Good Times

Good Times

Track Listings

1. Intro
2. Ya'll Ain't Ready
3. Good Times - Wendell B.,
4. No Doubt - Wendell B.,
5. St.L. Thang
6. Anything
7. Can't Get Enough of Your Love
8. Definition of a Real Man - Wendell B.,
9. Heaven Sent Me an Angel
10. I Ain't Neva Been Down Like That
11. Just Don't Understand U
12. Inside My Mind
13. Should We Break-Up - Wendell B.,
14. What Would You Do
15. Outro

Editorial Reviews

From the Artist
"There's a saying in the Bible that what comes from the heart reaches the heart. I wanted people to be able to relate to the content, have fun, and keep it real."

Product Description
Wendell B. is the president of Cuzzo Music in association with Hornsby Lee Entertainment and is the first to release product from the fledgling corporation. He's been compared to his idols, Freddie Jackson, Luther Vandross, Barry White, and Will Downing, and he covers a little bit of everything on this record: good times, love found, love lost, love scorned. Wendell wrote, arranged, and produced all the material here.

Good Times,Wendell B.,Jade Madison,Neo-Soul,Pop,R&B,Soul/R & B


TV Land Presents: Favorite TV Theme Songs
Average customer rating: 4.5 out of 5 stars
  • good memories for me and fun "new" songs for my children
  • memories
  • TV Theme Songs
  • TV themes
  • Deja Vu
TV Land Presents: Favorite TV Theme Songs
Grecco, Cyndi , and Jones, Jack
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006EXIL
Release Date: 2002-08-20

Tracks:

  1. I Love Lucy Theme - Wilbur Hatch
  2. Dragnet - Ray Anthony
  3. The Twilight Zone - Rod Open
  4. Bonanza - Al Caiola & His Orchestra
  5. The Andy Griffith Theme - Earle Hagen
  6. The Ballad Of Jed Clampett - Earl Scruggs
  7. The Addams Family (Main Theme) - Vic Mizzy
  8. Munsters Theme - Jack Marshall
  9. The Ballad Of Gilligan's Isle - Morton Stevens
  10. Green Acres - Eddie Albert
  11. Jeannie - Hugo Montenegro
  12. Batman Theme - Neal Hefti
  13. (Theme From) The Monkees - The Monkees
  14. Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
  15. Mannix - Lalo Schifrin
  16. Hawaii Five-O - Mort Stevens & His Orchestra
  17. Theme From The Brady Bunch - The Brady Bunch
  18. Come On Get Happy - The Partridge Family
  19. Those Were The Days - Carroll O'Connor
  20. And Then There's Maude - Donny Hathaway
  21. Good Times - Jim Gilstrap
  22. Movin' On Up - Oren Waters
  23. The Rockford Files - Mike Post
  24. Them From S.W.A.T. - Rhythm Heritage
  25. Happy Days - Pratt & McClain
  26. Making Our Dreams Come True - Cyndi Grecco
  27. Chico And The Man - Jose Feliciano
  28. Welcome Back - John Sebastian
  29. What's Happening!! - Henry Mancini
  30. Barney Miller - Jack Elliott
  31. Charlie's Angels - Jack Elliott
  32. Love Boat Theme - Jack Jones
  33. Angela (Theme From 'Taxi') - Bob James
  34. It Takes Diff'rent Strokes - Gloria Loring
  35. Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
  36. Theme From Magnum, P.I. - Mike Post
  37. The Theme From Hill Street Blues - Mike Post
  38. Theme From Dynasty - Bill Conti
  39. Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
  40. Thank You For Being A Friend - Cynthia Fee

Album Description

TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.

Customer Reviews:

5 out of 5 stars good memories for me and fun "new" songs for my children.......2007-06-27

We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.

5 out of 5 stars memories.......2007-02-22

This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended

5 out of 5 stars TV Theme Songs.......2007-01-13

This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.

3 out of 5 stars TV themes.......2006-07-05

Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.

5 out of 5 stars Deja Vu.......2006-02-17

Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Ennio Morricone - Film Music, Vol.1
Average customer rating: 4.5 out of 5 stars
  • No Fistful of Ennio
  • I would call some of these pieces "newage"...
  • Simply a 'Must Purchase' for those with a passing interest in Morricone's work
  • ENNIO MORRICONE - FILM MUSIC, VOL. 1
  • A collection of Morricone's most popular and entertaining
Ennio Morricone - Film Music, Vol.1

Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Similar Items:
  1. Film Music, Vol. 2
  2. Very Best of Ennio Morricone
  3. The Mission: Original Soundtrack From The Motion Picture
  4. Ennio Morricone, Vol.3: Main Titles
  5. Yo-Yo Ma Plays Ennio Morricone

ASIN: B00000DR51
Release Date: 1992-06-29

Tracks:

  1. The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
  2. Maddalena: Come Maddalena
  3. The Sicilian Clan: The Sicilian Clan
  4. The Life And Times Of David Lloyd George (BBC TV): Chi Mai
  5. Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
  6. Moscow Farewell: Moscow Farewell
  7. Espion Leve Toi: Marcia In La
  8. Lady Caliph: Lady Caliph
  9. Battle Of Algiers: The Battle Of Algiers
  10. The Infernal Trio: The Infernal Trio
  11. La Banquiere: Dedicace
  12. For Love One Can Die: For Love One Can Die
  13. Sacco And Vanzetti: Sacco And Vanzetti
  14. The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
  15. Quartiere: Romanza Quartiere
  16. Once Upon A Time In The West: Once Upon A Time In The West
  17. The Mission: On Earth As It Is In Heaven (Remix)

Customer Reviews:

3 out of 5 stars No Fistful of Ennio.......2007-01-31

Ennio Morricone wrote great soundtrack music, that's for certain. But no retrospective of his work is complete without the inclusion of more than one lone example from the three mid-60's "spaghetti westerns" he scored for Sergio Leone and Clint Eastwood. Anyone familiar with the UNITED ARTISTS label LPs of "Fistful Of Dollars," "For A Few Dollars More" and "The Good, The Bad And The Ugly" might agree with this.

As for what's here-- most of ENNIO MORRICONE * FILM MUSIC Volume 1 is forgettable incidental stuff. Except for "The Battle Of Algiers (Theme)," the opening and closing tracks are the best. They bookend what turns out to be a disappointing collection, lacking in both liner notes and the brilliance Morricone demonstrated over a 30 year span.

