Can't Slow Down is probably Lionel Richie's best solo album, full of songs that would become hits--"All Night Long (All Night)," "Running with the Night," "Penny Lover," and "Hello." Like all of Richie's best music, the vocals are spare and the choruses inviting, with each track falling somewhere between straight-up pop and smoochy R&B. --Courtney Kemp
Can't Slow Down,Lionel Richie,Motown / Pgd,Pop,R&B,Soul/R & B,Soul/Reggae/Rhythm & Blues
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Can't Slow Down
Lionel Richie Manufacturer: Motown ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001AJ6 Release Date: 1990-10-25 |
Tracks:
- Can't Slow Down
- All Night Long (All Night)
- Penny Lover
- Stuck On You
- Love Will Find A Way
- The Only One
- Running With The Night
- Hello
Amazon.com
Can't Slow Down is probably Lionel Richie's best solo album, full of songs that would become hits--"All Night Long (All Night)," "Running with the Night," "Penny Lover," and "Hello." Like all of Richie's best music, the vocals are spare and the choruses inviting, with each track falling somewhere between straight-up pop and smoochy R&B. --Courtney KempCustomer Reviews:
a motown classic from the '80s.......2007-07-10
Good for an 80's album........2007-03-25
No Need To Slow Down.......2007-02-10
lionel will always be a classic artist to me.......2007-01-05
"The only one": Great song!.......2006-11-10
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Authentic George Gershwin, Vol. 1-4
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001Z2RSC Release Date: 2004-08-24 |
Tracks:
- Swanee
- Come To the Moon
- I Was So Young (You Were So Beautiful)
- Tee-Oodle-Um-bum-Bo
- Nobody But You
- Limehouse Nights
- Drifting Along With The Tide
- Rhapsody In Blue
- Oh Lady Be Good!
- Fascinating Rhythm
- Hang On To Me
- I'd Rather Charleston
- The Man I Love
- The Half Of It, Dearie, Blues
- So Am I
- Kickin' The Clouds Away
- Concerto In F
Tracks:
- Sweet And Low-Down (I)
- That Certain Feeling (I)
- Looking For A Boy
- When Do We Dance?
- Sweet And Low-Down (II)
- That Certain Feeling (II)
- Irish Waltz
- Do, Do, Do
- Someone To Watch Over Me
- Clap Yo' Hands
- Maybe
- Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
- Meadow Serenade
- My One And Only
- 'S Wonderful/Funny Face
- He Loves And She Loves
- An American In Paris
- Liza
- Strike Up The Band
- Embraceable You
- I Got Rhythm (I)
- I Got Rhythm (II)
Tracks:
- Of Thee I Sing
- Jilted
- Second Rhapsody
- For You, For Me, For Evermore
- Cuban Overture
- Isn't It A Pity?
- Variations On 'I Got Rhythm'
- I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
- II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
- III. Fugue: Murder Of Crown, Act III Scene 1
- IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
- V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
- They Can't Take That Away From Me
- Let's Call The Whole Thing Off
- Our Love Is Here To Stay
Tracks:
- Girl Crazy Overture
- French Ballet Class
- Dance Of The Waves
- Slap That Bass
- Walking The Dog
- I've Got Beginner's Luck
- They All Laughed
- They Can't Take That Away From Me
- Shall We Dance
- By Strauss
- I Can't Be Bothered Now
- The Jolly Tar And The Milkmaid (1st Version)
- Put Me To The Test
- The Jolly Tar And The Milkmaid (2nd Version)
- Stiff Upper Lip
- A Foggy day (In London Town)
- Nice Work If You Can Get It
- Things Are Looking Up
- I Was Doing All Right
- Love Walked In
Customer Reviews:
Excellent performer.......2007-03-09
I'm fascinating.
A unique project.......2006-11-23
Gershwin historical, manic, perfect, archival.......2006-06-12
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.
Definative.......2005-07-23
Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.
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Can't Slow Down
Saves the Day Manufacturer: Equal Vision Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000BIB5 Release Date: 1998-08-11 |
Tracks:
- Deciding
- The Choke
- Handsome Boy
- Blindfolded
- Collision
- Three Miles Down
- Always Ten Feet Tall
- Nebraska Bricks
- Seeing It This Way
- Hot Time In Delaware
- Houses And Billboards
- Obsolete
- Sometimes, New Jersey
- Jodie
Customer Reviews:
Still not through being cool.......2006-05-17
Anyway this cd isnt as creative as its sophomore release, "Through Being Cool," but its still saves the day, and it is still amazing. More of the hardcore edge like their even earlier recordings (featured on "ups and Downs" cd, where Chris was still only 16 when they recorded a few of those songs), and by going in order, each saves the day record gets moderatly slower with each release, with the exception of Sound The Alarm, which is yet another milestone for STD by the way. Nonetheless, this cd is catchy and worth whatever you spend on it.
