Songs in a Minor [Limited Edition] [Import]

Songs in a Minor [Limited Edition] [Import]

Track Listings

1. Piano And I
2. Girlfriend
3. How Come You Dont Call Me
4. Fallin
5. Troubles
6. Rock Wit U
7. A Womans Worth
8. Jane Doe
9. Goodbye
10. The Life
11. Mr Man (Duet W Jimmy Cozier)
12. Never Felt This Way (Interlude)
13. Butterflyz
14. Why Do I Feel So Sad
15. Caged Bird
16. Fallin (Rmx Ft Busta Rhymes And Rampage)
17. A Womans Worth (Remix)

Editorial Reviews

Product Description
UK reissue of the Grammy winning 2001 debut album now includes two bonus remixes, 'Fallin' (Remix Featuring Busta Rhymes & Rampage), 'A Woman's Worth' (Remix), along with a bonus enhanced section that features song lyrics, a video gallery & a screen saver. This UK version also includes exclusive artwork. 2002. J Records.

Songs in a Minor,Alicia Keys,Bmg Int'l,Pop,R&B,R&B/Soul,Soul/R & B,Soul/Reggae/Rhythm & Blues


Romance of the Violin
Average customer rating: 4.5 out of 5 stars
  • Romance of the Violin
  • End of the Day
  • Wonderful!
  • Over and over and over....
  • Non-standard CD format
Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Voice of the Violin
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  4. Joshua Bell - Gershwin Fantasy
  5. The Red Violin: Original Motion Picture Soundtrack

ASIN: B0000DG06L
Release Date: 2003-10-28

Tracks:

  1. O mio babbino caro (from 'Gianni Schicchi')
  2. The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
  3. Nocturne in C sharp minor (Op Post)
  4. The Swan (from Carnival of the Animals)
  5. Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
  6. Casta Diva (from 'Norma')
  7. Andante from Piano Concerto No. 21 in C Major K. 467
  8. Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
  9. Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
  10. Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
  11. Pur ti Miro (from 'L'incoronazione di Poppea')
  12. Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
  13. Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')

Amazon.com

Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine

Customer Reviews:

4 out of 5 stars Romance of the Violin.......2007-07-16

While it's not my very favorite Joshua Bell CD, this is a pleasure to listen to!

4 out of 5 stars End of the Day.......2007-06-08

I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.

5 out of 5 stars Wonderful!.......2007-05-30

I play this for my grandson to nap by. It is so relaxing and wonderful!

5 out of 5 stars Over and over and over...........2007-05-17

That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.

4 out of 5 stars Non-standard CD format.......2007-04-22

The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.

A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.

The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.
The Most Relaxing Classical Album in the World...Ever!
Average customer rating: 4 out of 5 stars
  • Lives Up To The Title, Fine Variety Of Genre's.
  • Good for relaxing pregnant women
  • Too much opera
  • Does what it set out to do, very well
  • TRULY The most relaxing and beautiful music ever written.
The Most Relaxing Classical Album in the World...Ever!
Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , and Samuel Barber
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000I93Z
Release Date: 1999-03-30

Tracks:

  1. Air 'On the G String' - Academy Of St. Martin In The Fields
  2. Morning - Academy Of St. Martin In The Fields
  3. Canon In D - Academy Of St. Martin In The Fields
  4. Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
  5. Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
  6. II. Andante - Stephen Hough
  7. Viens, Mallika - Mady Mesple
  8. In Paradisum - Choir Of King's College, Cambridge
  9. Clair De Lune - Dame Moura Lympany
  10. II. Andate - Yehudi Menuhin
  11. The Swan - Osian Ellis
  12. II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
  13. II. Andantino - James Galway
  14. II. Largo - Yehudi Menuhin
  15. Nimrod - London Symphony Orchestra
  16. Blow the Wind - Pie Jesu - Jocelyn Pook
  17. Variation 18 - Cecile Ousset
  18. Pavane Op.50 - Gareth Morris

Tracks:

  1. Zion Hort Die Wachter Singen - South German Madrigal Choir
  2. Adagio In G Minor - Academy Of St. Martin In The Fields
  3. Minuet - Academy Of St. Martin In The Fields
  4. II. Largo - Andrei Gavrilov
  5. Meditation - Hans Kalafusz
  6. I. Adagio Sostenuto - Dame Moura Lympany
  7. Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
  8. II. Andante - Nigel North
  9. II. Adagio - Jack Brymer
  10. Intermezzo - Philharmonia Orchestra
  11. I. Moderato - London Chamber Orchestra
  12. O Mio Babbino Caro - Montserrat Caballe
  13. Fantasia On 'Greensleeves' - Sinfonia Of London
  14. II. Adagio Sostenuto (Opening) - Cecile Ousset
  15. Nocturne - Academy Of St. Martin In The Fields
  16. II. Adagio (Opening) - Julian Bream
  17. Adagio For Strings Op.11a - The Philadelphia Orchestra
  18. Entr'acte To Act III - Orchestre National De France

Amazon.com

You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward Garabedian

Customer Reviews:

4 out of 5 stars Lives Up To The Title, Fine Variety Of Genre's........2007-02-04

This CD is a great way to enjoy a large variety of Classical Composers & many of their best known pieces. Vivaldi's "Four Seasons," is an all time favorite. There are vocals, Piano pieces, & some fine Violins. I found the latter the most enjoyable. Here you can find Rodrigo & Pachelbell. Samuel Barber's haunting Adagio will make your skin tingle. This may not be to everyones taste, but if you wish to relax? Give this a couple of listens.

5 out of 5 stars Good for relaxing pregnant women.......2007-01-17

I stumbled onto this album whilst searching bit torrent websites for classical music. I don't normally listen to classical music but thought it might be relaxing for my pregnant wife. After hearing the quality of the performances, the arrangement, and the recording I decided to buy the album from amazon. All the songs you would expect from a "best album in the world" are there and they are not boring to listen to like a lot of other classical albums. I now play this album in the car constantly and the wife requested it be played at the hospital during the birth.

3 out of 5 stars Too much opera.......2007-01-10

If it wasn't for the opera this would be a great CD.

5 out of 5 stars Does what it set out to do, very well.......2006-11-15

So i'm a classical music veteran, someone who prefers to collect a complete work, rather than classical compilations. I probably would not have listened to this album at all if my dad didnt buy it for me as a gift. By now, i own the complete works that over half of the excepts on this disc come from. I am a purist if ever there was one.

That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.

Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.

To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.

Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)

So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.

5 out of 5 stars TRULY The most relaxing and beautiful music ever written........2006-11-10

This album along with Volume 2 are now the two most valued albums in my music collection. I have all of the songs contained on these two albums but they are scattered through at least a dozen different albums and several are not performed by artists such as those that recorded this album and Volume 2.
SIMPLY BEAUTIFUL !!!!!!!!!!
Spanish Guitar Music
Average customer rating: 5 out of 5 stars
  • Excellent Introduction to Spanish Classical Guitar Music
  • The guitar is an orchestra in miniature!
  • GUITAR MAJESTY
  • Sweet, sweet music, an essential addition to your collection
  • A True Classic
Spanish Guitar Music

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005YJ4Q
Release Date: 2002-01-29

Tracks:

  1. Albeniz: Asturias
  2. Albeniz: Tango
  3. Sanz: Canarios
  4. Rodrigo: Fandango
  5. Torroba: Nocturno
  6. Segreras - El Colibri
  7. Albeniz: Sonata in D
  8. De Falla: The Corregidor's Dance
  9. De Falla: Fisherman's Song
  10. De Falla: The Miller's Dance
  11. Torroba: Madronos
  12. La Nit de Nadal
  13. El Noy de la Mare
  14. Granados: Ma Maja de Goya
  15. Abeniz: Cordoba
  16. Tarrega: Recuerdos de la Alhambra
  17. Granados: Spanish Dance No. 5
  18. El Testamen de Amelia
  19. Villa-Lobos: Prelude No. 4 in E Minor
  20. Albeniz: Sevilla
  21. De Falla: Homanaje
  22. Mudarra: Fantasia
  23. Turina: Fandanguillo

Customer Reviews:

5 out of 5 stars Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

5 out of 5 stars The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

5 out of 5 stars GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

5 out of 5 stars Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

5 out of 5 stars A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.
Songs in A Minor
Average customer rating: 4 out of 5 stars
  • A strong force in the music world
  • Doesn't get any better than THIS!!!
  • Songs Of A Classic!
  • Very listenable
  • nice CD
Songs in A Minor
Alicia Keys
Manufacturer: J-Records
ProductGroup: Music
Binding: Audio CD

