| 1. Slip N' Slide |
| 2. Keep It Comin' |
| 3. There's No Tellin |
| 4. Maybe Your Baby |
| 5. I Finally Found You |
| 6. Feel Good |
| 7. Satisfied |
| 8. Haulin' Coal |
| 9. Whoever's Thrilling You (Is Killing Me) |
| 10. Love the One You're With/Sit Yourself Down |
| 11. Sit Yourself Down - Rufus |
Rufus,Rufus & Chaka Khan,Mca,Funk,Popular Music,R&B,Soul
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Release the Stars
Rufus Wainwright Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O78LH8 Release Date: 2007-05-15 |
Tracks:
- Do I Disappoint You
- Going To A Town
- Tiergarten
- Nobody's Off The Hook
- Between My Legs
- Rules And Regulations
- Not Ready To Love
- Slideshow
- Tulsa
- Leaving For Paris
- Sanssouci
- Release The Stars
Amazon.com
Recorded in Berlin and executive produced by the Pet Shop Boys' Neil Tennant, Rufus Wainwright's fifth album offers an ounce of restraint from the man that dressed up as Sir Lancelot's crossed girlfriend Lady Shallott on the cover of his last. Well, not really. Having fallen in love and curbed his self-destructive streak, the New York-born singer-songwriter has certainly sharpened his wit on Release the Stars but the songs remain as ornate and over-the-top as ever, drawing as much inspiration from opera and the musical theater as the desire to purge personal demons. So while Wainwright spends considerable time here pondering the state of the world ("Going to a Town") and his own battles with drug and sexual addiction ("Sanssouci"), every note is punctuated by a choir, orchestral swell, or big burst of brass. It wouldn't be Rufus with anything less. --Aidin VaziriCustomer Reviews:
Not an album review.......2007-07-16
Now, I could give you a synopsis of this album..but it seems everybody else on here already has (and much better than I would have done it). So I decided to save you the trouble and just explain why I feel Rufus is a beacon for the musical artists that are currently out today. Maybe it's because I'm now 33 years old. But I pretty much grew up during the time of the 90's music scene. Nirvana, Pearl Jam, etc. Not to mention, I'm more of a hard rock/metal fan, w/ some flourishes for other forms. But when I first heard Rufus...he was sooooo different from anything I've ever heard. He invokes classicism, jazz, blues, pop....such an extraordinary range of instruments that I was literally dumb-struck by how brilliant he is in musical forms.
Not to mention his voice seems to contrast to his music. Hinting, at times, the banality & cynicism life seems to offer. But, yet, there's still the sense of good things to come. This isn't music for everybody, I will admit. This music runs much deeper, not just in thought...but also in emotion. From theatrical pomp to Glam Rock to Jazz-infused cabaret...to even Classical-ornamentation. It's sooooo much bigger than anything I've ever been exposed to. It didn't surprise me at all that he's getting recognition overseas in Europe and other countries than here in the states. His music is not easily digestible here.
Some would say his music is pretentious, over-wrought...perhaps vain. And, you know what? I'd say you're probably right. But, living in times of where we're more concerned about Paris Hilton, Britney Spears, a never-ending war (which seems to have no viable conclusion or end IMO), Rufus' music seems to shed light on the state of the world. I was shocked to hear one of my friends (who is gay) say he doesn't like Rufus because he thought his music is "scary"?! He'd rather listen to the Pussycat Dolls. Is that all this world has to offer, I wonder?
Better and Better.......2007-07-08
A few standouts: "Do I Disappoint You" (love this track - bombastic opening as only Rufus can do. Compare with "Oh What a World" and "Agnus Dei" from the Want One and Want Two CD's), "Going to a Town" (written about New Orleans after Hurricane Katrina - and NOT Anti-American as some have said), "Slideshow" (love the melody, not sure how well the subject matter goes with it though), and "Tulsa" (wasn't sure about this one at first, but now I like it - and it's not really about sleeping with Brandon Flowers, as many seem to think).
All in all, this CD makes good listening. I can't wait to hear what Rufus will come out with next.
Such a drama queen..........2007-07-04
Still Gowing.......2007-06-29
Listening is a lot of work...but.......2007-06-27
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Want One
Rufus Wainwright Manufacturer: Dreamworks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C7PSW Release Date: 2003-09-23 |
Tracks:
- Oh What a World
- I Don't Know What It Is
- Vicious World
- Movies of Myself
- Pretty Things
- Go or Go Ahead
- Vibrate
- 14th Street
- Natasha
- Harvester of Hearts
- Beautiful Child
- Want
- 11:11
- Dinner at Eight
Album Description
The third album from the precocious singer-songwriter makes an even greater grab for mainstream acceptance. Recorded at Woodstock, it features instrumental touches from former Bob Dylan guitarist and Texas legend Charlie Sexton as well as drums laid down by the Band's Levon Helm. Marious Devries (Bjork, Madonna, Massive Attack) helms the producer's chair on this one, bringing young wainwright a polished sound.Customer Reviews:
Not as good as "Want Two".......2007-06-01
"Want two" and "Poses" are much better
WANT MORE..........2007-04-19
rufus wainwright.......2007-03-09
Lush Operatic Pop Sensation.......2007-02-07
It's Rufus at his best, and a MUST for a new or convinced fan.