5 out of 5 stars I would call some of these pieces "newage"..........2006-08-02

Moscow Farewell is definitely my pick of the lot. Sacco And Vanzetti was a pleasant surprise once I listened to it a couple of times. It is lively and could be played on a wedding dance floor for the whole family. This is great album to listen to while in bed!

5 out of 5 stars Simply a 'Must Purchase' for those with a passing interest in Morricone's work.......2005-09-13

Arguably one of the greatest (if not the greatest) Film composer of the 20th Century. Not only has he scored some of the most influential and instantly recognisable pieces of film music during his roughly 50 years of composing atmospheric film scores. Whether he's providing the spooky dramatics for a spaghetti Western" or constructing the ingenious use of classical arrangements of brooding cinematic pieces, he has (in most cases) consistently delivered contemporary music that has provided the atmospheric foil for the picture in question. And with a collection of musical influences that were as far ranging as: classical, jazz, pop, rock, electronic, avant-garde, and Italian music, he is able to deliver a variety of film scores that are as diverse as they are beautifully composed.

This compilation is collection of some of the seminal, gritty, theatrical, and dramatic film music, that would go on to define his career, via reflective orchestration and memorable motifs, ingenious use of diverse arrangements and instrumentation. There is a majority of his highlights on this disc, with the magnificently brooding "The Good, The Bad, and the Ugly" opening the disk. what follows is a truly sublime collection of music that is in parts truly beautiful and utterly atmospheric, so tracks such as "Once Upon A Time In The West", benefit from the haunting melodies and stirring volins, that are possibly more in tone with orchestrated music than contemporary music. Or the quiet piano introspection and melancholic arrangements that make up "Moscow Farewell", are simply deserving of being placed amongst the finest soundtrack compositions ever. "Dedicace", contains some of the most litting melodies in recent memory, impossibly sad and affecting, it is a haunting bittersweet composition that is both organic & reflective, over which the volins provide the musical backdrop. And that's without the mention of "For Love One Can Die", the autumnal orchestrated track, that pulls from Italian sweeping gangster original film scores, and makes a hushed and dissonant recording, that feels like a sublime throwback to the mafia-related shenanigans of 60's chicago via the use of restrained piano, that really is quite lovely and adds substantial weight to the composition.

If you are looking for a Ennio Morricone compilation....short of buying a boxset, you'd be hard pressed in beating this for value for money. It's a fantastic summary of his work and covers a fair amount of material. And is the perfect introduction to his work, (especially if you just want to buy one compilation of his work). This is highly recommended to fans both old and new, and is boosted by the compilers making a great job of the selection. So if you don't want to have to splash out on an expensive disk, to hear his influential work...this really is the first place you should start.

5 out of 5 stars ENNIO MORRICONE - FILM MUSIC, VOL. 1 .......2005-08-16

HAVING HEARD EXERPTS OF THE MUSIC BEFORE, IT WAS EXACTLY WHAT I
WANTED.

5 out of 5 stars A collection of Morricone's most popular and entertaining.......2005-07-31

Volume I of III, of this 'best of' Morricone trilogy, is the best of the three. This volume consists of music that can be listened to alone and socially, with some of the most catchy and minimalist rhythms you'll ever hear. You'll listen to this album and wonder what movie you've heard that song from before(Morricone's canon being primarily for film scores). If you're hear because you're trying to get the song from a movie, and you've never really heard of Morricone before, then you've luckily stumbled upon some of the best music I've ever heard. Or, if you're a Morricone fan and you'er looking for a good compilation, since Morricone has done too many film scores to even possibly own them all, then this is good to have. I wouldn't really reccommend Volume II and III unless you're looking or a very comprehensive collection of Morricone, since Volume I seems to me to carry his most absolute best. Definetely buy this album, it's very good.
The Good Times
Average customer rating: 4.5 out of 5 stars
  • I like Afroman
  • The Three Best Songs On This Album
  • Outstanding rap performance
  • I Cant Stop Laughing
  • A dumb joke...and i am not laughing
The Good Times
Afroman
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
Experimental RapExperimental Rap | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
Similar Items:
  1. Afroholic...The Even Better Times
  2. Jobe Bells
  3. 4ro:20
  4. Drunk'n'High
  5. The Hungry Hustlerz: Starvation Is Motivation

ASIN: B00005NQ2M
Release Date: 2001-08-28

Tracks:

  1. Because I Got High
  2. Crazy Rap
  3. She Won't Let Me...
  4. Hush
  5. Tumbleweed
  6. Let's All Get Drunk
  7. Tall Cans
  8. Palmdale
  9. Mississippi
  10. The American Dream

Amazon.com

Cross 1970s smut poet Rudy Ray Moore with '90s comedic rappers the Afros, marinate them in malt liquor, and what do you get? Afroman, the first hip-hop-flavored novelty act of the 21st century. The self-proclaimed hungry hustler's unabashed take on American rap from a blaxploitation point of view consists of a laid-back delivery and funky yarns loosely flowing over wah-wah guitar grooves and Hammond organ riffs. It's guaranteed to amuse some listeners and offend many, many more. One glance at The Good Times' track listing should help you decide into which camp you'll fall. The subject matter of tunes such as "Because I Got High" (also featured on the Jay and Silent Bob Strike Back soundtrack) and "Let's All Get Drunk" is readily apparent. But it's all good in the 'hood. Afroman and crew sound like they're having a great old time laying it down, and at least one song on this album will make you laugh. --Rebecca Levine

Customer Reviews:

5 out of 5 stars I like Afroman.......2007-03-08

I like this product very much. I had been looking for it at the music store for a long time, with no luck. I found it here, ordered it, and in no time at all it arrived. I've enjoyed it ever since.

5 out of 5 stars The Three Best Songs On This Album .......2007-02-23

This whole ablum is good, but the best three are Because I Got High, Crazy Rap, and She Won't Let Me...

Definitely buy this.

5 out of 5 stars Outstanding rap performance.......2007-01-29

This one is my first Afroman disc (and not the last). I have heard music from other musicians but this one really liked me. You have to put attention to every single song, since the lyrics are really interesting if you are not in a English spoken country. I'm interested in the afroamerican culture, so this disc gave a lot of knowledge about a minority that lives a parallel reality, as Afroman mentioned in his song "American Dream". If you are interested on buying cool rap, this is the choice.

