After ruling the pop and R&B charts in the late '50s and early '60s, Jackie Wilson revived his somewhat dormant career with slick, immaculately sung Chicago-soul productions such as "Whispers (Gettin' Louder)" (1966), "(Your Love Keeps Lifting Me) Higher and Higher" (1967), and "I Get the Sweetest Feeling" (1968). The Soul Years offers these high points along with a stack of entertaining, if slight, tracks covering the period from "Whispers" to the end of Wilson's career in 1975. While not everything here ranks with his greatest work, the disc provides a revealing look at this master vocalist's final decade of recording. --Rickey Wright
Product Description
17 tracks including, 'Whispers' (Getting Louder), 'The Fairest Of Them All' and 'My Heart Is Calling'. Standard jewel case. 1999 release.
The Soul Years,Jackie Wilson,Brunswick Records,Chicago Soul,Oldies,Pop,Pop-Soul,R&B,Soul,Soul/Reggae/Rhythm & Blues,Uptown Soul
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The Very Best of Tower of Power: The Warner Years
Tower of Power Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LMXQ Release Date: 2001-07-17 |
Tracks:
- You Got To Funkifize
- What Happened To The World That Day?
- Down To The Nightclub
- You're Still A Young Man
- What Is Hip?
- So Very Hard To Go
- This Time Is Real
- Will I Ever Find A Love?
- Soul Vaccination
- Time Will Tell
- Below Us, All The City Lights
- Don't Change Horses (In The Middle Of A Stream)
- Willing To Learn
- Only So Much Oil In The Ground
- I Won't Leave Unless You Want Me To
- You're So Wonderful, So Marvelous
Customer Reviews:
The best of the best!.......2007-07-09
The compilation kicks off with a bang, the blasting "You Got to Funkafize," showcasing the awesomely powerful horn section. "What Happened to the World That Day?" is a heartfelt love song, Rick Stevens' influence is pretty clear on these earlier tracks. "Down to the Nightclub" was their first big hit, a swinging party song. "You're Still a Young Man" is another solid early-70s slow jam. "What Is Hip?" is their best known song, musically incredible, with a gorgeous arrangement for the funk guitar and horns. Lenny Williams also lends one of his finest performances ever on this song. "So Very Hard to Go" is among my favorites, an inspired love song, and "This Time It's Real" is also very appealing, a happy and hopeful ode. The slow "Will I Ever Find a Love?" precedes the awesome "Soul Vaccination," a fast and funky cut from the same mold as "What Is Hip?," but maybe even better. "Time Will Tell" and "Below Us All the City Lights" are both fine examples of TOP's range and versatility, and "Don't Change Horses (In the Middle of a Stream)" is a pumped up, swinging number. The slow, well-produced songs "Willing to Learn" and "I Won't Leave Unless You Want Me To" are split by the unforgettable "Only So Much Oil in the Ground," with the soaring horn cadence and Williams' wild vocals. The collection closes with the inspired "You're So Wonderful, So Marvelous."
One thing I love about Tower of Power's 1970s discography is that unlike so much music from that era, it really doesn't sound dated at all even today. Their music is so unique, well-produced, and exhibiting talent that the sound is timeless. For anyone who's a new listener or was a fan back in the day, "The Very Best of Tower of Power: The Warner Years" is a must have in the collection.
Not so faulty Tower.......2007-01-09
You want to know the truth in life..........2006-06-24
I would give it 6 stars if I could .......2005-11-02
1. "What is Hip?"
2. "Down to the Night Club."
3. "Soul Vaccination".
4. "Only so much Oil in the Ground".
5. "Your still a Young Man".
6. "Diggin' on James Brown".
7. "Clever Girl".
8. "Attitude Dance".
9. "Oakland Zone".
10. "Page One".
Tower of Power: Live they are far better.......2005-06-26
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Vanessa Williams - Greatest Hits: The First Ten Years
Vanessa Williams Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DLYM Release Date: 2005-07-04 |
Tracks:
- The Right Stuff
- Dreamin'
- Running Back To You
- The Comfort Zone
- Save The Best For Last
- The Sweetest Days
- Betcha Never
- Open Your Eyes, You Can Fly
- Oh How The Years Go By
- Love Is
- Colors Of The Wind
- Where Do We Go From Here?