Masterpiece.......2006-11-11
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Poses [Bonus Track]
Rufus Wainwright Manufacturer: Dreamworks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y7AW Release Date: 2002-02-05 |
Tracks:
- Cigarettes And Chocolate Milk
- Greek Song
- Poses
- Shadows
- California
- The Tower Of Learning
- Grey Gardens
- Rebel Prince
- The Consort
- One Man Guy
- Evil Angel
- In A Graveyard
- Cigarettes And Chocolate Milk (reprise)
- Across The Universe [Bonus Track]
Amazon.com's Best of 2001
The scrutiny of success that came early on--being named Best New Artist by Rolling Stone in 1998, the year of his debut album, for example--would have smothered many another emerging talent. But it failed to stopper the singular, unclassifiable, ranging gift of singer/songwriter Rufus Wainwright. His sophomore album, Poses, advances beyond the earlier, cabaret-inspired effort with a suite of songs marvelously varied in arrangement and texture but linked by Wainwright's characteristic theatrical panache. "Cigarettes and Chocolate Milk" catalogs excess with playful self-censure, but Wainwright's whimsical ironies often take a bruising, poignant turn, whether in the pseudo-upbeat "California" or, most movingly, on the title track. The dying fall of Wainwright's lusher melodies--echoes of "Across the Universe" as well as ultrachic Beatles tunes such as "Michelle"--meshes remarkably with the poetic substance here as he explores a landscape of wistful self-knowledge caught between longing and decadence. Yet even through all the layers of picturesque, postmod observation, Wainwright conveys a sense-filtered experience that gives urgency to his hauntingly mumbled opacities. With Poses, the young artist proves his authenticity. --Thomas MayCustomer Reviews:
Rufus Best pop cd .......2007-07-04
This is the best cd to start with if you are introducing yourself to Rufus Wainwright's music. Each song has a distinctly different feel to it and uses different musical talents. Although I think of "Poses" as his best cd, the song "Going to a Town" on his new cd "Release the Stars" is one of the best songs of 2007, reflecting on the impressions one gets lately from spending time in America and anywhere else in the world.
operatic pop folkie.......2007-01-05
In Which Rufus Argues with Himself.......2006-06-30
A prime example is "Greek Song," nominally a plea for the Mediterranean object of desire to forget everything and sink into some kind of bronzed, sportscar-riding fantasy land. "All the pearls of China fade astride a Volta." Why then, with this plea to the Greek god of eros, does the music come from China (by employing a kind of pseudo-Asian pentatonicism, complete with what surely is an erhu-influenced violin solo)? In other words, why does the music illustrate the very thing the Mediterranean object of desire is being asked to forget? The "pose" of the words and the language of the music are working against each other.
Then we have the absolutely intriguing "Grey Gardens." I am not the only reviewer who has been fascinated by the bizarre mixture of references in the lyrics. Just in case, the song opens with a sample of "Little Edie" Bouvier commenting on the difficulty of separating past and present, taken from the 1975 documentary "Grey Gardens;" the name Tadzio, heard throughout the song, seems to refer to the boy with whom the character Aschenbach is infatuated in Thomas Mann's novella "Death in Venice." (See also Visconti's film (1971) & Benjamin Britten's powerful opera (1973), both of the same title.) Whatever these elements might mean to Rufus personally, for the listener the obvious idea linking "Grey Gardens" and "Death in Venice" is that very often a powerful divide exists between what society demands and what one's personal desires urge. Aschenbach and the Bouviers are lost to society, having chosen to follow (or having fallen victim to) their own desire; nevertheless, Rufus's lyrics make a plea to Tadzio to get him through this crisis, presumably to return to society. This is curious. Here again, the lyricist is praying to a Mediterranean god of eros. But how can you ask the object of desire to rid you of your desire for him? You can't, quite simply! And that's the point: it's all a pose in that the lyricist doesn't really want to be rid of the crisis at all. Analytically, I think Rufus has used the classic Schubertian technique of modal mixture (major/minor third scale degree) to embody the conflict between society and desire, but even at the end of the song, where one might expect the music to 'solve' the problem, the mixture is still present: the music doesn't want to shake free of the crisis, despite all the clamor from the lyrics.
A final quick example can be found in "One Man Guy" (Nick Hornby speaks a little about this in his "31 Songs" (1993)), a song by Rufus's father, Loudon. Despite the fact that the lyrics are about a man who is fundamentally a creature of solitude, when the first proper chorus starts, Rufus is joined by a vocal ensemble. How can you sing "One Man Guy" in chorus? It's a pose. Yet again, the music and the lyrics are at odds.
Splendid.......2006-06-13
2. Greek Song - 7/10 - didn't like this one much
3. Poses 10/10 - one of the most sincere songs I've ever heard
4. Shadows - 8/10 - this one took a while for me to stomach
5. California - 7/10 -I never quite got what all the hype was about
6. The Tower of Learning - 3/10 - should have omitted this one from the album
7. Grey Gardens - 10/10 -found the 'Tadzio' reference both strange and enchanting
8. Rebel Prince - 10/10 - Hit the replay button a million times on this one
9. The Consort - 11/10 - the kind of song that makes adult men cry
10. One Man Guy - 7/10 - obviously just a 'filler' song
11. Evil Angel - 10/10 - this one made me think of the 'dark' ages and gargoyles and vampires, yet it's such a morbidly serene song.
