| 1. Saint Valentine |
| 2. Lovers In The Rain |
| 3. Black Cotton Plantation |
| 4. Stop The Horse |
| 5. Sex Suprise Big Suprise |
| 6. Hollywood Ten O Clock At Night |
| 7. I Need Your Lovin |
| 8. Inside Of Me |
| 9. Hello Hello (7th Ave/ 54th) |
Editorial Reviews
1984 album for Spanish funk-rock act. Includes special guest appearances by Herbie Mann, Ray Gomez & Michael Brecker. Highlights include, 'Sex Surprise Big Surprise', 'Lovers In The Rain', 'Stop The Horse', 'Inside Of Me' & 'Hollywood Ten O'Clock At Night'.
Forbidden,Barrabas,Disconforme Spain,Pop,R&B/Soul,Rock,Rock/Pop
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The Village
Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IQJSC Release Date: 2004-07-27 |
Tracks:
- Noah Visits
- What Are You Asking Me?
- The Bad Color
- Those We Don't Speak Of
- Will You Help Me?
- I Cannot See His Color
- Rituals
- The Gravel Road
- Race To Resting Rock
- The Forbidden Line
- The Vote
- It Is Not Real
- The Shed Not To Be Used
Amazon.com
In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulleyCustomer Reviews:
tapestry of color.......2007-07-28
Excellent Score -- Very Unique.......2007-02-22
It was with this score that he really caught my attention. The central theme of the film is a love story, and the characters just happen to be caught up in a nightmarish scenario. The score reflects this perfectly; some of the pieces are classically romantic, quiet pieces, while others are thunderous and frightening to reflect the danger and terror portrayed in the film.
James Newton Howard's later works, like "King Kong" (2005) and his co-score with Hans Zimmer on "Batman Begins" (2005) continued to show that he is rightly considered one of Hollywood's A-list composers for big films.
One of the few good things about this wretched film.......2006-11-05
The score elevates the film.......2006-08-09
While there are a couple pieces in the score that are a little more high-octane in terms of suspense, most of the music is very low-key. Still suspenseful, even spooky at times, but in a very understated and thoughtful way. In some ways similar to Howard's score for 'Signs', which also used repeated rhythms and themes throughout in different ways, the music for 'The Village' differs from the standard "scary movie" score by having pieces which establish a real emotional depth and presence. 'The Village' is a film about love and loss, and much of the music expresses those themes perfectly.
A big part of how the music gets to the depths of emotion is the solo violin performances of Hilary Hahn, present to some extent in almost every piece. From the opening strains of "Noah Visits," the first piece on the CD, her violin speaks the language of the heart and draws the listener into a beautiful world of haunting music, inescapable and compelling. I am amazed by her versatility here. From the fast rhythmic notes of "The Gravel Road" to the high strains of "I Cannot See His Color" to the final, bittersweet tones of "The Vote," Hahn's violin creates a steady thread through the whole score, unifying it and making it unique at the same time. I've listened to several of Hahn's classical performances as well, but I have to say that of what I've heard, her performance for 'The Village' may be her most unique and most compelling yet.
The combination of James Newton Howard's compositions and Hilary Hahn's lush performance have created some beautiful music for 'The Village'. Whether you love the movie or hate it, or even if you're just looking for some rich orchestral music with a beautiful violin performance, this score is well worth owning and listening to many times over.
Good Soundtrack!.......2006-08-03
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Transylvania
Nox Arcana Manufacturer: Monolith Graphics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BO1JLY Release Date: 2005-10-21 |
Tracks:
- Transylvania Overture
- The Voyage
- Gossamer Mist
- The Black Coach
- Sentinels of Stone
- Into the Shadows
- Castle Dracula
- Visitors in the Night
- Brides to Darkness
- Grande Masquerade
- Memento Mori
- The Howling
- Nocturne
- Bats in the Belfry
- Gothic Sanctum
- Gypsy Caravan
- From Dusk Till Dawn
- Night of the Wolf
- Echoes from the Crypt
- Shadow Hunters
- Lair of the Vampire
Album Description
Embark on a musical journey into the mysterious and forbidden land of vampires, werewolves and witches. This powerful, eerie and darkly romantic soundscape offers 21 tracks of symphonic orchestrations, gothic choirs and haunting sound effects, inspired by Bram Stoker's classic novel, Dracula.Customer Reviews:
NOX ARCANA THE ULTIMATE MOODLIFTER.......2007-06-27
Vampire country.......2007-05-10
But when listening to Nox Arcana's "Transylvania," all I could think of was Bram Stoker's quintessential vampire, and the hauntingly creepy atmosphere of the book. The band forms plenty of rich neoclassical tunes, around a hazy storyline about (what else?) vampires.