- My Flame
Customer Reviews:
Vanessa.......2007-05-06
Good collection @}->---.......2006-02-11
Some very good, some less so.......2005-09-22
Just OK.......2005-08-18
LOVE IT!!.......2005-08-10
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3 Years 5 Months & 2 Days in the Life of--
Arrested Development Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003JBE Release Date: 1992-03-24 |
Tracks:
- Man's Final Frontier
- Mama's Always On Stage
- People Everyday
- Blues Happy
- Mr. Wendal
- Children Play With Earth
- Raining Revolution
- Fishin' 4 Religion
- Give A Man A Fish
- U
- Eve Of Reality
- Natural
- Dawn Of The Dreads
- Tennessee
- Washed Away
- People Everyday (Metamorphosis Mix)
Product Description
Excellent condition, includes the original Cd, case, and paperwork, First Class shipped, ask me for more CD Titles/Artists or my Complete CD List! :DAmazon.com
With their feel-good humanism, uniquely rural perspective, and melodic blend of funk and rap, Arrested Development seemed like the next big thing in 1992. The group hailed from Atlanta, which was not then a capital of hip-hop and R&B, and this, their debut recording, won the Village Voice's Pazz & Jop critics poll. Speech, the primary lyricist, wrote and delivered eloquent attacks on gangsta rap's mindless nihilism: the band's first hit, "Tennessee," spoke of reclaiming Southern black traditions from the racism that sullied their memory, while their second, "People Everyday," deftly updated the Sly Stone classic. Although Speech's rapping style was not distinctive, Dionne Farris's keening vocals highlighted the band's front line. Unfortunately, Speech began to run short of ideas and the band failed to maintain the high standards that this debut set. They disbanded a few years later. --Martin JohnsonCustomer Reviews:
Bring this stuff back...........2006-11-28
There was a time when hip-hop showed promise by having intelligent lyrical content and thought-provoking introspection set to creative and original music from groups like Arrested Development.
When Ice-T was doing his morally-bankrupt "Cop-Killa" vomit, and Bone-Thugz-n-Harmony were glorifying the "gangsta" mentality that by now has been adopted into much of the hip-hop genre, A.D. was trying to send a different message. That women are NOT objects of marital infidelity and are not sex toys that you "hook up" with at the local clubs. And that Black culture is not about bling, blunts and "bitches". There are more beautiful, traditional and wholesome things to be proud of that sadly get thrown to the side for the more provocative and fleeting racy tripe that fills the screens of BET and MTV.
Standout tracks are Tennesee, Give a Man a Fish, People Everyday and Mr. Wendall.
If you're tired of the "Yo Dawg...spark up dat splif, grab my gat, and get-cho-freak-on" trash of today's rap/hip-hop scene, I recommend you check these guys out. It's much more satisfying (and edifying).
Great CD.......2006-07-31
K
The Most Innovative Group From Atlanta (5 stars).......2006-06-26
One thing I like about this group is their style was mostly laid back and enjoyable. Most of the contributions of this album were the instruments that were used throughout this album. Speech, who does most of the vocals, makes lyrics that were made to create a positive environment like marrage on the song as "U" and getting a better outlook on religion on "Fishin' 4 Religion". At the same time, they were more for giving back knowledge to others in songs "Give A Man A Fish" & "Mr. Wendal". Other tracks that have a strong positive vibe are "People Everyday", "Tennessee" and "Washed Away". They sample a lot of old artist's songs on this album (a good one would be Sylvester Stewart's "Everyday People" on the song "People Everyday"), I like it though.
Overall, this was a very innovative album that came out in 1992. Unfortnately this album got over played, that people got tired of this group (I was about 7 when this came out, and I still remember the "Mr. Wendal" song), so when their 1994 album Zinga...(I dear not try to spell that name) came out, people turned the other way. I believe both of their albums should be heard. Also they would appear on MTV's Unplugged in 1993. If you can, try to hear one of the albums by this group, even it's a greatest hits album (they're tons of them floating around), because I pretty sure you'll love it. I recommend this to people who want to hear some African cultural vibes and music.
Lyrics: A
Production: A+
Musical Vibes: A+
Overall: A+
Favorite Tracks:Mr. Wendal, People Everyday (reprise), Fishing 4 Religion, Give A Man A Fish, U, Tenessee
Honorable Mention Track: Natural
Thank You Baba Oje!.......2005-08-19
This album was positivity pure and simple. The message was strength but also intelligence. We can be poets too. The pen is mightier than the sword.
How many other groups out there subscribe to the African concept of respecting the elders? But Speech and Co. brought Baba Oje with them for spiritual guidance, and he gave them plenty!
