The Soul Years

The Soul Years

Editorial Reviews

Amazon.com
After ruling the pop and R&B charts in the late '50s and early '60s, Jackie Wilson revived his somewhat dormant career with slick, immaculately sung Chicago-soul productions such as "Whispers (Gettin' Louder)" (1966), "(Your Love Keeps Lifting Me) Higher and Higher" (1967), and "I Get the Sweetest Feeling" (1968). The Soul Years offers these high points along with a stack of entertaining, if slight, tracks covering the period from "Whispers" to the end of Wilson's career in 1975. While not everything here ranks with his greatest work, the disc provides a revealing look at this master vocalist's final decade of recording. --Rickey Wright

Product Description
17 tracks including, 'Whispers' (Getting Louder), 'The Fairest Of Them All' and 'My Heart Is Calling'. Standard jewel case. 1999 release.

The Soul Years,Jackie Wilson,Brunswick Records,Chicago Soul,Oldies,Pop,Pop-Soul,R&B,Soul,Soul/Reggae/Rhythm & Blues,Uptown Soul


The Very Best of Tower of Power: The Warner Years
Average customer rating: 4.5 out of 5 stars
  • The best of the best!
  • Not so faulty Tower
  • You want to know the truth in life...
  • I would give it 6 stars if I could
  • Tower of Power: Live they are far better
The Very Best of Tower of Power: The Warner Years
Tower of Power
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005LMXQ
Release Date: 2001-07-17

Tracks:

  1. You Got To Funkifize
  2. What Happened To The World That Day?
  3. Down To The Nightclub
  4. You're Still A Young Man
  5. What Is Hip?
  6. So Very Hard To Go
  7. This Time Is Real
  8. Will I Ever Find A Love?
  9. Soul Vaccination
  10. Time Will Tell
  11. Below Us, All The City Lights
  12. Don't Change Horses (In The Middle Of A Stream)
  13. Willing To Learn
  14. Only So Much Oil In The Ground
  15. I Won't Leave Unless You Want Me To
  16. You're So Wonderful, So Marvelous

Customer Reviews:

5 out of 5 stars The best of the best!.......2007-07-09

This 2001 Tower of Power anthology spans the period between 1972 and 1976, during which they were signed to Warner Records. The albums represented include 1972's Bump City, 1973's Tower of Power, 1974's Back to Oakland, and 1975's In the Slot and Urban Renewal. These albums are widely considered the best TOP ever recorded, and this collection is a well-selected compilation of the best of these fine albums. During this period, Oakland's Tower of Power set themselves apart from the budding west coast music scene with their brand of soulful funk (or funky soul, whichever you prefer). Most famous was their incredibly tight horn section, which had as many as six players and full instrumentation. Besides being a vastly talented section, these players play so well together and their chemistry makes them a joy to listen to. The rhythm and percussion section is also very talented, so musically Tower of Power is just awesome on this disc. During this period, Tower of Power had two lead vocalists. On the earlier albums, the competent Rick Stevens was the singer, before being replaced by the wonderful Lenny Williams in 1973. Williams is very entertaining. Besides being a really gifted vocalist, he is so much fun because of his yelling and performance, you can tell he's having fun too. His voice has great range and versatility, and he brings a lot of soul and even gospel influence to the group. The tracklist is very well selected, and it is done in chronological order, so you can watch the band's progression. There's a nice balance of pure upbeat funk tracks and their signature slow jams. Tower of Power songs are all so well written and produced, and this record is a perfect example. I highly recommend "The Very Best of Tower of Power: The Warner Years" to all.

The compilation kicks off with a bang, the blasting "You Got to Funkafize," showcasing the awesomely powerful horn section. "What Happened to the World That Day?" is a heartfelt love song, Rick Stevens' influence is pretty clear on these earlier tracks. "Down to the Nightclub" was their first big hit, a swinging party song. "You're Still a Young Man" is another solid early-70s slow jam. "What Is Hip?" is their best known song, musically incredible, with a gorgeous arrangement for the funk guitar and horns. Lenny Williams also lends one of his finest performances ever on this song. "So Very Hard to Go" is among my favorites, an inspired love song, and "This Time It's Real" is also very appealing, a happy and hopeful ode. The slow "Will I Ever Find a Love?" precedes the awesome "Soul Vaccination," a fast and funky cut from the same mold as "What Is Hip?," but maybe even better. "Time Will Tell" and "Below Us All the City Lights" are both fine examples of TOP's range and versatility, and "Don't Change Horses (In the Middle of a Stream)" is a pumped up, swinging number. The slow, well-produced songs "Willing to Learn" and "I Won't Leave Unless You Want Me To" are split by the unforgettable "Only So Much Oil in the Ground," with the soaring horn cadence and Williams' wild vocals. The collection closes with the inspired "You're So Wonderful, So Marvelous."

One thing I love about Tower of Power's 1970s discography is that unlike so much music from that era, it really doesn't sound dated at all even today. Their music is so unique, well-produced, and exhibiting talent that the sound is timeless. For anyone who's a new listener or was a fan back in the day, "The Very Best of Tower of Power: The Warner Years" is a must have in the collection.

4 out of 5 stars Not so faulty Tower.......2007-01-09

A bit dated, but I'm such a screaming fan I'd take recordings from when they were all in diapers!

5 out of 5 stars You want to know the truth in life..........2006-06-24

...don't pass Tower of Power by. This band is smokin.' They have it all, great vocals, great compositions, great horns and arrangements. I would have loved to see Man From The Past on this one, but overall a very solid collection. So Very Hard To Go is top notch material - one of my all time favorites and they have so many great tunes - Below Us All The City Lights, Down To The Nightclub, What Is Hip, This Times It's Real, Only So Much Oil. Easily one of the best bands from the 70's. Got to have this one!

5 out of 5 stars I would give it 6 stars if I could .......2005-11-02

This band is one of the greatest bands of all-time, and most people don't even know it. Their Top Ten songs are:
1. "What is Hip?"
2. "Down to the Night Club."
3. "Soul Vaccination".
4. "Only so much Oil in the Ground".
5. "Your still a Young Man".
6. "Diggin' on James Brown".
7. "Clever Girl".
8. "Attitude Dance".
9. "Oakland Zone".
10. "Page One".

