One Wish

One Wish

Editorial Reviews

Amazon.com
Deborah Cox's self-titled debut made waves back in 1995, but perhaps not enough to prepare her for a much more crowded (and cutthroat) playing field this time around. As much as you want to applaud her for sticking to her soul on One Wish, you can't help longing for a pop crossover hit like "Sentimental" and "Who Do U Love?" The first single, "Nobody's Supposed to Be Here," is a disappointing attempt, but "September" and the title track--which ups the ante on the funk--step up to the challenge. Naughty by Nature's Kay-Gee helms the boards on the Next-flavored ballad, "It's Over Now," and R.L. of Next cameos on "We Can't Be Friends," a classic-style duet that has all the ingredients for a melodic masterpiece. --Rebecca Wallwork

USA Today
Canadian-born Cox follows up her successful self- titled 1995 debut with a mix of honey-voiced ballads and dance-floor grooves.

One Wish,Deborah Cox,Arista,Club/Dance,Dance-Pop,House,Pop,Popular Music,R&B,Soul/R & B,Urban


One Wish
Average customer rating: 4.5 out of 5 stars
  • The Most Slept-on R&B artist
  • Underrated Classic...
  • One of R&B's best kept secrets.
  • One Wish
  • WOW!!! WHAT A GREAT ALBUM AND A WONDERFUL VOICE!!!
One Wish
Deborah Cox
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
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ASIN: B000009S3Z
Release Date: 1998-09-29

Tracks:

  1. September
  2. It's Over Now
  3. Nobody's Supposed To Be Here
  4. We Can't Be Friends
  5. Couldn't We
  6. One Wish
  7. I Won't Give Up
  8. Just When I Think I'm Over You
  9. Love Is On The Way
  10. I Never Knew
  11. One Day You Will
  12. Nobody's Supposed To Be Here (Dance Mix)
  13. Things Just Ain't The Same (Dance Mix)
  14. September

Amazon.com

Deborah Cox's self-titled debut made waves back in 1995, but perhaps not enough to prepare her for a much more crowded (and cutthroat) playing field this time around. As much as you want to applaud her for sticking to her soul on One Wish, you can't help longing for a pop crossover hit like "Sentimental" and "Who Do U Love?" The first single, "Nobody's Supposed to Be Here," is a disappointing attempt, but "September" and the title track--which ups the ante on the funk--step up to the challenge. Naughty by Nature's Kay-Gee helms the boards on the Next-flavored ballad, "It's Over Now," and R.L. of Next cameos on "We Can't Be Friends," a classic-style duet that has all the ingredients for a melodic masterpiece. --Rebecca Wallwork

Customer Reviews:

5 out of 5 stars The Most Slept-on R&B artist.......2007-06-12

Deborah Cox is THE MOST slept-on R&B artist out there. She has one of the greatest, strongest voices but gets very minimal air play. I own all of her CDs and have no complaints about any of them. This is a great R&B album and anyone who loves R&B needs this CD.

4 out of 5 stars Underrated Classic..........2006-08-14

Deborah Cox's "One Wish" can easily be dubbed a sleeper but in my opinion, she shows no signs of weariness on this album. "One Wish" is an album that is perfectly punctuated with depth and has an intricate way of maintaining the listener's interest. With a unique and cohesive array of diversity, which include writing and production from herself, Naughty By Nature & Next's producer Kier Gist (a.k.a. KayGee), hit-makers Montell Jordan, Shep Crawford, Stevie J., Rodney "Darkchild" Jerkins," and even Diane Warren, who lends the schmaltzy ballad, "One Day You Will," "One Wish" explores love and relationships from a deeper perspective. I love how she uses her voice to not only dazzle the audience, but also becomes one with each songs' persona. I was like, "I may be a male, but even I can relate to how expressive she is!" The Dance-fused "September," with its keen bass line, slickly synthesized guitars and eclectic rhythms tells the story of how a friendship transforms from a platonic nature to an emotional thrill ride of sensuous lovemaking, whereas "We Can't Be Friends" showcases Deborah & R.L. (of Next) passionately and vividly testifying the hardships of walking away from a special someone. Other cuts include 1998's longest-running radio single, "Nobody's Supposed To Be Here," (penned exquisitely by Montell Jordan) her second single, "It's Over Now," (produced by KayGee) the title-track, "One Wish," which features DJ Quik's solid production and stellar rap vocals, Darkchild's "Just When I Think I'm Over You," a clever reference to Rod Temperton & Michael Jackson's "Rock With You" in "Love Is On The Way" and the smooth "I Won't Give Up." The only flaw to this record is that there were one too many dance versions included. The remixes to "Things Just Ain't The Same" & "Nobody's Supposed To Be Here" could have been omitted. Regardless, "One Wish" is a fabulous record that was an absolutely underrated classic.

