'83

'83

Track Listings

1. I'd Rather Be in Love With You
2. It's a Pleasure
3. Grown Folk Blues
4. I Love You
5. When Water Flows
6. Love Is Forever
7. I Just Don't Get It
8. Day Crazy
9. Little Boy Blue
10. Interlude: If We Could Only See Through the Eyes of Children
11. Mother Drum
12. Sometimes
13. Interlude: No More Crying
14. Why? Oh Why? [*]

'83,Sheree Brown,Brown Baby Ent.,Pop,R&B,Smooth Soul,Uptown Soul


25 Beethoven Favorites
Average customer rating: 3.5 out of 5 stars
  • Great for the road
  • Beethoven 25 Favorites
  • 25 Beethoven Favorites
  • bEtHoVeN mAnIaC
  • Great Price...Not so good itself
25 Beethoven Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. 25 Mozart Favorites
  2. 25 Bach Favorites
  3. 25 Tchaikovsky Favorites
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  5. 25 Classical Favorites

ASIN: B0000058HX
Release Date: 1996-08-20

Tracks:

  1. Egmont Overture - Ludwig Van Beethoven
  2. Symphony No. 5 In C Minor - Ludwig Van Beethoven
  3. Piano Sonata No. 21 In C Major - Alfred Brendel
  4. Piano Sonata No. 14 In C Sharp Minor - Jerome Rose
  5. Piano Sonata No. 8 In C Minor - Jerome Rose
  6. Piano Sonata No. 23 In F Minor - Jerome Rose
  7. Symphony No. 6 In F Major - Ludwig Van Beethoven
  8. Symphony No. 7 In A Major - Ludwig Van Beethoven
  9. 'The Creatures Of Prometheus' Ballet - Ludwig Van Beethoven
  10. Violin Concerto In D Major - Susanne Lautenbacher
  11. Sonata For Violin And Piano No. 5 In F Major - Aaron Rosand
  12. Piano Trio In B Flat - Mannheimer Trio
  13. Fse - Various Artists
  14. Quintet In E Flat For Piano And Winds - Abbey Simon
  15. 'Chorale Fantasy' In C Minor For Piano, Chorus And Orchestra - Walter Klien
  16. Piano Concerto No. 2 In B Flat - Alfred Brendel
  17. Piano Concerto No. 3 In C Minor - Ludwig Van Beethoven
  18. Piano Concerto No. 4 In G Major - Alfred Brendel
  19. Piano Concerto No. 5 In E Flat - Alfred Brendel
  20. Symphony No. 3 In E Flat - Ludwig Van Beethoven
  21. 'The Ruins Of Athens,' - Ludwig Van Beethoven
  22. 'Corolian,' - Ludwig Van Beethoven
  23. Ecossaise For Piano - Alfred Brendel
  24. Symphony No. 9 In D Minor - Ludwig Van Beethoven
  25. Symphony No. 9 In D Minor - Ludwig Van Beethoven

Customer Reviews:

3 out of 5 stars Great for the road.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

5 out of 5 stars Beethoven 25 Favorites.......2006-11-21

Very good! I ordered it especially for Piano Sonata No. 8 Pathetique

4 out of 5 stars 25 Beethoven Favorites.......2006-11-05

Good overview of his works----an introduction into his depth as a composer

3 out of 5 stars bEtHoVeN mAnIaC.......2005-11-03

[...] Honestly, it isn't THAT THAT great, but its good enough for its price. I'd say that your $ pays off, for a while. I've noticed how after a long time, it gets aggrivating at times. No harm meant, "Beethoven lover". I just mean don't plunge into this cd with all the hopes in the world. Besides, it's just my opinion, so you may like it more than me. All i can say is; a) listen to some samples before you buy, b)know this is not REALLY the great Beethoven himself, and c) enjoy YOUR music, whatever it may be.

2 out of 5 stars Great Price...Not so good itself.......2005-05-19

This a great priced cd, but the content is why it is so cheap. It's a true-amateur album. Beethoven Lover is over her/his head. This is the real world, not a fantasy-everyone-likes-every-type-of-music world. Deal with it and agree with me. It isn't so great.
The Essential Yo-Yo Ma
Average customer rating: 4.5 out of 5 stars
  • pure genius
  • Another great Yo-Yo Disc
  • first disc great- second a flop
  • Encore
  • The Versatile Yo-Yo Ma
The Essential Yo-Yo Ma

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Appassionato
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  5. Silk Road Journeys: Beyond the Horizon

ASIN: B000A7Q29G
Release Date: 2005-08-16

Tracks:

  1. Prde from Suite No. 1 in G Major for Cello, BWV 1007
  2. II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
  3. Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
  4. Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
  5. Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
  6. The Swan from Carnival of the Animals (Chamber Version)
  7. Havanaise, Op. 83
  8. Mtation from Tha
  9. Liebesfreud Instrumental
  10. Allegro ben ritmato e deciso from Three Preludes
  11. Vocalise Vocal
  12. IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
  13. Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
  14. IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
  15. III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104

Tracks:

  1. Cristal
  2. A lenda do caboclo
  3. Chega de Saudade Live
  4. Wapango Live
  5. Libertango
  6. Appalachia Waltz Solo Cello Version
  7. Butterfly's Day Out
  8. 1B
  9. Pickin' from Three Pieces for Solo Cello
  10. Simple Gifts
  11. The Mission
  12. Gabriel's Oboe
  13. The Falls Album Version
  14. The Eternal Vow from Crouching Tiger, Hidden Dragon
  15. The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
  16. Chi passa per'sta strada
  17. Mido Mountain (Chinese Traditional)
  18. Mohini (Enchantment)
  19. Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
  20. Anything Goes Instrumental
  21. I Could Have Danced All Night Extended version

Amazon.com

Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine

Customer Reviews:

5 out of 5 stars pure genius.......2007-05-21

No instrument asks more from the soul of an artist as the cello does.
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection

4 out of 5 stars Another great Yo-Yo Disc.......2007-05-15

The set-up with the classical pieces on the first disc and the other on the second is excellent.

3 out of 5 stars first disc great- second a flop.......2007-04-12

the first disc is awesome. the second disc is weird and boring.

5 out of 5 stars Encore.......2007-03-31

Incredible. My young cellist (son) loves it. Beautiful music. The album is well organized and each song transitions nicely.

