalachia trying on some Paris. We had a dinner theater in our town, which meant an old building , some tables, small area and a stage kind of and some curtains. Rather ambitious for the town, they staged summer shows of Brel. And other things too, finally. My girlfriend as she often did hooked me into her evenings and I made drinks there as well as gave a few musical efforts and some easily forgotten attempts at choral support. On nights someone didn't show. You actually also made the food and sang the show, in those days for your audience, who tended to tip fairly poorly and be the local lawyers and med school doctors dragged out by wives seeking a cultural night of dinner theater. It was a kind of starving kids for ten bucks sing, act, cook, serve vodka/tonics, smoke and tell you the story of Boheme life while mixing blue cheese from packets of powder and creme in a frenzy preparing to figure out who plays the piano well enough as the player won't being pissed over low wages and a remark made about his big derrière. That kind of a summer. Songs probably wasted on the young.
All that said, it was/is a lovely collection of songs. Even better an experience when you learn and sing the French and can then argue incessantly about the translations and "feel" of the shows on two continents. I loved then to sing them, and find a tune floating in my head tonight from no where-just there- when "No. Love You're Not Alone" actually woke me. The American film was awful, the show best seen in revival and smoky nights in clubs. Then, in 1980 or so, it made my life richer, it's probably a good thing Susanna was such a friend...though I didn't understand, we dragged ourselves to a lot of meaning.And that rather odious experience in the Bahamas.
I think this worthy of time and listening. And a big moon would be cool, to walk on the shore and hear it once more. Think I'll slip out awhile.
Fine Singer / Actors Do Brel Justice.......2007-01-15
Unbeknownst to them, about the same time Elly Stone heard her first Brel recording, Mort Shuman was undergoing something of a revelation across the Atlantic. In the midst of a successful career writing rock and roll songs (including hits for Elvis Presley, and the ubiquitous teenage anthem, Save The last Dance For Me), Mort Shuman had been wandering restlessly around Europe, and came to settle for a time in Paris. There, he became acquainted with Brel's music, and, later, with the man himself, and the two became close friends. Shuman convinced Brel that he should be allowed to translate some of his better-known songs into English, and bring them to America. More on the strength of their friendship than Shuman's reputation as a songwriter, Brel agreed, but a problem soon emerged. Although Shuman had mastered French surprisingly well, he was finding the task of translating Brel's songs quite daunting. After several attempts, Shuman found his English versions sorely lacking. He realized that it was not only that he had become too enraptured with Brel's work to find the objectivity required to do them justice, but it also became apparent that Brel's songs reflected too much of the French philosophy and politics to appeal to an American public largely besotted on syrupy, trite love songs.
Shuman returned to America, vowing to find a way to introduce Brel's songs to an English speaking public. By this time, Nat Shapiro had heard Elly Stone perform Eric Blau's first translations of Brel, and wanted more. In November 1966, Nat Shapiro persuaded Mort Shuman to hear Elly Stone perform at Julius Monk's Plaza 9, despite Shuman's reluctance, which derived from his belief that only a male singer could do Brel justice. At a table with Shapiro and a very nervous Eric Blau, Shuman applauded politely. "She's good", he told Blau, "the translations are real good". It must have rankled him somewhat that it was Blau and not Shuman who first successfully translated Brel to English.
Nat Shapiro also had the idea for the perfect venue to introduce Brel to America - an off-Broadway show. Not exactly a revue, since that implied that the songs had been heard before, what eventually took shape was the first "libretto-less" musical, Jacques Brel Is Alive and Well and Living in Paris. In addition to Elly Stone and Eric Blau's enthusiasm for Brel's music, Elly's amazing talent had won Shuman over and convinced him to work with Blau on the translations. Two years later, their labor of love finally introduced Brel's songs to an American public that was as ready for Brel, as Brel's songs were ready for America.
I am somewhat puzzled by the negative reviews by those who insist that Brel's songs can never be appreciated in anything but the original French. When Eric Blau realized, as Mort Shuman had earlier, that Brel's songs could never be translated exactly to American English (steeped as they were in French life and politics), they agreed to go for the next best thing. They opted to translate Brel's songs as closely as they could, but, when this was not possible, they kept Brel's melodies while attempting to retain the spirit of his writing, if not his actual words. What resulted were often very good translations indeed. One only has to compare the French text of songs that became Jackie, the Old Folks, Brussels, the Middle Class, Madeleine or Amsterdam to realize that, for the most part, the narrative and spirit (and sometimes even the lyrics) closely matched Brel's originals. Two additional translations, Song For Old Lovers and My Childhood, which also resembled the originals, were recorded by Elly Stone on her (now very rare) self-titled Columbia album. Miss Stone also recorded Goodbye My Friends for her second album, which was arguably a superior version of Brel's Le Moribond than the dreadful version by Rod McKuen, Seasons In the Sun.
