| 1. Intro |
| 2. Ya'll Ain't Ready |
| 3. Good Times - Wendell B., |
| 4. No Doubt - Wendell B., |
| 5. St.L. Thang |
| 6. Anything |
| 7. Can't Get Enough of Your Love |
| 8. Definition of a Real Man - Wendell B., |
| 9. Heaven Sent Me an Angel |
| 10. I Ain't Neva Been Down Like That |
| 11. Just Don't Understand U |
| 12. Inside My Mind |
| 13. Should We Break-Up - Wendell B., |
| 14. What Would You Do |
| 15. Outro |
Editorial Reviews
"There's a saying in the Bible that what comes from the heart reaches the heart. I wanted people to be able to relate to the content, have fun, and keep it real."
Product Description
Wendell B. is the president of Cuzzo Music in association with Hornsby Lee Entertainment and is the first to release product from the fledgling corporation. He's been compared to his idols, Freddie Jackson, Luther Vandross, Barry White, and Will Downing, and he covers a little bit of everything on this record: good times, love found, love lost, love scorned. Wendell wrote, arranged, and produced all the material here.
Good Times,Wendell B.,Jade Madison,Neo-Soul,Pop,R&B,Soul/R & B
Average customer rating:
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TV Land Presents: Favorite TV Theme Songs
Grecco, Cyndi , and Jones, Jack Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXIL Release Date: 2002-08-20 |
Tracks:
- I Love Lucy Theme - Wilbur Hatch
- Dragnet - Ray Anthony
- The Twilight Zone - Rod Open
- Bonanza - Al Caiola & His Orchestra
- The Andy Griffith Theme - Earle Hagen
- The Ballad Of Jed Clampett - Earl Scruggs
- The Addams Family (Main Theme) - Vic Mizzy
- Munsters Theme - Jack Marshall
- The Ballad Of Gilligan's Isle - Morton Stevens
- Green Acres - Eddie Albert
- Jeannie - Hugo Montenegro
- Batman Theme - Neal Hefti
- (Theme From) The Monkees - The Monkees
- Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
- Mannix - Lalo Schifrin
- Hawaii Five-O - Mort Stevens & His Orchestra
- Theme From The Brady Bunch - The Brady Bunch
- Come On Get Happy - The Partridge Family
- Those Were The Days - Carroll O'Connor
- And Then There's Maude - Donny Hathaway
- Good Times - Jim Gilstrap
- Movin' On Up - Oren Waters
- The Rockford Files - Mike Post
- Them From S.W.A.T. - Rhythm Heritage
- Happy Days - Pratt & McClain
- Making Our Dreams Come True - Cyndi Grecco
- Chico And The Man - Jose Feliciano
- Welcome Back - John Sebastian
- What's Happening!! - Henry Mancini
- Barney Miller - Jack Elliott
- Charlie's Angels - Jack Elliott
- Love Boat Theme - Jack Jones
- Angela (Theme From 'Taxi') - Bob James
- It Takes Diff'rent Strokes - Gloria Loring
- Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
- Theme From Magnum, P.I. - Mike Post
- The Theme From Hill Street Blues - Mike Post
- Theme From Dynasty - Bill Conti
- Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
- Thank You For Being A Friend - Cynthia Fee
Album Description
TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.Customer Reviews:
good memories for me and fun "new" songs for my children.......2007-06-27
memories.......2007-02-22
TV Theme Songs.......2007-01-13
TV themes.......2006-07-05
Deja Vu.......2006-02-17
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Ennio Morricone - Film Music, Vol.1
Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DR51 Release Date: 1992-06-29 |
Tracks:
- The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
- Maddalena: Come Maddalena
- The Sicilian Clan: The Sicilian Clan
- The Life And Times Of David Lloyd George (BBC TV): Chi Mai
- Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
- Moscow Farewell: Moscow Farewell
- Espion Leve Toi: Marcia In La
- Lady Caliph: Lady Caliph
- Battle Of Algiers: The Battle Of Algiers
- The Infernal Trio: The Infernal Trio
- La Banquiere: Dedicace
- For Love One Can Die: For Love One Can Die
- Sacco And Vanzetti: Sacco And Vanzetti
- The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
- Quartiere: Romanza Quartiere
- Once Upon A Time In The West: Once Upon A Time In The West
- The Mission: On Earth As It Is In Heaven (Remix)
Customer Reviews:
No Fistful of Ennio.......2007-01-31
As for what's here-- most of ENNIO MORRICONE * FILM MUSIC Volume 1 is forgettable incidental stuff. Except for "The Battle Of Algiers (Theme)," the opening and closing tracks are the best. They bookend what turns out to be a disappointing collection, lacking in both liner notes and the brilliance Morricone demonstrated over a 30 year span.
