The mother of all jazz vocal groups is not really a jazz vocal group at all. As if their 11 Grammy nominations in seven categories don't underscore that point enough, Take 6's 10th album is a collection of well-known pop hits from the '60s, '70s, and '80s, all with a spiritual message. Their complex vocal harmony arrangements, like that on the traditional tune "Wade in the Water," have always attracted the attuned ear of jazz fans, while also bringing in people who like gospel, funk, and pop. Even hip-hoppers recognize how the group has influenced the neo-soul movement with fresh sounds like those on "Fragile" and "A Lovely Day." The composers of the tunes on Beautiful World, which was co-produced by the group and bassist Marcus Miller, are as familiar as the songs themselves: Stevie Wonder, Curtis Mayfield, Donny Hathaway, Sting, Peter Gabriel, and Donald Fagen. The result is perhaps the most accessible Take 6 album to date. Even taking into consideration their varied history and lofty record sales, Beautiful World is a remarkable disc. --Mark Ruffin
Product Description
The Grammy winning vocal group takes on excellent renditions of songs by Curtis Mayfield, Peter Gabriel, Sting, and Bill Withers. The album features guest artists David Sanborn, Marcus Miller, and Lalah Hathaway. 13 tracks.
Beautiful World,Take 6,Warner Bros / Wea,Adult Contemporary,Gospel,Gospel/Christian Music,Pop,R&B,Smooth Jazz,Urban
Average customer rating:
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Beautiful World
Take That Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000KGGB2A Release Date: 2006-12-04 |
Tracks:
- Reach Out
- Patience
- Beautiful World
- Hold On
- Like I Never Loved You at All
- Shine
- I'd Wait for Life
- Ain't No Sense in Love
- What You Believe In
- Mancunian Way
- Wooden Boat
From Amazon.co.uk
It's been a long ten years since Take That disbanded. Their recent reformation and world tour offered overwhelming evidence that, far from being forgotten, the post-Robbie quartet can still command hysterical amounts of goodwill and adoration. Beautiful World illustrates why this is so. Written in conjunction with songwriter/producer John Shanks (Ashlee Simpson, Anastacia, Alanis Morissette), the album is crammed full with the songwriting magic that made their rise to fame so meteoric in the first place. Far from being an exercise in nostalgia, the project moves the band in a slightly new direction. The four come across as more mature, more democratic (all members share songwriting credits on the album, rather than just Barlow), and even more adept at making epic pop that somehow avoids the cheese factor. Lead single "Patience" is a perfect example of how powerful and accessible their songs can be. It'd be a good contender for the album's peak moment if the rest of the tracks weren't so damn good too. With traditional Take That style songs (the immediately likeable "Reach Out", the brimming "Like I Never Loved You At All"), nicely punctuated up by incongruous outings like Jason Orange's folkish "Wooden Boat" and Mark's upbeat, Beatles-esque "Shine", Beautiful World sets a whole new standard for a band previously known more for their singles than their long-players.--Danny McKennaAlbum Details
After a Hugely Successful Reunion Tour which Saw them Play to Over Half a Million People, Take that Unveil their First Single and Studio Album for Over Ten Years. These Will Follow the #1 Dvd Release that Captured the Magic of their 32-date Sell-out UK Tour, Including Footage of their Triumphant Homecoming Show in Manchester. Hot on the Heals of their Stunning Single `patience', Take That's Fourth Studio Album `beautiful World' (Their First in Ten Years) features Writing Contributions from Each Member of the Band.Customer Reviews:
Beautiful World.......2007-05-25
I wouldn't have been caught dead listening to a boy band!!.......2007-05-02
Uh...sort of.
After hearing Patience I was hooked and this album is great. Age and experience has served them well.
Take That, welcome back...for good!.......2007-04-30
The greatest boy band of our time Take That have returned with a big bang.
Beautiful World is That's 4th studio recorded album, not counting the compilations. It's a nice collection of mellowed-down ballads along with some foot-stompers and crowd-pleasers.
The Manchester boys have grown up. It's been 10 years since the time Gary Barlow, Mark Owen, Howard Donald, and Jason Orange announced that they were parting ways -Robbie Williams ditched the band months earlier and ended up being the most successful of them all, he does not return to the lineup this time around (it's his loss really). The overall feel and sound of World reflects the boys' maturity and self assurance. It also symbolizes the first time the boys share songwriting duties: Gary Barlow isn't the sole writer, Mark, Howard, and Jason all are credited; Jason debuts as a lead singer on the fantastic album closer Wooden Boat.
