| 1. Chains |
| 2. Foolish Little Girl |
| 3. I Want a Boy for My Birthday |
| 4. I'm into Something Good |
| 5. Girls Grow Up Faster Than Boys |
| 6. Softly in the Night |
| 7. Don't Say Nothin' Bad About My Baby |
| 8. Will Power |
| 9. On Broadway |
| 10. Old Crowd |
Chains,The Cookies,Collectables,Brill Building Pop,Girl Group,Pop,R&B,Soul/R & B,United States of America
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Dirt
Alice in Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000028M7 Release Date: 1992-09-29 |
Tracks:
- Them Bones
- Dam That River
- Rain When I Die
- Down In A Hole
- Sickman
- Rooster
- Junkhead
- Dirt
- God Smack
- Intro (Dream Sequence)
- Hate To Feel
- Angry Chair
- Would?
Amazon.com essential recording
Alice in Chains were initially tagged with the "grunge" moniker, when in fact their haunting, ponderous sound was far closer to the progressive rock of Queensryche. Their second album, Dirt, is a moody, portentous affair, filled with occasionally inspired riffing from guitarist Jerry Cantrell and hair-tossed wailing from singer Layne Staley. Perhaps the band got lumped in with Generation X because their lyrics focused upon depression, death, and drugs. Certainly, titles such as "Down in a Hole," "Junkhead," and "Hate to Feel" didn't leave much room for doubt as to Cantrell's perspective. The quartet did have a slightly lighter, almost poppy side to them, though, as "God Smack" and "Hate to Feel" indicate. Ultimately, Dirt is classic angst rock. --Everett TrueAlbum Description
Millenium digipak edition, with original sleeve and 6 page booklet. 12 tracks including 'Rooster', 'Would' & 'Them Bones'.Album Details
Digitally remastered millennium digipack edition. Includes a special 6 page booklet.Customer Reviews:
HOW IS THIS GRUNGE?.......2007-07-31
avoid nirvana, stp, and pearl jam to get the real deal: 70s metal like
SOUNDGARDEN AND AIC. by the way, this review comes from a straight metal/rock/prog head and grunge hater.
not that best album in the world, but decent.......2007-07-11
Black Sabbath was much heavier, not to mention mainly focused on writing guitar riffs and adding tempo changes at unusual moments (at least, the original version of the band). The music on Dirt is almost identical to grunge rock, if you ask me. Some people will claim the music on this album is progressive rock, while others will just call it heavy metal. To me, it sounds exactly like the music Pearl Jam, Soundgarden and others were doing at the time- music that's not quite as heavy or memorable as people seem to think.
Dirt feels like a one-dimensional album, though sometimes it works to their advantage. "Them Bones" is a pretty good way to introduce someone who's never heard Alice In Chains before, with a smack of an updated rock sound to kick things off. It's energetic, and a pretty good tune. I think the best melodic moment on the album comes on "Down In a Hole". It has an upbeat vocal melody (despite what the lyrics might reveal) but it's not *that* great. The song kind of gets boring after a couple minutes. The verse melody is pretty good, but the chorus seems average to me which overall hurts the song a little. The overlapping vocal section near the end hurts it too. Actually, repeated listens reveal a rather sappy-sounding track, overall. The frightening lyrics may have been dangerous and unlike anything else back in the day, but now I can imagine grandmothers humming the melody.
"Junkhead" is pretty close to a Black Sabbath track with its dreary tone and atmosphere. Good track. "Rooster" is only worthwhile for the way the singer occasionally blurts out "Yeah, here comes the rooster". I can't get into the rest of the song, even after all these years. As for "Angry Chair", I'm not a fan of the intentionally careless style on the part of the lead singer. Sounds like he's deliberately dragging his vocal style across the verse melody for the sole purpose of being intentionally annoying. I'm not a fan of that. Actually the entire song seems to go back and forth between clumsy and obnoxious vocal melodies. I can't have it both ways, but the "I don't mind" chorus is more listenable. "Would" is more or less the same thing, though shorter.
Overall, I don't consider Dirt a classic album, and don't understand people who do. I guess because there was nothing like it back in the early 90's. I can respect that. I just don't care for the music too much.