The music is soft and deep and beautiful. An anthem for our people, and a prayer of hope.
Who says rap has to be violent and vulgar?.......2005-08-10
"Mr. Wendal" is a very touching commentary on homelessness, "Tennessee" talks about recapturing a more peaceful time and lifestyle and my favourite track "Washed Away" talks about the gradual and slow moral degradation that takes place almost imperceptably.
This album is a classic because the lyrics are great and would still be great if this were a country & western album. My point is that the intelligent and heartfelt lyrics here would be at home in any genre and what is surprising is that it falls under the rap genre which is probably the one you'd least associate these days with intelligence, sympathy and concern for humanity.
AD may not have lived very long as a group but this album sure will and is destined to remain a classic for many years to come.
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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One More Time: The Chess Years
Billy Stewart Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002O4O Release Date: 1990-10-17 |
Tracks:
- Billy's Blues, Part Two
- Fat Boy
- Reap What You Sow
- Sugar & Spice
- Strange Feeling
- Count Me Out
- I Do Love You
- Keep Lovin'
- Sitting In The Park
- Love Me
- Summertime
- How Nice It Is
- Because I Love You
- Every Day I Have The Blues
- Secret Love
- Cross My Heart
- One More Time
- Golly Golly Gee
- Tell Me The Truth
- I'm In Love (Oh, Yes I Am)
Customer Reviews:
NOT ENOUGH STARS CAN ACCURATELY EXPRESS THE FEEL OF THIS ALBUM HERE.......2007-01-31
The Long-Forgotten Motor Mouth.......2006-04-11
It is also ironic to me that his best charted attempts reached only 26 & 24 on the "Hot 100" charts. While "Summertime" typified his style, sonically "I Do Love You", & "Sitting In The Park" are unbeatable in terms of actually letting the sea roll & drown you in the essence of the music.
This piece features all of his known & (obviously, to some) a few of his little-known sides. I recommend it to any one who is a collector, although there are a couple of packages out there for less.
Great Chi-town soul.......2006-01-13
Such a gifted performer; one wonders what might have been.......2005-06-25
In my opinion, "One More Time" is and always has been the best Billy Stewart collection available. For when Billy resumed recording at Chess in 1962 he made several outstanding and really unique records. Most oldies fans will probably recall a couple of Billy's earliest hits including "I Do Love You" and the magnificent "Sitting In The Park" from the golden year 1964.
But Billy wanted to appeal to a wider audience and was willing to take chances to achieve that goal. In 1966 he recorded the LP
"Billy Stewart Teaches Old Standards New Tricks". The first single released from that album was Billy's rollicking interpretation of the George Gershwin classic "Summertime". I think Ol' George would have approved. That tune would go on to become one of the surprise hits of 1966. It was dynamite! "One More Time" offers the album version of that song which is nearly five minutes long. The follow-up single to "Summertime" was Billy's remake of the great Doris Day hit "Secret Love". I have always enjoyed that one as well. Billy Stewart had about a dozen songs appear on the Billboard Hot 100 between 1962 and 1969. Of the songs you are probably not familiar with I would recommend the uptempo "Because I Love You" as well as "Sugar and Spice", a tune that would remind you quite a bit of Marvin Gaye's "Pride and Joy". This should not be surprising as Marvin and Billy worked together frequently in the Washington D.C. area in the late 50's and early 60's.
"One More Time" offers the listener a nice retrospective on the tragically short career of this talented artist. In January 1970, Stewart's car ran off a road in North Carolina and plunged into a river killing him and three members of his band.
Billy Stewart was not a particularly prolific recording artist.
He much preferred performing "live" and devoted most of his energy to that. Although we can never know, Billy Stewart most likely would have wound up pursuing a career in jazz. He possessed all the attributes of a great jazz artist. If you have never heard him sing anything but his signature song "Summertime" you owe it to yourself to give this disc a listen. You will not be disappointed. Highly recommended.
Billy Stewart (Great Vocals).......2004-12-30
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Doughboys, Playboys and Cowboys: The Golden Years of Western Swing
Various Artists Manufacturer: Proper UK Boxed Sets ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005EQQE Release Date: 2001-07-05 |
Tracks:
- Sunbonnet Sue - Fort Worth Doughboys
- Nancy Jane - Fort Worth Doughboys
- Oh You Pretty Woman - Milton Brown & His Musical Brownies
- Brownie's Stomp - Milton Brown & His Musical Brownies
- Osage Stomp - Bob Wills & His Texas Playboys
- Who Walks In When I Walk Out - Bob Wills & His Texas Playboys
- Boyd's Blues - Bill Boyd & Cowboy Ramblers
- I Want To Be A Cowboy's Sweetheart - Patsy Montana & Prarie Ramblers
- Sadie Green (The Vamp Of New Orleans) - Roy Newman & His Boys
- Who's Sorry Now - Milton Brown & His Musical Brownies
- Down By The O-H-I-O - Milton Brown & His Musical Brownies
- Barn Dance Rag - Bill Boyd & His Country Ramblers
- Never No More Blues - Bob Wills & His Texas Playboys
- Too Busy - Bob Wills & Texas Playboys
- Rambler's Stomp - Doug Bine & His Dixie Ramblers
- The Eyes Of Texas - Milton Brown & His Musical Brownies
- The Yellow Rose Of Texas - Milton Brown & His Musical Brownies
- Red's Tight Like That - Tune Wranglers
- Buster's Crawdad Song - Tune Wranglers
- Big Daddy Blues - Jimmie Revard & His Oklahoma Playboys
- Feather Your Nest - Washboard Wonders
- Dirty Dog - Jimmie Revard & His Oklahoma Playboys
- My Galveston Gal - Milton Brown & His Musical Brownies
- El Rancho Grande - Tune Wranglers
- Texas Sand - Tune Wranglers
Tracks:
- Women Women Women - Shelly Lee & His Alley Cars
- Mean Old Lonesome Blues - Buddy Jones
- Bring It On Down To My House - Derwood Brown & His Musical Brownies
- Corrine Corrina - Cliff Bruner's Texas Wanderers
- One Sweet Letter From You - Cliff Bruner's Texas Wanderers
- Fort Worth Stomp - Crystal Spring Ramblers
- The Women ('Bout To Make A Wreck Out Of Me) - Buddy Jones
- Streamlined Mama - Buddy Jones
- Blue Guitars - Light Crust Doughboys
- Dirty Dog Blues - Modern Mountaineers
- Mississippi Sandman - Modern Mountaineers
- Hot Tamale Pete - Bob Skyles & Skyrockets
- Married Man Blues - Nite Owls
- There'll Be Some Changes Made - W. Lee O'Daniel & His Hillbilly Boys
- Dirty Hangover Blues - W. Lee O'Daniel & His Hillbilly Boys
- Lose Your Blues & Laugh At Life - Jimmie Revard & His Oklahoma Boys
- Range Rider Stomp - Range Riders
- Hold That Critter Down - Sons Of The Pioneers
- Chicken Reel Stomp - Tune Wranglers
- Playboy Stomp - Bob Wills & Texas Playboys
- Moonlight In Oklahoma - Smokey Wood & The Wood Chips
- Keep On Truckin' - Smokey Wood & The Wood Chips
- I'm Confessin' (That I Love You) - Brown's Musical Brownies
- Just Once Too Often - Light Crust Doughboys
- Loud Mouth - Modern Mountaineers
Tracks:
- Kangaroo Blues - Cliff Bruner's Texas Wanderers
- Pine State Honky Tonk - Claude Casey & His Pine State Playboys
- Better Quit It Now - Adolph Hofner & His Texans
- Pussy Pussy Pussy - Light Crust Doughboy
- I'll Keep My Old Guitar - Adolph Hofner & His Texans
- Cowboy's Swing - Hank Penny & His Radio Cowboys
- Lonesome Road Blues - W. Lee O'Daniel & His Hillbilly Boys
- Liza Pull Down The Shades - Bob Wills & His Texas Playboys
- Truck Driver's Blues - Cliff Bruner & His Boys
- My Untrue Cowgirl - Jewel Cowboys
- San Antonio Rose - Cliff Bruner & His Boys
- Gonna Get Tight - Sunshine Boys
- Let's Make Believe We're Sweethearts - Light Crust Doughboys
- Mississippi Muddle - Hank Penny & His Radio Cowboys
- Billy Boy - Louise Massey & Her Westerners
- Good Gracious Gracie - Light Crust Doughboys
- Mean Mean Mama (From Meana) - Light Crust Doughboys
- Jones Stomp - Port Arthur Jubileers
- Rockin' Rollin' Mama - Buddy Jones
- Blue Steel Blues - Ted Daffan's Texans
- New San Antonio Rose - Bob Wills & Texas Playboys
- Bob Wills Special - Bob Wills & Texas Playboys
- Pussywillow - Port Arthur Jubileers