In other cases, the translations altered Brel's songs in such a way as to make them more palatable to American tastes, while retaining Brel's concept. Thus, Jef, a song in which a man tries to cheer up a drinking buddy who has lost a great love, becomes a love song, in which one partner attempts to bolster the melancholy spirit of their beloved. In fact, some would argue that the beautiful prose of No Love You're Not Alone not only equals the poetic imagery of Brel's original lyrics quite adequately, they are actually an improvement. Conversely, When We Only Have Love was transformed from a love song to an anthem for brotherly love, yet did not destroy Brel's concept or his "poetry", but successfully built on it. Brel, by the way, often pointed out that, in his culture, it would be unforgivably vain for a songwriter to compare himself to a poet. To the French, poetry is not only a much higher art form than songwriting, Brel did not consider songwriting an art at all, but merely "a craft". All told, there are, in fact, only a few songs in this show where the lyrics, content, spirit, tone and / or subject matter were completely altered from Brel's originals.
When the show premiered in Canada, the creators were terrified that they would be taken to task by the French Canadian press for daring to present Brel in English there, as Brel is highly prized in Canada. Instead, it was the English Canadian press who savaged the show. But the French Canadian journalist, Rudel-Tessier (a bi-lingual writer, quite familiar with Brel in French) stated flatly that, although in translating the work, some of Blau / Shuman went in and some of Brel came out, he found it marvelous to have Brel in English at all. And, he gently chided his peers by pointing out that, while Shakespeare is quite popular in French, the Bard will never be quite the same in French as he is in English. So, to those who say you cannot appreciate Brel's songs in anything but French I reply, this show was written for those who never have, and never will, understand a single word of French. Does anyone really think that those who only speak French should be deprived of Shakespeare?
Even if none of this were true, I would like to point out that Jacques Brel himself, armed with exact French translations of the English lyrics, personally approved every song that was written for the show before the decision to produce it was finalized.
Besides, the passion and reverence that these performers feel for Brel and this material is evident in every song, and to those who claim that this show is an insult to Brel, I answer that it's an insult to the efforts of this fine cast to suggest that they had anything but his best interests at heart, and, as someone who is quite familiar with Brel in French, I believe they succeeded brilliantly. And as fine a songwriter as you can argue that Brel is in French, well, Elly Stone is equally as fine a singer in any language, and I bemoan the fact that she virtually squandered the balance of her career championing Brel's work, when she could have made a major name for herself, based solely on her own talent. Having seen Elly Stone perform live many times (in and out of this show), I will attest to the fact that, in her prime, she had the most impressive voice I have ever heard in a concert hall.
And in the end, it was Brel himself who gave the supreme complement to this effort. At one point, Eric Blau fretted when, in order to more closely translate Brel's lyrics to la Mort (My Death), he and Shuman had to alter Brel's melody. When they sent the new song to Brel, he responded, "You have improved it; it's better than mine". A year after the show opened, Brel flew in to New York to see it. That night, he led a standing ovation for the performers, and modestly told Blau and Shuman repeatedly that they had not only exceeded his expectations, in many instances, they had improved his work. He also told Elly Stone that she was, "the finest lady performer" he had ever seen (including Piaf, whom she was often compared to unfairly) and he told her that he wanted to write new songs specifically for her. Unfortunately for us, he never had time, but it was a testament to her talent and artistic integrity that Brel offered.
And if Brel himself was pleased with the translations featured in this glorious production, why should anyone quarrel with that?