Dirt - a classic album, R.I.P. Layne Staley.......2007-07-04
One of the Greatest Albums of All Time.......2007-06-30
Damn, Absolutely owned by them........2007-05-08
But there was one band I didn't listen to when I was young. Alice in Chains. It was just 1 year ago when I learned about them and decided to get myself acquainted with the band. I bought the album Dirt after hearing some of their songs on the radio. After just one viewing, I was hooked. Not only is this album quite possibly one of the most under-rated/under-appreciated album of all time, but it could be one of the greatest albums of all time. Almost every single song has a soul to it thanks to the songwriting of Jerry Cantrell as well as vocals by Layne Staley. Songs like Them Bones and Angry Chair gives the music a darker feel while others like Down in a Hole, Rooster, and Rain When I Die pack in a ton of emotion. God Smack is another decent track (and very likely the track where the band Godsmack got their name from)
And Dirt isn't just AIC's best music. There are still the Jar of Flies EP, Facelift, and their Unplugged album (when MTV was still showing music). All are highly recommended. Pretty much anyone should give Alice in Chains a listen...I don't care if you are part of the emo scene or the indie scene or still trapped in the 80s with your hair metal, give Alice in Chains a try. This is the best album really to start with.
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Jar of Flies
Alice in Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029F8 Release Date: 1994-01-25 |
Tracks:
- Rotten Apple
- Nutshell
- I Stay Away
- No Excuses
- Whale and Wasp
- Don't Follow
- Swing On This
Amazon.com
While not their most definitive album (that honor belongs to 1992's Dirt), Jar of Flies represents an important step in Alice in Chains' recording career. Witness "I Stay Away," which is made up of equal portions of hummable guitar riffs and the spookier, scarier, more grinding elements that most fans associate with Alice in Chains. This song most clearly delineates the dichotomy that was a highlight of the band's sound--Jerry Cantrell's listenable tunes and often gorgeous arrangements (just listen to what he does with "Whale & Wasp"!) and Layne Staley's growling vocals, which are just the teeniest bit flat. The collection as a whole, brief as it is, has an elegance that's unusual for metal. --Genevieve WilliamsCustomer Reviews:
One of my Top Ten CDs.........2007-06-26
BTW, saw the "new" AIC @ the Elect Factory in Philly and while some may say its sacrilege I really enjoyed the show. Hey, they deserve to make a living & they seem to be trying to stay true to the originals... They also incorp a tribute to Layne.
Alright..........2007-05-17
The Best.......2007-05-15
Jar of Flies.......2007-05-14
Reviewgium Classic: 10/10.......2007-05-04
Yes, I still remember back in the day seeing for the first time the video for "I Stay Away" (you know, back when MTV was kinda-sorta good...compared to now anyway), and being completely entranced by what I was seeing and hearing. I barely knew the band back then, but somehow I felt that I had known them forever. It was everything I wanted and needed to see and hear. And so I discovered Jar of Flies. From the haunting opening bass line and ghostly vocal harmonies of "Rotten Apple," and the heart-wrenching melodies of "Nutshell" and "Don't Follow," to the catchy rhythm of "No Excuses," and the mystifying wailing of Jerry's guitar in "Whale and Wasp," I knew from the very first listen that this was something special...something that would be a part of me forever. There is so much passion at play on this album from all members of the band, and I feel that with Jar of Flies, they were really truly pouring their hearts out in a way they had never done before. Indeed, I feel that "Nutshell" is the defining song of Layne Staley's life, and every time I hear it, I shed a tear for him. It was the first song I heard, the very moment that Layne's death was announced that grim morning years ago, and that will always be the first thing I think of whenever the song graces my ears. I consider this album to be perfect. Perfect in that everything syncs together in such a genuinely meaningful way; perfect in its blend of acoustic and electric; perfect in that it displays the constant progression Alice In Chains had by releasing albums that each had a completely authentic sound that was never repeated.
I have never successfully compiled a satisfactory list of what I would call my "top ten albums of all time," but I know for sure that Jar of Flies would be on that list, and quite high at that, despite the fact that it is not a full-length album. Obviously, this album means a lot to me in a personal way, but all that aside, I feel that this is an absolute must-have in any serious music lover's collection.