- Tobacco State Swing - Hank Penny & His Radio Cowboys
Tracks:
- Draftboard Blues - Cliff Bruner & His Boys
- Whatcha Gonna Do - Hi-Flyers
- Cotton Eyed Joe - Adolph Hofner & His San Antonians
- Sally's Got A Wooden Leg - Sons Of The West
- What's The Matter With Deep Elem - Sunshine Boys
- Lil Liza Jane - Bob Wills & His Texas Playboys
- Pistol Packin' Mama - Al Dexter & His Troopers
- Forgive Me One More Time - Spade Cooley & His Orchestra
- Shame On You - Spade Cooley & His Orchestra
- Steel Guitar Stomp - Hank Penny
- Boogie Woogie Boy - Porky Freeman
- That's What I Like About The South - Cliff Bruner
- Stay A Little Longers - Bob Wills & Texas Playboys
- Oklahoma Blues - Zeke Clements & His Western Swing Gang
- Oklahoma Stomp - Spade Cooley & His Orchestra
- Nails In My Coffin - Jerry Irby & His Texas Ranchers
- Bob Wills Two Step - Luke Wills Rhythm Busters
- I Got Texas In My Soul - Tex Williams & His Western Caravan
- Wildcat Mama - Hank Penny
- Betty Ann - Jesse Ashlock
- One Year Ago Tonight - Don Churchill & Texas Mavericks
- Oakie Boogie - Johnny Tyler & Riders Of The Rio Grande
- Smoke Smoke Smoke (That Cigarette) - Tex Williams & His Western Caravan
- Square Dance Boogie - Johnnie Lee Wills & His Boys
- Humpty Dumpty Heart - Hank Thompson
Album Description
Budget-priced four disc set with 99 tracks from the golden years of Western Swing, including cuts by Light Crust Doughboys, Bob Wills & His Texas Playboys, Bill Boyd & His Cowboy Ramblers, Tex Williams, Adolph Hofner, Hank Thompson and Cliff Bruners Texas Wanderers. Tracks include 'Pussy, Pussy, Pussy', 'Smoke, Smoke, Smoke'. 'Humpty Dumpty Heart' and 'Kangaroo Blues'. The tracks tell the story of this vibrant musical form that blended jazz with string bands, took in pop music & the blues, and pioneered amplification. Beautifully packaged, each disc also includes an illustrated booklet with a discography, photos and extensive liner notes. Each disc comes in a separate standard jewel case & together they are coralled up in a colorful & sturdy CD-sized slipcase box. 1999 release.Album Details
4CD 99 track collection that covers the history of classic Western Swing. Includes extensive liner notes. A must for true fans of this artform!Customer Reviews:
The finest set of western swing ever. Timeless fun!.......2006-07-07
Good Luck in trying to find something better !.......2006-06-21
Keep in mind that this music ain't for everybody.If you like spending time listening to the likes of a feuding Toby with the Dixie Chicks then this real Roots Music ain't for you. But if you would be willing to sell your top coon hound to get the money to get tickets to see "Asleep at the Wheel" then you might be a fan that can apperciate what was started by Bob & Milton way down in Texas back in the early 30's.
While I type this review I'm listening to Bob Wills and the Texas Playboys perform "Faded Love" on my computer so I'll cut it short. Buy this set - at this price you can't afford not too. While you are at it do what I did and get the "Proper Records - Bob Wills/Take Me Back To Tulsa" also - you will be Blessed !
"ENJOY" Joe Kopeck / Parkville,MD.
A Great Overview Of Western Swing.......2005-06-16
It's not country, it's not cowboy, it's not swing, it's just great toe-tapping fun music!
The songs in this album are presented in chronological order thus allowing the listener to experience the growth and progression of this great music.
The songs are remastered originals and the sound quality is first rate.
There's also a booklet containing liner notes about all the artists and a discography.
I own several box sets by Proper and every single one is a bargain, well worth far more than the asking price.
Musical history that is alive and well today.......2004-09-13
Western Swing is Western Folk Jazz no Hillbillies here!.......2003-12-12
This music has little to do with what was considered Country music at the time or its emasculated mutant descendants in Nashville.