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Alive in South Africa
Israel & New Breed Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B5QWN8 Release Date: 2005-10-25 |
Tracks:
- Intro
- Alive Overture
- Alive
- Favor Of The Lord
- Favor Of The Lord (Reprise)
- Turn Around
- Not Forgotten
- Not Forgotten (Reprise)
- Not Forgotten (Slow Version)/ He Knows My Name
- Take The Limits Off
- No Limits (Enlarge My Territory)
- Tudor Bismark (Speaking)
- It's Raining
- Surely
Tracks:
- Intro
- Still Standing
- I Will
- African Skies (Instrumental)
- You've Been A Friend
- To Worship You I Live (Away)
- Worship Medley
- Alpha And Omega
- Intro By Johnathan Butler
- Come And LEt Us Sing (Featuring Jonathan Butler)
- New Season
- Your Latter Will Be Greater
- You Are Good
- Again I Say Rejoice
- Friend Of God
- He Knows My Name (Bonus Cut)
- Not Forgotten (Radio Version-Bonus Cut)
Customer Reviews:
Stop Praising Israel & Praise God, .......2007-03-17
But overall I do like the album,
Powerful.......2007-01-16
Great CD!.......2007-01-14
borrowed.......2007-01-13
Very annointed.......2006-12-27
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Lil Wayne: The Greatest Rapper Alive Pt.2
Lil Wayne ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OTPJDA |
Product Description
Still The Best Rapper Alive Intro We Takin' Over feat. T.I., Rick Ross & Akon Make It Rain RMX feat. T.I., Rick Ross & Fat Joe King Kong RMX feat. Chingy, Yo Gotti & Jibbs Diamonds On My Chain feat. Fabolous & Young Jeezy Whip Game Proper feat. Twista Black Democrats feat. Juelz Santana Weezy & Spitta For President feat. Currensy Throw Some D's feat. Mack Maine & Dizzy Lil' Wayne's Story In The Hood feat. Brisco Oh Yea feat. Juelz Santana Come Test Us feat. Charlie Baltimore Grew Up A Screw Up feat. Tity Boi & Brisco Flashy & Fly Pump That Bass All On You feat. Kelly Rowland Lloyd & Lil' Wayne Live In New York Little Girl Gone feat. Devin The Dude & Bun B Cash Money Boys feat. Brisco CASH MONEY BONUS!!! BRISCO STREET SAMPLER A SNEAK PEAK TO CASH MONEY'S NEWEST ARTIST Brisco feat. Dre Brisco Brisco feat. Rick Ross Opa Locka Brisco feat. Triple C's Stuntin' Like My Daddy
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Buried Alive: Live in Maryland
New Barbarians Manufacturer: Wooden Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HWY58O Release Date: 2006-10-23 |
Tracks:
- Sweet Little Rock N Roller
- Buried Alive
- F.U.C. Her
- Mystifies Me
- Infekshun
- Rock Me Baby
- Sure the One You Need
- Lost & Lonely
- Love in Vain
- Breathe on Me
Tracks:
- Let's Go Steady
- Apartment No.9
- Honky Tonk Women
- Worried Life Blues
- I Can Feel the Fire
- Come to Realise
- Am I Grooving You?
- Seven Days
- Before They Make Me Run
- Jumping Jack Flash
Amazon.com
Addled, staggering, bleary-eyed, wired: that's how Buried Alive: New Barbariand Live in Marylan sounds. It's the band's charm, the reason this recoding has been long sought in bootleg form. And the irony of the New Barbarians' 1979 tour should be lost on no one. Keith Richards's sentence for his 1977 heroin and cocaine bust in Toronto was two days of charity work. What'd he do? He got his guitar-slinging partner from the Rolling Stones, Ronnie Wood, to bring this ad hoc band--boasting himself and Richards on guitars, Ziggy Modeliste on drums, Ian McLagan on keys, and Stanley Clarke on bass--to play two dates for the Canadian Institute for the Blind. Describing how the band warmed up for the tour, the unnamed liner notician for this long-sought set writes that "[m]ost days rehearsals went on until the drugs ran out." So penance for the drug bust came in the form of a gig by a band who rehearsed until they couldn't get high anymore. As for the New Barbarians' tunes, they're ramshackle and shouted and bellowed and brilliant. The sound on these discs is remarkable, blurry only to the point you'd expect, given the sodden nature of the band members. --Andrew BartlettAlbum Description
Two CD set featuring the first official release of this legendary live performance, recorded in Maryland in 1979. The New Barbarians were a live-only band consisting of Rolling Stones members Keith Richards and Ronnie Wood, Jazz great Stanley Clarke, former Faces/Small Faces keyboardist Ian McLagan, Bobby Keys and Ziggaboo Modeliste. 20 tracks including 'Sweet Little Rock 'N Roller', 'Love In Vain', 'Let's Go Steady', 'Before They Make Me Run', 'Jumping Jack Flash', 'Seven Days' and more. Includes an eight page full color booklet with extensive liner notes. Released on Ron Wood's Wooden Records label. 2006.Album Details