2 out of 5 stars One of R&B's best kept secrets........2005-12-26

I do agree with another reviewer that Canadian native Deborah Cox is one of R&B's most underrated singers. I was extremely dissapointed and angry at Clive Davis for underpromoting her (he even dropped her from his label J Records!) when she actually has a better voice than labelmate Whitney Houston. "One Wish" is a great contemporary R&B album featuring some Hip Hop ("One Wish" featuring Snoop Dogg), Jazz ("I Won't Give Up"), Adult Contemporary ("One Day You Will") and straight R&B ("Nobody's Supposed To Be Here"--originally written for Patti LaBelle). Her voice is phenominal. She can softly whisper like Mariah but also belt out like Celine. A lot of the songs have potential hit. Another favorite of mine is the mild Urban hit "We Can't Be Friends" featuring Next group (also an underrated R&B act) member R.L. Overall if you liked Deborah's radio hits I strongly reccomend this album. I really think it's her best. Overall grade: B+

5 out of 5 stars One Wish.......2005-05-17

I remember this album when I was in the 6th grade. I fell in love with the album especially the hit single (Nobody's Supposed To Be Here). Deborah experimented with incorporating these new elements into her musical style. One Wish is a perfect mix of different influences-old-school R&B,hip-hop,gospel,dance,and jazz. This album is a tremendous growth from her gold debut album. This album has been certified Platinum. Remember,this was 1998-1999.

5 out of 5 stars WOW!!! WHAT A GREAT ALBUM AND A WONDERFUL VOICE!!!.......2004-08-05

I am listening to this album for the first time today. Yes, a little late. I heard a few singles on the radio or in clubs - as dance remixes. I had never sat down with the entire project before. I am overwhelmed. Deborah Cox has a very powerful and beautiful voice. The arrangements are really nice -- they could be better, but for contemporary R&B, they are good. Her voice is what makes the album. She is one of the best r&b voices since the 90s. I just cant think of another singer since the 80s who is this good. Keep up the good work!!!

Why on earth does she not get more attnention in the USA? Beyonce and Usher???!!! What is wrong with the US music industry?
I Wish It So
Average customer rating: 5 out of 5 stars
  • Crossover at Its Best
  • If Dawn Upshaw had made only one album...
  • Great songs by a better than average singer. Buy It.
  • A must album for all musical theatre lovers.
  • Timeless recording
I Wish It So
Dawn Upshaw , Marc Blitzstein , Eric Stern , Stephen Sondheim , Kurt Weill , Leslie Stifelman , Leonard Bernstein , and Matthias Naegele
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005J2V
Release Date: 1994-08-02

Tracks:

  1. I Wish It So
  2. There Won't Be Trumpets - Sondheim
  3. What More Do I Need? - Sondheim
  4. That's Him
  5. The Girls Of Summer - Sondheim
  6. The Saga Of Jenny
  7. Like It Was
  8. Stay Well
  9. I Feel Pretty
  10. Glitter And Be Gay
  11. My Ship
  12. In The Clear
  13. Never Get Lost - Take Me To The World
  14. My New Friends - Bernstein

Amazon.com essential recording

With a spirit of innocence and excitement, no audible breaks of register, and perfect diction, Dawn Upshaw graces us with a satisfying crossover recording in which each song is a fully realized musical monologue. The eclectic and infrequently performed repertoire, from Bernstein, Blitzstein, Sondheim, and Weill, compliments her charm and interpretive acuity. There's her humorous "Saga of Jenny," her adorable "That's Him," her poignant "Like It Was," and her freshly vibrant "I Feel Pretty." Conductor Eric Stern is divine in his arrangements and accompaniment. This is one of the best musical theater albums available. --Barbara Eisner Bayer

Customer Reviews:

5 out of 5 stars Crossover at Its Best.......2006-11-15

"I Wish It So" is the CD that first introduced the exceptional "crossover" talents of soprano Dawn Upshaw. The album, which comprises (mostly) little-heard songs by Kurt Weill, Marc Blitzstein, Leonard Bernstein, and Stephen Sondheim, opens with the title number, a lyrical gem from Blitzstein's JUNO, and continues with Sondheim's vibrant "There Won't Be Trumpets," in which Upshaw, rather than belting, lets her voice ring. She then slam-dunks Sondheim's "What More Do I Need," a truly raucous number. Other highlights include the two songs from Weill's LADY IN THE DARK: the haunting ballad "My Ship" and the witty "The Saga of Jenny," presented here in a superb jazz arrangement. The sound of Upshaw's lower middle voice in this number is thrilling. Her combining of Blizstein's "Never Get Lost" and Sondheim's soaring, life-affirming "Take Me to the World" is perfect, as is her musical yet emotional rendition of "Like It Was" from Sondheim's MERRILY WE ROLL ALONG. The album climaxes with the mock-coloratura aria "Glitter and Be Gay" from Bernstein's CANDIDE, in which Upshaw scales the heights with consistently pure and beautiful tone. In a day when many great opera singers attempt, unsuccessfully, to sing "popular" song, "I Wish It So" is an example of crossover at its very best. It is a CD that no one who loves both opera and musicals should miss.

5 out of 5 stars If Dawn Upshaw had made only one album..........2006-08-24

I have a weak spot for crossover albums by opera stars, which can often be train wrecks or embarrissing self-parodies. There's not a cringe-worthy note in this one, however. Dawn Upshaw has never been as vibrant on disc, and her style in pop music (albeit serious pop music) surpasses expectations. She is a master at touching vulnerability and stars-in-her-eyes vulnerability. There's no current Broadway star who can match her in any of these songs form Sondheim, Weill, and Bernstein, certainly not for sheer beauty of voice and charm. Upshaw went on to make an excellent album of Rodgers and Hart songs, but nothing else quite matches this first effort.

5 out of 5 stars Great songs by a better than average singer. Buy It........2006-04-24

'I Wish It So' sung by popular / classical switch hitter, Dawn Upshaw is a very, very good interpretation of classical American musical theatre pieces by four masters of the genre, Leonard Bernstein (music), Marc Blitzstein (lyrics), Stephen Sondheim (lyrics) and Kurt Weill (music). As I am most familiar with female interpretations of Kurt Weill's songs, especially by the likes of his widow, Lotte Lenya and Weill interpreter extraordinare, Ute Lemper, I have to say that while Upshaw does them justice, she does ont outshine the very best Weill interpretations. Primarily, I believe she suffers from never actually performing the works on stage, as Lenya has.

And, since Ute Lemper did an album with a similar collection of songs (Illusions) from Sondheim and others, I thing Lemper still has the edge on interpreting other composers as well.

On the positive side, I find Upshaw's interpretation as good or better than almost everyone else who makes a career out of these songs, such as, dare I say it, Barbra Streisand. This is a good thing, because I believe Upshaw is not up to the very best mezzos who share her classical works. She can't hold a candle, for example, to Renee Fleming or Anne Sofie von Otter, although her interpretations of Weill are as good as von Otter, just not as good as Lenya and Lemper.

A very, very nice album if you like female vocalists.

5 out of 5 stars A must album for all musical theatre lovers........2005-04-21

Dawn Upshaw once again disproves the adage that opera singers can't sing showtunes properly. Her diction, her ability to act out the lyrics and her crystal clear angel-like voice are just heavenly. Miss Upshaw could teach quite a few Broadway and Cabaret singers a thing or two about interpretation and she would have her hands full teaching opera singers like Te Kanawa or Fleming how to put over a showtune properly. Simply divine!