This was not marketed as Country music. In fact in 1945 when Bob Wills, the acme of Western SWing, was the biggest grossing public attraction in the entertainment business, he had his sole invitation to the Grand Ole Opry, and then he almost walked out of there before he played a song because the hayseeds wouldn't let him bring on his drums and horns (not allowed onthe Opry until the late 1950s!).
Western Swing comes from Jazz from the pop Jazz of the 20s and early 1930s, included people who went back and forth between bands like Wills and Spade Cooley to the white big bands (though Bob Wills once tried to hire a black alto player[against the law in Oklahoma] and of late Les Paul has taken to claiming he saw Charlie Christian sit in with the Playboys at Cains and there are pictures of the Playboys having drinks in Chicago with black Jazz greats like Ben Webster!!). Townsend Wills' biographer interviewed many Playboys and none of them felt they were part of Country, but part of Jazz.
Basically it begins with people trying to play Jazz and Blues influenced music with the instruments of the old Southwestern Barn dance bands: guitar, fiddle, piano, adding in drums, and in many bands all the instruments of the Jazz orchestras. Very quickly Bobby Dunne added in the electric Hawaii, pedaless steel guitar and Leon McAuliffe who replaced him in the Doughboys and went with Wills was so well known that Bob Wills' introduction to him "Take it Away Leon" became a catch phrase in the whole country and beyond in the 1940s!
At its most hyperbolic height (captured here in the Space Cooley Orchestra's Oklahoma Stomp, a recording anyone with a set of ears should treasure) you had 16 and 18 piece orchestras with full fiddle sections (in the early 1960s Wills even rounded his fiddles with a violist from the Lawrence Welch band!), complete reed sections, and more brass than they needed, and exotic additions like the Harpist who kicks off The Oklahoma Stomp.
Further on than these recordings go, you would have players like Tiny Moore and Johnny Gimble who incorporated Bebop styles in their solos.
Along the way, mostly during that war time period when recording bans and players going in and out of the army and different bands make following a little harder, the straight western swing style of combining a guitar, steel guitar, and sometimes electric mandolin trio alternating with fiddle choirs took hold as the paradigm for Western Swing. For some reason in most bands the horns seemed to disappear or roll down to just one after WWII.
One thing about this music is that a very high level of musical technique and education became more and more part of the Western Swing environment. We know that European Jazmen like Stephan Grappelli followed the recordings of Hugh Farr who played with the sons of the pioneers and later Spade Cooley, and that Down Beat magazine described Eldon Shamblin out of Bob Wills' band as the best rythm guitar player in the country (slighting Freedie Green who even Eldon probably acknowledge was better).
The other thing in contrast with much of what was being presented as country music contemporaneously is that this was not being presented as "old time music," craddling close to old conventions, but a new hot dangerous music, drawn as close as comfort would allow from Black sources, from the dangerous white swing bands, and from the part of down home music involved in drinking, dancing, cheating, and other things not permitted in the Baptist Southeast.
WSM Grand Old Opry Stars toured the deep South playing in school auditoriums, church houses, and public squares. From the beginning Western swing belonged in barrooms, in dance halls, and other places where "the wine and liquor flow." Even Hank Williams wasn't allowed to use the word "beer" when he sang "My Bucket's got a hole in it" on the Opry. Meanwhile Western Swingers like Wills and Brown were singing about Cocaine and Opium, whiskey and beer back in the early 1930s.
And Smokie Woods wasn't called smokie cause he liked Tobacco. LOL. In fact his tune here called "Everybody's Trukin," about what is done "up in Harlem" includes much use of a word that does sound like truckin', but does not contain an r or a T but does start with an F!!
No this is not Nashville Country or even old time country music. This is Western guys and gals trying to be jazzy, bluesy, wild, whiskey soaked, drug high, hip to the secrets of Negroid nights of "truckin," playing their hearts out fast hot and heavy!
Anyone with ears should own this collection!
ps another wierd side note to this is on the great Hit\
"Smoke, Smoke, Smoke (That Cigarette)" both Tex Williams who sang it and Merle Travis who wrote it died of lung cancer!