The First Official Release of the Live Concert Recording by the Erstwhile Group of Musicians Assembled by Guitarist Ronnie Wood as a Side Project from the Rolling Stones that Served as a Vehicle for his Solo Material in the Late 1970's. This Show was Taped in Largo, Maryland in 1979 and the Stage was Populated by Wood, Keith Richards, Stanley Clarke on Bass, Ian Maclagan on Keys, Ziggy Modeliste of the Meters and Bobby Keys on Sax. Both Wood and Richards Are Well Aware that They Are Not the World's Greatest Vocalists, So the Emphasis of the Material was on the Masterful Interplay Between the Assembly of Such Stellar Musicians. It Simply Couldn't Avoid Catching Fire as their Sets Burned Bright with an Organic Intensity. Most of the Material is Drawn from Wood's Solo Work, Spiced with Faces and Stones Classics as Well as Healthy Doses of Heartfelt Blues, Country, Jazz and Sizzlin' Rock N Roll!Customer Reviews:
not what you remember from 1979.......2007-04-22
If you saw a New Barbarians show, you'll probably like this.......2007-03-17
sound's of barbarians.......2007-03-08
Old-timers will love it, new kids might not. .......2007-02-24
As a serious guitar player for 25+ years who has played in several bands, I love the way Woody and Keith play guitar. I buy all their solo albums just to hear their unique styles and riffs. Keith's riffs in open tunings are something to admire. You really have to play a lot to play like that in open tunings with such ease and to make up such cool sounding riffs. Ronnie is just a great standard tuning player who plays a mean slide as well. I realize songwriting, lyrics and choir boy vocals are not their forte. It's the riffs and unadulterated rock and roll that gets me going. If that's not your bag, tune into "American Idol" or "Making the Band".
One reviewer here opined that Brian Jones and Mick Taylor were better guitarists. In my opinion, they are different guitarists. Woody is no slouch. Taylor was a great virtuoso and I loved his long guitar solos on the Stones tours and bootlegs of the early 70s. He's more like Clapton in that way. Ron Wood, of course is more like Keith Richards in that he is one of the great rock masters of hooks, riffs and fills. Brian Jones was a terrific and under rated blues guitarist for his time who could learn to play any instrument in short time. Genius in that regard. But I'd have to say Ron Wood has proven to be better in his time than Jones.
Recommendation: If you love the way Keith and Ronnie play guitar, this is a must have CD. If you simply want some insight into Stones history in the late 70s, you might like this CD. If you remember these shows and this time, it may be a nice trip down memory lane and worth the purchase price just for that. If you have to hear Jagger and must have a big production and 20 piece band with back up singers like they have done on recent tours then stay away from this CD. You would be better off with the cheesy live Licks CD from the 2002-3 tour.
DON'T - BLEEP! - YOUR MONEY AWAY AS I DID.......2007-01-27
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Big Come Up
Black Keys Manufacturer: Alive Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000063WDH Release Date: 2002-05-14 |
Tracks:
- Busted
- Do The Rump
- I'll Be Your Man
- Countdown
- The Breaks
- Run Me Down
- Leavin' Trunk
- Heavy Soul
- She Said, She Said
- Them Eyes
- Yearnin'
- Brooklyn Bound
- 240 Years Before Your Time
Customer Reviews:
Meet me at the bottom........2006-10-12
This is one of the most talented young bands around. They've succeeded with a sound that's all their own and with minimal equipment. I wish them every success.
Bruised Blues.......2006-05-07
Welcome Addition To Your Blues Collection.......2006-03-12
Off The Big Come Up
Busted
Do The Rump
Brooklyn Bound
Off Thickfreakness
Title track - Thickfreakness
Have Love Will Travel
Hurt Like Mine
Off Rubber Factory
Just Couldn't Tie Me Down
Grown So Ugly
Keep Me
Really good stuff if you are into thick, gritty, full sounding blues style music.