12. In a Graveyard - 10/10 - touching and sad
13. Cigarettes and Choclate Milk - 9.5/10 - nicely done, upbeat version of the original song
I must admit this album took a whole year to grow on me. Beside Poses and Cigarettes and chocolate milk, I didn't listen to the other songs for months because I couldn't stand them...now you can't get me to stop listening to this album. Went to one of his concerts a few months ago and he is entertaining and human. What a great performer!
The CD That Brought Me To Rufus.......2006-03-20
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Rufus Wainwright
Rufus Wainwright Manufacturer: Dreamworks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007SFM Release Date: 1998-05-19 |
Tracks:
- Foolish Love
- Danny Boy
- April Fools
- In My Arms
- Millbrook
- Baby
- Beauty Mark
- Barcelona
- Matinee Idol
- Damned Ladies
- Sally Ann
- Imaginary Love
Amazon.com
The singer/songwriters working today who point to Tin Pan Alley and Broadway musicals as central inspirations can be counted on an index finger. Rufus Wainwright is quite an anomaly--but, then again, he's the son of Loudon Wainwright III and Kate McGarrigle. Wainwright has been compared to Randy Newman for his piano-based orchestral sense, but unlike Newman, he rarely turns those poppy conventions against themselves: he's always sentimental and sincere about the fluff he explores. When he drives his melodies and lyrics hardest--as on the Beatlesque "April Fools" and the barroom "Matinee Idol"--his considerable imagination is most convincing and entertaining. Fans of folk simplicity should skip this one, but the more adventurous may find the charm in Wainwright's ambitious debut. --Roy KastenCustomer Reviews:
one of his best albums.......2007-05-13
A true original .......2007-04-06
Why isn't this guy better known..GENIUS.......2007-03-19
Third Time Charmed.......2007-03-14
"I have something for you to eat in the kitchen darling."
"I'm not hungry mother. Please! I just want to go to my room."
And maybe it's the silly little fag in me that longs for a life of nothingness with some substance, a lot of talent, developing taste, and it's fun to watch fated stardom grow up and couple proper stylization of poor little rich boys with the bourgeois righteousness that is innately prepared for press. The gentle beast. So great. Whittling away at his mind with substances, Rufus pulled it out beautifully in this album.
And one day, mayhaps, in ...
I'm addicted. I'm buying it for time 3. I named my dog Schubert because of "Imaginary Love" in 2000. I will never forget thinking he winked at me during a show with about 2 dozen people before ... well, you know ... (millions did and) before he ever sang about chocolate milk.
Interesting debut that gets better with every listening.......2007-01-08
I picked up this disc several years ago. I gave it a listen, and then put it away again until I was ripping music to fill my new mp3 player.
I've listened to it over five times today.
Before posting this, I read ALL 177 prior reviews. I cannot believe that the two opposite camps are discussing the same CD. What the `Pro-Rufus' group says is great, the `Con-Rufus' group tears down, and vice versa. Controversy always follows the provocative, especially if it has merit or value. Otherwise, no one would care about it.
Most of the the reviews are either "5 star" or "1 star", there are hardly any twos or threes. Regardless, the one thing out of line are the rating numbers, especially those based on Wainwright's smoldering good looks or his alternative lifestyle. Folks, this is a music CD. Let's keep our comments focused on the musical content.
I agree that his music defies genre. It's not what typically passes as `singer-songwriter' fare. I think this CD might reflect what Rufus' first Broadway-musical might end up sounding like. He has that kind of potential.
Yes, the album is overproduced. Sometimes this is good and adds to the melody and lyric like on `Barcelona' or `Matinee Idol'. Other times it comes off bloated and unnecessary, as in `Baby', `Damned Ladies', or `Millbrook'.
In his 11/30/99 review, the prolific reviewer "music fan" made a perceptive observation: "Wainwright made his debut much in the same way Rickie Lee Jones did"... Yes, I remember the same kind of controversy about Rickie Lee. You either liked her vocal style or not. And a lot of people felt strongly about it either way.
I'm a great fan of Loudon's music, and back in the day it took a few listens to get used to his voice, too. The bright spot with Rufus is that he doesn't need to sing in that whiny nasally way all the time. 'Beauty Mark' and `April Fools' are evidence of that. It all comes down to whether you like his vocal stylings or not.
My other difficulty is that I can't always grasp what it is he's singing about. Another reviewer said "his love songs are so personal that they really portait true emotion". Maybe that's the problem, the love songs ARE too personal. Why do I struggle with it? Is it because I'm a straight, middle-aged dad, is it because I'm just not hip anymore, or are the songs genuinely obtuse? I think I like `Sally Ann' and `Barcelona', but what are they about? Beautiful melodies with cryptic lyrics don't always make friends of their listeners.
There are bright spots in this disc, but you have to listen to it a good many times to hear them, a factor that hampers the music's accessibility. Sister Martha's clear background vocals are a precious contribution. `Beauty Mark', `In My Arms', and `April Fools' are easily my favorite songs.