3 out of 5 stars Tower of Power: Live they are far better.......2005-06-26

Hallo Folks. I went to two concerts of TOP in the previous years in Holland, One time outdoor for the North Sea Jazz Fetival in The Hague and one time In Paradiso, in Amsterdam. I like TOP live far better than their album recordings. So for me the best CD is TOP live. This contains all their best hits, which are played more free, open and are recorder with much more base and a clearer sound. If you are a new fan, or a a huge fan, I would recommend the Live CD.
Vanessa Williams - Greatest Hits: The First Ten Years
Average customer rating: 4.5 out of 5 stars
  • Vanessa
  • Good collection @}->---
  • Some very good, some less so
  • Just OK
  • LOVE IT!!
Vanessa Williams - Greatest Hits: The First Ten Years
Vanessa Williams
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000DLYM
Release Date: 2005-07-04

Tracks:

  1. The Right Stuff
  2. Dreamin'
  3. Running Back To You
  4. The Comfort Zone
  5. Save The Best For Last
  6. The Sweetest Days
  7. Betcha Never
  8. Open Your Eyes, You Can Fly
  9. Oh How The Years Go By
  10. Love Is
  11. Colors Of The Wind
  12. Where Do We Go From Here?
  13. My Flame

Customer Reviews:

5 out of 5 stars Vanessa.......2007-05-06

Vanessa Williams has long been one of my favorite singers and entertainers out there and this compilation is a great example why. Featuring the now-classic pop ballad "Save The Best For Last" and the Oscar-winning "Colors Of The Wind" (which is my personal favorite on the album), among other hits, the album is an absolute winner. As for Vanessa herself, you just can't help but be captivated by her sheer beauty and talent (currently co-starring on "Betty"), I simply adore this woman. After all the turmoil she had to go through in the beginning of her career, she just started from scratch all over again and she did it in such an honorable way. She's a true role model - for everyone.

4 out of 5 stars Good collection @}->---.......2006-02-11

I really like Vanessa Williams and over the years she has had a couple of big songs here and there. Some of the ones on this cd were never huge hits, but to her fans, we know them well. My personal favourites here are Betcha Never (a bit latin-ish and fun), Sweetest Days and Save The Best For Last. That song is now a bit of an anthem. She doesn't have the most powerful voice in the world, but it's pretty and her music is really beautiful. Maybe for fans only. I just wished she'd really come back with some new big hits.

3 out of 5 stars Some very good, some less so.......2005-09-22

This CD has three great songs: Love Is, Save the Best for last, and Dreamin'. The rest of the songs are just OK. This is why it just doesn't pay to buy CD's. I can't recommend purchasing the whole CD just for three songs.

2 out of 5 stars Just OK.......2005-08-18

I bought this CD in order to get a few of the "big hits," and that's what I got--no more, no less, as most of the other songs are just so-so.

5 out of 5 stars LOVE IT!!.......2005-08-10

I grew up during the 80s and I am a big fan, so I enjoyed each song in this CD
3 Years 5 Months & 2 Days in the Life of--
Average customer rating: 4.5 out of 5 stars
  • Bring this stuff back....
  • Great CD
  • The Most Innovative Group From Atlanta (5 stars)
  • Thank You Baba Oje!
  • Who says rap has to be violent and vulgar?
3 Years 5 Months & 2 Days in the Life of--
Arrested Development
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003JBE
Release Date: 1992-03-24

Tracks:

  1. Man's Final Frontier
  2. Mama's Always On Stage
  3. People Everyday
  4. Blues Happy
  5. Mr. Wendal
  6. Children Play With Earth
  7. Raining Revolution
  8. Fishin' 4 Religion
  9. Give A Man A Fish
  10. U
  11. Eve Of Reality
  12. Natural
  13. Dawn Of The Dreads
  14. Tennessee
  15. Washed Away
  16. People Everyday (Metamorphosis Mix)

Product Description

Excellent condition, includes the original Cd, case, and paperwork, First Class shipped, ask me for more CD Titles/Artists or my Complete CD List! :D

Amazon.com

With their feel-good humanism, uniquely rural perspective, and melodic blend of funk and rap, Arrested Development seemed like the next big thing in 1992. The group hailed from Atlanta, which was not then a capital of hip-hop and R&B, and this, their debut recording, won the Village Voice's Pazz & Jop critics poll. Speech, the primary lyricist, wrote and delivered eloquent attacks on gangsta rap's mindless nihilism: the band's first hit, "Tennessee," spoke of reclaiming Southern black traditions from the racism that sullied their memory, while their second, "People Everyday," deftly updated the Sly Stone classic. Although Speech's rapping style was not distinctive, Dionne Farris's keening vocals highlighted the band's front line. Unfortunately, Speech began to run short of ideas and the band failed to maintain the high standards that this debut set. They disbanded a few years later. --Martin Johnson

Customer Reviews:

4 out of 5 stars Bring this stuff back...........2006-11-28

How refreshing to hear this kind of positive hip-hop, when the most of the world is drunk on the toxic garbage of 50-cent, P-Diddy, Ludacris, and Jay-Z.

There was a time when hip-hop showed promise by having intelligent lyrical content and thought-provoking introspection set to creative and original music from groups like Arrested Development.

When Ice-T was doing his morally-bankrupt "Cop-Killa" vomit, and Bone-Thugz-n-Harmony were glorifying the "gangsta" mentality that by now has been adopted into much of the hip-hop genre, A.D. was trying to send a different message. That women are NOT objects of marital infidelity and are not sex toys that you "hook up" with at the local clubs. And that Black culture is not about bling, blunts and "bitches". There are more beautiful, traditional and wholesome things to be proud of that sadly get thrown to the side for the more provocative and fleeting racy tripe that fills the screens of BET and MTV.

Standout tracks are Tennesee, Give a Man a Fish, People Everyday and Mr. Wendall.

If you're tired of the "Yo Dawg...spark up dat splif, grab my gat, and get-cho-freak-on" trash of today's rap/hip-hop scene, I recommend you check these guys out. It's much more satisfying (and edifying).

5 out of 5 stars Great CD.......2006-07-31

I am a big fan and really enjoy this CD. It was great on my drive from PA to N'awlins.
K

5 out of 5 stars The Most Innovative Group From Atlanta (5 stars).......2006-06-26

Before Outkast, Goodie Mob, and many other voices, there was a group named Arrested Development (Speech, Headliner, Baba Oje, Rasa Don, Aerle Taree, & Motosho Eshe) well known for spreading their African culture and vibes, along with positive messages comming from Atlanta.

One thing I like about this group is their style was mostly laid back and enjoyable. Most of the contributions of this album were the instruments that were used throughout this album. Speech, who does most of the vocals, makes lyrics that were made to create a positive environment like marrage on the song as "U" and getting a better outlook on religion on "Fishin' 4 Religion". At the same time, they were more for giving back knowledge to others in songs "Give A Man A Fish" & "Mr. Wendal". Other tracks that have a strong positive vibe are "People Everyday", "Tennessee" and "Washed Away". They sample a lot of old artist's songs on this album (a good one would be Sylvester Stewart's "Everyday People" on the song "People Everyday"), I like it though.

Overall, this was a very innovative album that came out in 1992. Unfortnately this album got over played, that people got tired of this group (I was about 7 when this came out, and I still remember the "Mr. Wendal" song), so when their 1994 album Zinga...(I dear not try to spell that name) came out, people turned the other way. I believe both of their albums should be heard. Also they would appear on MTV's Unplugged in 1993. If you can, try to hear one of the albums by this group, even it's a greatest hits album (they're tons of them floating around), because I pretty sure you'll love it. I recommend this to people who want to hear some African cultural vibes and music.

