| 1. Grease |
| 2. Trio-Flo' |
| 3. Nice & Easy |
| 4. Jell-o |
| 5. Face |
| 6. Wild Cherry |
| 7. Tattoo |
| 8. One Thing Led To Another |
| 9. The Way U Love Me |
| 10. So D'Vine |
Editorial Reviews
About the Artist
2 Piece & A Biscuit consists of 3 males with a sound like no other. C-Love (the leg) is what makes the group walk. He will tantilize you with his sizzling lyrics; so listen closely to the words of every song. Do-Low (the wing) is who takes these lyrics to a higher level. He is what makes the group fly. Prepare yourself as he smothers you with his soothing voice. Mac (the biscuit) is what completes the meal. With the style and wit of his stage presence, he is sure to sop up your attention!!
Product Description
With a blend of old school, new school, and a side of funk, this trio is sure to dazzle you with flavor of a new era...middle school!!!
As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!
I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!
There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.
Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!
of music and Renee Fleming's outstanding voice.
The artistry is stunning, the artists bring themselves to the music while at the same time maintaining the integrity of the original piece.
My favorite is Grieg's Nocturne, arranged and performed by Steve Erquiaga. I have been in love with his music from the moment
I heard his CD "Cafe Paradiso" (Imaginary road Records). It is absolutely stunning!
When I saw that he was on "Adagio" I went for it. I'm so happy that I did ...
Other hightlights for me are Philip Aaberg's "Adagio for Strings", Tracy Silverman's "Arioso" ..... they're all beautiful.
Thank You for this wonderful music.
This is a bargain bin CD that you usually see at Fry's Electronics. There are more detailed and comprehensive collections out there but for 5 bucks this isn't bad and you basically get what you expect. There are much better classical CD's out there of course but for a beginner compilation album, this one has a great price.
The more I listen to Mozart, according to his arrangement, the more I'm convinced. The Mozart Effect: Music for Children, Volume 1-3 is an excellent prescription for the young and older mind, alike.
Yet, while a catalog with Horowitz' Scarlatti, Gould's Bach, Kempff Schubert, Bolet's Liszt, Pollini's Chopin, Michelangeli's Schumann, Gieseking's Debussy, Schnabel's Beethoven, Casadesus' Ravel, Seeman's Mozart and Backhaus' Brahms has set historic standards that are hard to equal or surpass, a cd of standard regularly performed repertoire like this one refutes any fear that we have reached the day that the music died.
For starters, piano technique has significantly improved over the last 25 years. Likely due to the standards that the aforementioned pianists set, the next generation is of superior dexterity. While I grew up in times that Horowitz' performances of Liszt, his own Carmen Fantasy and Stars and Stripes transcriptions, and Gould's highly articulate light speed Bach were considered supernatural phenomena, these times are long past. And although the former's sense of tone and the latter's feel for counterpoint may not yet have found their match, most participants in any of the endless number of competitions have basic skills that are just as high and in many cases repertoires that are much wider.
Before coming to the review of this disc, one more personal side note. Since the piano is an instrument that anyone with two functional hands can master to such a degree that quite a number of masterpieces in the repertoire are within reach, I expect recordings to reflect technical mastery. As such, I do not belong to the group of those pianophiles who consider Fischer's Bach "acceptable", Cortot's Chopin "monumental" and Horowitz "live in Moscow" version of his standard Scriabin etude "earth shattering".
Thus we come to the present disc, which I consider a prime example of contemporary pianism. Playing on Grieg's own euphonic, but decidedly mellow piano, in the composer's own "piano room" that imposes significant sonic limitations on the resulting recording quality, his fellow country man Leif Ove Andsnes revisits his juxtaposition of the modern and the authentic that we encountered earlier in his superior Haydn piano concerto disc. While the orchestral part in that recording had clear "authentic" traits, the piano and its performance were truly 21st century. Especially in the light of earlier performances of these Grieg pieces by the likes of Gilels and Gavrilov, Andsnes approach is more restrained and, based on credible historic documentation that comes to use by oral history, less authentically romantic.
Is there something like "the importance of being authentic"? Based on the movement that initially tried to ban all professional musicians from performing baroque music, there certainly is. Nobody will argue that it is of importance to have a good understanding of the performance practices of a particular era. Yet, the mere fact that Bach is still performed worldwide more than 2.5 centuries after his death clearly refutes the notion that his music could only be appreciated within a certain set of parameters. Leaving aside the great dichotomy between the fervor with which the "authentics" have defended "the rules" and the clarity and precision with which they were committed to paper centuries ago, there is no convincing argument that a contemporary should not be able to enjoy Gould's Bach on the piano over Leonhardt's "authentic" performances on the harpsichord.
Released of the shackles of authenticity, aware of the historical record, and fluent in Grieg's lingo from early childhood Andsnes has made a both highly sensitive and textually very accurate reading of the Norwegian's small scale character pieces. Helped by a technique, that is at least as good as all of the luminaries that I mentioned in the second paragraph, this recording shows the virtues of the "less is more" approach. Previous reviewers have harped on the Gilels comparison. While I admire the late Russian lion's performances, I greatly prefer Andsness. Although, Gilels could play fast and slow, soft and loud I considered his technique often of the lazy kind. Especially when it came to use of the sustain pedal he often chose to correct with his right foot, that what he preferred his hands/fingers to save energy on. While some consider this over-pedaling to be an essential part of the romantic mysticism, I am glad that the new generation of pianists does no longer need it to suggest fluency.