5 out of 5 stars Timeless recording.......2004-07-20

This is an endlessly rewarding album by an operatic soprano who demonstrates an expressiveness and range rare in crossover albums of this sort. Upshaw modifies her classical technique without compromising it, narrating with a conversational tone and youthful ebullience well-suited to musical theater. She continues her tradition of championing obscure American art songs with three gorgeous Blitzstein pieces, and wisely avoids the standard, overdone Sondheim showpieces in favor of several gorgeous lesser-known songs. "I Feel Pretty" is given a refreshing makeover, while "Glitter and Be Gay" demonstrates both her impressive vocal control and comedic prowess. Despite the odd choice of "There Won't Be Trumpets", which demands a belter to properly execute the climax, this album is a well-conceived and cohesive collection that becomes more enjoyable on each subsequent listen.
One Wish: The Holiday Album
Average customer rating: 4 out of 5 stars
  • What a Beautiful Voice!!!!!!!!!!
  • A very good Christmas CD
  • Great!!!
  • Mediocre
  • Fabulous!
One Wish: The Holiday Album
Whitney Houston
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000E1WKE
Release Date: 2003-11-18

Tracks:

  1. The First Noel
  2. The Christmas Song (Chestnuts Roasting on an Open Fire)
  3. Little Drummer Boy
  4. One Wish (For Christmas)
  5. Cantique de Nvel (O Holy Night)
  6. I'll Be Home for Christmas 3:46
  7. Deck the Halls/Silent Night
  8. Have Yourself a Merry Little Christmas
  9. O Come O Come Emanuel
  10. Who Would Imagine a King {From the Preacher's Wife}
  11. Joy to the World

Customer Reviews:

5 out of 5 stars What a Beautiful Voice!!!!!!!!!!.......2007-06-27

Whitney may have some personnal issues but her voice is still in tact! She has added a twist to every song and it works only for her. This is a wonderful Cd to have on while entertaining for the holidays or just relaxing by yourself. She captures the holiday spirit in every song thaty only she can do!

5 out of 5 stars A very good Christmas CD.......2007-03-01

We have several Christmas CDs. This one is by far one of the better Christmas CDs. This is not just your normal re-hashed Christmas music. This cd is funky and has a great gospel sound. This is a must buy!

4 out of 5 stars Great!!!.......2007-01-15

Even though it is not Whitney's best, I still thought it was great! I bought my Mom one also, and she enjoyed it too. I read several other reviews and I do not agree with the negativity. I truly do hope Whitney will come back better than ever.

3 out of 5 stars Mediocre.......2007-01-15

Whitney's voice is back, but I am not sure why she would ever do another Holiday CD with "The Preacher's Wife" soundtrack's timeless beauty and charm. This CD was just ok, nothing earth shattering.

5 out of 5 stars Fabulous!.......2007-01-12

I love Whitney despite all that she has been through - she has been blessed with the gift of song.

This is a soulful Christmas must have CD!
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Average customer rating: 4 out of 5 stars
  • The Price Club
  • A living legend
  • not your daddy's old timey spiritual
  • Immaculate Vocals of Leontyne Price
  • Great Gospel Stuff
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  5. Spirituals

ASIN: B000003FWE
Release Date: 1997-01-14

Tracks:

  1. Ev'ry Time I Feel The Spirit - Various Artists
  2. Let Us Break Bread Together On Our Knees - Various Artists
  3. His Name So Sweet - Various Artists
  4. 'Roun' About The Mountain - Various Artists
  5. Swing Low , Sweet Chariot - Various Artists
  6. Sit Down, Servant - Various Artists
  7. Were You There - Various Artists
  8. He's Got The Whole World In His Hands - Various Artists
  9. Deep River - Various Artists
  10. Honor! Honor! - Various Artists
  11. My Soul's Been Anchored In De Lord - Various Artists
  12. On Ma Journey - Various Artists
  13. A City Called Heaven - Various Artists
  14. Ride On, King Jesus - Various Artists
  15. I Wish I Knew How It Would Feel To Be Free - Various Artists
  16. Sinner, Please Don't Let This Harvest Pass - Various Artists
  17. Sweet Little Jesus Boy - Various Artists
  18. There Is A Balm In Gilead - Various Artists
  19. Let Us Cheer The Weary Traveler - Various Artists
  20. Ev'ry Time I Feel The Spirit - Various Artists
  21. My Way Is Cloudy - Various Artists
  22. Nobody Knows The Touble I've Seen - Various Artists
  23. I Couldn't Hear Nobody Pray - Various Artists

Tracks:

  1. Holy, Holy, Holy - Leontyne Price
  2. Lead, Kindly Light - Leontyne Price
  3. Blessed Assurance - Leontyne Price
  4. Ave Maria - Leontyne Price
  5. What A Friend We Have In Jesus - Leontyne Price
  6. Amazing Grace - Leontyne Price
  7. The Lord's Prayer - Leontyne Price
  8. Pass Me Not, O Gentle Savior - Leontyne Price
  9. The Church's One Foundation - Leontyne Price
  10. Bless This House - Leontyne Price
  11. I Need Thee Every Hour - Leontyne Price
  12. Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
  13. I Wonder As I Wander - Leontyne Price
  14. Ave Maria - Leontyne Price
  15. Porgy And Bess: Summertime - Leontyne Price
  16. America The Beautiful - Leontyne Price
  17. Lift Ev'ry Voice And Sing - Leontyne Price
  18. A Mighty Fortress Is Our God - Leontyne Price
  19. Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

5 out of 5 stars The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

5 out of 5 stars A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

1 out of 5 stars not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

5 out of 5 stars Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

4 out of 5 stars Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.
The Seven Chakras: Crystal Illumination
Average customer rating: 3.5 out of 5 stars
  • Transcendental, Mystical Soul Explorations
  • Better Breathing Through Music
  • Not what I was expecting
The Seven Chakras: Crystal Illumination
Aeoliah
Manufacturer: Oreade Music
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | New Age | Styles | Music
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  1. Angel Love II: Sublime
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  5. Serene

ASIN: B00000DC27
Release Date: 1998-10-06

Tracks:

  1. Super Nova- Base Centre
  2. 1001 Nights-Spleen Centre
  3. Garden Of Eternal Spring-Solar Plexus
  4. Lotus Love-Heart Centre
  5. Shamballa-Throat Centre
  6. Consecration-Third Eye
  7. Crystal- Illumation

Album Description

Each of these seven musical selections corresponds directly to each chakra, starting at the base of the spine, harmonizing and balancing the energy in that area.

Customer Reviews:

4 out of 5 stars Transcendental, Mystical Soul Explorations.......2006-12-29

This is my first Aeoliah CD, and I was not disappointed. I heard track 5, "Shamballa" on my cable TV on 932, Soundscapes (commercial free music), and I knew that I had to have it. Each track focuses on a specific area of the body, and I found it very relaxing, and incredibly arousing when I was talking with my lover. It makes unsurpassed background music. "Shamballa" is absolutely heavenly. At night, when I need to go to sleep fast, I put the headphones and REPEAT on, and three hours later I had already felt relaxed, refreshed and rejuvinated. I only found the CD at Silver Platters, no one else carried it, I'm just glad it was in stock. The reverbent sounds of angelic synthesized chords, the ringing bells, cellos and flute delicately in the background make "The Seven Chakras" one of the premier ambient relaxation compositions of our time. It is also fantastic while giving and receiving massages, relieving stress and renewing the mind, and really makes one glad to feel alive. Outstanding value, a must have for the discreet, intellectual listener.

5 out of 5 stars Better Breathing Through Music.......2006-12-28

I was playing cards on my computer in one room and listening to music coming from the music channel on my TV in another when I suddenly realized my breathing had changed dramtically. I felt relaxed and peaceful for the first time in years. After a few moments of concentration, I realized my breathing rhythm matched the rhythm of the music coming from my TV. I immediately raced to track down and purchase this amazing product. It has enhanced my life dramatically.

1 out of 5 stars Not what I was expecting.......2004-01-12

I picked this up in a store because of the subtitle (Crystal Illumination). I thought this was a CD of crystal singing bowls. This CD was meant to be added to others that I use for qigong and meditation, however I found it inappropriate because of sudden, louder music that startled me. If you are looking for some meditation music I recommend looking elsewhere. Two chakra CDs I like are Paul Baker's "The Ladder of the Soul" (relaxing); and Layne Redmond's "Chanting the Chakras." (energizing).
Encores from Encores!
Average customer rating: 5 out of 5 stars
  • great singers, great songs
Encores from Encores!