It opens with a creepy organ, some smooth violins sweeping up from behind. A deep voice intones, "Darkness descends upon the land, wrap the world in night's black embrace... the restless dead stir within their ancient tombs, and creatures born of shadow rise to quench their savage hunger..." Imagine Bela Lugosi rising from a coffin.
It's followed up by some warmup songs -- the darkly enticing "Voyage," which expands out into an epic, eerie sweep, and the ghostly piano of "Gossamer Mist." The songs that follow are just as richly imagined -- ghostly fast-paced strings, magnificently dark organ and grim gypsy music, laced with church bells, shimmering vocals and ghostly little breezes.
Listening to "Transylvania" is like walking slowly through a cobwebbed, shadowy castle, and listening to Dracula playing a pipe organ in a dusty ballroom, with his brides singing accompaniment. It's not too hard to imagine that you're Jonathan Harker, after hearing songs like "Echoes From the Crypt."
Their music is an lush dusty tapesty of gothic instrumentation. Rich, hollow organ, shimmering harp, strings both windy and rapid, fast-moving percussion, a delicate piano, and some dark shimmers of keyboard all blend together into haunting slow-turning melodies. And as if that weren't good enough, they sprinkle the music with the flutter of bat wings, church bells, ghostly murmurs, and delicate music-box tinkles.
Fortunately Nox Arcana doesn't wreck all this eerie atmosphere with typical singing. Instead we get the occasional deep-voiced intonations, sort of like the introduction. And there are some delicate female vocals -- they murmur softly one minute, only to rise into echoing, wordless solos the next. It's absolutely stunning.
Nox Arcana's "Transylvania" does a brilliant job of capturing the ideal vampire-gothic atmosphere -- creepy and beautifully refined, with no kitschiness. The ideal soundtrack to Bram Stoker's classic (not to mention Halloween).
This soundtrack drains your blood dry, it's that awsome!.......2007-01-28
Wonderful Halloween Fare.......2006-11-01
I'm glad I found Nox Arcana (quite by accident, I did a search for Halloween on Amazon and this was one of the hits) they are a treasure.
Yet another great album!.......2006-08-11
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The Apple Tree (1966 Original Broadway Cast)
Sheldon Harnick Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027WD Release Date: 1992-11-24 |
Tracks:
- Eden Prelude
- Here In Eden
- Feelings
- Eve
- Friends
- The Apple Tree (Forbidden Fruit)
- Beautiful, Beautiful World
- It's A Fish
- Go To Sleep, Whatever You Are
- What Makes Me Love Him?/Eden Postlude
- The Lady Or The Tiger? Prelude/I'll Tell You a Truth/Make Way
- Forbidden Love (In Gaul)
- The Apple Tree (Reprise)
- I've Got What You Want
- Tiger, Tiger
- Make Way (Reprise)/Which Door/I'll Tell You a Truth (Reprise)
- Passionella Prelude
- Oh, To Be A Movie Star
- Gorgeous
- (Who, Who, Who, Who) Who Is She?