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Facelift
Alice in Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000272N Release Date: 1990-08-20 |
Tracks:
- We Die Young
- Man In The Box
- Sea Of Sorrow
- Bleed The Freak
- I Can't Remember
- Love, Hate, Love
- It Ain't Like That
- Sunshine
- Put You Down
- Confusion
- I Know Something (About You)
- Real Thing
Customer Reviews:
Alice in Chains-Facelift.......2007-06-27
Alice In Chains Debut A Fierce Tour-De-Force of Grunge Metal...4.5 stars..........2007-05-02
There are two main ingredients here that make this album sizzle hotter than a firecracker on the 4th of July: Layne Staley's unbelievably amazing and caterwaul vocal performance, and Jerry Cantrell's powerful metal riffs and rip-roaring solos. But, you cannot count out the great rhythm section of bassist Mike Starr and drummer Sean Kinney, who hold their own ever so capably underneath the two stalwarts and they are important pieces themselves.
"We Die Young" is a short burst of aggro-grunge that fires at you at 100 miles per hour, with Cantrell's razor-sharp riffing and Layne Staley's menacing voice growling lines like "scary's on the wall/scary's on his way/watch where you spit/i'd advise you wait until it's over". It brims full of anger yet the chorus shines and pummels at your face. Then "Man In The Box" rips open the door with it's heavier-than-thou grunge riff and Staley's stated scream of "Feed my eyes!". It became a staple on radio thanks to it's catchy rhythm and stellar musicianship, and one hell of a solo by Jerry Cantrell. "Sea of Sorrow" is damn near classic itself, featuring a great chorus between Staley and Cantrell, and yet another great solo by Cantrell, with Kinney and Starr keeping steady pace. Then we dip into the creepy crawl of "Bleed The Freak", again with Staley turning in another great vocal turn, and even the slightly melodic "I Can't Remember" thunders and growls with a quiet intensity lying underneath. Then comes a track like "Love, Hate, Love", which is a chilling tale over Staley's lamenting and musing about doing a horrible thing to his lover, all the while Cantrell shines one of his best solos on the album, and Staley turns in probably the most gut-wrenching vocal performance on the album, especially when he growls in a terrifying scream "Love! Hate! Love!" The chugging dinosaur riffs of "It Ain't Like That" hammer home with a precision of a clock. Then things start to get a little jangly with the boogie-metal of "Put You Down" and "I Know Somethin' (Bout You)", both of which are very damn catchy numbers. It all comes to a close with "Real Thing", which ends the album on a bluesy note, and a crashing finale featuring Layne coughing, most likely for show and not for real.
So after you listen all the way through FACELIFT's 12 tracks, you'll find yourself recovering like a boy who's recovering from a swift and hard punch. That's how I can describe FACELIFT...it's more like a good punch in the face that will leave a little blood in its aftermath yet shines on because it's determined to leave a lasting impression on you. And by all accounts, FACELIFT leaves a big impression from it's stormy brew of grunge metallic, alternative darkness.
Alice in Chains will always rock!.......2007-01-12
Layne Staley's vocals really shine on this album. When do they not, right?
Get this album.....You won't be disappointed!
Facelift is fine the way it is, no work required. .......2006-12-05
Needs remastering.......2006-08-17
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The Essential Alice in Chains
Alice in Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001LYH7U Release Date: 2006-09-05 |
Tracks:
- We Die Young
- Man In The Box
- Sea Of Sorrow
- Love, Hate, Love
- Am I Inside
- Brother
- Got Me Wrong
- Right Turn
- Rain When I Die
- Them Bones
- Angry Chair
- Dam That River
- Dirt
- God Smack
- Hate To Feel
- Rooster
Tracks:
- No Excuses
- I Stay Away
- What The Hell Have I (Remix)
- A Little Bitter (Remix)
- Grind
- Heaven Beside you
- Again
- Over Now (Unplugged Version)
- Nutshell (Unplugged Version)
- Get Born Again
- Died
- Would?
Customer Reviews:
Classic.......2007-06-22
A Comprehensive Yet Flawed Overview of One Of Seattle's Finest..........2007-05-05
The thing this compilation does nicely that MUSIC BANK also did was compile the songs in chronological order. Here's how it runs down on each of the compilations hearty two discs.