5 out of 5 stars The Versatile Yo-Yo Ma.......2007-03-29

I've found this collection to be extremely delightful! It gives you a sense of the versatility of Yo-Yo Ma like no other, with one disc being dedicated more to his classical side, while the other explores jazz and world music venues. Not your typical "greatest hits" collection.
Dvorak: Slavonic Dances
Average customer rating: 5 out of 5 stars
  • Beautiful and Eclectic (albeit bittersweet)
  • Good stuff!
  • A basic for every collection
  • dvorak-slavonic dances
  • Very good
Dvorak: Slavonic Dances

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Brahms: Hungarian Dances Nos. 1-21
  2. Mozart: Symphonies Nos. 35, 40, 41
  3. Dvorak: 3 Great Symphonies
  4. Dvorák: The Symphonies
  5. Liszt: 10 Hungarian Rhapsodies

ASIN: B00005YD5H
Release Date: 2002-01-29

Tracks:

  1. Slavonic Dances, Op. 46: No. 1 In C Major: Presto
  2. Slavonic Dances, Op. 46: No. 2 In E Minor: Allegretto Scherzando
  3. Slavonic Dances, Op. 46: No. 3 In A-flat Major: Poco Allegro - Antonin Dvorak
  4. Slavonic Dances, Op. 46: No. 4 In F Major: Tempo Di Minuetto
  5. Slavonic Dances, Op. 46: No. 5 In A Major: Allegro Vivace
  6. Slavonic Dances, Op. 46: No. 6 In D Major: Allegretto Scherzando
  7. Slavonic Dances, Op. 46: No. 7 In C Minor: Allegro Assai
  8. Slavonic Dances, Op. 46: No. 8 In G Minor: Presto
  9. Slavonic Dances, Op. 72: No. 1 In B Major: Molto Vivace
  10. Slavonic Dances, Op. 72: No. 2 In E Minor: Allegretto Grazioso
  11. Slavonic Dances, Op. 72: No. 3 In F Major: Allegro
  12. Slavonic Dances, Op. 72: No. 4 in D-flat Major: Allegretto Grazioso
  13. Slavonic Dances, Op. 72: No. 5 In B-flat Minor: Poco Adagio
  14. Slavonic Dances, Op. 72: No. 6 In B-flat Major: Moderato, Quasi Minuetto
  15. Slavonic Dances, Op. 72: No. 7 In C Major: Allegro Vivace
  16. Slavonic Dances, Op. 72: No. 8 In A-flat Major: Grazioso E Lento, Ma Non Troppo, Quasi Tempo Di Valse

Customer Reviews:

5 out of 5 stars Beautiful and Eclectic (albeit bittersweet).......2007-03-08

This has turned into one of my favorite "work" music selections. The different selections are very rich and are diverse enough in character that there is no monotony to the collection. The quality of the recording is outstanding.

5 out of 5 stars Good stuff!.......2006-01-20

Best recording - if not one of the best - of both first and second sets of Dvorak's bright Slovonic Dances outside the Czech border. Yeah, so it's not Czech, but Maestro Szell's precision-hungry interpretation, with one of America's finest ensembles, the Cleveland Orchestra, can easily rival performances by European maestros and their musical troops, so you can never go wrong. Need it be said more? The price.

Good stuff!

5 out of 5 stars A basic for every collection.......2005-09-01

I have owned almost every incarnation of this recording, including one where the producer took out the repeats to get it on one lp! There was even a CD with four dances of contrasting type and key to make up a kind of "suite" that works very well. This is simply the best performance of this piece, with the Cleveland Orchestra becoming a Czech orchestra under George Szell, who knew how to do it! Every little turn, every little lift is executed perfectly, with the Orchestra leaning into the dance rhythms, ala Reiner in Chicago with Bartok. It is the difference between reading rhythms, and FEELING them. Szell and Dvorak (on records) go back to the 1930's (check out the Dvorak concerto with Casals, coupled with the New World on Dutton). The only drawback is the 1960's Columbia recording technique. There is never a true pianissimo. But I think the performance is helped by the dryness. You don't want a wash of sound. Don't think that you'll trade up from this budget CD. This is a "keeper".

5 out of 5 stars dvorak-slavonic dances.......2005-08-02

this recording by Szell and Cleveland of these complete slavonic dances of Dvorak I believe is at the top of the list.

5 out of 5 stars Very good.......2005-03-18

Szell always gives good performances. This is a great set of all the Slavonic Dances, which should definitely be in the classical collector's library. Highly recommended.
An Introduction to Der Ring des Nibelungen
Average customer rating: 4.5 out of 5 stars
  • Ring introduction critique
  • FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
  • Welcome back to a classic analysis
  • Essential for Understanding Wagner's Ring Cycle
  • Very Functional
An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Wagner's Ring: Turning the Sky Round
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  5. Ring of the Nibelung

ASIN: B00000424H
Release Date: 2005-09-13

Tracks:

  1. Of All Great Musical Compositions... (Examples 1-4)
  2. The Fundamental Symbol... (Examples 5-11)
  3. Returning Now To The Nature Motive... (Examples 6, 12-16)
  4. A Number Of Further Motives... (Examples 5, 17-21)
  5. A Second, Much Smaller Family... (Examples 22-25)
  6. So Much For Nature. (Examples 26-38)
  7. The Cause Of The Deterioration... (Examples 39-44)
  8. The Other Transformation... (Examples 45-48)
  9. Several Other Motives... (Examples 49-52)
  10. Two Further Motives... (Examples 41, 53-61)
  11. The Basic Motive Associated With The Spear... (Examples 62-68)
  12. Along Another, More Complex Line... (Examples 69-72)
  13. In Act Two Of Walkure... (Examples 69, 73-75)
  14. Returning Now To Act Two Of Walkure... (Examples 76-79)
  15. Love Is Another Of The Central Symbols... (Examples 80-83)
  16. Later In The Same Scene... (Examples 84-87)
  17. Freia's Motive Has Two Independent Segments... (Examples 88-91)
  18. The Label 'Flight'... (Example 92)
  19. When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
  20. A Little Later In The Interlude... (Examples 99-103)

Tracks:

  1. The Other New Motive... (Examples 104-109)
  2. There Are Several Independent Love-Motives... (Examples 110-114)
  3. The Characters In Whose Lives... (Examples 115-120)
  4. One Further Motive Belongs... (Example 121)
  5. The Sword Motive Recurs... (Examples 122-130)
  6. Ironically, This Phrase... (Examples 131-135)
  7. Closely Associated With Gutrune's Motive... (Examples 136-140)
  8. Here We Come To The End... (Examples 141-146)
  9. Complemtary To This Symbol... (Examples 147-149)
  10. One Last Central Symbol... (Examples 150-157)
  11. One Further Motive Connected... (Examples 158-161)
  12. There Are One Or Two Motives... (Examples 162-168)
  13. These Motives Of Alberich And Mime... (Examples 169-171)
  14. Quite A Number Of The Subsidiary Motives... (Examples 172-176)
  15. Besides This Family Of Motives... (Examples 177-180)
  16. Our Final Example... (Examples 10, 181, 182)
  17. In The Final Scene Of Gotterdammerung... (Examples 181-183)
  18. Even More Masterly... (Examples 184-188)
  19. Now If We Return... (Examples 189-191)
  20. This Masterly Way... (Examples 192, 193)

Amazon.com

When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix

Customer Reviews:

4 out of 5 stars Ring introduction critique.......2006-11-04

This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.

5 out of 5 stars FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16

This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.

It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.

On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.

This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.

4 out of 5 stars Welcome back to a classic analysis.......2006-05-28

Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.

If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.

5 out of 5 stars Essential for Understanding Wagner's Ring Cycle.......2006-05-15

I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.

Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.

4 out of 5 stars Very Functional.......2006-03-19

This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.
Instruments of the Orchestra
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Brahms: Concertos for Piano No. 1 & 2, Fantasia Op. 116
Average customer rating: 5 out of 5 stars
  • One of Best Recordings of Brahms Piano Concertos!
  • a truly great recording
  • FAVORITE PIANO CONCERTI
  • Heroic - and my favorite reading hands down
  • Liked Concerto 2 with Reiner much better
Brahms: Concertos for Piano No. 1 & 2, Fantasia Op. 116
Johannes Brahms , Eugen Jochum , Ottomar Borwitzky , Emil Gilels , and Berlin Philharmonic Orchestra
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
Gilels, EmilGilels, Emil | ( G ) | Featured Performers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Liszt: The Two Piano Concertos; The Piano Sonata
  2. Brahms: Works for Solo Piano
  3. Johannes Brahms: The Symphonies
  4. Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
  5. Brahms: The Complete Symphonies / Karajan, Berlin PO

ASIN: B000001GQY
Release Date: 1996-09-17

Tracks:

  1. Konzert fur Klavier und Orchester Nr. 1 d-moll Op. 15: Maestoso - J. Brahms
  2. Konzert fur Klavier und Orchester Nr. 1 d-moll Op. 15: Adagio - J. Brahms
  3. Konzert fur Klavier und Orchester Nr. 1 d-moll Op. 15: Rondo. Allegro non troppo - J. Brahms

Tracks:

  1. Konzert fur Klavier und Orchester Nr. 2 B-Dur Op. 83: Allegro non troppo
  2. Konzert fur Klavier und Orchester Nr. 2 B-Dur Op. 83: Allegro appassionato
  3. Konzert fur Klavier und Orchester Nr. 2 B-Dur Op. 83: Andante
  4. Konzert fur Klavier und Orchester Nr. 2 B-Dur Op. 83: Allegretto grazioso
  5. Fantasien Op. 116: No. 1 Capriccio: Presto energico
  6. Fantasien Op. 116: No. 2 Intermezzo: Andante
  7. Fantasien Op. 116: No. 3 Capriccio: Allegro passionato
  8. Fantasien Op. 116: No. 4 Intermezzo: Adagio
  9. Fantasien Op. 116: No. 5 Intermezzo: Andante con grazia ed intimissimo sentimento
  10. Fantasien Op. 116: No. 6 Intermezzo: Andantino teneramente
  11. Fantasien Op. 116: No. 7 Capriccio: Allegro agitato

Amazon.com

These performances mount the only serious competition as a complete set to the Leon Fleisher/George Szell versions on Sony Classical. Emil Gilels was an extraordinary virtuoso who decided to place his technical wizardry in the service of the most disciplined and demanding classical masterpieces. No piano concertos live up to this description more than the two by Brahms. Himself a pianist, Brahms placed every purely musical stumbling block that he could in front of the soloist--only audiences never notice because there's no gratuitous display at all. A performer who has not mastered these pieces doesn't necessarily miss notes; he or she just bores everyone to tears. Well, Gilels is never dull, and neither is Eugen Jochum, whose spontaneous-sounding yet sensitive accompaniments support his soloist every step of the way. --David Hurwitz

Amazon.com

Emil Gilels is magisterial in these concertos, his playing volcanic and poetic at the same time. Eugen Jochum and the Berlin Philharmonic add considerable grandeur to the undertaking, spanning Brahms's long developmental arches with convincing sureness. Within the warm ambience of Berlin's Jesus-Christus-Kirche, where both concertos were recorded in June of 1972, the engineers do a good job of capturing the pianist's ringing tone. --Ted Libbey

Customer Reviews:

5 out of 5 stars One of Best Recordings of Brahms Piano Concertos!.......2007-06-28

Gilels is excellent on this classic recording of the Brahms Piano Concertos. Before these recordings came out of CD, I listened to these on LP records for hours and hours. I wore those records out.

The added bonus on the CD of the Fantasia is nice as well.

5 out of 5 stars a truly great recording.......2006-10-06

To my mind neither Eugen Jochum nor Emil Gilels received the acclaim appropriate to their genius while they were living. Even now it appears they are appreciated mainly by a small clique of true classical music lovers.

These two performances of Brahms' Piano Concertos are flawless. They were both recorded in 1972 when Jochum was age 69, and Gilels was 55. Two masters in their mature prime. Add to this The Berlin Philharmonic and recording by Deutsche Grammophon. This is perfect Brahms. The treatment of both concertos is equally superb, achieving a synthesis of piano and orchestra in performances of unfolding eloquence and power.

In 1987 at age 85 (a year before he died) Eugen Jochum was asked in an interview about his memory of great recordings. He singled out the 1972 Brahms with Gilels as perhaps the finest recording of his career.