- I Know
- Wealth
- You Are Not Real
- Passionella Postlude/Finale
Customer Reviews:
Very good show which I hadn't heard of..........2007-05-13
THE APPLE TREE (1966 ORIGINAL BROADWAY CAST).......2007-04-10
I still remember these songs after 40 years.......2006-11-05
Really 2.5.......2006-07-25
Boring material that you forget very easily.......2006-06-29
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Music for a Darkened Theatre, Vol. 1: Film & Television Music
Manufacturer: Fontana Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OEB Release Date: 1990-10-15 |
Tracks:
- Excerpts From: Pee Wee's Big Adventure
- Excerpts From: Batman
- Excerpts From: Dick Tracy
- Excerpts From: Beetlejuice
- Excerpts From: Nightbreed
- Excerpts From: Darkman
- Excerpts From: Back To School
- Excerpts From: Midnight Run
- Excerpts From: Wisdom
- Excerpts From: Hot To Trot
- Excerpts From: Big Top Pee Wee
- Excerpts From: The Simpsons
- Excerpts From: Alfred Hitchcock Presents: The Jar
- Excerpts From: Tales From The Crypt
- Excerpts From: Face Like A Frog
- Excerpts From: Forbidden Zone
- Excerpts From: Scrooged
Customer Reviews:
Great compilation - and that's just the first half........2005-09-14
Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.
The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)
The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.
"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.
"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.
"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.
When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.
To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it
The best of Elfman!!!.......2005-09-05
I'd recommend this to anyone who likes film music, or everyone who is even the tiniest bit an Elfman fan. It's amazing!
Great Collection, A LIttle Too Eclectic.......2003-08-19
What Great Music.......2003-05-11
super.......2003-04-17
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Antics in the Forbidden Zone
Adam & The Ants , and Adam Ant Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027E4 Release Date: 1990-10-05 |
Tracks:
- Zerox
- Whip In My Valise
- Car Trouble
- Kick
- Kings Of The Wild Frontier
- 'Antmusic'
- Dog Eat Dog
- Los Rancheros
- Killer In The Home
- Stand And Deliver
- Beat My Guest
- Prince Charming
- Ant Rap
- Desperate But Not Serious
- Place In The Country
- Friend Or Foe
- Goody Two Shoes
- Strip
- Puss 'N Boots
- Apollo 9
- Vive Le Rock
Customer Reviews:
good chronical of the ants.......2006-03-02
"I spend my cash on looking flash and grabbing your attention.".......2005-11-01
1.Kings of the Wild Frontier
2.Dog Eat Dog
3.Antmusic
4.Stand and Deliver
5.Prince Charming
6.Ant Rap
7.Goody Two Shoes
8.Friend or Foe
9.Desperate But Not Serious
10.Puss N' Boots
11.Strip
12.Apollo 9
13.Vive Le Rock
While Kings of the Wild Frontier is performed in the studio, the other 12 songs are music videos. Several of the videos are based around popular fairy tales, and these themes are perfect for Adam Ant's flair for theatrics. Who can forget Adam Ant as a highwayman or as a medieval knight? Prince Charming is perhaps the most elaborate music video and includes Diana Dors as the Fairy Godmother--with flashes of Adam Ant dressed as Clint Eastwood, Alice Cooper, Rudolf Valentino, and Marlon Brando.
The music videos allow Adam Ant to show his acting ability, and he really hams it up at times--once even standing next a huge bodybuilder. Fans will remember these videos from MTV, and it's great to see them again compiled together in this 50 minute VHS tape. While the images are not crisp and clear, the quality is not bad (the first sequence, Kings of the Wild Frontier, is the poorest quality). There are also a lot of good close-ups. So here's Adam Ant once more--with all his wild energy, and zest for life. Will there be a DVD release? Let's hope so, but in the meantime, this VHS tape is staying in my collection--displacedhuman
Truly the Best of Adam Ant!.......2005-09-14
Don't you ever stop being dandy, showing me you're handsome!!!.......2005-07-20
Good early compilation of Antmusic.......2005-03-22
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Forbidden Love
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GPIPUG Release Date: 2006-08-22 |
Tracks:
- Merce, Diletti Amici...O Tu Che L'Alma Adora
- Intanto Amici...Viva Il Vino Spumeggiante (Brindisi)
- Mamma, Quel Vino E Generoso
- E La Solita Storia Del Pastore (Il Lamento Di Federico)
- Colpito Qui M'Avete...Un Di All'Azzuro Spazio
- Come Un Bel Di Di Maggio
- Oh! Fede Negar Potessi...Quando Le Sere Al Placido
- Fontainbleau, Foresta Immense...Lo La Vidi
- Amor Ti Vieta
- Cielo E Mar!
- Giunto Sul Passo Estremo
- Recitar!...Vesti La Giubba
- Dio! Mi Potevi Scagliar
- La Danza
Amazon.com
This is tenor Salvatore Licitra's second solo CD and it is better than the first. The voice remains exciting, a true tenor with a sold top and an even range. His tendency to sing at one volume level (relatively loud) remains, but he does make some effort to shade his tone here. The aria from Mefistofele is sung gently, at times sweetly and with the right air of pensiveness; Chenier's last act aria is mournful and sensitive. Elsewhere, his "Dio mi potevi" from Otello is simply stunning--big and rueful, lacking only those special insights to bring the character vividly to life. But his tone is grand and pure. His "Vesti la giubba" is restrained but emotional. Licitra remains a good singer who has yet to leave a truly individual stamp on any work (as does, say, Rolando Villazon), but he's the real ticket: a true Italian tenor with a handsome voice. --Robert LevineCustomer Reviews:
Sad.......2007-04-18
A good new tenor.......2007-01-10
Forbidden Love.......2007-01-03
Forbidden Secret Is Discovered.......2006-12-10
Worthy of praise.......2006-11-22
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Forbidden Love
Death Cab for Cutie Manufacturer: Barsuk ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000050824 Release Date: 2000-10-24 |
Tracks:
- Photobooth
- Technicolor Girls
- Song For Kelly Huckaby
- 405 (Acoustic)
- Company Calls Epilogue (Alternate)
Album Description
EP features 3 brand new songs plus two alternative versions from 'We Have The Facts And We're Voting Yes'. Barsuk Records.Customer Reviews:
Great beginning, typical ep trappings end.......2006-10-03
Great first half, captures Deathcab doing what they do best, much less effortlessly then in recent times. Last few songs die down a bit since the last is just an alternate, which makes this essential for fans, but not everyone, although quite good ep.
Visual, Visceral, Cinematic Songs.......2006-07-27
The lyrics of "Photobooth" tumble out over a tinny drum loop like a series of those tiny square photos from a tiny curtained room. Each line conjures a picture of skinny-dipping or living out on the lawn as a friendship veers into summer love and then just as quickly veers out, leaving just that strip of pictures to document the moment of shared longing.
"405" could be about the same relationship, but rather than focusing on an artifact it peers across the distance between the two actors, now represented by the distance of a lengthy highway. This acoustic take offers a vastly different mood than the electric album version - the bouncy guitar picking and Ben's delicate delivery is immediately reminiscent of Elliott Smith.
It's hard to describe what about each of these five Death Cab For Cutie songs makes them so visually evocative. The songs are exactly like movies - not about a theme or a riff or even a single line of dialogue, but about the the story they allow you to voyeuristically live in for a brief four minutes. It's something about a focus on details like floorboards and wedding cakes, lips and fiber optics, while guitars and keyboards are woven together to form an impenetrable bed of rolling electric noise for reminisced lyrics to glide over.
Beautiful Indie Pop Rock.......2006-02-03
Good for fans, and maybe others .......2005-10-11
The disc opens up with the catchy technical drumbeat intro of "photobooth". A song littered with mellow keyboards, calming guitar picking and lyrically soothing goodness. I quickly decided that simply because of that one song, this band was a winner. I realize that photobooth is in most people's oppinion the best on here, but it's enough to make this CD worthwhile. As for the other tracks... Well, i'm getting to them.
After photobooth comes the even slower and less upbeat "technicolor girls". For some reason this song didn't do it for me. I suspect that's because I'm used to much more upbeat stuff. (I.E. punk, hardcore) I'd like to think that fans of indie rock would like this very much.
Next in line if the drawny "Song for Kelly Huckaby". This track in my oppinion has some very fine guitarwork and nice vocal effects. It's sort of sad like the last two songs but still gets me smiling.