Lyrics: A
Production: A+
Musical Vibes: A+
Overall: A+

Favorite Tracks:Mr. Wendal, People Everyday (reprise), Fishing 4 Religion, Give A Man A Fish, U, Tenessee

Honorable Mention Track: Natural

5 out of 5 stars Thank You Baba Oje!.......2005-08-19

It is a true pity that our people are so eager to line the pockets of filthmongering materialistic hip-crap, and leaving eloquent and sincere artists like A.D. out to dry.

This album was positivity pure and simple. The message was strength but also intelligence. We can be poets too. The pen is mightier than the sword.

How many other groups out there subscribe to the African concept of respecting the elders? But Speech and Co. brought Baba Oje with them for spiritual guidance, and he gave them plenty!

The music is soft and deep and beautiful. An anthem for our people, and a prayer of hope.

5 out of 5 stars Who says rap has to be violent and vulgar?.......2005-08-10

I respect AD for having the courage of their convictions and being unafraid to state their beliefs unequivocally in their music. It's obvious that they have great respect for humanity and for their fellow man (all mankind).

"Mr. Wendal" is a very touching commentary on homelessness, "Tennessee" talks about recapturing a more peaceful time and lifestyle and my favourite track "Washed Away" talks about the gradual and slow moral degradation that takes place almost imperceptably.

This album is a classic because the lyrics are great and would still be great if this were a country & western album. My point is that the intelligent and heartfelt lyrics here would be at home in any genre and what is surprising is that it falls under the rap genre which is probably the one you'd least associate these days with intelligence, sympathy and concern for humanity.

AD may not have lived very long as a group but this album sure will and is destined to remain a classic for many years to come.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
One More Time: The Chess Years
Average customer rating: 5 out of 5 stars
  • NOT ENOUGH STARS CAN ACCURATELY EXPRESS THE FEEL OF THIS ALBUM HERE
  • The Long-Forgotten Motor Mouth
  • Great Chi-town soul
  • Such a gifted performer; one wonders what might have been
  • Billy Stewart (Great Vocals)
One More Time: The Chess Years
Billy Stewart
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. 20th Century Masters - The Millennium Collection: The Best of Billy Stewart
  2. Gene Chandler - 20 Greatest Hits
  3. The Best of Walter Jackson: Welcome Home - The Okeh Years
  4. The Very Best of Major Lance
  5. Cowboys to Girls: The Best of the Intruders:

ASIN: B000002O4O
Release Date: 1990-10-17

Tracks:

  1. Billy's Blues, Part Two
  2. Fat Boy
  3. Reap What You Sow
  4. Sugar & Spice
  5. Strange Feeling
  6. Count Me Out
  7. I Do Love You
  8. Keep Lovin'
  9. Sitting In The Park
  10. Love Me
  11. Summertime
  12. How Nice It Is
  13. Because I Love You
  14. Every Day I Have The Blues
  15. Secret Love
  16. Cross My Heart
  17. One More Time
  18. Golly Golly Gee
  19. Tell Me The Truth
  20. I'm In Love (Oh, Yes I Am)

Customer Reviews:

5 out of 5 stars NOT ENOUGH STARS CAN ACCURATELY EXPRESS THE FEEL OF THIS ALBUM HERE.......2007-01-31

billy stewart is just the man!!!!! i had the double album and like a dummy i left it in the sun!!!! never have i felt such woe!!!! i had to get this cd!!!! everything on here is absolutely FANTASTIC!!!! i think that there should be a written law that no matter if ya wanna or not, ONE SHOULD NOT REMAKE A BILLY STEWART SONG!!!! no one, and i mean absolutely NO ONE that i have heard remake his stuff has done the man justice. i so hate that he was killed the way he was. i wonder what he would've done in the progression of the 70s. shoot, i wonder what he would've done in the 80s.......especially the early 80s. he will never be forgotten here........best believe that. why? well, listen to the doggone album and find out now!!!!

4 out of 5 stars The Long-Forgotten Motor Mouth.......2006-04-11

To say that Billy Stewart epitomized soul music in the mid 1960s is probably equivalent to saying that Johnny Cash epitomized country pop during the 60s as a whole.

It is also ironic to me that his best charted attempts reached only 26 & 24 on the "Hot 100" charts. While "Summertime" typified his style, sonically "I Do Love You", & "Sitting In The Park" are unbeatable in terms of actually letting the sea roll & drown you in the essence of the music.

This piece features all of his known & (obviously, to some) a few of his little-known sides. I recommend it to any one who is a collector, although there are a couple of packages out there for less.

5 out of 5 stars Great Chi-town soul.......2006-01-13

Billy Stewart brought a unique vocal style to the Chess soul roster. Chess is often overlooked when great 60s soul is considered, but in fact they had a great team of writers, producers, musicians and singers, and put out side after side of great soul masterpieces. Billy Stewart was one of their most consistant artists, and covered a wide range of styles. Anyone who has a deep appreciation of 60s soul will treasure this collection. This collection, mastered early in the digital era, lacks some punch, but the sound is consistant, and the selection of songs superb. I would like to see MCA/Chess do an expanded and upgraded collection, but until that happens, this is the choice. The Millenium Collection sounds much better, but only contains 11 songs. Believe me, that is not enough.

5 out of 5 stars Such a gifted performer; one wonders what might have been.......2005-06-25

Like Little Willie John and Jesse Belvin before him, Billy Stewart remains a largely unknown and vastly underrated figure in the history of R&B. Billy Stewart was discovered by the legendary Bo Diddley who was so impressed by his ability to play the piano that he asked Billy to join his band back in 1956. Diddley even got Stewart a recording contract with his record label Chess and Billy recorded "Billy's Blues". That one went virtually unnoticed and Billy Stewart would not venture back into the studio for another seven years.
In my opinion, "One More Time" is and always has been the best Billy Stewart collection available. For when Billy resumed recording at Chess in 1962 he made several outstanding and really unique records. Most oldies fans will probably recall a couple of Billy's earliest hits including "I Do Love You" and the magnificent "Sitting In The Park" from the golden year 1964.
But Billy wanted to appeal to a wider audience and was willing to take chances to achieve that goal. In 1966 he recorded the LP
"Billy Stewart Teaches Old Standards New Tricks". The first single released from that album was Billy's rollicking interpretation of the George Gershwin classic "Summertime". I think Ol' George would have approved. That tune would go on to become one of the surprise hits of 1966. It was dynamite! "One More Time" offers the album version of that song which is nearly five minutes long. The follow-up single to "Summertime" was Billy's remake of the great Doris Day hit "Secret Love". I have always enjoyed that one as well. Billy Stewart had about a dozen songs appear on the Billboard Hot 100 between 1962 and 1969. Of the songs you are probably not familiar with I would recommend the uptempo "Because I Love You" as well as "Sugar and Spice", a tune that would remind you quite a bit of Marvin Gaye's "Pride and Joy". This should not be surprising as Marvin and Billy worked together frequently in the Washington D.C. area in the late 50's and early 60's.
"One More Time" offers the listener a nice retrospective on the tragically short career of this talented artist. In January 1970, Stewart's car ran off a road in North Carolina and plunged into a river killing him and three members of his band.
Billy Stewart was not a particularly prolific recording artist.
He much preferred performing "live" and devoted most of his energy to that. Although we can never know, Billy Stewart most likely would have wound up pursuing a career in jazz. He possessed all the attributes of a great jazz artist. If you have never heard him sing anything but his signature song "Summertime" you owe it to yourself to give this disc a listen. You will not be disappointed. Highly recommended.