5 out of 5 stars FAVORITE PIANO CONCERTI.......2006-01-03

Brahms's monumental piano concertos are my very favorite piano concertos. Therefore, I own many recordings of same. Nevertheless, this recording with Gilels and Jochum is my absolute favorite! It is a recording that I've listened to, at least, once a week for many years. Gilels and Jochum truly play these "monsters of the form" wonderfully capturing Brahms's fierceness as well as his tenderness beautifully.

Truth be known, I slightly prefer the 1st concerto-I know that is a musical sacrilege. My god, Gilels plays the hell out of that work delivering those (what I call) "trills of death" in the first movement in such a manner that it still sends chills up and down my spine no matter how many time I have listened to the work.

DGG has done a superb job in it transfer to this "new" CD form. I owned the original vinyl recordings; however, I feel these CDs give the recording more depth with the sound being far richer.

If you want to hear a legendary and sublime recording of the Brahms's Piano Concertos,buy these discs.

5 out of 5 stars Heroic - and my favorite reading hands down.......2005-11-11

These readings are legendary. I searched and searched for a good set, first trying Bernstein-Zimerman (horrid recording quaity) then trying some older recordings (Serkin/Szell, Rubinstein/Ormandy), then going to an old favorite of mine on the keyboard (Pollini/Abbado), but I was not really a fan of a) either the ensembles' un-Brahmsian (in my opinion) accompaniment or b) the soloists' interpretations or execution. However, these recordings, when I first bought them in the old DG Galleria release, were a revelation. Gilels' playing can best be described as monumental, and Jochum's direction is Brahmsian to the core. The result is a rarity in that both concertos are amongst the greatest ever readings of the works (especially for #2; only Serkin/Szell and Anda/Fricsay come close). And now, with the new DG Originals transfer, the sound matches the performances; gone are the whiny strings and the somewhat hollow sound from the original transfer, and in its place we have a recording that sounds almost brand new, with great clarity on the brass, piano sound, and amazing definition in the strings. If you must only have one recording of these two concertos, then this is the one to get.
However, let me make one other suggestion for Piano Concerto No. 2: Geza Anda with Ferenc Fricsay & the Berlin Philharmonic, dating from 1960. A spellbinding interpretation by Anda, and an accompaniment no less Brahmsian than Jochum's from meastro Fricsay. This is part of a great Geza Anda box set by DG (which incidentally includes a great Schumann piano concerto with Kubelik/Berlin). If you are looking for another astounding recording of the 2nd piano concerto, you should check this release out. For concerto no. 1, check out Szell/Serkin on Sony.

With all of that being said, if I'm stranded on a desert island, I'm bringing the Jochum-Gilels set.

3 out of 5 stars Liked Concerto 2 with Reiner much better.......2005-10-31

I heard the Concerto 2 today on the radio, and I while it was competently played, I kept thinking of how slowly it was paced. And I yearned to hear the Gilels version (with Fritz Reiner and the CSO). Imagine my extreme surprise to hear it was Gilels! But played with nothing like the fire and wit and playfulness of his 1958 version. Perhaps Brahms would have wanted it played this way, with more majesty and solemnity, but it's not for me.
Chopin: The Piano Works
Average customer rating: 4.5 out of 5 stars
  • My experience of this CD
  • Beautiful!
  • Well worth the money. Wonderful! Wonderful!
  • Best investment to make
  • A great pianist interpreting the most inspired composer ever !
Chopin: The Piano Works

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Liszt: Piano Works
  2. Brahms: Works for Solo Piano
  3. Schubert: The Piano Sonatas
  4. Works for Solo Piano
  5. Mozart: The Piano Concertos

ASIN: B0000041KB
Release Date: 1997-06-24

Tracks:

  1. 24 Preludes, Op.28: I - C Major
  2. 24 Preludes, Op.28: II - A Minor
  3. 24 Preludes, Op.28: III - G Major
  4. 24 Preludes, Op.28: IV - E Minor
  5. 24 Preludes, Op.28: V - D Major
  6. 24 Preludes, Op.28: VI - B Minor
  7. 24 Preludes, Op.28: VII - A Major
  8. 24 Preludes, Op.28: VIII - F Sharp Minor
  9. 24 Preludes, Op.28: IX - E Major
  10. 24 Preludes, Op.28: X - C Sharp Minor
  11. 24 Preludes, Op.28: XI - B Major
  12. 24 Preludes, Op.28: XII - G Sharp Minor
  13. 24 Preludes, Op.28: XIII - F Sharp Major
  14. 24 Preludes, Op.28: XIV - E Flat Minor
  15. 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
  16. 24 Preludes, Op.28: XVI - B Flat Minor
  17. 24 Preludes, Op.28: XVII - A Flat Major
  18. 24 Preludes, Op.28: XVIII - F Minor
  19. 24 Preludes, Op.28: XIX - E Flat Major
  20. 24 Preludes, Op.28: XX - C Minor
  21. 24 Preludes, Op.28: XXI - B Flat Major
  22. 24 Preludes, Op.28: XXII - G Minor
  23. 24 Preludes, Op.28: XXIII - F Major
  24. 24 Preludes, Op.28: XXIV - D Minor
  25. Prelude In C Sharp Minor, Op.45
  26. Prelude In A Flat Major
  27. Impromptu In A Flat Major, Op.29
  28. Impromptu In F Sharp Major, Op.36
  29. Impromptu In G Flat Major, Op.51
  30. Fantaisie-Impromptu In C Sharp Minor, Op.66

Tracks:

  1. Ballade No.1 In G Minor, Op.23
  2. Ballade No.2 In F Major, Op.38
  3. Ballade No.3 In A Flat Major, Op.47
  4. Ballade No.4 In F Minor, Op.52
  5. Scherzo No.1 In B Minor, Op.20
  6. Scherzo No.2 In B Flat Minor, Op.31
  7. Scherzo No.3 In C Sharp Minor, Op.39
  8. Scherzo No.4 In E Minor, Op.54

Tracks:

  1. 3 Nocturnes, Op.9: I - B Flat Minor
  2. 3 Nocturnes, Op.9: II - E Flat Major
  3. 3 Nocturnes, Op.9: III - B Major
  4. 3 Nocturnes, Op.15: I - F Major
  5. 3 Nocturnes, Op.15: II - F Sharp Major
  6. 3 Nocturnes, Op.15: III - G Minor
  7. 2 Nocturnes, Op.27: I - C Sharp Minor
  8. 2 Nocturnes, Op.27: II - D Flat Major
  9. 2 Nocturnes, Op.32: I - B Major
  10. 2 Nocturnes, Op.32: II - A Flat Major
  11. 2 Nocturnes, Op.37: I - G Minor
  12. 2 Nocturnes, Op.37: II - G Major