"405" is an acoustic relapse of another Death cab song I havent even heard. I enjoyed it greatly and was glad to hear a happier and upbeat song on here. Lastly, Company calls finishes up this EP. The drumbeat on here is really cool and lyrics really standout from the rest. All in all a great finisher.
I found that this EP was a bit more mellow and poppy than their other stuff I've heard, which sounds more indie-rockish. I'm glad I bought this, I even went on to purchase "we have the facts" a couple weeks after. Although this isn't a genre a music I particularly spend a lot of time in, I think anyone can enjoy these songs, no matter what their tastes. there wasn't a single song here that I didn't enjoy in some way. I would also recommend this highly to anyone wanting to get into this band, but don't know where to start.
7/10 score for catchy vibes, good lyrics, and some innovation here and there. Very flattering EP...
favorite DCFC CD!.......2004-06-13
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Necronomicon
Nox Arcana Manufacturer: Monolith Graphics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006OHMS8 Release Date: 2004-10-31 |
Tracks:
- Mythos
- The Nameless City
- Alhazreds Vision
- Necronomicon
- Ancient Shadows
- Azathoth
- The Black Throne
- Nyarlathotep
- Temple Of The Black Pharaoh
- Eldritch Rites
- The Haunter Of The Dark
- The Awakening
- Yog-Sothoth
- Guardian Of The Gate
- Lords Of Darkness
- Dagon
- The Stars Align
- Cthulhu
- Ritual Of Summoning
- Cthulhu Rising
- The Great Old Ones
Album Description
Delve into the Necronomicon, a dark symphony based upon H.P. Lovecraft's forbidden tome of unspeakable horrors. This epic concept album is a spellbinding tribute to the Cthulhu Mythos, featuring a mixture of exotic, dark fantasy themes with 21 tracks of ominous orchestrations, Gothic choirs, Egyptian and Middle-Eastern melodies, eerie voices and otherworldly chants. This musical grimoir is a powerful and sinister soundtrack to evoke your darkest nightmare.Customer Reviews:
Pure Atmospheric Awsomeness........2007-01-11
A musical tribute to H.P. Lovecraft.......2006-11-06
I highly recommend this for anyone who has a healthy respect for myth, and can appreciate the dark musical talents of these gifted people. I certainly do.
The Mythos comes alive!.......2006-10-31
A Masterful Musical Depiction Of A Terrifying Tome.......2006-09-27
1. Mythos - Here we stand, at the beginning of a new journey, into both terror and wonder. It is begun with the sound of a howling wind. That frigid gale seems to have a keening quality to it, a moaning sound if you like, and a touch of faint "rumbling". It is soon joined by mournful yet melodious male chorus. Over this floats another voice, that of co-composer Joseph Vargo. He assumes the role of 'storyteller' for us once more, relating for us the following preamble:
"Long before mankind existed, the Old Ones trod upon the Earth. They worshipped the elder gods and served them as slaves, but in time, the Old Ones gained the knowledge of dark magic, and dared to use their sinister powers against their masters. The wrath of the elder gods was merciless and terrible, and those who rebelled against them were banished to distant dimensions, and imprisoned within the darkest recesses of the Earth. In deathless sleep the Old Ones dream and lie in wait for the time when they shall rise again. For when the stars come right, they shall awaken from their eon-old slumber. Then shall they return to hold dominion over our world once more, bringing woe and destruction unto mankind."
2. The Nameless City - This piece to me is beautiful. It depicts for me a wondrous journey to an unknown place, both dark and splendid. The piece is begun with a melding of what sounds like flutes combined with keyboard work whose tone is strongly choral in nature. It conveys a feeling of dread and awe together. Soon, percussion and strings join in with beautiful choir to complete the piece. The pacing is not quite a march-like one, but slightly quicker... depicting travel. In my mind I visualize traversing a desert amidst a raging sandstorm, and then crossing a turbulent waterway to behold an ancient city alive with dark and brooding majesty.