If you are undecided on whether to purchase `Rufus Wainwright', I suggest you borrow a copy or take one out from the Library before you buy it.
Because in order to give this its due, you truly must give it several listenings. Therefore, I will burn this disc to my mp3 player after all, and give it a few more listens. Some of these songs truly sound better every time I hear them.
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The Very Best of Rufus Featuring Chaka Khan
Rufus & Chaka Khan Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002P4I Release Date: 1996-11-19 |
Tracks:
- Do You Love What You Feel
- Tell Me Something Good
- Dance Wit Me
- Hollywood
- Stay
- Once You Get Started
- You Got The Love
- At Midnight (My Love Will Lift You Up)
- Please Pardon Me (You Remind Me Of A Friend)
- Sweet Thing
Customer Reviews:
Pretty Darn Good.......2007-05-24
The Very Best of Rufus Featuring Chaka Khan.......2007-05-09
Very happy with purchase!
Review.......2007-01-20
Chaka Khan, Chaka Khan, I've Veal For You, I Think Olive You.......2006-10-15
At 5' 1" tall, Chaka Khan is the mouse that roared; from Aretha Franklin to Gladys Knight to Stephanie Mills it would be hard to find another female R&B, soul singer who can match her for sheer power. No matter how much smoke there may be in the air, Khan's voice pierces like a laser. There is something fun, even endearing, about watching someone so small, with hair exploding around her head like a mushroom cloud, delivering such a mighty payload.
Backed by the raw groove of Rufus, that roundhouse delivery really shines on tracks like Tell Me Something Good and You Got The Love. These two tracks alone are worth the price of the CD. Sweet Thing, a little more mellow, is almost as good as they are, while At Midnight has infectious, almost delirious drive. After that, things get shakier.
Khan's primary problem is that, while she's a fabulous belter, she's not really a singer as such. (To see what I mean, check out Echoes Of An Era, where she fronts an all-star jazz line-up and attempts standards - with unsatisfactory results.)
Because she brought no particular vision or point of view to the table, Khan was forced to ride the waves of musical fashion, and had the extreme bad fortune of hitting her peak just as disco was defoliating the landscape. Consequently, much of her output was little more than pointless screeching superimposed onto relentless dance beats. (Stop the madness!)
This CD captures Khan during that brief time in her career when everything lined up correctly. It was short.... but it was sweet.
Rufus & Chaka, Simple the best!!!!.......2005-09-15
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I Am Sam - Music from and Inspired by the Motion Picture
Various Artists Manufacturer: V2 Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005TT77 Release Date: 2002-01-08 |
Tracks:
- Two of Us - Aimee Mann & Michael Penn
- Blackbird - Sarah McLachlan
- Across the Universe - Rufus Wainwright
- I'm Looking Through You - The Wallflowers
- You've Got to Hide Your Love Away - Eddie Vedder
- Strawberry Fields - Ben Harper
- Mother Nature's Son - Sheryl Crow
- Golden Slumbers - Ben Folds
- I'm Only Sleeping - The Vines
- Don't Let Me Down - Stereophonics
- Lucy in the Sky with Diamonds - The Black Crowes
- Julia - Chocolate Genius
- We Can Work It Out - Heather Nova
- Help - Howie Day
- Nowhere Man - Paul Westerberg
- Revolution - Grandaddy
- Let It Be - Nick Cave
Amazon.com
Jessie Nelson's poignant tale of a mentally challenged man named Sam (Sean Penn) who recruits a lawyer to help him regain custody of his young daughter leans heavily on the lead character's obsession with Beatles songs, and his innocent trust in their wisdom and emotional truth. It's an artistic gambit that shrewdly lends itself to this mostly rewarding collection of Beatles covers by a wide range of contemporary artists, many of whom no doubt leapt at the chance to record a treasured song by their own musical heroes. The renditions are by and large faithful, and inform the elemental genius of the originals by the strength and variety of the artist's voices alone. The husband-wife team of Aimee Mann and Michael Penn (Sean's brother) can't help but find resonance in "Two of Us," just as Nick Cave's latter-day, heart-on-his-sleeve crooner infatuation makes "Let It Be" all his own. It's the reinterpretations that are riskier. While Paul Westerberg's stripped-down, nasal reading of "Nowhere Man" perceptively underscores Lennon's inherent Dylan fetish and Howie Day turns "Help!" from anxious plea to desperate dirge, Grandaddy smugly alt-rocks the energy right out of "Revolution." The Beatles hardly need anyone to burnish their reputation, but this album goes a long way toward underscoring their most undersung legacy as rock's most transcendent melting pot. -Jerry McCulleyCustomer Reviews:
Awesome!.......2007-07-26
I Am Sam CD.......2006-11-10
I AM SAM SOUND TRACK IS GREAT!.......2006-11-04
Disc of Beatles Covers Offers Lots of Room for Reinterpretation, Some Quite Wonderful.......2006-07-21
Husband-and-wife folk rockers Aimee Mann and Michael Penn kick things off with a pleasing version of the optimistic "Two of Us". Pleasing also describes Sarah McLachlan's take on "Blackbird", which is greatly aided by Sean Ashby's delicate strumming. The pace picks up with the Wallflowers' jaunty "I'm Looking Through You" complete with Rami Jaffee's Austin Powers-sounding keyboards and Jackson Browne providing harmony vocals. Eddie Vedder's uniquely scratchy vocal delivery is well served by "You've Got to Hide Your Love Away" where he accompanies himself ably on guitar and harmonica. Ben Harper gets into an appropriately psychedelic mood for "Strawberry Fields Forever" with particularly lush strings and fulsome horns, though he gets carried away with the bombastic ending.