Limiting the use of the right pedal often leads to a much better characterization of a composer's sonic signature and this recording is no exception. While it is clear that Grieg was aware of contemporaries like Schumann, Brahms, Chopin and Liszt, Andsnes like no other "nails" the Norwegian's own distinctive voice. What results is a restrained, yet highly sensitive and intimate reading. While the room limits the clarity in the louder passages, it does provide a historically correct context for these lyric pieces.
Andsnes, without a doubt, is one of the stars of the next generation. While mediocre clowns like Lang Lang may entertain the circus crowds, it is comforting to know that musicians like the young Norwegian will keep the eternal flame alive and are likely to add chapters to an as of yet never ending history.
By the way, I can't help questioning the intention of one of the reviewers named Dag Johansen. He is proactively reviewing most of Andsnes' CDs and giving them very poor rating. In fact, all he is reviewing are Andsnes', no other.
I don't mind that if it is truly his honest opinion but there's something fishy here... why does he keep buying Andsnes' CDs if he hates his playing so much? It's as if he is trying to damage the artist's reputation... Shady....
I have not actully heard this CD or any of Andsnes'. Just felt I needed to report on this.
The most obvious technical requirement of this music is touch. In some of the etudes, complex voicings are required at very low dynamic levels. In others, the ability to bring out multiple voices is paramount. Aimard is perfect. His technique is so assured that we can easily get to the music and not be sidetracked by prowess.
Those who know Ligeti's music know how protean he could be. Like a good athlete, he was willing to take on enormous risks. Sometimes the result felt intellectualized and tiresome. But more often than not, the music soared. This is certainly true of the Etudes on this disk. They are studies in the truest sense of the word--one may focus on a particular set of intervals, another on a texture, yet another on a rhythm. Each one is fascinating and the collection holds together nicely. There are even hints of Nancarrow!
Ligeti himself felt ambiguously about the "Musica Ricercata", and it isn't hard to see why. The first piece is based on only two pitches (with octaves); the second on three and so on. It sort of proves a point, but what point? By the time you get to the fourth piece, it starts to get good, but the listener has to regain some flagging energy. The third piece is actually the basis of the opening of "6 Bagatelles for Wind Quintet".
So while I have little quibbles, I still recommend this disk strongly. It's great music, beautifully played.
Don't get me wrong. I think almost all of the studies on these tracks are good, maybe even almost as good as Chopin and Liszt, but I don't think so. We don't hum Ligeti etudes the way some people hum Chopin etudes or dances for piano. And, a few of the passages sound like the scene from 'Ghostbusters' where Bill Murray tickles the very high keys on Sigourny Weaver's piano as they enter her apartment to track down some particularly awesome apparitions of Zuel (sic) and Gozer (sic sic).
If you are looking to touch only the high points of Ligeti's music and don't have the compulsioin to own everything, you can pass on these and not be missing too much of the good stuff. Check out his choral and a capella works for the really hot stuff.
What we find in this CD, 3rd of an outstanding series, is the technical perfection made piano playing, in the hands of Aimard, who plays absolutely all the notes full of perfection, sense and correction, from the dynamic to the tempo, from the correct attack to the prodigious use of the pedal. If you are used to a romantic piano you can feel this versions a little cold or dry, but this is because Aimard goes directly to the heart of the XXth Century style of piano playing, in the line that comes from Schönberg-Berg-Webern and that goes in a different way of playing than the century before, so you can be lost in some sense about the way he understand the use of the piano, the playing, the technique, the echoes, the silences...
You'll find in this CD the Musica Ricercata, a work from Ligeti's first period, very easy to understand for those who are not used to listen this kind of "modern" music. It has many folk motives, used in a way very close to Bartók's style. One of this pieces (Musica ricercata: II. Mesto, rigido e cerimoniale) was taken by Stanley Kubrick for his last film Eyes Wide Shut, with an outstanding presence in the film associated to the worries and pressure over the main character; Ligeti says about this piece that it was a knife against the stalinist regime because of this style of music, sinister, innovative and forgiven in the communist Europe. The film's version is slower than this by Aimard, more "cinematographic" but slower than the score asks. Aimard's version in this piece and in the full pieces are outstanding.
The rest of the CD it's based on the Etudes, books I & II, both of them complete. Those are pieces much more modern than the Musica Ricercata, some of them, in the words of Ligeti with some links and inspiration on Nancarrow's works. We are listening in this case some of the most complex works for piano written in the XXth Century, and many of them authentic jewels of the genre. The Aimard versions for Sony are the better I know from the French pianist, who have recorded some of them in other CDs, like his great recording from de Carnagie Hall (Warner), but not so good like this outstanding CD.
So, if you are looking for perfection in Ligeti's piano music performances don't doubt about this CD; if you want to discover the piano of the XXth Century this could be a great door to go into, because of the music, because of the performing and because of a perfect recording and booklet.
The recording quality in this series is outstanding, and it is a delight to see the breadth of this series. Having many works of Ligeti from the Wergo vinyl catalog of the 70's, I selected the piano works for the fun of discovery.
Those of you who enjoy this piano stuff should try to find Nina Deutsch's recording of Charles Ives: Solo Piano Music.
2 Piece & A Biscuit consists of 3 males with a sound like no other. C-Love (the leg) is what makes the group walk. He will tantilize you with his sizzling lyrics; so listen closely to the words of every song. Do-Low (the wing) is who takes these lyrics to a higher level. He is what makes the group fly. Prepare yourself as he smothers you with his soothing voice. Mac (the biscuit) is what completes the meal. With the style and wit of his stage presence, he is sure to sop up your attention!!