5 out of 5 stars I Cant Stop Laughing.......2007-01-07

This CD might be the funniest CD ever... I just cant stop laughing when I hear it... its funny

1 out of 5 stars A dumb joke...and i am not laughing.......2006-06-30

I do not find this CD funny in the least bit. The song "Because I Got High" has got to be the dumbest thing ever written, with one of the most boring beats and repetitive lyrics that I have ever heard. Also, there are other dumb songs like "She won't let me". He tries so hard to be funny to the teenage crowd, and in some ways he succeeds, but to most people, I think that he will just be another annoying comedy rapper that us music listeners dont need to hear.
Applause (Original 1970 Broadway Cast)
Average customer rating: 4 out of 5 stars
  • Applause for Applause!
  • Lauren Bacall !
  • Love it
  • Welcome CD edition of the original Broadway cast album
  • lauren
Applause (Original 1970 Broadway Cast)
Lee Adams
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
Similar Items:
  1. Coco (1970 Original Broadway Cast)
  2. Promises, Promises (1968 Original Broadway Cast)
  3. Grey Gardens - A New Musical (2006 Original Broadway Cast)
  4. Curtains (2007 Original Broadway Cast)
  5. The Apple Tree (1966 Original Broadway Cast)

ASIN: B00004ZDV0
Release Date: 2000-10-17

Tracks:

  1. Overture
  2. Backstage Babble
  3. Think How It's Gonna Be
  4. But Alive
  5. The Best Night of My Life
  6. Who's That Girl?
  7. Applause
  8. Hurry Back
  9. Fasten Your Seat Belts
  10. Welcome to the Theatre
  11. Good Friends
  12. She's No Longer a Gypsy
  13. One of a King
  14. One Hallowe'en
  15. Something Greater
  16. Finale
  17. Applause -- Charles Strouse (vocal and piano) (bonus track)
  18. The Loneliest Man in Town -- Charles Strouse (vocal and piano) - bonus track
  19. Smashing N.Y. Times -- Charles Strouse (vocal and piano) - bonus track
  20. God Bless -- Charles Strouse (vocal and piano) - bonus track

Customer Reviews:

4 out of 5 stars Applause for Applause!.......2006-07-13

I recomend this cd to all theater fans. Even the ones who love a great, toe tapping score. The song they sing in titled Applause can be seen in the Bonus Performances on the DVD titled Broadways Lost Treasueres. That is how I first heard of Applause. It was very entertaining!

3 out of 5 stars Lauren Bacall !.......2005-07-09

Based on the classic movie "All About Eve", Lauren Bacall won a Tony for her performance in this great musical.

Best tracks include:

But Alive
Applause [Bonnie Franklin of "One Day At A Time" fame!]
Something Greater

Not all the songs are great, but totally worth the buy!

5 out of 5 stars Love it.......2004-04-01

Love the CD ( I have had the vinyl recording ever since it came out), but wish it could be released on Video or DVD(does anyone out there know if this will ever happen?). I saw the television production with Lauren Bacall and Larry Hagman back in the early 1970's and saw an amateur production of it here in Melbourne as well and having always loved the whole concept of the movie, I feel that it transferred well to the stage.

3 out of 5 stars Welcome CD edition of the original Broadway cast album.......2004-01-17

First... a request to people reviewing stage cast albums, Several reviews refer to these recordings as "soundtracks."

WRONG!!!!

"Soundtrack" recordings are records/cds transfered from from movies ONLY.

Live theatre does not use pre-recorded "soundtracks" - the casts perform live on stage and these "original cast recordings" are made in recording studios and designed for home listening.
PLEASE.... maintain your credibility by using the correct term!

************

Finally, after years of negotiation Decca Broadway is making the 1970 Tony winning musical APPLAUSE avaialble on Cd. Was it worth the wait? Well, yes and no. APPLAUSE is one of those late 60's musicals adapted from a hit play/novel/movie and offering lots of glitz and energy to cover up the deficiencies of the show itself.

Star Lauren Bacall provided the "star" quality though she has no real singing voice but as an actress she rises above it bringing the character to vivid life. Len Cariou sings well as Bacall's boyfriend but has very little to do.

Bacall gets the key gems and with two major exceptions any of the numbers in which she does not appear can be ignored. The first exception is the lively title song - a tribute to the power of applause. It has almost nothing to do with the plot but still stopped the show nightly. The other,is a dramatic soliloque for Penny Fuller in the (virtually) non-singing role of Eve: "One Hallowe'en." This is Eve's big moment to really show her true colours and Fuller makes the most of it. Missing from the recording - becasue it is a dialogue scene - is the following moments when Eve recieves humiliating comeuppance.

The original Lp release was done by ABC records and had an annoying "boxy" sound quality that has not been corrected on the cd. The very short selection has been filled out with demo recordings by composer Charles Strouse and a couple of the cut songs sound quite interesting. Packaging is up to Decca Broadway's usual high standards.

5 out of 5 stars lauren.......2003-12-04

i have a copy of this recording on LP, and have enjoyed it for approx 25 yrs. couldn't wait for the cd. bought it the first time i saw it.
i am wondering if anyone has seen the tv production of APPLAUSE starring LAUREN broadcast circa 1974 on tv? and is there any possibility of obtaining a copy on anything? the production was FANTISTIC, to say the least!!!
Three Mo' Tenors
Average customer rating: 5 out of 5 stars
  • Bravo! Mo' Mo' Mo'
  • This is a must have for any music lover!
  • wonderful collection of music
  • awesome music selection
  • They Left Out The Best Song
Three Mo' Tenors
Thomas Young , Roderick Dixon , and Victor Trent Cook
Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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  1. Cook, Dixon, & Young: Volume 1
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ASIN: B00005LVVC
Release Date: 2001-07-24

Tracks:

  1. La Donna e Mobile
  2. Let the Good Times Roll
  3. Make Them Hear You
  4. Ah! Mes Amis.
  5. Ellington Medley
  6. The Jazz Cat & Minnie the Moocher
  7. Twisted
  8. Nessun Dorma
  9. Today I Sing the Blues
  10. Soul Medley
  11. Have You Heard / Glory
  12. Were You There
  13. America The Beautiful
  14. Gospel Medley