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  1. The Diary of Alicia Keys
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  5. Confessions

ASIN: B00005JXS6
Release Date: 2001-06-26

Tracks:

  1. Piano & 1 (intro)
  2. Girlfriend
  3. How Come U Don't Call Me Anymore?
  4. Fallin'
  5. Troubles
  6. Rock Wit U
  7. A Woman's Worth
  8. Jane Doe
  9. Goodbye
  10. The Life
  11. Mr. Man (featuring Jimmy Cozier)
  12. Never Felt This Way (interlude)
  13. Butterflies
  14. Why Do I Feel So Sad
  15. Caged Bird (outro)

Amazon.com's Best of 2001

She may be beautiful, but Alicia Keys is a musician first and foremost. She plants herself firmly behind the piano keys on her debut, unlike many of the booty-waggin' junior divas who are crowding the R&B videoscape these days. Though many of the tracks on Songs in A Minor are embellished with adolescent angst, this 20-year-old's substantial, gorgeously soul-drenched alto putties the cracks between notes with astonishing ease. "Fallin'," the album's first single, showcases Keys at her best. She wails plaintively and passionately over rolling blues chords, in the tradition of the greats that this young talent clearly wants to align herself with--Stevie Wonder, Donny Hathaway, and Aretha Franklin. She swoops and soars over the spicy, flamenco-fueled melody that opens "Mr. Mann," one of the many winning tracks gathered here. And she digs deep into a remake of the beloved Prince B-side, "How Come U Don't Call Me Anymore?" packing more heat into her melismatic wails than most singers twice her age. --Sylvia W. Chan

Customer Reviews:

5 out of 5 stars A strong force in the music world.......2007-06-01

Alicia Keys, asside from her somewhat corny change of name, is a very giften vocalist, songwriter and pianist. She will most certainly be around the popular music scene for a long time.

5 out of 5 stars Doesn't get any better than THIS!!!.......2007-01-31

The beautiful,heart wrenching,ballad"Goodbye"ALONE,makes this album,worth its' weight,in,DIAMONDS'!!!The lyrics'have the ability,to,HURL you backwards'through,TIME,to the moment,of your very FIRST,heartbreak!! Alicia does,an,UNSURPASSED,job,of making you see(and FEEL)this,through the eyes'of a(young,innocent) individual,who's,encountered this(DISCONCERTING)life,experience,for the FIRST time!!!Nostalgic lyrics such as"Is,THIS,the END???Are you SURE??How should you KNOW,when you've NEVER been,in love,BEFORE?!?(followed by)It's so HARD,to just LET GO,And this is the one and ONLY,love,I've EVER,known!!!the begging line,is CLASSIC(and true!!)How do you LOVE,someone,that's HURT,you oh so bad??With intentions' "good"was all he,EVER had..But how do,I let go,when I,loved him for so,LONG,and,I've,given him ALL,that,I,COULD!!! Summed up,with,HOW,do you find the,WORDS',to say...To say"Goodbye"...Find,the words'to say"Goodbye"...."When your heart,DON'T,have the HEART,to say...To say"Goodbye"!!!(other chilling lyrics'include:"Maybe,love,was,our whole(????)Giving up,what seems' your,LIFETIME,what,went wrong,with something,ONCE,so GOOD??!!? Ican't leave,out her brave confession:"I know,NOW,I was naive',never knew,where this would lead"...(ANTI,man bashing warning)And,I'm NOT,trying,to take away...From,the GOOD,man that he IS(not was)!!Alicia,turns'it personal,when she belts' out:"MY,heart,dont have,the heart,to say"Goodbye"This song,hits' VERY,close to home,with me also,because,a few years ago(which seems'like yesterday,to me)I had to,break off,my longest relationship(5 years')with a woman,that,I was still DEEPLY,in love with,because,after half,a DECADE,of recieving,not,an,IOTA,of,affection,I came,to the(VERY LATE)conclusion,that,if,she wasn't giving ME,any "natural"affection,then she MUST'VE,been giving,it to someone else!! Understand:sex,was NO problem,however,if,I desired,a hug,or just a loving kiss,and,some cuddling...NOTHIN' HAPPENING!! Wasn't my first time "at the pplate"but,nonetheless,it was the HARDEST,decision,I had,to make in my 35 years' of,existence!!!Alicias'SUPERB,song,then,as well as,NOW,soothed/soothes'the,pain associated,with that,tormentous,time in my life!!!BIG-UPS'to Alicia,for that MASTERPIECE!!! I,reccomend this album,as STRONGLY,as,I recommend,wearing,WARM clothes'in Michigan,after August,to EVERYONE,who might have had,a similiar situation,occur in their,life!!!

5 out of 5 stars Songs Of A Classic!.......2006-10-28

Considering the fact that I heard her sophomore album "The Diary Of Alicia Keys" before hearing "Songs In A Minor", the multi-platinum, critically-acclaimed album from singer/songwriter/pianist/musician Alicia Keys, I had high expectations of this album. Surprisingly, this album is just as good as its successor, showcasing all of Alicia Keys' talents to the fullest degree. Although this album is a lot more ballad-heavy and slightly lacks the diversity of her sophomore album, that doesn't mean that this album is any less soulful, emotional or stellar.

"Fallin'", the classic R&B/Soul #1 U.S. smash hit piano ballad that solidified Alicia Keys as a force to be reckoned with, tells the story of a woman indecisively caught up between leaving or staying with her man, and with a combination of ethereal choir background vocals and moody violins towards the end of the song, it's definitely one of the best tracks on the album ; "A Woman's Worth", another masterfully arranged classic R&B/Soul where piano keys and wah wah guitar strings (amongst other instruments) are used in all the right places, finds Alicia Keys soulfully singing about how a real relationship is nothing without respect and how materialistic offerings won't always make the cut ; "Troubles", with its true-to-life lyrics and darkly moody instrumental arrangements, sounds both depressing and uplifting at the same time ; "How Come You Don't Call Me", a self-explanatory piano ballad written by none other than the Purple man himself Prince, finds Alicia Keys effortlessly pushing her powerful vocals to extraordinary heights with emotion and passion ; the huge assortment of instruments on the production of "Rock Wit You" is downright amazing if not a bit too lengthy ; "Mr Man", one of my album favourites, is a classy duet violin ballad with forgotten R&B/Soul singer Jimmy Cozier (the album's only guest artist) ; "The Life", another piano-driven ballad, finds Alicia talking about life (obviously) ; and the Hip-Hop-lite production from Jermaine Dupri supports Alicia Keys' feelings of envy and jealousy against another woman on "Girlfriend".

Alicia Keys, being the multi-talented songstress she is, has managed to create a wonderful debut that has "classic" written all over it. Perhaps the album's only weak points lie in the following two songs - "Butterflyz" & "Caged Bird". The former track lacks the lyrical complexity and genuinely captivating realness of the other tracks, while "Caged Bird" falters with its overly mellow production. However, such flaws can be excused because Alicia Key's vocals are so vibrantly soulful and hypnotic that such flaws fly past with little to no notice. Definitely 5 stars!

5 Best Tracks:
"Fallin'"
"A Woman's Worth"
"Troubles"
"How Come You Don't Call Me"
"Girlfriend"

Album Favourite:
"Mr. Man (feat. Jimmy Cozier)"

Honourable Mentions:
"The Life"
"Rock Wit You"

5 out of 5 stars Very listenable.......2006-10-23

This is the first CD I bought by Alicia Keys, and I really love this CD. It's one of the few CDs that I still listen to reguarly months after I bought it (usually I listen to it a lot during the 1st month, then the CD start collecting dust). First, she writes and performs her own songs, something I feel should be prerequisit but not common enough among the popular musicic stars. Second, the second half of the CDs are not fillers. They're wonderful songs that stand up to repeated listening. Third, even though every piece is wonderful, it still feels like an album, with themes connecting the pieces. Also, I like her voice - very sultry.
Lastly, I just want to address a comment made by previous reviewer: I think most people recongize the beginning of the Piano & I comes from Moonlight Sonata. Brahms didn't credit Beethoven either when he wrote Symphony no.1 either - but who care? Everybody already knew. The fact she used a segment from Beethoven does not mean lack of originality.
Anyways, I know some of the reason I like this CD is like duh! But it's really impossible to put music preference into words anyway, so just listen and enjoy the CD!

