Trouble Man [Original recording remastered] [Soundtrack]

Amazon.com
Two phenomenons of early-'70s soul--Marvin Gaye and the soundtracks of blaxploitation flicks--met on this 1972 souvenir of the violent Robert Hooks vehicle. Unlike Curtis Mayfield's concurrent Superfly, however, Gaye's record mostly fails to rise above the clichés of film music. Save for the pained, dramatic title single and a few moments of sax-and-wah-wah strutting, much of what's here fails to touch Mayfield's song suite. That's ironic, given that Gaye bookended Trouble Man with two conceptual triumphs, What's Going On and Let's Get It On. His fans, and students of the genre, won't find this a total disappointment, but with "Trouble Man" itself available on a number of best-of CDs, it's inessential. --Rickey Wright

Trouble Man,Marvin Gaye,Motown / Pgd,Blaxploitation,Motown,Pop,R&B,Soul,Soul/R & B,Soul/Reggae/Rhythm & Blues,Soundtrack

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Average customer rating: Amazon reviewer is an idiot... Bizarre Amazon Review 6 stars minimum Self-Contradicting Review By The Gentleman Under Me This is setup for big bands/jazz lovers alike

Trouble Man Marvin Gaye Manufacturer: Motown ProductGroup: Music Binding: Audio CD Classic R&B | R&B | Styles | Music General | R&B | Styles | Music Motown | R&B | Styles | Music General | Soul | R&B | Styles | Music Quiet Storm | R&B | Styles | Music General | Soundtracks | Styles | Music CDs $7 - $10 | R&B General | R&B | Today's Deals in Music | Formats | Music All Bargain Titles | R&B General | R&B | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classic R&B | R&B | Today's Deals in Music | Formats | Music All Bargain Titles | Classic R&B | R&B | Today's Deals in Music | Formats | Music CDs $7 - $10 | Motown | R&B | Today's Deals in Music | Formats | Music All Bargain Titles | Motown | R&B | Today's Deals in Music | Formats | Music CDs $7 - $10 | Quiet Storm | R&B | Today's Deals in Music | Formats | Music All Bargain Titles | Quiet Storm | R&B | Today's Deals in Music | Formats | Music CDs $7 - $10 | Soul General | Soul | R&B | Today's Deals in Music | Formats | Music All Bargain Titles | Soul General | Soul | R&B | Today's Deals in Music | Formats | Music $7.99 and Under | Blowout Music | Stores | Music R&B | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 R&B | 4-for-3 Music | Stores | Music 4-for-3 Soundtracks | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: I Want You Here, My Dear Trouble Man Black Caesar The Mack ASIN: B0000060NH Release Date: 1998-04-07

Tracks:

1. Main Theme Form Trouble Man
2. 'T' Plays It Cool
3. Poor Abbey Walsh
4. The Break In (Police Shoot Big)
5. Cleo's Apartment
6. Trouble Man
7. Theme From Trouble Man
8. 'T' Stands For Trouble
9. Main Theme From Trouble Man
10. Life Is A Gamble
11. Deep-In-It
12. Don't Mess With Mister 'T'
13. There Goes Mister 'T'

Amazon.com

Two phenomenons of early-'70s soul--Marvin Gaye and the soundtracks of blaxploitation flicks--met on this 1972 souvenir of the violent Robert Hooks vehicle. Unlike Curtis Mayfield's concurrent Superfly, however, Gaye's record mostly fails to rise above the clichés of film music. Save for the pained, dramatic title single and a few moments of sax-and-wah-wah strutting, much of what's here fails to touch Mayfield's song suite. That's ironic, given that Gaye bookended Trouble Man with two conceptual triumphs, What's Going On and Let's Get It On. His fans, and students of the genre, won't find this a total disappointment, but with "Trouble Man" itself available on a number of best-of CDs, it's inessential. --Rickey Wright

Customer Reviews:

Amazon reviewer is an idiot..........2007-06-12

Yeah, the Amazon reviewer is a moron. I suggest you listen to this album. And Amazon, who the f*** is this dope? He never listened to the record. Hope he didn't get paid, since he's a fraud. This is just as good as the other albums he recommends.

Bizarre Amazon Review.......2006-09-10

I'm with the previous reviewer, did the amazon reviewer actually listen to this?
This a fantastic record. It stands strongly with the other two mentioned.
I tracked it down for myself on cassette in the early 90's, the finally got it on vinyl - now CD. I gets better and better, upon repeated listenings, it is satisfying on so many levels - there is a real unfolding emotional intensity in this album.

Curtis Mayfield and Marvin Gaye were on totally different orbits, just listen to any of their other works for comparison. In my opinion Mayfield, whilst catchy, went the route of James Brown for soundtracks i.e. did their usual stuff, but for soundtrack.

Soundtracks are all about incidental music too, you know! Gaye created atmosphere.

6 stars minimum.......2006-03-05

Marvin Gaye is one of the most gifted and visionary talents of the popular black music ever launched by Motown. Through out his disturbed music career, Marvin released plenty of great albums:
'what's going on', 'Let's get it on' and more releases, yet 'Trouble man' stands apart.

Marvin released this soundtrack in the early 70, and came out with one that ranked right alongside with Isaac Hayes in 'Shaft'.
More, this album is soul consistant from beginning to end.
Any new artist playing soul music today, Marvin Gaye's 'Trouble man' is the roots to all.

If you are into soul music and don't own 'trouble man', your music collection is missing biiiig time.

Self-Contradicting Review By The Gentleman Under Me.......2005-03-24

I'm glad the previous reviewer called the Amazon "expert" on his disparagement of Trouble Man, but I winced when he himself put Marvin's oeuvre down (with the exception of Trouble Man). I am comforted, however, by the fact that in the self same sentence in which he dismissed Marvin's other albums, he lauded this one for the very things that make the other albums magnificent works of art. My friend, do thine self a favour and give albums like 'Here, My Dear', 'Let's Get It On', 'I Want You', 'Vulnerable' et al a good spin. You'll swallow your words. That I promise you.

This is setup for big bands/jazz lovers alike.......2005-01-08

People called this a jazz album but some people would say "Y'know this ain't a jazz is more a funk-R&B album with less jazz". I think a lot of people shouldn't understand that this is Marvin's first doing an entire album for a blaxploitation film. I think I love this album so much (originally own it on LP but not on CD). The CD of it should wait. Like 4 instance, what if Marvin used his style as a jazz singer or a crooner leading the big bands and stuff. What if he was the next Quincy Jones, Miles Davis, Duke Ellington, Frank Sinatra, Nat King Cole, or whatever.

Maybe we should have jazz guru Bobby McFerrin do the part of it. I think everybody would be proud if we would've stay a little longer and made this album 33 years 2day. If ya'll like to hear more jazz like this, I recommend u should pick up Quincy Jones' Walking in Space, Grover Washington, Jr.'s The Best of Grover Washington, Jr., Jon B.'s Bonafide, Miles Davis' Kind of Blue, Quincy Jones' Q's Jook Joint, Body Heat, Sounds & Stuff Like That, Common's Like Water for Chocolate, Resurrection, One Day It'll All Make Sense, Prince's Musicology, Regina Belle's Lazy Afternoon, Barry White's All-Time Greatest Hits, Ronny Jordan's The Antidote, The Roots' Things Fall Apart, The book Insatiable by Allison Hobbs and definitely some styles from Chet Baker, Duke Ellington, Count Basie, Charlie Parker, John Coltrane, Miles Davis again, Gil Evans, Dizzy Gillespie, Freddie Hubbard, GRP All-Star Big Band (my favorite band of all-time), and many others u can see. Highly recommended.

Average customer rating: Music Man One of This Country's Finest Musicals Beautifully Re-Mastered We need a new remaster, nonetheless Accept no substitutes! Preston and Cook are the best ever

The Music Man (1957 Original Broadway Cast) [Angel Reissue] Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Similar Items: My Fair Lady (1956 Original Broadway Cast) South Pacific (Original 1949 Broadway Cast) Camelot (1960 Original Broadway Cast) West Side Story (1957 Original Broadway Cast) Guys & Dolls: A Decca Broadway Original Cast Recording (1950 Original Broadway Cast) ASIN: B000002SNL Release Date: 1992-11-17

Tracks:

1. Act I. Overture/Rock Island - Vern Reed
2. Act I. Iowa Stubborn - Ensamble
3. Act I. Ya Got Trouble - Robert Preston/Ensemble
4. Act I. Piano Lesson - Barbara Cook/Pert Kelton
5. Act I. Goodnight My Someone - Barbara Cook
6. Act I. Seventy-Six Trombones - Robert Preston
7. Act I. Sincere - Buffalo Bills
8. Act I. The Sadder But Wiser Girl For Me - Robert Preston
9. Act I. Pick-A-Little, Talk-A-Little - Asnia Rice, Peggy Mondo, Elain Swann, Helen Raymond, Martha Flynn, Robert Preston
10. Act I. Goodnight Ladies/Marian The Librarian - Robert Preston, Buffalo Bills
11. Act I. My White Knight - Barbara Cook
12. Act I. Wells Fargo Wagon - Eddie Hodges, Ensemble
13. Act II. It's You - Buffalo Bills
14. Act II. Shipoopi - Iggie Wolfington, Ensemble
15. Act II. Lida Rose/Will I Ever Tell You? - Buffalo Bills, Barbara Cook
16. Act II. Gary, Indiana - Eddie Hodges
17. Act II. Till There Was You - Barbara Cook, Robert Preston
18. Act II. Finale - Robert Preston, Barbara Cook, Ensemble

Amazon.com

Although Robert Preston and Barbara Cook put in stellar performances, it's the music that's the star of this hugely successful document of the 1958 Broadway smash. Written entirely by Meredith Willson, it drew from memories of his childhood in a small Midwestern town. Preston plays a traveling salesman/con artist, while Cook is the dull spinster "Marian the Librarian," whose love for Preston's character makes her come alive. "Seventy-Six Trombones" has become a marching band standard, while "Ya Got Trouble" (featuring dizzying fast-talk from Preston) and "'Til There Was You" (with a gorgeous vocal from Cook) remain well known even among those who have never seen the show. The latter was also a favorite of the Beatles, who covered it on their first album. --Dawn Eden

Customer Reviews:

Music Man.......2007-02-09

The original cast recording brings back the memory of the live production I saw which will always be superior, in my opinion, to the movie version. However, the movie was one of the better "reproductions" of this genre.

One of This Country's Finest Musicals Beautifully Re-Mastered.......2006-11-23

THE MUSIC MAN opened on Broadway on December 19, 1957 to rave reviews from the critics, adulations from the captivated audiences, and the beginning of a long run. This wondrous musical is an 'opera' of sorts in that the piece is not a series of songs connected by the usual musical comedy spoken dialogue. Meredith Willson wrote the music and lyrics in such a way that there is not an extraneous note or word that doesn't contribute to the totality of the work.

Despite the multiple reincarnations of this brilliant show both on film and recording, none of them compares to this original cast. Imagine Barbara Cook (lithe, and new) as Marian the Librarian: Cook still reigns as one of our finest voices on the stage and cabaret rooms today. Robert Preston is not only rich in personality he also delivers the immensely complex patter songs with deft authority. And the Buffalo Bills add the multiple barbershop quartet numbers with authentic sound and professionalism.

This musical holds all of the joys and imaginations and longings that we all hold so dear in our memories of how things used to be - and it is so terrific to return to that stage of ecstasy again. This is a must own CD. Grady Harp, November 06

We need a new remaster, nonetheless.......2006-10-22

A very interesting photo on the liner booklet's back cover demonstrates the one real flaw in this otherwise classic recording: it shows Robert Preston at the album sessions singing at two mikes, a fat Neumann with a Capitol flag and a skinny one, probably an AKG. This can only mean Capitol recorded this in simultaneous mono and stereo takes. With all that knob twiddling the balance had to go off, a problem not entirely corrected by the reissue engineer Bob Norberg, whose remasterings of Ol' Blue's Capitol mono output have earned scorn from some Sinatraphiles for their slight fake echo and stereo effects. (He remastered just about every album in the Broadway Angel series; the monos all appear to have the echo and stereo.) I guess we should be happy to have this in any form at all given how the other majors turned it down. Capitol was late and indifferent to the cast album trade, and it only had three hits before making its monumental closing botch of "Follies." However the label approached it it's still a great and exciting score perfectly performed. Who could have imagined a hit musical with a barbershop quartet? And if only all women could sing like Barbara Cook! Who says you can have too much of a good thing?

With the show's fiftieth anniversary coming up (!) now would be a good time for a remaster. (I know, I know, I'm tired of paying repeatedly for the same product too, but this deserves it.) It should include a second disc with the 1959 Capitol documentary LP "And Then I Wrote 'The Music Man'", where Meredith Willson and his wife Rini detail the eight years of trials and rewrites behind the show. Nor would it hurt to have bonuses like Willson's original take on "Till There Was You" (called "Till I Met You," which Fran Warren evidently first sang on "The Big Show") or a few licensed pop balladeers of the day -- and maybe examples like the 70s jingle for the late lamented Oldsmobile ("Oh ho the new Oldsmobile is a -- comin' down the line...."). It must also include Willson's contentious JFK physical fitness tune "Chicken Fat", recorded about the time "The Music Man" was filmed and available only on oddball Web music sites, where Preston yells and grunts himself into an athletic -- passion. (I keep thinking Allan Sherman recorded a full version of his notorious parody "76 Sol Cohens", but I guess he didn't.) The whole thing should end with a live public-radio performance from 1980 or 1981 where Willson led the superb Detroit Concert Band in "76 Trombones" and "The Stars and Stripes Forever" -- an apt and brilliant finish.

No, I have not forgotten the Beatles, but I fear neither have their lawyers.

Accept no substitutes!.......2006-08-22

This the best version of "The Music Man" available, especially if you're looking for the Broadway cast. The performances here are all terrific, the recording and mastering are great, and the liner notes are informative and thorough. "The Music Man" is available in several other versions and forms, including other releases of the same original cast recording, but without the good mastering or liner notes found here. My wife and I, hoping to listen to this great show with our kids, first purchased other versions that were easier to find (e.g., on iTunes) and those were major disappointments. Buy this CD (Broadway Classics from Angel) and accept no substitutes.

Preston and Cook are the best ever.......2006-07-15

Yes, the film is a delight, and Shirley Jones is certainly good as Marian. But the original cast album of this wonderful musical remains the best version ever, mostly thanks to Barbara Cook, whose voice was and remains a miracle of rare device to listen to.

For years I thought I was the only person who was in love with her voice, wearing out vinyl LPs of this musical with replaying. Then, in the early 80s I saw Cook in a one woman show in London, and discovered I was part of a fanatical following! The other reviews here on Amazon confirm the truth: there is only one truly great Marian, Madam Librarian.

Watch the movie, which is a terrific adaptation of the stage show, go to professional and amateur revivals of the musical, but buy this recording of the score for repeated listening. There is nothing better.

Average customer rating: A great introduction to the art of Placido Domingo This is really the best. If you like Placido at all, you must have this CD. Rare And Great Domingo Classics A real Bobby Dazzler

Very Best of Placido Domingo Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Paris Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music Similar Items: Placido Domingo: A Love Until The End Of Time Bravo Domingo Perhaps Love The Domingo Songbook The Best of the Three Tenors ASIN: B000083GOJ Release Date: 2003-04-22

Tracks:

1. Ill Mio Tesoro
2. Un'aura Amorosa
3. Dies Bildnis Ist Bezaubernd Schon
4. La Ci Darem La Mano
5. Vani Sono I Lamenti...Svegliatevi Nel Core
6. Pays Merveilleux...O Paradis
7. Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
8. Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
9. None But The Lonley Heart
10. Lensky's Aria
11. Donna, Non Vidi Mai (Manon Lescauy Act, II)
12. Ah, Manon, Mi Tradisce
13. Dammi I Colori...Recondita Armonia
14. E Lucevan Le Stelle (Tosca, Act III)
15. Ch'ella Mi Creda (La Fanciulla Del West, Act III)
16. Dai Campi, Dai Prati (Mefistofele, Act I)
17. Virgini Muse...Quando Al Soave Anelito
18. O Sink Hernieder, Nacht Der Liebe
19. Was Am Besten Er Kann...Hoho! Hohei!

Tracks:

1. Se Quel Guerrier Io Fossi!...Celeste Aida
2. Su, Profetessa...Di Tu Se Fedele
3. Forse La Soglia Attinse...Ma Se M'e Forza Perderti
4. O Tu Che In Seno Agli Angeli
5. Su, Cacciator...Fontainebleau!...
6. Niun Mi Tema
7. Ach, Wie So Herrlich Zu Schau'n
8. Sckenkt Man Sich Rosen In Tirol
9. Gern Hab'ich Die Frau'n Gekusst
10. O Vaterland...Da Geh'ich Zu Maxim
11. Dein Ist Mein Ganzes Herz
12. Mi Aldea
13. Cancion Del Sembrador
14. No Puede Ser
15. Serenata
16. Copillas De Belen
17. Coplas Del Pastor Enamorado
18. En Aranjues Con Tu Amor
19. Jealousy Tango
20. La Golondina

Amazon.com

Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith Eisler

Customer Reviews:

A great introduction to the art of Placido Domingo.......2007-07-04

Placido Domingo, of course, is one of the finest tenors of the latter part of the 20th century. This 2 CD set well captures his talent, showing the range of his singing. We hear cuts from Puccini and Verdi to Tchaikovsky and Wagner to Strauss and Handel. And even a traditional Spanish sung and some operetta thrown in for good measure!

This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:

"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.

From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.

From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.

And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.

Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.

Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.

Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.

Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.

So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.

This is really the best........2007-05-16

I have many of Mr. Domingo's recordings but I really love this one. He seems to get better with age. Some of the songs are on some of my other recordings but they seem new and fresh on this CD. I really think this is the best of Placido Domingo.

If you like Placido at all, you must have this CD........2005-04-06

Placido Domingo has been around for so long, it is easy to take this great artist for granted. I totally agree with the previous reviews of this album; I can also say that I had the opportunity to hear him live in concert on April 2, 2005 in Biloxi, Mississippi, and his voice is still stunning. His opening aria that night was the prayer from El Cid, "O Souverain," which he dedicated to the memory of Pope John Paul II. This piece is the 8th selection on CD 1, and is from a 1997 live recording. His thrilling finish blew me away when I listened to it the first time, and and the crowd on the recording reacts the same way the Mississippi audience did when we heard him. That aria alone is worth the price of this CD set.

Rare And Great Domingo Classics.......2005-03-08

EMI's "The Very Best Of" series is a wonderful way for the opera lover/novice or even connoisseur in training to get acquainted with the great singers of opera in the 20th century. It is possible that in a few years, the great singers of today (from the 90's up to now and further into the future) will grace the album covers of The Very Best Of...The Very Best Of Renee Fleming, The Very Best Of Salvatore Licitra, etc. This is not exactly the best of Domingo. It is more of a collection of rare and wonderfully expressive arias from operas that range all over the map- Mozart, Verdi, Puccini, Wagner, Meyerbeer, Gounod, Massenet. Now, here's the reason why so many people adore Domingo, myself included - Domingo is a Renaissance Opera Tenor. He has sung almost every tenor role in the opera universe. Even if he is, to some, the "tenor who sang with Pavoratti in the three tenors" he proves he's the strongest of the bunch, the most dedicated, the most prolific and most artistic. Domingo has a beautiful voice, with secure high register and dark, masculine middle chest voice and exciting dramatic electricity! He's sung more than 50 operas, in addition operetta and Spanish Zarzuela (the Spanish equivalent to musicals or operetta which is where he got started and his parents sung in Zarzuela) and he has also recorded Spanish mainstream love songs for Latin audiences. A winner of Grammies, an actor in movies about operas that he starred in (Tosca, La Traviata, Otello) and the most active tenor on tv broadcasts, he is just incredible and powerful.
He is a great force in opera.

Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......

A real Bobby Dazzler.......2004-02-19

Fans of Mr. Domingo would be lucky to find a selection of music that more profoundly explores and exhibits the diversity of his vocal ability and interpretation than is offered on these two discs. Delicious displays of Mozart, ringing renditions of the most challenging high Italian roles, powerfully rounded accounts of some of the heavy German/Russian repetoir, and some noticably nostalgic songs from the light Spannish tradition provide an impressive catalogue of the great man's rich, focussed, technically impecable and singularly beguiling vocal talent. Those who are yet to form an opinion on any particular genre of the operatic spectrum would do well to start here, so eclectic is this album. Also, you might be reassured to know that, should you become an admirer of P.D.'s talent as a result of listening to this compilation, (it is difficult to resist), you will have no trouble finding other recordings by him. A record-breaker with more than 110 roles to his repetoir (40 is a respected total for an opera singer), he is the most recorded tenor in history, leaving more than 80 complete accounts to date of operas in the Italian, French, German and Russian traditions.

Average customer rating: One of Weill's best American scores! I love it!! Can we get someone to put this label back in stock? Powerful performance,historically significant "THE MOST MOVING MUSIC AND SACRIFICE OF A NATION

Lost In The Stars (1949 Original Broadway Cast) Maxwell Anderson , and Alan Paton Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Street Scene: An American Opera A Tree Grows In Brooklyn (1951 Original Broadway Cast) Allegro (1947 Original Broadway Cast) Lady In The Dark (1997 Original London Cast) Knickerbocker Holiday ASIN: B000002OGX Release Date: 2001-05-15

Tracks:

1. Hills Of Ixopo
2. Thousands Of Miles
3. The Train To Johannesburg/Reprise: Thousands Of Miles/The Search
4. The Little Gray House
5. Who'll Buy/Trouble Man
6. Murder In Parkwold/Fear
7. Lost In The Stars
8. O Tixo, Tixo, Help Me
9. Stay Well
10. Cry, The Beloved Country
11. Big Mole/Chapel Scene
12. A Bird Of Passage/Reprise: Thousands Of Miles

Customer Reviews:

One of Weill's best American scores!.......2005-10-16

`Lost in the Stars' and `Johnny Johnson' are two Broadway shows scored by Kurt Weill in collaboration with Maxwell Anderson and Paul Green respectively for the librettos, both in English. Both are distinguished works and both were, I believe, fairly popular when they were first performed. What these two works have in common is that they are both works aimed at our social conscience.

`Johnny Johnson' is a mildly anti-war play dealing with America's entering the First World War, written in the mid 1930s, when Germany was already uncomfortable for Jews, but not yet on the brink of precipitating World War II. What is most interesting to me about the libretto is the reluctance of the principle character, Johnny, to enlist in the army, while his fiancée (contrary to many famous antiwar works of the past), is all in favor of his enlisting and threatens to break their engagement if he does not enlist. As a work of art, I believe the work is more interesting as a milepost in American antiwar sentiments than as an important artistic work for either the composer or the lyricist. To my ear, there is not a single song from this work that finds its way into the repertoire of balladeers. This is from a composer who has given us `September Song', `Speak Low', `Lost in the Stars', `Saga of Jenny', and `Lonely House', not to mention all the great songs from his German works such as `Mack the Knife' and `Pirate Jenny'. On top of this, there is my feeling that much of the instrumental music sounds very similar to earlier German works, especially `Mahagonny'.

`Lost in the Stars' is based on Alan Paton's novel, `Cry, the Beloved Country' and was written after World War II, in 1948-1949, and has much of the musical interest of what is missing from `Johnny Johnson'. Throughout the play, the instrumental music is much less similar to earlier Weill works and all songs seem stronger. At least two of these songs, `Lost in the Stars', `Trouble Man' and `Stay Well' are often performed by Lotte Lenya and other vocalists. While it may be pushing it a bit, this work seems almost as strong as Gershwin's `Porgy and Bess'.

I bought both because I am a big fan of Kurt Weill's music, and I would recommend both recordings to any and all Weill enthusiasts, especially as both have extensive notes and complete librettos. But, to the person mostly interested in Broadway in general, I would recommend only `Lost in the Stars'.

I will say that the performances of both vocalists and orchestra are excellent on both; however the vocalists on `Lost in the Stars' seem to give just a little extra, possibly because their material is just a bit more substantial.

I love it!!.......2002-07-12

It is so easy to get some of these songs in your head...I love this soundtrack..

Can we get someone to put this label back in stock?.......1999-12-28

With great hope in the powerful amazon.com's Jeff Bezos, the person of the year by Time magazine, we wish you can urge someone to put this title back into circulation! I have sung the piece "Lost in the Stars" and was drawn by the wonderful music and intriguing lyrics. Is there a way to locate the music score of the soundtrack?

Powerful performance,historically significant.......1999-06-04

After 50 years the little snippet heard on this site brings back the original emotions.I would love to purchase this recording in any format. The original performance, a life-changing event for me as a young girl, is recaptured.

"THE MOST MOVING MUSIC AND SACRIFICE OF A NATION.......1999-06-01

I saw the oringinal Musical "Lost in the Stars", and have the 33 album. Would love to have a CD to play on my "modern" equipment. When Todd Duncan was asked to do the part of the "Efunsdi", he read the part and broke an existing contract to go into rehearsal. He said "I have to do this for my people." I was enthralled at the libretto and zest of the choreography. So when I hear the music I am taken right back to the Opera stage and see and hear the glorious presentation. Please put it back into circulation, or if someone out there has a copy (cd) I would love to talk to you about it. CT

Average customer rating: All hail the Queen of Early Music! An uplifting experience Mysterious Beauty The divine voice of Emma Kirkby

Emma Kirkby sings Handel, Arne, Haydn & Mozart Manufacturer: Decca ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande All Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Kirkby, Emma | ( K ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Handel, George Frideric | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Haydn, Franz Joseph | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The Emma Kirkby Collection Emma Kirkby - Handel Opera Arias / Goodman, Brandenburg Consort Vivaldi - Gloria · Nulla in mundo pax sincera · Nisi Dominus · Cantatas / Kirkby · Bott · Nelson · Watkinson · Bowman · Preston · AAM · Hogwood A Purcell Songbook [Australia] The Glories of Handel Opera ~ Kirkby · Sutherland · Tebaldi · Berganza · Horne · Bowman · Pavarotti ASIN: B000009DG1 Release Date: 1998-07-14

Tracks:

1. Alessandro Severo: Ouverture HWV A13 - George Frideric Handel
2. Britannia: Welcome Mars - George Frideric Handel
3. Dione: Pretty Warblers - George Frideric Handel
4. Hornpipe - George Frideric Handel
5. Rosamond: Rise, Glory, rise - George Frideric Handel
6. Ariodante: Ingrato Polinesso...Neghittosi or voi che fate?, HWV 33:41b - George Frideric Handel
7. Alcina: Credete al mio dolore, HWV 34:40 - George Frideric Handel
8. Alcina: Tornami a vagheggiar, HWV 34:15 - George Frideric Handel
9. March In D, HWV 345 - George Frideric Handel
10. Alexander's Feast: War, He Sung, Is Toil And Trouble, HWV 75:11 - George Frideric Handel
11. L'Allegro, il Penseroso ed il Moderato: Sweet Bird, HWV 55:11-12 - George Frideric Handel
12. Saul: Capricious Man, HWV 53:37 - George Frideric Handel
13. Comus: By The Rushy-Fringed Bank - George Frideric Handel
14. Comus: Brightest Lady - Thrice Upon Thy Finger's Tip - George Frideric Handel
15. The Tempest: Where The Bee Sucks There Lurk I - George Frideric Handel

Tracks:

1. The Creation: With Verdure Clad - Emma Kirkby
2. The Creation: On Mighty Pens - Emma Kirkby
3. Il re pastore, K208: Aer tranquillo e di sereni - Emma Kirkby
4. Il re pastore, K208: L'amero, saro costante - Emma Kirkby
5. Voi avete un cor fedele, K217 - Emma Kirkby
6. Ah, lo prvidi!, K272 - Emma Kirkby
7. Zaide, K344: Ruhe sanft, mein holdes Leben - Emma Kirkby
8. Zaide, K344: Trostlos schluchzet Philomele - Emma Kirkby
9. Nehmt meinen Dank, ihr holden Gonner!, K383 - Emma Kirkby
10. Ch'io mi scordi di te?, K505 - Emma Kirkby

Customer Reviews:

All hail the Queen of Early Music!.......2004-10-27

I had the pleasure recently of attending a recital with Miss Kirkby and Fretwork, here in Houston. I had heard of her, but wasn't all too familiar with her voice. Then, I decided a couple of days before the performance that I would buy one of her discs, for her to autograph. Honestly, I chose this two-disc recital because it had a nice picture of her, with space for her to autograph!

I am happy to say that I chose what is surely one of the most pleasant soprano recitals on the market. Her voice is essentially "white," as opposed to a full operatic voice with vibrato, etc. Nonetheless, what she does with this ample selection of music, esp. Mozart, is truly incredible.

Rise, Glory, Rise, as mentioned by at least one other reviewer, is nothing short of stunning. I like the way she sings, "Bid the drum, bid the drum," with much enthusiasm. The orchestration is spectacular baroque, with the expert conducting of Hogwood, who conducts on the entire recital. (I had the pleasure to hear him conduct Ariodante here in Houston a couple of seasons back, at HGO).

Speaking of Ariodante, there is an aria from that opera, as well as other Handel arias on the first disc. Now, those of us who cut our operatic teeth on Joan Sutherland or Beverly Sills may not appreciate Emma Kirkby at first. Being used to Joan's upward transpositions, interpolated high notes, and intricate cadenzas, it took a couple of listens to appreciate Kirby's rendition of Tornami a Vagheggar. We must remember that the Sutherland and Sills interpretations took lots of liberties that Handel didn't necessarily intend!

While I do enjoy the first disc, I relish the second disc from start to end. First, there are two arias from Haydn's Creation. The orchestration is sublime, and Emma calms us with her "cooing" in the second selection. Then comes Mozart, which fills the rest of the second disc. Kirby's L'amero, Saro Costante is a miracle. To give you an example, I have heard Leontyne Price's interpretation, and had previously dismissed hte aria as a bore. Kirkby, however, sounds so sweet and virginal, so much so that you can really picture a young lady singing about fidelity. The purity and exquisiteness of Kirby's singing will melt you.

Another joy is Voi Avete Un Cor Fedele. Kirkby isn't a coloratura fanatic like our beloved Sutherland,but when she does coloratura, it is enthralling. Here, she uses rapid coloratura, a la Cecilia Bartoli, to stunning effect.

It would have been easy to choose a lot of Mozart standard arias, like Matern aller Arten. However, Emma steers clear of those chestnuts on this recital, instead treating us to lesser-known works. Just when you start to settle in the second disc, she melts you again with arias in German, from one of Mozart's lesser-known operas. The first of these three arias moved me to tears. Words simply can't express the purity of her tone, and the tender care she lavishes on the text! Beguiling, to say the least.

Finally, there is Non Temerte, Amato Bene. I first heard this aria on a recently-issued two-disc recital of Teresa Berganza. While Berganza charms us with her warm tone and vibrato, Emma Kirkby's interpretation is no less valid.

Even if you don't particularly care for the current early-music revival, any lover of the human voice and operatic arias should buy this treasurable recital.

An uplifting experience.......2002-06-05

This is not a muscial review. That would be beyond my talents. No, this is a "spiritual" review and here is the reason. I had experienced a personal tragedy and turned often to music to revive my spirits and maintain my hope that things would right themselves in my life. Works such as Hayden's "Creation," Beethoven's "Fidelio," many of Bach's cantatas, Vivaldi's "Glorias," etc. Then I bought this CD. Immediately, I couldn't get enough of it. I felt uplifted everytime I listened, and it wasn't the same track each time that gave me that small feeling of joy that only music can provide. All is well again in my life and I continue to adore listening to this CD. For me, it was, and continues to be, magical.

Mysterious Beauty.......2001-11-19

Classical music is one of the greatest joys in life. Opera on the other hand, is often too melodramatic to stomach. But there is nothing more enchanting than an Aria. On this 2 CD set, Emma Kirkby sings in sweet exultation. Her voice expresses power and agility yet a limpid tranquility. Clarity is the greatest achievement of any musician. With the aid of precision accompaniment on period instruments, shameless perfection is delivered. She soothes the soul longing for beauty. Her marvelous Soprano is rendered on 25 tracks in this eclectic ensemble. If you are a champion of Handel or a devotee of Mozart, you should not hesitate to purchase this CD. Emma Kirkby will have you beaming with delight and pining for more. Surely it will be one of the brightest of your collection.

The divine voice of Emma Kirkby.......2000-06-07

An outstanding collection of Italian, German and English arias, beautifully sung by my favourite soprano voice Emma Kirkby - the diva of renaissance and baroque music. All the arias are enchanting, especially "Rise, Glory, rise" an aria from Arne's opera "Rosamond". The conducting and playing of Christopher Hogwood and his team of period-performance specialist The Academy of Ancient Music are as always superb.These are all arias to have one wanting to go back to the complete operas. Strongly recommended.

Average customer rating: Varèse Sarabande à son meilleur! A copy in every household . . . A sampler feat. some of the greatest film scores in history. "the man behind Varese Sarabande ~ Robert Townson"

In Session: Film Music Celebration Robert Townson , Joel McNeely Jerry Goldsmith , and Royal Scottish National Orchestra Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD All Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Newman | Newman, Alfred | ( N ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Waxman | Waxman, Franz | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music Star Trek | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Varese Sarabande 25th Anniversary Celebration Music In Film (National Public Radio Milestones Of The Millennium) The Essential Elmer Bernstein Film Music Collection Paramount 90th Anniversary Collection: Scores The Incredible Film Music Box ASIN: B00005ABOI Release Date: 2001-03-27

Tracks:

1. 2001
2. Rebecca
3. Citizen Kane
4. That Hamilton Woman
5. Anna and the King of Siam
6. Captain From Castille
7. A Streetcar Named Desire
8. Viva Zapata!
9. The Trouble With Harry
10. Peyton Place
11. Vertigo
12. The 7th Voyage of Sinbad
13. The Twilight Zone
14. Psycho
15. The 3 Worlds of Gulliver
16. Breakfast At Tiffany's
17. To Kill A Mockingbird
18. Marnie
19. Hamlet

Tracks:

1. The Agony and the Ecstasy
2. The Sand Pebbles
3. Who's Afraid of Virginia Woolf?
4. Born Free
5. Fahrenheit 451
6. Patton
7. Tora! Tora! Tora!
8. Jaws
9. Midway
10. Superman: The Movie
11. Star Trek: The Motion Picture
12. Somewhere In Time
13. Body Heat
14. Out of Africa
15. Platoon
16. Star Wars: Shadows of the Empire
17. Taras Bulba
18. Agony and the Ecstacy (Main Title) - Jerry Goldsmith, Royal Scottish National Orchestra
19. Sand Pebbles (Overture) - Jerry Goldsmith, Royal Scottish National Orchestra
20. Who's Afraid of Virginia Woolf? (Moon and Main Title) - Jerry Goldsmith, National Philharmonic Orchestra
21. Playtime [Born Free Dub Mix II] - Royal Scottish National Orchestra, Frederic Talgorn
22. Road [From Fahrenheit 451] - Joel McNeely, Royal Scottish National Orchestra, Seattle Symphony Orchestra
23. Patton (Entr'acte) - Jerry Goldsmith, Royal Scottish National Orchestra
24. Tora! Tora! Tora! (Main Title) - Jerry Goldsmith, Royal Scottish National Orchestra
25. Man Against Beast - Joel McNeely, Royal Scottish National Orchestra
26. Midway (Main Title and End Title) - Royal Scottish National Orchestra, Rick Wentworth
27. Superman The Movie (Love Theme) - John Debney, Royal Scottish National Orchestra
28. Enterprise [Star Trek: The Motion Picture] - Jerry Goldsmith, Royal Scottish National Orchestra
29. Somewhere in Time (Theme) - John Debney, Royal Scottish National Orchestra
30. Body Heat (Main Title) - The London Symphony Orchestra, Joel McNeely
31. Out of Africa (Main Title) - Joel McNeely, Royal Scottish National Orchestra
32. Platoon (Theme) - Georges Delerue
33. Shadows of the Empire (Xizor's Theme) [Star Wars] - Joel McNeely, Royal Scottish National Orchestra
34. Ride of the Cossacks [Taras Bulba] - Cliff Eidelman, Seattle Symphony Orchestra

Customer Reviews:

Varèse Sarabande à son meilleur!.......2003-04-17

Robert Townson célèbre ici le 500ème cd à être édité par Varèse Sarabande en créant une compilation receuillant les nombreux réengistrements que Varèse Sarabande sut faire au travers des dernières années. Regroupant du matériel de Jerry Goldsmith, Bernard Herrmann, John Williams, Alex North et plusieurs autres, In Session propose un parcours éclectique au travers des années de compositions de chacune des bandes sonores présentées au sein de la compilation. Le voyage commence à avec la musique rejetée de 2001 d'Alex North, pour faire un parcours passant par Rebecca, Citizen Kane (Félicitons ici le FABULEUSE voix de la soprano Janice Watson et la direction impécable de Joel McNeely), Viva Zapata!, Psycho, The Sand Pebbles, Patton, Jaws, Platoon (Autre musique rejetée du regreté Georges Delerue, pastiche du célèbre Adagio pour cordes de Samuel Barber), Star Wars: Shadows of the Empire (Musique composée par Joel McNeely pour le livre se déroulant entre The Empire Stricke Back et The Return of the Jedi) pour finalement clore avec Tara's Bulba. Il s'agit ici d'une sélection très riche, des morceaux d'une durée appréciable et d'une direction et d'une sonorité incroyable. Il s'agit ici d'un merveilleux cadeau de Robert Townson et Varèse Sarabande (Label qui célèbre en 2003 son 25ème anniversaire. Surveillez aussi la compilation de Varèse Sarabande (4 cds pour le prix de un!) qui verra le jour le 22 avril 2003) et c'est une compilation que toute personne sensible à la musique doit posséder! Chapeau Varèse!

A copy in every household . . ........2003-02-09

This disc is so chock-full of classic scores from classic films that every movie-and-music lover should own a copy. Thanks to Robert Townson for producing this collection and the entire Varese film score catalog. My favorite tracks from this disc are "Who's Afraid of Virginia Woolf"; "Star Trek: The Motion Picture"; and "Midway".

A sampler feat. some of the greatest film scores in history........2001-09-06

Words cannot convey what a collection like this means to a film music collector such as myself. Varese Saraband has been releasing quality film scores and music for the last 20 plus years. My vinyl and CD collections burst with so much great stuff from Varese. One day I was looking in the bins of my local record store and noticed this little gem of a collection. I looked at it and saw a virtual cornucopia of the great film score cues for only $ (and 2 discs). So I purchased it and opened it up. Much to my surprise, the booklet is chock full of information about each scoring session and pictures to boot. I also learned more about some of these wonderful pieces as well. Well thanks to Mr. Townson and this nice collection, I plan to purchase some of the recordings these cues were released on since I don't own classics like Viva Zapata, Alex North's 2001, Superman (not the Varese version, I do have the other release), and Patton. Guess I will have to save a few pennies, but it will be worth it. I recommend this collection to anybody who wants to discover and learn about the history of film music. I also think it's a great listen from the first song to the last on both discs. My compliments to Varese on a great collection of classics (and keeping it under $).

"the man behind Varese Sarabande ~ Robert Townson".......2001-04-06

The music that this label releases is without a doubt in a class by themselves, always perfection. Here we have the 500th CD release from ~ "The Man Behind The Music" ~ Mr. Robert Townson. So much care is taken with each album, that you feel you are witnessing the birth of a newborn baby, and that may be just what it is.

For those of us who buy each album ~ people who work to create them ~ the artwork ~ musicians ~ and a list of some of the most talented composers and conductors ~ John Barry, Elmer Bernstein, John Debney, Georges Delerue, Cliff Eidelman, Jerry Goldsmith, Bernard Herrmann, Michael Lang, Henry Mancini, Joel McNeely, Alfred Newman, Alex North, Miklos Rozsa, Dimitri Shostakovich, Frederic Talgorn, Franz Waxman, Rick Wentworth and John Williams ~ and as always the sound quality and performances by the Royal Scottish National Orchestra, Seattle Symphony Orchestra, London Symphony Orchestra and National Philharmonic Orchestra is dynamically flawless and simply superb.

This economically priced 2-CD-Set ~ pure film score sampling ~ is worth it's weight in gold. One should not have a favorite from this vast collection, but if asked ~ it would be "TO KILL A MOCKINGBIRD" (1962) composer Elmer Bernstein took it to the limit and beyond, the story-line, cast and score was the perfect marriage.

A big, big thank you to ~ Matthew Joseph Peak (cover/session photography) ~ Jonathan Allen, Geoff Foster, Bernie Kirsh, Mike Ross, Mike Sheady and Al Swanson (recording engineers) ~ Rich Breen (mastering engineer) ~ and for the extensive 28 page liner-note booklet featuring "behind the scenes" memories of these past 500 albums, may we look forward to future classics on the next 500 CD's from producer...ROBERT TOWNSON!

Total Time: Disc One 71:20 on 19 Tracks & Disc Two 71:24 on 17 Tracks...Varese Sarabande 302 066 225 2...(2001)

Average customer rating: As Always, Hilarious Spoof Odessey worth the laughs! better to be "Lost in Space" Stretched Thin Do the Math

Forbidden Broadway 2001: A Spoof Odyssey Manufacturer: Drg ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: Forbidden Broadway Cleans Up Its Act!: The Unoriginal Cast Recording, Volume 5 (1998 New York Cast) Forbidden Broadway, Vol. 8 - Special Victims Unit Forbidden Broadway (20th Anniversary Edition) Forbidden Broadway, Vols. 1-4 Forbidden Broadway Strikes Back!: Another Unoriginal Cast Recording, Volume 4 (1996 New York Cast) ASIN: B0000584UL Release Date: 2001-02-13

Tracks:

1. Forbidden Broadway 2001: Another Op'nin, 'Another Show
2. Futuristic Stewardess/Usherette: Come Fly With Me
3. Judi Dench: Why Can't The English?
4. Trouble In New Tork City: Trouble
5. The Music Man Revival 2001: Till There Was You
6. Cole Porter: You're The Top/From The Moment On
7. Kiss Me, Kate Revival 2001: Wunderbar
8. I Hate Ben - Marin Mazzie: I Hate Men
9. Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
10. Miss Saigon Farewell: Why God Why?
11. Saturday Night Fiasco: Stayin' Alive
12. Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
13. Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
14. Let's Run Times Square Again: Let's Do the Time Warp Again
15. Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
16. Beauty's Been Decreased: Beauty And The Beast
17. Being Lupone: Being Alive
18. Sondheim's Blues: Buddy's Blues
19. Streisand's Farewell Tour: Happy Days Are Here Again/Mame
20. Les Miz 2001 - Edith Piaf/Milord
21. Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
22. Elaborate Sets (Aida Cont.): Elaborate Lives
23. Angela Lansbury: I Don't Want To Know
24. The Full Monty: Let It Go
25. 76 Hit Shows: 76 Trombones
26. Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
27. Joseph And The Amazing High 'C': Any Dream Will Do

Customer Reviews:

As Always, Hilarious.......2007-05-03

This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.

Spoof Odessey worth the laughs!.......2002-04-14

I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.

Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.

Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)

The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!

better to be "Lost in Space".......2001-12-31

First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.

While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.

While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.

If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.

The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.

Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.

Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.

Stretched Thin.......2001-03-26

I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.

The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.

The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.

The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.

The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.

I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.

The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.

Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.

Do the Math.......2001-03-15

Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.

Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.

Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.

When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large

Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too

Average customer rating: A Collection of the Original Oz Stage Productions Ain't it a Shame! Why the 1903 "Wizard" was forgotten A long overdue revisit to a classic American musical Long-Forgotten Broadway Hit Gets First Rate Revival

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical Manufacturer: Original Cast Record ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: The Shirley Temple Storybook Collection: Land of Oz/The Reluctant Dragon The Wizard of Oz (1988 London Cast) The Wizard Of Oz In Concert: A Benefit Performance For The Children's Defense Fund (1996 Lincoln Center Cast) Shock Treatment (1981) The Wizard Of Oz: Original Motion Picture Soundtrack - The Deluxe Edition ASIN: B00009MPYQ

Tracks:

1. Wizard of OzSelection (Arthur Pryor's Band)
2. The Bullfrog and the Coon (Ada Jones)
3. Pocahontas (Edward M. Favor)
4. Daisy Donohue (Harry Tally)
5. Down on the Brandywine (Collins & Harlan)
6. Come Take a Skate with Me Sung (Collins & Harlan)
7. I Love You All the Time (Harry Macdonough)
8. The Moon Has His Eyes on You (Ada Jones)
9. When You Love, Love, Love (Thomas E. Whitbred)
10. When We Get Whats a-Comin to Us
11. Mister Dooley Sung (Edward M. Favor)
12. Julie Dooley (J. W. Myers)
13. Meet Me Down at the Corner (Jones & Spencer)
14. Budweisers a Friend of Mine (Billy Murray)
15. Theres a Lot of Things You Never Learn at School (Bob Roberts)
16. Under a Panama (Billy Murray)
17. Good Bye Fedora (Collins & Harlan)
18. Sitting Bull (Collins & Harlan)
19. I Love Only One Girl in this Wide Wide World (Harry Macdonough)
20. Sammy (Harry Macdonough)
21. The Tale of a Stroll (Morgan & Stanley)
22. Cant You See Im Lonely? (Ada Jones)
23. Are You Sincere? (Byron G. Harlan)
24. Hurrah for Baffins Bay (Collins & Harlan)
25. Football (Dan W. Quinn)
26. Id Like to Go Halves in That (Burt Shepard)
27. Rejoice!The Wizard is No Longer King
28. The Traveler and the Pie
29. Must You? (Dan W. Quinn)
30. Thats Where She Sits All Day (Dan W. Quinn)
31. The Sweetest Girl in Dixie (Henry Burr)
32. Scarecrow Laugh (Fred Stone)

Tracks:

1. Sammy Mira (Music Box Disc)
2. Must You? (Mira Music Box Disc)
3. Opening Prayer
4. Phantom Patrol
5. Just a Simple Girl from the Prairie
6. Poppy Song
7. Love is Love
8. When We Get What's A-Comin' to Us
9. The Traveler and the Pie
10. When You Love, Love, Love
11. Rejoice! The Wizard is No Longer King
12. Phantom Patrol (Aeolian Piano Roll)
13. My Little Maid of Oz Aeolian Piano Roll
14. The Tik-Tok Man of OzSelection (Rythmodik Piano Roll)
15. The Tik-Tok Man of OzSelection (Piano Roll)
16. Ask the Flowers to Tell You (Macdonough & Dunlap)
17. My Beautiful Dream Girl (John Barnes Wells)
18. My Pretty Little Piece of Dresden China (Bessie Wynn)
19. Gay Paree (Montgomery & Stone)
20. Travel Travel Little Star (Montgomery & Stone)
21. A Scotch Moriah (Montgomery & Stone)
22. Hurrah for Baffins Bay (Dan W. Quinn)
23. Daisy Donohue (Trombone Solo by Arthur Pryor)
24. Mr. DooleyMedley (Xylophone Solo J. Frank Hopkins)
25. Down on the BrandywineMedley (Edison Military Band)
26. The Bullfrog and the CoonMedley (Six Brown Brothers)
27. Ill Take You Back to Italy (Ada Jones & Billy Murray)
28. Father Goose Songs (Sallie Osbourne)

Album Description

The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

The show was legendary for its success and its impact on American culture. It was the Cats or Les Mis of the early 1900s--but the show has been swallowed by history. What made audiences of the early 1900s devour the show and return for more again and again? In this unprecedented 2-CD set—featuring over 145 minutes of vintage recordings and 64 pages of lyrics, photos, notes and synopsis—you can discover how The Wizard of Oz entertained the American public for the first two decades of the 20th century. And like the audiences of nearly a hundred years ago, you can hum along to "Budweiser," "Sammy," and "Hurrah for Baffin's Bay"—everyone's favorite songs from The Wizard of Oz! Also included in this comprehensive collection are recordings from later Oz musicals, The Woggle-Bug and The Tik-Tok Man of Oz written by Oz creator L. Frank Baum, as well as vintage non-Oz recordings by original "Wizard of Oz stars" Montgomery & Stone and Bessie Wynn

Customer Reviews:

A Collection of the Original Oz Stage Productions.......2006-12-07

This Double-Disk Collection contains music from the original and varied Oz Stage Productions: "the Wizard of Oz", "the Woggle-Bug" (based on 'Marvelous Land of Oz) and "the Tik-Tok Man of Oz" (based on 'Ozma of Oz'). There are plenty of "Wizard" songs and music, but there isn't a lot of "Woggle-Bug" and/or "Tik-Tok Man".
I often wondered how different the 1st & Original Production of 'Oz Wizard' was different to the book, and thanks to Mark Evan Schwartz's book "Oz: Before the Rainbow" I found out for myself (WORTH A READ!!). Later I got this CD to go along with the book's stage telling (more or less) and I listened in interest to the songs which, I read, were entirely different to the future Musicals of Oz. The songs are good, but not all of them are actually completely restored to perfection, so the singing may/will sound somewhat muffled. Also, due to the time it was made (for some reason), the songs don't actually fit into the story (even the stage's rewritten story) and sound distant/unrelated. But there are songs that sound similar to the original story ("Rejoice! The Wizard is No Longer King"). CD 2's Track 3 has music played during Silent Oz Film "His Majesty, Scarecrow" on the MGM 3-Disk DVD.
The best thing about this CD Collection is the two booklets packaged along with the disks: the first (entitled "The Records") has writing on "What the Wizard Was" with a synopsis of the stage production story and "About the Recordings", a listing of all the songs on CD 1 (which are helpful for "Selection" Tracks not specifically named on the back) and notes on the songs like their origins and background. Booklet 2 (entitled "The Lyrics") has the words to the songs (in case you can't make out the words/want to sing-along). BOTH CDs include b&w photos of the actors, performance (few of which can be seen in "Oz: Before the Rainbow" book) and even reprints of a few illustrations made for the stage. The pictures are the best part of this purchase.
The Entirely Different Songs may not fit with the story, original or rewritten, but there's nothing really wrong with the music when one enjoys to what they're listening to.
I know that there is also another 'Oz on Stage' CD Collection called "Before the Rainbow" . . . hmmm, I wonder if I should get that too?

Ain't it a Shame!.......2006-05-20

I think that this is a wonderful album of HISTORICAL value. Not too many people know this, but "the wizard of oz" was made into a smash hit in 1903, but because all the history was BARELY in obscurity, hungry tiger press wanted to educate the blockheads in the world about this remarkable piece of history. that being said, david maxine collected all of the old material, such as Piano rolls (my especial favorite of all of them is "the poppy song", i LOVE the bass notes: "nnn-ded-deh mmmm-ded-deh"), and music boxes, and cylinders, and records!
however, it is quite a shame that that CRAPPY movie with judy garland pushed this lovely musical into obscurity. i would have liked to see it in my day, but it was already lost in darkness, but thanks to the highly DIGNIFIED people in the world, this cd is available!! BUY IT!!!! I *ORDER* YOU!!! YOU CANNOT BE DIGNIFIED WITHOUT THIS REPLACING YOUR "RAP" GARBAGE WITH THIS JEWEL!!!!

Why the 1903 "Wizard" was forgotten.......2004-03-20

This truly remarkable 2-disc collection of old cylinders, discs, music boxes and piano rolls explains why the 1903 musical version of "The Wizard of Oz" did not survive the early thirties. It wasn't because it was before its time or even of its time, but simply because it was way behind the times. Its producers resisted composer's Paul Tietjens' attempts to write plot-driven numbers. His contribution survives only in the incidental music preserved on piano rolls (and the most interesting element on this collection) linking very disparate and even incongruous vaudeville acts by various authors and performers that graced the stage during the musical's multi-decade run. In other words, Baum was telling a story and the songs were telling another... As fascinating as they are for historical reasons, those numbers are commonplace, mostly uninspired flash-in-the-tin-pan ditties, with timid syncopation and a stong reliance on musical clichés. There is not a single standard among them and not even a decent lyric where "fine" doesn't rhyme with "mine" and "love you" doesn't rhyme with "I do"- or even "I know you know I know you do", as happens more than once. As an assemblage of shtick pieces and ephemeral sentimental or nonsensical ditties, this collection cannot be topped and it represents a monumental effort. Without it and its very generous and informative liner notes, I would not have the same appreciation for the absolute genius of Victor Herbert's operettas ("Babes in Toyland" came out the same year) where the more memorable songs are plot-driven and introduced and linked by the most luscious, inventive and varied incidental music ever heard outside an opera house. This sort of unified concept would culminate in Jerome Kern's "Show Boat" and it remains a truth today that the integration of plot and music - reminiscent of opera - is the true secret of successful and perennial musicals, whatever the current idiom. This collection also makes one appreciate the complete originality of the Hollywood film for actually going back to Baum's books, entrusting the songs, lyrics and music to Harold Arlen, Yip Harburg and Herbert Stothart and scrapping the musical's colourful but checkered history (except for casting ex-vaudevillians as the main characters, of course!). Highly recommended for its nostalgia value, its irreplaceable rarities and a better understanding of the history of American popular music.

A long overdue revisit to a classic American musical.......2003-09-30

Although it was one of the most financially successful stage musicals of the early 1900's, very little information is presently available on the 1903 production of THE WIZARD OF OZ. In what was obviously a labor of love, David Maxine has done much to correct this oversight by releasing a 2-CD set with over 145 minutes worth of extremely rare recordings of music from this and other OZ-themed musicals dating back to before World War I. Recorded materials include vintage acoustical disc and cylinder phonograph records, piano rolls, and music box discs, many of which go back almost a century. In addition, he has included two booklets worth of historical background information on the 1903 WIZARD OF OZ production, its stars, the individual musical numbers, and lyrics for the songs included on the CDs. (Lavishly illustrated with rare old black and white photos and artwork, these booklets, and the information they contain, are themselves worth the price of the set!) Several bonus CD tracks are included that offer rare recordings by Montgomery & Stone (the original Tin Woodsman and Scarecrow) and Bessie Wynn, who was also in the 1903 cast. Not just for dedicated Oz fans, this set is a "must have" for anyone interested in the history of American musical theater and American popular culture of the early 1900's.

Long-Forgotten Broadway Hit Gets First Rate Revival.......2003-09-17

One hundred and three years ago, author L. Frank Baum published the best-selling children's book of the 20th century, THE WIZARD OF OZ. Although the book was adapted several times as plays, silent motion pictures, animated cartoons, and radio shows in the next few decades, it is the 1939 MGM film that most people think of as THE WIZARD OF OZ. The success and popularity of that film completely eclipsed the memories of previous incarnations and even the book itself in popular culture. However, prior to the film's release, there was a successful stage version which premiered on Broadway in 1903 and delighted audiences for many years, making stars of Fred Stone and David Montgomery, the original Scarecrow and Tinman. As with the MGM film, chilren who saw THE WIZARD OF OZ on stage carried fond memories of the production into adulthood. Ray Bolger was so impressed with the Fred Stone's Scarecrow, that he remembered it vividly as an adult and based his own protrayal of the character in the movie on Mr. Stone's stage version.

Unfortunately, time and Judy Garland have pushed the once popular Broadway Smash into history. It has been all but forgotten...until now.

As the show moved from theater to theater and casts changed, so did the songs. Many of these were recorded on the primative equipment of the day: Wax cylinders, 78-RPM records, piano rolls, and music Boxes, and surprisingly many of these still exist. Now, thanks to those hard-working gents at HUNGRY TIGER PRESS, you can own these historic recordings on this awesome 2-CD set. THE WIZARD OF OZ: Vintage Recordings From The 1903 Broadway Musical contains over 145 minutes of terrific early 20th century music. You won't find "Over the Rainbow" or "Ding! Dong! The Witch Is Dead!" here. Instead, this WIZARD OF OZ contains tracks like "Budweiser's a Friend of Mine", "Sammy", "Hurrah for Baffin's Bay", and "Rejoice! The Wizard is No Longer King", each one a portal over the rainbow to the Broadway stage of a century ago.

Obviously the play was quite different in plot from the movie--Dorothy travelled to Oz with her cow Imogene instead of Toto, for starters--, but the songs represent the style of popular music of 100 years ago and are collected here in a beautiful compilation. The set contains two booklets of liner notes which contain credits, lyrics, a written history of the production, and are extensively illustrated with photos and illustrations. Although the sound quality of the source material is not always up to today's standards, the songs are presented in the best versions possible, and the music is highly enjoyable. With 60 tracks and the wealth of information contained here, both written and photographic, this 2-CD set is good value for the money. A must-have for all collectors of WIZARD OF OZ memorabilia, an insightful look at popular music and Broadway history from a century ago, a glimpse into ethnic and racial stereotypes that were accepted at the time, and a curiosity for fans of the 1939 film, this set is big on appeal. Kudos to the Hungry Tiger Press for rescuing this treasure trove of musical history from obscurity!

Average customer rating: a voice teacher and early music fan I Feel the Spirit Too just excellent Saw the Moses Hogan chorale live in NYC and loved them!

Ev'ry Time I Feel the Spirit: Spirituals Manufacturer: Channel Classics Nl ProductGroup: Music Binding: Audio CD General | Christian & Gospel | Styles | Music General | Classical | Styles | Music Classical | Imports | Stores | Music Similar Items: Give Me Jesus | Spirituals by Barbara Hendricks and The Moses Hogan Singers Negro Spirituals - Derek Lee Ragin, Moses Hogan, Moses Hogan Trouble I'Ve Seen: Eighteen Spirituals--Moses Hogan Chorale Wade In The Water, Vol.1:African American Spirituals:The Concert Tradition Go Down, Moses ASIN: B000003UXS Release Date: 1993-08-19

Tracks:

1. Ole Time Religion
2. Witness
3. Steal Away
4. Little David. Play On Your Harp
5. Deep River
6. Sometimes I Feel Like A Mouthless Child
7. Live A-Humble
8. Nobody Knows The Trouble I've Seen
9. Were You There
10. There's A Man Goin Round
11. I Don't Feel No Ways Tired
12. Heaven
13. Oh, What A Beatiful City
14. This Little Light Of Mine
15. Ev'ry Time I Feel The Spirit
16. Give Me Jesus

Customer Reviews:

a voice teacher and early music fan.......2006-09-22

The following quote is a good way to introduce this album; it is from the poem "The Singer" by Eva A. Jessye. "Because of ebon skin and humble pride,The world with hatred thrust the youth aside.....And through our grief we rise to nobler things....A well of sweetness there unbidden springs." This disc portrays the talents of two wonderful musicians: Moses Hogan,excellent pianist, creator of exciting arrangements of spirituals both for solo voice and choirs AND that countertenor
Derek Ragin with his truly lovely voice capable of great vocal technique and versatility. He has appeared in several operas; two with Michael Chance that are wondrous to listen to: Tamerlano and Agippina. Spiritual are not my favorite thing, but there are some ear-catching beauties on this one;namely:"Ole Time Religion" and "Give Me Jesus". Some others are: 'Steal Away'-'Little David Play on your Harp'-'This Little Light of Mine' and many more. Some are a cappela, some accompanied by the piano, and some by piano with choir back-up. You do not have to be a lover of spirituals to enjoy this disc. But if you are, you will be in heaven!!!!!!

I Feel the Spirit Too.......2006-08-17

Very beautiful voice, sometimes I forget that the soloist voice is that of a male singer. Would like to hear more of Moses Hogan on keyboard and his arrangements.

just excellent.......1999-06-30

Although I do not like spirituals too much, it is a must listening to this fantastic countertenor singing with Moses Hogan. For me, Derek Lee Ragin has such a brilliant voice, I never heard before in my life.

Saw the Moses Hogan chorale live in NYC and loved them!.......1998-10-16

Truly great spirituals, truly brilliant arrangements by Moses Hogan. I can't wait to collect all his CDs.

Average customer rating: What ?? Nice Voice, but not a nice person...(read on, pls.) A let down The definitive Paul Robeson compilation

The Essential Paul Robeson Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Robeson, Paul | ( R ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Gospel | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Singer-Songwriters | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Similar Items: Ballad for Americans Paul Robeson Sings "Ol' Man River" & Other Favorites Songs of Free Men/ A Paul Robeson Recital Paul Robeson Live at Carnegie Hall Paul Robeson, Vol. 1 ASIN: B00005B15R Release Date: 2001-05-22

Tracks:

1. Ol' Man River
2. Steal Away
3. Joshua Fit De Battle Ob Jericho
4. Water Boy
5. Swing Low, Sweet Chariot
6. Deep River
7. Lonesome Road
8. Mighty Lak' A Rose
9. Rockin' Chair
10. When It's Sleepy-time Down South
11. Mah Lindy Lou
12. My Curly Headed Baby
13. Carry Me Back To Green Pastures
14. Lazy Bones
15. St. Louis Blues
16. Congo Lullaby
17. Canoe Song
18. Shenandoah
19. I Still Suits Me
20. Summertime
21. It Ain't Necessarily So
22. Just A-Wearyin' For you
23. Song Of The Volga Boatmen
24. Little Man, You've Had A Busy Day

Tracks:

1. Sometimes I Feel Like A Motherless Child/Minstrel Man
2. Git On Board, Li'l Children/Dere's No Hidin' Place
3. Go Down, Moses
4. Bear De Burden/All God's Chillun Got Wings
5. Nobody Knows The Trouble I've Seen
6. Got The South In My Soul
7. Blue Prelude
8. Fat Li'l Feller Wid His Mammy's Eyes/Shortnin' Bread
9. Wagon Wheels
10. The Banjo Song
11. Love Song
12. Climbing Up (Mountain Song)
13. All Through The Night
14. Mood Indigo
15. At Dawning
16. An Eriskay Love Lilt
17. Trees
18. Jerusalem
19. The Cobbler's Song
20. A Perfect Day
21. Sylvia
22. Sea Fever
23. King Joe (The Joe Louis Blues)
24. The Old Folks At Home (Swanee River)
25. My Old Kentucky Home

Customer Reviews:

What ??.......2006-12-10

The idiot from Virginia thought it a bit strange that an American black man would give the communists a chance. Looking back from modern perspective is easier than what he had to go on in the thirtes. Gee, I wonder why a black man would do that after all that southern hospitality, segregation, and steady work you gave the "black folk". Not to mention all those nighttime campfires you had going in their honor.
While I might be from New York I certainly would not be called a bleeding heart liberal but I can certainly understand why the poor soul was looking elsewhere. You are either ignorant of history and its influences on people or you are a totally unsympathetic jackass!!

Nice Voice, but not a nice person...(read on, pls.).......2006-01-07

Paul Robeson, who was brainwashed into
beleiving Communist rhetoric (which is
strange as hell for an Amer-I-can black
man). A good singing voice but all cover
songs! Come on, Paul!

A let down.......2004-09-24

I own several Robeson recordings and purchased this one with high hopes as it has a great selection of tracks. Unfortunately given the excellent recording quality of "Songs for Free Men" and "The Paul Robeson Oddyssey", the remasters from what I assume are 78's and possibly radio are a let down and mar what could have been an excellent album.

The definitive Paul Robeson compilation.......2003-09-19

This 2 CD set of Paul Robeson is the definitive collection providing a decent overview of his work in 50 tracks all wonderfully restored from 78s as usual for ASV, with spirituals, show tunes, Shakespeare-like readings, and more done with a trademark bass voice and orchestration that backs up Paul perfectly and he would later be one of the first civil rights activists. The first disc is a reissue of the single disc "Ol' Man River-His 25 Greatest" on ASV containing "Ol' Man River," "Mighty Like a Rose," "Joshua Fit De Battle Ob Jericho," "Carry Me Back To Green Pastures," "Lazy Bones," and many more classics which is also available here at Amazon for those who only want a single disc of Paul's work and the 2nd disc contains 25 more classics including "Nobody Knows The Trouble I've Seen," "The Old Folks At Home," "My Old Kentucky Home," "Wagon Wheels," "Git On Board, Little Children," and many more. In other words, all 50 of these tracks are essential to any early pop, folk, gospel, blues, etc. music fan and this is the set to introduce yourself to his work in a convenient 2 CD package with the usual great liner notes and details on the original 78s ASV provides with each CD released in their Living Era series.

Christian Music:

1. Tyrese [Enhanced]
2. Ultimate Collection [Original recording remastered]
3. Un-Break My Heart: The Remix Collection
4. Who You Fighting For? [Import]
5. Words
6. World Outside My Window
7. Your Secret Love
8. 1st Born Second [Explicit Lyrics]
9. 20th Century Masters - Millennium Collection: The Best of the Neville Brothers [Original recording remastered]
10. 534 [Explicit Lyrics]

Christian Music

christian music

Christian Music

Stereosonic Meltdown [Import]

Beethoven: Complete Piano Concertos, Vol. 1

Bed Spring Poker [Import]

Warm Moonlight Piano

California Street Life [Explicit Lyrics]

COMMA

DE HOY EN DIA

Awake

Clarity [Import]

Blood of Emeralds [Import]

Brighten The Corners

Amor, Familia y Respeto...

Cheapshots Low Blows and Sucker Punches

20th Century Masters: Millennium Collection

Lullaby of Birdland