The album opens up with the breathtaking Reach Out, a beautiful ballad and future single, that reminds us why we loved Take That in the first place. The UK Number 1 singles Patience and Shine are simply awesome, the latter written and sung with conviction by Mark is probably one of the best pop songs I've heard in a long time, while the former is sung by Gary with such an infectious passion; Patience is technically Gary's first hit single in about a decade. Mark's Shine is the most upbeat song on the album with a beat that is similar to ELO's Mr. Blue Sky, with Beatlesque harmonies and an incredible chorus; the music video to Shine includes references to The Beatles' Your Mother Should Know video. Howard's radio friendly self-reflective Mancunian Way, a potential single, is a cool song that will eventually grow on you after a couple of listens, while the feel-good title track, Beautiful World, features one of the best harmonies the boys have ever produced. Gary's lovely ballads Ain't No Sense In Love, another potential single, Like I Never Loved You At All, and the first group effort I'd Wait For Life produce a nostalgic sense of how great it was being a fan of Take That in the 90's. Mark's What You Believe In is an elusive bluesy pop-rock number. Finally, Jason Orange's breakthrough Wooden Boat is a country influenced acoustic number (Jason actually has learned to play guitar and write songs over the 10 years that passed), and turns out to be one of the highlights on World. There's also a bonus track that appears shorty after Boat fades out titled Butterfly, a sweet catchy ballad written by Gary.
Beautiful World might not be as great as Everything Changes or Nobody Else, and Take That might not be as young and exciting as they were once. The album does lack the typical Take That dance and upbeat tracks along with the piano-driven ballads that made past efforts much more balanced. However, their return with this album deserves a very warm welcome. I'm sure the fans will agree!
So I will end by saying: Take That, welcome back...and hopefully, for good this time!
Track Picks:
Reach Out
Patience
Beautiful World
Shine
Mancunian Way
Ain't No Sense In Love
Wooden Boat/Butterfly
Recommended
B+
Not The Best.......2007-03-28
I have all The Cd's They put out and This New One STINKS! compared to the rest, doesn't even sound like them
Best Ever Yet! Must have!.......2007-03-18
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A Beautiful World
Robin Thicke Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006XMU1 Release Date: 2003-04-15 |
Tracks:
- Oh Shooter
- Suga Mama
- Flowers In Bloom
- When I Get You Alone
- Stupid Things
- I'm 'A Be Alright
- Brand New Jones
- Vengas Con Migo
- Flex
- Make A Baby
- Lazy Bones
- Cherry Blue Skies
Amazon.com
Comparisons generally stink, but sometimes they're so obvious that they're inevitable. So it is with L.A. native and blue-eyed soul man Robin Thicke. Equal parts Remy Shand and Jamiroquai--though funkier than the former and less knuckleheaded than the latter--Thick's Cherry Blue Skies staggers through the speakers with moxie to spare. Opening track "Oh Shooter"--which finds Thicke drawling lazily while tires screech in the background--is a bait-and-switch for what's to come. By "Sugar Mama," Thicke is outfitted in the proverbial white suit and fedora, slinking around the edges of the groove and wailing in a falsetto like some funk-soul cat from the '70s. Levity plays an essential role in the formula, too; "Make a Baby" is as silly a love song as its title suggests, and "When I Get You Alone" steals wholesale from Walter Murphy's disco-era novelty hit, "A Fifth of Beethoven." But the dance floor is only one destination in Thicke's view. Earnest ballads also appear (notably, the sweetly sentimental, minor-chord lament "The Stupid Things"), and one is again inclined toward another comparison, this time to Stevie Wonder. Funky, jazzy soul-pop, with a touch of salsa in "Vengas Con Migo"; that's as accomplished as it is welcoming. --Kim HughesCustomer Reviews:
Smooth...................2007-05-14
Had to get it.......2007-04-21
A New Favorite!!!.......2007-04-12
I LOVE THICKE.......2007-03-28
WOW.......2007-03-21
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Harem
Sarah Brightman , and Frank Peterson Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008W2QZ Release Date: 2003-06-10 |
Tracks:
- Harem
- What A Wonderful World
- It's A Beautiful Day
- What You Never Know
- The Journey Home
- Free
- Mysterious Days
- The War Is Over
- Misere Mei
- Beautiful
- Arabian Nights
- Stranger In Paradise
- Until The End Of Time
- You Take My Breathe Away
Amazon.com
If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulleyAmazon.com
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More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
harem .......2007-05-28
New to Sarah Brightman.......2007-03-12
Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30
No voice like hers in the world.......2006-10-01
Brilliant Brightman, Her best CD........2006-09-18
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John Rutter Collection
Rutter , Cambridge Singers , and London Sinfonia Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LIEZ Release Date: 2002-11-12 |
Tracks:
- For The Beauty Of The Earth
- The Lord Is My Shepherd
- All Things Bright And Beautiful
- Shepherd's Pipe Carol
- The Lord Bless You And Keep You
- Open Thou Mine Eyes
- My True Love Hath My Heart (From Birthday Madrigals)
- Esurientes (From Magnificat)
- Gloria Patri (From Magnificat)
- Out Of The Deep (From Requiem)
- Pie Jesu (From Requiem)
- What Sweeter Music
- A Choral Fanfare
- A Prayer Of St. Patrick
- O Be Joyful In The Lord
- Behold, The Tabernacle Of God
- O Praise The Lord Of Heaven
- A Gaelic Blessing
- Angel's Carol
- Matthew, Mark, Luke And John (From Five Childhood Lyrics)
- Sing A Song Of Sixpence (From Five Childhood Lyrics)
- Go Forth Into The World In Peace
Customer Reviews:
John Rutter Collection is glorious!.......2007-07-23
John Rutter Collection.......2007-02-19
Typically gorgeous Rutter.......2005-12-20
Wonderful!.......2005-12-03
To sample Rutter's best music, this is the one........2005-06-30
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No More Beautiful World
Roger Clyne & the Peacemakers Manufacturer: Emmajava Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N8UXUQ Release Date: 2007-03-20 |
Tracks:
- Hello New Day
- Bottom Of The Bay
- Maybe We Should Fall In Love
- Contraband
- Good Squad
- Wake Up Call
- World Ain't Gone Crazy
- Lemons
- Noisy Head
- Andale
- Plenty
- Junebug In July
- Winter In Your Heart
- Hourglass
Customer Reviews:
Feels Good.......2007-07-10
Peacemakers with a twist...of lime.......2007-06-29
Buy it. You'll question the direction on the first pass and love it on the second.
The Peacemakers are making the most significant, organic contribution to new rock music in America today. If you doubt it, go see a concert: anywhere. You will be amazed
Not Giving Up Yet...but I Continue to Hope for Better.......2007-06-22
rcpm.......2007-06-21
Great Stuff.......2007-05-21
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Baby Galileo
Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A59Z1 Release Date: 2003-07-22 |
Tracks:
- Orchestra Tune-Up
- Symphony, No. 6, (Pastorale), Op. 68, 5th Movement
- Clarinet Concerto in A, K. 662, 3rd Movement
- Piano Concerto, No. 21 in C, K. 467, 2nd Movement
- Symphony, No. 8, (Unfinished), D. 849, 1st Movement
- Clarinet Concerto in A, K. 622, 1st Movement
- Sleeping Beauty Waltz, Op. 66
- Serenade, No. 13 in G, (Eine Kleine Nachtmusik), K. 525
- Serenade No. 13 in G, (Eine Kleine Nachtmusik), K. 525
- Nocturne in Eb, No. 2, Op. 9
- Symphony, No. 41, (Jupiter), K. 551
- Twinkle, Twinkle
- Piano Sonata, No. 14 in C#, (Moonlight), Op. 27, No. 2
- Prelude No. 7 in A, (The Polish Dance), Op. 28
- On the Beautiful Blue Danube, Op. 314
- Variations On (Ah Vous Dirai-Je, Maman), K. 265-300e
- Preludes Book II, (Clair de Lune)
- Symphony, No. 9 in E (New World), 2nd Movement
- Nocturne in F#, No. 2, Op. 15
- Waltz, No. 15, (Lullaby)
Product Description
The Baby Galileo Concert for Little Ears music CD is an enchanting 20-track, 39:53-minute concert celebrating the wonder of your baby's day from the first light of dawn until bedtime with stars twinkling overhead. Engaging scores from classical composers like Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Dvorak and Brahms immerse you and your little one in playful musical portraits. The Baby Galileo Concert for Little Ears music CD features some of the classical scores heard in Baby Galileo Discovering the Sky video. Charming themes from master composers are re-orchestrated for little ears by the Baby Einstein Music Box Orchestra.Musical Selections:The Day Sky Suite* Orchestra tune-up* Symphony No. 6, ?Ç£Pastorale?Ç¥, Op. 68, 5th Movement, Beethoven* Clarinet Concerto in A, K.622, 3rd Movement, Mozart* Piano Concerto No. 21 in C, K.467, 2nd Movement, Mozart* Symphony No. 8, ?Ç£Unfinished?Ç¥, D.849, 1st Movement, Schubert* Clarinet Concerto in A, K.622, 1st Movement, Mozart* Sleeping Beauty, Op. 66, Waltz, Tchaikovsky* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 1st Movement, Mozart* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 4th Movement, Mozart* Nocturne In Eb, Op. 9, No. 2, Chopin* Symphony No. 41, ?Ç£Jupiter?Ç¥, K.551, MozartThe Night Sky Suite* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Piano Sonata No. 14 in C#, ?Ç£Moonlight?Ç¥, Op. 27 No. 2, Beethoven* Prelude No. 7 in A, ?Ç£The Polish Dance?Ç¥, Op. 28, Chopin* On the Beautiful Blue Danube, Op. 314, Johann Strauss, Jr.* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Preludes Book II, ?Ç£Clair de Lune?Ç¥, DebussyAge: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2003)* iParenting Media Best Products for 2004 (2004)Customer Reviews:
Baby loves this music!.......2007-02-17
Baby Galileo Review.......2006-03-18
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Best of the Millennium: Top 40 Classical Hits
Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004GOZA Release Date: 2000-02-08 |
Tracks:
- Adagio In G Minor
- Jesu, Joy OF Man's Desiring
- Moonlight Sonata - Adagio sostenuto
- March Of The Toreadors (Carmen)
- Celebrated Minuet
- Polovtsian Dance No. 1 (Prince Igor)
- Cradle Song
- 'Minute' Waltz
- Suite Bergamasque: Clair de Lune
- Largo
- Pomp And Circumstance March No. 1
- Rhapsody In Blue - Andante And Finale
- Peer Gynt Suite: Morning
- Messiah: Hallelujah Chorus
- Liebestraum
- Cavalleria Rusticana: Intermezzo
- A Midsummer Night's Dream: Wedding March
- 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
- The Great Gate Of Kiev
Tracks:
- Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
- Orpheus In The Underworld: Cancan
- Carmina Burana - O Fortuna
- Canon In D
- Lietenant Kije Suite - Troika
- Turandot: Nessun dorma
- Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
- Bolero - Conclusion
- The Tale Of Czar Sultan: Flight Of The Bumblebee
- William Tell Overture - Finale
- Carnival Of The Animals: The Swan
- Gymnopedie No. 3
- Ave Maria
- Blue Danube Waltz
- Thus Spake Zarathustra - Sunrise
- Firebird Suite - Finale
- 1812 Overture - Finale: 1812 Overtune - Finale
- Fantasia On 'Greensleeves'
- Anvil Chorus (II Trovatore)
- The Four Seasons - Largo From 'Winter'
- Die Walkure: Ride Of The Valkyries
Amazon.com
For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason VerlindeCustomer Reviews:
Waste of money.......2006-01-12
Ken
Great Music Compilation.......2005-08-15
If you like classical music don't buy this CD........2005-03-11
A must for anyone wanting the staples of classical music.......2005-02-23
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.
A great compilation.......2005-02-09
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Beautiful World
Take That Manufacturer: Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000K9L32U Release Date: 2006-12-04 |
Tracks:
- Reach Out
- Patience
- Beautiful World
- Hold On
- Like I Never Loved You at All
- Shine
- I'd Wait for Life
- Ain't No Sense in Love
- What You Believe In
- Mancunian Way
- Wooden Boat
From Amazon.co.uk
It's been a long ten years since Take That disbanded. Their recent reformation and world tour offered overwhelming evidence that, far from being forgotten, the post-Robbie quartet can still command hysterical amounts of goodwill and adoration. Beautiful World illustrates why this is so. Written in conjunction with songwriter/producer John Shanks (Ashlee Simpson, Anastacia, Alanis Morissette), the album is crammed full with the songwriting magic that made their rise to fame so meteoric in the first place. Far from being an exercise in nostalgia, the project moves the band in a slightly new direction. The four come across as more mature, more democratic (all members share songwriting credits on the album, rather than just Barlow), and even more adept at making epic pop that somehow avoids the cheese factor. Lead single "Patience" is a perfect example of how powerful and accessible their songs can be. It'd be a good contender for the album's peak moment if the rest of the tracks weren't so damn good too. With traditional Take That style songs (the immediately likeable "Reach Out", the brimming "Like I Never Loved You At All"), nicely punctuated up by incongruous outings like Jason Orange's folkish "Wooden Boat" and Mark's upbeat, Beatles-esque "Shine", Beautiful World sets a whole new standard for a band previously known more for their singles than their long-players.--Danny McKennaAlbum Description
2006 'reunion' album from one of the UK's best selling boybands. Their first album in over 10 years, Beautiful World reunites four of the five original members including leader/songwriter Gary Barlow (the fifth member, international solo superstar Robbie Williams was invited but graciously declined). 11 tracks including the single 'Patience'. Polydor.Album Details
After a Successful Reunion Tour which Saw them Play to Over Half a Million People, Take that Present their First Single and Studio Album in Over Ten Years. They Follow the #1 Dvd Release that Captured the Magic of their 32-date Sell-out UK Tour, Including Footage of their Triumphant Homecoming Show in Manchester. Hot on the Heels of their Stunning Single "Patience", their Fourth Studio Album features Writing Contributions from Each Member of the Band. (And Robbie, the Light is Still for Ya....)Customer Reviews:
Great Music.......2007-07-14
Tkae That takes it.......2007-05-09
It was definitely worth the wait.......2007-04-30
Take That, welcome back...for good!.......2007-04-29
The greatest boy band of our time Take That have returned with a big bang.