Amazon.com

Inspired by the astoundingly popular The Three Tenors series, Broadway director Marion J. Caffey conceived and directed Three Mo' Tenors, bringing greater visibility to the classically trained African American voice. Starring seasoned tenors Roderick Dixon, Thomas Young, and Victor Trent Cook, Three Mo' Tenors is a theatrically staged concert set taped for public television's Great Performances. A companion to the taped show, the disc features just over an hour of live music from it. The phenomenal showmanship of Dixon, Young, and Trent Cook takes shape in the styles of opera, Broadway, blues, jazz, soul, spirituals, and gospel. The three virtuosos hit high C's with clarity and brilliance; scat with grace and grit; belt, bend and hold a note to beat the band. They move the audience to a state of near-ecstasy performing the traditional "Were You There (When They Crucified My Lord)" and Puccini's glorious "Nessum Dorma." Other standouts include the jazz classic "Twisted," a rollicking version of "Today I Sing the Blues," and the salty "Minnie the Moocher." Boisterous, bold, and bountiful, Three Mo' Tenors is a modern classic. --Paige LaGrone

Customer Reviews:

5 out of 5 stars Bravo! Mo' Mo' Mo'.......2006-05-13

The word "Mo'" in the title got my attention. I bought the CD to compare it to the already popular "Three Tenors" (Placido Domingo, Luciano Pavarotti and Jose Carreras). Wow! Was I surprised. I had expected an all opera, classical and possibly spiritual repetoire. But, the music varies from "Nessun Dorma" to "Love Train" was truly, truly delightful. I enjoyed the wonderful voices of Thomas Young, Roderick Dixon, and Victor Trent Cook and the variety of musical selections so much that I purchased several other copies for my family and friends. Then, several months later, I saw their performance on PBS. I immediately ordered the VHS offered by the TV station, paying way, way over the retail price. But, I had to have it. It was, and is, the most exciting musical performance that I have seen. Later, when I put the tape into the player at my son's house, my 5-year-old granddaughter Ciara stood next to the sofa to watch. I expected her to move away soon, but, she stood there, during the entire playback of the performance, and I do mean from beginning to end. I left the tape there so that son could see it later. The following day, and for most days during the next several weeks, Ciara asked to have the tape played, until she later was taught to handle it herself. The family has since replaced my VHS with the DVD so that now, when Ciara visits me, we can watch the show again (and again). "Three Mo' Tenors" was so surprisingly wonderful- with great voices, charismatic personalities, terrific orchestral arrangements, lively and precisely choreographed routines, and just an overall feeling of mutual admiration and respect among the three gentlemen. The beautiful cinematics, with frequently interspersed shots of the enthusiatic audience, contributes to the feeling that I am actually there at the concert. Every time I watch it, I see and hear something new. When I first heard the CD, I was not fascinated by the countertenor voice. After seeing Victor Trent Cook's heartwarming performance on the DVD, and hearing his comment about his mother's definition of a countertenor, I have been granted a new appreciation for his voice. Here it is, years later, and I'm still enamored, remembering Roderick Dixon's "Make Them Hear You" elicits tears, Thomas Young's "Twisted" makes me laugh, and the duet with Victor and Thomas (see, I'm now on first-name basis with them) is so beautiful. I could to on and on. In fact, it's time for another listen.

5 out of 5 stars This is a must have for any music lover!.......2006-01-07

I would rate this CD more than five stars if I could! I picked up this CD not knowing anything about these guys, but, knowing that I liked some of the songs contained on it. I was absolutely blown away by this collection! These guys have it all. Voices, talent, showmanship, style, technique, etc. Everytime I listen to it, I feel like I'm sitting right there in the theatre. I am a huge fan of opera, jazz and gospel. This CD covers it all! Although my favorite tracks are La Donna e Mobile, Make Them Hear You, and Nessun Dorma, they are all so good! I wouldn't hesitate to buy this again. You have to hear them to believe them!

5 out of 5 stars wonderful collection of music.......2005-08-23

A good album is one that can't be categorized neatly. Three Mo' Tenors tackles classic opera, Broadway tunes and other genres with ease. They have beautiful voices, and the music they choose to interpret is so universal that even my toddler girl loves listening to it! Their technical expertise combined with their stage presence and charisma makes for an enjoyable cd. Highly recommended - especially if you are looking to introduce yourself or your children to different musical genres.

5 out of 5 stars awesome music selection.......2005-08-02

These are amazing musical selections and amazing vocalists; a must-have for any well-rounded music collection. This trio can really sing!

4 out of 5 stars They Left Out The Best Song.......2004-11-11

One of my most favorite performance DVD's, but how, or why, on earth did they leave off the most stiring single number on the CD - "A Song For You," by Rodrick Dixon?

Put it in, and it's a "five."
Good Times
Average customer rating: 4.5 out of 5 stars
  • Some really great songs here
  • A Cut Above Country Radio Regulars
  • Different, But Good
  • Charlie Robison's Best Yet
  • "Great" Times
Good Times
Charlie Robison
Manufacturer: Dualtone Music Group
ProductGroup: Music
Binding: Audio CD

Alt-Country & AmericanaAlt-Country & Americana | Country | Styles | Music
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ASIN: B0002W4SC2
Release Date: 2004-09-21

Tracks:

  1. Good Times
  2. New Year's Day
  3. El Cerrito Place
  4. Big City Blues
  5. The Bottom
  6. Love Means Never Having To Say You're Hungry
  7. Photograph
  8. Something In The Water
  9. Always
  10. Flatland Boogie
  11. Magnolia

Customer Reviews:

4 out of 5 stars Some really great songs here.......2006-12-04

His honky tonk songs are fun and well done. However, I bought this CD after seeing the video for El Cerrito Place. The beauty and vulnerability of that song is amazing. Photographs is another moving song that really says volumes. This is my first Charlie Robison cd, and I love it.

5 out of 5 stars A Cut Above Country Radio Regulars.......2005-09-13

Charlie's latest has no weak tracks whatsoever. The title song is full of tongue-in-cheek humor and rebellion, hearkening to some of John Prine's best songs. It has one of the catchiest lines ever in country music: "Buy me a whiskey, get yourself stoned, we gonna have a good time." As usual, Charlie tells a great many stories in his songs: a unrepentant pleasure seeker lets it all hang out south of the border in "New Year's Day;" a man hits the skids emotionally in "The Bottom;" the narrator remembers his own broken childhood and admires his infant son in "Photograph;" a dissipated adult recalls his first drink and charts his own disgrace in "Something in the Water;" a girl weds a bad man in the haunting "Magnolia," a story-telling style that is reminiscent of Faulkner's "As I Lay Dying." Charlie Robison has more talent as a writer and performer than 99% of anyone in Nashville. Please buy this album; do yourself a favor. If you like songs deeper than your average mud puddle but still universally-applicable, this CD is for you!