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Brian Stokes Mitchell
  2. Opposite You
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  4. South Pacific in Concert from Carnegie Hall
  5. Great Musicals

ASIN: B00008XERI
Release Date: 2003-05-06

Tracks:

  1. Overture [From Do Re Mi]
  2. Make Someone Happy [From Do Re Mi] - Heather Headley, Brian Stokes Mitchell
  3. All My Life [From Do Re Mi] - Nathan Lane
  4. Tommy, Tommy [From Tenderloin] - Sarah Uriarte Berry, Patrick Wilson
  5. Good Clean Fun [From Tenderloin] - David Ogden Stiers
  6. My Gentle Young Johnny - Debbie Gravitte
  7. Hostess With the Mostes' on the Ball [From Call Me Madam] - Tyne Daly
  8. It's a Lovely Day [From Call Me Madam] - Lewis Cleale, Melissa Errico
  9. Where or When [From Babes in Arms] - David Campbell, Erin Dilly
  10. Johnny One Note [From Babes in Arms] - Melissa Rain Anderson
  11. I Wish I Were in Love Again [From Babes in Arms] - Christopher Fitzgerald, Jessica Stone, Jessica Stone
  12. Bewitched, Bothered and Bewildered [From Pal Joey] - Patti LuPone
  13. Zip [From Pal Joey] - Bebe Neuwirth
  14. I'm Talkin' to My Pal [From Pal Joey] - Peter Gallagher
  15. I Am Loved [From Out of This World] - Marin Mazzie
  16. Nobody's Chasing Me [From Out of This World] - Andrea Martin
  17. From This Moment On [From Out of This World] - Gregg Edelman, Marin Mazzie
  18. Falling in Love With Love [From the Boys from Syracuse] - Rebecca Luker
  19. He and She [From the Boys from Syracuse] - Mario Cantone, Debbie Gravitte
  20. Sing for Your Supper [From the Boys from Syracuse] - Sarah Uriarte Berry, Debbie Gravitte, Rebecca Luker

Customer Reviews:

5 out of 5 stars great singers, great songs.......2006-05-03

Some of broadway's best singers are on this album, including Brian Stokes Mitchell, Debbie Gravitte, Marin Mazzie, and Rebecca Luker. (The cd is worth buying for Rebecca Luker's song alone!) The songs are beautifully orchestrated and sung. Most are light hearted and fun, leaving me with a good feeling when listening.
If you're a fan of broadway showtunes, I believe you'll enjoy this album.
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
Average customer rating: 5 out of 5 stars
  • Arguably "The Best" English "Merry Widow "
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
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  1. Johann Strauss II: Die Fledermaus; The Gypsy Baron (Highlights)
  2. Offenbach: La Belle Helene; Orpheus in the Underworld; La Vie Parisienne (Highlights)
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  4. The Best of Operetta, Vol. 3
  5. The Best of Operetta, Vol. 2

ASIN: B00009KHY2
Release Date: 2003-09-02

Customer Reviews:

5 out of 5 stars Arguably "The Best" English "Merry Widow ".......2006-09-12

This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.
Josef Hofmann
Average customer rating: 4 out of 5 stars
  • Which Hofmann?
  • Not to be missed
  • Good for collectors, but not for samplers
  • Dynamo of the Piano
  • An interesting listening study
Josef Hofmann

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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  1. Andrei Gavrilov
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  4. Samson François
  5. Benno Moiseiwitsch

ASIN: B00001X5AD
Release Date: 1999-10-26

Tracks:

  1. D. 733: Marche militaire No. 1 In D
  2. Erlkong
  3. Lieder ohne Worte, Op. 19: 'Hunting Song'
  4. Lieder ohne Worte, Op. 62: 'Spring Song'
  5. Polonaise in A, Op. 40 No. 1 'Military'
  6. Valse - Caprice In E flat
  7. Fantasiestucke, Op. 12 No. 3: Warum?
  8. Liebestraum No. 3 In A flat
  9. Etude No. 3 In C Minor, Op. 120
  10. The Sanctuary
  11. Lyric Pieces, Op. 43: Butterfly
  12. Lieder ohne Worte, Op. 67: The Bee's Wedding
  13. Capriccio espagnole, Op. 37 (Abridged)
  14. Minuet celebre In G, Op. 14 No. 1
  15. 'Annees de pelerinage': Tarantella
  16. Waltz In E Minor, Op. Posth.
  17. Waltz In A Flat, Op. 34 No. 1 'Valse brillante'
  18. Rondo Capriccioso, Op. 14 (Abridged)
  19. La jongleuse, Op. 52 No. 4

Tracks:

  1. Fantasie - Impromptu In C Sharp Minor, Op. 66
  2. 6 Chants polonais de F. Chopin: The Maiden's Wish
  3. Berceuse In D Flat, Op. 57
  4. Valse gracile
  5. Birds At Dawn, Op. 20 No. 2
  6. Hungarian Rhapsody No. 2 In C Sharp Minor
  7. Etude de concert No. 1 : Waldesrauschen
  8. Paride ed Elena: Gavotte In A
  9. Polonaise No. 3 In A Op. 40 No. 1 'Military'
  10. Pastorale e capriccio
  11. Mignonettes: Nocturne
  12. Waltz In C Sharp Minor, Op. 64 No. 2
  13. Nocturne In F Sharp, Op. 15 No. 2
  14. Prelude In C Sharp Minor, Op. 3 No. 2
  15. Prelude In G Minor, Op. 23 No. 5
  16. Melody In F, Op. 3 No. 1
  17. Scherzo In B Minor, Op. 20 (Abridged)
  18. Die Walkure: Magic Fire Music
  19. 6 Chants polonais de F. Chopin: My Darling
  20. 'Die Ruinen von Athen': Turkish March

Amazon.com

Before he became the brilliant and charismatic virtuoso to whom Rachmaninov dedicated his Third Piano Concerto, Joseph Hofmann was a child prodigy. He was also the first pianist ever to make a record: in 1888, at age 12, he sat on Thomas Edison's lap and played into a prototype of the cylinder machine. That was a year after his New York debut at the old Metropolitan Opera house had caused general amazement among the public and the critics, but had also brought the wrath of the Society for the Prevention of Cruelty to Children upon the heads of his promoters. A wealthy New Yorker put up $50,000 (the equivalent of at least half a million today) to see that young Hofmann was educated rather than exploited; he was sent off to study with Anton Rubinstein in Dresden, and made his adult debut in the U.S. at the acceptable age of 22. By then, he was a finished pianist, capable of producing cascades of notes with his small hands (Steinway built a grand with slightly narrower keys just for him) as well as extraordinary effects of color and delicacy. His virtuosity was all the more hair-raising for its elegance and seeming effortlessness.

One gets a good idea of all that from this sampler of Romantic miniatures and encore pieces recorded between 1903 and 1923 (mainly 1916-23), in rather primitive but nonetheless revealing sound. Hofmann's unerring sense of line and pace are much in evidence, but so are his pronounced rubato and, in certain selections (like Rubinstein's Valse-caprice in E flat), more than a few slips and wrong notes--the price one paid for being engaged with the music and taking chances. --Ted Libbey

Customer Reviews:

4 out of 5 stars Which Hofmann?.......2004-09-06

Hofmann - particularly late Hofmann - may be an acquired taste.
Despite having been the protégé of Anton Rubinstein, "the wonderful boy" was recognized from quite an early age as the exemplar of a modern style of playing - textually faithful, eschewing swooning or bombast. (See, for example, the references to Hofmann in Henry Lahee's wonderful survey from 1900, Famous Pianists of Today and Yesterday.)
Still, a number of younger colleagues expressed ambivalence. Horowitz was floored by Hofmann's keyboard command - everyone was - but he, Artur Rubinstein and Arrau, to name just three - seem not to have been terribly moved by Hofmann's musicianship.
But which Hofmann are we considering? His playing for the gramophone - as early as 1903 and as late as 1935 - was as disciplined as it was imaginative and dazzling. The late Harold Schonberg called it "perfection plus."
However, as Gregor Benko makes clear in his essays for the Marston reissues, Hofmann switched on what the pianist called a "spectacular" style for many public performances. This may sound cynical. Often it sounds terribly cynical. Hofmann was not speaking merely of the need to project in a large concert hall. In public performance - at least those performances we have from the late `30s and early `40s - the aristocrat often becomes a mountebank, lurching from the softest pianissimos to explosive fortissimos, rattling off passages or entire pieces even faster than Simon Barere boasted he could do.
Schonberg - and Hofmann's friend and admirer Rachmaninoff - reminded us that during this period Hofmann had many personal troubles, including a severe drinking problem. We must believe that at his greatest Hofmann played as scrupulously and with as much refined feeling in public as he did on many of his studio recordings, though his manner may have differed somewhat. And there are some marvelous live performances. The Rubinstein 4th from his Golden Jubilee concert beggars description.
So where does that leave us? As an introduction to Hofmann, I would recommend the early Columbia recordings, those he made somewhat later for Brunswick, and the American and British test pressings from 1935 - perhaps his greatest recorded playing. These are Volumes 3, 4 and 5 of the complete Hofmann series.
This Philips compilation draws from the earlier commercial recordings. It's a fine, economical introduction, but I would go for the Marstons. They are complete, the transfers are better, the notes superb, and the company is well worth supporting. Serious listeners will also want the ups and downs of the Golden Jubilee (Volume 2). The Chopin concertos in Volume 1 have some splendid moments, but the superlative (not spectacular; superlative) performance there is a fragment of the first movement of the E minor concerto performed in London -- far more poised and committed than its counterpart from New York. (I wonder if Hofmann played differently in America than he did in Europe? Some musicians - for instance, Mahler, Toscanini, Bernstein - for varying reasons apparently did.)
Having said all this, the entire Hofmann series is priceless. Heartfelt thanks to Gregor Benko and Ward Marston for making it available.

