| 1. I'd Rather Be in Love With You |
| 2. It's a Pleasure |
| 3. Grown Folk Blues |
| 4. I Love You |
| 5. When Water Flows |
| 6. Love Is Forever |
| 7. I Just Don't Get It |
| 8. Day Crazy |
| 9. Little Boy Blue |
| 10. Interlude: If We Could Only See Through the Eyes of Children |
| 11. Mother Drum |
| 12. Sometimes |
| 13. Interlude: No More Crying |
| 14. Why? Oh Why? [*] |
'83,Sheree Brown,Brown Baby Ent.,Pop,R&B,Smooth Soul,Uptown Soul
Average customer rating:
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25 Beethoven Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000058HX Release Date: 1996-08-20 |
Tracks:
- Egmont Overture - Ludwig Van Beethoven
- Symphony No. 5 In C Minor - Ludwig Van Beethoven
- Piano Sonata No. 21 In C Major - Alfred Brendel
- Piano Sonata No. 14 In C Sharp Minor - Jerome Rose
- Piano Sonata No. 8 In C Minor - Jerome Rose
- Piano Sonata No. 23 In F Minor - Jerome Rose
- Symphony No. 6 In F Major - Ludwig Van Beethoven
- Symphony No. 7 In A Major - Ludwig Van Beethoven
- 'The Creatures Of Prometheus' Ballet - Ludwig Van Beethoven
- Violin Concerto In D Major - Susanne Lautenbacher
- Sonata For Violin And Piano No. 5 In F Major - Aaron Rosand
- Piano Trio In B Flat - Mannheimer Trio
- Fse - Various Artists
- Quintet In E Flat For Piano And Winds - Abbey Simon
- 'Chorale Fantasy' In C Minor For Piano, Chorus And Orchestra - Walter Klien
- Piano Concerto No. 2 In B Flat - Alfred Brendel
- Piano Concerto No. 3 In C Minor - Ludwig Van Beethoven
- Piano Concerto No. 4 In G Major - Alfred Brendel
- Piano Concerto No. 5 In E Flat - Alfred Brendel
- Symphony No. 3 In E Flat - Ludwig Van Beethoven
- 'The Ruins Of Athens,' - Ludwig Van Beethoven
- 'Corolian,' - Ludwig Van Beethoven
- Ecossaise For Piano - Alfred Brendel
- Symphony No. 9 In D Minor - Ludwig Van Beethoven
- Symphony No. 9 In D Minor - Ludwig Van Beethoven
Customer Reviews:
Great for the road.......2007-05-11
Beethoven 25 Favorites.......2006-11-21
25 Beethoven Favorites.......2006-11-05
bEtHoVeN mAnIaC.......2005-11-03
Great Price...Not so good itself.......2005-05-19
Average customer rating:
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The Essential Yo-Yo Ma
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A7Q29G Release Date: 2005-08-16 |
Tracks:
- Prde from Suite No. 1 in G Major for Cello, BWV 1007
- II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
- Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
- Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
- Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
- The Swan from Carnival of the Animals (Chamber Version)
- Havanaise, Op. 83
- Mtation from Tha
- Liebesfreud Instrumental
- Allegro ben ritmato e deciso from Three Preludes
- Vocalise Vocal
- IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
- Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
- IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
- III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104
Tracks:
- Cristal
- A lenda do caboclo
- Chega de Saudade Live
- Wapango Live
- Libertango
- Appalachia Waltz Solo Cello Version
- Butterfly's Day Out
- 1B
- Pickin' from Three Pieces for Solo Cello
- Simple Gifts
- The Mission
- Gabriel's Oboe
- The Falls Album Version
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
- Chi passa per'sta strada
- Mido Mountain (Chinese Traditional)
- Mohini (Enchantment)
- Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
- Anything Goes Instrumental
- I Could Have Danced All Night Extended version
Amazon.com
Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert LevineCustomer Reviews:
pure genius.......2007-05-21
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection
Another great Yo-Yo Disc.......2007-05-15
first disc great- second a flop.......2007-04-12
Encore.......2007-03-31
The Versatile Yo-Yo Ma.......2007-03-29
Average customer rating:
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Dvorak: Slavonic Dances
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YD5H Release Date: 2002-01-29 |
Tracks:
- Slavonic Dances, Op. 46: No. 1 In C Major: Presto
- Slavonic Dances, Op. 46: No. 2 In E Minor: Allegretto Scherzando
- Slavonic Dances, Op. 46: No. 3 In A-flat Major: Poco Allegro - Antonin Dvorak
- Slavonic Dances, Op. 46: No. 4 In F Major: Tempo Di Minuetto
- Slavonic Dances, Op. 46: No. 5 In A Major: Allegro Vivace
- Slavonic Dances, Op. 46: No. 6 In D Major: Allegretto Scherzando
- Slavonic Dances, Op. 46: No. 7 In C Minor: Allegro Assai
- Slavonic Dances, Op. 46: No. 8 In G Minor: Presto
- Slavonic Dances, Op. 72: No. 1 In B Major: Molto Vivace
- Slavonic Dances, Op. 72: No. 2 In E Minor: Allegretto Grazioso
- Slavonic Dances, Op. 72: No. 3 In F Major: Allegro
- Slavonic Dances, Op. 72: No. 4 in D-flat Major: Allegretto Grazioso
- Slavonic Dances, Op. 72: No. 5 In B-flat Minor: Poco Adagio
- Slavonic Dances, Op. 72: No. 6 In B-flat Major: Moderato, Quasi Minuetto
- Slavonic Dances, Op. 72: No. 7 In C Major: Allegro Vivace
- Slavonic Dances, Op. 72: No. 8 In A-flat Major: Grazioso E Lento, Ma Non Troppo, Quasi Tempo Di Valse
Customer Reviews:
Beautiful and Eclectic (albeit bittersweet).......2007-03-08
Good stuff!.......2006-01-20
Good stuff!
A basic for every collection.......2005-09-01
dvorak-slavonic dances.......2005-08-02
Very good.......2005-03-18
Average customer rating:
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An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000424H Release Date: 2005-09-13 |
Tracks:
- Of All Great Musical Compositions... (Examples 1-4)
- The Fundamental Symbol... (Examples 5-11)
- Returning Now To The Nature Motive... (Examples 6, 12-16)
- A Number Of Further Motives... (Examples 5, 17-21)
- A Second, Much Smaller Family... (Examples 22-25)
- So Much For Nature. (Examples 26-38)
- The Cause Of The Deterioration... (Examples 39-44)
- The Other Transformation... (Examples 45-48)
- Several Other Motives... (Examples 49-52)
- Two Further Motives... (Examples 41, 53-61)
- The Basic Motive Associated With The Spear... (Examples 62-68)
- Along Another, More Complex Line... (Examples 69-72)
- In Act Two Of Walkure... (Examples 69, 73-75)
- Returning Now To Act Two Of Walkure... (Examples 76-79)
- Love Is Another Of The Central Symbols... (Examples 80-83)
- Later In The Same Scene... (Examples 84-87)
- Freia's Motive Has Two Independent Segments... (Examples 88-91)
- The Label 'Flight'... (Example 92)
- When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
- A Little Later In The Interlude... (Examples 99-103)
Tracks:
- The Other New Motive... (Examples 104-109)
- There Are Several Independent Love-Motives... (Examples 110-114)
- The Characters In Whose Lives... (Examples 115-120)
- One Further Motive Belongs... (Example 121)
- The Sword Motive Recurs... (Examples 122-130)
- Ironically, This Phrase... (Examples 131-135)
- Closely Associated With Gutrune's Motive... (Examples 136-140)
- Here We Come To The End... (Examples 141-146)
- Complemtary To This Symbol... (Examples 147-149)
- One Last Central Symbol... (Examples 150-157)
- One Further Motive Connected... (Examples 158-161)
- There Are One Or Two Motives... (Examples 162-168)
- These Motives Of Alberich And Mime... (Examples 169-171)
- Quite A Number Of The Subsidiary Motives... (Examples 172-176)
- Besides This Family Of Motives... (Examples 177-180)
- Our Final Example... (Examples 10, 181, 182)
- In The Final Scene Of Gotterdammerung... (Examples 181-183)
- Even More Masterly... (Examples 184-188)
- Now If We Return... (Examples 189-191)
- This Masterly Way... (Examples 192, 193)
Amazon.com
When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. RixCustomer Reviews:
Ring introduction critique.......2006-11-04
FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16
It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.