I would call some of these pieces "newage"..........2006-08-02
Simply a 'Must Purchase' for those with a passing interest in Morricone's work.......2005-09-13
This compilation is collection of some of the seminal, gritty, theatrical, and dramatic film music, that would go on to define his career, via reflective orchestration and memorable motifs, ingenious use of diverse arrangements and instrumentation. There is a majority of his highlights on this disc, with the magnificently brooding "The Good, The Bad, and the Ugly" opening the disk. what follows is a truly sublime collection of music that is in parts truly beautiful and utterly atmospheric, so tracks such as "Once Upon A Time In The West", benefit from the haunting melodies and stirring volins, that are possibly more in tone with orchestrated music than contemporary music. Or the quiet piano introspection and melancholic arrangements that make up "Moscow Farewell", are simply deserving of being placed amongst the finest soundtrack compositions ever. "Dedicace", contains some of the most litting melodies in recent memory, impossibly sad and affecting, it is a haunting bittersweet composition that is both organic & reflective, over which the volins provide the musical backdrop. And that's without the mention of "For Love One Can Die", the autumnal orchestrated track, that pulls from Italian sweeping gangster original film scores, and makes a hushed and dissonant recording, that feels like a sublime throwback to the mafia-related shenanigans of 60's chicago via the use of restrained piano, that really is quite lovely and adds substantial weight to the composition.
If you are looking for a Ennio Morricone compilation....short of buying a boxset, you'd be hard pressed in beating this for value for money. It's a fantastic summary of his work and covers a fair amount of material. And is the perfect introduction to his work, (especially if you just want to buy one compilation of his work). This is highly recommended to fans both old and new, and is boosted by the compilers making a great job of the selection. So if you don't want to have to splash out on an expensive disk, to hear his influential work...this really is the first place you should start.
ENNIO MORRICONE - FILM MUSIC, VOL. 1 .......2005-08-16
WANTED.
A collection of Morricone's most popular and entertaining.......2005-07-31
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The Good Times
Afroman Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NQ2M Release Date: 2001-08-28 |
Tracks:
- Because I Got High
- Crazy Rap
- She Won't Let Me...
- Hush
- Tumbleweed
- Let's All Get Drunk
- Tall Cans
- Palmdale
- Mississippi
- The American Dream
Amazon.com
Cross 1970s smut poet Rudy Ray Moore with '90s comedic rappers the Afros, marinate them in malt liquor, and what do you get? Afroman, the first hip-hop-flavored novelty act of the 21st century. The self-proclaimed hungry hustler's unabashed take on American rap from a blaxploitation point of view consists of a laid-back delivery and funky yarns loosely flowing over wah-wah guitar grooves and Hammond organ riffs. It's guaranteed to amuse some listeners and offend many, many more. One glance at The Good Times' track listing should help you decide into which camp you'll fall. The subject matter of tunes such as "Because I Got High" (also featured on the Jay and Silent Bob Strike Back soundtrack) and "Let's All Get Drunk" is readily apparent. But it's all good in the 'hood. Afroman and crew sound like they're having a great old time laying it down, and at least one song on this album will make you laugh. --Rebecca LevineCustomer Reviews:
I like Afroman.......2007-03-08
The Three Best Songs On This Album .......2007-02-23
Definitely buy this.