Product Description
With a blend of old school, new school, and a side of funk, this trio is sure to dazzle you with flavor of a new era...middle school!!!
2 Piece & A Biscuit,2 Piece & A Biscuit,Six-9 Records,Blend of Old School, New School, and a side of Funk.,R&B/Soul
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The Most Relaxing Piano Album in the World...Ever!
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ASIN: B000059Q4Q Release Date: 2001-03-27 |
Tracks:
- II: Andante - Stephen Hough
- I: Adagio Sostenuto - Dame Moura Lympany
- Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
- Nocturne No. 2 In E Flat - John Ogdon
- Clair De Lune - Dame Moura Lympany
- II: Adagio - Cecile Ousset
- Tango - Dame Moura Lympany
- Liebestraum No. 3 In A Flat - John Ogdon
- Waltz No. 9 In A Flat - Dmitri Alexeev
- Rhapsody On A Theme Of Paganini - Cecile Ousset
- Traumerei - Dame Moura Lympany
- La Maja Y El Ruisenor - Magda Tagliaferro
- Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
- Gymnopedie No. 1 - Aldo Ciccolini
- Fur Elise - Dame Moura Lympany
- Etude In E 'Tristesse' - John Ogdon
- Fruhlingslied - Daniel Adni
- II: Andante - Dmitri Alexeev
Tracks:
- II: Adagio Cantabile - Walter Gieseking
- II: Romanze - Annie Fischer
- Aria - Maria Tipo
- II: Romance (Larghetto) - Garrick Ohlsson
- Granada - Gonzalo Soriano
- Waltz No. 15 In A Flat - Maura Lympany
- II: Largo - Andrei Gavrilov
- An Den Fruhling - Daniel Adni
- Nocturne No. 10 In A Flat - Daniel Adni
- II: Adagio Un Poco Mosso - Walter Gieseking
- La Fille Aux Cheveux De Lin - Dame Moura Lympany
- Cancons I Dansas No. 1 - Gonzalo Soriano
- II: Adagio Sostenuto (Opening) - Cecile Ousset
- Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
- Gnossienne No. 1 - Aldo Ciccolini
- Berceuse - Jean-Philippe Collard
- Minuet In G - Dame Moura Lympany
- Berceuse In D Flat - Peter Donohoe
Customer Reviews:
something to have.......2007-03-14
Excellent Music.......2007-02-19
buy now.......2006-09-01
Lovely.......2006-02-22
Aesthetically Pleasing.......2005-09-14
As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!
I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!
Average customer rating:
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The World's Favorite Piano Music
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ASIN: B000003F8F Release Date: 1992-07-14 |
Tracks:
- Liebestraum No.3
- Prelude In G Minor
- Fur Elise
- Turkish March
- Prelude In E-flat
- Reverie
- Prelude In C-sharp Minor
- Prelude In G
- Waltz In A-flat
- Consolation No. 5
- Moment Musical No. 3
- Intermezzo In E-flat Minor
- Kinderszenen opus 15 Tramrei
- Barcarolle
- Intemezzo In C-sharp Minor
- Prelude In C-minor
- Fantasie-mpromptu
Customer Reviews:
My favorite CD!.......2007-07-29
Music to my ears!.......2007-04-04
Legend!.......2006-10-11
Probably the Best Piano CD ever!.......2006-04-13
An exquisite recording...read on!...........2005-03-13
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Art of Segovia
Andres Segovia Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Chamber Music
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ASIN: B00006B66L Release Date: 2002-10-08 |
Tracks:
- Andante
- Andantino
- Lento
- Romance De Los Pinos
- Madronos
- Serenata Burlesca
- Variations On A Theme From Mozart's 'The Magic Flute'
- Mesto E Calmo
- Theme, Variations & Finale
- Cancion Mexicana No.X
- Sevillana, Op.29
- Sarabanda
- Capriccio Diabolico, Op.85
- Tonadilla For Guitar On The Name Of Andres Segovia
- No.1 In E Minor
- No.3 In A Minor
- Guitarreo
- Segovia, Op.29
Tracks:
- If My Complaints
- Now, O Now I Need Must Part
- Sarabande
- 1. Prelude (Transposed In D Major)
- 4. Tempo Di Bourree
- Courante
- 3. Gavotte En Rondeau
- Aria E Corrente
- Moderato
- Menuet In G Major
- Andantino Variato
- No.7 In A Major
- 2. Canzonetta
- 2. Quasi Lento (Preludio)
- 1. Andantino Poco Allegretto (Allegretto)
- 2. Il Vecchio Castello
- Allegretto
- Tres Calme Et Doucement Expressif
- No.4 In E Flat Minor
- 5. Asturias. Leyenda - Preludio
- 7. Zambra Granadina
- Estudio Sin Luz
- Allegro Con Brio
Amazon.com
DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan DavisCustomer Reviews:
A Man and His Art - Magnificently Captured.......2007-04-06
There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.
Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.
What can you say - it's Segovia!.......2007-02-10
EVERYBODY KNOWS.......2007-01-13
Immortal guitar.......2006-08-02
WOW.......2006-02-23
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Sacred Songs
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ASIN: B000AM6OXK Release Date: 2005-09-27 |
Tracks:
- Ave Maria
- Jesu bleibet meine Freude
- Dank sei dir, Herr
- Ave Maria, D839
- Laudamus te
- Panis Angelicus
- Air: "He shall feed his Flock"
- Simple Song
- Pie Jesu
- Domine Deus
- Laudate Dominum omnes gentes
- Air: Rejoice greatly, o daughter of Zion
- Abends will ich schlafen gehn
- L'Adieu des bergers
- Mariiegenlied, Op.76/52
- Amazing Grace
Amazon.com
This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert LevineCustomer Reviews:
I hate to be rude, but . . ........2007-05-06
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!
Outstanding.......2007-03-07
of music and Renee Fleming's outstanding voice.
Sacred Songs.......2007-01-21
My favorite of Fleming's CDs so far.......2006-12-07
Inspiring and beautiful.......2006-07-20
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Adagio: A Windham Hill Collection
Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Albinoni
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ASIN: B000089YAX Release Date: 2003-03-04 |
Tracks:
- Air 'On The String' - Philippe Saisse
- Ave Maria - Paul McCandless
- Arioso - Tracy Silverman
- Nocturne - Steve Erquiaga
- Sarabande - Paul Schwartz
- Intermezzo No.6 - David Benoit
- Adagio - Brian Dunning
- Adagio - Patrick O'Hearn
- Prelude In C-Sharp Minor - Edgar Meyer
- Adagio - Richard Schonherz
- Adagio For Strings - Philip Aaberg
- Largo - Tim Story
Amazon.com
Adagio follows in the rosin-dusted footsteps of The Impressionists, A Different Mozart, and A Different Prelude. As with those releases, it was produced by Dawn Atkinson and features many of the same artists. The results are as varied as the musicians. Violinist Tracy Silverman cuts one of his patented echo-delayed pizzicato violin arrangements of a Bach arioso, while Patrick O'Hearn drapes a somber keyboard shroud around the Adagio from Rodrigo's Fantasy for a Gentleman. Jeff Johnson and Brian Dunning find the Celtic air in the Adagio from Handel's Sonata in G, while Philip Aaberg discovers infinity between the notes of Barber's ubiquitous Adagio for Strings. He stretches the melody across his piano in finely drawn lines, subtlety filled out with synthesizer undertones. Subtlety is a casualty on Philipe Saisse's bongos, bells, and synth arrangement of Bach's Air on a G String. It's also sacrificed in a corny confection of Handel's Sarabande by Paul Schwartz. His ham-fisted electronic keyboards would've sounded dated even before Switched-On Bach. But Adagio features plenty of musicians who are willing to surrender themselves to their elegiac themes, including guitarist Steve Erquiaga, Mike Marshall, and Edgar Meyers. --John DilibertoCustomer Reviews:
Simply Gorgeous !.......2003-10-05
The artistry is stunning, the artists bring themselves to the music while at the same time maintaining the integrity of the original piece.
My favorite is Grieg's Nocturne, arranged and performed by Steve Erquiaga. I have been in love with his music from the moment
I heard his CD "Cafe Paradiso" (Imaginary road Records). It is absolutely stunning!
When I saw that he was on "Adagio" I went for it. I'm so happy that I did ...
Other hightlights for me are Philip Aaberg's "Adagio for Strings", Tracy Silverman's "Arioso" ..... they're all beautiful.
Thank You for this wonderful music.
Average customer rating:
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25 Piano Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Minuets
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ASIN: B0000058I3 Release Date: 1996-08-20 |
Tracks:
- Tchaikovsky: Piano Concerto No. 1 In B-Flat Minor (Introduction)
- Brahms: Rhapsody In G Minor Op. 79, No. 2
- Mozart: Piano Sonata No. 15 In C (I. Allegro)
- Schubert: Moment Musical No. 2
- Dvorak: Humoresque No. 7
- Debussy: Prelude 'La Fille Aux Cheveux De Lin'
- Grieg: 'Butterfly' From Lyrical Pieces
- Chopin: Etude In C Minor, Op. 10 No. 12 'Revolutionary'
- Scarlatti: Sonata In E
- Debussy: Clair De Lune
- Rubenstein: Melody In F
- Rachmaninoff: Prelude In C-sharp Minor, Op. 3 No. 2
- Paderewski: Menuett
- Chopin: 'Military' Polonaise
- Liszt: Liebestraum
- Chopin: Etude In E, Op. 10 No. 3 'Tristesse'
- Scriabin: Etude, Op. 8 No. 12
- Beethoven: Minuet In G
- Mozart: Sonata No. 11 In A 'Rondo All Turca'
- Debussy: Rrie
- Rachmaninoff: Rhapsody On A Theme By Paganini (Variation No. 18)
- Schumann: From Kinderszenen (1. Von Fremden Landern Und Menschen)
- Mozart: Piano Concerto No. 20 In D Minor (II. Romance)
- Chopin: Waltz In D-flat, Op. 64 No. 1 'Minute Waltz'
- Gershwin: Rhapsody In Blue (Finale)
Customer Reviews:
25 Piano Favorites.......2007-01-09
Good for the price............2005-11-30
This is a bargain bin CD that you usually see at Fry's Electronics. There are more detailed and comprehensive collections out there but for 5 bucks this isn't bad and you basically get what you expect. There are much better classical CD's out there of course but for a beginner compilation album, this one has a great price.
Wonderful relaxing and soothing music.......2005-09-02
The Sound Quality Really Bugs Me.......2004-08-26
Good Disc for the Price.......2004-01-19
While there's no classic recordings here or big names, most of the tracks are well played and acceptable in sound quality. There are some interesting pieces here that are unfamiliar to most, such as the Dvorak Humoresque or the Paderewski Minuet, as well as classics such as the Debussy Clair de Lune or the Mozart Concerto.
The rendition of the Rhapsody in Blue is a nice performance with a well done ending that may even be better than some other CD's made by big named pianists.
![Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]](http://ec1.images-amazon.com/images/I/21ZDVSDDJNL.jpg)
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Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Mazurkas
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ASIN: B00012QLSW Release Date: 2003-12-09 |
Tracks:
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
- Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
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Tracks:
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
- Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
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Tracks:
- Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
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- Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
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Tracks:
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
- Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
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- Overture Coriolan Op.62 - Dresdner Philharmonic
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Tracks:
- Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
- Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
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- Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
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Tracks:
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Tracks:
- Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
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- Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
- Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
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- Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch
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- Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
- Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
- Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
- Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
- Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
- Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
- Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
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- Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
- Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic
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- Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
- Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Tracks:
- Rustle of Spring Op.32, No.6 - Jennd
- Novelette in F Major Op.21, No.1 - Jennd
- Songs Without Words: E Major Op.19, No.1 - Jennd
- Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
- Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
- Songs Without Words: G Major Op.62, No.1 - Jennd
- Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
- Intermezzo in a Major, Op.76, No.6 - Jennd
- Intermezzo in a Minor Op.76, No.7 - Jennd
- Intermezzo in a Major Op.118, No.2 - Jennd
- Intermezzo in E Flat Minor Op.118, No.6 - Jennd
- Lyric Pieces: Arietta Op.12, No.1 - Jennd
- Lyric Pieces: Folkevise Op.12, No.5 - Jennd
- Lyric Pieces: Butterfly Op.43, No.1 - Jennd
- Lyric Pieces: To Spring Op.43, No.6 - Jennd
- Lyric Pieces: Notturno Op.54, No.4 - Jennd
- Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
- Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
- Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
- Melody in F Op.3, No.1 - Jennd
- Humoresque in G Flat Major Op.101, No.7 - Jennd
Tracks:
- Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
- Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
- Impromptu in B Flat Major D.935, No.3: Pito - Jennd
- 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
- 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
- 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
- 4 Impromptus D.899: No. 1 in C Minor - Jennd
- 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
- 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
- 4 Impromptus D.899: No. 4 in a Flat Major - Jennd
Tracks:
- Sonata in a Major D.959: Allegro - Michael Endres
- Sonata in a Major D.959: Andantino - Michael Endres
- Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
- Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
- Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
- Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
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- Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres
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- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
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- Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
- Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Tracks:
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
- Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra
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- Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
- Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
- Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
- Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
- Fantasy on Weber's FreischVilmos Fischer
Tracks:
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Gnomus. Sempre Vivo
- Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
- Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
- Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
- Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
- Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
- Pictures at an Exhibition: Promenade. Tranquillo
- Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
- Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
- Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
- Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
- Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
- Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
- Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
- Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
- Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
- Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
- Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
- Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
- Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
- Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
- Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
- Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
- Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)
Tracks:
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
- Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Tracks:
- Prde Op.3, No.2 - Margarete Babinsky
- Mdie Op.3, No.3 - Margarete Babinsky
- Polichinelle Op.3, No.4 - Margarete Babinsky
- Moment Musical Op.16, No.3 - Margarete Babinsky
- Moment Musical Op.16, No.5 - Margarete Babinsky
- Variations on a Theme by Corelli Op.42 - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
- Prde Op.23, No.5 - Margarete Babinsky
Tracks:
- Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
- American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Album Description
This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.Customer Reviews:
Ultimate music for every time of day and every mood.......2007-07-03
Would give 5 stars if sound quality where better.......2007-06-30
Great collection for a great price.......2007-06-27
20 Fabulous Discs.......2007-06-08
Average customer rating: 