4 out of 5 stars Different, But Good.......2005-09-06

I found this album to be quite different then what I've come to expect from Charlie, but it is still good and worthy of attention. "El Cerrito Place" is the best song on the album and I find myself listening to it over and over. If you are a Texas Country Music Fan or a Charlie Robison fan then you will like this album. Also, if you like Charlie, check out his brother Bruce Robison as well.

5 out of 5 stars Charlie Robison's Best Yet.......2005-08-12

This is Charlie's best release yet. It features a wide range of songs that will keep everoyone happy!

5 out of 5 stars "Great" Times.......2005-01-29

This is my first Charlie Robison CD but it won't be my last. I hadn't heard any of his stuff until a few years ago. I got this CD because of the video for "El Cerrito Place" on CMT and I'm so glad I got it. This is not your everyday run-of-the-mill "Country" CD, it's much better! He has a great range of songs on this that are just different. GREAT STUFF!!!!!!
The History of Blue Cheer: Good Times are So Hard to Find
Average customer rating: 4 out of 5 stars
  • One of the best "greatest hits" compilations in all of rock.
  • Psychedelic Proto Metal Legends!
  • split down the middle
  • psychedelic band's finest
  • 60s rock 'n' roll bombast at its finest
The History of Blue Cheer: Good Times are So Hard to Find
Blue Cheer
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001FNQ
Release Date: 1990-10-25

Tracks:

  1. Summertime Blues
  2. Out Of Focus
  3. Parchment Farm
  4. Feathers From Your Tree
  5. The Hunter
  6. Babylon
  7. Peace Of Mind
  8. Fruit And Icebergs
  9. Fool
  10. Hello L.A., Bye Bye Birmingham
  11. Saturday Freedom
  12. Good Times Are So Hard To Find
  13. Pilot
  14. Preacher
  15. Hiway Man
  16. I'm The Light

Customer Reviews:

5 out of 5 stars One of the best "greatest hits" compilations in all of rock........2004-10-03

...From a band that only had one hit!!
First of all, this album is aptly titled: "The History of Blue Cheer". For a band who was only around for 4 years the first time, I don't think there is another group in rock history who went through more changes in such a short period. Listening to this CD in chronological order, as all compilation CD's "should" be, from "Summertime Blues" back in early '68, all the way through to "I'm the Light" in '71, you would have thought this band had been around for 10 years, as much as their music had changed during that short amount of time.
The most interesting thing about Blue Cheer is that every album they made was like a different era, with slight personnel changes each time contributing something, and making a difference in the sound of the band each time. From the grunge of "Vincebus Eruptum", to the psychedelic/metal and playful atmosphere on "Outside/Inside", the un-togetherness with some guitar-driven bright spots on "New Improved", the hippie-fun and re-invention on "Blue Cheer", right down to the relaxed feeling of the last two albums, "The Original Human Being" and "Oh, Pleasant Hope", this compilation takes the best and most well-represented 2 or 3 songs from all those albums--again, in chronolgical order, and brilliantly profiles those changes in their best light. This is exactly the way all greatest hits compilations should be put together.
Of course, the "average" Blue Cheer fan is most familiar with, and usually prefers, the first two albums, when the band was a "heavy metal" power trio with Leigh Stephens on guitar, and the first six songs here represent that era. But little is known by many about the rest of their output, and this set does a nice job of presenting "the best of the rest".
Being a mostly-guitar driven band, each new guitar player that stepped in to the group, brought not only his own guitar style, but also his own songwriting, and even singing, to the mix--pretty much reducing Bassist Dickie Petersen's role to back-up singer, if that--the last song he even takes a 'lead' on is "Hello L.A/Bye-Bye Birmingham" from the 4th album. If you were divide them up into eras, you might say, "The Leigh Stephens era"(1968), "The Randy Holden era"(1969), "The Bruce Stephens era"(1969), and "The Gary Yoder era"(1969-1971).
To me, the best songs here are from the "Randy Holden era"--"Peace of Mind" and "Fruit&Icebergs". Even though he only lasted through one side of probably their worst and most fragmented album, "New Improved Blue Cheer", Holden probably brought to the group, not only their best guitar playing, but also their best songwriting and singing--from a man in Randy Holden who never had to sing lead in a group before, perhaps because Dickie Petersen ahd pretty much given up trying to sing. But "Peace of Mind" and "Fruit&Icebergs" were both very well-written, probably two of the best songs of 1969 that no one had ever heard of, from one of the greatest guitarists of the 1960s, Randy Holden, who no one had ever heard of. Holden was a guitarist who spent much of his musical career on a quest for the "ultimate" guitar sounds, and both "Peace of Mind" and "Fruit&Icebergs" not only feature excellent guitar solos from Mr. Holden, but also some of the "fattest" guitar tone of that era, outside of people like Jeff Beck and Jimmy Page. Worlds removed from the aimless, whammy-bar wanderings of his predecessor Leigh Stephens, and the Garcia-like folkiness of the men who would replace him, Bruce Stephens and Gary Yoder, Randy Holden was a man poised to take Blue Cheer to the next level, and make the name of the album, "New Improved Blue Cheer" mean something. If only he had band members like Dickie Petersen agree to go in the same direction he was going. But because he couldn't, Holden had to quit, and Blue Cheer began to meander-off into quiet, drug-induced mediocrity for the rest of their career, and that's pretty much what the reaminder of this album is, after "Fruit&Icebergs". But "Peace of Mind" and "Fruit&Icebergs" are definitely the high points for me on this collection, from the Jimmy Page-like rock visionary, Randy Holden--who, unlike his English counterpart, could actually sing with great character in his voice, as he did on those two songs. That's not to say that after Holden left, Blue Cheer didn't have some great moments--the Bruce Stephens/Gary Yoder-led group had a great song, "Saturday Freedom"--a nice up-beat hippie anthem for the summer of '69 that should have been a hit, as well as the song, "Good Times, are So Hard to Find". But the rest of the stuff from the Yoder-era on is pretty much bland, generic--Pink Floyd/Doors/Eagles/Grateful Dead/Stones-type, countrified, folkified, tripped-out, mellow, out-of-it-ness. If the goal at that point was to make the band more "mainstream", and fit-in more with the times, rather than be ahead of their times, as they were with Leigh Stephens and Randy Holden, they fell flat on their face--and then they broke up.
I suppose the best I could say is that this album has something for everyone, and probably captures the best examples of the latter music, that you probably wouldn't want to waste your time looking for, or your money buying, say, "The Original Human Being" or "Oh, Pleasant Hope", because their isn't much else redeemable about those two albums, anyway. And if you were to buy this disc strictly on an "objective" level, rather than a "subjective" level, it's a great buy--if nothing else, but for a history lesson about a group like a "hot rod", speeding down the highway, passing all the other cars, before finally running out of gas at the end. Again, I consider this a "model" compilation, in spite of the fact that it is not a "greatest hits"-set. (Many of the songs here are probably "would've been" hits, perhaps if the group had been marketed better at the time.) But this is the story of a band who had so many people come-and-go, each time trying to hold the group together and re-make it in their own style, before the group finally fell apart for good. And if a rock music collection could ever be called, "an audio history book", this is probably the best one I could think of.