Outstanding rap performance.......2007-01-29
I Cant Stop Laughing.......2007-01-07
A dumb joke...and i am not laughing.......2006-06-30
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Applause (Original 1970 Broadway Cast)
Lee Adams Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004ZDV0 Release Date: 2000-10-17 |
Tracks:
- Overture
- Backstage Babble
- Think How It's Gonna Be
- But Alive
- The Best Night of My Life
- Who's That Girl?
- Applause
- Hurry Back
- Fasten Your Seat Belts
- Welcome to the Theatre
- Good Friends
- She's No Longer a Gypsy
- One of a King
- One Hallowe'en
- Something Greater
- Finale
- Applause -- Charles Strouse (vocal and piano) (bonus track)
- The Loneliest Man in Town -- Charles Strouse (vocal and piano) - bonus track
- Smashing N.Y. Times -- Charles Strouse (vocal and piano) - bonus track
- God Bless -- Charles Strouse (vocal and piano) - bonus track
Customer Reviews:
Applause for Applause!.......2006-07-13
Lauren Bacall !.......2005-07-09
Best tracks include:
But Alive
Applause [Bonnie Franklin of "One Day At A Time" fame!]
Something Greater
Not all the songs are great, but totally worth the buy!
Love it.......2004-04-01
Welcome CD edition of the original Broadway cast album.......2004-01-17
WRONG!!!!
"Soundtrack" recordings are records/cds transfered from from movies ONLY.
Live theatre does not use pre-recorded "soundtracks" - the casts perform live on stage and these "original cast recordings" are made in recording studios and designed for home listening.
PLEASE.... maintain your credibility by using the correct term!
************
Finally, after years of negotiation Decca Broadway is making the 1970 Tony winning musical APPLAUSE avaialble on Cd. Was it worth the wait? Well, yes and no. APPLAUSE is one of those late 60's musicals adapted from a hit play/novel/movie and offering lots of glitz and energy to cover up the deficiencies of the show itself.
Star Lauren Bacall provided the "star" quality though she has no real singing voice but as an actress she rises above it bringing the character to vivid life. Len Cariou sings well as Bacall's boyfriend but has very little to do.
Bacall gets the key gems and with two major exceptions any of the numbers in which she does not appear can be ignored. The first exception is the lively title song - a tribute to the power of applause. It has almost nothing to do with the plot but still stopped the show nightly. The other,is a dramatic soliloque for Penny Fuller in the (virtually) non-singing role of Eve: "One Hallowe'en." This is Eve's big moment to really show her true colours and Fuller makes the most of it. Missing from the recording - becasue it is a dialogue scene - is the following moments when Eve recieves humiliating comeuppance.
The original Lp release was done by ABC records and had an annoying "boxy" sound quality that has not been corrected on the cd. The very short selection has been filled out with demo recordings by composer Charles Strouse and a couple of the cut songs sound quite interesting. Packaging is up to Decca Broadway's usual high standards.
lauren.......2003-12-04
i am wondering if anyone has seen the tv production of APPLAUSE starring LAUREN broadcast circa 1974 on tv? and is there any possibility of obtaining a copy on anything? the production was FANTISTIC, to say the least!!!
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Three Mo' Tenors
Thomas Young , Roderick Dixon , and Victor Trent Cook Manufacturer: RCA Victor ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LVVC Release Date: 2001-07-24 |
Tracks:
- La Donna e Mobile
- Let the Good Times Roll
- Make Them Hear You
- Ah! Mes Amis.