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Casey Kasem: America's Top 10 Through Years - The 70's
Various Artists Manufacturer: Top Sail Productions ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B53W Release Date: 2001-04-24 |
Tracks:
- American Woman - The Guess Who
- Rich Girl - Daryl Hall & John Oates
- You're So Vain - Carly Simon
- Maggie May - Rod Stewart
- Feels Like The First Time - Foreigner
- Show Me The Way - Peter Frampton
- That's The Way (I Like It) - KC & The Sunshine Band
- Tell Me Something Good - Rufus
- Dream Weaver - Gary Wright
- Don't Stop - Fleetwood Mac
- Why Can't We Be Friends? - War
- My Eyes Adored You - Frankie Valli
- Joy To The World - Three Dog Night
- She's A Lady - Tom Jones
- Diamond Girl - Seals & Crofts
- Cat's In The Cradle - Harry Chapin
- What A Fool Believes - The Doobie Brothers
- A Horse With No Name - America
- Without You - Nilsson
- Could It Be I'm Falling In Love - The Spinners
Customer Reviews:
the 70s.......2005-09-01
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The Very Best of the Island Years
Robert Palmer Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0008GIZ9Y Release Date: 2005-07-19 |
Tracks:
- Sailin' Shoes
- Hey Julia
- Sneakin' Sally Through the Alley
- Give Me an Inch
- Which of Us Is the Fool
- Man Smart, Woman Smarter
- Every Kinda People
- You're Gonna Get What's Coming
- Bad Case of Lovin' You (Doctor, Doctor)
- Can We Still Be Friends?
- Jealous
- Not a Second Time
- Looking for Clues
- Johnny and Mary
- Some Guys Have All the Luck
- Pride
- You Are in My System
- Hyperactive
- Addicted to Love
- Discipline of Love
- I Didn't Mean to Turn You On
- Sweet Lies
- Simply Irresistible [Live][*]
Customer Reviews:
Sing that funky music white boy!.......2006-06-06
Good overview of his best work.......2005-11-12
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The Best of the Concord Years
Gene Harris Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004XN1C Release Date: 2000-09-12 |
Tracks:
- Uptown Sop
- Captain Bill
- Blues For Sam Nassi
- Summertime
- Don't Be That Way
- Listen Here
- Creme De Menthe
- You Are My Sunshine
- Don't Get Around Much Anymore
- Will You Still Be Mine
- Black And Blue
- Like A Lover
Tracks:
- Blues For Rhonda
- This Little Light Of Mine
- Take The 'A' Train
- Sweet Georgia Brown
- Old Funky Gene's
- That's All
- Cottontail
- Lean On Me
- Down Home Blues
- Put It Where You Want It
Amazon.com
This 22-track retrospective represents well the 20 albums Gene Harris made for Concord Records over 14 years. The barrelhouse rocking pianist was obviously getting better with age, as one of his best discs was his last, Alley Cats (1999), made shortly before his death and represented here by a cover of the Crusaders' classic "Put It Where You Want It." The track is very indicative of the rest of this two-CD set, as it was recorded live, like nearly half of this compilation. Harris played always as if each tune were as familiar as "Put It," with tantalizing arrangement and distinctive soloists (sax men Red Holloway and Ernie Watts). Other standout guests throughout this well-paced set include bassist Ray Brown, trumpeter Harry "Sweets" Edison, and saxophonist Scott Hamilton. It's up to the very big tenor sax of the late Stanley Turrentine to kick the whole thing off with the funky blues number "Uptown Sop." Harris's successful big band takes on a pair of tracks and a number of slower tunes that drip with gutsy emotion, particularly Fats Waller's "Black and Blue" and Erroll Garner's smooth "Crème de Menthe." Other finger-snapping, toe-tapping highlights include one of the most entertaining arrangements ever of the nearly century-old "Sweet Georgia Brown," and Harris's daughter Nikki's duet with organist Jack McDuff on Z.Z. Hill's blues classic "Down Home Blues." --Mark A. RuffinCustomer Reviews:
As good as jazz gets.......2007-06-16
Great CD .......2007-01-19
The Magic of Gene Harris will easily engulf you will listening to his great style of playing jazz.
The BEST CD SET of ALL !!!.......2006-03-23
Harris' "That's All" really blew me away as it gradually built to an awesome, up-tempo, chanting climax like I've NEVER heard before or expect to again. "Like A Lover", "You Are My Sunshine" and "Down Home Blues" are equally breathtaking as Harris brilliantly blends standards, boogie, funk and blues into the kind of melodic perfection you'll want to experience over and over again.
In fact, all 22 tracks are masterpieces in their own right ranging from "Don't Be That Way" to a totally unique rendition of "Summertime" - and trust me if you like Basie, Garner and truly GREAT jazz, you'll treasure this CD. It's NUMBER ONE in my collection and it will be in yours too.