3. Alhazred's Vision - This piece has a very adventurous feeling to it. It seems to be a companion piece to track two but that's a good thing. Brooding strings and purcussion are joined by the tambourine to give it a more exotic flavor. Majestic choir returns to the piece in a way that gives it a very nice completion and fleshing out.
4. Necronomicon- Here, it seems, we are given a thematic piece. Haunting keyboards and sinister choral work pay us a visit to reprise and expand on the tune from the first track, making it the "star" of this piece rather than an undercurrent to narration. This is a good thing. It depicts in music the Necronomicon itself and is a more than fitting theme for a tome whose ancient pages are replete with dark wonders and ghastly secrets.
5. Ancient Shadows - Percussion, keyboards and strings do another dance for us. Choral accents here are very strong and powerful. As I close my eyes here, I can conceive in my mind an image of a barren land with a flame-red sky, slowly being swallowed by gathering stormclouds. It's a very strong piece and a great mood-setter for the terror to come.
6. Azathoth - This piece is a description of one of what Lovecraft's mythos refers to as the Great Old Ones. We are treated to a macabre choral melody over which Joseph Vargo's own voice gently drifts telling us of this creature : "From his black throne at the center of ultimate chaos, Azathoth, lord of madness and the abyss, rules supreme over all time and space... for he is the master of all that dwells in the darkness."
7. The Black Throne - Darker and darker it seems do we get. Ominous chorals and percussion mate with keyboards and tolling bells. To me, this piece blends terror and majesty in a manner that I might only call completely flawless.
8. Nyarlahotep- Here is another descriptive piece. Once again beautiful keyboard work with choral accents joins Joseph Vargo's hypnotic narration as we hear him say: "To Nyarlahotep must all things be told, for he is the traveller between the spheres, and the messenger between the realms of the living and the dead. He shall summon forth the ancient ones, and wake them from their deathless slumber. Then shall the Elder Signs be shattered, and the lords of darkness be released."
9. Temple Of The Black Pharoah - If I had to use one word to describe this piece, that word would be exotic. It is a beautiful piece, comprised of soft keyboard wizardry and chorals, mated with Egyptian style percussion and mysterious chanting. Part of it for a while sounds like pan pipes were used, at the beginning perhaps. Again I visualize crossing a river in a rustic canoe and coming to an ancient temple, a site to inspire both terror and awe being rooted deep within the heart of any who see it.
10. Eldritch Rites - Here, we are given a dose of the ominous and the sinister. This is a "simple" piece but I say that in a good way. It is a genuinely frightening vignette, given to us in a simple manner...proving that sometimes less is indeed more. A chilling sound, a resonant gong... is joined by brooding male chorals. They are overlaid by the voice of Joseph Vargo performing what appears to be an incantion of sorts... one that seems to summon the Great Old Ones by name, to bring them back from their deathless sleep.
11. The Haunter Of The Dark - This piece to me is scary but beautiful. A tolling bell is coupled with ominous choral melody and darkly majestic keyboard work and strings. Pipe organ compliments and fits into the piece wonderfully. The impression is one of being watched and stalked by a relentless and unstoppable force. The thunderclap at the end is an awesome touch and welcome indeed. Beautiful work.
12. The Awakening - "That is not dead which can eternal lie... and with strange eons even death may die." With this famous line from Lovecraft does the hypnotic narrating voice of Joseph Vargo introduce us to this piece. Heartbeat-like percussion soon drifts in, coupled with the steady, swirling sound of strings. Compelling choir soon makes its prescence known to us. I would name this one "invigorating". It's pace is march-like, and it carries a quite epic feel.
13. Yog Sothoth- Another homage to one of the Great Old Ones. Stately percussion and a soft but deep and resonant gong are the backdrop. Joseph Vargo's narrative voice joins us once more, as if telling a chilling tale of imminent catastrophe that merely awaits the right moment to fall upon us. "From across the black seas of infinity and beyond the mists of time, Yog Sothoth watches and waits. For he is the guadian of the gateway between worlds, and he alone holds the key to unlock the gate. For when the ancient rites have been spoken, and the lords of darkness have been awakened and summoned forth, then shall the gateway between the stars open once more. Past, present, future... All are one in Yog Sothoth."