- Ellington Medley
- The Jazz Cat & Minnie the Moocher
- Twisted
- Nessun Dorma
- Today I Sing the Blues
- Soul Medley
- Have You Heard / Glory
- Were You There
- America The Beautiful
- Gospel Medley
Amazon.com
Inspired by the astoundingly popular The Three Tenors series, Broadway director Marion J. Caffey conceived and directed Three Mo' Tenors, bringing greater visibility to the classically trained African American voice. Starring seasoned tenors Roderick Dixon, Thomas Young, and Victor Trent Cook, Three Mo' Tenors is a theatrically staged concert set taped for public television's Great Performances. A companion to the taped show, the disc features just over an hour of live music from it. The phenomenal showmanship of Dixon, Young, and Trent Cook takes shape in the styles of opera, Broadway, blues, jazz, soul, spirituals, and gospel. The three virtuosos hit high C's with clarity and brilliance; scat with grace and grit; belt, bend and hold a note to beat the band. They move the audience to a state of near-ecstasy performing the traditional "Were You There (When They Crucified My Lord)" and Puccini's glorious "Nessum Dorma." Other standouts include the jazz classic "Twisted," a rollicking version of "Today I Sing the Blues," and the salty "Minnie the Moocher." Boisterous, bold, and bountiful, Three Mo' Tenors is a modern classic. --Paige LaGroneCustomer Reviews:
Bravo! Mo' Mo' Mo'.......2006-05-13
This is a must have for any music lover!.......2006-01-07
wonderful collection of music.......2005-08-23
awesome music selection.......2005-08-02
They Left Out The Best Song.......2004-11-11
Put it in, and it's a "five."
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Good Times
Charlie Robison Manufacturer: Dualtone Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002W4SC2 Release Date: 2004-09-21 |
Tracks:
- Good Times
- New Year's Day
- El Cerrito Place
- Big City Blues
- The Bottom
- Love Means Never Having To Say You're Hungry
- Photograph
- Something In The Water
- Always
- Flatland Boogie
- Magnolia
Customer Reviews:
Some really great songs here.......2006-12-04
A Cut Above Country Radio Regulars.......2005-09-13
Different, But Good.......2005-09-06
Charlie Robison's Best Yet.......2005-08-12
"Great" Times.......2005-01-29
Average customer rating:
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The History of Blue Cheer: Good Times are So Hard to Find
Blue Cheer Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001FNQ Release Date: 1990-10-25 |
Tracks:
- Summertime Blues
- Out Of Focus
- Parchment Farm
- Feathers From Your Tree
- The Hunter
- Babylon
- Peace Of Mind
- Fruit And Icebergs
- Fool
- Hello L.A., Bye Bye Birmingham
- Saturday Freedom
- Good Times Are So Hard To Find
- Pilot
- Preacher
- Hiway Man
- I'm The Light
Customer Reviews:
One of the best "greatest hits" compilations in all of rock........2004-10-03
First of all, this album is aptly titled: "The History of Blue Cheer". For a band who was only around for 4 years the first time, I don't think there is another group in rock history who went through more changes in such a short period. Listening to this CD in chronological order, as all compilation CD's "should" be, from "Summertime Blues" back in early '68, all the way through to "I'm the Light" in '71, you would have thought this band had been around for 10 years, as much as their music had changed during that short amount of time.
The most interesting thing about Blue Cheer is that every album they made was like a different era, with slight personnel changes each time contributing something, and making a difference in the sound of the band each time. From the grunge of "Vincebus Eruptum", to the psychedelic/metal and playful atmosphere on "Outside/Inside", the un-togetherness with some guitar-driven bright spots on "New Improved", the hippie-fun and re-invention on "Blue Cheer", right down to the relaxed feeling of the last two albums, "The Original Human Being" and "Oh, Pleasant Hope", this compilation takes the best and most well-represented 2 or 3 songs from all those albums--again, in chronolgical order, and brilliantly profiles those changes in their best light. This is exactly the way all greatest hits compilations should be put together.
