UK compilation for act long collected by fans of the girl group genre, this New York trio recorded a handful of rare singles for Cameo and Scepter in the mid-1960's. Produced by Jerry Ross, 'The 81' was later a massive hit on the northern soul scene, other tracks were produced by Ashford & Simpson. This is the first-ever compilation devoted to Candy & The Kisses. It includes all their recordings for Cameo and Scepter, including 3 previously unissued tracks 'Lookie, Lookie (What I Got)', 'All You Gotta Do' & 'One Sweet Kiss'. 2001 release.
Do the 81 & Other Soul,Candy and the Kisses,Castle Music UK,Brill Building Pop,Girl Group,Pop,Rock,Soul,Soul/R & B
Average customer rating:
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004CYV Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
The greatest songs ever?.......2007-07-26
Please buy it.
A musical treasure-box.......2006-09-10
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
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Artistry of Elly Ameling (Coll)
Elly Ameling Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007KMSJ Release Date: 2003-10-14 |
Tracks:
- Matthaus-Passion
- Johannes-Passion
- Weihnachts-Oratorium
- Juditha Triumphans
- Messiah
- Crudel Tiranno Amor
- Die Schopfung
- Orlando Paladino
- 7 Lieder
- Le Nozze Di Figaro
- Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
- Misera! Dove Son! K369
- 18 Lieder
- Frauenliebe Und- Leben
- 11 Lieder
- 20 Morike-Lieder
Customer Reviews:
Elly Ameling now more available .......2007-03-07
Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.
I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.
I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.
Delight in every note.......2006-03-10
So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.
I recommend this set unequivocally. It truly is sheer delight.
While they last..........2005-05-17
Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.
Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05
Treasures From a Treasure.......2004-09-25
Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.
What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.
I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)
Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.
More than fully earned praise for an exceptional singer........2003-07-15
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!
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Creation
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A8I4 Release Date: 2001-03-06 |
Tracks:
- Gymnopedie No.3
- Children's Corner Ste: The Little Shepherd
- Pavane Pour Une Infante Defunte
- La Creation Du Monde, Op.81
- Requiem, Op.48: Pie Jesu
- Sorocaba (Saudades Do Brasil No.1), Op.67
- Scaramouche Ste, Op.165c: I. Vif
- Scaramouche Ste, Op.165c: II. Modere
- Scaramouche Ste, Op.165c: III. Brazileira
- Corcovado (Saudades Do Brasil No.7), Op.7
- Sumare (Saudades Do Brasil No.9), Op.67
- Concertino Da Camera: I. Allegro Con Molto
- Concertino Da Camera: II. Larghetto
- Concertino Da Camera: III. Animato Moto
- Laranjeiras (Saudades Do Brasil No.11), Op.67
- Children's Corner: Golliwogg's Cake-Walk
Amazon.com
This CD is the long-awaited follow-up to jazz saxophonist Branford Marsalis's 1986 debut, Romances for Saxophone with the English Chamber conducted by Andrew Litton. Since that project, Marsalis has led his own jazz combos and worked with The Grateful Dead and Sting. On this recording, Marsalis's superb soprano and alto sax are buoyed by the wonderful, conductorless Orpheus Chamber Orchestra, an ensemble that was featured on Herbie Hancock's Gershwin's World. Marsalis's clear sound and mature phrasing imbue French classics like Ravel's "Pavane pour une infante défunte," Debussy's ragtime-rhythmed "Golliwogg's Cake-Walk," and Fauré's "Pie Jesu" with verve and vitality. Marsalis navigates the New World syncopations of Darius Milhaud's "Saudades do Brasil" with the same ease he displays on the composer's jazz-inspired ballet, "La création du monde." On Jacques Ibert's showcase for the alto saxophone, "Concertino da camera," Marsalis's negotiation of its florid melody and his swing-spiced cadenza show that the innovations of jazz improvisation have enriched and extended the classical tradition. --Eugene Holley Jr.Customer Reviews:
Some Interesting Arrangements of Early 20th Century French Music.......2007-02-04
CREATION is a collection of early twentieth century works arranged for saxophone and orchestra. Marsalis is joined by the Orpheus Chamber Orchestra for arrangements that are original yet also respect the intention of the composers. Overall CREATION is a great relaxation disc, with the exception of some of the Milhaud pieces (the arrangement of LA CREATION DU MONDE is perhaps the one piece that makes this collection of what could be termed background music somewhat startling). Our local classical music radio station often plays some of the pieces from this collection and calls the pieces "tracks to relax." The selections are varied from Debussy, Satie, Ravel and Faure to the more experimental sounds of Darius Milhaud. The choice of selections shows the variety of the music and in many ways shows that the line between classical and jazz in the twentieth century is not always as fixed as it seems.
This collection provides great musical entertainment and offers some interesting interpretations of great music that's certain to be enjoyed by many.
B. Marsalis delights, but does not surprise.......2005-08-16
Then I realize this is all BS. Just listen to one of the best instumentalists playing very nice tunes. It is not his fault if it is so smooth, and clean. Just great.
The Disc Title Says it All.......2004-10-14
Branford's playing is a lot of things here, studied, practiced, prepared, thorough, and strong. It could have been more sensitive and collaborative. This is not something that necessarily need be laid at his door; it could be a "group" thing as much as anything. Other reviewers have noted that ensemble players often have difficulty working within an orchestra setting, and that the presence of a conductor could have kept things in check.
But that was not the point of this effort. If Orpheus and Branford had wanted a conductor they would have hired one. So one must use a more nuanced and blended yardstick to measure this . The compositions themselves clearly have a strong jazz influence, so the conceptual approach of the players is not only entirely appropriate but interesting. And that's what in the end separates jazz music from classical music. You may not like what people play or the way they play it, but at least it's not the same old stale sh-t. Branford's history of exploring a variety of musical stylings comes in well here; I appreciate his playfulness and almost joyful approach to some of these pieces. That's the way I think they ought to be played.
Highly Recommended.
Fairly lackluster, but interesting to hear.......2001-12-08
However, he runs into the same problems many jazz musicians have when trying to "cross over" into classical: too little emphasis on tone quality, rough articulation, trouble blending with the strings, and in some cases, sloppy ensemble technique.
Perhaps this latter problem has more to do with the lack of a conductor than a lack of skill.
Marsalis plays quite respectably on the Ibert. He doesn't take the ossia altissimo passages, but many "classical" artists don't either, so I can't fault him for that.
The "Scaramouche" comes off the best of all the traditional recital pieces on this disc. Marsalis caputures the fleeting playfulness of the first movement, and his technique is flawless here.
His tone is unacceptably bright and raucous in the "Creation du Monde," however. His playing in that piece is beyond the range of any interpretation I've ever heard. Much of this has to do with the placement of the microphones and the production of the recording as well.
I would have preferred that the disc include fewer transcriptions, but Marsalis seems to enjoy recording transcriptions instead of the more serious works for classical saxophone. It would be interesting to hear him play some of the heavier repertoire: the Glazonov concerto, the Dubois Concerto, the Dahl concerto, etc.
Shivers down my spine.......2001-08-03
I thought it would be wonderful background as I sat working at my computer -- it's so incredible it's distracting. Savor this.
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Milhaud: La Création du monde; Le Buf sur le toit; Saudades do Brasil
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RP5 Release Date: 2000-10-17 |
Tracks:
- La Creation du monde, Op. 81
- Saudades do Brasil, Op. 67: VII: Corcovado
- Saudades do Brasil, Op. 67: IX: Sumare
- Saudades do Brasil, Op. 67: VIII: Tijuca
- Saudades do Brasil, Op. 67: XI: Larenjeiras
- Le Boeuf sure le toit, Op. 58
Amazon.com
Leonard Bernstein was the great conductor of "classical jazz" music, including George Gershwin and much of his own. That makes him an ideal interpreter of Darius Milhaud's two ballets, one an evocation of Harlem nightclubs of the 1920s, the other a picture of Brazilian street music during Carnival season in Rio. The French musicians respond to his committed leadership with complete enthusiasm, and for years this disc has stood as the essential collection of Milhaud ballet music. "Saudades do Brasil" is a little suite of piano pieces, some of which were later orchestrated by the composer, and the selection performed here make a perfect encore. --David Hurwitz
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Jennie Tourel Live at Alice Tully Hall
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD ASIN: B000001K4M Release Date: 1995-03-14 |
Tracks:
- Per Pieta
- Rose Et Colas: La Sagesse Et Un Tresor
- An Die Hoffnung
- Ich Liebe Dich
- Trois Chansons De Bilitis: La Flute De Pan
- Trois Chansons De Bilitis: La Chevelure
- Trois Chansons De Bilitis: Le Tombeau Des Naiades
- Mignon's Lied
- Vergiftet
- Uber Allen Gipfeln Is Ruh'
- Comment' Disaient-ils
Tracks:
- Doubt
- Vain Temptation
- None But The Lonely Heart
- Romance
- Elegy
- Absence
- Laughing Song
- Si Mes Vers
- O, Quand Je Dors
- Le Barbe Bleu
Average customer rating: |
Viola de Rueda: Cantigas for Hurdy-Gurdy by King Alfonso X
Manufacturer: Pneuma ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AA4HJU Release Date: 2005-07-12 |
Average customer rating:
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Handel: Saul
John Eliot Gardiner , Ruth Holton , Lynne Dawson , John Mark Ainsley , Donna Brown , Derek Lee Ragin , English Baroque Soloists , Philip Salmon , and Neil Mackie Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B00000412J Release Date: 1991-09-12 |
Customer Reviews:
Another feast for Handelians.......2003-12-25
Excellent music.......2003-09-14
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Byrd: Music for Voice & Viols
Manufacturer: Lyrichord Discs Inc. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000022B8 Release Date: 1995-04-18 |
Tracks:
- Prld & Fant
- La Virginella
- My Sweet Little Darling
- Fant
- What Pleasure Have Great Princes
- Though Amaryllis Dance in Green
- In Nomine
- Blessed Is He That Fears The Lord
- O Lord, How Long Wilt Thou Forget
- Fant
- The Man Is Blesst That God Doth Fear
- Why Do I Use My Paper, Ink, and Pen
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Darius Milhaud Plays and Conducts
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD ASIN: B00000DNRO Release Date: 2000-10-17 |
Tracks:
- La Creation Du Monde, Op.81: Ballet - Orch Of 19 Soloists/Darius Milhaud
- Scaramouche, Op.165b: I. Vif - Marcelle Meyer/Darius Milhaud
- Scaramouche, Op.165b: II. Modere - Marcelle Meyer/Darius Milhaud
- Scaramouche, Op.165b: III. Brazileira - Marcelle Meyer/Darius Milhaud
- Saudades Do Brasil, Op.67: Ov
- Saudades Do Brasil, Op.67: I. Sorocaba
- Saudades Do Brasil, Op.67: II. Botafogo
- Saudades Do Brasil, Op.67: III. Leme
- Saudades Do Brasil, Op.67: IV. Copacabana
- Saudades Do Brasil, Op.67: V. Ipanema
- Saudades Do Brasil, Op.67: VI. Gavea
- Saudades Do Brasil, Op.67: VII. Corcovado
- Saudades Do Brasil, Op.67: VIII. Tijuca
- Saudades Do Brasil, Op.67: IX: Sumare
- Saudades Do Brasil, Op.67: X. Paineras
- Saudades Do Brasil, Op.67: XI. Larenjeiras
- Saudades Do Brasil, Op.67: XII. Paysandu
- Ste Provencale, Op.152b: I. Anime
- Ste Provencale, Op.152b: II. Tres Modere
- Ste Provencale, Op.152b: III. Modere
- Ste Provencale, Op.152b: IV. Vif
- Ste Provencale, Op.152b: V. Modere
- Ste Provencale, Op.152b: VI. Vif
- Ste Provencale, Op.152b: VII. Lent
- Ste Provencale, Op.152b: VIII. Vif
- Le Boeuf Sur Le Toit, Op.58 - Orch Du Theatre Des Champs-Elysees/Darius Milhaud
Customer Reviews:
Perfect!.......2004-12-16
All this is based on my LP -- which, alas, doesn't have Scaramouche on it. I trust the Milhaud gives it the proper bounciness, but I haven't heard it for sure!
Good overall view of Milhaud.......2001-09-06
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Haendel: Saul [Hybrid SACD]
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A169OK Release Date: 2006-01-10 |
Tracks:
- Symphony: Allegro - Larghetto - Allegro - Andante Larghetto
- 1. Chorus: How Excellent Thy Name, O Lord
- 2. Air (Soprano): An Infant Raised By Thy Command - 3. Trio (Alto, Tenore, Basso): Along The Monster Atheist Strode
- 4. Soprano, Alto, Tenore, Basso: The Youth Inspired By Thee, O Lord - 5. Chorus: How Excellent Thy Name, O Lord
- 6. Recit & 7. Air (Michal): He Comes, He Comes! - O God-Like Youth! - 8. Recitative (Abner, Saul, David): Behold, O King, The Brave, Victorious Youth
- 9. Air (David): O King, Your Favours With Delight - 10. Recitative (Jonathan): Oh Early Piety!
- 11. Air (Merab): What Abject Thoughts A Prince Can Have! - 12. Recitative (Merab): Yet Think, On Whom This Honour You Bestow
- 13. Air (Jonathan): Birth And Fortune I Despise!
- 14. Recitative (High Priest): Go On, Illustrious Pair! - 15. Air (High Priest): While Yet Thy Tide Of Bood Runs High
- 16. Recitative (Saul, Merab): Thou, Merab, First In Birth, Be First In Honour - 17. Air (Merab): My Soul Rejects The Thought With Scorn - 18. Air (Michal): See, With What A Scornful Air - 19. Air (Michal): Ah, Lovely Youth, Wast Thou Designed
- 20. Symphony: Andante Allegro - 21. Recitative (Michal): Already See The Daughters Of The Land - 22. Chorus: Welcome, Welcome, Mighty King!
- 23. Accompagnato (Saul): What Do I Hear? - 24. Chorus: David His Ten Thousands Slew - 25. Accompagnato (Saul): To Him Ten Thousands - 26. Air (Saul): With Rage I Shall Start Burst His Praises To Hear
- 27. Recitative (Jonathan, Michal): Imprudent Women! - 28. Air (Michal): Fell Rage And Black Despair Possessed
- 29. Recitative (High Priest): This But The Smallest Part Of Harmony - 30. Accompagnato (High Priest): By Thee This Universal Frame
- 31. Recitative (Abner): Racked With Infernal Pains - 32. Air (David): O Lord, Whose Mercies Numberless
- 33. Symphony: Largo - 34. Recitative (Jonathan): 'Tis All In Vain, His Fury Still Continues
- 35. Air (Saul): A Serpent, In My Bosom Warmed - 36. Recitative (Saul): Has He Escaped My Rage?
- 37. Air (Merab): Capricious Man
- 38. Accompagnato (Jonathan): O Filial Piety! - 39. Air (Jonathan): No, Cruel Father, No!
- 40. Air (High Priest): O Lord, Whose Providence - 41. Chorus: Preserve Him For The Glory Of Thy Name
- 42. Chorus: Envy! Eldest Born Of Hell!
- 43. Recitative (Jonathan): Ah! Dearest Friend - 44. Air (Jonathan): But Sooner Jordan' Stream, I Swear
- 45. Recitative (David, Jonathan): Oh Strange Vicissitude! - 46. Air (David): Such Haughty Beauties Rather Move
Tracks:
- 47. Recitative (Jonathan): My Father Comes - 48. Recitative (Saul, Jonathan): Hast Thou Obeyed My Orders
- 49. Air (Jonathan): Sin Not, O King, Against The Youth - 50. Air (Saul): As Great Jehovah Lives - 51. Air (Jonathan): From Cities Stormed, And Battles Won
- 52. Recitative (Jonathan, Saul): Appear, My Friend - 53. Air (David): Your Words, O King, My Loyal Heart - 54. Recitative (Saul): Yes, He Shall Wed My Daughter!
- 55. Recitative (Michal): A Father's Will Has Authorised My Love - 56. Duet (Michal, David): O Fairest Of Ten Thousand Fair - 57. Chorus: Is There A Man
- 58. Symphony: Largo - Allegro
- 59. Recitative (David): Thy Father Is As Cruel - 60. Duet (David, Michal): At Persecution I Can Laugh
- 61. Recitative (Michal, Doeg): Whom Dost Thou Seek - 62. Air (Michal): No, No Let The Guilty Tremble
- 63. Recitative (Merab): Mean As He Was, He Is My Brother Now - 64. Air (Merab): Author Of Peace, Who Canst Controul
- 65. Symphony: Allegro
- 66. Accompagnato (Saul): The Time At Length Is Come - 67. Recitative (Saul, Jonathan): Where Is The Son Of Jesse?
- 68. Chorus: Oh Fatal Consequence Of Rage
- 69. Accompagnato (Saul): Wretch That I Am - 70. Recit - Accompagnato (Saul): 'Tis Said, Here Lives A Woman
- 71. Recitative (With, Saul): With Me What Would'st Thou - 72. Air (Witch Of Endor): Infernal Spirits
- 73. Accompagnato (Samuel, Saul): Why Hast Thou Forced Me From The Realms Of Peace
- 74. Symphony: Allegro
- 75. Recitative (David, Amalekite): Whence Comest Thou? - 76. Air (David): Impious Wretch, Of Race Accurst!
- 77. March: Grave
- 78. Chorus: Mourn, Israel
- 79. Air (High Priest): Oh Let It Not In Gath Be Heard
- 80. Air (Merab): From This Unhappy Day
- 81. Air (David): Brave Jonathan His Bow Never Drew - 82. Chorus: Eagles Were Not So Swift As They
- 83. Air (Michal): In Sweetest Harmony They Lived! - 84. Solo (David And Chorus): O Fatal Day! - 85. Recitative (Abner): Ye Men Of Judah, Weep No More!
- 86. Chorus: Gird On Thy Sword, Thou Man Of Might
Christian Music:
- Face to Face With the Truth [Original recording remastered] [Import]
- Floss Mode [Explicit Lyrics]
- Fried [Import]
- Gamble Huff Orchestra//Mysteries of the World [Import]
- Gift of Beach Music
- Go For It
- Green Onions and Other Hits
- Half a Love Plus [Import]
- High Maintenance Woman
- How We Roll
Christian Music
Chronicles [Limited Edition] [Import]
Musicisti pugliesi In Archivi Iberci
Out of the Mist/Illusion [Import]
Mendelssohn: A Midsummer Night's Dream, Symphony No. 3 / Maag, London Symphony Orchestra