Tracks:

  1. 2 Nocturnes, Op.48: I - C Minor
  2. 2 Nocturnes, Op.48: II - F Sharp Minor
  3. 2 Nocturnes, Op.55: I - F Minor
  4. 2 Nocturnes, Op.55: II - E Flat Major
  5. 2 Nocturnes, Op.62: I - B Major
  6. 2 Nocturnes, Op.62: II - E Major
  7. Nocturne In E Minor, Op.72 No.1
  8. Nocutrne In C Sharp Minor
  9. Nocturne In C Minor

Tracks:

  1. 12 Etudes, Op.10: I - C Major
  2. 12 Etudes, Op.10: II - A Minor
  3. 12 Etudes, Op.10: III - E Major
  4. 12 Etudes, Op.10: IV - C Sharp Minor
  5. 12 Etudes, Op.10: V - G Flat Major 'Black Key'
  6. 12 Etudes, Op.10: VI - E Flat Minor
  7. 12 Etudes, Op.10: VII - C Major
  8. 12 Etudes, Op.10: VIII - F Major
  9. 12 Etudes, Op.10: IX - F Minor
  10. 12 Etudes, Op.10: X - A Flat Major
  11. 12 Etudes, Op.10: XI - E Flat Major
  12. 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
  13. 12 Etudes, Op.25: I - A Flat Major
  14. 12 Etudes, Op.25: II - F Minor
  15. 12 Etudes, Op.25: III - F Major
  16. 12 Etudes, Op.25: IV - A Minor
  17. 12 Etudes, Op.25: V - E Minor
  18. 12 Etudes, Op.25: VI - G Sharp Minor
  19. 12 Etudes, Op.25: VII - C Sharp Minor
  20. 12 Etudes, Op.25: VIII - D Flat Major
  21. 12 Etudes, Op.25: IX - G Flat Major
  22. 12 Etudes, Op.25: X - B Minor
  23. 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
  24. 12 Etudes, Op.25: XII - C Minor

Tracks:

  1. 2 Polonaises, Op.26: I - C Sharp Minor
  2. 2 Polonaises, Op.26: II - E Flat Minor
  3. 2 Polonaises, Op.40: I - A Major
  4. 2 Polonaises, Op.40: II - C Minor
  5. Polonaise In F Sharp Minor, Op.44
  6. Polonaise In A Flat Major, Op.53
  7. Polonaise-fantaisie In A Flat Major, Op.61

Tracks:

  1. 3 Polonaises, Op.71: I - D Minor
  2. 3 Polonaises, Op.71: II - B Flat Major
  3. 3 Polonaises, Op.71: III - F Minor
  4. Polonaise In B Flat Minor
  5. Polonaise In G Flat Major
  6. Polonaise In G Minor
  7. Polonaise In B Flat Major
  8. Polonaise In A Flat Major
  9. Polonaise In G Sharp Minor

Tracks:

  1. Waltz In E Flat Major, Op.18
  2. 3 Waltzes, Op.34: I - A Flat Major
  3. 3 Waltzes, Op.34: II - A Minor
  4. 3 Waltzes, Op.34: III - F Major
  5. Waltz In A Flat Major, Op.42
  6. 3 Waltzes, Op.64: I - D Flat Major
  7. 3 Waltzes, Op.64: II - C Sharp Minor
  8. 3 Waltzes, Op.64: III - A Flat Major
  9. 2 Waltzes, Op.69: I - A Flat Major
  10. 2 Waltzes, Op.69: II - B Minor
  11. 3 Waltzes, Op.70: I - G Flat Major
  12. 3 Waltzes, Op.70: II - F Minor
  13. 3 Waltzes, Op.70: III - D Flat Major
  14. Waltz In E Minor (1830)
  15. Waltz In E Major (1829)
  16. Waltz In A Minor (?1843)
  17. Waltz In A Flat Major (1827)
  18. Waltz In E Flat Major ('Sostenuto', 1840)
  19. Waltz In E Flat Major (1829 - 1830)

Tracks:

  1. 4 Mazurkas, Op.6: I - F Sharp Minor
  2. 4 Mazurkas, Op.6: II - C Sharp Minor
  3. 4 Mazurkas, Op.6: III - E Major
  4. 4 Mazurkas, Op.6: IV - E Flat Minor
  5. 5 Mazurkas, Op.7: I - B Flat Major
  6. 5 Mazurkas, Op.7: II - A Minor
  7. 5 Mazurkas, Op.7: III - F Minor
  8. 5 Mazurkas, Op.7: IV - A Flat Major
  9. 5 Mazurkas, Op.7: V - C Major
  10. 4 Mazurkas, Op.17: I - B Flat Major
  11. 4 Mazurkas, Op.17: II - E Minor
  12. 4 Mazurkas, Op.17: III - A Flat Major
  13. 4 Mazurkas, Op.17: IV - A Minor
  14. 4 Mazurkas, Op.24: I - G Minor
  15. 4 Mazurkas, Op.24: II - C Major
  16. 4 Mazurkas, Op.24: III - A Flat Major
  17. 4 Mazurkas, Op.24: IV - B Flat Minor
  18. 4 Mazurkas, Op.30: I - C Minor
  19. 4 Mazurkas, Op.30: II - B Minor
  20. 4 Mazurkas, Op.30: III - D Flat Major
  21. 4 Mazurkas, Op.30: IV - C Sharp Minor
  22. 4 Mazurkas, Op.33: I - G Sharp Minor
  23. 4 Mazurkas, Op.33: II - D Major
  24. 4 Mazurkas, Op.33: III - C Major
  25. 4 Mazurkas, Op.33: IV - B Minor
  26. 4 Mazurkas, Op.41: I - C Sharp Minor
  27. 4 Mazurkas, Op.41: II - E Minor
  28. 4 Mazurkas, Op.41: III - B Major
  29. 4 Mazurkas, Op.41: IV - A Flat Major

Tracks:

  1. 3 Mazurkas, Op.50: I - G Major
  2. 3 Mazurkas, Op.50: II - A Flat Major
  3. 3 Mazurkas, Op.50: III - C Sharp Minor
  4. 3 Mazurkas, Op.56: I - B Major
  5. 3 Mazurkas, Op.56: II - C Major
  6. 3 Mazurkas, Op.56: III - C Minor
  7. 3 Mazurkas, Op.59: I - A Minor
  8. 3 Mazurkas, Op.59: II - A Flat Major
  9. 3 Mazurkas, Op.59: III - F Sharp Minor
  10. 3 Mazurkas, Op.63: I - B Major
  11. 3 Mazurkas, Op.63: II - F Minor
  12. 3 Mazurkas, Op.63: III - C Sharp Minor
  13. 4 Mazurkas, Op.67: I - G Major
  14. 4 Mazurkas, Op.67: II - G Minor
  15. 4 Mazurkas, Op.67: III - C Major
  16. 4 Mazurkas, Op.67: IV - A Minor
  17. 4 Mazurkas, Op.68: I - C Major
  18. 4 Mazurkas, Op.68: II - A Minor
  19. 4 Mazurkas, Op.68: III - F Major
  20. 4 Mazurkas, Op.68: IV - F Minor
  21. Mazurka In A Minor ('a Emile Gaillard', 1840)
  22. Mazurka In A Minor ('Notre temps', 1840)
  23. Mazurka In B Flat Major (1826)
  24. Mazurka In G Major (1826)
  25. Mazurka In A Flat Major (1834)
  26. Mazurka In C Major (1833)
  27. Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
  28. Mazurka In D Major (1832)
  29. Mazurka In D Major (?1820)
  30. Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy

Tracks:

  1. Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
  2. Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
  3. Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
  4. Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
  5. Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
  6. Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
  7. Piano Sonata No.3 In B Minor, Op.58: III - Largo
  8. Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
  9. Fantaisie In F Minor, Op. 49

Tracks:

  1. Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
  2. Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
  3. Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
  4. Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
  5. Variations sur un air national allemand - E Major (1826)
  6. Rondo In C Minor, Op.1
  7. 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
  8. Rondo 'a la Mazur' In F Major, Op.5
  9. Marche funebre In C Minor, Op.72 No.2
  10. Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
  11. Rondo In C Major, Op.73 - Vladimir Ashkenazy
  12. Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy

Tracks:

  1. Variations In A Major ('Souvenir de Paganini', 1829)
  2. Variations brillantes In B Flat Major, Op.12
  3. Rondo In E Flat Major, Op.16
  4. Bolero In A Minor, Op.19
  5. Cantabile In B Flat Major
  6. Variation In E Major
  7. Largo In E Flat Major
  8. Allegro de concert In A Major, Op.46
  9. 3 Nouvelles Etudes (1837): I - F Minor
  10. 3 Nouvelles Etudes (1837): II - A Flat Major
  11. 3 Nouvelles Etudes (1837): III - D Flat Major
  12. Tarentelle In A Flat Major, Op.43
  13. Fugue In A Minor (1841 - 42)
  14. Albumblatt in E Major (1843)
  15. Op.74 No.2: Wiosna - Spring
  16. 2 Bourrees (1846): I - G Minor; II - A Major
  17. Galop Marquis
  18. Berceuse In D Flat Major, Op.57
  19. Barcarolle In F Sharp Major, Op.60

Customer Reviews:

5 out of 5 stars My experience of this CD.......2007-04-04

My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.

5 out of 5 stars Beautiful!.......2006-08-18

This is a beautifully played collection of Chopin's work. It was a birthday gift,
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.

5 out of 5 stars Well worth the money. Wonderful! Wonderful!.......2006-06-10

I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!

5 out of 5 stars Best investment to make.......2006-05-21

In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.

Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.

Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.

The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.

This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.

5 out of 5 stars A great pianist interpreting the most inspired composer ever !.......2005-09-15

Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.

Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).

Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.

Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
Smetana: Moldau/From Bohemia's Meadows and Forests/Dvorák: Slavonic Dances Op.46 & Op.72
Average customer rating: 5 out of 5 stars
  • Obra-prima
  • Magical
  • I enjoyed it.
  • Beautiful...
Smetana: Moldau/From Bohemia's Meadows and Forests/Dvorák: Slavonic Dances Op.46 & Op.72

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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  3. Sibelius: Finlandia/Tone Poems.
  4. Symphonie Fantastique
  5. Dvorak: 3 Great Symphonies

ASIN: B000001G4X
Release Date: 1990-10-25

Tracks:

  1. The Moldau (Vitava): The Moldau (Vltava)
  2. From Bohemia's Meadows And Forests
  3. Slavonic Dances Op.46: No. 1 in C Major: Presto
  4. Slavonic Dances Op.46: No. 2 In E Minor: Allegretto Schezando
  5. Slavonic Dances Op.46: No. 3 In A Flat Major: Poco Allegro
  6. Slavonic Dances Op.46: No. 4 In F Major: Tempo di Minuetto
  7. Slavonic Dances Op.46: No.6 In D Major: Allegretto Scherzando
  8. Slavonic Dances Op.46: No.7 In C Minor: Alegro assai
  9. Slavonic Dances Op.72: No.2 in E minor: Allegretto Grazioso
  10. Slavonic Dances Op.72: No.8 In A Flat Mijor: Grazioso e lento, ma non troppo, quasi Tempo di Valse

Customer Reviews:

4 out of 5 stars Obra-prima.......2007-05-13

Smetana não é muito difundido, mas "O Moldávia", parte integrante do poema sinfônico "Minha Pátria", é uma obra-prima da música clássica. Ao que parece, Rafael Kubelik, tanto no comando da sinfônica de Boston, quanto da orquestra sinfônica da rádio Bávara, dão um show de interpretação e lirismo. A gravação, como era esperado, não é boa, pois é muito antiga, mas artisticamenté a composição e execução são piramidais. Existem vários cds com esta obra com Rafael Kubelik, variando muito a técnica de gravação, mas a música em si é difícil de esquecer, eu mesmo fico com a melodia na minha cabeça todos os dias. Tem um cd da Mercury que nem estéreo é, contendo o poema completo, é magnífico, mesmo com chiados. Imperdível todos eles.

5 out of 5 stars Magical.......2003-10-12

While listening to this CD, I had the undeniable feeling that I was outside breathing in the fresh air, relaxing in the sunshine listening to the sounds of a babbling brook and this glorious music!

5 out of 5 stars I enjoyed it........2001-12-17

I enjoyed it, that's about all I can say. Couldn't fault it.