14. Guardian Of The Gate - Here, keyboards and strings begin a new waltz for us. The strings swirl about us, as if driving us closer to the heart of a violent tempest. Darkly regal choir joins in. The tempo of these choral parts in particular, provide "spikes" of tension, as if the bolts on a great portal are being ever so slowly but surely and inevitably drawn back... it is only a matter of time before our worst nightmares come to pass.
15. Lords Of Darkness- This one is comprised of steadily paced strings, percussion and tolling bells. Choral majesty gifts us with its prescence also. This brings to mind a macabre twist on a kingly procession. It further lets us know that, all too soon... our nightmares will be real.
16. Dagon - Yet another description is given to us here... a piece of heraldry. Subtle keyboard wizardry combines with a choral moan of sorts. Joseph Vargo's voice chimes in once more: "Behold mighty Dagon... the great leviathan, risen from the black depths of the eternal sea. For he is the avatar of Cthulhu, who lies dreaming in deathless slumber... in his ancient temple in Ryleh."
17. The Stars Allign - Once again do ominous percussion and strings return to us here. Keyboards come in as well, feeling almost like horns heralding a great catastrophe. Snare drums make an effective appearance as well. This is yet another sign that our time is running out, even faster than it appeared to be doing so beforehand.
18. Cthulhu- Yet another gripping piece of descriptive homage. Choral work reminiscent of monastic chanting is joined by Joseph Vargo narrating for us very effectively. "Hail mighty Cthulhu, High Priest of the Great Old Ones. For when the stars come right, he shall rise from his ancient tomb to signal their return. Then shall the ancient ones long ago banished to the outer spheres break free from their prisons and plunge from the stars to claim the Earth once more. For those who lurk at the threshold of our world are ever vigilant for the time of their return."
19. Rite Of Summoning- This piece is just what the title suggests. Again, it is simple, yet it is also quite chillingly effective. Joseph Vargo returns yet again. This time he assumes the role of one who summons the great Cthulhu from his deathless slumber. His vocal performance is augmented really quite nicely by keyboard work that essentially gives us a dread inducing series of choral moans or a "howling wind" effect.
20. Cthulhu Rising - Keyboards, percussion and strings combine here with choral work to comprise a sinister yet stately and regal march. At long last does Chtulu awaken. The twilight of man is come. Alas and woe, the last hour is struck. All that remains is the fading of the last vesper toll into the midnight sky... and our time will cease upon this world.
21. The Great Old Ones- This piece, the CD's closer, could be called a companion piece to track 20. Again, it is martial in nature, expertly blending percussion, chorals, keyboards and strings. To me, it is a culmination... an expert depiction as Earth is swarmed and overtaken by a relentless tide of "invaders"... members of an ancient species of dark and malevolent beings. The first section of the piece is ended by what sounds like screeching bats or some other similar type of creature. There is then a fairly long period of silence until Joseph Vargo narrates for us once again: "From the wells of night to the gulfs of space let it be known: The Old Ones were, the Old Ones are, and the Old Ones shall be. Azathoth, Shug Ngurrub, Zath Ogwah, Nyarlahotep, Yog Sothoth, Dagon, Cthulhu... Man rules now where they ruled once. They wait patient and potent... for here shall they reign again..." There is another short narration at the very end of this track Honestly, if I could change anything about this piece, it would be the length of time that stands betwen then end of the musical section of the track and the first of the two narrations. It does not take away from the quality of the piece, but it is noticable and I wish it had been shortened a bit.
In closing, this is yet another brilliant piece of work by Nox Arcana. A truly terrifying tale of the imminent twillight and fall of the human race. Any fan of the writings of H.P. Lovecraft should love this, but you do not need to be a fan of Lovecraft's writing in order to enjoy it immensely. I love this work as much as all others by Nox Arcana. They are true masters of the art of musical storytelling... weavers of majestically epic horror tales, and truly gifted minstrels for the modern age.