On disc 1 you get the pummeling "We Die Young", the classic "Man In The Box", the underrated epic feel of "Sea of Sorrow", and the unadulterated pleasure of the chilling "Love, Hate, Love" from FACELIFT. While these four songs truly represent the meat of FACELIFT, they also represent the origins of Alice In Chains...the majestic building of their monolithic sound and power. Next up we get the entire SAP ep minus that goofy final hidden track, although not in the order of the original ep, which is no big deal because all four songs are excellent tracks. "Got Me Wrong", "Right Turn", "Am I Inside", and "Brother" all blend acoustic and electric nuggets of alternative metal, with "Am I Inside" being a ballad of sorts. From there we dive right into the songs from the masterpiece album DIRT. This is where the compilation runs into a major flaw. You do get the hits such as "Rooster", "Them Bones", "Would?" (found on the end of disc 2), and "Angry Chair". You also get other tracks from dirt like the thrash of "Dam That River", the disorienting title track, and the thundering "God Smack". But my question is why the hell did they leave "Down In A Hole" off of this compilation? What in their right minds made them leave off such a classic song that was a big, big song on the radio and a hit video as well? Well, the folks at Sony must have been smoking crack. This flaw may irk many fans including myself, so it almost renders this compilation completely unnecessary as we have the comprehensive MUSIC BANK. So that's the one major flaw this overview runs into, but it's pretty much the only major flaw here.
Now we go into disc two, which represents the later years of Alice In Chains. We pick up with two fine songs from JAR OF FLIES to start disc two, the shining radio nugget "No Excuses" and the angsty majesty of "I Stay Away". But I think "Rotten Apple" and "Don't Follow" should have been included on this compilation as well, so those are two other more minor flaws here, especially since "Don't Follow" could be heard on the airwaves at that point. But then next we head right into the self-titled "tripod" album, and the slow burn of "Grind", the catchy stomp of "Again", and the folky metallic bluesy "Heaven Beside You" all represent the album quite well, showcasing the classic rock stylings that made the album different sonically from the past Alice In Chains records. Then we get two non-album tracks in remix form, with "What The Hell Have I? and "A Little Bitter", both featured on the LAST ACTION HERO soundtrack. The remix versions sound almost no different from the original versions except that they're sound is a bit heavier and thick than the cleaner metal of their almost mirror counterparts. Then you get two nuggets from the unplugged cd, with the classic "Nutshell" and the quiet dynamics of "Over Now" providing respite from the heavy rock that made Alice In Chains a household name. The compilation comes to an end with 3 more songs, the previously released recordings of "Get Born Again" and "Died", which have bite but sound a little unfinished and leave you feeling the void that has been left from Staley's death. And the last song, the big, mighty majestic roar of the classic hit "Would?" ends the two-disc set with a bang, providing the band's biggest hit and most impassioned performance. It became a staple of 90s radio singles and also was featured on the SINGLES soundtrack. It was among the best of a handful of songs in their catalog.
So to the Alice In Chains fan I say only get this to complete your catalog if you want to have everything by Alice In Chains. If you're merely curious about the band and want to get a taste of AIC and not take a bite out of your wallet, then this compilation will serve you well. Although this compilation leaves off a couple of songs that would have made the title "essential" stand true, this compilation does do a nice job of capturing the best parts of Alice In Chains in all their primal, disorienting and bleakly monstrous glory. This was a band whose time was cut short by tragedy, but who ultimately left a huge mark on the music scene. ESSENTIALS is essential for AIC completists, and a good introduction for first timers. But be warned: if you want to get all the hits and get your money's worth, then track down MUSIC BANK.
Not Quite the Essential, But The Best Compilation That's Out There..........2007-04-24
Track 4: Love, Hate, Love is a terrific song that has always been one of my favorites. It's very moody and dark, with the occasional cheesy lyrics here and there but still fantastic.
Track 7: Got Me Wrong is much better unplugged, but is a good studio track too.
Track 8: Right Turn features Jerry Cantrell, Layne Staley, Chris Cornell, and Mark Arm all singing (at one point, at once) and is great to listen too.
Track 14: God Smack is one of their most underrated songs and one of my favorites.
Track 15: Hate to Feel...Classic!
DISC 2
Track 3 & 4: Why "What the Hell Have I" and "A Little Bitter" never made one of their studio albums, I'll never know. Classic AIC!
Tracks 10, 11, & 12: Get Born Again, Died, and Would are fantastic. The first two are the last songs the band recorded, before Layne Staley died...The last one is just one of their best songs. The song that made me an Alice in Chains fan.
Overall: This is a great "Essential" album, despite missing essentials.