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The Mozart Effect: Music For Children, Vols. 1-3
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ASIN: B000002134 Release Date: 1997-09-30 |
Tracks:
- Eine Kleine Nachtmusik, K.525: Rondo - The Cambridge Buskers
- Vn Con No.2, K.211: Allegro Moderato - Capella Isopolitana
- Sinf, K.297b: Vars - Capella Isopolitana
- Sym No.17, K.129: Andante - Northern Chamber Orchestra
- Sym No.24, K.182: Andantino - Northern Chamber Orchestra
- 5 Vars on Twinkle Twinkle Little Star, K.265 - Jeno Jando
- Vn Con No.5, K.219: Allegro Aperto - Capella Isopolitana
Tracks:
- The Marriage Of Figaro: Voi Che Sapete - The Cambridge Buskers
- Cassation, K.63: Andante - Salzburg Chamber Orchestra
- Sym No.6, K.43: Andante - Northern Chamber Orchestra
- Sym No.18, K.130: Andantino Grazioso - Northern Chamber Orchestra
- Ser No.10, K.361: Adagio, Gran Partita - Amamdeus Wind Orchestra
- Ser No.9, K.320: Concertante - Capella Isopolitana
- Bn Con, K.191: Andante Ma Adagio - VIENNA MOZART ACADEMY
- Divert, K.287: Adagio - Capella Isopolitana
Tracks:
- Don Giovanni: Champagne Aria - The Cambridge Buskers
- Rondo Alla Turca - The Cambridge Buskers
- 'Die Leyerer', K.611 - Orpheus Chamber Orchestra
- 'La Bataille', K.535 - Orpheus Chamber Orchestra
- March No.1, K.335 - Orpheus Chamber Orchestra
- Divert in B Flat, K.15gg: Cotillion, Allegro - Academy Of St. Martin-In-The-Fields
- The Magic Flute, K.620: Papageno's Song - The Cambridge Buskers
- Sym No.40, K.550: First Movt - The Cambridge Buskers
- German Dance No.4, K.602 - Capella Isopolitana
- German Dance No.2, K.605 - Capella Isopolitana C
- Ser in D, K.250: Menuetto - Capella Isopolitana
- Ser, K.205: Menuetto, Divert - Capella Isopolitana
- Divert in B Flat, K.287: Menuetto - Capella Isopolitana
- Ser, K.203: Prestissimo - Salzburg Chamber Orchestra
Product Description
Studies prove that the music of Mozart has a powerful effect on the intellectual and creative development of children. Don Campbell, musician, teacher and author of the new book The Mozart Effect for Children and The Mozart Effect, has selected some of the best of Mozart's music to stimulate and inspire young minds. Based on up-to-date medical and psychological research in creativity and intelligence, the pieces on each recording have been carefully chosen by the author so that tempos, key signatures and textures of the music change with each selection in order to provide a rich listening and learning experience for children of all ages.Amazon.com
Two hundred years after Wolfgang Amadeus Mozart's death, French physician Dr. Tomatis discovered a relationship between listening and learning. Remarkably, he found that children develop their listening ability in the womb. According to medical studies, we now know that the music of Mozart in particular has a profound effect on the human mind, body, and spirit. Working in accordance with this philosophy, internationally known teacher and musician Don Campbell wrote The Mozart Effect, a seminal book correlating music with health, well-being, and increased intelligence. Campbell's musical collection of the same name presents compositions carefully chosen for the benefit of children. Volume 1, "Tune Up Your Mind," is formulated to gently stimulate young minds. Volume 2, "Relax, Daydream, and Draw," includes excerpts from Symphony Nos. 6 and 18, and volume 3, "Mozart in Motion," a delightfully playful disc, includes an excerpt from The Magic Flute. --Paige La GroneCustomer Reviews:
Great CD's for children........2007-05-23
Eh..........2007-01-10
We Love These!!!.......2006-02-11
Bringforth the artist within by listening to Mozart.......2005-10-07
The more I listen to Mozart, according to his arrangement, the more I'm convinced. The Mozart Effect: Music for Children, Volume 1-3 is an excellent prescription for the young and older mind, alike.
Absolute nonsense.......2005-03-06
"The Mozart Effect is an example of how science and the media mix in our world. A suggestion in a few paragraphs in a scientific journal becomes a universal truth in a matter of months, eventually believed even by the scientists who initially recognized how their work had been distorted and exaggerated by the media. Others, smelling the money, jump on the bandwagon and play to the crowd, adding their own myths, questionable claims, and distortions to the mix."
"The idea for the Mozart Effect originated in 1993 at the University of California, Irvine, with physicist Gordon Shaw and Frances Rauscher, a former concert cellist and an expert on cognitive development. They studied the effects on a few dozen college students of listening to the first 10 minutes of the Mozart Sonata for Two Pianos in D Major (K.448). They found a temporary enhancement of spatial-temporal reasoning, as measured by the Stanford-Binet IQ test. No one else has been able to duplicate their results. One researcher commented that the "very best thing that could be said of their [Shaw's and Rauscher's] experiment-were it completely uncontested-would be that listening to bad Mozart enhances short-term IQ" (Linton). Rauscher has moved on to study the effects of Mozart on rats. Both Shaw and Rauscher have speculated that exposure to Mozart enhances spatial-reasoning and memory in humans. "
Note that the only scientific tests were performed on college students.
If you want to listen to Mozart, great. Just buy a CD that does not insult your intelligence by making ridiculous claims.
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Grieg: Lyric Pieces (Performed on Grieg's Piano)
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Waltzes
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ASIN: B00005UUOC Release Date: 2002-03-12 |
Tracks:
- No.1 Arietta
- No.2 Waltz
- No.6 Norwegian Melody
- No.5 Folk Melody
- No.8 Canon
- No.6 Elegy
- No.7 Waltz
- No.3 Melody
- No.3 March Of The Trolls
- No.4 Notturno
- No.2 Gade
- No.3 Illusion
- No.6 Homesickness
- No.6 Homeward
- No.4 The Brook
- No.5 Phantom
- No.1 Sylph
- No.5 Cradle Song
- No.6 Wedding Day At Troldhaugen
- No.4 Evening In The Mountains
- No.3 At Your Feet
- No.2 Summer Evening
- No.6 Gone
- No.7 Remembrances
Amazon.com
Grieg's 66 Lyric Pieces range from simple pretty tunes like the early "Arietta" that opens this disc to more extended pieces like the dashing "Wedding Day at Troldhaugen" to impressionistic miniature tone poems like the late "Summer Evening." Here, Andsnes plays 24 of them, well-chosen to cover a representative selection from the complete sets. He plays them beautifully, with a lovely tone, virtuoso polish when such is called for, as in the express ride of "March of the Trolls," and poetic depth of feeling, as in "The Brook," where in his interpretation you can almost smell the grass and see the light ripples of the water. Gilels's selection on DG, with minimum overlap, is still unmatched, but Andsnes's well-recorded recital is a source of endless pleasures. Of added interest, the recording was made at Grieg's home, now a museum, on his 1892 Steinway. --Dan DavisCustomer Reviews:
Andsnes the piano man.......2007-01-08
Sensitive modern pianism.......2006-01-19
Yet, while a catalog with Horowitz' Scarlatti, Gould's Bach, Kempff Schubert, Bolet's Liszt, Pollini's Chopin, Michelangeli's Schumann, Gieseking's Debussy, Schnabel's Beethoven, Casadesus' Ravel, Seeman's Mozart and Backhaus' Brahms has set historic standards that are hard to equal or surpass, a cd of standard regularly performed repertoire like this one refutes any fear that we have reached the day that the music died.
For starters, piano technique has significantly improved over the last 25 years. Likely due to the standards that the aforementioned pianists set, the next generation is of superior dexterity. While I grew up in times that Horowitz' performances of Liszt, his own Carmen Fantasy and Stars and Stripes transcriptions, and Gould's highly articulate light speed Bach were considered supernatural phenomena, these times are long past. And although the former's sense of tone and the latter's feel for counterpoint may not yet have found their match, most participants in any of the endless number of competitions have basic skills that are just as high and in many cases repertoires that are much wider.
Before coming to the review of this disc, one more personal side note. Since the piano is an instrument that anyone with two functional hands can master to such a degree that quite a number of masterpieces in the repertoire are within reach, I expect recordings to reflect technical mastery. As such, I do not belong to the group of those pianophiles who consider Fischer's Bach "acceptable", Cortot's Chopin "monumental" and Horowitz "live in Moscow" version of his standard Scriabin etude "earth shattering".
Thus we come to the present disc, which I consider a prime example of contemporary pianism. Playing on Grieg's own euphonic, but decidedly mellow piano, in the composer's own "piano room" that imposes significant sonic limitations on the resulting recording quality, his fellow country man Leif Ove Andsnes revisits his juxtaposition of the modern and the authentic that we encountered earlier in his superior Haydn piano concerto disc. While the orchestral part in that recording had clear "authentic" traits, the piano and its performance were truly 21st century. Especially in the light of earlier performances of these Grieg pieces by the likes of Gilels and Gavrilov, Andsnes approach is more restrained and, based on credible historic documentation that comes to use by oral history, less authentically romantic.
Is there something like "the importance of being authentic"? Based on the movement that initially tried to ban all professional musicians from performing baroque music, there certainly is. Nobody will argue that it is of importance to have a good understanding of the performance practices of a particular era. Yet, the mere fact that Bach is still performed worldwide more than 2.5 centuries after his death clearly refutes the notion that his music could only be appreciated within a certain set of parameters. Leaving aside the great dichotomy between the fervor with which the "authentics" have defended "the rules" and the clarity and precision with which they were committed to paper centuries ago, there is no convincing argument that a contemporary should not be able to enjoy Gould's Bach on the piano over Leonhardt's "authentic" performances on the harpsichord.
Released of the shackles of authenticity, aware of the historical record, and fluent in Grieg's lingo from early childhood Andsnes has made a both highly sensitive and textually very accurate reading of the Norwegian's small scale character pieces. Helped by a technique, that is at least as good as all of the luminaries that I mentioned in the second paragraph, this recording shows the virtues of the "less is more" approach. Previous reviewers have harped on the Gilels comparison. While I admire the late Russian lion's performances, I greatly prefer Andsness. Although, Gilels could play fast and slow, soft and loud I considered his technique often of the lazy kind. Especially when it came to use of the sustain pedal he often chose to correct with his right foot, that what he preferred his hands/fingers to save energy on. While some consider this over-pedaling to be an essential part of the romantic mysticism, I am glad that the new generation of pianists does no longer need it to suggest fluency.
Limiting the use of the right pedal often leads to a much better characterization of a composer's sonic signature and this recording is no exception. While it is clear that Grieg was aware of contemporaries like Schumann, Brahms, Chopin and Liszt, Andsnes like no other "nails" the Norwegian's own distinctive voice. What results is a restrained, yet highly sensitive and intimate reading. While the room limits the clarity in the louder passages, it does provide a historically correct context for these lyric pieces.
Andsnes, without a doubt, is one of the stars of the next generation. While mediocre clowns like Lang Lang may entertain the circus crowds, it is comforting to know that musicians like the young Norwegian will keep the eternal flame alive and are likely to add chapters to an as of yet never ending history.
Suspicious Reviewer.......2005-10-19
By the way, I can't help questioning the intention of one of the reviewers named Dag Johansen. He is proactively reviewing most of Andsnes' CDs and giving them very poor rating. In fact, all he is reviewing are Andsnes', no other.
I don't mind that if it is truly his honest opinion but there's something fishy here... why does he keep buying Andsnes' CDs if he hates his playing so much? It's as if he is trying to damage the artist's reputation... Shady....
I have not actully heard this CD or any of Andsnes'. Just felt I needed to report on this.