5 out of 5 stars Beautiful..........2000-07-08

I love "The Moldau". It is one of the most prettiest works by Smetna. I still get chills from repeated listening.
Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
Average customer rating: 5 out of 5 stars
  • Ultimate music for every time of day and every mood
  • Would give 5 stars if sound quality where better
  • Great collection for a great price
  • 20 Fabulous Discs
Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00012QLSW
Release Date: 2003-12-09

Tracks:

  1. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  2. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  3. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  4. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  5. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  6. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  7. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  8. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  9. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  10. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
  11. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
  12. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble

Tracks:

  1. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
  2. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
  3. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
  4. Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
  5. Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
  6. Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble

Tracks:

  1. Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
  2. Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
  3. Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
  4. Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
  5. Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
  6. Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
  7. Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
  8. Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
  9. Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
  10. 12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky

Tracks:

  1. Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
  2. Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
  3. Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
  4. Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
  5. Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
  6. Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
  7. Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
  8. Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
  9. Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble

Tracks:

  1. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
  2. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
  3. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
  4. Overture Coriolan Op.62 - Dresdner Philharmonic
  5. Overture Leonore No.2, Op.72 - Dresdner Philharmonic

Tracks:

  1. Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
  2. Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
  3. Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
  4. Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
  5. Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
  6. Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
  7. Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
  8. Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
  9. Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
  10. Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd

Tracks:

  1. Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
  2. Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
  3. Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
  4. Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
  5. Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
  6. Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland

Tracks:

  1. Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
  2. Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
  3. Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
  4. Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
  5. Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
  6. Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
  7. Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
  8. Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
  9. Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
  10. Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
  11. Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch

Tracks:

  1. Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
  2. Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
  3. Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
  4. Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
  5. Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
  6. Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
  7. Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
  8. Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
  9. Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
  10. Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
  11. Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
  12. Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
  13. Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
  14. Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic

Tracks:

  1. Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
  2. Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
  3. Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
  4. Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
  5. Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman

Tracks:

  1. Rustle of Spring Op.32, No.6 - Jennd
  2. Novelette in F Major Op.21, No.1 - Jennd
  3. Songs Without Words: E Major Op.19, No.1 - Jennd
  4. Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
  5. Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
  6. Songs Without Words: G Major Op.62, No.1 - Jennd
  7. Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
  8. Intermezzo in a Major, Op.76, No.6 - Jennd
  9. Intermezzo in a Minor Op.76, No.7 - Jennd
  10. Intermezzo in a Major Op.118, No.2 - Jennd
  11. Intermezzo in E Flat Minor Op.118, No.6 - Jennd
  12. Lyric Pieces: Arietta Op.12, No.1 - Jennd
  13. Lyric Pieces: Folkevise Op.12, No.5 - Jennd
  14. Lyric Pieces: Butterfly Op.43, No.1 - Jennd
  15. Lyric Pieces: To Spring Op.43, No.6 - Jennd
  16. Lyric Pieces: Notturno Op.54, No.4 - Jennd
  17. Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
  18. Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
  19. Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
  20. Melody in F Op.3, No.1 - Jennd
  21. Humoresque in G Flat Major Op.101, No.7 - Jennd

Tracks:

  1. Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
  2. Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
  3. Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
  4. Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
  5. Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
  6. Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
  7. Impromptu in B Flat Major D.935, No.3: Pito - Jennd
  8. 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
  9. 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
  10. 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
  11. 4 Impromptus D.899: No. 1 in C Minor - Jennd
  12. 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
  13. 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
  14. 4 Impromptus D.899: No. 4 in a Flat Major - Jennd

Tracks:

  1. Sonata in a Major D.959: Allegro - Michael Endres
  2. Sonata in a Major D.959: Andantino - Michael Endres
  3. Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
  4. Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
  5. Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
  6. Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
  7. Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
  8. Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres

Tracks:

  1. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
  2. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
  3. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
  4. Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
  5. Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
  6. Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin

Tracks:

  1. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
  2. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
  3. Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
  4. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra

Tracks:

  1. Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
  2. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
  3. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
  4. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
  5. Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
  6. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
  7. Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
  8. Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
  9. Fantasy on Weber's FreischVilmos Fischer

Tracks:

  1. Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
  2. Pictures at an Exhibition: Gnomus. Sempre Vivo
  3. Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
  4. Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
  5. Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
  6. Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
  7. Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
  8. Pictures at an Exhibition: Promenade. Tranquillo
  9. Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
  10. Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
  11. Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
  12. Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
  13. Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
  14. Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
  15. Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
  16. Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
  17. Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
  18. Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
  19. Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
  20. Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
  21. Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
  22. Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
  23. Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
  24. Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
  25. Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)

Tracks:

  1. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  2. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  3. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  4. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  5. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  6. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov

Tracks:

  1. Prde Op.3, No.2 - Margarete Babinsky
  2. Mdie Op.3, No.3 - Margarete Babinsky
  3. Polichinelle Op.3, No.4 - Margarete Babinsky
  4. Moment Musical Op.16, No.3 - Margarete Babinsky
  5. Moment Musical Op.16, No.5 - Margarete Babinsky
  6. Variations on a Theme by Corelli Op.42 - Margarete Babinsky
  7. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  8. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  9. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  10. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  11. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  12. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  13. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  14. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  15. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  16. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  17. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  18. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  19. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  20. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  21. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  22. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  23. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  24. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  25. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  26. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  27. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  28. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  29. Prde Op.23, No.5 - Margarete Babinsky

Tracks:

  1. Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
  2. Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
  3. Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
  4. Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
  5. American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart

Album Description

This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.

Customer Reviews:

5 out of 5 stars Ultimate music for every time of day and every mood.......2007-07-03

With 20 CDs in the collection, we have classical music for every mood and atime of day.

4 out of 5 stars Would give 5 stars if sound quality where better.......2007-06-30

This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.

5 out of 5 stars Great collection for a great price.......2007-06-27

I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.

5 out of 5 stars 20 Fabulous Discs.......2007-06-08

I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.
Haydn: Paris Symphonies
Average customer rating: 4.5 out of 5 stars
  • Overview of the Paris symphonies
  • No Need to Look Further!
  • Thank heaven ...
  • Cleansing the Palate
  • A gorgeous new set!!!!
Haydn: Paris Symphonies

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
$6.99 and Under$6.99 and Under | Classical Music Blowout | Stores | Music
All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
Haydn, Franz JosephHaydn, Franz Joseph | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Orchestra of the Age of EnlightenmentOrchestra of the Age of Enlightenment | ( O ) | Performers, A-Z | Classical Music Blowout | Stores | Music
InstrumentalInstrumental | Classical Music Blowout | Stores | Music
Similar Items:
  1. Haydn: Symphonies Nos. 88 - 92
  2. Haydn: The London Symphonies, Vol. 1
  3. Haydn: The London Symphonies, Vol. 2
  4. Haydn: String Quartets Op. 76, Nos. 1-3
  5. Haydn: String Quartets, Op. 76, Nos. 4, 5 and 6

ASIN: B000031WJC
Release Date: 2000-04-11

Tracks:

  1. Sym No.82 in C 'L'Ours': I. Vivace Assai
  2. Sym No.82 in C 'L'Ours': II. Allegretto
  3. Sym No.82 in C 'L'Ours': III. Menuet - Trio
  4. Sym No.82 in C 'L'Ours': IV. Finale: Vivace
  5. Sym No.83 in g 'La Poule': I. Allegro Spiritoso
  6. Sym No.83 in g 'La Poule': II. Andante
  7. Sym No.83 in g 'La Poule': III. Menuet: Allegretto - Trio
  8. Sym No.83 in g 'La Poule': IV. Finale: Vivace
  9. Sym No.84 in E flat: I. Largo - Allegro
  10. Sym No.84 in E flat: II. Andante
  11. Sym No.84 in E flat: III. Menuet: Allegretto - Trio
  12. Sym No.84 in E flat: IV. Finale: Vivace

Tracks:

  1. Sym No.85 in B flat 'La Reine': I. Adagio - Vivace
  2. Sym No.85 in B flat 'La Reine': II. Romance: Allegretto
  3. Sym No.85 in B flat 'La Reine': III. Menuet: Allegretto - Trio
  4. Sym No.85 in B flat 'La Reine': IV. Finale: Presto
  5. Sym No.86 in D: I. Adagio - Allegro Spiritoso
  6. Sym No.86 in D: II. Capriccio: Largo
  7. Sym No.86 in D: III. Menuet: Allegretto - Trio
  8. Sym No.86 in D: IV. Finale: Allegro Con Spirito
  9. Sym No.87 in A: I. Vivace
  10. Sym No.87 in A: II. Adagio
  11. Sym No.87 in A: III. Menuet - Trio
  12. Sym No.87 in A: IV. Finale: Vivace

Customer Reviews:

3 out of 5 stars Overview of the Paris symphonies.......2007-06-27

Franz Joseph Haydn could be called the father of the symphony. He composed 108 of them in his lifetime. The latter symphonies fall into two groups, the London and Paris symphonies, and refer to where he was residing in when he composed them. This 2-disc set contains all the Paris symphonies, are they are typical of works from this era of classical music; beautifully orchestrated with minimal evocative effects or emotional gusto. The sound quality is great though, along with the recording. For fans of classical music, this is a good buy for under $10.

5 out of 5 stars No Need to Look Further!.......2007-03-17

There are commendable period instrument sets of the 'Paris' symphonies available - Bruggen(Phillips) with the Orchestra of the 18th Century who has the most romantic view of the works, Roy Goodman(individual discs from his complete set on the budget Hyperion Helios)with the Hannover Band and Kurt Weil. Kuijken's, without doubt, is the one to have. Superb sound, plenty of panache and drama. He has spent many years as a Hadyn interpretor and this is in evidence throughout all 6 symphonies. Smart tempos and clean cut phrasing is effectively coupled with poignant delicacy in the slow movements. The hapsicord is never obtrusive and all departments of his fine orchestra excell themselves.
The symphonies, written in 1785-6 for the renowned Concert del la Loge Olympique, are a triumph of the classical symphony. So are these performances!

4 out of 5 stars Thank heaven ..........2007-01-01

My daughter purchased this for my birthday last year. Knowing that I admire Haydn, she searched Amazon and took confidence in the all positive reviews. Well, I thank my daughter and the other reviewers -- this is truly a collection to own.

5 out of 5 stars Cleansing the Palate.......2006-10-16

Haydn's symphonies are refreshingly clean, natural, unpretentious and in general a welcome palate cleanser for the concertgoer despite the preference for the dramatic or the grand or the edgy contemporary fare. Such is certainly the case for the so-called Paris symphonies (Nos. 82 - 87), models of elegance and refinement.

Case in point: at a recent concert with Esa-Pekka Salonen and the Los Angeles Philharmonic, the opening work was the Haydn Symphony No 82 - at first a seemingly odd choice for a program that was to include the local premiere of a commissioned Viola Concerto by Brett Dean and a celebration of Mussorgsky's 'Pictures at an Exhibition'. But hearing Haydn in this context provided that reminder that Papa Haydn started it all!

This CD with Sigiswald Kuijken conducting the Orchestra of the Age of Enlightenment traverses all of the Paris symphonies with aplomb. The quality of interpretation is immaculate, the sound of the recording is superb, and in general this is one of the finest 'sets' of these symphonies available today. It is an utter joy to listen to all of the works in one sitting, or to place them as aperitifs through the listening day. Highly recommended. Grady Harp, October 06

5 out of 5 stars A gorgeous new set!!!!.......2005-01-30

A beautiful set at a cheap price of Haydn's Paris Symphonies! Symphonies 84 and 87 particularly sparkle and the comic effects are fully exploited in 82 (The Bear) and 83 (The Hen). I compared this set to the Karajan and legendary Bernstein. This new set is fresh and lively, also because of period instruments. Bravo!!!

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  2. All Eyez on Me [CD-single] [Import]
  3. Artist Collection: Luther Vandross [Import]
  4. Back 2 Back: Harold Melvin & the Blue Notes/Atlantic Starr
  5. Best Of 1984-1993: Strange & Funny (Reis)
  6. Best of the Best Gold [Limited Edition] [Import]
  7. Blues Live 2 [Import]
  8. Bona Fide
  9. Call My Name [Import]
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Christian Music

christian music

Christian Music

Inside The Acid Temple

Organ Meditation

Movin' On

Fragile as China

Kobol

Music of Feng Shui

Live Korakuen Stadium [Import]

Live From Bonnaroo Music Festival 2002 [Live]

Misguided Roses

Mike Mulligan and His Steam Shovel

My Iron Lung Pt.1 [CD-single] [EP] [Import]

Master of the Universe [Import]

In Memoriam

Brothers Live

Songs From the Mountain