Things start to fluctuate at this point in the disc. Sheryl Crow sounds somnambulant and rather constricted on a country-twanged "Mother Nature's Son", a sub-par choice for her slick performing style; and the plaintive Ben Folds barely registers on the too-brief "Golden Slumbers". In the one track that sounds like a Fab Four impersonation (or more accurately, a Beatlemania facsimile), the Vines cover "I'm Only Sleeping" in a comparatively generic manner. The Stereophonics make "Don't Let Me Down" sound like a mid-1970's Rod Stewart pop-rocker, while the Black Crowes put their familiar blues-oriented stamp on the most psychedelic of Beatles songs, "Lucy in the Sky With Diamonds".
Chocolate Genius, led by Marc Anthony Thompson, refashions John Lennon's touching paean to his mother, "Julia", into a hazy dirge that actually brings a surprising resonance to the song. However, sounding a bit too much like MacLachlan, singer-songwriter Heather Nova lends little distinction to her version of "We Can Work It Out", granted one of the most lightweight songs in the Lennon-McCartney canon. Howie Day effectively slows down "Help!" into an atmospheric, almost halting plea of quiet desperation. Dylan sound-alike Paul Westerberg croaks through "Nowhere Man" with little flair; and in perhaps the biggest departure from the original, the now-defunct indie band Grandaddy turns "Revolution" into a chugging slow-poke rocker. On the final track, Aussie musician Nick Cave lends his recognizably barren style to a somewhat desultory "Let It Be". It's a mixed bag for sure, but what really comes across is the unbeatable craftsmanship and magical yin-and-yang perfection of Lennon and McCartney.
Strawberry Fields Forever!...FIVE STARS PLUS for this music!.......2006-05-09
The CD has a whopping 17 tracks for almost an hour of music from the movie (or inspired by the movie) I Am Sam. The music was beautifully woven into the movie; but even with just this CD you'll be blown away! It's a must-have for fans of The Beatles, the artists here, and fans of great rock everywhere.
The CD starts off strong with a rendition of "Two Of Us" by Aimee Mann and Michael Penn. I think their personal relationship helped make them harmonize so well for this song. The Black Crowes do an excellent job with the musical arrangement for "Lucy In The Sky With Diamonds;" the drums are first-class! Sheryl Crow injects a great country music accent to "Mother Nature's Son." Sarah McLachlan performs a very sensitive rendition of "Blackbird;" and the CD ends beautifully with one of my very favorite Beatles songs, "Let It Be" performed by Nick Cave with Chaz Jankel on piano. Awesome!
Amazon writes that some of the "reinterpretations (on this album)...are riskier." I don't agree. While risks were taken, you won't know it! For example, Grandaddy does a great job of adding their own spice to "Revolution" and Paul Westerberg's voice was rather pleasing to my ear on "Nowhere Man."
The quality of the sound is excellent; and all of the musical arrangements are very thoughtfully produced. The liner notes come with a few color pictures from the motion picture I Am Sam; and you also get the song credits.
Overall, this CD is the product of an exceptionally talented group of artists who perform a noticeably sensitive suite of covers of great Beatles songs. This album will touch a nerve in you and leave you wondering why they couldn't have recorded even more. The singers expressed even the finest of nuances in the meanings of every word in every song; and I treasure this album as one of my preferred CDs. If this were a vinyl album I would have worn the grooves off of it long ago.