stripped down rock.......2006-02-23
Their best.......2006-01-26
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Alive! Box Set
Kiss Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JJRIP2 Release Date: 2006-11-21 |
Tracks:
- Deuce [Live]
- Strutter [Live]
- Got to Choose [Live]
- Hotter Than Hell [Live]
- Firehouse [Live]
- Nothin' to Lose [Live]
- C'mon and Love Me [Live]
- Parasite [Live]
- She [Live]
- Watchin' You [Live]
- 100,000 Years [Live]
- Black Diamond [Live]
- Rock Bottom [Live]
- Cold Gin [Live]
- Rock and Roll All Nite [Live]
- Let Me Go, Rock 'N' Roll [Live]
Tracks:
- Detroit Rock City [Live]
- King of the Night Time World [Live]
- Ladies Room [Live]
- Makin' Love [Live]
- Love Gun [Live]
- Calling Dr. Love [Live]
- Christine Sixteen [Live]
- Shock Me [Live]
- Hard Luck Woman [Live]
- Tomorrow and Tonight [Live]
- I Stole Your Love [Live]
- Beth [Live]
- God of Thunder [Live]
- I Want You [Live]
- Shout It out Loud [Live]
- All-American Man [Live]
- Rockin' in the U.S.A. [Live]
- Larger Than Life [Live]
- Rocket Ride [Live]
- Any Way You Want It [Live]
- Rock and Roll All Nite [Single Version][Live][*]
Tracks:
- Creatures of the Night [Live]
- Deuce [Live]
- I Just Wanna [Live]
- Unholy [Live]
- Heaven's on Fire [Live]
- Watchin' You [Live]
- Domino [Live]
- I Was Made for Lovin' You [Live]
- I Still Love You [Live]
- Rock and Roll All Nite [Live]
- Lick It Up [Live]
- Forever [Live]
- Take It Off [Live][*]
- I Love It Loud [Live]
- Detroit Rock City [Live]
- God Gave Rock 'N' Roll to You II [Live]
- Star Spangled Banner [Live]
Tracks:
- Psycho Circus [#]
- Shout It out Loud [#]
- Deuce [#]
- Heaven's on Fire [#]
- Into the Void [#]
- Firehouse [#]
- Do You Love Me? [#]
- Let Me Go Rock 'N' Roll [#]
- I Love It Loud [#]
- Lick It Up [#]
- 100,000 Years [#]
- Love Gun [#]
- Black Diamond [#]
- Beth [#]
- Rock and Roll All Nite
Amazon.com
There is no shortage of Kiss collections out there, but, as they used to say before Paul, Gene, Ace, and Peter took the stage, "You wanted the best and you got the best!" Spanning four discs, Alive! 1975-2000 makes a great time capsule for Kiss Army completists, packed with a quarter-century of pictures and band reminiscences. And then there's the music. Remastered and packaged together for the first time, the immortal hard-rock one-two punch of Alive! and Alive II together with 1993's makeup-free Alive III showcase the legendary band in their element: driving audiences wild with their thunderous riffs, bombastic ballads, and shameless showmanship. Previously unreleased, Alive: The Millennium Concert captures the reunited and remasked original lineup at the New Year's Eve 1999 stop on what appears to be a never-ending farewell tour. It's safe to say the definitive live Kiss experience is captured here--from Paul Stanley's barefaced buttering-up of the crowd ("This song is dedicated to you, 'cause this song is about people who know what rock 'n' roll is about") to Peter Criss's nearly-epic "God of Thunder" drum solo, and four, count 'em, four, versions of "Rock and Roll All Nite." Kiss was never a band likely to be accused of understatement, and Alive! 1975-2000 is an appropriately exalted celebration of their excess and excellence. --Ben HeegeCustomer Reviews:
#1.......2007-07-28
u drive me wild .......2007-07-24
Just Buy It!.......2007-05-18
Love it, Great Pack, Lots of Thought.......2007-05-14
The Alive 1,2 and 3 are great discs, sounding superb in 5.1 systems; much improved. I must admit I did think that Gene ( or Someone, :-) redid the Bass work for the Live 1 and 2, but I guess with a Remaster that fixes all sounds.
Each of the discs reprises the Packaging of the original albums, as well as the disc bed, which has a reprise of the cover shots. The Booklet tops the memorable tour of the KISS past.