4 out of 5 stars Billy Stewart (Great Vocals).......2004-12-30

This great singer was slightly ahead of my time but I saw him live my very first concert at age 10 and boy could he sing. There are about 5 songs on this CD which bring back memories of that show and beleive me his live vocals were even better than the recordings. Very nice CD.
Doughboys, Playboys and Cowboys: The Golden Years of Western Swing
Average customer rating: 5 out of 5 stars
  • The finest set of western swing ever. Timeless fun!
  • Good Luck in trying to find something better !
  • A Great Overview Of Western Swing
  • Musical history that is alive and well today
  • Western Swing is Western Folk Jazz no Hillbillies here!
Doughboys, Playboys and Cowboys: The Golden Years of Western Swing
Various Artists
Manufacturer: Proper UK Boxed Sets
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Stompin' Singers & Western Swingers: More from the Golden Age of Western Swing
  2. Take Me Back to Tulsa
  3. Hillbilly Boogie
  4. Daddy of Western Swing
  5. From Boppin Hillbilly to Red Hot Rockabilly

ASIN: B00005EQQE
Release Date: 2001-07-05

Tracks:

  1. Sunbonnet Sue - Fort Worth Doughboys
  2. Nancy Jane - Fort Worth Doughboys
  3. Oh You Pretty Woman - Milton Brown & His Musical Brownies
  4. Brownie's Stomp - Milton Brown & His Musical Brownies
  5. Osage Stomp - Bob Wills & His Texas Playboys
  6. Who Walks In When I Walk Out - Bob Wills & His Texas Playboys
  7. Boyd's Blues - Bill Boyd & Cowboy Ramblers
  8. I Want To Be A Cowboy's Sweetheart - Patsy Montana & Prarie Ramblers
  9. Sadie Green (The Vamp Of New Orleans) - Roy Newman & His Boys
  10. Who's Sorry Now - Milton Brown & His Musical Brownies
  11. Down By The O-H-I-O - Milton Brown & His Musical Brownies
  12. Barn Dance Rag - Bill Boyd & His Country Ramblers
  13. Never No More Blues - Bob Wills & His Texas Playboys
  14. Too Busy - Bob Wills & Texas Playboys
  15. Rambler's Stomp - Doug Bine & His Dixie Ramblers
  16. The Eyes Of Texas - Milton Brown & His Musical Brownies
  17. The Yellow Rose Of Texas - Milton Brown & His Musical Brownies
  18. Red's Tight Like That - Tune Wranglers
  19. Buster's Crawdad Song - Tune Wranglers
  20. Big Daddy Blues - Jimmie Revard & His Oklahoma Playboys
  21. Feather Your Nest - Washboard Wonders
  22. Dirty Dog - Jimmie Revard & His Oklahoma Playboys
  23. My Galveston Gal - Milton Brown & His Musical Brownies
  24. El Rancho Grande - Tune Wranglers
  25. Texas Sand - Tune Wranglers

Tracks:

  1. Women Women Women - Shelly Lee & His Alley Cars
  2. Mean Old Lonesome Blues - Buddy Jones
  3. Bring It On Down To My House - Derwood Brown & His Musical Brownies
  4. Corrine Corrina - Cliff Bruner's Texas Wanderers
  5. One Sweet Letter From You - Cliff Bruner's Texas Wanderers
  6. Fort Worth Stomp - Crystal Spring Ramblers
  7. The Women ('Bout To Make A Wreck Out Of Me) - Buddy Jones
  8. Streamlined Mama - Buddy Jones
  9. Blue Guitars - Light Crust Doughboys
  10. Dirty Dog Blues - Modern Mountaineers
  11. Mississippi Sandman - Modern Mountaineers
  12. Hot Tamale Pete - Bob Skyles & Skyrockets
  13. Married Man Blues - Nite Owls
  14. There'll Be Some Changes Made - W. Lee O'Daniel & His Hillbilly Boys
  15. Dirty Hangover Blues - W. Lee O'Daniel & His Hillbilly Boys
  16. Lose Your Blues & Laugh At Life - Jimmie Revard & His Oklahoma Boys
  17. Range Rider Stomp - Range Riders
  18. Hold That Critter Down - Sons Of The Pioneers
  19. Chicken Reel Stomp - Tune Wranglers
  20. Playboy Stomp - Bob Wills & Texas Playboys
  21. Moonlight In Oklahoma - Smokey Wood & The Wood Chips
  22. Keep On Truckin' - Smokey Wood & The Wood Chips
  23. I'm Confessin' (That I Love You) - Brown's Musical Brownies
  24. Just Once Too Often - Light Crust Doughboys
  25. Loud Mouth - Modern Mountaineers

Tracks:

  1. Kangaroo Blues - Cliff Bruner's Texas Wanderers
  2. Pine State Honky Tonk - Claude Casey & His Pine State Playboys
  3. Better Quit It Now - Adolph Hofner & His Texans
  4. Pussy Pussy Pussy - Light Crust Doughboy
  5. I'll Keep My Old Guitar - Adolph Hofner & His Texans
  6. Cowboy's Swing - Hank Penny & His Radio Cowboys
  7. Lonesome Road Blues - W. Lee O'Daniel & His Hillbilly Boys
  8. Liza Pull Down The Shades - Bob Wills & His Texas Playboys
  9. Truck Driver's Blues - Cliff Bruner & His Boys
  10. My Untrue Cowgirl - Jewel Cowboys
  11. San Antonio Rose - Cliff Bruner & His Boys
  12. Gonna Get Tight - Sunshine Boys
  13. Let's Make Believe We're Sweethearts - Light Crust Doughboys
  14. Mississippi Muddle - Hank Penny & His Radio Cowboys
  15. Billy Boy - Louise Massey & Her Westerners
  16. Good Gracious Gracie - Light Crust Doughboys
  17. Mean Mean Mama (From Meana) - Light Crust Doughboys
  18. Jones Stomp - Port Arthur Jubileers
  19. Rockin' Rollin' Mama - Buddy Jones
  20. Blue Steel Blues - Ted Daffan's Texans
  21. New San Antonio Rose - Bob Wills & Texas Playboys
  22. Bob Wills Special - Bob Wills & Texas Playboys
  23. Pussywillow - Port Arthur Jubileers
  24. Tobacco State Swing - Hank Penny & His Radio Cowboys

Tracks:

  1. Draftboard Blues - Cliff Bruner & His Boys
  2. Whatcha Gonna Do - Hi-Flyers
  3. Cotton Eyed Joe - Adolph Hofner & His San Antonians
  4. Sally's Got A Wooden Leg - Sons Of The West
  5. What's The Matter With Deep Elem - Sunshine Boys
  6. Lil Liza Jane - Bob Wills & His Texas Playboys
  7. Pistol Packin' Mama - Al Dexter & His Troopers
  8. Forgive Me One More Time - Spade Cooley & His Orchestra
  9. Shame On You - Spade Cooley & His Orchestra
  10. Steel Guitar Stomp - Hank Penny
  11. Boogie Woogie Boy - Porky Freeman
  12. That's What I Like About The South - Cliff Bruner
  13. Stay A Little Longers - Bob Wills & Texas Playboys
  14. Oklahoma Blues - Zeke Clements & His Western Swing Gang
  15. Oklahoma Stomp - Spade Cooley & His Orchestra
  16. Nails In My Coffin - Jerry Irby & His Texas Ranchers
  17. Bob Wills Two Step - Luke Wills Rhythm Busters
  18. I Got Texas In My Soul - Tex Williams & His Western Caravan
  19. Wildcat Mama - Hank Penny
  20. Betty Ann - Jesse Ashlock
  21. One Year Ago Tonight - Don Churchill & Texas Mavericks
  22. Oakie Boogie - Johnny Tyler & Riders Of The Rio Grande
  23. Smoke Smoke Smoke (That Cigarette) - Tex Williams & His Western Caravan
  24. Square Dance Boogie - Johnnie Lee Wills & His Boys
  25. Humpty Dumpty Heart - Hank Thompson

Album Description

Budget-priced four disc set with 99 tracks from the golden years of Western Swing, including cuts by Light Crust Doughboys, Bob Wills & His Texas Playboys, Bill Boyd & His Cowboy Ramblers, Tex Williams, Adolph Hofner, Hank Thompson and Cliff Bruners Texas Wanderers. Tracks include 'Pussy, Pussy, Pussy', 'Smoke, Smoke, Smoke'. 'Humpty Dumpty Heart' and 'Kangaroo Blues'. The tracks tell the story of this vibrant musical form that blended jazz with string bands, took in pop music & the blues, and pioneered amplification. Beautifully packaged, each disc also includes an illustrated booklet with a discography, photos and extensive liner notes. Each disc comes in a separate standard jewel case & together they are coralled up in a colorful & sturdy CD-sized slipcase box. 1999 release.

Album Details

4CD 99 track collection that covers the history of classic Western Swing. Includes extensive liner notes. A must for true fans of this artform!

Customer Reviews:

5 out of 5 stars The finest set of western swing ever. Timeless fun!.......2006-07-07

Western swing fans will be dancing in the streets over this brilliant box set. It features 99 cuts dating from 1932 through the late 40's. They run chronologically and features all the great architects of western swing: Milton Brown & his musical Brownies, Bob Wills & his Texas Playboys, Light Crust Doughboys etc. Even if you're not a fan of country music, you may enjoy this one. It is genuine feel-good, stomping music with honkytonk pianos, fiddles, drums, guitars and even saxes. This is without a doubt the best buy for any fan of this genre. It is timeless fun! Crank it all the way up, pop open a cold one and all of sudden it's 1938 and you're in a Dallas honky tonk. By the way, the liner notes in the booklet are outstanding with dates, pixs, stories. Most interesting was that the Crystal Springs Ramblers from Ft. Worth were a favorite of Bonnie and Clyde's at a popular dance hall down there. Great job by Proper Records!

5 out of 5 stars Good Luck in trying to find something better !.......2006-06-21

I read some of the other reviews and I can apperciate a lot what other folks are saying. I really agree with the one who said that todays Country Music makes them sick. What in the name of God does a naked Faith Hill rolling around a bed under the sheets singing some half baked so called Modern Country have to do with the music that I was raised on and grown to love. As the Great Bill Monroe stated "That junk ain't part of nothing",(I saw that on a FH video that was being played on cabel TV). What a moral let down, instead of appearing as one of our Country Stars she looks a lot more like a B-girl- that's where we are today. I said all that to say this: If you love WesternSwing like I do then you will love this set - it really has a lot of good stuff and takes you back to the days of Bob, Milton,Tommy,Leon, Spade and many other outstanding Western Swing artists. This set was a real welcome to my Swing Collection.
Keep in mind that this music ain't for everybody.If you like spending time listening to the likes of a feuding Toby with the Dixie Chicks then this real Roots Music ain't for you. But if you would be willing to sell your top coon hound to get the money to get tickets to see "Asleep at the Wheel" then you might be a fan that can apperciate what was started by Bob & Milton way down in Texas back in the early 30's.
While I type this review I'm listening to Bob Wills and the Texas Playboys perform "Faded Love" on my computer so I'll cut it short. Buy this set - at this price you can't afford not too. While you are at it do what I did and get the "Proper Records - Bob Wills/Take Me Back To Tulsa" also - you will be Blessed !
"ENJOY" Joe Kopeck / Parkville,MD.

5 out of 5 stars A Great Overview Of Western Swing.......2005-06-16

This 4 volume box set by Proper is a fantastic overview of that great American musical art form Western Swing.
It's not country, it's not cowboy, it's not swing, it's just great toe-tapping fun music!
The songs in this album are presented in chronological order thus allowing the listener to experience the growth and progression of this great music.
The songs are remastered originals and the sound quality is first rate.
There's also a booklet containing liner notes about all the artists and a discography.
I own several box sets by Proper and every single one is a bargain, well worth far more than the asking price.

5 out of 5 stars Musical history that is alive and well today.......2004-09-13

My first exposure to Western swing was the first Asleep At The Wheel Bob Wills tribute CD, and I have been hooked ever since. However, up until I bought this collection, I have only heard Bob Wills. I was pleased to buy this in a local branch of Half Price Books. In addition to Bob Wills and the Texas Playboys, it also has selections from Milton Brown, Patsy Montana, the Light Crust Doughboys, Spade Cooley - just to name a few. This vibrant blend of cowboy/fiddle music and black blues/swing has yet to wander far from my CD player!

5 out of 5 stars Western Swing is Western Folk Jazz no Hillbillies here!.......2003-12-12

This is a great panorama of Western Swing from its origins with Bob Wills and Milton Brown working together inthe Original Light Crust Dough Boys in the early 1930s to Tex Williams' great electric swing band from just after WWII. I've had these sides since Columbia issue an earlier version on LP more than 20 years ago.

This music has little to do with what was considered Country music at the time or its emasculated mutant descendants in Nashville.

This was not marketed as Country music. In fact in 1945 when Bob Wills, the acme of Western SWing, was the biggest grossing public attraction in the entertainment business, he had his sole invitation to the Grand Ole Opry, and then he almost walked out of there before he played a song because the hayseeds wouldn't let him bring on his drums and horns (not allowed onthe Opry until the late 1950s!).