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Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys
Various Artists Manufacturer: Anti ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GGSMD0 Release Date: 2006-08-22 |
Tracks:
- Cape Cod Girls - Baby Gramps
- Mingulay Boat Song - Richard Thompson
- My Son John - John C. Reilly
- Fire Down Below - Nick Cave
- Turkish Revelry - Loudon Wainwright III
- Bully In The Alley - The Old Prunes
- The Cruel Ship's Captain - Bryan Ferry
- Dead Horse - Robin Holcomb
- Spansih Ladies - Bill Frisell
- High Barbary - Joseph Arthur
- Haul Away Joe - Mark Anthony Thompson
- Dan Dan - David Thomas
- Blood Red Roses - Sting
- Sally Brown - Teddy Thompson
- Lowlands Away - Rufus Wainwright & Kate McGarrigle
- Baltimore Whores - Gavin Friday
- Rolling Sea - Eliza McCarthy
- Haul On The Bowline - Bob Neuwirth
- Dying Sailor to His Shipmates - Bono
- Bonnie Portmore - Lucinda Williams
- The Mermaid - Martin Carthy & the UK Group
- Shenandoah - Richard Greene & Jack Shit
- The Cry Of Man - Mary Margaret O'Hara
Tracks:
- Boney - Jack Shit
- Good Ship Venus - Loudon Wainwright III
- Long Time Ago -White Magic
- Pinery Boy - Nick Cave
- Lowlands Low - Bryan Ferry w/Antony
- One Spring Morning - Akron/Family
- Hog Eye Man - Martin Carthy & Family
- The Fiddler/A Drop Of Nelson's Blood - Ricky Jay & Richard Greene
- Caroline and Her Young Sailor Bold - Andrea Corr
- Fathom The Bowl - John C. Reilly
- Drunken Sailor - Dave Thomas
- Farewell Nancy - Ed Harcourt
- Hanging Johnny - Stan Ridgway
- Old Man of The Sea - Baby Gramps
- Greenland Whale Fisheries - Van Dyke Parks
- Shallow Brown - Sting
- The Grey Funnel Line - Jolie Holland
- A Drop of Nelson's Blood - Jarvis Cocker
- Leave Her Johnny - Lou Reed
- Little Boy Billy - Ralph Steadman
Amazon.com
Johnny Depp and director Gore Verbinski hatched the idea for Rogue's Gallery while filming "Pirates of the Caribbean: Dead Man's Chest"--that idea being to cast genteel rock superstars like Bono, Lou Reed, Bryan Ferry, Andre Corr, and Sting to reinterpret gritty seafaring standards for an exhaustive 43-track double-disc set produced by Hal Wilner. Throw in a bunch of credible folk stars (Loudon Wainwright III, Richard Thompson), their offspring (Rufus, Teddy) and a string of other curious characters (Jarvis Cocker, Antony) and what results is one of the strangest compilations in recent memory, if not exactly the most historically authentic or, well, digestible. Nick Cave embraces the role just a little too hard on "Fire Down Below," while Ferry can't help but sound like he's singing for the cast of "The Love Boat," but cut through the chaff and there is some real bootie here: Bono's "Dying Sailor to His Shipmates," Jolie Holland's "The Grey Funnel Line" and "Boney" by a mysterious tramp called Jack Sh**, which must be some kind of anagram for Johnny Depp. --Aidin VaziriAlbum Description
While working on the two "Pirates Of The Carribean" films, Johnny Depp and director Gore Verbinski became fascinated with the lore and fable of the pirates and sailors who ran the high seas. Enter legendary producer Hal Wilner, who brings his knack for matching maverick musicians with extraordinary material. Artists on this double disc set include Bono, Sting, Nick Cave, Bryan Ferry, Lou Reed, Richard Thompson, Lucinda Williams, Jarvis Cocker of Pulp, and many more. "Rogue's Gallery" offers a look at the hardships, the horrors, the lusts and lurid depths, and the crystal beauty that led men to the sea in ships for hundreds of years.Customer Reviews:
Fun--but not great.......2007-07-03
I won't belabor the song content or the production value. I think the most notable reviews have got that down pat, although I'm not marking down as far as they have because I'm giving points for originality being a fan of Spike Jones and some other truly demented people.
One thing to note: this is not a CD you'd buy if you were looking for something to amuse your kids. Some of the content is very bawdy and Mom and Dad would have some serious 'splaining to do to the little pirates. There's both some language and some situations that are more twisted than a Hangman's knot.
aaaaaaaaaaarrrrrrrrghhhhhhhhhhhhh!.......2007-06-09
Disappointment would be an understatement.......2007-06-04
Hal Wilner should stick to whatever genre it is that made him know enough to be approached by labels, because he clearly has no understanding, and less enthusiasm for *this* genre.
If you love lively music from the maritime era, you can only be bitterly disappointed by this collection. Out of 43 tracks, I found 15 that were salvageable. Sort of.
I've already tossed this onto the pile to go to the resale shop. It wasn't worthy the cost of shipping.
Zzz..........2007-04-04
I appreciate what was attempted here (contemporary artists paying homage to sea chanteys in the spirit of our romanticized version of the pirate era) but it just doesn't really work. The effect is similar to what would be achieved if the London Philharmonic Orchestra attempted to play rap "music" with Luciano Pavarotti rhymin' while flashing gang signs.
another set of hopes are smashed.......2007-03-29
It is VERY sad that these same titles, could not have been produced for quality. They sound like a nightmare.
Average customer rating:
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Want Two (CD/DVD combo)
Rufus Wainwright Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000654ZDC Release Date: 2004-11-16 |
Tracks:
- Agnus Dei
- The One You Love
- Peach Trees
- Little Sister
- The Art Teacher
- Hometown Waltz
- This Love AFfair
- Gay Messiah
- Memphis Skyline
- Waiting For A Dream
- Crumb By Crumb
- Old Whore's Diet
From Amazon.co.uk
A wild-card songwriter with a familial pedigree and an ever-expanding cult retinue, the raffish but assiduous Rufus Wainwright--outré, gay, and sage--is not one to shy away from invigorating his songs with a lurid theatrical honesty. Want Two perhaps reflects Wainwright's revised priorities since stepping back from the recreational medication precipice. Opening number "Agnus Die"--a medieval Catholic liturgy given an eastern flavor and performed with Hungarian instruments--seeks spiritual laundering and clemency, but this virtue is offset by the implied vice and self-loathing of grand finale "Old Whore's Diet," a brilliantly irrational sprawl of skewed genius taking in Latin-American grooves and a doomy operatic Radiohead-esque requiem. Between these polar extremes lies Wainwright's eye for improbable observational finesse. Few others could express the first lovestruck flush of teenage infatuation with such deliberate inarticulacy ("Art Teacher") or envisage the coming of a "Gay Messiah" dripping in testicular fluid. He's evidently an attention-craving naughty boy with a love of Serge Gainsbourg, Elvis Costello and harpsichords, but on Want Two Rufus Wainwright makes sex, drugs, politics--and yes, belated redemption--sound positively velvety. --Kevin MaidmentCustomer Reviews:
Want Two.......2007-07-15
I am crazy about this entertainer!
My Second Favorite Rufus.......2007-07-04
essential.......2007-05-09
And again . . ........2006-11-11
beautiful.......2006-08-15
The Art Teacher is especially poignant for anyone who has had similar experiences.
Waiting for a Dream has spectacular imagery:
"Diving through the rising, through the rising waves of night
Keeping a reflection of you in hindsight
But in turning back the brackish waters will not reflect you
After you have turned the color black of death or something like that..."
also
"There's a fire in the priory
And it's ruining this cocktail party.."
This Love Affair is particularly mournful, but has some odd lines like "I don't know why I'm watching all these white people dancing" (although that means, to me, that watching white people dancing is a pathetic waste of time)
And as always, I love the classical and opera influences.
Average customer rating:
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Meet the Robinsons
Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N0KVQ0 Release Date: 2007-03-27 |
Tracks:
- Another Believer - Rufus Wainwright
- Little Wonders - Rob Thomas
- The Future Has Arrived - The All-American Rejects
- Where Is Your Heart At? - Jamie Cullum
- The Motion Waltz (Emotional Commotion) - Rufus Wainwright
- Give Me The Simple Life - Jamie Cullum
- The Prologue
- To The Future!
- The Science Fair
- Meeting The Robinsons
- Goob's Story
- A Family United
- Pop Quiz And The Time Machine Montage
- The Evil Plan
- Doris Has Her Day
- Setting Things Right
- There's A Great Big Beautiful Tomorrow - They Might Be Giants
- Kids Of The Future - Jonas Brothers
Amazon.com
Disney's animated adventure may be driven by themes of futuristic time traveling, but its musical score is a delightful, pop-driven hybrid that turns on decidedly back-to-the-future sensibilities. Rob Thomas' hook-rich single "Little Wonders" and the All-American Rejects' collaboration with Danny Elfman "The Future Has Arrived" give the collection an immediate contemporary edge. But just as winning are disparate pop performances from Rufus Wainwright (the Nilsson-esque opening gem "Another Believer" and lilting "Motion Waltz"), while nouveau UK crooner Jamie Cullum turns in a swinging, piano jazz take on Wainwright's "Where Is Your Heart At?" as well as an inviting cover of "The Simple Life" in the same vein. Elfman's orchestral score returns him to the vibrant milieu of his early Tim Burton collaborations, supercharged here by a manic energy that seems equal parts Simpsons, Bernard Herrmann and Carl Stalling. Bringing the collection full circle is a big-band cover of Disney's vintage "There's A Great Big Beautiful Tomorrow" theme performed with loopy big-band charm by They Might Be Giants and the Jonas Brothers more disposable Kim Wilde update, "Kids of the Future." --Jerry McCulleyCustomer Reviews:
Elfman Does It Again.......2007-05-07
good mix of score and songs.......2007-04-02
First, the songs. Rufus Wainwright's "Another Believer" is a great, Beatles-esque ditty that I loved the first time I heard it during the movie. The All-American Rejects' "The Future Has Arrived" is also pretty great. Rob Thomas's "Little Wonders" is another solid song, although in my opinion it doesn't quite fit the movie as well. There are several other songs, but mostly they are unremarkable. The one remaining exception is They Might Be Giants' cover of "There's A Great Big Beautiful Tomorrow" from the Carousel of Progress. That's a very apprpropriate inclusion; it fits the theme of the movie extremely well, and is also a good tip of the hat to Walt himself.
As for Danny Elfman's score, it's one of the better he's put forth in the past few years. It's very much in the vein of "classic" Elfman (that is, late '80s and early '90s Elfman). If you're a fan of his, you will love it.
Goob's Story.......2007-04-01
-On the score side of the album it is the same Elfman charm that we're familiar with. The score does get a little too close to "Corpse Bride" for me to fully love it but it does have it's great moments that are a treat to listen to. It does have that zany and offbeat charm from "Flubber" but thankfully doesn't get too chaotic. The weird little thermalin sounds in "To the Future" did confuse me at first, but after seeing the movie *in 3D I might add* I realized why they were used and now love it.
-For me the best parts of the score are the more peaceful moments which makes "Goob's Story" the highlight on the album for me. It's played in the movie for the scene when the young kid Goob is being told by his older self to be angry and bitter following the events of his baseball game. "A Family United" is also a nice little moment that I wish there could have been more of on the album. I used to think this was the only Elfman score without a title sequence but turns out I was very wrong.