It really does bring home that KISS has material that is better than Good. Ace has said that the Reunion tour was DAT recorded. With a great selection of other songs, why can't they release more. Anyways, I more than Love what I got. Its a Great Buy, and I am more than happy with the great sound
...no strings attached..........2007-05-14
"alive"...one of the greatest "sorta-live" albums ever...
but, with a clever box-set like this, getting all the 'alive' sets together, with the millenium concert, why would you leave out one of the 'alive' sets...
where is 'alive iv'...this makes no sense to omit this one, even if 'the millenium concert' was supposed to be the fourth 'alive' set...
that would make this even more interesting, with 'millenium' being 'alive 5'...
but great minds apparently don't think alike...
wait till they release a 'complete' set...then you can rock 'n' roll all nite...
Average customer rating:
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Call of the Mystic
Karunesh Manufacturer: Real Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00020HDXU Release Date: 2004-05-11 |
Tracks:
- For the Joy of it All
- Hearing You Now
- Monsoon's Dance
- Mount Kailash
- Sunrise at the Ganges
- Zensual
- And the Grass Grows by Itself
- Ancient Voices
Album Description
While other genre labels like Narada and Windham Hill diversified from their new age roots, Real Music has been consistent over the years in providing nothing but the best music for relaxation, meditation and spiritual enhancement. Their most notable recordings come from an Eastern Buddhist mindset, with multi-instrumentalist Karunesh leading the pack on the strength of previous discs Zen Breakfast and Nirvana Café. His basic approach to contemplative music involves a blend of exotic textures (bells, chimes, Tibetan bowls, sitar and Chinese instruments) with easy grooves and rich walls of ambience. The new collection's trance inducing instrumentation and sensuous rhythms begins with a few minutes of pure ambience and sitar, before slowly introducing a gentle percussive line ("For the Joy of It All"); Avinash's graceful Indian violin carries a mournful beauty that is also part of the similarly hypnotic, easy grooving "Monsoon's Dance." Bikram's Bansuri flute floats through beautifully in key locations, such as the introduction of "Mount Kailash." While the uninitiated might feel that there's a certain repetitive nature to the tracks (which usually begin with sparse instrumentation before the electricity is turned on), the intention is more to invoke a sense of inner peace than to be truly innovative. The title of the richly textured "Zensual" sums up the mystical intent of the thought provoking exercise.~ Jonathan Widran, All Music Guide
Customer Reviews:
The pleasure in the feeling of non-existence.......2006-05-28
It's been 4 days since I bought them. I am not listening to any other song than Monsoon Dance for almost 4 days, day and night.. I am usually obsessed with these kind of mystic songs, listening to one song at a time for days a stretch, even when I sleep.
Thats the effect of the song Monsoon Dance. Truly, the mystic feeling of non-existence is an amazing pleasure. I feel one with the entire universe when I listen to this song.
I wonder what the composer might have gone through to come up with such an amazing piece of music. The Indian violin's effect is rather deep.
ABSOLUTELY BEAUTIFUL.......2006-03-10
This is great!.......2006-01-12
Masterful & mystical "new age music" from KARUNESH .......2005-09-23
Call of the Mystic~Karunesh.......2005-07-10
Average customer rating:
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I'm Alive
Jackson Browne Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002HDJ Release Date: 1993-10-26 |
Tracks:
- I'm Alive
- My Problem Is You
- Everywhere I Go
- I'll Do Anything
- Miles Away
- Too Many Angles
- Take This Rain
- Two Of Me, Two Of You
- Sky Blue And Black
- All Good Things
Customer Reviews:
best songwriter ever.......2007-07-29
Jackson's Masterpiece.......2006-07-21
Written in the aftermath of a painful breakup, Jackson proves himself a poet in his own right; any one of these songs could easily stand on its own as a poem, but is made much more powerful by the addition of outstanding music. The raw emotion and lyrical quality of this album are very moving.
"Sky Blue and Black" is one the best songs EVER and I also particularly enjoyed "two of me and two of you." What's more, these songs compose a complete cyle, with each song building on the previous one and leading into the next one. It's rare that an album forms such a complete work of art.
If you only every buy one Browne album, this is the one to own. The more I listen to it, even years after the original purchase, the more I love it.
It will hit a nerve with anyone who has ever been through a difficult breakup.
Jackson is a poetic genius!
5 Star Love Melodies.......2006-02-25
More like his seventies work.......2006-02-11
I didn't realize until I read some other reviews here that the introspection on this album was the result of Browne's break-up with Daryl Hannah. It's true that heartache can fuel creativity and it served Jackson well. It also gave us a respite from his relentless criticism of America.
One of his best!.......2005-10-22
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