Best of The Best.......2005-08-30
Couldn't resist it and really pleased........2004-02-02
Average customer rating:
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The Best of Ann Peebles: The Hi Records Years
Ann Peebles Manufacturer: The Right Stuff ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UFO Release Date: 1996-07-23 |
Tracks:
- Walk Away
- Give Me Some Credit
- Part Time Love
- I Pity The Fool
- I'm Gonna Tear Your Playhouse Down
- I'll Get Along
- Slipped, Tripped, And Fell In Love
- I Can't Stand The Rain
- (I Feel Like) Breaking Up Somebody's Home
- Somebody's On Your Case
- (You Keep Me) Hangin' On
- A Love Vibration
- 99 Pounds
- Do I Need You
- Come To Mama
- Dr. Love Power
- Beware
- Fill This World With Love
- Old Man With Young Ideas
- If This Is Heaven
- Didn't Take Your Man
Amazon.com
Take an inspired producer at the peak of his powers, a great team of session players, and an uncommonly subtle and graceful R&B singer, and what do you have? Top-tier Memphis soul. The feminine counterpart to Al Green on producer Willie Mitchell's Hi label, Peebles had a strong run through the '70s during which she put out a string of R&B hits, many of which have since been revived by famed fans of the singer and the Memphis style. This retrospective gathers 21 peak-period Peebles tracks on one vastly entertaining disc. "I Can't Stand the Rain," "(I Feel Like) Breaking Up Somebody's Home," and "Part Time Love" illustrate the ongoing appeal of this multifaceted vocalist, who stepped away from recording in the '80s, then returned to performing in the '90s, her contemplative vocal approach still intact. --Steven StolderCustomer Reviews:
A Bit Disappointed.......2007-01-29
If You've Ever Heard Christina Aguilera Sing "At Last".......2006-06-06
Loved by r&b fans and rock musicians alike (Bob Seger covered "Come To Mama", and Graham Parker did likewise with "I'm Gonna Tear Your Playhouse Down"), Ann Peebles is a master of simmering restraint. What her sublime delivery is able to convey is a thing of beauty--even without the yelping so many female singers think is 'emoting' in these, the days of Patti Labelle, Mariah Carey, Christina Aguilera and their 'American Idol' clones.
Her signing with Hi Records was an act of celestial confluence, her unadorned delivery a perfect fit for the Hi Records house band's lean, spare chops. "Part Time Love", "I Can't Stand the Rain", "A Love Vibration" and "Come To Mama" are bare-bones, propulsive funk, the sister to recordings by Al Green and Syl Johnson.
Like the broad, flat flood plains of west Tennessee, there's nothing fancy about this music. But like the deceptively relaxed current of the Mississippi, this music will grab you and won't let go.
Take the plunge.
Kim "confused".......2005-12-24
Ms. Al Green.......2005-02-23
Updated review:
The female Al Green - and much more (1969-1978)
Ann Peebles may be most notable for her composition "I Can't Stand the Rain", which was later covered by Tina Turner in 1984 and, more recently, used by Missy "Misdemeanor" Elliott for her 1997 hit "The Rain (Supa Dupa Fly)".
THE BEST OF ANN PEEBLES: THE HI RECORDS YEARS consists of 21 songs from 1969-1978; the tracks are in semi-chronological order. Disc packaged in jewel case. Booklet includes an essay by David Nathan, a multitude of photographs and images, release dates and chart info for singles, and recording personnel.
Notable songs include "I Pity the Fool" (a hit for Bobby "Blue" Bland), "Come to Mama", "(You Keep Me) Hangin' On" (the Joe Simon 1968 hit, not the song by the Supremes), and "I Didn't Take Your Man", with a spoken-word one-sided conversation intro not unlike the monologs/raps of Millie Jackson.
The music is fun, funky, and Soulful. She may not have the vocal power of Etta James or Koko Taylor, but Ann Peebles can sing. And here, she sings some great material.
OUTSTANDING! ANN PEEBLES IS SOUL POWER!.......2004-03-28
legedary Ann Peebles The Best Of The Hi Records Years /Hi Records-The Right Stuff will convince you and prove to you
that this girl is the real stuff that others have sadly taken from her. Hail you Ann! And bless you that Tina realized you when she
recorded "I' Can't Stand The Rain' (the apple don't fall far from the tree , ha?). This collects her years at Hi Records from '69
to '78 and this CD is packed with full liner notes & pixs on this ladies wonderful output, plus all her great gems! A must for any
R & B lover or music lover at heart!
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