Of course, the "average" Blue Cheer fan is most familiar with, and usually prefers, the first two albums, when the band was a "heavy metal" power trio with Leigh Stephens on guitar, and the first six songs here represent that era. But little is known by many about the rest of their output, and this set does a nice job of presenting "the best of the rest".
Being a mostly-guitar driven band, each new guitar player that stepped in to the group, brought not only his own guitar style, but also his own songwriting, and even singing, to the mix--pretty much reducing Bassist Dickie Petersen's role to back-up singer, if that--the last song he even takes a 'lead' on is "Hello L.A/Bye-Bye Birmingham" from the 4th album. If you were divide them up into eras, you might say, "The Leigh Stephens era"(1968), "The Randy Holden era"(1969), "The Bruce Stephens era"(1969), and "The Gary Yoder era"(1969-1971).
To me, the best songs here are from the "Randy Holden era"--"Peace of Mind" and "Fruit&Icebergs". Even though he only lasted through one side of probably their worst and most fragmented album, "New Improved Blue Cheer", Holden probably brought to the group, not only their best guitar playing, but also their best songwriting and singing--from a man in Randy Holden who never had to sing lead in a group before, perhaps because Dickie Petersen ahd pretty much given up trying to sing. But "Peace of Mind" and "Fruit&Icebergs" were both very well-written, probably two of the best songs of 1969 that no one had ever heard of, from one of the greatest guitarists of the 1960s, Randy Holden, who no one had ever heard of. Holden was a guitarist who spent much of his musical career on a quest for the "ultimate" guitar sounds, and both "Peace of Mind" and "Fruit&Icebergs" not only feature excellent guitar solos from Mr. Holden, but also some of the "fattest" guitar tone of that era, outside of people like Jeff Beck and Jimmy Page. Worlds removed from the aimless, whammy-bar wanderings of his predecessor Leigh Stephens, and the Garcia-like folkiness of the men who would replace him, Bruce Stephens and Gary Yoder, Randy Holden was a man poised to take Blue Cheer to the next level, and make the name of the album, "New Improved Blue Cheer" mean something. If only he had band members like Dickie Petersen agree to go in the same direction he was going. But because he couldn't, Holden had to quit, and Blue Cheer began to meander-off into quiet, drug-induced mediocrity for the rest of their career, and that's pretty much what the reaminder of this album is, after "Fruit&Icebergs". But "Peace of Mind" and "Fruit&Icebergs" are definitely the high points for me on this collection, from the Jimmy Page-like rock visionary, Randy Holden--who, unlike his English counterpart, could actually sing with great character in his voice, as he did on those two songs. That's not to say that after Holden left, Blue Cheer didn't have some great moments--the Bruce Stephens/Gary Yoder-led group had a great song, "Saturday Freedom"--a nice up-beat hippie anthem for the summer of '69 that should have been a hit, as well as the song, "Good Times, are So Hard to Find". But the rest of the stuff from the Yoder-era on is pretty much bland, generic--Pink Floyd/Doors/Eagles/Grateful Dead/Stones-type, countrified, folkified, tripped-out, mellow, out-of-it-ness. If the goal at that point was to make the band more "mainstream", and fit-in more with the times, rather than be ahead of their times, as they were with Leigh Stephens and Randy Holden, they fell flat on their face--and then they broke up.
I suppose the best I could say is that this album has something for everyone, and probably captures the best examples of the latter music, that you probably wouldn't want to waste your time looking for, or your money buying, say, "The Original Human Being" or "Oh, Pleasant Hope", because their isn't much else redeemable about those two albums, anyway. And if you were to buy this disc strictly on an "objective" level, rather than a "subjective" level, it's a great buy--if nothing else, but for a history lesson about a group like a "hot rod", speeding down the highway, passing all the other cars, before finally running out of gas at the end. Again, I consider this a "model" compilation, in spite of the fact that it is not a "greatest hits"-set. (Many of the songs here are probably "would've been" hits, perhaps if the group had been marketed better at the time.) But this is the story of a band who had so many people come-and-go, each time trying to hold the group together and re-make it in their own style, before the group finally fell apart for good. And if a rock music collection could ever be called, "an audio history book", this is probably the best one I could think of.
Psychedelic Proto Metal Legends!.......2003-02-23
While this set is representative by featuring cuts from all the albums, a number of my favorites are not included. The disk is about 74 minutes so another song or two could have been added. Their second album "Outsideinside" is has come excellent cuts not included here like "Just A Little Bit", "Come And Get It", the interestingly titled instrumental "Magnolia Caboose Babyfinger" and a sledgehammer version of the Rolling Stones "Satisfaction". Some of these cuts were included on the old vinyl Blue Cheer compilation I used to have called "Louder Than God". This is the reason I am only rating this four stars instead of five. The sound is also thin in some places and a remastered anthology featuring my suggestions would be a welcome idea. However, since this is the only compact disk studio anthology of Blue Cheer available it is a worthwhile purchase. Fans of early hard rock and the California psychedelic scene will enjoy this release.
split down the middle.......2000-05-06
psychedelic band's finest.......2000-05-03
60s rock 'n' roll bombast at its finest.......2000-03-16
These first 6 tracks, taken from Blue Cheer's first two LP's ("Vincebus Eruptum" and "Outsideinside") are lacking in subtlety and dynamics (unless you consider "LOUD" to be dynamic), and mostly entertaining only as a novelty (and then only for a few minutes).
Once past these initial two LP's, and with the departure of guitarist/vocalist Leigh Stephens, and the arrival of Randy Holden (and later Gary Yoder), Blue Cheer began to show a lot more range and taste. The single joke act of their first two LP's gave way to a slightly more polished sound, arranged with a nice electric blues edge. Unlike the earlier aural assaults, the later tracks actually have some dynamic range, and feature a more varied instrumental approach (including harmonica, organ, piano, etc.).
It's really hard to see this as one band, since the shift in sound is so radical after Stephens' departure. By the last three albums, only one of the three original members remained. The later tracks, feature some nice stretched out guitar solos and instrumental passages.
I'm left curious as to how this band was received at the time, in both their original line-up, and the later, more progressive sounding crew.
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Past Times With Good Company
Blackmore's Night Manufacturer: Steamhammer Us [Spv] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LJ9Y Release Date: 2002-11-04 |
Tracks:
- Shadow Of The Moon
- Play Minstrel Play
- Minstrel Hall
- Past Time With Good Company
- Fires At Midnight
- Under A Violet Moon
- Soldier Of Fortune
Tracks:
- 16th Century Greensleeves
- Beyond The Sunset
- Morning Star
- Home Again
- Renaissance Faire
- I Still Remember
- Durch Den Wald Zum Bachhaus
- Writing On The Wall
Album Description
The first live album for the Renaissance influenced rock act featuring legendary guitarist Ritchie Blackmore, recorded in Groningen, Holland & New York in 2002 from the Fires At Midnight Tour. 15 tracks. Steamhammer. 2002.Album Details
Live Recording of the Group Former Deep Purple/Rainbow Guitarist Ritchie Blackmore Assembled Following his Tenure in Both the Aforementioned Groups. The Tracks were Taped at Performances in the Netherlands and New York City.Customer Reviews:
Excellent Fayre..........2007-07-06
Renaissance rock from Ritchie Blackmore and Co........2007-03-19
Past Times With Good Company ~ Blackmore's Night: 4 1/2 stars
Brilliant musicianship, sophomoric lyrics and commentary.......2006-03-18
Buy this CD for Blackmore's performance but grit your teeth when Candice Night starts talking like an "Oh wow, isn't this great?" tourist.