4 out of 5 stars nice CD.......2006-08-20

this CD has some nice r&b tunes with piano hooks but in the end it was all about marketing. These songs aer no different from other r&b artists, she was just marketed as a piano player and all that. She's talented don't get me wrong but she's like the girl next door. I also found it weird how inside the cover it says "all songs written by alicia keys" followed by a "except where mentioned" and it turns out that though she's co wrote many of the songs, only about 4 of them were written all by herself with no co-writers and these were: Fallin, Butterflyz, Caged Bird and the bonus track at the end. Those songs are actually really pleasant to listen to. Also the Prince remake how come you don't call me was well done; songs like rock with you, the life and jane doe had some good piano licks; woman's worth had some pretty lyrics and music; and girlfriend was a hip hop song produced by no other than jermaine dupri who's worked with everyone anyways. Anyways check out this album but don't fall for the marketing hype.
The Dvorak Album
Average customer rating: 5 out of 5 stars
  • Yo-Yo Ma is a genius
The Dvorak Album

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
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  1. Simply Baroque
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ASIN: B0002VEPIU
Release Date: 2004-09-07

Tracks:

  1. Concerto in B minor for Cello and Orchestra, Op. 104
  2. Klid (Silent woods) for Cello and Orchestra, Op. 68, No. 5
  3. Slavonic Dance No. 2 in E minor, Op. 72
  4. Humoresque No. 7 in G-flat Major, Op. 101
  5. Songs My Mother Taught Me from Gypsy Melodie, Op. 55

Amazon.com

This compilation of music by Dvorak played by Yo-Yo Ma is just beautiful. Ma seems to understand just when Dvorak wants to be super-Romantic and sappy and when he is in fact being merely his usual expressive self. The former comes into bloom with the Slavonic Dance, in which he's accompanied by Itzhak Perlman and "Songs My Mother Taught Me," with Patricia Zander at the piano. But when it comes to revealing Dvorak as one of the most insightful and truly passionate of composers, with a particular understanding of the cello, Ma's playing of the B minor Concerto (under Kurt Masur, with the New York Philharmonic), the latter description comes into play. Ma gets every nuance out of the cello, and the way in which Masur, for instance, leads the winds against the cello at the start of the 2nd movement is just gorgeous. "Klid" ("Silent Woods") is given a deeply affecting reading as well, under Seiji Ozawa. 2004 is the 100th anniversary of Dvorak's death; this CD is fine tribute. --Robert Levine

Customer Reviews:

5 out of 5 stars Yo-Yo Ma is a genius .......2004-11-16

words fail me on how to describe performance in this CD.It's very good, one of the best interpretations I have heard in a very long time. I must confess that since i discovered Ma du Pre I have not been able to listen to anything else nor did I attempt to do so. But out of the blue I bumped into this CD by chance & after hearing Yo Yo Ma's phraising especially the 1st movement infact the whole of Dvorak Cello was like something new to me.Ma plays with passion,emotions & strong commitment to the music in a different way.The Ochestra is in top form & allows the solo cello to shine at the right time.I never thought there is another interpretation that could surpass M.Rostropovich(Im sorry to say this I know he is a living legend & the 1969 record with Karajan is held in high esteem). Ma is accompanied by my favourate violinist Itzhak Perlman on "Humosresque no.7 for piano" & "Slavonic Dance no.10 in E minor"- the results are so sweet as many people know Perlman is a romantic specialist his tone with Ma's cello is heavenly.With regard to the "songs my mother taught me" the cello sounds good not best for the track personally im so used to hear the song being played on violin.There's nothing wrong with the cello it's just that it 's tone is a bit too strong for the composition but it's very well interpreted by Ma. They call this transcription in musical terms. Actually Ma deserves an apology as im one of those who have accused him of lacking in emotions &"look at me now i can play anything" attitude.I think those allegations are baseless & unwarranted when u hear this CD u will know u are into something beautiful. Overall grab this very fast before many people realise Yo-Yo Ma 's greatest gift of song.
Art of Segovia
Average customer rating: 5 out of 5 stars
  • A Man and His Art - Magnificently Captured
  • What can you say - it's Segovia!
  • EVERYBODY KNOWS
  • Immortal guitar
  • WOW
Art of Segovia
Andres Segovia
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006B66L
Release Date: 2002-10-08

Tracks:

  1. Andante
  2. Andantino
  3. Lento
  4. Romance De Los Pinos
  5. Madronos
  6. Serenata Burlesca
  7. Variations On A Theme From Mozart's 'The Magic Flute'
  8. Mesto E Calmo
  9. Theme, Variations & Finale
  10. Cancion Mexicana No.X
  11. Sevillana, Op.29
  12. Sarabanda
  13. Capriccio Diabolico, Op.85
  14. Tonadilla For Guitar On The Name Of Andres Segovia
  15. No.1 In E Minor
  16. No.3 In A Minor
  17. Guitarreo
  18. Segovia, Op.29

Tracks:

  1. If My Complaints
  2. Now, O Now I Need Must Part
  3. Sarabande
  4. 1. Prelude (Transposed In D Major)
  5. 4. Tempo Di Bourree
  6. Courante
  7. 3. Gavotte En Rondeau
  8. Aria E Corrente
  9. Moderato
  10. Menuet In G Major
  11. Andantino Variato
  12. No.7 In A Major
  13. 2. Canzonetta
  14. 2. Quasi Lento (Preludio)
  15. 1. Andantino Poco Allegretto (Allegretto)
  16. 2. Il Vecchio Castello
  17. Allegretto
  18. Tres Calme Et Doucement Expressif
  19. No.4 In E Flat Minor
  20. 5. Asturias. Leyenda - Preludio
  21. 7. Zambra Granadina
  22. Estudio Sin Luz
  23. Allegro Con Brio

Amazon.com

DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan Davis

Customer Reviews:

5 out of 5 stars A Man and His Art - Magnificently Captured.......2007-04-06

This 2-CD set produced by Deutche Grammmophon and first released in 2002 is one set of the hundreds that could have been or the dozens that actually have been made and sold successfully all over the world. The exceptional feature of this particular collection is not, of course, the performer. Quite to the contrary, the miraculous consistency of stylings and performance are amongst the most remarkable aspects of the man who was, arguably, the 20th Centry's virtuoso supreme of the classical guitar, Andres Segovia (1893-1987.) Rather, it is the collection itself - the pieces chosen to be produced on this one set - this, to steal a German word, gestalt. While his style did not remain constant throughout his long life and career, by the time he had developed his most masterful skills that included doing his own arrangements - the era represented on this particular set (1951-1960) - his playing had become completely his own - unchallenged and unmatched by even other clearly great guitarists with whom he shared this era.

There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.

Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.

5 out of 5 stars What can you say - it's Segovia!.......2007-02-10

I saw Segovia perform live in my youth. What a treat! Anyone who loves Classical Guitar should love this collection.

5 out of 5 stars EVERYBODY KNOWS.......2007-01-13

EVERYBODY KNOWS THAT ANDRES SEGOVIA WAS/IS THE WORLD'S GREATEST CLASSICAL GUITAR PLAYER. THIS CD IS A COMPILATION OF HIS RECORDINGS FROM THE THE EARLY 50'S TO THE LATE 60'S. HIS GUITAR MASTERY IS UNQUESTIONED AND HE IS AN INSPIRATION. I WISH I COULD PLAY GUITAR LIKE ANDRES SEGOVIA (BUT I CAN'T AND I NEVER WILL!).

5 out of 5 stars Immortal guitar.......2006-08-02

Two CD's with Segovia's immortal music - an incredible treat at a great price!

5 out of 5 stars WOW.......2006-02-23

Even though there is hiss from the original analog recordings this one is a must. Segovia! What more can you say. Anyone who likes classical guitar will love this.
Best of the Millennium: Top 40 Classical Hits
Average customer rating: 4 out of 5 stars
  • Waste of money
  • Great Music Compilation
  • If you like classical music don't buy this CD.
  • A must for anyone wanting the staples of classical music
  • A great compilation
Best of the Millennium: Top 40 Classical Hits

Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004GOZA
Release Date: 2000-02-08

Tracks:

  1. Adagio In G Minor
  2. Jesu, Joy OF Man's Desiring
  3. Moonlight Sonata - Adagio sostenuto
  4. March Of The Toreadors (Carmen)
  5. Celebrated Minuet
  6. Polovtsian Dance No. 1 (Prince Igor)
  7. Cradle Song
  8. 'Minute' Waltz
  9. Suite Bergamasque: Clair de Lune
  10. Largo
  11. Pomp And Circumstance March No. 1
  12. Rhapsody In Blue - Andante And Finale
  13. Peer Gynt Suite: Morning
  14. Messiah: Hallelujah Chorus
  15. Liebestraum
  16. Cavalleria Rusticana: Intermezzo
  17. A Midsummer Night's Dream: Wedding March
  18. 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
  19. The Great Gate Of Kiev

Tracks:

  1. Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
  2. Orpheus In The Underworld: Cancan
  3. Carmina Burana - O Fortuna
  4. Canon In D
  5. Lietenant Kije Suite - Troika
  6. Turandot: Nessun dorma
  7. Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
  8. Bolero - Conclusion
  9. The Tale Of Czar Sultan: Flight Of The Bumblebee
  10. William Tell Overture - Finale
  11. Carnival Of The Animals: The Swan
  12. Gymnopedie No. 3
  13. Ave Maria
  14. Blue Danube Waltz
  15. Thus Spake Zarathustra - Sunrise
  16. Firebird Suite - Finale
  17. 1812 Overture - Finale: 1812 Overtune - Finale
  18. Fantasia On 'Greensleeves'
  19. Anvil Chorus (II Trovatore)
  20. The Four Seasons - Largo From 'Winter'
  21. Die Walkure: Ride Of The Valkyries

Amazon.com

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde

Customer Reviews:

1 out of 5 stars Waste of money.......2006-01-12

Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.

Ken

5 out of 5 stars Great Music Compilation.......2005-08-15

This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.

1 out of 5 stars If you like classical music don't buy this CD........2005-03-11

Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.

5 out of 5 stars A must for anyone wanting the staples of classical music.......2005-02-23

In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.

5 out of 5 stars A great compilation.......2005-02-09

This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.
Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan
Average customer rating: 4 out of 5 stars
  • lovely music, but . . . . .
  • Anna Magdalena Notebook-- a treasure trove of Baroque music
  • Music for Bach's Katy
  • Charming and beautiful
  • Bach's wifes' collection of her favorite pieces
Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan
Lorraine Hunt , and Nicholas McGegan
Manufacturer: Harmonia Mundi Classical Express
ProductGroup: Music
Binding: Audio CD

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ASIN: B000056F7M
Release Date: 2001-03-13

Tracks:

  1. Allemande
  2. Courante
  3. Sarabande
  4. Minuet I & II
  5. Gigue
  6. Aria: 'Bist Du Bei Mir', BWV 508 Stl - Lorraine Hung Lieberson
  7. Aria: 'Willst Du Mein Herz Mir Schenken', BWV 518 - Lorraine Hung Lieberson
  8. Solo Per Il Cembalo
  9. Polonaise In G Minor
  10. March In D Major
  11. March In E Flat Major
  12. Rondeau In B Flat Major
  13. Chorale: 'Wer Nur Den Lieben Gott Lasst Walten', BWV 691
  14. 'Goldberg' Variations: Aria, BWV 988
  15. Recitative: 'Ich Habe Genug', BWV 82 - Lorraine Hung Lieberson
  16. Aria: 'Schlummert Ein', BWV 82 - Lorraine Hung Lieberson
  17. Aria: 'Gedenke Doch, Mein Geist', BWV 509 - Lorraine Hung Lieberson
  18. Allemande
  19. Courante
  20. Sarabande
  21. Prelude No. 1 In C Major, BWV 846
  22. Polonaise In G Major
  23. Polonaise In D Minor
  24. Polonaise In G Minor
  25. Polonaise In F Major
  26. Two Minuets
  27. Musette In A Major
  28. 'Menuet Fait Par M. Bohm'
  29. Minuet In G Major

Customer Reviews:

1 out of 5 stars lovely music, but . . . . ........2007-07-03

No one doubts that Bach's music is beautiful, and so many of the pieces in this album, favorites of his second wife, are lovely. Here are my objection. First of all, nowhere on the outside of this CD does this indicate that these are only *highlights* of the Anna Magdelena notebook. Furthermore, many of the tracks (from French Suites #1 & #2, from the Well-Tempered Clavier, from the Goldberg Variations) are pieces I already own in high quality recording by virtuosi. This CD does not limit itself, say, to pieces that Bach composed originally for this collection; in other words, there is nothing scholarly about the pieces that were chosen for these highlights. Rather, it is essentially selling a "Bach's Greatest Hits" kind of CD under a more respectable name. For those whose classical collections consist primarily of "Greatest Hits" collections of various composers, you might as well toss in this CD. For the discriminating collector, though, interested in collecting serious works by Bach, this CD is entirely unworthy.

5 out of 5 stars Anna Magdalena Notebook-- a treasure trove of Baroque music.......2006-03-20

This is music for contemplating number and time and not realize you are doing that. These pieces from Anna Magdalena Bach's notebook are a significant part of the history of western culture, and the music is brilliant, lucid, and passionate. Just as, I suppose, Bach's wife was. Played on harpsichord and clavichord, the work-- not all by Bach-- seems rigourously, mysteriously modern, and the anonymous "Musette in A Major" one could even say had in it the roots of ragtime piano. Last but not least, it's quite possible that Lorraine Hunt Lieberson can never be less than sublime.

5 out of 5 stars Music for Bach's Katy.......2005-03-31

Luther had his Katy who supported him and the Reformation magnificently and faithfully. Bach who was real student and follower of Luther's, had his second wife, Anna Magdalena who was so much for him and his family and music.

Here great notebook of the music she enjoyed immensely so we can as well.

Especially fond of harpsichord music, this has marvelous selection of that, but fond of Rondeau in B-flat major. Minuet in G major is one of my favorites. New to me are the Arias, especially "Bist du bei mir" and ""Ich habe genug". If you're not conversant in German, do go on the website the liner notes provides and get the translation in English for these are marvelous testimonies of their faith in words and song.

5 out of 5 stars Charming and beautiful.......2004-12-13

This CD is a collection of music from the notebook of Bach's wife, who was a singer. It includes dances, arias and other favorite songs. Most of the pieces range from peppy little dance tunes(like Musette in A Major) to delicate baroque airs (like Prelude no.1), all played on the harpsichord, clavichord or cello. The pieces that really stand out are the arias, sung beautifully by Lorraine Hunt Lieberson in German. Most are religious, but there is one that is a nice love song "Willst du mein Herz mir schenken." The website on the back of the liner notes has the lyrics for the arias and they are worth reading. Besides the fact that this is good music, it also provides interesting insight into Bach's life and family and the liner notes have some interesting information about Anna and her notebook. This is a charming collection of music that is a great and cheap addition to any classical music collection.

5 out of 5 stars Bach's wifes' collection of her favorite pieces.......2001-06-10

Yes Music of JS Bach chosen by his wife who was a singer. This collection is a lovely and beautifully performed collection of harpicord and intimate pieces that were Anna's most cherished favorites composed by her husband. What a lovely addition to any chamber music lovers collection. It affords not only wonderful selections but a rare window into the behind the scenes aspect of Bachs life and the commanding role music played in his and his family's life. The performances range from delicate to sublime and are beautifully recorded. It is an amazing bargin to have such an esoteric collection of Bachs' work so well done and so cheap. My god run and get the whole series; I have and when I want a perfect day I just pile them in my CD and press the forward button. The result is a day of glorious music on a scale to be both background as well as a breathtakingly elegant listening experience.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Sacred Songs
Average customer rating: 4 out of 5 stars
  • I hate to be rude, but . . .
  • Outstanding
  • Sacred Songs
  • My favorite of Fleming's CDs so far
  • Inspiring and beautiful
Sacred Songs

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B000AM6OXK
Release Date: 2005-09-27

Tracks:

  1. Ave Maria
  2. Jesu bleibet meine Freude
  3. Dank sei dir, Herr
  4. Ave Maria, D839
  5. Laudamus te
  6. Panis Angelicus
  7. Air: "He shall feed his Flock"
  8. Simple Song
  9. Pie Jesu
  10. Domine Deus
  11. Laudate Dominum omnes gentes
  12. Air: Rejoice greatly, o daughter of Zion
  13. Abends will ich schlafen gehn
  14. L'Adieu des bergers
  15. Mariiegenlied, Op.76/52
  16. Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

3 out of 5 stars I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

5 out of 5 stars Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

4 out of 5 stars Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

5 out of 5 stars My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

5 out of 5 stars Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.

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