Layne Staley, R.I.P
1967-2002
GRADE: A-
Good Stuff!.......2007-04-08
I will admit that I found this package to be an enticing double CD of songs that I already knew. Why would I go buy this if I already had the three studio albums etc, especially if this collection is a better freshmen introduction to the band than the previous greatest hits/essential collections I've seen. Well I'm not sure why really, but I did and I liked it a lot.
I never get tired of listening to these songs and this time is certainly no exception. They cover all the highlights here and to include so much of the immortal Dirt album was a great idea. Aside from the fact that every song on that album is brilliant, it lends a nice flow to the entire collection that is also sorely lacking from the other greatest hits packages.
Realistically no hits packages can get every song we fans crave as we all have our favorites. To their credit this band never really had a formula they stuck to. Each release brought something a little different. In the end though, looking back this approach may have also helped lead to the bands demise as it often hurt their music in terms of overall sales. In hindsight it's amazing to look back at Alice in Chains career and see what they accomplished in a short time.
They were a great band for their time and Lane had a vocal delivery that was unique in the way he was able to pull the listener into his world.
R.I.P. Lane, you brought us something special in your short time with us.
thanks for a quality cd and fast delivery!.......2007-02-11
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Unplugged
Alice in Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002BM5 Release Date: 1996-07-30 |
Tracks:
- Nutshell
- Brother
- No Excuses
- Sludge Factory
- Down In A Hole
- Angry Chair
- Rooster
- Got Me Wrong
- Heaven Beside You
- Would?
- Frogs
- Over Now
- Killer Is Me
Customer Reviews:
Great unplugged album!.......2007-06-27
Outstanding CD if looking for diff version, laidback version of AIC songs.......2007-06-26
Used this to get others that thought AIC too much for them to reconsider AIC.
Amazing Band, Amazing Performance.......2007-04-04
Alice in Chains was one of the heaviest bands to emerge from the Seattle grunge scene in the early 1990's, and listening to albums like Dirt and especially Facelift it's hard to imagine the band in an acoustic setting, stripped of all of the pummeling heaviness of those two albums. But when you consider the more melodic direction the band took with their Sap and Jar of Flies EPs, you knew the idea had potential.
To sum up the band's Unplugged performance in one word - powerful. As much as I love the Alice in Chains studio albums, once you strip the songs down to the acoustic level it exposes just how good these songs really are, and showcases the incredible songwriting talents of Jerry Cantrell. Layne Staley's emotional vocals are another key element of this album's power. The late vocalist had the ability to channel so much of his self-destructive energy into his performances, and this is no exception. No matter what your opinions on addiction, it's hard not to be moved by Staley's singing, particularly on songs like "Down in a Hole" and "Would". Ultimately, I think this MTV Unplugged album is the best of what Alice in Chains had to offer. With few exceptions, I prefer the acoustic songs on this album to their studio counterparts. They just seem to resonate more in the acoustic setting.
In the end, Alice in Chains Unplugged serves as the band's crowning achievement as well as a testament to wasted potential and what might have been. All Alice in Chains fans should own this album, as should anyone who's into alternative rock, grunge, or hard rock in general.
BEST CD EVER!.......2007-03-29
Acoustic brilliance........2007-03-02
This easily ranks among the finest acoustic albums ever. Even when stripped down to the basics, the band's songs shine with heartfelt emotion and genius compositional skills. Vocalist Layne Staley sounds incredible: the timbre in his sad delivery is so honest and true, and adds to the dark and brooding nature of the songs. "Nutshell", off of their Jar of Flies EP, is interpreted true to its original save for the re-written acoustic bluesy coda by Jerry Cantrell. Staley's voice sounds achingly beautiful here, and the bass really drives the piece. The chorus of "Brother" is infectious and truly haunting in its emotional impact, and the addition of Cantrell's vocals widens its scope. The band is tighter and meaner on "Sludge Factory", with a bass-heavy context and shatteringly heavy acoustic notes. The album's most amazing moment is "Down in a Hole", one of the greatest songs written in the 90's, all genres included. Layne sounds more depressing than ever and turns in an excellent performance - he simply takes the listener on an unmatched emotional journey.