4 out of 5 stars Psychedelic Proto Metal Legends!.......2003-02-23

Blue Cheer were a legendary 1960's California band renowned for being one of the loudest live bands ever. They even open for Jimi Hendrix a few times and were favorites of the Hell's Angles. However, this tag is not really representative as the band had so much turnover that their sound mellowed after the bombastic sludgefests of the first two albums. Bassist/vocalist Dickie Peterson was the only continuous member until the band called it quits the first time. The original band featured on the first two albums feature Leigh Stephens on guitar and Paul Whaley ex-Oxford Circle on drums. This incarnation of the band recorded their biggest hit, a bludgeoning cover of Eddie Cochran's "Summertime Blues". Other notable cuts from this incarnation of the band include a cover of Mose Allison's "Parchment Farm", the great "Out Of Focus" and "Babylon". Stephens quit at this point and their next album featured two guitarists. The legendary Randy Holden ex-Other Half was featured on the great cuts included here "Piece of Mind" and "Fruit and Icebergs" which were more jam oriented and psychedelic. Holden quit halfway through the album sessions and was replaced by Bruce Stephens. With the next album drummer Whaley threw in the towel and was replaced by Norman Mayell and Ralph Burns Kellogg was added on keyboards. "Saturday Freedom" and a laid back cover of "Hello LA Bye Bye Birmingham" date from this period. Bruce Stephens then quit and was replaced by ex-drummer Whaley's friend from Oxford Circle Gary L. Yoder on guitar and harmonica. The music at this point had become more mellow and blues oriented. Two albums followed by this line up before they called it quits. The catchy "Good Times Are So Hard To Find" and "Pilot" are two of the better cuts by this version of the band.

While this set is representative by featuring cuts from all the albums, a number of my favorites are not included. The disk is about 74 minutes so another song or two could have been added. Their second album "Outsideinside" is has come excellent cuts not included here like "Just A Little Bit", "Come And Get It", the interestingly titled instrumental "Magnolia Caboose Babyfinger" and a sledgehammer version of the Rolling Stones "Satisfaction". Some of these cuts were included on the old vinyl Blue Cheer compilation I used to have called "Louder Than God". This is the reason I am only rating this four stars instead of five. The sound is also thin in some places and a remastered anthology featuring my suggestions would be a welcome idea. However, since this is the only compact disk studio anthology of Blue Cheer available it is a worthwhile purchase. Fans of early hard rock and the California psychedelic scene will enjoy this release.

3 out of 5 stars split down the middle.......2000-05-06

I must admit the fast & loud stuff they do was the reason I bought this cd.I wasn't willing to sit through the "lighter" second half of the disc.But listening to it now (particularly "Saturday Freedom") I can hear that the second half may contain their better work.The last two cuts move dangerously close to Eagles territory.Interesting stuff for collectors of the famous-yet-obscure.

5 out of 5 stars psychedelic band's finest.......2000-05-03

Perhaps the only rock and roll band to have a type of lsd named in their honor, Blue Cheer were obviously never the most talented bunch, but they certainly helped pave the way for many psychedelic and heavy metal bands who followed. The band went through several incarnations from the earliest, heaviest phase with Leigh Stephens on lead recording their best known track a cover of Eddie Cochran's "Summertime Blues" a thudding 3:45 slab of proto-metal, thru the Randy Holden and Bruce Stephens years, ending with Gary Yoder and Norman Mayell sharing guitar/sitar duties. As the band's recording career progressed their sound became more melodic and accessible, which, unfortunately alienated them from their original audience while failing to create a new audience of adequate size, resulting in consistently falling record sales. While later tracks such as "I'm the Light" "Pilot" and "Good Times Are So Hard To Find" have aged much more gracefully than the early better selling "Parchment Farm" "Summertime Blues" and the like, they were almost completely ignored by the record buying public. This 74 minute, 16 track anthology, released in 1988, is the definitive statement regarding one of the definitive heavy pseudo-psychedelic proto-metal bands of the late 60s which evolved into a much tastier psychedelic band in the early 70s, but lost its original audience and never acquired a new one. Bottom line, this anthology is as uneven as the band's sound was inconsistent, but it is a seminal work in the body of heavy metal's development, and is essential to the collection of fans of 1960s rock and roll. 5 Stars for historical significance, not for musical talent.

3 out of 5 stars 60s rock 'n' roll bombast at its finest.......2000-03-16

I hazily remember my parents coming home one day in the late 60's and telling me about this record a friend of their's daughter had played for them. The word that stands out in my mind from their review is "bombastic." As I turn more and more into my parents, I find that word ringing more and more in my head as I listen to the first 6 tracks on this 16 track (*74* minute) compilation.

These first 6 tracks, taken from Blue Cheer's first two LP's ("Vincebus Eruptum" and "Outsideinside") are lacking in subtlety and dynamics (unless you consider "LOUD" to be dynamic), and mostly entertaining only as a novelty (and then only for a few minutes).

Once past these initial two LP's, and with the departure of guitarist/vocalist Leigh Stephens, and the arrival of Randy Holden (and later Gary Yoder), Blue Cheer began to show a lot more range and taste. The single joke act of their first two LP's gave way to a slightly more polished sound, arranged with a nice electric blues edge. Unlike the earlier aural assaults, the later tracks actually have some dynamic range, and feature a more varied instrumental approach (including harmonica, organ, piano, etc.).