On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.
This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.
Welcome back to a classic analysis.......2006-05-28
If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.
Essential for Understanding Wagner's Ring Cycle.......2006-05-15
Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.
Very Functional.......2006-03-19
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Brahms: Concertos for Piano No. 1 & 2, Fantasia Op. 116
Johannes Brahms , Eugen Jochum , Ottomar Borwitzky , Emil Gilels , and Berlin Philharmonic Orchestra Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GQY Release Date: 1996-09-17 |
Tracks:
- Konzert fur Klavier und Orchester Nr. 1 d-moll Op. 15: Maestoso - J. Brahms
- Konzert fur Klavier und Orchester Nr. 1 d-moll Op. 15: Adagio - J. Brahms
- Konzert fur Klavier und Orchester Nr. 1 d-moll Op. 15: Rondo. Allegro non troppo - J. Brahms
Tracks:
- Konzert fur Klavier und Orchester Nr. 2 B-Dur Op. 83: Allegro non troppo
- Konzert fur Klavier und Orchester Nr. 2 B-Dur Op. 83: Allegro appassionato
- Konzert fur Klavier und Orchester Nr. 2 B-Dur Op. 83: Andante
- Konzert fur Klavier und Orchester Nr. 2 B-Dur Op. 83: Allegretto grazioso
- Fantasien Op. 116: No. 1 Capriccio: Presto energico
- Fantasien Op. 116: No. 2 Intermezzo: Andante
- Fantasien Op. 116: No. 3 Capriccio: Allegro passionato
- Fantasien Op. 116: No. 4 Intermezzo: Adagio
- Fantasien Op. 116: No. 5 Intermezzo: Andante con grazia ed intimissimo sentimento
- Fantasien Op. 116: No. 6 Intermezzo: Andantino teneramente
- Fantasien Op. 116: No. 7 Capriccio: Allegro agitato
Amazon.com
These performances mount the only serious competition as a complete set to the Leon Fleisher/George Szell versions on Sony Classical. Emil Gilels was an extraordinary virtuoso who decided to place his technical wizardry in the service of the most disciplined and demanding classical masterpieces. No piano concertos live up to this description more than the two by Brahms. Himself a pianist, Brahms placed every purely musical stumbling block that he could in front of the soloist--only audiences never notice because there's no gratuitous display at all. A performer who has not mastered these pieces doesn't necessarily miss notes; he or she just bores everyone to tears. Well, Gilels is never dull, and neither is Eugen Jochum, whose spontaneous-sounding yet sensitive accompaniments support his soloist every step of the way. --David HurwitzAmazon.com
Emil Gilels is magisterial in these concertos, his playing volcanic and poetic at the same time. Eugen Jochum and the Berlin Philharmonic add considerable grandeur to the undertaking, spanning Brahms's long developmental arches with convincing sureness. Within the warm ambience of Berlin's Jesus-Christus-Kirche, where both concertos were recorded in June of 1972, the engineers do a good job of capturing the pianist's ringing tone. --Ted LibbeyCustomer Reviews:
One of Best Recordings of Brahms Piano Concertos!.......2007-06-28
The added bonus on the CD of the Fantasia is nice as well.
a truly great recording.......2006-10-06
These two performances of Brahms' Piano Concertos are flawless. They were both recorded in 1972 when Jochum was age 69, and Gilels was 55. Two masters in their mature prime. Add to this The Berlin Philharmonic and recording by Deutsche Grammophon. This is perfect Brahms. The treatment of both concertos is equally superb, achieving a synthesis of piano and orchestra in performances of unfolding eloquence and power.
In 1987 at age 85 (a year before he died) Eugen Jochum was asked in an interview about his memory of great recordings. He singled out the 1972 Brahms with Gilels as perhaps the finest recording of his career.
FAVORITE PIANO CONCERTI.......2006-01-03
Truth be known, I slightly prefer the 1st concerto-I know that is a musical sacrilege. My god, Gilels plays the hell out of that work delivering those (what I call) "trills of death" in the first movement in such a manner that it still sends chills up and down my spine no matter how many time I have listened to the work.
