Laced with nostalgia of the 1980s, the motion picture The Wood hit theaters a decade later touted as a feel-good, then-and-now movie. The accompanying soundtrack, however, relies heavily on late-1990s talent and makes only three short trips back to the '80s. Classic tracks such as Whodini's "Freaks Come Out at Night" and 1987's beatbox-heavy "Make the Music with Your Mouth Biz" leaves listeners yearning for additional musical flashbacks. The Wood's more up-to-date sound is handled by DMX, R. Kelly, the Roots, Outkast, and Mystikal. Balanced with both hip-hop and R&B, the soundtrack is best summed up by Ahmad's smooth "Back in the Day (Remix)," which reveals: "Some days I sit and wish I was a kid again." --Celine Wong
The Wood (1999 Film),Biz Markie,Ahmad,Luther Vandross and Cheryl Lynn,Jive,Pop,Soundtrack,Soundtracks,Soundtracks & Film Scores
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West Side Story
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00023GGK8 Release Date: 2004-05-18 |
Tracks:
- Overture
- Prologue
- Jet Song
- Something's Coming
- Dance At The Gym
- Maria
- America
- Tonight
- Gee, Officer Krupke
- Intermission Music
- I Feel Pretty
- One Hand, One Heart
- Quintet
- The Rumble
- Somewhere
- Cool
- A Boy Like That/I Have A Love
- Finale
- End Credits
Amazon.com
Leonard Bernstein's musical update of Romeo and Juliet, with a young Stephen Sondheim's brilliant lyrics, had already galvanized Broadway with its vivid reinvention as a parable of racial intolerance and generational conflict. But director Robert Wise's lavish widescreen presentation broke fresh ground by taking the story to its most impressionable audience, the teenagers who could identify directly with Tony and Maria, and opened up Jerome Robbins's kinetic choreography through bravura camera work. The original soundtrack album was not merely a huge seller but a unique touchstone for an otherwise rock-oriented audience, and its release on CD benefits from an expanded program untenable in its initial LP release, as well as a 20-bit digital transfer. With Richard Beymer, Marni Nixon (Hollywood's vocal doppelgänger of choice, here standing in for Natalie Wood), and Rita Moreno dominating, the show's bounty of terrific songs and exciting instrumental pieces remains an ear-filling treat, mixing operatic passions, tart social commentary, and high comedy. From "Tonight" to "One Hand, One Heart," "America" to "Jet Song," this is a landmark in American musical theatre and film beautifully realized on disc. --Sam SutherlandCustomer Reviews:
WSS Original Sdtrk........2007-06-11
west side story music.......2007-04-14
West Side Story CD.......2007-01-24
LOVE it.......2007-01-09
Buy it for posterity.......2006-12-30
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Songs from the Wood
Jethro Tull Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008G9JN Release Date: 2003-05-20 |
Tracks:
- Songs From The Wood
- Jack-In-The-Green
- Cup Of Wonder
- Hunting Girl
- Ring Out Solstice Bells
- Velvet Green
- The Whistler
- Pibroch (Cap In Hand)
- Fire At Midnight
- Beltane
- Velvet Green (Live)
Amazon.com
The earth-worshipping revelry of 1977's frisky Songs from the Wood was far removed from the heavyweight progressive rock of Jethro Tull's early years. Taking a leaf from the book of Steeleye Span, Songs from the Wood is bright and festive as it mines a rich, green seam of ancient British folklore for inspiration. By marrying the characters ("Jack in the Green") and traditions of the old religion's ritual calendar ("Ring Out Solstice Bells" was an unlikely Christmas hit) to their eccentricity and half-imagined interpretations of British traditional music, Tull came up with one of their albums. This collection unintentionally beseeches the concrete-jungle-dwelling set to retreat to the countryside. With tin-whistles, peppy acoustic guitar, medieval twists and turns, much May Day gaiety and debauchery, and even the odd touch of prog, Songs from the Wood still sounds bewitching in the 21st century. --Kevin MaidmentAlbum Description
Digitally remastred reissue of 1977 album includes two bonus tracks 'Beltane' (taken from the album 20 Years of Jethro Tull - track done at end of sessions) & 'Velvet Green' (live) (taken from 20 years of Jethro Tull - BBC In Concert Recording 1977). 11 tracks & liner notes written by Ian Anderson. Chrysalis. 2003.Album Details
Digitally Remastered Edition of the 1977 Album that Followed their Answer to Punk ("Too Old to Rock N Roll Too Young to Die"). This Set Contrasts Radically with It's Predecessor in that it features Some Some of their Most Melodic and Sweet Material Ever. Hard Rockers Intersperse with Greater Intensity, but this is One of Ian Anderson's Most Satisfying Albums in the Canon. As Always, Martin Barre's Guitar Simply Shines as One of the Band's Greatest Assets.Customer Reviews:
The first of Tull's "so-called" folk-rock trilogy still resonates 30 years on.......2007-04-11
The album saw the band (which comprised of lead singer/songwriter/flute player Ian Anderson plus guitarist Martin Barre, keyboard player John Evan, drummer Barriemore Barlow, bass player John Glascock whom were now joined by orchestrator David Palmer as second keyboard player) go in a different musical route after the dismal sales of 1976's concept album Too Old To Rock and Roll Too Young to Die (despite the fact that album is one of my personal favorites which was overlooked in the year of Peter Frampton Comes Alive). The Songs From The Wood album when released was the folkiest in sound that the band had recorded up to that point. Was it a good or bad thing, read on and find out as I did when I heard the album on vinyl late last year and then acquired the remastered CD a few months ago.
The title cut opens the album with a superb and funnyish sounding acapella singing which then gives way into a killer song with it ping-ponging between folk and classic hard rock tinged prog rock.
The next track is the acoustic number "Jack-in-the-Green" which tells about an old protector and nurturer of the English woods. The track also states if Jack still exists in this modern world of cars and power lines amongs other things. "Beltane" follows and is another great tune. We follow with the rocker "Hunting Girl" which uses a foxhunting equestrienne as a metaphor to a high-born woman who takes advantage of a lower class person. Great rocker. The first side closed with the band's second Holiday season track "Ring Out Solstice Bells" which is a great number to play at Christmas.
The second half of the album starts with "Velvet Green" which is as folk influenced as can be. The track is a love song set in the folk mentality. "The Whistler" follows and is another English folk influenced number which tells of a minstrel type individual. Next is the epic "Pibroch (Hat in Hand)" which is a rocker with some folk music influences but just burns! The original album ends with the folk number "Fire at Midnight" which celebrates a fellow relaxing by the fire with his love at the end of a long hard, day.
The Songs From The Wood album originally peaked at #8 on the Billboard album chart (to date Tull's last US Top 10 charting album) and was the band's first million seller since 1975's Minstrel in the Gallery.
In 2003, the album was re-released as a remastered CD with two additional songs. First is "Beltane" which is a great number about celebration of the Celtic festival Beltane. Next is a live BBC recording of "Velvet Green" which is probably from the BBC transmitted show which is out on bootleg as Songs From the Hippodrome.
Songs From The Wood is a great record, and still sounds fresh today.
RECOMMENDED!
Songs from the Wood Rocks!!!!.......2007-04-10
Well, maybe THIS is my least favorite Tull album........2007-03-15
Thank goodness it wasn't a permanent retirement.
The glory years of Tull.......2007-03-07
Their last great album?.......2007-02-18
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Out Louder
Medeski Scofield Martin & Wood Manufacturer: Indirecto Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HKDEJM Release Date: 2006-09-26 |
Tracks:
- Little Walter Rides Again
- Miles Behind
- In Case The World Changes Its Mind
- Tequilia And Chocolate
- Tootie Ma Is A Big Fine Thing
- Cachaca
- Hanuman
- Telegraph
- What Now
- Julia
- Down The Tube
- Legalize It
Amazon.com
John Scofield is an organic mood these days. On Saudades, the recent release by Trio Beyond, the guitarist hooked up with Hammond B-3 man Larry Goldings (and drummer Jack DeJohnette) to pay tribute to Tony Williams' fusion-pioneering Lifetime. Here, in the role of guest artist, he revives his partnership with organist John Medeski--and bassist Billy Martin and drummer Chris Wood, all of whom backed him on his smartly grooving 1998 effort, A Go Go. As the crunching "Miles Beyond" demonstrates, MSMW has got fusion on its mind, too. But on what may be the futuristic Medeski crew's most aggressively varied effort, they also partake of spaced-out blues jams, Beatles balladry ("Julia"), full-throttle soul, rhythmically recast reggae (Peter Tosh's "Legalize It"), New Orleans tradition ("Tootie Ma is a Big Fine Thing") and a Brazilian-inflected tune on which Scofield makes like Wes Montgomery. The first album to be issued on MMW's own Indirecto label, Out Louder is a consistently enjoyable world tour that has just the edge and sense of surprise that has been missing on some of Scofield's and MMW's recent albums. --Lloyd SachsCustomer Reviews:
Sco melds w/ the Boys.......2007-07-21
Having seen Sco live on two occasions this really surprised me a bit. He holds back a good bit and you don't hear too much soloing. He's playing the Marc Ribot card to a certain extent but is a little more atonal and not quite as bluesy as Marc's outtings with the band.
The winning track to me is Down The Tube. Scofield remarked that this was his favorite number also and for good reason. They set up and started jamming with the deck running and this is what you get. Fully improvised, porky distorted bass, steady funk play, odd trickets of atonal sound. It's the sickest funk I've ever heard.
As previously mentioned, this is a diverse outing. There is probably more variety on this disc than any other MM&W disc. Ninety percent is very accessible. Down The Tube would be the exception.
That's why I enjoy it.
Not bad.......2007-07-19
That's Medeski, SCOFIELD, Martin, and Wood .......2007-02-14
Not that that's a bad thing, mind you. There are some superbly realized jams to be found here, not to mention r&b and straight blues that will require repeated listenings. And if that weren't enough, there is an ethereal and fragile rendition of the Beatles' Julia. Anyway, mix it all together and Bob's your uncle.
Or at least that's the theory.
There is, however, something about this recording that screams out to be highlighted. There is a measure of restraint that makes this album superior to anything Medeski, Martin, and Wood have done in the last nine years. Perhaps it is the presence of Scofield, but gone are the overblown performances of Uninvisible and The Dropper. What we are left with, rather, are scaled down recordings where interplay arrives subtly as opposed to occurring within an ever-increasing contest of volume and overflourish.
While this recording doesn't exceed the brilliance of Combustication (a pinnacle that may never be repeated), it is the next best thing, and one suspects the inclusion of Scofield in the group's name is a tip-off to that fact.
A Very Good Album and a Very Good Combo!.......2007-01-27
First off, the compositions on this disc are great, especially if you are used to the fairly structureless jams that MMW has been doing as of late. The songs on this disc, unlike those on "Dropper" and "Uninvisible" have strong melodies and seem to musically go somewhere - at least, somewhere recognizable. Contrary to what some may have thought, direction and structure do not hamper MMW, but (at least, to me) makes them stronger.
Scofield's very noodly sounding guitar fits in perfectly with MMW's rough-around-the-edges sound and production (this album certainly has more bite than "A Go Go" in part because it is on MMW's own label).
A variety of styles and sounds are explored here. We have the Meters-esque "Little Walter," the bluesy "Untill the World Changes It's Mind," the latin tinged "Tequlla and Chocolate," and the unexpected ballad "Julia" (have you ever heard Billy Martin on brushes??). These songs really do not get old (as both MMW and Scofield can do from time to time). All the songs (save for two; attribute that to personal taste) are very listenable; just tame enough to be accessible, just edgy enough to be interesting.
This is a CD that I will be playing for some time to come. I really hope these four musiciains release more material together as I believe this to be a combo that brings out the best in eachother.
A respectable production........2007-01-19
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Ways Not to Lose
The Wood Brothers Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E6UK4G Release Date: 2006-03-07 |
Tracks:
- One More Day
- Tried and Tempted
- Luckiest Man
- Glad
- Chocolate On My Tongue
- Atlas
- Time To Stand Still
- The Truth Is the Light
- Spirit
- Angel Band
- Where My Baby Might Be
- That's What Angels Can Do
Amazon.com
Modern folk and blues rarely sounds as inventive and colorful as the Wood Brothers' spare, soothing studio debut. Currents of jazz, pop, and country also ripple through these 12 lovely arrangements built around Chris Wood's upright bass (previously heard in Medeski, Martin & Wood) and Oliver Wood's gentle acoustic and electric guitars. It's not simply that the brothers' sweet, high voices have the genetic gift of close harmony: they're in absolute synch creatively, too. So when one's singing lingers over a lazy phrase in a number like the languid ode to living "Chocolate on My Tongue," the other hangs back on his instrument until just the right, complementary moment. Drummer Kenny Wollesen, who plays on a handful of tracks, is on the same wavelength--never rushing or pushing the Woods' behind-the-beat sensibility. And the rich dark tones of the bass and, in particular, slide guitars perfectly illuminate their unhurried stories about spiritual discovery and the trials of life. All of which makes Ways Not to Lose a delightful, relaxed listening experience. --Ted DrozdowskiCustomer Reviews:
Surprise hit!.......2007-05-03
Good music OK recording.......2007-03-08
On the show they played as a duo and I was happy that on the record that there were no additional musicians or studio stuff.
All of the songs are great, to me they have sort of a bluesy style that has hints of Van Morrison. My favorite is Luckiest Man Alive.
Anyway my only complaint is that the quality of the recording is not that good. I have a tape of the radio show with them on it and it is actually clearer than the album. I hope at some later time they will do a live album with a really crisp sound quality that has some of these songs on it.
In the meantime enjoy this album although the bass is MUCH crisper in real life and PLEASE go see these guys live!! Totally worth seeing!!!
Sonic and musical masterpiece.......2007-02-08
better with time.......2007-01-16
However, I kept putting it on and it has really grown on me - a sign of a strong CD...after a while it gets infectious.
Just don't know if I'd call it folk..more like modern blues. The instrumentation is sparse or make that uncluttered, but effective.
Wow are these guys amazing!.......2007-01-12
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The Notebook
Various Artists Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00023B1E4 Release Date: 2004-06-08 |
Tracks:
- Main Title
- Overture
- "I'll Be Seeing You" Performed by Billie Holiday
- "Alabamy Home" Performed by Duke Ellington
- Allie Returns
- House Blues/The Porch Dance/The Proposal/The Carnival
- Noah's Journey
- "Always And Always" Performed by Benny Goodman & His Orchestra
- "A String Of Pearls" Performed by Glenn Miller & His Orchestra
- On The Lake
- "Diga Diga Doo" Performed by Rex Stewart And The Ellingtonians
- "One O'Clock Jump" Performed by Benny Goodman & His Orchestra
- "I'll Be Seeing You" Performed by Jimmy Durante
- Noah's Last Letter
- Our Love Can Do Miracles
Amazon.com
Based on Nicholas Sparks' novel, director Nick Cassavetes film spins the bittersweet tale of a 60-year romance, as seen from the polar perspectives of its promising youth and the travails of an old age cursed by Alzheimer's. Its soundtrack effectively echoes those polar dramatic concerns, with composer Aaron Zigler's gentle orchestral score largely giving voice to the character's melancholy present, while a rich, well-chosen slate of vintage material by Billie Holiday, Duke Ellington, Benny Goodman and Glenn Miller imparts a restless energy to their youth. There's a certain schmaltz to much of Zigman's work here, yet cues like "House Blues/The Porch Dance.." and "Noah's Journey" argue he's achieved something more elusive than mere melodramatic wallpaper with the deceivingly difficult task at hand; it can't be easy to have your work seasoned with the likes of Ellington's sassy "Alabamy Home" and Goodman's still-vibrant "One O'Clock Jump." Sharply contrasting versions of "I'll Be Seeing You" by Holiday and Jimmy Durante bookend the soundtrack, perfectly evoking the story's alternating shades of hope and fading nostalgia and framing Zigman's understated work in the bargain. --Jerry McCulleyAlbum Description
Based on the best selling novel by Nicholas Sparks ("A Walk To Remember", "Message In A Bottle"), "The Notebook" is the story of Noah and Allie, teenage lovers torn apart by WWII and Allie's parents' demands to marry a respectable lawyer. After 14 years apart, they meet again and rekindle their true love. Starring Ryan Gosling, Rachel McAdams, James Garner, and Gena Rowlands. The soundtrack is a propelling force. In addition to classic WWII era pieces, Aaron Zigman's score suites enhance the record with beautifully dramatic themes. Score performed by the Hollywood Studio Symphony.Customer Reviews:
Touching.......2007-07-04
It say's go for the "true love", settle for nothing else no matter what may be in store, because love that is "true" and as beautiful as their's was, is a rare thing!
I absolutely loved the ending.
I also loved that a movie CAN be truly wonderful, beautiful and touching WITHOUT grafic "sex scenes!" Also sadly a rare thing in movies today.
Ever seen "Hanover Street?" Equally beautiful. No SEX scenes either!
Angelfish
Pays music a complement. I love the classical pieces!.......2007-05-27
the Notebook soundtrack (Audio CD).......2007-05-13
Very Nice.......2007-03-30
A sweeping, emotional standout!.......2007-01-11
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A Bigger Bang
The Rolling Stones Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A7Q27I Release Date: 2005-09-06 |
Tracks:
- Rough Justice
- Let Me Down Slow
- It Won't Take Long
- Rain Fall Down
- Streets Of Love
- Back Of My Hand
- She Saw Me Coming
- Biggest Mistake
- This Place Is Empty
- Oh No, Not You Again
- Dangerous Beauty
- Laugh, I Nearly Died
- Sweet Neo Con
- Look What The Cat Dragged In
- Driving Too Fast
- Infamy
Amazon.com
It should come as no surprise that it took sex, disease and death to shake the Rolling Stones out of their latest creative dry spell. Leading up to the making of A Bigger Bang, produced by Don Was, Mick Jagger endured a very public break-up with Jerry Hall, Charlie Watts battled throat cancer, and Ron Wood was devastated by the news of his ex-wife's suicide. Out of their collective struggles, the members of the venerable British rock band managed to piece together some of their best work in nearly two decades. It's a slick, slightly uneven affair bounding from raunchy blues to MOR rock songs that sound suspiciously like they were left over from the Alfie soundtrack, yes, but it also sounds vital at every turn. Even though they don't really need to, the jet-set vagabond rockers plunge into hot-button politics ("Sweet Neo Con"), rummage through their dirty laundry ("Oh No, Not You Again") and dip cautious toes back into ridicule-tempting "Miss You"-style funk ("Rain Fall Down"), without making any major missteps unless you count the ewwwww-factor of a 61-year-old Keith Richards singing "Come on honey, bare your breasts and make me feel at home" on "This Place Is Empty." --Aidin VaziriCustomer Reviews:
WELCOME BACK, STONES!.......2007-07-11
1. Rough Justice- kicks things off and it is a great rocker and album opener. Woody's slide work is phenomenal. A great way to open an album and this track tells you right from the start that the Stones as we know them are back.
2. Let Me Down Slow- A popier rock song with a catchy swinging beat. One of the better songs on the album and great lyrics by Jagger who appears to be the one most responsible for the song.
3. It Won't Take Long- This one opens with a trademark Richards riff, albeit a bit pedestrian. The Stones, however, play it with a passion that helps make it better than just filler.
4. Rain Fall Down- A sly funky tune reminiscent of Miss You but not as good. The song works, however, and is a welcome addition to their catalogue.
5. Streets of Love- This is one of 2 mistakes on the album. A slow ballad that weighs in on the sappy side. The Stones have done this before and much better. See Out Of Tears from Voodoo Lounge and Memory Motel from Black and Blue.
6. Back of My Hand- Ahh, ok we're back. A slow blues tune. Engaging guitar work throughout the song and you'll find yourself singing along with this one. It is the kind of song that the Stones, in the past decade or so, have saved for b-sides. I am glad they decide here to include it on an album. VERY welcome indeed.
7. She Saw Me Coming- This is one of my favorite songs on the album and maybe in past years this would have made an excellent single. The sense of humor is back in the lyrics and it also contains a nice riff to chug it along.
8. Biggest Mistake- A Jagger tune without a doubt, very similar to his solo material of late. It's not a bad song by any means but neither is it above average. It sounds good while it's playing but you won't miss it once it's over.
9. This Place is Empty- The first of 2 Richards sung songs. This one is a barroom styled ballad and a great one at that.
10. Oh No Not You Again- The Stones as we know and love them, great riffs and guitars harkening back to the Some Girls days. Yes, it IS them again and we are happy to have you back! Easily one of the better songs on this release.
11. Dangerous Beauty- Another rocker that seems as though it is filler, but it is better than that. I think this one will be one of those 'overlooked gems' because of it's placement so deep into the release. The solo sounds as it were done by BB King.
12. Laugh I Nearly Died- A slow rocker in which Jagger sings like he hasn't in a long time. Perhaps his best vocal performance since Gimme Shelter. He steals this one away and the breakdown at the end is priceless. Amazing creation!
13. Sweet Neo-Con- Ahh, mistake number 2. Many people have said that this is their favorite song on the album but I have to believe that is due to the political nature of the song. Judging it just as a song it isn't bad but it just never really goes anywhere. Would have made a nice b-side or bonus track.
14. Look what the Cat Dragged In- This is one of my favorite songs on the album. It has a funky, jazzy riff and guitars that are similar to those in Undercover. Charlie, as usual, keeps the beat rolling and this is one of the highlights of the album.
15. Driving Too Fast- Like the song before it this is another rocker. A very good song but not as good as 'Cat'. Play it loud for best effect!
16. Infamy- The second Richards tune that works but the Stones used to close out their albums with songs that were magnificent, not just good. Moonlight Mile, You Can't Always Get What You Want, Shattered, Fingerprint File to name a few. Well, this is nitpicking. I like the song and it fits in well with the album.
I gave this album 5 stars because the album itself deserves 4 stars but I added one because I feel that for a band in their 60's this blows away almost or all of the rock music being released today by much younger bands. Yes, this is the comeback album Stones fans have been waiting for. It is the Stones doing what they do. Nothing more and nothing less-which is always a good thing. That is the key to A Bigger Bang. The Stones are no longer at the forefront of the pop audience. They are not trying to keep up with the latest musical trends on this release. They are not concerned with top 40 radio nor are they interested in breaking new ground. The secret here is easy-Keep it simple, stick to the basics, crank it up and rock and roll.
Welcome back, boys! I am glad it's you again!
Biggest Bang Since Some Girls.......2007-06-20
If only new bands were half this good and consistent.......2007-03-30
As someone said before my, this is not the next best thing or the record to redefine music, it is just straight ahead good rock.
Man they are 60+ and listen to them ! Real musicians only get better with time... it's the public that stop listening really listening to what they are saying once they are not "pop" "mainstream" or young enough.
Listen to the record, yes it is a great record...
Oh one last thing, Sweet neo con, IMO is the best song on the album, music and lyrics, it stands on it's own as a great song.
Back to form.......2007-03-17
"Bang" shows that the Stones still have it, and that they can give any modern act a run for their money. I hope the Stones know what works and make their future albums along this vein.
They've still got the "Bang".......2007-01-23
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Andre Rieu Collection (2 CD)
Manufacturer: Laserlight ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F2CAAQ Release Date: 2006-05-02 |
Tracks:
- Tritsch Tratsch Polka, Op. 214
- Voices Of Spring, Waltz Op. 410
- Moulinet Polka, Op. 57
- Kaiser Waltz, Op. 437
- Cachucha Galopp, Op. 97
- On The Beautiful Blue Danube, Waltz Op. 314
- At The Hunt Polka, Op. 373
- Morning Papers, Waltz Op. 279
- Entrance March - Thy Gypsy Baron, Op. 422
- Without Worries Polka, Op. 271
- Tales From The Vienna Woods, Waltz Op. 325
- Radetzky March, Op. 228
- March Potpourri
- Sports Palace Waltz
- Blaze Away
- In The Saloon Potpourri
- Horlepiep
- Funiculi, Funicula
- Medley
- The Jolly Widow Potpourri
- Souvenirs de Paris Potpourri
- Tulips From Amsterdam
- Die Hände zum Himmel
- Die Kleine Kneipe
- Am Aschermittwoch ist Alles Vorbei
- Auld Lang Syne
- Miene Vogel is Trök
- Radetzky March
Album Description
ANDRÃ RIEU 2CD Collection CONTAINS CD: 32 493 - The Strauss Gala CD: 32 494 - Carnival!Customer Reviews:
great music.......2007-04-11
Stupendous.......2007-02-19
For sheer pleasure, entertainment, and romance one needs not go further then Andre Rieu DVD.
I cannot recommend them highly enough.
I only have one criticism....and that is the he has not toured Australia.
Andre Rieu Collection (2CD).......2007-02-07
If those responsible for making the recording would take the time needed for a professional recording, it would make for a vast improvement and to me this is just an attempt to get as many recordings out to the public. If you want to get people, who enjoy music, to return and buy additional recordings, make the recording you would want to hear again and again. After hearing this once, I will probably not listen to them again and go for some good orchestras.
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Morning Wood
Rodney Carrington Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004W55G Release Date: 2000-08-15 |
Tracks:
- Fat Girls, Nebraska Farmers, Japanese Restaurants
- Rodney's Wife & Kids, Marriage, Vacations
- All About Sex
- Play Your Cards Wrong
- T**ties & Beer
- In Her Day
- More Of A Man
- Gay Factory Worker
- A Dozen Roses
- Carlos
- Morning Wood
- Pickup Truck
- More Of A Man
- Older Women
- Great To Be A Man
- Play Your Cards Wrong
Amazon.com
Carrington's got an ugly, agitated view of the world. That's the exact reason why some people like the comic and others don't. In the CD's opening minutes the comedian proudly indulges in some nasty ethnic caricature, but before long he settles into the raunchy redneck sex routines he's best known for. At times, Carrington's all-consuming horniness sounds more like a nagging Pavlovian itch than adult sexual yearning. The central figure in Rodney's world continues to be the male member and references to his favorite organ abound on Morning Wood. About half of the disc is taken up with the comic performing dirty ditties. The title track works the same turf as "Letter to My Penis," a song from Carrington's 1998 album, Hangin' with Rodney. This guy definitely has an obsession and he wants to share it with the world. --Fred CisternaCustomer Reviews:
Morning Wood.......2006-03-23
Funny Stuff.......2005-09-24
Rodney Carrington.......2005-07-22
Thank you David Williams from Tasmania Australia.
My Favorite Rodney Album!!.......2005-07-17
Funny Stuff.......2003-04-06
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Holy Wood (In The Shadow Of The Valley Of Death)
Marilyn Manson Manufacturer: Nothing ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000050ITX Release Date: 2000-11-14 |
Tracks:
- Godeatgod
- The Love Song
- The Fight Song
- Disposable Teens
- Target Audience (Narcissus Narcosis)
- 'President Dead'
- In The Shadow Of The Valley Of Death
- Cruci-Fiction In Space
- A Place In The Dirt
- The Nobodies
- The Death Song
- Lamb Of God
- Born Again
- Burning Flag
- Coma Black: A. Eden Eye B. The Apple Of Discord
- Valentine's Day
- The Fall Of Adam
- King Kill 33
- Count To Six And Die (The Vaccuum Of Infinite Space Encompassing)
Amazon.com
The impact of Marilyn Manson's subversive musical agenda has waned, and what's left is a provocative, talented artist writing affecting, powerful, and yes, controversial songs. Although Holy Wood is the third title of a trilogy that began with 1996's Antichrist Superstar, the album stands on its own. Rife with references to the Beatles and the Kennedys, and full of pop-culture barbs, Holy Wood is a musically diverse and powerful statement. The memorable sing-along "Disposable Teens" boasts the same kind of staccato, Teutonic, first-thrusting power introduced with "Beautiful People," while "Fight Song" is the Sex Pistols meets Blur by way of Nirvana. While a futuristic, nihilistic tint pervades Manson's work, passion is also prevalent, notably in the spooky acoustic number "A Place in the Dirt" and the brutal "Death Song." Like Marilyn Manson the man, Holy Wood is intelligent, dynamic, and multifaceted, with myriad charms that are evident to the tuned-in listener. --Katherine TurmanCustomer Reviews:
Pretty good........2007-06-18
The only downfall I saw with this album was how it seemed to drag on a bit. It's almost as if Manson was trying to fit just a little too many songs into one disc. Otherwise, the album doesn't have too many noticeable flaws.
Overall, this CD will definitely turn the listener's stomach with its passionately riveting sound and corresponding lyrics. This is definitely one of Manson's more emotionally driven LP's and it's very recognizable to anyone who listens that Manson put his heart and soul into it. This CD will definitely give you something to swallow. Recommended.
MANSON.......2007-05-10
No Longer Popular.......2007-04-26
Attention: Marilyn Manson Peaked Here..........2007-03-13
The Positives: John5's guitar work is at its peak on this album. Songs like "Disposable Teens", "The Fight Song", "The Nobodies", "The Death Song", "Lamb of God", and "The Love Song" are some of the finest Manson guitar tunes to date. Also, the lyrics reach their peak with this album. Lyrically, this album is a proper fuse of Antichrist Superstar and Mechanical Animals. Therefore, I believe this to be the peak of Marilyn Manson. Everything is running on full power (lyrics, guitars).
The Negatives: None...every track on this record is very intelligent and enjoyable.
Personal Favorites: The Fight Song, Disposable Teens, The Death Song, The Nobodies, Lamb of God, The Love Song, Coma Black, and King Kill 33.
The Further Decline of Marilyn Manson.......2007-01-25
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Christian Music:
- They Never Saw Me Comin' [Explicit Lyrics]
- Ultimate Toni Braxton
- Vulnerable
- We Belong Together [CD-single] [Import]
- White Gold
- With A Lot O' Soul [Original recording remastered]
- Zapp III [Import]
- 12" Collection [Import]
- Ain't That Good News [Hybrid SACD]
- All That Matters
Christian Music
Together: the Best of Reef [Import]
Buddha Sounds, Vol. 2: The Arabic Dream [Import]
El Noum Yedaeb Habiby [Import]
Cameo Parkway 1957-1967 [Box set] [Original recording remastered]