A great pianist?.......2005-02-27
A voyage to the coast of Norway!.......2003-05-09
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György Ligeti Edition 3: Works for Piano (Etudes, Musica Ricercata) - Pierre-Laurent Aimard
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ASIN: B0000029P0 Release Date: 1997-01-21 |
Tracks:
- Piano Etudes (Book One): I. De'sordre - Molto vivace, vigoroso, molto ritmico
- Piano Etudes (Book One): II. Cordes a' vide - Andantino con moto, molto tenero
- Piano Etudes (Book One): II. Touches bloque'es - Presto possibile, sempre molto ritmico
- Piano Etudes (Book One): IV. Fanfares - Vivacissimo molto ritmico, con allegria e slancio
- Piano Etudes (Book One): V. Arc-en-ciel - Andante molto rubato, con eleganza, with swing
- Piano Etudes (Book One): VI. Automne a' Varsovie - Presto cantabile, molto ritmico e flessibile
- Piano Etudes (Book Two): VII. Galamb borong - Vivacissimo luminoso, legato possibile
- Piano Etudes (Book Two): VIII. Fe'm - Vivace risoluto, con vigore
- Piano Etudes (Book Two): IX. Vertige - Prestissimo sempre molto legato, sehr gleichmassig
- Piano Etudes (Book Two): X. Der Zauberlehrling - Prestissimo, staccatissimo, leggierissimo
- Piano Etudes (Book Two): XI. En suspens - Andante con moto, (avec l`e'le'gance du swing)
- Piano Etudes (Book Two): XII. Entrelacs - Vivacissimo molto ritmico, sempre legato, con delicatezza
- Piano Etudes (Book Two): XIII. L'escalier du diable - Presto legato ma leggiero
- Piano Etudes (Book Two): XIV. Coloana infinita' - Presto possibile, tempestoso con fuoco
- Musica ricercata: I. Sosenuto - Misurato - Prestissimo
- Musica ricercata: II. Mesto, rigido e cerimoniale
- Musica ricercata: III. Allegro con spirito
- Musica ricercata: IV. Tempo de Valse (poco vivace - a' l'orgue de Barbarie)
- Musica ricercata: V. Rubato. Lamentoso
- Musica ricercata: VI. Allegro molto capriccioso
- Musica ricercata: VII. Cantabile, molto legato
- Musica ricercata: VIII. Vivace. Energico
- Musica ricercata: IX. Adagio. Mesto - Allegro maestoso
- Musica ricercata: X. Vivace. Capriccioso
- Musica ricercata: XI. Andante misurato e tranquillo
- Piano Etudes (From Book Three): XV. White on White
Customer Reviews:
A nice mico-view of Ligeti's work.......2007-03-11
The most obvious technical requirement of this music is touch. In some of the etudes, complex voicings are required at very low dynamic levels. In others, the ability to bring out multiple voices is paramount. Aimard is perfect. His technique is so assured that we can easily get to the music and not be sidetracked by prowess.
Those who know Ligeti's music know how protean he could be. Like a good athlete, he was willing to take on enormous risks. Sometimes the result felt intellectualized and tiresome. But more often than not, the music soared. This is certainly true of the Etudes on this disk. They are studies in the truest sense of the word--one may focus on a particular set of intervals, another on a texture, yet another on a rhythm. Each one is fascinating and the collection holds together nicely. There are even hints of Nancarrow!
Ligeti himself felt ambiguously about the "Musica Ricercata", and it isn't hard to see why. The first piece is based on only two pitches (with octaves); the second on three and so on. It sort of proves a point, but what point? By the time you get to the fourth piece, it starts to get good, but the listener has to regain some flagging energy. The third piece is actually the basis of the opening of "6 Bagatelles for Wind Quintet".
So while I have little quibbles, I still recommend this disk strongly. It's great music, beautifully played.
Very Nice Piano Studies. Not the best Ligeti.......2006-09-02
Don't get me wrong. I think almost all of the studies on these tracks are good, maybe even almost as good as Chopin and Liszt, but I don't think so. We don't hum Ligeti etudes the way some people hum Chopin etudes or dances for piano. And, a few of the passages sound like the scene from 'Ghostbusters' where Bill Murray tickles the very high keys on Sigourny Weaver's piano as they enter her apartment to track down some particularly awesome apparitions of Zuel (sic) and Gozer (sic sic).
If you are looking to touch only the high points of Ligeti's music and don't have the compulsioin to own everything, you can pass on these and not be missing too much of the good stuff. Check out his choral and a capella works for the really hot stuff.
Perfect Ligeti........2005-10-19
What we find in this CD, 3rd of an outstanding series, is the technical perfection made piano playing, in the hands of Aimard, who plays absolutely all the notes full of perfection, sense and correction, from the dynamic to the tempo, from the correct attack to the prodigious use of the pedal. If you are used to a romantic piano you can feel this versions a little cold or dry, but this is because Aimard goes directly to the heart of the XXth Century style of piano playing, in the line that comes from Schönberg-Berg-Webern and that goes in a different way of playing than the century before, so you can be lost in some sense about the way he understand the use of the piano, the playing, the technique, the echoes, the silences...
You'll find in this CD the Musica Ricercata, a work from Ligeti's first period, very easy to understand for those who are not used to listen this kind of "modern" music. It has many folk motives, used in a way very close to Bartók's style. One of this pieces (Musica ricercata: II. Mesto, rigido e cerimoniale) was taken by Stanley Kubrick for his last film Eyes Wide Shut, with an outstanding presence in the film associated to the worries and pressure over the main character; Ligeti says about this piece that it was a knife against the stalinist regime because of this style of music, sinister, innovative and forgiven in the communist Europe. The film's version is slower than this by Aimard, more "cinematographic" but slower than the score asks. Aimard's version in this piece and in the full pieces are outstanding.
The rest of the CD it's based on the Etudes, books I & II, both of them complete. Those are pieces much more modern than the Musica Ricercata, some of them, in the words of Ligeti with some links and inspiration on Nancarrow's works. We are listening in this case some of the most complex works for piano written in the XXth Century, and many of them authentic jewels of the genre. The Aimard versions for Sony are the better I know from the French pianist, who have recorded some of them in other CDs, like his great recording from de Carnagie Hall (Warner), but not so good like this outstanding CD.
So, if you are looking for perfection in Ligeti's piano music performances don't doubt about this CD; if you want to discover the piano of the XXth Century this could be a great door to go into, because of the music, because of the performing and because of a perfect recording and booklet.
good cd.......2005-08-23
Ligeti on cd, hooray.......2005-08-01
The recording quality in this series is outstanding, and it is a delight to see the breadth of this series. Having many works of Ligeti from the Wergo vinyl catalog of the 70's, I selected the piano works for the fun of discovery.
Those of you who enjoy this piano stuff should try to find Nina Deutsch's recording of Charles Ives: Solo Piano Music.
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