It's really hard to see this as one band, since the shift in sound is so radical after Stephens' departure. By the last three albums, only one of the three original members remained. The later tracks, feature some nice stretched out guitar solos and instrumental passages.

I'm left curious as to how this band was received at the time, in both their original line-up, and the later, more progressive sounding crew.
Past Times With Good Company
Average customer rating: 4 out of 5 stars
  • Excellent Fayre...
  • Renaissance rock from Ritchie Blackmore and Co.
  • Brilliant musicianship, sophomoric lyrics and commentary
  • What a joke!
  • Excellent and Majestic!
Past Times With Good Company
Blackmore's Night
Manufacturer: Steamhammer Us [Spv]
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006LJ9Y
Release Date: 2002-11-04

Tracks:

  1. Shadow Of The Moon
  2. Play Minstrel Play
  3. Minstrel Hall
  4. Past Time With Good Company
  5. Fires At Midnight
  6. Under A Violet Moon
  7. Soldier Of Fortune

Tracks:

  1. 16th Century Greensleeves
  2. Beyond The Sunset
  3. Morning Star
  4. Home Again
  5. Renaissance Faire
  6. I Still Remember
  7. Durch Den Wald Zum Bachhaus
  8. Writing On The Wall

Album Description

The first live album for the Renaissance influenced rock act featuring legendary guitarist Ritchie Blackmore, recorded in Groningen, Holland & New York in 2002 from the Fires At Midnight Tour. 15 tracks. Steamhammer. 2002.

Album Details

Live Recording of the Group Former Deep Purple/Rainbow Guitarist Ritchie Blackmore Assembled Following his Tenure in Both the Aforementioned Groups. The Tracks were Taped at Performances in the Netherlands and New York City.

Customer Reviews:

4 out of 5 stars Excellent Fayre..........2007-07-06

I'm afraid I can't agree with Captain Jax, when he says Blackmore's Night lack the spark on stage of a realy talented band, I assume he hasn't seen the Castles And Dreams DVD..however, onto this album, my one criticism is that "The Clock Ticks On" is not it..otherwise it's a very good representation of how BN sound live.Everyone plays well Candice is in fine voice and they sound as though they are having a great time, I've been a fan of Ritchie since Deep Purple In Rock, and I think he has paid his dues to the rock world. Carry on Ritchie.This is great music.

4 out of 5 stars Renaissance rock from Ritchie Blackmore and Co........2007-03-19

This double live album contains an intimate atmosphere from a cool audience which adds to the power of this truly wonderful performance. It's also an excellent sounding live album. You got to love these traveling minstrels. Their live versions are extended and are different from the studio versions. If you haven't heard Blackmore's Night before, "Past Times With Good Company" is a great introduction.

Past Times With Good Company ~ Blackmore's Night: 4 1/2 stars

3 out of 5 stars Brilliant musicianship, sophomoric lyrics and commentary.......2006-03-18

Blackmore's brilliant musicianship is poorly reflected in Candice Night's sophomoric lyrics and commentary. This was OK for the first album and has become more obvious, particularly on this release.

Buy this CD for Blackmore's performance but grit your teeth when Candice Night starts talking like an "Oh wow, isn't this great?" tourist.

1 out of 5 stars What a joke!.......2006-02-07

I can't beleve that Ritchie Blackmore- the premier guitar virtuoso of Deep Purple and Rainbow would plummet to a style that has no relationship with Rock and Roll. This is all midevil crap that sounds like it should be in a musical or footstomp or the toilet! If you are looking for vintage Blackmore don't buy these Blackmore's Knight recordings. You will be disappointed, shocked, stunned and disillusioned. [...]

5 out of 5 stars Excellent and Majestic!.......2005-12-18

I loved this live CD of Blackmore's Night. It's a great addition to any Blackmore's Night collection. Candice's voice along with Ritchie's wonderful playing blends together to make a haunting and marvolous CD. I recommend it for any devoted Blackmore's Night fan.
Let The Good Times Roll: The Anthology 1938-1953
Average customer rating: 5 out of 5 stars
  • The Man Who Invented Little Richard
  • The #1 R&B Artist Of The 1940's
  • Great Compact Jive Package!
  • great stuff - what a great discovery
  • The True King of R&b -Essential!
Let The Good Times Roll: The Anthology 1938-1953
Louis Jordan
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000I5M5
Release Date: 1999-02-23

Tracks:

  1. Barnacle Bill The Sailor
  2. Doug The Jitterbug
  3. At The Swing Cat's Ball
  4. Honeysuckle Rose
  5. The Two Little Squirrels (Nuts To You)
  6. Pan Pan
  7. Saxa - Woogie
  8. Boogie Woogie Came To Town
  9. Rusty Dusty Blues (Mama Mama Blues)
  10. I'm Gonna Move To The Outskirts Of Town
  11. What's The Use Of Gettin' Sober
  12. I'm Gonna Leave You On The Outskirts Of Town
  13. Five Guys Named Moe
  14. Ration Blues
  15. Is You Is Or Is You Ain't (My Baby)
  16. Mop -Mop
  17. G.I. Jive
  18. Buzz Me Blues
  19. Caldonia
  20. Salt Pork, W. Va.
  21. Don't Worry 'Bout That Mule
  22. Stone Cold Dead In The Market
  23. Beware
  24. Choo Choo Ch'Boogie

Tracks:

  1. Ain't That Just Like A Woman
  2. Ain't Nobody Here But Us Chickens
  3. Let The Good Times Roll
  4. Texas And Pacific
  5. Jack You're Dead!
  6. Open The Door, Richard
  7. Boogie Woogie Blue Plate
  8. Run Joe
  9. Beans And Cornbread
  10. Saturday Night Fish Fry, Parts 1&2
  11. Blue Light Boogie Parts 1&2
  12. (You Dyed Your Hair) Chartreuse
  13. Life Is So Peculiar
  14. Teardrops From My Eyes
  15. Louisville Lodge Meeting
  16. Bone Dry
  17. Fat Sam From Birmingham
  18. Cock-A-Doodle-Doo
  19. Slow Down
  20. Never Trust A Woman
  21. Junco Partner
  22. I Want You To Be My Baby