-If you already owe "Corpse Bride" and "Flubber" then there's really no need to get this album, but if you're a die hard Elfman nut like me then you will need to get it just to feel complete. Oh and yes, the songs are also awesome
5 Stars for AAR.......2007-03-06
-Jennifer
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Parade (1998 Original Broadway Cast)
Jason Robert Brown , Brent Carver , Carolee Carmello , Christy Carlson Romano , and Rufus Bonds Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IMFL Release Date: 1999-04-27 |
Tracks:
- The Old Red Hills of Home
- The Dream of Atlanta
- How Can I Call This Home
- The Picture Show
- Leo at Work/What Am I Waiting For?
- Interrogation: "I am trying to remember..."
- Big News!
- Funeral: There Is a Fountain/It Don't Make Sense
- Real Big News
- You Don't Know This Man
- The Trial: People of Atlanta
- Twenty Miles from Marietta
- Frankie's Testimony
- The Factory Girls/Come up to My Office
- My Child Will Forgive Me
- That's What He Said
- Leo's Statement: "It's hard to speak my heart"
- Summation & Cakewalk
- A Rumblin' and a Rollin'
- Do it Alone
- Pretty Music
- Letter to the Governor
- This Is Not Over Yet
- Blues: Feel the Rain Fall
- Where Will You Stand When the Flood Comes?
- All the Wasted Time
- Sh'ma
- Finale
Amazon.com
The big winners at the 1999 Tony Awards were revivals or old dance numbers recycled into new shows. Yet earning the most nominations, nine (and taking home two awards, for book and original score), was an honest-to-goodness new American musical by a young American composer-lyricist, Jason Robert Brown (who was 28 when the show premiered at Lincoln Center in December 1998 and was best known for his song cycle Songs for a New World). In addition, the subject matter is serious and dark, based on the true story of Leo Frank, a New York-born Jew living in Atlanta who was falsely accused of raping and murdering a young girl, and not surprisingly, the run was limited to 84 performances.The original cast recording survives, however, and from the stirring opening anthem, "The Old Red Hills of Home," Brown's score is full of riches, mixing period American styles with strong melodies, intricate counterpoint, selective dissonances, and natural lyrics that give their characters true, expressive voices. Leading the strong ensemble cast are Tony nominees Brent Carver and Carolee Carmello as the persecuted Leo and his wife, Lucille, who had been drifting apart before the wrenching events pulled them back together. They express their relationship in some of the show's best songs ("Leo at Work/What Am I Waiting For," "You Don't Know This Man," "All the Wasted Time"). Masterfully evoking scene and character through his beautiful, bouncy, or harrowing music, Brown depicts youthful abandon ("The Picture Show"), the city's hysteria, the tender memories of the girl's mourners ("It Don't Make Sense"), and the murder trial, including its fantasy scenes of false testimony. Parade is a powerful work that will long linger in your memory, and it's one of the most important musical theater releases of 1999. --David Horiuchi
Customer Reviews:
An amazing and utterly underrated work.......2007-07-09
From the first sounds of the snare drum, Jason Robert Brown's rich, varied, and absolutely gorgeous score sucks you in. Words cannot express how I feel about this score. So many powerful, moving, heartbreaking, and thrilling moments. It's stunningly clear why this score won the Tony. And yet, this show always seems to recede into the background. An undeserved fate to be sure. In my eyes, this is a truly important addition to musical theatre on the same scale as such shows as Ragtime, LaChiusa's The Wild Party, Floyd Collins, and The Light in the Piazza.
As for the cast, my goodness!!! What voices!!!! They are what make this score glitter. Words cannot describe their performances either.
This score is too good to be true. That the bankruptcy of its production company was what led to its premature demise is a tragedy. For goodness' sake, buy Parade, a true hidden gem in the musical theatre canon.
Good, but not Brown's best.......2006-11-25
The score by itself, on the other hand, is just good. Not excellent, but good. Were there an option to rate this CD at 3.5 stars, I would. There are some amazing moments in this score--for example, "The Old Red Hills of Home" is simply breathtaking, while the funeral music ("It Don't Make Sense") is heart-rendingly beautiful, then overpoweringly furious. When it's not amazing, though this score tends to just sit there, not going anywhere. Anyone familiar with Jason Robert Brown knows that his other scores--"The Last Five Years" and "Songs for a New World" (I'm not counting "Urban Cowboy")--are pure genius. While Brown is obviously passionate about this material, for some reason it's not as consistently inspired--or inspiring--as his other scores. It's still good, but because of those discrepancies I have mentioned, it is not great.
Despite all this, I would recommend this CD very highly to anyone intersted in musical theatre. I disagree with a previous reviewer who said that anyone to whom Sondheim's work is soul food will find this score unfulfilling. True, it's not pure genius, but, once again, as a whole, it's thoroughly worthwhile.
Parade the Musical.......2006-10-29
Last Five Years is Better.......2006-08-04
Truly Passionate.......2006-04-24
Christian Music:
- Run It! [CD-single]
- S.O.S. [Original recording remastered]
- Significant Singles [Box set] [Import]
- So Good [Import]
- Soul Hits of the 80's [Box set]
- Soul of Wilson Pickett
- Sweet Love-Very Best of [Import]
- Sweets for My Sweet/Sweet Sweet Soul [Original recording remastered]
- Take Two
- Testimony
Christian Music
Bachanalia - Instrumental Music from the Bach Family
A Party Political Broadcast on Behalf of the Emotional Party [Import]
Bach: The Well-Tempered Clavier (book 1)