Simply Brilliant.......2006-08-09
Average customer rating:
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Forbidden Zone: Original Motion Picture Soundtrack
Danny Elfman Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000014RL Release Date: 1993-08-31 |
Tracks:
- Forbidden Zone
- 'Hercules' Family Theme
- Some of These Days
- Journey Through the Intestines
- Squeezit's Vision of his 'Sister'
- Queen's Revenge
- Factory
- Love Theme/Squeezit and the Chickens
- Flash and Gramps
- Squeezit the Moocher (Minnie the Moocher)
- Alphabet Song
- Cell 63
- Witch's Egg
- Yiddishe Charleston
- Bim Bam Boom
- Chamber Music
- Pleure
- Battle of the Queens
- Love Theme - King and Queen
- Finale
Customer Reviews:
Sountrack to Adventures in the FORBIDDEN ZONE!...Keyword ADVENTURES!.......2007-01-29
If you're the type guy, or gal, that likes 'QUIRK;' this is the ablum for YOU!
There are a few songs on here, the Alphabet Song (from 3 Stooges) and Squeezit the Moocher (performed by Danny Elfman as SATAN!) that are straight out of Dr. Demento-type archives. Other songs are original for the soundtrack, the result is a WIERD, ECLECTIC, EXPERIMENTAL, Mish-Mash of styles and qualities that leaves the listener confused, satisfied, stunned, shocked and mildly-aroused.
Like a train wreck, your ears can't look-away! You have to listen to how bad it is, and how (like BOINGO)strangely refreshing it is. (I mean, I heard a SLOT MACHINE, that had a vamp that sounded like something from EMPIRE STRIKES BACK...for KRINE out loud!) When you have the opportunity to get eclectic, fresh, artsy-fottsy, vintage anomolious, vapidly performed entertainment, you either DIVE IN AND LOVE IT LIKE ME...or go, get a beer, and turn on CMT or something equally repetetive (a.k.a. BORING.)
The movie is wierd to watch too, Susan Tyrell's cleavage is worth the price of a ticket, oh, there it is on the album cover, it's worth the price of the album/CD/Poster/DVD too!he-he... (saw a print screened at NARO EXPANDED CINEMA, Norfolk VA/USA. ARF: Art Repertoire Films)
CD missing 2 crucial cuts.......2006-07-21
love it,love it,love it!.......2006-05-23
No need to be stoned for this...........2006-04-24
Where in the world is Pico and Sepulveda, Pico and Sepulveda..........2005-11-22
Average customer rating:
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Forbidden Island/Primitiva
Martin Denny Manufacturer: Scamp ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000IAQ Release Date: 1996-10-15 |
Tracks:
- Cobra
- Port Au Prince
- Exotica
- Little China Doll
- Bali Hai
- Narcissus Queen
- Goony Birds
- Sim Sim
- Primitiva
- March Of The Siamese Children
- Sukara
- Forbidden Island
- Burma Train
- Kalua
- M'Gambo Mambo
- Buddhist Bells
- M'Bira
- Flamingo
- Llama Serenade
- Akaka Falls
- Bangkok Cockfight
- Mau Mau
- Dites Moi
- Jamaica Farewell
Customer Reviews:
Forbidden Island & Primitiva.......2005-08-02
ANOTHER EXOTICA GREAT.......2005-07-16
DENNY'S MOST EXOTIC ALBUMS.MIND BLOWING INSTRUMENTATION........2000-12-30
Christian Music:
- Freddie's Dead & Other Hits
- Free [Import]
- He's My Rock: Their Early Sides [Box set]
- If I Could Turn Back the Hands of Time [CD-single] [Enhanced]
- In Session Information
- Isaac Hayes at Wattstax [Live]
- Ladies Choice [Box set] [Import]
- Lately [CD-single] [Enhanced] [Import]
- Let's Get It On
- Live [Live]
Christian Music
Tchaikovsky: Symphonies Nos. 5 & 6; Manfred Symphony
To Be Able to Love [CD-single] [Import]
The Private Music Sampler, Vol. 4
Tirame La Pelota Maria [Import]