| 1. High Heels | |||
| 2. Gumbo | |||
| 3. Quaker City | |||
| 4. Shove Off | |||
| 5. Squashy | |||
| 6. Honky Tonk, Pt. 1 | |||
| 7. Honky Tonk, Pt. 2 | |||
| 8. Leaps and Bounds | |||
| 9. Peacock Alley | |||
| 10. Slow Walk | |||
| 11. Big Boy | |||
| 12. Ram-Bunk-Shush | |||
| 13. Ding Dong | |||
| 14. Hot Ginger | |||
| 15. Hammer Head | |||
| 16. Shindig | |||
| 17. Flying Home | |||
| 18. Hold It | |||
| 19. Rainbow Riot | |||
| 20. Scott's Bluff | |||
|
See all 25 tracks on this disc
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Editorial Reviews
Product Description
Bill Doggett will forever by remembered for what is perhaps the instrumental hit of the 1950s, "Honky Tonk." Doggett probably did more to popularize the organ as an instrument in rock and pop than any other artist. Before striking out on his own in 1951, Doggett worked with the likes of Jimmy Mundy, Lucky Millinder, the Ink Spots, Lionel Hampton and Louis Jordan (he replaced Wild Bill Davis in Tympani Five). The tracks in this collection are the best of the recordings that he made for the King record label between the years 1954 and 1959 -- and his biggest singles ("Honky Tonk," "Slow Walk," "Ram-Bunk-Shush" and "Hold It").
With the first notes of the guitar, Max will start drolling, and reminiscing about his youth back in Indiana when the carnivals or fairs would come to his town. Back then every carnival would have that special tent where inside ladies would disrobe, what we would call a "tease show" today. "Honky Tonk" would be one of those songs playing in the background. Doggett's music is what I would call "grunt & grind", perfect mood music (no singing) all instrumentials. If this CD doesn't take you back to the early, early 1950's, nothing will. Thanks again Steve & Max.
Bill Doggett will forever by remembered for what is perhaps the instrumental hit of the 1950s, "Honky Tonk." Doggett probably did more to popularize the organ as an instrument in rock and pop than any other artist. Before striking out on his own in 1951, Doggett worked with the likes of Jimmy Mundy, Lucky Millinder, the Ink Spots, Lionel Hampton and Louis Jordan (he replaced Wild Bill Davis in Tympani Five). The tracks in this collection are the best of the recordings that he made for the King record label between the years 1954 and 1959 -- and his biggest singles ("Honky Tonk," "Slow Walk," "Ram-Bunk-Shush" and "Hold It").
The Very Best of Bill Doggett Honky Tonk,Bill Doggett,Collectables,Oldies,Organ (Hammond),Piano,Pop,R&B,Soul-Jazz,Swing,United States of America
Average customer rating:
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The Very Best of Bill Doggett Honky Tonk
Bill Doggett Manufacturer: Collectables ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00023P4OW Release Date: 2004-06-08 |
Tracks:
- High Heels
- Gumbo
- Quaker City
- Shove Off
- Squashy
- Honky Tonk, Pt. 1
- Honky Tonk, Pt. 2
- Leaps and Bounds
- Peacock Alley
- Slow Walk
- Big Boy
- Ram-Bunk-Shush
- Ding Dong
- Hot Ginger
- Hammer Head
- Shindig
- Flying Home
- Hold It
- Rainbow Riot
- Scott's Bluff
- High and Wide
- Floyd's Guitar Blues
- Monster Party
- Zee
- Yocky Dock
Album Description
Bill Doggett will forever by remembered for what is perhaps the instrumental hit of the 1950s, "Honky Tonk." Doggett probably did more to popularize the organ as an instrument in rock and pop than any other artist. Before striking out on his own in 1951, Doggett worked with the likes of Jimmy Mundy, Lucky Millinder, the Ink Spots, Lionel Hampton and Louis Jordan (he replaced Wild Bill Davis in Tympani Five). The tracks in this collection are the best of the recordings that he made for the King record label between the years 1954 and 1959 -- and his biggest singles ("Honky Tonk," "Slow Walk," "Ram-Bunk-Shush" and "Hold It").Customer Reviews:
It doesn't get much better than this!.......2006-03-20
With the first notes of the guitar, Max will start drolling, and reminiscing about his youth back in Indiana when the carnivals or fairs would come to his town. Back then every carnival would have that special tent where inside ladies would disrobe, what we would call a "tease show" today. "Honky Tonk" would be one of those songs playing in the background. Doggett's music is what I would call "grunt & grind", perfect mood music (no singing) all instrumentials. If this CD doesn't take you back to the early, early 1950's, nothing will. Thanks again Steve & Max.
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