What a joke!.......2006-02-07
Excellent and Majestic!.......2005-12-18
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Let The Good Times Roll: The Anthology 1938-1953
Louis Jordan Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I5M5 Release Date: 1999-02-23 |
Tracks:
- Barnacle Bill The Sailor
- Doug The Jitterbug
- At The Swing Cat's Ball
- Honeysuckle Rose
- The Two Little Squirrels (Nuts To You)
- Pan Pan
- Saxa - Woogie
- Boogie Woogie Came To Town
- Rusty Dusty Blues (Mama Mama Blues)
- I'm Gonna Move To The Outskirts Of Town
- What's The Use Of Gettin' Sober
- I'm Gonna Leave You On The Outskirts Of Town
- Five Guys Named Moe
- Ration Blues
- Is You Is Or Is You Ain't (My Baby)
- Mop -Mop
- G.I. Jive
- Buzz Me Blues
- Caldonia
- Salt Pork, W. Va.
- Don't Worry 'Bout That Mule
- Stone Cold Dead In The Market
- Beware
- Choo Choo Ch'Boogie
Tracks:
- Ain't That Just Like A Woman
- Ain't Nobody Here But Us Chickens
- Let The Good Times Roll
- Texas And Pacific
- Jack You're Dead!
- Open The Door, Richard
- Boogie Woogie Blue Plate
- Run Joe
- Beans And Cornbread
- Saturday Night Fish Fry, Parts 1&2
- Blue Light Boogie Parts 1&2
- (You Dyed Your Hair) Chartreuse
- Life Is So Peculiar
- Teardrops From My Eyes
- Louisville Lodge Meeting
- Bone Dry
- Fat Sam From Birmingham
- Cock-A-Doodle-Doo
- Slow Down
- Never Trust A Woman
- Junco Partner
- I Want You To Be My Baby
Amazon.com
The two-disc, 46-cut Good Times does a great job of demonstrating how singer and saxophonist Louis Jordan's music evolved from the fairly straight swing of his early Decca sides to the jump blues that made him a father of rock & roll and soul. "Ain't That Just Like a Woman," for instance, features guitarist Carl Hogan giving birth to one of Chuck Berry's signature licks, while the likes of "Beware" and "Choo Choo Ch' Boogie" balance punch and elegance like the work of few bandleaders before or since. It would've been nice to see the mightily syncopated "Early in the Morning" (later covered by both Ray Charles and Harry Nilsson) taking the place of, say, "The Two Little Squirrels," but there really are few complaints to be made about this collection. --Rickey WrightCustomer Reviews:
The Man Who Invented Little Richard.......2006-04-01
The #1 R&B Artist Of The 1940's.......2004-06-29
Great Compact Jive Package!.......2003-09-02
great stuff - what a great discovery.......2002-05-14
Anyway every time we heard a tune that we really liked it turned out to be a Louis Jordan number so we went home and ordered this CD
We play it all the time: its very varied, there's some really neat period pieces which initially sound a little silly but they really grow on you - I find myself singing "barnacle bill" all the time. Great fun and a lovely change from the normal fare- try it
The True King of R&b -Essential!.......2001-06-30
Christian Music:
- Here We Go Again
- Hit 'em Up Style (Oops!) [Import]
- I'm in Love [Import]
- I'm on the Right Track
- In a Word or 2
- In Search of the Rainbow Seekers [Import]
- In the Buzz Bag
- Inner City Sounds [Original recording remastered]
- Introducing Gordon Chambers
- Journey Into Day
Christian Music
Homeward Sound: A Bluegrass Tribute to Simon and Garfunkel
Smoking Section [Explicit Lyrics]
Rupak Tal - Tabla for Accompaniment or Practice
Splinters [CD-single] [Import]
Rachmaninov: Piano Concerto No. 3; Four Preludes; Sonata No. 2
Seattle, Washington, November 6, 2000 [Box set] [Live]
Salvation Lies Within [Import]