Western Swing comes from Jazz from the pop Jazz of the 20s and early 1930s, included people who went back and forth between bands like Wills and Spade Cooley to the white big bands (though Bob Wills once tried to hire a black alto player[against the law in Oklahoma] and of late Les Paul has taken to claiming he saw Charlie Christian sit in with the Playboys at Cains and there are pictures of the Playboys having drinks in Chicago with black Jazz greats like Ben Webster!!). Townsend Wills' biographer interviewed many Playboys and none of them felt they were part of Country, but part of Jazz.

Basically it begins with people trying to play Jazz and Blues influenced music with the instruments of the old Southwestern Barn dance bands: guitar, fiddle, piano, adding in drums, and in many bands all the instruments of the Jazz orchestras. Very quickly Bobby Dunne added in the electric Hawaii, pedaless steel guitar and Leon McAuliffe who replaced him in the Doughboys and went with Wills was so well known that Bob Wills' introduction to him "Take it Away Leon" became a catch phrase in the whole country and beyond in the 1940s!

At its most hyperbolic height (captured here in the Space Cooley Orchestra's Oklahoma Stomp, a recording anyone with a set of ears should treasure) you had 16 and 18 piece orchestras with full fiddle sections (in the early 1960s Wills even rounded his fiddles with a violist from the Lawrence Welch band!), complete reed sections, and more brass than they needed, and exotic additions like the Harpist who kicks off The Oklahoma Stomp.

Further on than these recordings go, you would have players like Tiny Moore and Johnny Gimble who incorporated Bebop styles in their solos.

Along the way, mostly during that war time period when recording bans and players going in and out of the army and different bands make following a little harder, the straight western swing style of combining a guitar, steel guitar, and sometimes electric mandolin trio alternating with fiddle choirs took hold as the paradigm for Western Swing. For some reason in most bands the horns seemed to disappear or roll down to just one after WWII.

One thing about this music is that a very high level of musical technique and education became more and more part of the Western Swing environment. We know that European Jazmen like Stephan Grappelli followed the recordings of Hugh Farr who played with the sons of the pioneers and later Spade Cooley, and that Down Beat magazine described Eldon Shamblin out of Bob Wills' band as the best rythm guitar player in the country (slighting Freedie Green who even Eldon probably acknowledge was better).

The other thing in contrast with much of what was being presented as country music contemporaneously is that this was not being presented as "old time music," craddling close to old conventions, but a new hot dangerous music, drawn as close as comfort would allow from Black sources, from the dangerous white swing bands, and from the part of down home music involved in drinking, dancing, cheating, and other things not permitted in the Baptist Southeast.

WSM Grand Old Opry Stars toured the deep South playing in school auditoriums, church houses, and public squares. From the beginning Western swing belonged in barrooms, in dance halls, and other places where "the wine and liquor flow." Even Hank Williams wasn't allowed to use the word "beer" when he sang "My Bucket's got a hole in it" on the Opry. Meanwhile Western Swingers like Wills and Brown were singing about Cocaine and Opium, whiskey and beer back in the early 1930s.

And Smokie Woods wasn't called smokie cause he liked Tobacco. LOL. In fact his tune here called "Everybody's Trukin," about what is done "up in Harlem" includes much use of a word that does sound like truckin', but does not contain an r or a T but does start with an F!!

No this is not Nashville Country or even old time country music. This is Western guys and gals trying to be jazzy, bluesy, wild, whiskey soaked, drug high, hip to the secrets of Negroid nights of "truckin," playing their hearts out fast hot and heavy!

Anyone with ears should own this collection!

ps another wierd side note to this is on the great Hit\
"Smoke, Smoke, Smoke (That Cigarette)" both Tex Williams who sang it and Merle Travis who wrote it died of lung cancer!
Casey Kasem: America's Top 10 Through Years - The 70's
Average customer rating: 5 out of 5 stars
  • the 70s
Casey Kasem: America's Top 10 Through Years - The 70's
Various Artists
Manufacturer: Top Sail Productions
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
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GeneralGeneral | Adult Contemporary | Pop | Styles | Music
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  1. Casey Kasem: Top Ten - 70's Singers & Songwriters
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  4. Casey Kasem Presents: America's Top Ten - The 70s #1 Pop Hits
  5. Casey Kasem: America's Top 10 Through Years - The 60's

ASIN: B00005B53W
Release Date: 2001-04-24

Tracks:

  1. American Woman - The Guess Who
  2. Rich Girl - Daryl Hall & John Oates
  3. You're So Vain - Carly Simon
  4. Maggie May - Rod Stewart
  5. Feels Like The First Time - Foreigner
  6. Show Me The Way - Peter Frampton
  7. That's The Way (I Like It) - KC & The Sunshine Band
  8. Tell Me Something Good - Rufus
  9. Dream Weaver - Gary Wright
  10. Don't Stop - Fleetwood Mac
  11. Why Can't We Be Friends? - War
  12. My Eyes Adored You - Frankie Valli
  13. Joy To The World - Three Dog Night
  14. She's A Lady - Tom Jones
  15. Diamond Girl - Seals & Crofts
  16. Cat's In The Cradle - Harry Chapin
  17. What A Fool Believes - The Doobie Brothers
  18. A Horse With No Name - America
  19. Without You - Nilsson
  20. Could It Be I'm Falling In Love - The Spinners

Customer Reviews:

5 out of 5 stars the 70s.......2005-09-01

I love the 70s and Casey kasems radio show. I love Rod stewart ,Carly simon, Frankie valli,America and Harry nilson.I also like other artists of the 70s tat are not on this album like John travolta,Paul mccartney, bee gees , John lennon and Elton john. The 70s has great ,great music. FROM A BIG 70S FAN ADAM!!!!!!!
The Very Best of the Island Years
Average customer rating: 5 out of 5 stars
  • Sing that funky music white boy!
  • Good overview of his best work
The Very Best of the Island Years
Robert Palmer
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Pressure Drop
  2. Drive
  3. Sneakin' Sally Through the Alley
  4. Riptide
  5. Secrets

ASIN: B0008GIZ9Y
Release Date: 2005-07-19

Tracks:

  1. Sailin' Shoes
  2. Hey Julia
  3. Sneakin' Sally Through the Alley
  4. Give Me an Inch
  5. Which of Us Is the Fool
  6. Man Smart, Woman Smarter
  7. Every Kinda People
  8. You're Gonna Get What's Coming
  9. Bad Case of Lovin' You (Doctor, Doctor)
  10. Can We Still Be Friends?
  11. Jealous
  12. Not a Second Time
  13. Looking for Clues
  14. Johnny and Mary
  15. Some Guys Have All the Luck
  16. Pride
  17. You Are in My System
  18. Hyperactive
  19. Addicted to Love
  20. Discipline of Love
  21. I Didn't Mean to Turn You On
  22. Sweet Lies
  23. Simply Irresistible [Live][*]

Customer Reviews:

5 out of 5 stars Sing that funky music white boy!.......2006-06-06

This CD chronicles the late Robert Palmer's journey from funked-up soul singer and 70s pop stylist through his new wave and techno era to commercial-rock MTV star. The journey begins with his killer medley of "Sailin' Shoes", "Julia", and "Sneakin' Sally Through The Alley" backed by Little Feat and ends on this disc with a rowdy live version of "Simply Irresitable". Regardless of what style of music he did, he always sang with a genuine gutsy soul style. In between, the album cruises through the aformentioned musical genres in a somewhat jagged manner. It's not that any of it is bad; it's just a little aggravating the way the music jumps from one style to another as you listen to this release. However, that's the only way an overview of Palmer's singing career can be presented. Robert Palmer has always been one of my favorite singers, and I will keep and (selectively) cherish this CD. Be sure to check out his last album "Drive", which featured some full-blown, hardcore blues, and also his Power Station material.