DGG has done a superb job in it transfer to this "new" CD form. I owned the original vinyl recordings; however, I feel these CDs give the recording more depth with the sound being far richer.
If you want to hear a legendary and sublime recording of the Brahms's Piano Concertos,buy these discs.
Heroic - and my favorite reading hands down.......2005-11-11
However, let me make one other suggestion for Piano Concerto No. 2: Geza Anda with Ferenc Fricsay & the Berlin Philharmonic, dating from 1960. A spellbinding interpretation by Anda, and an accompaniment no less Brahmsian than Jochum's from meastro Fricsay. This is part of a great Geza Anda box set by DG (which incidentally includes a great Schumann piano concerto with Kubelik/Berlin). If you are looking for another astounding recording of the 2nd piano concerto, you should check this release out. For concerto no. 1, check out Szell/Serkin on Sony.
With all of that being said, if I'm stranded on a desert island, I'm bringing the Jochum-Gilels set.
Liked Concerto 2 with Reiner much better.......2005-10-31
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Chopin: The Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041KB Release Date: 1997-06-24 |
Tracks:
- 24 Preludes, Op.28: I - C Major
- 24 Preludes, Op.28: II - A Minor
- 24 Preludes, Op.28: III - G Major
- 24 Preludes, Op.28: IV - E Minor
- 24 Preludes, Op.28: V - D Major
- 24 Preludes, Op.28: VI - B Minor
- 24 Preludes, Op.28: VII - A Major
- 24 Preludes, Op.28: VIII - F Sharp Minor
- 24 Preludes, Op.28: IX - E Major
- 24 Preludes, Op.28: X - C Sharp Minor
- 24 Preludes, Op.28: XI - B Major
- 24 Preludes, Op.28: XII - G Sharp Minor
- 24 Preludes, Op.28: XIII - F Sharp Major
- 24 Preludes, Op.28: XIV - E Flat Minor
- 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
- 24 Preludes, Op.28: XVI - B Flat Minor
- 24 Preludes, Op.28: XVII - A Flat Major
- 24 Preludes, Op.28: XVIII - F Minor
- 24 Preludes, Op.28: XIX - E Flat Major
- 24 Preludes, Op.28: XX - C Minor
- 24 Preludes, Op.28: XXI - B Flat Major
- 24 Preludes, Op.28: XXII - G Minor
- 24 Preludes, Op.28: XXIII - F Major
- 24 Preludes, Op.28: XXIV - D Minor
- Prelude In C Sharp Minor, Op.45
- Prelude In A Flat Major
- Impromptu In A Flat Major, Op.29
- Impromptu In F Sharp Major, Op.36
- Impromptu In G Flat Major, Op.51
- Fantaisie-Impromptu In C Sharp Minor, Op.66
Tracks:
- Ballade No.1 In G Minor, Op.23
- Ballade No.2 In F Major, Op.38
- Ballade No.3 In A Flat Major, Op.47
- Ballade No.4 In F Minor, Op.52
- Scherzo No.1 In B Minor, Op.20
- Scherzo No.2 In B Flat Minor, Op.31
- Scherzo No.3 In C Sharp Minor, Op.39
- Scherzo No.4 In E Minor, Op.54
Tracks:
- 3 Nocturnes, Op.9: I - B Flat Minor
- 3 Nocturnes, Op.9: II - E Flat Major
- 3 Nocturnes, Op.9: III - B Major
- 3 Nocturnes, Op.15: I - F Major
- 3 Nocturnes, Op.15: II - F Sharp Major
- 3 Nocturnes, Op.15: III - G Minor
- 2 Nocturnes, Op.27: I - C Sharp Minor
- 2 Nocturnes, Op.27: II - D Flat Major
- 2 Nocturnes, Op.32: I - B Major
- 2 Nocturnes, Op.32: II - A Flat Major
- 2 Nocturnes, Op.37: I - G Minor
- 2 Nocturnes, Op.37: II - G Major
Tracks:
- 2 Nocturnes, Op.48: I - C Minor
- 2 Nocturnes, Op.48: II - F Sharp Minor
- 2 Nocturnes, Op.55: I - F Minor