Amazon.com

The two-disc, 46-cut Good Times does a great job of demonstrating how singer and saxophonist Louis Jordan's music evolved from the fairly straight swing of his early Decca sides to the jump blues that made him a father of rock & roll and soul. "Ain't That Just Like a Woman," for instance, features guitarist Carl Hogan giving birth to one of Chuck Berry's signature licks, while the likes of "Beware" and "Choo Choo Ch' Boogie" balance punch and elegance like the work of few bandleaders before or since. It would've been nice to see the mightily syncopated "Early in the Morning" (later covered by both Ray Charles and Harry Nilsson) taking the place of, say, "The Two Little Squirrels," but there really are few complaints to be made about this collection. --Rickey Wright

Customer Reviews:

5 out of 5 stars The Man Who Invented Little Richard.......2006-04-01

If i hear Little Richard Pop Off One More Time About How He Invented Rock & Roll( "i'm the the ayatolla of Rock & Rolla"!),i'll throw the cd and vid of "Caldonia" at him and tell him to SHUT UP!! The Imodest and Full Of Themselves always Steal and appropriate from others.Jelly Roll Morton also claimed he invented Jazz,and great though he was- he,Like Richard,was more concerned with self promotion and personal myth making.The Boastfull are never the first string artists.That takes sincerity and humility.And p.s. Jerry Lee Lewis(entertaining and raw as he is)got much of his deal from the Boogie Woogie piano playing-singing of Harry "The Hipster" Gibson-also from jordan's era.Why do these guys egos prevent them for giving credit to their progenitors.

5 out of 5 stars The #1 R&B Artist Of The 1940's.......2004-06-29

This genius was the #1 selling African American artist of the 1940's. No one else sold more records or had more hits. He out sold The Mills Bros.,Nat Cole,Duke,Ella,Buddy and Ella Johnson,Satchmo, and Count Basie.He was the #1 R&B artist of the 40's with more top 10 hits and more #1's on the r&b charts than any other Black act of that period. Louis also had a total of 9 top 10 pop hits between 1944 and 1950 and he is the only r&b based artist to have 2 #1 hits on the country music charts(an astonishing feat back then). Those two songs are Jordan classics-1943's and early 44's classic "Ration Blues" and 1944's "Is You Is Or Is You Ain't Ma Baby".Both songs are included on this wonderful cd.The great Nat "King"Cole hit #1 on the Country charts in the mid 40's with his "Straighten up and fly right" but Nat was more of a pop singer than r&b singer. 'G.I.Jive" was a massive hit for him in 1944.It was #1 on both the r&b and pop charts that year. Some may think of Louis Jordan as a clown and that's a monumental tragedy-this cat was a musical genius and an incredible composer,bandleader,and saxophonist. The clown moniker could be easily applied to Charlie Chaplin,Jerry Lewis,Laurel and Hardy,and Harold Lloyd,but they were genuises as well. This cd is a must for any music lovers collection.

4 out of 5 stars Great Compact Jive Package!.......2003-09-02

Starting as a member of the Count Basie band in the 1930s, Louis Jordan soon became known as sax player, vocalist, and jive man extraordinaire on his many solo recordings from the late 1930s until his death in the mid-1970s. This package focuses only on the years 1938 thru 1953, which is admittedly most of his best work, but it would be nice to hear some of his later recordings as well. In particular, two recordings of the classic "Ain't Nobody Here But Us Chickens", cut in the 50s and 70s, improve by being taken at a faster tempo. Louis practically invented jump blues, and no less a giant than BB King has paid tribute with an album of all Jordan material. (Let the Good Times Roll). Building on Cab Calloway's earlier reputation as the king of jive language and music, Jordan creates an evocative, often hilarious picture of the trials and tribulations of the black performer of his day. His takes on trains ("Texas and Pacific", "Choo Choo, Ch'Boogie," and "Salt Pork, West Virginia"), drinking ("What's the Use of Being Sober?"), waitresses ("Boogie Woogie Blue Plate"), and life itself (the wonderful "Life is So Peculiar" duet with Louis Armstrong) still delight after all these years due to his irrepresible humor and jive language. So, if your budget only allows for a two-CD set, spring for this edition by one of the most upbeat, positive, and all around funny cats ever, and run, don't walk, to the nearest Saturday night fish fry.

4 out of 5 stars great stuff - what a great discovery.......2002-05-14

I first heard this in a bar in New York as my wife and I were celebrating our wedding anniversary. The barman had a whole load of old music that he was playing - he was a real expert
Anyway every time we heard a tune that we really liked it turned out to be a Louis Jordan number so we went home and ordered this CD

We play it all the time: its very varied, there's some really neat period pieces which initially sound a little silly but they really grow on you - I find myself singing "barnacle bill" all the time. Great fun and a lovely change from the normal fare- try it

5 out of 5 stars The True King of R&b -Essential!.......2001-06-30

DAMN Chuck Berry! LATER for Little Richard (he could just SHUT UP!) LOUIE JORDAN was the TRUE King of Rock and Roll and R&B! Listen to the wild preaching in "Beans and Cornbread" and try not to roll on the floor laughing. Dig "Open the Door Richard" and I DARE you not to sing along. Try keeping your feet still through "Salt Pork West Virginia" or "Don't Worry Bout That Mule." Trying to find a bad Louis Jordan record is like finding green snow and chicken's teeth! They don't exist!

Christian Music:

  1. Here We Go Again
  2. Hit 'em Up Style (Oops!) [Import]
  3. I'm in Love [Import]
  4. I'm on the Right Track
  5. In a Word or 2
  6. In Search of the Rainbow Seekers [Import]
  7. In the Buzz Bag
  8. Inner City Sounds [Original recording remastered]
  9. Introducing Gordon Chambers
  10. Journey Into Day

Christian Music

christian music

Christian Music

British Invasion

Queen's Goodnight

Moanin' All Over

Homeward Sound: A Bluegrass Tribute to Simon and Garfunkel

Smoking Section [Explicit Lyrics]

Silk Branches

Rupak Tal - Tabla for Accompaniment or Practice

Soundsystem [Explicit Lyrics]

Splinters [CD-single] [Import]

Rachmaninov: Piano Concerto No. 3; Four Preludes; Sonata No. 2

Seattle, Washington, November 6, 2000 [Box set] [Live]

Salvation Lies Within [Import]

Rhythm Divine [CD-single] [Import]

Man On The Floor

Capitol Collectors Series: Louis Prima