Can you say LIFETIME??.......2005-08-15
Oldest album a must-buy.......2004-06-17
just no words to describe this.......2004-02-08
my favorite song would have to be BLINDFOLDED it has the best lyrics in it and also the other great ones are: Deciding, the choke handsome boy, collision, three miles down (sexy acoustic song), always ten feet tall, Hot time in Deleware, Obsolete, and Jodie and many more hah thats like all of them though but its cause they are all soo well put together. so please buy this youll be happy
EVERY SONG has something that is worth listening to whether it has a good lyrical lyric that is cool to hear or some good guitar part oh and the bass on here is pretty amazing stuff
chris makes everything sound super no matter how he says it
and i guess this is the order i would get the saves the day albums and this is the order of my favorite
1. Through Being Cool
2. Can't Slow Down
3. Stay What You Are (this can be switched with #2 also)
4. In Reverie (it is still very good you know
AND i couldnt rate i'm sorry im leaving because i DONT have it!! ahhh i need it
but there is really just no words to describe this and i know i am repeating myself but i cant think of anything else to say just that it is nothing short of a beautiful album it really is all of it its about 30 minutes but it is soo well done
buy it you WILL NOT be disappointed
Disappointing.......2003-12-31
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Can't Slow Down
Lionel Richie Manufacturer: Motown ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008LOQH Release Date: 2003-05-06 |
Tracks:
- Can't Slow Down
- All Night Long (All Night)
- Penny Lover
- Stuck On You
- Love Will Find A Way
- The Only One
- Running With The Night
- Hello
- All Night Long (All Night) (12-Inch Version)
- Penny Lover (7-Inch Single Remix)
- All Night Long (All Night) (Instrumental - 12-Inch B-Side)
- Running With The Night (Instrumental - 12-Inch B-Side)
Tracks:
- Can't Slow Down
- Ain't No Sayin' No
- Tell Me
- All Night Long (All Night)
- Penny Lover
- Stuck On You
- Can't Find Love
- Love Will Find A Way
- The Only One
- The Groove (Interlude)
- Running With The Night
- Hello
- Bonus Track 1
Customer Reviews:
CAN'T SLOW DOWN, LIONEL RICHIES MAGNUM OPUS, WHAT A CAREER LIONEL ONCE HAD....................2007-01-26
NOT THAT GREAT.......2007-01-20
So Many Things Wrong With This, I Don't Know Where To Begin!.......2006-03-02
Secondly, there are only so many versions of "All Night Long" I can stand on one album before I get really sick of the song and we have 3 of them here. Disc 2 is totally redundant and is full of fillers. The only redeeming track is "Tell Me" for me and only because it shows me what the great track "Please Hold On" written by David Foster and performed so brilliantly by Chicago on their album "17" sounded like as a rough idea that was demo-ed by Lionel Richie. Listen to "Please Hold On" by Chicago and you'll know what I mean about how much better the final product is that started out as the skeleton track "Tell Me".
Save your money folks because Disc 2 is truly forgettable and unnecessary unless you have money to burn. I really hope they remaster this album again properly without the bonus fillers and perhaps package it in a mini-lp sleeve on one disc; that's the only way they will do justice to this otherwise classic album and by far Lionel Richie's best solo work.
Final recommendation: not worth the money; get the normal one disc version that's out there.
One Of The Best Remastered Albums.......2006-02-25
An R&B/Pop masterpiece, and one of my all-time favorites........2005-09-29
"All Night Long" was the very first Lionel Richie track I can remember hearing (I was a year-and-a-half old when it was released in late 1983). Because of that, I consider it to be his signature song. "Hello" also captured my fancy; one would think that such a young child would not be interested in it, but I certainly was. Mr. Richie's earnest and friendly vocal performance, coupled with the wonderful melodies and chords, made this track very memorable for me.
"Stuck on You" is another very earnest track, which took me a while to warm up to. It is in the key of F-major, which always left me with an almost sad, bittersweet feeling whenever I heard such a song. But it's chorus hook and guitar hook after each chorus always stayed with me.
I've saved my absolute favorite track for last: "Running With the Night," which is my all-time favorite Lionel Richie track. Not only is it completely danceable, but I love the fact that it was written in the key of A-minor, the one key with which I usually associate many of my favorite early-'80s tracks.
The title track is my favorite non-single; it is a shame that it was not released as a single. To read in the liner notes of this new edition the excitement and energy felt by Mr. Richie when he first wrote and then cut the track makes it all the more shameful that such exhuberant effort was not given the exposure it deserved. Oh well. It is still a killer track.
The audio re-mastering is absolutely superb; it is punchy, gutsy, and warm, which really gets you "into" the music at high volume levels. Appropriately, I was taking an internship as an audio engineer at the time of this edition's release. If only all re-mastered albums sounded this good.
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The Authentic George Gershwin, Vol. 1-3
Manufacturer: White Line ProductGroup: Music Binding: Audio CD ASIN: B00000I85Q Release Date: 1995-10-17 |
Tracks:
- Swanee
- Come To The Moon
- I Was So Young (You Were So Beautiful)
- Tee-Oodle-Um-Bum-Bo
- Nobody But You
- Limehouse Night
- Drifting Alone With The Tide
- Rhapsody In Blue
- Oh Lady Be Good!
- Fascinating Rhythm
- Hang On To Me
- I'd Rather Charleston
- The Man I Love
- The Half Of It, Dearie, Blues
- So Am I
- Kickin' The Clouds Away
- Con in F
Tracks:
- Tip-Toes: Sweet And Low-Down (I)
- Tip-Toes: That Certain Feeling (I)
- Tip-Toes: Looking For A Boy (I)
- Tip-Toes: When Do We Dance? (II)
- Tip-Toes: Sweet Low-Down (II)
- Tip-Toes: That Certain Feeling (II)
- Irish Waltz (Three-Quarter Blues)
- Oh, Kay!: Do,Do,Do
- Oh, Kay!: Someone To Watch Over Me
- Oh, Kay!: Clap Yo' Hands
- Oh, Kay!: Maybe
- Three Prlds: No. 1, Allegro Ben Ritmato E Deciso/No. 2, Andante Con Moto/No. 3, Allegro Ben Ritmato
- Strike Up The Band: Meadow Serenade
- Funny Face: My One And Only
- Funny Face: 'S Wonderful/Funny Face
- Funny Face: He Loves And She Loves
- An American In Paris
- Show Girl: Liza
- Strike Up The Band: Strike Up The Band
- Crazy Girl: Embraceable You
- Crazy Girl: I Got Rhythm (I)
- Crazy Girl: I Got Rhythm (II)
Tracks:
- Of Thee I Sing Ov
- Jilted
- Second Rhapsody
- For You, For Me, For Evermore
- Cuban Ov
- Isn't It A Pity?
- Vars On 'I Got Rhythm'
- Porgy And Bess Ste (Catfish Row): I. Catfish Row: Intro-Jasbo Brown (Complete)...
- Porgy And Bess Ste (Catfish Row): II. 'I Got Plenty O' Nuthin''...
- Porgy And Bess Ste (Catfish Row): III. Fugue: Murder Of Crown, Act III Scene I
- Porgy And Bess Ste (Catfish Row): IV. Hurricane: Intro, Act II Scene 3...
- Porgy And Bess Ste (Catfish Row): V. Good Morning, Brother...
- They Can't Take That Away From Me
- Let's Call The Whole Thing Off
- Our Love Is Here To Stay
Customer Reviews:
'Swonderful and Fascinatin'.......2001-09-24
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Can't Slow Down (Deluxe Edition)
Lionel Richie Manufacturer: Universal ProductGroup: Music Binding: Audio CD ASIN: B00006BGYR Release Date: 2002-09-16 |
Customer Reviews:
very Happening Album.......2005-08-17
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Can't Slow Down
Jerry Williams Manufacturer: Stockholm ProductGroup: Music Binding: Audio CD ASIN: B000MG2LAO Release Date: 2007-01-08 |
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Can't Slow Down
Saves the Day Manufacturer: Jvc Victor ProductGroup: Music Binding: Audio CD ASIN: B00005L9C6 |
Tracks:
- Deciding
- Choke
- Handsome Boy
- Blindfolded
- Collision
- Three Miles Down
- Always Ten Feet Tall
- Nebraska Bricks
- Seeing It This Way
- Hot Time in Delaware
- Houses and Billboards
- Obsolete
- Sometimes, New Jersey
- Jodie
Album Details
Japanese Version featuring a Bonus Track
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All I Got
Saga T.C. Manufacturer: SAGA T.C. ProductGroup: Music Binding: Audio CD ASIN: B000CA985Q Release Date: 2005-10-04 |
Tracks:
- Intro
- Follow Me - Feat. Brenda Simpson
- Pay the Price- Feat. Mary Roland
- All I Got
- On Da Inside- F.C. Madness
- What's Life...
- I Don't Know- F.C. Madness
- Throwin' Down
- You Are
- Cry- Feat. Lyle Simpson
- Melodic
- My Brotha & Me
- Lil' Brotha- Feat. D.C.
- I'm Gon' Fly- Feat. Mr. Cory & Desire'e Baker
Christian Music:
- Car Wash: Original Motion Picture Soundtrack [Original recording remastered] [Soundtrack]
- Cee-Lo Green and His Perfect Imperfections
- Chronicles [Box set]
- City High
- Devotion
- Ecstasy
- Essential Tops
- Eternal
- Everybody Plays the Fool: The Best of the Main Ingredient
- For Lovers Only
Christian Music
Get a Move On [CD-single] [Import]
It's Hard (+4 Bonus Tracks) [Original recording remastered]
El Disco Que Se Ve/Ya No Llores Mas [Special Edition]
Hyphy/In Love With a Hood Rat [CD-single]