- 2 Nocturnes, Op.55: II - E Flat Major
- 2 Nocturnes, Op.62: I - B Major
- 2 Nocturnes, Op.62: II - E Major
- Nocturne In E Minor, Op.72 No.1
- Nocutrne In C Sharp Minor
- Nocturne In C Minor
Tracks:
- 12 Etudes, Op.10: I - C Major
- 12 Etudes, Op.10: II - A Minor
- 12 Etudes, Op.10: III - E Major
- 12 Etudes, Op.10: IV - C Sharp Minor
- 12 Etudes, Op.10: V - G Flat Major 'Black Key'
- 12 Etudes, Op.10: VI - E Flat Minor
- 12 Etudes, Op.10: VII - C Major
- 12 Etudes, Op.10: VIII - F Major
- 12 Etudes, Op.10: IX - F Minor
- 12 Etudes, Op.10: X - A Flat Major
- 12 Etudes, Op.10: XI - E Flat Major
- 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
- 12 Etudes, Op.25: I - A Flat Major
- 12 Etudes, Op.25: II - F Minor
- 12 Etudes, Op.25: III - F Major
- 12 Etudes, Op.25: IV - A Minor
- 12 Etudes, Op.25: V - E Minor
- 12 Etudes, Op.25: VI - G Sharp Minor
- 12 Etudes, Op.25: VII - C Sharp Minor
- 12 Etudes, Op.25: VIII - D Flat Major
- 12 Etudes, Op.25: IX - G Flat Major
- 12 Etudes, Op.25: X - B Minor
- 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
- 12 Etudes, Op.25: XII - C Minor
Tracks:
- 2 Polonaises, Op.26: I - C Sharp Minor
- 2 Polonaises, Op.26: II - E Flat Minor
- 2 Polonaises, Op.40: I - A Major
- 2 Polonaises, Op.40: II - C Minor
- Polonaise In F Sharp Minor, Op.44
- Polonaise In A Flat Major, Op.53
- Polonaise-fantaisie In A Flat Major, Op.61
Tracks:
- 3 Polonaises, Op.71: I - D Minor
- 3 Polonaises, Op.71: II - B Flat Major
- 3 Polonaises, Op.71: III - F Minor
- Polonaise In B Flat Minor
- Polonaise In G Flat Major
- Polonaise In G Minor
- Polonaise In B Flat Major
- Polonaise In A Flat Major
- Polonaise In G Sharp Minor
Tracks:
- Waltz In E Flat Major, Op.18
- 3 Waltzes, Op.34: I - A Flat Major
- 3 Waltzes, Op.34: II - A Minor
- 3 Waltzes, Op.34: III - F Major
- Waltz In A Flat Major, Op.42
- 3 Waltzes, Op.64: I - D Flat Major
- 3 Waltzes, Op.64: II - C Sharp Minor
- 3 Waltzes, Op.64: III - A Flat Major
- 2 Waltzes, Op.69: I - A Flat Major
- 2 Waltzes, Op.69: II - B Minor
- 3 Waltzes, Op.70: I - G Flat Major
- 3 Waltzes, Op.70: II - F Minor
- 3 Waltzes, Op.70: III - D Flat Major
- Waltz In E Minor (1830)
- Waltz In E Major (1829)
- Waltz In A Minor (?1843)
- Waltz In A Flat Major (1827)
- Waltz In E Flat Major ('Sostenuto', 1840)
- Waltz In E Flat Major (1829 - 1830)
Tracks:
- 4 Mazurkas, Op.6: I - F Sharp Minor
- 4 Mazurkas, Op.6: II - C Sharp Minor
- 4 Mazurkas, Op.6: III - E Major
- 4 Mazurkas, Op.6: IV - E Flat Minor
- 5 Mazurkas, Op.7: I - B Flat Major
- 5 Mazurkas, Op.7: II - A Minor
- 5 Mazurkas, Op.7: III - F Minor
- 5 Mazurkas, Op.7: IV - A Flat Major
- 5 Mazurkas, Op.7: V - C Major
- 4 Mazurkas, Op.17: I - B Flat Major
- 4 Mazurkas, Op.17: II - E Minor
- 4 Mazurkas, Op.17: III - A Flat Major
- 4 Mazurkas, Op.17: IV - A Minor
- 4 Mazurkas, Op.24: I - G Minor
- 4 Mazurkas, Op.24: II - C Major
- 4 Mazurkas, Op.24: III - A Flat Major
- 4 Mazurkas, Op.24: IV - B Flat Minor
- 4 Mazurkas, Op.30: I - C Minor
- 4 Mazurkas, Op.30: II - B Minor
- 4 Mazurkas, Op.30: III - D Flat Major
- 4 Mazurkas, Op.30: IV - C Sharp Minor
- 4 Mazurkas, Op.33: I - G Sharp Minor
- 4 Mazurkas, Op.33: II - D Major
- 4 Mazurkas, Op.33: III - C Major
- 4 Mazurkas, Op.33: IV - B Minor
- 4 Mazurkas, Op.41: I - C Sharp Minor
- 4 Mazurkas, Op.41: II - E Minor
- 4 Mazurkas, Op.41: III - B Major
- 4 Mazurkas, Op.41: IV - A Flat Major
Tracks:
- 3 Mazurkas, Op.50: I - G Major
- 3 Mazurkas, Op.50: II - A Flat Major
- 3 Mazurkas, Op.50: III - C Sharp Minor
- 3 Mazurkas, Op.56: I - B Major
- 3 Mazurkas, Op.56: II - C Major
- 3 Mazurkas, Op.56: III - C Minor
- 3 Mazurkas, Op.59: I - A Minor
- 3 Mazurkas, Op.59: II - A Flat Major
- 3 Mazurkas, Op.59: III - F Sharp Minor
- 3 Mazurkas, Op.63: I - B Major
- 3 Mazurkas, Op.63: II - F Minor
- 3 Mazurkas, Op.63: III - C Sharp Minor
- 4 Mazurkas, Op.67: I - G Major
- 4 Mazurkas, Op.67: II - G Minor
- 4 Mazurkas, Op.67: III - C Major
- 4 Mazurkas, Op.67: IV - A Minor
- 4 Mazurkas, Op.68: I - C Major
- 4 Mazurkas, Op.68: II - A Minor
- 4 Mazurkas, Op.68: III - F Major
- 4 Mazurkas, Op.68: IV - F Minor
- Mazurka In A Minor ('a Emile Gaillard', 1840)
- Mazurka In A Minor ('Notre temps', 1840)
- Mazurka In B Flat Major (1826)
- Mazurka In G Major (1826)
- Mazurka In A Flat Major (1834)
- Mazurka In C Major (1833)
- Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
- Mazurka In D Major (1832)
- Mazurka In D Major (?1820)
- Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy
Tracks:
- Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
- Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
- Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
- Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
- Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
- Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III - Largo
- Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
- Fantaisie In F Minor, Op. 49
Tracks:
- Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
- Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
- Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
- Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
- Variations sur un air national allemand - E Major (1826)
- Rondo In C Minor, Op.1
- 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
- Rondo 'a la Mazur' In F Major, Op.5
- Marche funebre In C Minor, Op.72 No.2
- Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
- Rondo In C Major, Op.73 - Vladimir Ashkenazy
- Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy
Tracks:
- Variations In A Major ('Souvenir de Paganini', 1829)
- Variations brillantes In B Flat Major, Op.12
- Rondo In E Flat Major, Op.16
- Bolero In A Minor, Op.19
- Cantabile In B Flat Major
- Variation In E Major
- Largo In E Flat Major
- Allegro de concert In A Major, Op.46
- 3 Nouvelles Etudes (1837): I - F Minor
- 3 Nouvelles Etudes (1837): II - A Flat Major
- 3 Nouvelles Etudes (1837): III - D Flat Major
- Tarentelle In A Flat Major, Op.43
- Fugue In A Minor (1841 - 42)
- Albumblatt in E Major (1843)
- Op.74 No.2: Wiosna - Spring
- 2 Bourrees (1846): I - G Minor; II - A Major
- Galop Marquis
- Berceuse In D Flat Major, Op.57
- Barcarolle In F Sharp Major, Op.60
Customer Reviews:
My experience of this CD.......2007-04-04
Beautiful!.......2006-08-18
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.
Well worth the money. Wonderful! Wonderful!.......2006-06-10
Best investment to make.......2006-05-21
Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.
Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.
The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.
This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.
A great pianist interpreting the most inspired composer ever !.......2005-09-15
Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).
Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.
Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
Average customer rating:
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Smetana: Moldau/From Bohemia's Meadows and Forests/Dvorák: Slavonic Dances Op.46 & Op.72
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001G4X Release Date: 1990-10-25 |
Tracks:
- The Moldau (Vitava): The Moldau (Vltava)
- From Bohemia's Meadows And Forests
- Slavonic Dances Op.46: No. 1 in C Major: Presto
- Slavonic Dances Op.46: No. 2 In E Minor: Allegretto Schezando
- Slavonic Dances Op.46: No. 3 In A Flat Major: Poco Allegro
- Slavonic Dances Op.46: No. 4 In F Major: Tempo di Minuetto
- Slavonic Dances Op.46: No.6 In D Major: Allegretto Scherzando
- Slavonic Dances Op.46: No.7 In C Minor: Alegro assai
- Slavonic Dances Op.72: No.2 in E minor: Allegretto Grazioso
- Slavonic Dances Op.72: No.8 In A Flat Mijor: Grazioso e lento, ma non troppo, quasi Tempo di Valse
Customer Reviews:
Obra-prima.......2007-05-13
Magical.......2003-10-12
I enjoyed it........2001-12-17
Beautiful..........2000-07-08
Average customer rating:
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Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00012QLSW Release Date: 2003-12-09 |
Tracks:
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
- Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Tracks:
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble
Tracks:
- Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
- Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
- Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
- Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
- Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
- Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
- Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
- Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
- Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
- 12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky
Tracks:
- Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
- Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
- Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
- Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
- Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
- Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
- Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Tracks:
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Overture Coriolan Op.62 - Dresdner Philharmonic
- Overture Leonore No.2, Op.72 - Dresdner Philharmonic
Tracks:
- Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
- Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
- Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
- Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd
Tracks:
- Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
- Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
- Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
- Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Tracks:
- Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
- Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
- Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
- Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
- Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
- Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch
Tracks:
- Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
- Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
- Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
- Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
- Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
- Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic
Tracks:
- Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Tracks:
- Rustle of Spring Op.32, No.6 - Jennd
- Novelette in F Major Op.21, No.1 - Jennd
- Songs Without Words: E Major Op.19, No.1 - Jennd
- Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
- Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
- Songs Without Words: G Major Op.62, No.1 - Jennd
- Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
- Intermezzo in a Major, Op.76, No.6 - Jennd
- Intermezzo in a Minor Op.76, No.7 - Jennd
- Intermezzo in a Major Op.118, No.2 - Jennd
- Intermezzo in E Flat Minor Op.118, No.6 - Jennd
- Lyric Pieces: Arietta Op.12, No.1 - Jennd
- Lyric Pieces: Folkevise Op.12, No.5 - Jennd
- Lyric Pieces: Butterfly Op.43, No.1 - Jennd
- Lyric Pieces: To Spring Op.43, No.6 - Jennd
- Lyric Pieces: Notturno Op.54, No.4 - Jennd
- Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
- Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
- Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
- Melody in F Op.3, No.1 - Jennd
- Humoresque in G Flat Major Op.101, No.7 - Jennd
Tracks:
- Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
- Impromptu in B Flat Major D.935, No.3: Pito - Jennd
- 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
- 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
- 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
- 4 Impromptus D.899: No. 1 in C Minor - Jennd
- 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
- 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
- 4 Impromptus D.899: No. 4 in a Flat Major - Jennd
Tracks:
- Sonata in a Major D.959: Allegro - Michael Endres
- Sonata in a Major D.959: Andantino - Michael Endres
- Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
- Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
- Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
- Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
- Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
- Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres
Tracks:
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Tracks:
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra
Tracks:
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
- Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
- Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
- Fantasy on Weber's FreischVilmos Fischer
Tracks:
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Gnomus. Sempre Vivo
- Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
- Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
- Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
- Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
- Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
- Pictures at an Exhibition: Promenade. Tranquillo
- Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
- Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
- Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
- Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
- Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
- Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
- Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
- Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
- Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
- Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
- Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
- Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
- Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
- Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
- Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)
Tracks:
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Tracks:
- Prde Op.3, No.2 - Margarete Babinsky
- Mdie Op.3, No.3 - Margarete Babinsky
- Polichinelle Op.3, No.4 - Margarete Babinsky
- Moment Musical Op.16, No.3 - Margarete Babinsky
- Moment Musical Op.16, No.5 - Margarete Babinsky
- Variations on a Theme by Corelli Op.42 - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Prde Op.23, No.5 - Margarete Babinsky
Tracks:
- Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Album Description
This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.Customer Reviews:
Ultimate music for every time of day and every mood.......2007-07-03
Would give 5 stars if sound quality where better.......2007-06-30
Great collection for a great price.......2007-06-27
20 Fabulous Discs.......2007-06-08
Average customer rating:
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Haydn: Paris Symphonies
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000031WJC Release Date: 2000-04-11 |
Tracks:
- Sym No.82 in C 'L'Ours': I. Vivace Assai
- Sym No.82 in C 'L'Ours': II. Allegretto
- Sym No.82 in C 'L'Ours': III. Menuet - Trio
- Sym No.82 in C 'L'Ours': IV. Finale: Vivace
- Sym No.83 in g 'La Poule': I. Allegro Spiritoso
- Sym No.83 in g 'La Poule': II. Andante
- Sym No.83 in g 'La Poule': III. Menuet: Allegretto - Trio
- Sym No.83 in g 'La Poule': IV. Finale: Vivace
- Sym No.84 in E flat: I. Largo - Allegro
- Sym No.84 in E flat: II. Andante
- Sym No.84 in E flat: III. Menuet: Allegretto - Trio
- Sym No.84 in E flat: IV. Finale: Vivace
Tracks:
- Sym No.85 in B flat 'La Reine': I. Adagio - Vivace
- Sym No.85 in B flat 'La Reine': II. Romance: Allegretto
- Sym No.85 in B flat 'La Reine': III. Menuet: Allegretto - Trio
- Sym No.85 in B flat 'La Reine': IV. Finale: Presto
- Sym No.86 in D: I. Adagio - Allegro Spiritoso
- Sym No.86 in D: II. Capriccio: Largo
- Sym No.86 in D: III. Menuet: Allegretto - Trio
- Sym No.86 in D: IV. Finale: Allegro Con Spirito
- Sym No.87 in A: I. Vivace
- Sym No.87 in A: II. Adagio
- Sym No.87 in A: III. Menuet - Trio
- Sym No.87 in A: IV. Finale: Vivace
Customer Reviews:
Overview of the Paris symphonies.......2007-06-27
No Need to Look Further!.......2007-03-17
The symphonies, written in 1785-6 for the renowned Concert del la Loge Olympique, are a triumph of the classical symphony. So are these performances!
Thank heaven ..........2007-01-01
Cleansing the Palate.......2006-10-16
Case in point: at a recent concert with Esa-Pekka Salonen and the Los Angeles Philharmonic, the opening work was the Haydn Symphony No 82 - at first a seemingly odd choice for a program that was to include the local premiere of a commissioned Viola Concerto by Brett Dean and a celebration of Mussorgsky's 'Pictures at an Exhibition'. But hearing Haydn in this context provided that reminder that Papa Haydn started it all!
This CD with Sigiswald Kuijken conducting the Orchestra of the Age of Enlightenment traverses all of the Paris symphonies with aplomb. The quality of interpretation is immaculate, the sound of the recording is superb, and in general this is one of the finest 'sets' of these symphonies available today. It is an utter joy to listen to all of the works in one sitting, or to place them as aperitifs through the listening day. Highly recommended. Grady Harp, October 06
A gorgeous new set!!!!.......2005-01-30
Christian Music:
- After Tha Club
- All Eyez on Me [CD-single] [Import]
- Artist Collection: Luther Vandross [Import]
- Back 2 Back: Harold Melvin & the Blue Notes/Atlantic Starr
- Best Of 1984-1993: Strange & Funny (Reis)
- Best of the Best Gold [Limited Edition] [Import]
- Blues Live 2 [Import]
- Bona Fide
- Call My Name [Import]
- Carl Carlton [Import]
Christian Music
Live Korakuen Stadium [Import]
Live From Bonnaroo Music Festival 2002 [Live]
Mike Mulligan and His Steam Shovel
My Iron Lung Pt.1 [CD-single] [EP] [Import]