Beautiful World is That's 4th studio recorded album, not counting the compilations. It's a nice collection of mellowed-down ballads along with some foot-stompers and crowd-pleasers.
The Manchester boys have grown up. It's been 10 years since the time Gary Barlow, Mark Owen, Howard Donald, and Jason Orange announced that they were parting ways -Robbie Williams ditched the band months earlier and ended up being the most successful of them all, he does not return to the lineup this time around (it's his loss really). The overall feel and sound of World reflects the boys' maturity and self assurance. It also symbolizes the first time the boys share songwriting duties: Gary Barlow isn't the sole writer, Mark, Howard, and Jason all are credited; Jason debuts as a lead singer on the fantastic album closer Wooden Boat.
The album opens up with the breathtaking Reach Out, a beautiful ballad and future single, that reminds us why we loved Take That in the first place. The UK Number 1 singles Patience and Shine are simply awesome, the latter written and sung with conviction by Mark is probably one of the best pop songs I've heard in a long time, while the former is sung by Gary with such an infectious passion; Patience is technically Gary's first hit single in about a decade. Mark's Shine is the most upbeat song on the album with a beat that is similar to ELO's Mr. Blue Sky, with Beatlesque harmonies and an incredible chorus; the music video to Shine includes references to The Beatles' Your Mother Should Know video. Howard's radio friendly self-reflective Mancunian Way, a potential single, is a cool song that will eventually grow on you after a couple of listens. Gary's lovely ballad Ain't No Sense In Love, another potential single, and the first group effort I'd Wait For Life produce a nostalgic sense of how great it was being a fan of Take That in the 90's. Mark's What You Believe In is an elusive bluesy pop-rock number. Finally, Jason Orange's breakthrough Wooden Boat is a country influenced acoustic number (Jason actually has learned to play guitar and write songs over the 10 years that passed), and turns out to be one of the highlights on World. There's also a bonus track that appears shorty after Boat fades out titled Butterfly, a sweet catchy ballad written by Gary.
Beautiful World might not be as great as Everything Changes or Nobody Else, and Take That might not be as young and exciting as they were once. The album does lack the typical Take That dance and upbeat tracks along with the piano-driven ballads that made past efforts much more balanced. However, their return with this album deserves a very warm welcome. I'm sure the fans will agree!
So I will end by saying: Take That, welcome back...and hopefully, for good this time!
Track Picks:
Reach Out
Patience
Shine
Ain't No Sense In Love
Mancunian Way
Wooden Boat/Butterfly
Recommended
B+
Take That all grown up!.......2007-03-09
"Beautiful world" sees them ditching the youthful pop sound of their past, in favour of a more adult rock/pop format, resulting in the strongest album of their career. All four guys pitch in lyrically and vocally. The album has already topped the UK album charts and sold over 1.2 million in the UK.
Opening is the sunny, upbeat "Reach out" with tight 60s sounding harmonies a-la Beach Boys, Beatles and Simon & Garfunkel (something showcased throughout this CD) and a catchy sound. In a similar vein is the floaty titletrack "Beautiful world".
Lead off single (and UK #1) "Patience" is a brilliant Beatles-like mid tempo charmer with a towering feel. With an even stronger Beatles feel is the upbeat "Shine", currently #1 in the UK. Need I mention the excellent harmonies?
A real surprise comes in the folk ballad "Wooden boat" with brilliant lyrics. The soaring piano ballad "I'd wait for life" is a real winner (great instrument build up towards the end). However, the melancholic "What you believe in" has got to be the best Take That ballad ever. Awesome!!
Take That are back, and all grown up!
Average customer rating:
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD |