Call Me

Amazon.com essential recording
Call Me is the masterpiece from America's last great soul singer, a vulnerable, sensual, spiritual, and sexy album. Sent soaring by the bluesy accents of the Memphis Horns and held to Earth by the rock-solid, wide-open groove of drummer Al Jackson, the subject here is nothing less than Green's soul, a battle expressed beautifully in his otherworldly voice--crying and praying on the title track, despairing on his cover of "I'm So Lonesome I Could Cry," both bitter and resigned on his version of "Funny How Time Slips Away"--a voice as true as anything short of heaven. And on the closing "Jesus Is Waiting," we even get to hear that. --David Cantwell

Product Description
1973 album with another hit title track.

Call Me,Al Green,Capitol,Memphis Soul,Pop,Pop-Soul,R&B,Smooth Soul,Soul,Soul/R & B,Soul/Reggae/Rhythm & Blues,Vocals

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Average customer rating: Wonderful Does he have a speech impediment or is it just me? Buble is still on a roll Awesome Spotty

Call Me Irresponsible Michael Bublé Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: It's Time Michael Bublé It Won't Be Soon Before Long Not Too Late A Hundred Miles or More: A Collection ASIN: B000NVIXDW Release Date: 2007-05-01

Tracks:

1. The Best Is Yet To Come
2. It Had Better Be Tonight (Meglio Stasera)
3. Me And Mrs. Jones
4. I'm Your Man
5. Comin' Home Baby (duet with Boyz II Men)
6. Lost
7. Call Me Irresponsible
8. Wonderful Tonight (duet with Ivan Lins)
9. Everything
10. I've Got The World On A String
11. Always On My Mind
12. That's Life
13. Dream

Amazon.com

It's no coincidence that Michael Bublé's new album starts with just his voice and some fingersnaps on "The Best Is Yet to Come," a song made famous by Frank Sinatra. The Canadian smoothie looks longingly towards early-'60s Vegas, an impression quickly reinforced when a boisterous horn section makes its grand entrance, about 20 seconds into the track. That Bublé means business is confirmed by the second cut, a fast-paced take on Henry Mancini's "It Had Better Be Tonight," and of course by the CD's very title, another song identified with Sinatra as his cockiest. There are just a few sidesteps from the retro formula that's served Bublé so well so far: a languid duet with Brazilian star Ivan Lins on the bossa "Wonderful Tonight," a gospel choir on "That's Life." Interestingly, Bublé co-wrote the best of those sidesteps, "Everything," a Norah Jones-esque number that alluringly harks back to sunny '70s pop. It's also the only song on the album produced by Bob Rock (best known for his work with Metallica), sending out a strong signal that Bublé should reach out to unlikely collaborators more often. --Elisabeth Vincentelli

More Music from Michael Bublé

It's Time

Michael Bublé

Caught in the Act

Album Description

Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from "I've Got The World On a String" to "Me and Mrs. Jones," in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible.

Customer Reviews:

Wonderful.......2007-07-28

I love this CD. Michael Buble' has such a smooth voice. I can't get enough. It's easy listening, good for dancing, romantic. and I cannot say enough about the music.

Does he have a speech impediment or is it just me?.......2007-07-27

Doesn't anyone notice he has a speech impediment? He slurs some words and has a very pronounced lisp at times. I'm not making fun of the handicapped. If he was someone that I met on the street I wouldn't mention it, but he has chosen a profession that requires clear speech and should be held to higher standards. If he was my dentist, I would be good with it.

The songs where there are fewer instances of "s" or "th" etc. are fantastic, but songs like "World On A String" are reminiscent of William Hung. I really like "Me And Mrs. Jones", but I can still hear a slight lisp here and there. I don't think I remember hearing the slurring and lisping on previous recordings??? I agree with a previous reviewer that asked how the studio could put this CD out.

Buble is still on a roll.......2007-07-23

Michael Buble still fills the musical niche left by Sinatra's passing. The big band is top-notch and Michael, despite his youth, swings big time on these solid standards. Another good addition to your Buble collection.

Awesome.......2007-07-23

Michael Buble is awesome and so is his latest CD. It is defintly one of his best. Such a variety of songs on it and he sings each one fantasically. I 100% recommend buying this CD.

Spotty.......2007-07-21

This is my first Michael Buble CD. I find that I really like his coverage of jazz standards, but mostly his forays into other genres like "You Look Beautiful Tonight" leave me flat. Gorgeous voice, though!

Average customer rating: Call Me Irresponsible Me and Mrs Jones simply the best!! Love the man - Love the voice LOVE THE BUBLE!!

Call Me Irresponsible Michael Bublé Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Box Sets at 30% Off | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Everything, Pt. 2 Come Fly With Me (CD & DVD) Caught In The Act (CD + DVD) Michael Bublé Totally Bublé ASIN: B000OCXM68 Release Date: 2007-05-07

Tracks:

1. The Best Is Yet To Come
2. It Had Better Be Tonight (Meglio Stasera)
3. Me And Mrs. Jones
4. I'm Your Man
5. Comin' Home Baby (duet with Boyz II Men)
6. Lost
7. Call Me Irresponsible
8. Wonderful Tonight (duet with Ivan Lins)
9. Everything
10. I've Got The World On A String
11. Always On My Mind
12. That's Life
13. Dream
14. L O V E

Album Description

Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from "I've Got The World On a String" to "Me and Mrs. Jones," in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible. Bonus Track Special Edition: LOVE

Customer Reviews:

Call Me Irresponsible.......2007-07-26

First CD sounded as if Michael Buble had a lisp. Amazon sent me a replacement and it sounded the same. Poorly recorded

Me and Mrs Jones.......2007-07-19

Michael, How impressive can you be?? ..."Me and Mrs Jones" is by far your most impressive song! We saw you in concert last night and you brought us all to your hand with your rendition! You are totally awesome with all your talent.

simply the best!!.......2007-07-03

Thank you, Mr Buble, for this fresh new cd of great material! Your take on "Me and Mrs Jones" is now one of my top favorites! Cannot wait to see you on stage again!

Love the man - Love the voice.......2007-06-08

I have all of Michael's CD's & DVD's & am madly in love with his music. His personality shines through on every song. I have never liked the song Mrs. Jones before (actually hated it) but Michael's version of it has made it my favorite on the CD. One thing I can not understand though - where did the lisp come from? It wasn't evident on any of the other CD's or DVD's before. It threw me through a loop at first but being such a fan the music finally won me over. It's a mystery to me - but I still Love the man - Love the voice.

Jeanine

LOVE THE BUBLE!!.......2007-05-25

Waiting a whole year for Michael Buble's new CD was definately worth it. This is excellent. BUY IT!!

Average customer rating: Not My Style Rockin' Western Collection Hard to Find Great Western Themes Western Music A great follow-up

Way Out West: The Essential Western Film Music Collection, Vol. 2 Manufacturer: Silva America ProductGroup: Music Binding: Audio CD All Works by Newman | Newman, Alfred | ( N ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: The Wild West: The Essential Western Film Music Collection Songs Of The West, Vol. 4: Movie & Television Themes From Alamo to El Dorado, Vol. 2 The Essential Elmer Bernstein Film Music Collection The Greatest Western Movie Themes ASIN: B000060PBU Release Date: 2002-03-26

Tracks:

1. The Hallejuah Trail-Overture
2. The Alamo-The Green Leaves Of Summer
3. The Alamo-Davy Crocket
4. The Big Country-The Welcoming/Finale
5. The Big Valley-Main Theme
6. Blazing Saddles-Blazing Saddles
7. Bonaza-Main Theme
8. Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
9. The Comancheros-McBain/Main Title
10. Duel In The Sun-Main Title/The Legend/Orizaba
11. A Fistfull Of Dynamite-Duck You Sucker
12. For A Few Dollars More-Main Theme
13. Friendly Persuasion-Thee I Love
14. Giant-Main Theme
15. The Good, The Bad And The Ugly-Main Theme
16. The Good, The Bad And The Ugly-The Ecstasy Of Gold
17. Gunfight At The O.K. Corral-Suite
18. Hang 'Em High-Main Theme
19. The Hanging Tree-Main Title

Tracks:

1. High Caparral-Main Theme
2. How The West Was Won-Prelude/The Land
3. High Noon-Do Not Forsake Me Oh My Darlin'
4. The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
5. The Lone Ranger-William Tell Overture: Finale
6. Nevada Smith-Main Title
7. Old Gringo-Main Themes
8. Once Upon A Time In The West-Man With The Harmonica
9. One Eyed Jacks-Main Title
10. The Proud Rebel-Main Titles
11. The Quick And The Dead-End Titles
12. Quigley Down Under-End Titles
13. Rio Bravo-Rio Bravo/De Guella
14. The Scalphunters-Main Title
15. Shane-Main Theme: The Call Of The Farwaway Hills
16. The Shootist-Main Title
17. The Unforgiven-The Need For Love
18. Viva Zapata-Gathering Forces
19. The Virginian-Main Theme

Customer Reviews:

Not My Style.......2007-05-11

This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!

Rockin' Western Collection.......2006-08-28

For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.

Hard to Find Great Western Themes .......2006-03-16

This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.

Western Music.......2005-07-29

I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."

A great follow-up.......2003-08-29

This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Wonderful, but not my first choice THE BEST recording of the BEST oratorio ever... Too bad there are so few recordings of Elijah

Mendelssohn: Elijah Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Franz Joseph Haydn: The Creation Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel Mahler: Das Lied von der Erde Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Brahms: Ein deutsches Requiem [A German Requiem] ASIN: B0002XV31A Release Date: 2005-02-15

Tracks:

1. Introduction: As God The Lord Of Israel Liveth
2. Overture
3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
4. No.2: Lord! Bow Thine Ear To Our Prayer!
5. No.3: Ye People, Rend Your Hearts
6. No.4: If With All Your Hearts
7. No.5: Yet Doth The Lord See It Not
8. No.6: Elijah! Get Thee Hence
9. No.7: For He Shall Give His Angels Charge Over Thee
10. Recitative: Now Cherith's Brook Is Dried Up
11. No.8: What Have I Do To Do With Thee?
12. No.9: Blessed Are The Men Who Fear Him
13. No.10: As God The Lord Of Sabaoth Liveth
14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
15. No.12: Call Him Louder, For He Is A God!
16. No.13: Call Him Louder! He Heareth Not!
17. No.14: Lord God Of Abraham, Isaac And Israel!
18. No.15: Cast Thy Burden Upon The Lord
19. No.16: O Thou, Who Makest Thine Angels Spirits
20. No.17: Is Not His Word Like A Fire?
21. No.18: Woe Unto Them Who Forsake Him!
22. No.19: O Man Of God, Help Thy People!
23. No.20: Thanks Be To God!

Tracks:

1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
2. No.22: Be Not Afraid, Saith God The Lord
3. No.23: The Lord Hath Exalted Thee
4. No.24: Woe To Him, He Shall Perish
5. No.25: Man Of God, Now Let My Words Be Precious
6. No.26: It Is Enough; O Lord Now Take My Life
7. No.27: See, Now He Sleepeth
8. No.28: Lift Thine Eyes To The Mountains
9. No.29: He, Watching Over Israel, Slumbers Not
10. No.30: Arise, Elijah, For Thou Hast A Long Journey
11. No.31: O Rest In The Lord
12. No.32: He That Shall Endure To The End, Shall Be Saved
13. No.33: Night Falleth Round Me, O Lord!
14. No.34: Behold! God The Lord Passed By!
15. No.35: Above Him Stood The Seraphim
16. No.36: Go, Return Upon Thy Way
17. No.37: For The Mountains Shall Depart
18. No.38: Then Did Elijah The Prophet Break Forth
19. No.39: Then Shall The Righteous Shine Forth
20. No.40: Behold, God Hath Sent Elijah
21. No.41: But The Lord, From The North Hath Raised One
22. No.41a: O Come Everyone That Thirsteth
23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating: The greatest songs ever? A musical treasure-box a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Pavanes | Ballets & Dances | Classical | Styles | Music Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Holborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by White | White, Robert | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Solo Instrumental | New Age | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Byrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Holborne, Anthony | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music White, Robert | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Bargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Dowland: Complete Lute Works, Vol.1-5 William Byrd: Consort Songs Bach: The Landowska Recordings Britten Conducts Britten Janácek: Operas ASIN: B000004CYV Release Date: 2007-03-13

Tracks:

1. First Booke Of Songes: I. Unquiet Thoughts
2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
4. First Booke Of Songes: IV. If My Complaints Could Passions Move
5. First Booke Of Songes: V. Can She Excuse My Wrongs
6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
7. First Booke Of Songes: VII. Dear, If You Change
8. First Booke Of Songes: VIII. Burst Fourth My Tears
9. First Booke Of Songes: IX. Go Crystal Tears
10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
11. First Booke Of Songes: XI. Come Away, Come Sweet Love
12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
16. First Booke Of Songes: XVI. Would My Conceit
17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
18. First Booke Of Songes: XVIII. His Golden Locks
19. First Booke Of Songes: XIX. Awake, Sweet Love
20. First Booke Of Songes: XX. Come, Heavy Sleep
21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

1. Second Booke Of Songs: I. I Saw My Lady Weep
2. Second Booke Of Songs: II. Flow My Tears
3. Second Booke Of Songs: III. Sorrow, Stay
4. Second Booke Of Songs: IV. Die Not Before Thy Day
5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
6. Second Booke Of Songs: VI. Time's Eldest Son
7. Second Booke Of Songs: VII. Then Sit Thee Down
8. Second Booke Of Songs: VIII. When Others Sing Venite
9. Second Booke Of Songs: IX. Praise Blindness Eyes
10. Second Booke Of Songs: X. O Sweet Woods
11. Second Booke Of Songs: XI. If Floods Of Tears
12. Second Booke Of Songs: XII. Fine Knacks For Ladies
13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
15. Second Booke Of Songs: XV. White As Lilies Was Her Face
16. Second Booke Of Songs: XVI. Woeful Heart
17. Second Booke Of Songs: XVII. A Shepherd In A Shade
18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
19. Second Booke Of Songs: XIX. Shall I Sue
20. Second Booke Of Songs: XX. Toss Not My Soul
21. Second Booke Of Songs: XXI. Clear Or Cloudy
22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

1. Third Booke Of Songs 1603: I. Farewell, Too Fair
2. Third Booke Of Songs 1603: II. Time Stands Still
3. Third Booke Of Songs 1603: III. Behold A Wonder Here
4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
9. Third Booke Of Songs 1603: IX. What If I Never Speed?
10. Third Booke Of Songs 1603: X. Love Stood Amazed
11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
17. Third Booke Of Songs 1603: XVII. I Must Complain
18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

1. A Pilgrimes Solace: I. Disdain Me Still
2. A Pilgrimes Solace: II. Sweet Stay Awhile
3. A Pilgrimes Solace: III. To Ask For All Thy Love
4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
6. A Pilgrimes Solace: VI. Were Every Thought An Eye
7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
8. A Pilgrimes Solace: VIII. Tell Me, True Love
9. A Pilgrimes Solace: IX. Go Nightly Cares
10. A Pilgrimes Solace: X. From Silent Night
11. A Pilgrimes Solace: XI. Lasso vita mia
12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
14. A Pilgrimes Solace: XIV. Thou Mighty God
15. A Pilgrimes Solace: XV. When David's Life
16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
3. A Pilgrimes Solace: XIX. Up Merry Mates
4. A Pilgrimes Solace: XX. Welcome Black Night
5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
2. Mr. Henry Noell Lamentations: II. Domine ne in furore
3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
6. Mr. Henry Noell Lamentations: VI. De profundis
7. Mr. Henry Noell Lamentations: VII. Domine exaudi
8. Lachrimae: Lachrimae Antiquae
9. Lachrimae: Lachrimae Antiquae Novae
10. Lachrimae: Lachrimae Gementes
11. Lachrimae: Lachrimae Tristes
12. Lachrimae: Lachrimae Coactae
13. Lachrimae: Lachrimae Amantis
14. Lachrimae: Lachrimae Verae
15. Lachrimae: Mr. John Langton's Pavan
16. Lachrimae: Mr. Nicholas Gryffith His Galiard
17. Lachrimae: Sir John Souch His Galiard
18. Lachrimae: Semper Dowland Semper Dolens
19. Lachrimae: Mr. Giles Hobies Galiard
20. Lachrimae: The King Of Denmark's Galiard
21. Lachrimae: Sir Henry Umpton's Funerall
22. Lachrimae: Mr. Henry Noell His Galiard
23. Lachrimae: The Earl Of Essex Galiard
24. Lachrimae: Mr. Bucton His Galiard
25. Lachrimae: Mr. George Whitehead His Almand
26. Lachrimae: Captain Digorie Piper His Galiard
27. Lachrimae: Mr. Thomas Collier His Galiard
28. Lachrimae: Mrs. Nichols Almand

Tracks:

1. Sacred Songs: Sorrow, Come!
2. Sacred Songs: I Shame At Mine Unworthiness
3. Sacred Songs: An Heart That's Broken And Contrite
4. Psalms: Psalm 100: All People That On Earth Do Dwell
5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
6. Psalms: Psalm 130: Lord To Thee I Make My Moan
7. Psalms: Psalm 104: My Soul Praise The Lord
8. Psalms: Psalm 100: All People That On Earth Do Dwell
9. Psalms: Psalm 134: Behold And Have Regard
10. A Prayer For The Queen's Most Excellent Majesty
11. Instrumental Music: Solus cum sola pavan
12. Instrumental Music: Lachrimae
13. Instrumental Music: Galliard
14. Instrumental Music: Pipers Pavan
15. Instrumental Music: Lachrimae
16. Instrumental Music: Lady Rich Galliard
17. Instrumental Music: Earl Of Essex Galliard
18. Instrumental Music: If My Complaints
19. Instrumental Music: Lachrimae Doolande
20. Instrumental Music: Lord Willoughbie's Welcome Home
21. Instrumental Music: My Lord Chamberlaine His Galliard
22. Instrumental Music: Comagain
23. Instrumental Music: Pavan Lachrymae
24. Instrumental Music: Sorrow Stay

Tracks:

1. Lute Music: Preludium
2. Lute Music: Lachrimae
3. Lute Music: Can She Excuse
4. Lute Music: Dr. Case's Pavan
5. Lute Music: Melancholy Galliard
6. Lute Music: Sir John Smith, His Almain
7. Lute Music: Fantasia
8. Lute Music: A Dream
9. Lute Music: Almain
10. Lute Music: The Queen's Galliard
11. Lute Music: Coranto
12. Lute Music: Resolution
13. Lute Music: Mrs. Vaux Galliard
14. Lute Music: Almain
15. Lute Music: Mr. Dowland's MIdnight
16. Lute Music: Fantasia
17. Lute Music: Loth To Depart
18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
19. Lute Music: The Earl Of Essex, His Galliard
20. Lute Music: Pavan
21. Lute Music: John Dowland's Galliard
22. Lute Music: Aloe
23. Lute Music: The Lady Clifton's Spirit
24. Lute Music: What If A Day
25. Lute Music: Mr. Giles Hobie's Galliard
26. Lute Music: Come Away (Song arrangement)
27. Lute Music: Galliard
28. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Lachrimae (Basic Version)
2. Lute Music: Galliard To Lachrimae
3. Lute Music: [Jig]
4. Lute Music: Galliard On 'Wasingham'
5. Lute Music: Complaint (Ballad Setting)
6. Lute Music: Mignarda (Galliard)
7. Lute Music: Semper Dowland Semper Dolens (Pavan)
8. Lute Music: The Frog Galliard
9. Lute Music: A Fancy (Fantasia)
10. Lute Music: Fancy (Fantasia)
11. Lute Music: Piper's Pavan
12. Lute Music: Captain Digorie Piper's Galliard
13. Lute Music: Lady Laiton's Almain
14. Lute Music: Dowland's Galliard
15. Lute Music: Dowland's First Galliard
16. Lute Music: Tarleton's Jig
17. Lute Music: Walsingham (ballad Setting)
18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
19. Lute Music: Sir Henry Guilforde, His Almain
20. Lute Music: Pavan (Related To 'Lachrimae')
21. Lute Music: Mr. Langton's Galliard
22. Lute Music: Mrs. Clifton's Almain
23. Lute Music: Galliard
24. Lute Music: Lady Hunsdon's Puffe (Almain)
25. Lute Music: Galliard
26. Lute Music: Go From My Window (Ballad Setting)
27. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Pavana Johan Douland
2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
3. Lute Music: La mia Barbara
4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
5. Lute Music: Lachrimae
6. Lute Music: Farewell Fancy (Chromatic Fantasia)
7. Lute Music: Farewell (On The 'In Nomine' Theme)
8. Lute Music: The King of Denmark's Galliard
9. Lute Music: Mrs. Vaux's Jig
10. Lute Music: Mrs. Nichol's Almain
11. Lute Music: Galliard
12. Lute Music: Lord Strang's March
13. Lute Music: Mrs. Winter's Jump
14. Lute Music: Can She Excuse (Galliard)
15. Lute Music: The Shoemaker's Wife, A Toy
16. Lute Music: Mrs. Norrish's Delight
17. Lute Music: Galliard
18. Lute Music: Mrs. White's Thing (Almain)
19. Lute Music: Mrs. White's Nothing
20. Lute Music: The Frog Galliard
21. Lute Music: Solus cum sola
22. Lute Music: The Lord Viscount Lisle, His Galliard
23. Lute Music: Orlando Sleepeth (Ballad Setting)
24. Lute Music: Robin (Ballad Setting)
25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

1. Lute Music: The Lady Russell's Pavan
2. Lute Music: Fancy (Fantasia)
3. Lute Music: Sir John Langton's Pavan
4. Lute Music: Earl Of Derby, His Galliard
5. Lute Music: A Coy Toy
6. Lute Music: Fortune My Foe
7. Lute Music: [Almain]
8. Lute Music: Mr. Knight's Galliard
9. Lute Music: Sir John Souch His Galliard
10. Lute Music: Tarletone's Riserrectione
11. Lute Music: The Lady Rich, Her Galliard
12. Consort Music: Lachrimae Pavan
13. Consort Music: Can She Excuse Galliard
14. Consort Music: Captain Piper's Pavan And Galliard
15. Consort Music: The Frog Galliard
16. Consort Music: Round Battell Galliard
17. Consort Music: Fortune My Foe
18. Consort Music: Dowland's First Galliard
19. Consort Music: Katherine Darcie's Galliard
20. Consort Music: Tarleton's Jigge
21. Consort Music: Almain a 2
22. Consort Music: Mistress Nichols Almain a 2
23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
25. Opusculum: Mr. John Langton Pavan And Galliard
26. Opusculum: La mia Barbara Pavan and Galliard
27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

1. Consort Music: Mistress NIchols Almain
2. Consort Music: Volta a 4 ('Ioh. Douland')
3. Consort Music: Were Every Thought an Eye
4. Consort Music: Lady If You So Spite Me
5. Consort Music: Pavan a 4
6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
13. A Musicall Banquet: VIII. Far From Triumphing Court
14. A Musicall Banquet: IX. Lady, If You So Spite Me
15. A Musicall Banquet: X. In Darkness Let Me Dwell
16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Average customer rating: just a fine "Masterpiece of Soul" Al Green - Call Me Album Al Green's best work Outstanding ! His best LP?

Call Me Al Green Manufacturer: The Right Stuff ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Classic R&B | R&B | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music Memphis Soul | Soul | R&B | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: I'm Still in Love With You Let's Stay Together Gets Next to You Al Green Explores Your Mind What's Going on ASIN: B0002ABUQ6 Release Date: 2004-06-29

Tracks:

1. Call Me (Come Back Home)
2. Have You Been Making Out O.K.
3. Stand Up
4. I'm So Lonesome I Could Cry
5. Your Love Is Like The Morning Sun
6. Here I Am (Come And Take Me)
7. Funny How Time Slips Away
8. You Ought To Be With Me
9. Jesus Is Waiting

Amazon.com

Call Me is the masterpiece from America's last great soul singer, a vulnerable, sensual, spiritual, and sexy album. Sent soaring by the bluesy accents of the Memphis Horns and held to Earth by the rock-solid, wide-open groove of drummer Al Jackson, the subject here is nothing less than Green's soul, a battle expressed beautifully in his otherworldly voice--crying and praying on the title track, despairing on his cover of "I'm So Lonesome I Could Cry," both bitter and resigned on his version of "Funny How Time Slips Away"--a voice as true as anything short of heaven. And on the closing "Jesus Is Waiting," we even get to hear that. --David Cantwell

Customer Reviews:

just a fine "Masterpiece of Soul".......2007-05-23

it's the original,
it's remastered,
it's Al Green's best.

I count it to the "Masterpieces of Soul"

Al Green - Call Me Album.......2007-01-28

Al Green has always had a unique voice, and even after years of recording, you can still hear the quality in his signing. Call Me album is a must to own.

Al Green's best work.......2006-03-05

Al Green was the first great soul singer in the 70's. Plenty of releases until today; yet he failed to release a better album than this, with another one called "I am still in love with you". These 2 albums stand apart from all the rest of his work.
This album definitely sets the standard of what we call today Smooth Soul.
If you are new to Al Green's work, this album next to "I am still in love with you", are the ones. You will not regret it.

Outstanding !.......2005-04-28

If there is anything in this genre out there better than this I would like to know what it is --- Simply amazing the emotion and feeling in Al's voice --Thank God he's back !

His best LP?.......2004-08-11

Al Green's classic soul now newly remastered (no extra tracks) on his masterpiece "Call Me," sometimes known as "Come Back Home." His voice is sinuous, like a watersnake, and creeps up and through every obstacle like beautiful roses gilding a trellis. It breaks like the surf and it rolls on like a glacier, it can do anything he wants it to do. And he chalks up this gift to God.

Mournful, secular tunes like the heartbreaking "Ain't It Funny How Time Slips Away" meld here with the desperation that finally turns to bliss in "Jesus Is Waiting," so the contradictions of the gospel/R & B blend he pioneers all get resolved during the course of one LP. Some of the tracks are slightly extended past their natural stopping point, a 70s device pioneered by Isaac Hayes and others in the Stax/Volt stable, but if you like extended trills and groans and gasps ad infinitum, you'll scream when Al Green wants you to because he is the man!

Average customer rating: Impeccable English Style The Tallis Scholars do their namesake proud

The Tallis Scholars Sing Thomas Tallis Manufacturer: Gimell UK ProductGroup: Music Binding: Audio CD All Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Tallis Scholars | ( T ) | Featured Performers, A-Z | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Tallis Scholars sing Palestrina The Essential Tallis Scholars Christmas With the Tallis Scholars The Tallis Scholars Sing Josquin Tallis: Spem in Alium ASIN: B00026W65E Release Date: 2004-09-14

Tracks:

1. Spem In Alium
2. Sancte Deus
3. Salvator Mundi, Salva Nos I
4. Salvator Mundi, Salva Nos II
5. Gaude Gloriosa
6. Miserere Nostri
7. Loquebantur Variis Linguis
8. If Ye Love Me
9. Hear The Voice And Prayer
10. A New Commandment
11. O Lord, Give Thy Holy Spirit
12. Purge Me, O Lord
13. Verily, Verily I Say Unto You
14. Remember Not, O Lord God
15. Tunes For Archbishop Parker's Psalter
16. O Lord, In Thee Is All My Trust
17. Christ Rising Again
18. Blessed Are Those That Be Undefiled

Tracks:

1. Lamentations Of Jeremiah I
2. Lamentations Of Jeremiah II
3. Absterge Domine
4. O Sacrum Convivium
5. In Manus Tuas
6. Salve Intemerata
7. Magnificat For 4 Voices
8. Ave, Dei Patris Filia

Customer Reviews:

Impeccable English Style.......2007-07-13

If you favor blend, balance, pitch, and all the other parameters of the English traditional choral style, you'll be very impressed with the Tallis Scholars' refined presentation. the music speaks for itself.

The Tallis Scholars do their namesake proud.......2006-07-27

In the last couple of years, the Tallis Scholars have been compiling their sizeable recording output into attractive two-disc editions. Here, they've collected a large number of their interpretations of their namesake, Thomas Tallis. Tallis (c. 1505-1585) is, of course, one of the giants of Renaissance music, and he was certainly the greatest English composer of liturgical music between John Dunstable and William Byrd. I personally consider him the second-greatest Renaissance composer after Palestrina, but I'm not dogmatic about it. I love the music of Josquin, Victoria, and Byrd almost as much. Let's just say that, if you're interested in immersing yourself in the work of a single Renaissance composer, you can't do much better than Tallis.

These recordings were made 1985-1998, and they all sound great. Included in this collection are most of Tallis best and best-known works: the two Lamentations of Jeremiah, O Sacrum Convivium, Gaude Gloriosa, Tunes for Archbishop Parker's Psalter (which contains the theme that inspired Ralph Vaughan Williams' famous Fantasia), and the incredible 40-part motet Spem In Alium (which is one of the supreme masterpieces of the 16th century). Unfortunately, there are some notable absences, such as the Tallis Scholars' own recording of O Nata Lux. The Mass for 4 Voices, certainly one of Tallis' major works, is also nowhere to be found. Of course, there's only so much music that will fit onto two CDs, but it's still a shame that they couldn't fit at least one of Tallis' masses. Nevertheless, the music that's here is beautiful and powerful.

The Tallis Scholars themselves need no introduction. They're one of the most famous groups specializing in Renaissance music. It needs to be said, however, that if you're looking for "authentic" recordings (that is, recordings that approximate what the music originally sounded like in the 16th century), you might want to look elsewhere. The Tallis Scholars use female singers instead of boys or (ahem!) castrati (though it's doubtful that Tallis would have used or written for castrati himself). And one could complain that these recordings use too many singers for some of the smaller pieces or that the sopranos overpower some of the larger ones (like Spem In Alium). I'm neither an enthusiast nor an opponent of the authentic-performance movement; since we're listening to recorded music anyway, these issues strike me as moot. The Tallis Scholars are experienced and accomplished singers, and they achieve their primary goal: to provide superlative-sounding recordings of important early choral compositions. If you're looking for a fine compilation of Tallis' music or an excellent introduction to Renaissance music, this is it.

Average customer rating: Good Stuff! A Bit Pricey but Worth It

Call Me: The A&M Years Chris Montez Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Pop | Imports | Stores | Music Similar Items: The Vogues - Greatest Hits Singles Collection Deep Purple/Sing the Great Songs Ain't Gonna Lie Our Day Will Come: Very Best of ASIN: B000GIXDZA Release Date: 2006-08-07

Tracks:

1. Call Me
2. More I See You
3. Foolin' Around
4. Very Thought of You
5. Time After Time
6. There Will Never Be Another You
7. Where Are You Now
8. Because of You
9. Face I Love
10. Our Day Will Come
11. Going Out of My Head
12. Elena
13. Shadow of Your Smile
14. Once I Loved (O Amor Em Paz)
15. Fly Me to the Moon
16. Keep Talkin'
17. Love Is Here to Stay
18. Little White Lies [Album Version]
19. Just Friends
20. I Will Wait for You
21. I'm Glad There Is You (In This World of Ordinary People)
22. End of a Love Affair

Album Details

Many of the Songs on this Compilation, Despite Being Standards, were Unknown to Montez, but Most were Perfected in Just a Few Takes. Songs which Would Seem Alien to his Vocal Style Became his Trademark. In Total, Chris Montez Recorded Four Albums for A&m Records Between 1966 and '69. There is a Large Helping of Standards, from the Day and Much Earlier, Played in a Rhythmic Lounge-jazz Bossa Style by Seasoned West Coast Studio Musicians. Handclaps were De Rigeur, and as Laid Back as Chris's Vocals. The Blend of Styles was New, and the A&m Recording Quality Excellent, Still Sounding Fresh Today.

Customer Reviews:

Good Stuff!.......2007-07-31

I've been waiting for Chris's A & M hits to come out on CD for years.
Even though he may not have had the greatest voice in the world, he had good material and style. I'm glad Herb Alpert was able to persuade him to change his style from rock and roll to the soft smooth sounds that he became so noted for. As is the case with most of these anthology themed CDs, this is an import.

A Bit Pricey but Worth It.......2006-09-24

I listened to Chris Montez's A&M LP's back in the 60's when they were selling in the stores but I had borrowed the records and had not bought them for myself. I bought two of his hit singles and still play them but missed some of the other songs in the original albums.

In addition to Chris's smooth vocals I enjoy the musical arrangements and backing vocals equally as much and some of the live performances retain a vibrant quality not often found in other " Live " performances.

In recent years when I became equipped for ( legal ) music downloads from popular download sites I was surprised that Chris Montez early Monogram recordings were available but not the songs he did for A&M. When I found this CD available I felt it was just a bit pricey but I did want to hear those songs and own them for myself on CD. I am often reluctant on buying compilation or re-issue CDs if they are not from the original label as you dont know if you will really get the original " Hit " version of the song that you remember or what the actual source was for making the CD you are buying. As far as I can tell the tracks featured in this CD are indeed the very same as featured on the original A&M Singles and LP Albums. The sound levels and quality may vary slightly from track to track indicating various sources may have been used in this compilation. If you want this music however, to me, it was well worth purchasing although I am still going to keep my eyes open for the original albums at flea markets, tag sales etc. For now however, I believe this CD is as close as you are going to get to having those original A&M Albums and this is close enough for me. The Hit Singles are in this one and some of the best Album Tracks as well. I would suggest buying this CD while they are still available.

Thanks, Polidor ( UK ) / Eclipse for making this compilation available.

Average customer rating: Let the Buyer Beware Historical and Pristine "Rhapsody In Blue"

Gershwin Plays Rhapsody in Blue Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Tin Pan Alley | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Gershwin Plays Gershwin: The Piano Rolls Gershwin: Rhapsody In Blue/An American In Paris The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2 Levant Plays Gershwin Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris ASIN: B000098ZSS Release Date: 2003-05-13

Tracks:

1. Rhapsody In Blue
2. An American In Paris
3. Swanee
4. Walkin' The Dog
5. Let's Call The Whole Thing Off
6. Somebody Loves Me
7. Our Love Is Here To Stay
8. S'Wonderful
9. Embraceable You
10. Oh, Lady Be Good

Customer Reviews:

Let the Buyer Beware.......2007-01-12

I do not disagree on any level with the other reviewers of this CD. However, the content is recorded from piano rolls rather than directly from the artist. This fact is not explicitly presented on the web page. Yes, if one clicks on the CD cover photo to get an enlarged image, one can read "First recording 1924 from rare piano rolls" at the bottom in small type. Not everyone will do this however. For this reason alone I only rate this product 3 stars.

Historical and Pristine.......2006-12-22

This compilation of Gershwin selections taken from the piano rolls of the composer offer a perfect introduction to the music of Gershwin, offering a balance between his serious symphonic pieces and his accessible popular songs. Beginning with two of his concert works, "The Rhapsody in Blue" and "An American in Paris," the CD just hints at what the composer accomplished in the concert hall and the world of serious music. To my understanding, the "Rhapsody in Blue" was originally performed at a concert titled 'An Experiment in Modern Music' in 1924 at Aeolian Hall in New York. The piece was performed by an orchestra with Paul Whiteman as director, and with the composer at the piano as part of a concert experiment in jazz. The version on this CD is a piano adaptation created by the composer based off of the original symphonic work.

"An American in Paris" is also a concert work that did not achieve the widespread adoration that the Rhapsody has garnered. It was intended by the composer to capture the emotions of a tourist visiting Paris, and was purportedly auto-biographical. It was performed in 1928 at New York's Carnegie Hall with Walter Damrosch conducting the New York Philharmonic. It received mixed reviews at the time but remains a favorite of Gershwin's classical works. Like the "Rhapsody," the version included here is a piano adaptation of the original orchestral work.

The remaining works on the CD are those of a popular composer, the flipside of Gershwin's career. No other American composer (or any for that matter) has strattled these two different fields of music with the success with which George Gershwin did. And the popular songs, among them, "Embraceable You," "Let's Call the Whole Thing Off," and "Love is Here to Stay" have achieved enormous pop culture penetration and secure Gershwin's place in history as a master of popular song composition. Notably missing from this CD, however, are Ira Gershwin's contributions, i.e. the words, which add an element important to these songs' true place in history. Along with Ira's contributions come the countless Gershwin vocal interpreters who helped to realize these songs' true significance and their dispersion throughout the American popular music idiom.

On these versions, it is simply Gershwin playing his works (albeit the recordings are taken from his piano rolls, not an actual live recording). In these arrangements, the melodies are incorporated into lush and often convoluted harmonic accompaniment, in which the melody often becomes lost (i.e., the bridge or B section of "Oh, Lady Be Good!"). However, the opportunity to hear the composer express the harmonic possibilities of these disguisingly "simple" American tunes is truly a valuable one. The particular bouncing style with which Gershwin jumps from chord to chord to accompany his melodies is clearly apparent on many of these tunes, and that is an aspect borrowed from Ragtime that contributes to Gershwin being labeled as a uniquely "American" styled composer. The idiosyncracy of his composition and playing are tied together and come to life on this CD. The harmonic statements are sophisticated and evasive to the common ear, and the rhythmic precision and prolificity are legendary. Together with the melody, these elements of the musical composition on which Gershwin demonstrates mastery come together to produce a truly quintessential and essential Gershwin compilation.

"Rhapsody In Blue".......2006-07-12

"This piece (Rhapsody In Blue) seemed to sweep through my mind. It was the heart of America, the feverishness of life, the musical welter of races, of peoples, their joys and their passions, their dissipations and their exaltations." ~ George Gershwin (September 26, 1898 - July 11, 1937) ~

Today, July 11, 2006, marks the 69th death anniversary of one of America's most versatile songwriters, George Gershwin. The birth of one of my favorite jazz-infused-classical pieces, "Rhapsody In Blue" in 1924 made Mr. Gershwin an overnight and sensational star and had gained him a worldwide recognition. He had been my late parents' (and mine, too) favorite composer along with Irving Berlin, Jerome Kern and Cole Porter. His harmonious collaboration with his brother, Ira Gershwin, had produced the most beautiful songs of all-time. They were the most prolific team of songwriters and their compositions have been recorded countless times by famous interpreters of Great American Songbook such as Frank Sinatra, Ella Fitzgerald, John Coltrane, Tony Bennett, Miles Davis, Oscar Peterson, Joe Pass, Michael Feinstein, Natalie Cole, Linda Ronstadt, Rod Stewart, Steve Tyrell, Diana Krall, John Pizzarelli, Michael Bublé and Chris Botti, among many others.

This CD is a musical treasure and one that I would strongly recommend not only to any Gershwin enthusiast but also to any new fan for this includes the original recording of "Rhapsody In Blue" from rare Piano Rolls. The sound quality is just terrific. It highlights two of his major works - "Rhapsody In Blue" (1924) and "An American In Paris" (1928). It also features some of his well-known popular songs and favorites of mine, my parents' theme songs "Our Love Is Here To Stay" and "Embraceable You.