5 out of 5 stars Good overview of his best work.......2005-11-12

Robert Palmer already had a body of work when MTV catapulted him to superstar status.Alas,this was for him a double-edged sword as his video image leading his zombie girl band began to overshadow and undervalue his work-others,like Cyndi Lauper, had this problem as well.This CD should restore his credibility,however, as it showcases his gifts as a singer of his own fine songs and as an interpreter of the material of others.There is no Power Station and some of his last worthy work,created after leaving the label,is also missing but what is here is a generous sample of his talent and versatility.
The Best of the Concord Years
Average customer rating: 5 out of 5 stars
  • As good as jazz gets
  • Great CD
  • The BEST CD SET of ALL !!!
  • Best of The Best
  • Couldn't resist it and really pleased.
The Best of the Concord Years
Gene Harris
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Soul-Jazz & BoogalooSoul-Jazz & Boogaloo | Jazz | Styles | Music
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ASIN: B00004XN1C
Release Date: 2000-09-12

Tracks:

  1. Uptown Sop
  2. Captain Bill
  3. Blues For Sam Nassi
  4. Summertime
  5. Don't Be That Way
  6. Listen Here
  7. Creme De Menthe
  8. You Are My Sunshine
  9. Don't Get Around Much Anymore
  10. Will You Still Be Mine
  11. Black And Blue
  12. Like A Lover

Tracks:

  1. Blues For Rhonda
  2. This Little Light Of Mine
  3. Take The 'A' Train
  4. Sweet Georgia Brown
  5. Old Funky Gene's
  6. That's All
  7. Cottontail
  8. Lean On Me
  9. Down Home Blues
  10. Put It Where You Want It

Amazon.com

This 22-track retrospective represents well the 20 albums Gene Harris made for Concord Records over 14 years. The barrelhouse rocking pianist was obviously getting better with age, as one of his best discs was his last, Alley Cats (1999), made shortly before his death and represented here by a cover of the Crusaders' classic "Put It Where You Want It." The track is very indicative of the rest of this two-CD set, as it was recorded live, like nearly half of this compilation. Harris played always as if each tune were as familiar as "Put It," with tantalizing arrangement and distinctive soloists (sax men Red Holloway and Ernie Watts). Other standout guests throughout this well-paced set include bassist Ray Brown, trumpeter Harry "Sweets" Edison, and saxophonist Scott Hamilton. It's up to the very big tenor sax of the late Stanley Turrentine to kick the whole thing off with the funky blues number "Uptown Sop." Harris's successful big band takes on a pair of tracks and a number of slower tunes that drip with gutsy emotion, particularly Fats Waller's "Black and Blue" and Erroll Garner's smooth "Crème de Menthe." Other finger-snapping, toe-tapping highlights include one of the most entertaining arrangements ever of the nearly century-old "Sweet Georgia Brown," and Harris's daughter Nikki's duet with organist Jack McDuff on Z.Z. Hill's blues classic "Down Home Blues." --Mark A. Ruffin

Customer Reviews:

5 out of 5 stars As good as jazz gets.......2007-06-16

This is the real stuff, not the watered-down "smooth jazz" they play on the radio. But don't fret about the improvisation if you're a casual listener. There are plenty of catchy melodies and toe-tapping rhythms to nod your head to. The solos are all first-rate without being showy and the recording quality is superb. And what about that incredible "Uptown Sop." It's easily one of the ten best jazz songs recorded after 1960 and possibly since WWII. It ranks up there with Brubeck's "Take 5", Hancock's "Cantaloupe Island", and Miles' "All Blues". If you don't like this stuff, there's a hole in your soul.

5 out of 5 stars Great CD .......2007-01-19

If you like Gene Harris you will like this CD set. If you do not know him, this set is a very good introduction.


The Magic of Gene Harris will easily engulf you will listening to his great style of playing jazz.

5 out of 5 stars The BEST CD SET of ALL !!!.......2006-03-23

This is BY FAR the BEST CD set I've EVER heard topping EVERYTHING in my collection. When I first played Gene Harris' "TRIBUTE TO COUNT BASIE" CD (which I can't recommend strongly enough) I thought this was the ultimate but something told me if I liked this I'd love "THE BEST OF THE CONCORD YEARS" and thank God I heeded my inner voice.

Harris' "That's All" really blew me away as it gradually built to an awesome, up-tempo, chanting climax like I've NEVER heard before or expect to again. "Like A Lover", "You Are My Sunshine" and "Down Home Blues" are equally breathtaking as Harris brilliantly blends standards, boogie, funk and blues into the kind of melodic perfection you'll want to experience over and over again.

In fact, all 22 tracks are masterpieces in their own right ranging from "Don't Be That Way" to a totally unique rendition of "Summertime" - and trust me if you like Basie, Garner and truly GREAT jazz, you'll treasure this CD. It's NUMBER ONE in my collection and it will be in yours too.

5 out of 5 stars Best of The Best.......2005-08-30

Piano playin' doesn't get any better than Gene Harris. This is a classic that you'll never tire of hearing.

5 out of 5 stars Couldn't resist it and really pleased........2004-02-02

Well, I already have 2 Gene Harris cd's("Listen Here" and "Gene Harris plus one") but when I saw this one listed, I just couldn't resist trying another one and I certainly was NOT disappointed. I often let this cd repeat for most of the day and it never fails when I get a visitor, they will eventually say "Who's that on piano?" Well, that's Gene Harris. I mentioned in another review that I have been around music all of my life, but only discovered Gene last year when I caught one of his tracks on a jazz station out of Philly.He was truly remarkable. This particular cd is a great value with 22 tracks (2 discs) and, as far as I'm concerned, extremely listenable. Of course I have my favorites just like anyone else. "Don't Be That Way", "Take the A Train", "Cottontail", & "Blues For Sam" all rate high on my list, but the entire album is a real treat for jazz fans everywhere. It's a mixture of big bands and small groups. I only hope it doesn't take you as long as it did me to discover him.
The Best of Ann Peebles: The Hi Records Years
Average customer rating: 4 out of 5 stars
  • A Bit Disappointed
  • If You've Ever Heard Christina Aguilera Sing "At Last"
  • Kim "confused"
  • Ms. Al Green
  • OUTSTANDING! ANN PEEBLES IS SOUL POWER!
The Best of Ann Peebles: The Hi Records Years
Ann Peebles
Manufacturer: The Right Stuff
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | R&B | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
Memphis SoulMemphis Soul | Soul | R&B | Styles | Music
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ASIN: B000002UFO
Release Date: 1996-07-23

Tracks:

  1. Walk Away
  2. Give Me Some Credit
  3. Part Time Love
  4. I Pity The Fool
  5. I'm Gonna Tear Your Playhouse Down
  6. I'll Get Along
  7. Slipped, Tripped, And Fell In Love
  8. I Can't Stand The Rain
  9. (I Feel Like) Breaking Up Somebody's Home
  10. Somebody's On Your Case
  11. (You Keep Me) Hangin' On
  12. A Love Vibration
  13. 99 Pounds
  14. Do I Need You
  15. Come To Mama
  16. Dr. Love Power
  17. Beware
  18. Fill This World With Love
  19. Old Man With Young Ideas
  20. If This Is Heaven
  21. Didn't Take Your Man

Amazon.com

Take an inspired producer at the peak of his powers, a great team of session players, and an uncommonly subtle and graceful R&B singer, and what do you have? Top-tier Memphis soul. The feminine counterpart to Al Green on producer Willie Mitchell's Hi label, Peebles had a strong run through the '70s during which she put out a string of R&B hits, many of which have since been revived by famed fans of the singer and the Memphis style. This retrospective gathers 21 peak-period Peebles tracks on one vastly entertaining disc. "I Can't Stand the Rain," "(I Feel Like) Breaking Up Somebody's Home," and "Part Time Love" illustrate the ongoing appeal of this multifaceted vocalist, who stepped away from recording in the '80s, then returned to performing in the '90s, her contemplative vocal approach still intact. --Steven Stolder

Customer Reviews:

3 out of 5 stars A Bit Disappointed.......2007-01-29

I am new to Ann Peebles, and I have to say that I am a little disappointed in the quality of this CD. Ann herself is great, and the CD has to potential to be great, but I found that on several of the songs, Ann sounds either like she's in a tunnel or I have cotton in my ears. I think that it's a function of poor quality recording and/or remastering. There are plenty of tunes on here, though, and my solution is to copy it to my computer's Media Library and then delete the individual songs that I think have poor sound quality and just not listen to them. Of course, there's always the possibility that the copy I bought last month is defective, but I don't think that's the case, since many of the songs sound just fine. Perhaps you should spend your money on a different Ann Peebles collection. It's worth spending your money on her, just not this particular CD... although it is pretty inexpensive!

4 out of 5 stars If You've Ever Heard Christina Aguilera Sing "At Last".......2006-06-06

...and wondered if 'understated' was still a word, 'The Best of Ann Peebles: The Hi Records Years' is for you. It's guaranteed to restore equilibrium to your musical universe.

Loved by r&b fans and rock musicians alike (Bob Seger covered "Come To Mama", and Graham Parker did likewise with "I'm Gonna Tear Your Playhouse Down"), Ann Peebles is a master of simmering restraint. What her sublime delivery is able to convey is a thing of beauty--even without the yelping so many female singers think is 'emoting' in these, the days of Patti Labelle, Mariah Carey, Christina Aguilera and their 'American Idol' clones.

Her signing with Hi Records was an act of celestial confluence, her unadorned delivery a perfect fit for the Hi Records house band's lean, spare chops. "Part Time Love", "I Can't Stand the Rain", "A Love Vibration" and "Come To Mama" are bare-bones, propulsive funk, the sister to recordings by Al Green and Syl Johnson.

Like the broad, flat flood plains of west Tennessee, there's nothing fancy about this music. But like the deceptively relaxed current of the Mississippi, this music will grab you and won't let go.

Take the plunge.



5 out of 5 stars Kim "confused".......2005-12-24

Where is Ann Peebles now? Is she still married to Don? How many children does she actually have. She had spoken about a son, but did not speak of the daughter who is supposedly in her mid-40's. Who is (really) her "baby's daddy"? Was her father actually a, "Minister?" I have an article/obituary dated 6/1/61 that a young man in his 20's was killed by her (Minister) father on 5/31/61 in the Peebles'home. Would you like a copy? Why did Ann really go to Tennessee and who "really" drove her there? Just wanna to keep it real. Here's a little poem, "Ann, if you read this and DISAGREE please reply for everyone to SEE. Signed, "Confused" (tired of the phoniness).

2 out of 5 stars Ms. Al Green.......2005-02-23

Her vocals may be similar to Esther Phillips, but the groove is totally Al Green. These are some nice mid-tempo songs and ballads recorded from 1969 to 1978. So if expecting Etta James or Millie Jackson type soul-stirring booty-shaking funk or powerhouse vocals, then this will disappoint. With that in mind, this is a nice set with some nice cuts including "I Didn't Take Your Man" [You gave him to me], "Somebody's On Your Case", "(You Keep Me) Hangin' On" (NOT the Supremes tune), "If This is Heaven" [send me to hell], and "(I Feel Like) Breaking Up Somebody's Home". Booklet includes an essay, minimal track information, and no discography.

Updated review:
The female Al Green - and much more (1969-1978)

Ann Peebles may be most notable for her composition "I Can't Stand the Rain", which was later covered by Tina Turner in 1984 and, more recently, used by Missy "Misdemeanor" Elliott for her 1997 hit "The Rain (Supa Dupa Fly)".

THE BEST OF ANN PEEBLES: THE HI RECORDS YEARS consists of 21 songs from 1969-1978; the tracks are in semi-chronological order. Disc packaged in jewel case. Booklet includes an essay by David Nathan, a multitude of photographs and images, release dates and chart info for singles, and recording personnel.

Notable songs include "I Pity the Fool" (a hit for Bobby "Blue" Bland), "Come to Mama", "(You Keep Me) Hangin' On" (the Joe Simon 1968 hit, not the song by the Supremes), and "I Didn't Take Your Man", with a spoken-word one-sided conversation intro not unlike the monologs/raps of Millie Jackson.

The music is fun, funky, and Soulful. She may not have the vocal power of Etta James or Koko Taylor, but Ann Peebles can sing. And here, she sings some great material.

5 out of 5 stars OUTSTANDING! ANN PEEBLES IS SOUL POWER!.......2004-03-28

So some of you thought that Tina Turner said it all ha? Well you're bloody wrong! Because this 21 track single CD by the
legedary Ann Peebles The Best Of The Hi Records Years /Hi Records-The Right Stuff will convince you and prove to you
that this girl is the real stuff that others have sadly taken from her. Hail you Ann! And bless you that Tina realized you when she
recorded "I' Can't Stand The Rain' (the apple don't fall far from the tree , ha?). This collects her years at Hi Records from '69
to '78 and this CD is packed with full liner notes & pixs on this ladies wonderful output, plus all her great gems! A must for any
R & B lover or music lover at heart!

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