Guitarist Jerry Cantrell is arguably the greatest guitarist that emerged from the Seattle scene, and his songwriting skills remain unsurpassed. Even taken to their very core, his songs generate impossible sonic strength and his playing is out of this world. From his faithful rendition of "Rooster", a song written to his father, to the apocalyptic intro of "Frogs", he amazes both with his unique tone and remarkable ear for melody. He delves deep into experimental music too, particularly on "No Excuses", which seems like an almost re-arranged piece, where he plays a neat solo to complement its evocative flow. This song is also a highlight because of the performance of Sean Kinney, who doesn't miss a single beat. Kinney's kick drums also come out on the aforementioned "Frogs", the longest rendition on this disc. Bassist Mike Inez equally contributes to the album, best heard on "Heaven Beside You" and the intro of the band's hit "Would?".
"Angry Chair", one of the few songs solely written by Layne Staley, finds the band successfully translating this heavy rocker into an acoustic dirge. Staley also plays guitar here and his chorus must have influenced Mike Tramp during his Freak of Nature period quite a bit, given the similarity in his singing the song "World Doesn't Mind". As a matter of fact, Freak of Nature is the only band who comes close to capturing the dark essence of their heavy nature, even doing unplugged sessions, so you may want to give their Outtakes release a listen.
There is also a new song called "Killer Is Me", where guitarist Scott Olson picks up the bass and Mike Inez switches to guitar for a change. At the end of the song, Staley is so excited and overjoyed that he says, "I wish I could hug you all... but I'm not gonna", and the CD ends on a somewhat sad note, as if these were his last words to his fans.
This unplugged album is absolutely essential whether you're a fan of Alice In Chains or not. There's something for everyone here. Unless hopeless bleak music with introspective tone and desperate lyrics turn you off, you owe it to yourself to check it out, as well as the band's studio releases.
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Alice in Chains
Alice In Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002B8A Release Date: 1995-11-07 |
Tracks:
- Grind
- Brush Away
- Sludge Factory
- Heaven Beside You
- Head Creeps
- Again
- Shame In You
- God Am
- So Close
- Nothin' Song
- Frogs
- Over Now
Customer Reviews:
A Solid Swansong Finale Collection From Alice In Chains..........2007-05-01
"Grind" is a classic Alice In Chains staple now, complete with chug-chug riff with wah wah effects and wary lines like "in the darkest hole/you'd be well advised not to plan my funeral 'fore the body dies", and the chorus is uplifting with the harmonizing of guitarist Jerry Cantrell and vocalist Layne Staley in full force, as the rhythm section of bassist Mike Inez and drummer Sean Kinney thunders home. "Sludge Factory" is a seven minute epic scope view of a junkie's forethought, and it's a cousin to DIRT's "Junkhead". Elsewhere on the album, Cantrell shines on the foreboding acoustic/electric sizzle of "Heaven Beside You"; "God Am" questions the activities of a deity while a clean grunge lies underneath; "Frogs" sounds like an ominous building storm that crashes to some degree but never really lashes out...it just remains calmly dark for its 8 minute-plus runtime. But the band doesn't abandon it's metal stylings it's so famous for, and the aforementioned thunder of "Grind" is accompanied by the bron-y-ard stomp of "Again" and the cascading grind of "So Close". The album closes with the introspective "Over Now" which is a showcase for Jerry Cantrell's musings over a failed relationship. Not everything on this album addresses the theme of drugs, but it certainly sounds like an album that's an aftermath to a bad night.
But for all the dark majesty of this album, it certainly is one of the most classic and resounding albums of overcoming the travesties of a drug-riddled life. ALICE IN CHAINS turns out to be one of the most introspective albums Alice In Chains has ever made...confessional yet inward, metal yet classic rock, hugely Seattle yet resoundingly refreshing, and it still holds true today.
One of my all time favorites.......2007-04-28
WHY, OH WHY Couldn't fate have let these guys still be recording?.......2007-02-08
Perhaps the quintessential AIC album.......2007-02-07
Starting to falter just a bit, but still amazing nonetheless!.......2006-10-28
They and Soundgarden are the only two grunge bands worth mentioning from that time period with maybe Nirvana tossed in the mix as well. However Nirvana although a very good band in it's own right, couldn't touch Alice In Chain or Soundgarden in my honest opinion.
Alice In Chains was and always will be a great band period!!
Buy it!
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Alice in Chains - Greatest Hits
Alice in Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005MKDW Release Date: 2001-08-28 |
Tracks:
- Man In The Box
- Them Bones
- Rooster
- Angry Chair
- Would?
- No Excuses
- I Stay Away
- Grind
- Heaven Beside You
- Again
Amazon.com
From 1999's Music Bank box set and its one-CD compilation offshoot, Nothing Safe: The Best of the Box to a 1996 Unplugged CD, the Alice in Chains titles continue to arrive even while the band--and especially reclusive frontman Layne Staley--stagnates. The quartet's heavy, dirgelike music is aging well, but the 10 songs that comprise Greatest Hits are the basic radio hits. Greatest Hits features no new music, no liner notes, no lyrics, no new photos, and no elaborate packaging. Still, for the rock fan, every song on the disc (five of them penned solely by talented guitarist Jerry Cantrell) is a bona fide hit, from the band's earliest, their 1990 breakthrough "Man in the Box," to the lush orchestration of "I Stay Away" to 1995's dark pop gem "Heaven Beside You." Greatest Hits provides a quick fix for newer fans, but with The Best of the Box boasting 9 of Greatest Hits' 10 songs, plus an additional 5 selections. Skip Hits and go for The Best. --Katherine TurmanCustomer Reviews:
Sure, it's only 10 tracks long..........2007-07-16
I'll admit, I was never a huge Alice fan during their heyday in the early-mid 90s. Nevertheless, the influence that these guys have had on the sounds of many post-grunge/"nü-metal" bands today cannot be denied. AIC is the band that bridged the gap between the fans of 80s hair metal bands like Whitesnake and Warrant and 90s grunge groups such as Nirvana and Mudhoney. What this band has done for rock music as a whole simply can't be downplayed.
"Greatest Hits" collections like these inevitably tend to piss a lot of people off, if for no other reason than the "personal hits," as it were, for every fan are not included. And a lot of folks here have complained that this album consists only of radio singles. But therein lies the problem: Any band's "greatest hits" are, ultimately, those that have done well commercially. Releases like this are meant to be a celebration of that success; nothing more, nothing less. Sure, I would have liked to see "Nutshell" and a handful of other classic Alice songs tacked on here, but to be able to hear such great works as first single "Man In The Box," "Rooster," "Would?," "No Excuses," and "Heaven Beside You" all on one disc is more than enough for me. And for the price that it's going for on here (although you can buy it at Wal-Mart for slightly cheaper...), you certainly can't go wrong.
No, there are no new songs, no bonus artwork, no extensive liner notes, no fancy-schmancy packaging, no useless poster or keychain, nada. In other words, no surprises; just excellent music.
ill "stay away" too...stay away from this........2007-07-02
awesome.......2007-03-05
R.I.P Layne Staley.
Love This Band.......2007-02-11
However, these songs RULE! Love the ballads and the intense guitar in the same songs. They have a sound all their own.
I am now a huge fan.
alice n chains greatest hits.......2007-01-25
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Sap
Alice in Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002B2X Release Date: 1995-03-21 |
Tracks:
- Brother
- Got Me Wrong
- Right Turn
- Am I Inside
- Bonus Track 1
Customer Reviews:
AIC just isn't AIC without Layne.......2007-07-09
SAP A Great EP...Just Too Short...4.5 stars..........2007-05-02
"Brother" and "Am I Inside" are two of the most haunting cuts written by Alice In Chains (both were written by Cantrell and Staley respectively). "Got Me Wrong" mixes a smooth, melodic side with a blustery chorus, and it was a wisely chosen single. "Right Turn" is a nice jam session featuring vocalists Chris Cornell of Soundgarden/Audioslave fame, and Mark Arm of Mudhoney. The concluding bonus cut on the album is a silly goof that was wisely left off the tracklisting, and although it cracks me up all the time, it might be seen as more stupid than funny (you have to decide for yourself I found it lightly amusing).
So all in all, SAP is a surprising strong and short collection of songs that show a much different side of Alice In Chains. While the bonus cut does nothing to add to the collection itself, SAP still remains a necessity in the grunge back catalog, and most importantly, in the Alice In Chains catalog.
Saptastic.......2006-09-04
Got Me Wrong - 10/10 Best song on the album!
Brother - 9/10 Great song, but I think the unplugged version is better
Right Turn - 8.5/10 Somewhat catchy
Am I Inside - 8.5/ On level with Right Turn
Love Song - ...
Short but Sweet.......2006-09-03
1. Brother - 9/10
2. Got Me Wrong - 10/10
3. Right Turn - 8.5/10
4. Am I Inside - 9.5/10
5. Bonus Track 1 - 8.5/10
Overall: 91% A-
This is pretty much just a nice album to own if you enjoy the bands music or find it for real cheap somewhere as I did. It's good for what its worth being a short but sweet EP.
Short, but essential.......2006-08-17
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Music Bank
Alice in Chains Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000296JW Release Date: 1999-10-26 |
Tracks:
- Get Born Again
- I Can't Have You Blues (Demo)
- Whatcha Gonna Do (Demo)
- Social Parasite (Demo)
- Queen Of The Rodeo (Live)
- Bleed The Freak (Demo)
- Killing Yourself (Demo)
- We Die Young
- Man In The Box
- Sea Of Sorrow (Demo)
- I Can't Remember
- Love, Hate, Love
- It Ain't Like That
- Confusion
- Rooster (Demo)
- Right Turn
- Got Me Wrong
Tracks:
- Rain When I Die
- Fear The Voices
- Them Bones
- Dam That River
- Sickman
- Rooster
- Junkhead (Demo)
- Dirt
- God Smack
- Iron Gland
- Angry Chair
- Lying Season
- Would?
- Brother
- Am I Inside
- I Stay Away
- No Excuses
Tracks:
- Down In A Hole
- Hate To Feel
- What The Hell Have I (Remix)
- A Little Bitter (Remix)
- Grind
- Again (Tattoo Of Pain Mix)
- Head Creeps
- God Am
- Frogs
- Heaven Beside You
- Nutshell (Unplugged)
- The Killer Is Me (Unplugged)
- Over Now (Unplugged)
- Died
Customer Reviews:
So amazing.......2007-03-13
Alice in Chains: a music group of immense talent.......2007-01-10
Killer tunes!!!!!.......2006-08-22
Retrospective with Rarities.......2006-08-01
Here's what you get in this box set that you won't find on other AIC releases:
Disc 1 - Get Born Again (the only brand new song produced for this set), 3 early demos from the Alice N Chainz days, demo versions of Bleed the Freak, Killing Yourself, Sea of Sorrow, and Rooster, and a live track called Queen of the Rodeo.
Disc 2 - There are only 3 exclusive tracks on this disc. Fear the Voices is an odd one, sounding like Alice in Chains meets the Red Hot Chili Peppers. It also features a demo version of Junkhead and a track called Lying Season. Despite having just a few new tracks, disc 2 is the strongest in the set, since it contains the most material from Dirt and Jar of Flies.
Disc 3 - This disc rounds out the collection, and features material taken mostly from the band's final studio album. There are a few tracks from the Unplugged album, a few remixes, and the track "What the Hell Have I" which originally only appeared on the Last Action Hero soundtrack. The song "Died" is the only track that isn't available elsewhere.
Disc 4 - This is an interesting item. Music Bank was released before DVDs had completely taken over, so disc 4 is actually a CD-ROM with several of the band's videos and some additional multimedia content. It's a decent addition, but one that was made obsolete when the Music Bank DVD was released a couple of years later.
All told, this box set is likely to appeal only to die-hard Alice in Chains fans who want to own every available AIC release. It's a good collection, if a bit flawed. They could have just as easily added a disc or two and collected the band's entire catalog, or just released a single-CD rarities collection (which would have been a lot lighter on our wallets).
An excellent ride through the Staley era of AIice.......2006-07-05
This set appeals to the hardcore fan providing the alternate takes of songs, and the unreleased stuff, and the casual fan with the singles. However, the casual fan might rather consider the 'Best of the Box' CD. I believe it's called 'Nothing Safe'.
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Christian Music:
- Crossing the Line
- Destroy Rock & Roll [CD-single] [Import]
- Diary of [Import]
- Doris Troy Sings Just One Look & Other Memorable Selections
- Duke of Earl: the Very Best of the Vee-Jay Years [Import]
- Dynamite: Encore Collection [Extra tracks]
- Essence
- Everybody Knows About My Good Thing [Original recording remastered]
- Experience [Import]
- For the Sake of Love
Christian Music
Music Minus One Mezzo-Soprano: VERDI Arias for Mezzo-Soprano with Orchestra
No. 4 [Original recording remastered] [Import]
Spitfire [Original recording remastered]