5 out of 5 stars Not to be missed.......2003-11-03

You'll never hear playing so clean, polished, and technically perfect...modern pianists seem almost clumsy by comparison. Especially his Liszt is to die for; as a matter of fact his Tarantella is possibly my all-time favorite recording of anything. The Maiden's Wish and La Jongleuse are splendid too. In fact, although these are some of my favorite recordings ever, it's hard to know what to say about them because they are simply so perfect in both technic and understanding that they leave you breathless.

As for the bad sound...folks get over it...as for me, I know I'm silly but I kind of like it...it gives me a thrill as I remember just how many years this recording is taking me back over.

3 out of 5 stars Good for collectors, but not for samplers.......2002-09-23

For an introduction to Hofamann, this volume is not the best. They contain mostly his earliest recordings (1910 to 1920) and they make for difficult listening. VAI and Marston Records' volumes of remasterings of Hofmann's later playing has better audio and better linear notes.

5 out of 5 stars Dynamo of the Piano.......2001-12-25

First of all, I would part company with those who comment on the "recording quality" of a particular record. Naturally the sound technology was not advanced in those days, so the artist had to make do. Any listener who knows something about the piano should be able to get beyond this.

This CD should be bought by any listener interested in the golden age of piano giants. Rachmaninoff, whose name should be familiar as both composer and pianist to any piano afficoniado, actually preferred Hofmann's playing, especially in passages requiring clear fingerwork, to his own. Indeed, the clarity and lightness of Hofmann's fingerwork is astounding. Of particular note on this album is Chopin's Berceuse, arguably the greatest recording ever made of this particular piece. I will limit myself to describing his performance of this piece, since I think this is most indicative of the beauty of Hofmann's piano sound. The thirds are lighter and better articulated than Friedman's or Cortot's performances of the same piece. His tempos in general are held, with the addition of cleverly placed rubato. Hofmann's style for passagework can be called the "jeu perle" style, representing a touch in between legato and staccato which gives the passage a certain precise, smooth sound. His pedalling also is immaculate. Actually, he does not use very much pedal at all. He only uses it at junctures when it is absolutely needed, not to cover up poor technique and creating a sloppy "wet" sound which seems to be the dilemma of many modern pianists. In his several different recordings of the piece, the only place I consistently hear him using pedal is in the grace note/rolled chord variation of the theme, where the right hand's sound and harmony dictate it.

In short, buy this CD to get a glimmer of old school piano playing at its finest.

4 out of 5 stars An interesting listening study.......2000-11-06

I would actually give this CD a 3.5, but you can't give out halfs. While his playing and his songs are phenomenal, the quality of the CDs is terrible. One would think that Sony would have taken the time to clean these CDs. While I admit it would be difficult since the songs were recorded between 1903-33, they could have cleaned it up. Hofmann's playing is absolutely amazing. Speaking from a pianist's p.o.v, how can he move his fingers that quickly? This is a CD for the music lover and classical collector....
Symphonic Suites of the Animated Classics
Average customer rating: 3.5 out of 5 stars
  • Great Listening
  • Fun Disney
  • Somewhat sub-standard production quality, but excellent tunes and arrangements
  • Crap!
Symphonic Suites of the Animated Classics

Manufacturer: Michelle Records
ProductGroup: Music
Binding: Audio CD

Movie ScoresMovie Scores | Soundtracks | Styles | Music
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  1. Symphonic Magic, Vols. 1-4
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  4. The Magical Music of Disney
  5. Snow White & The Seven Dwarfs

ASIN: B0000011KI
Release Date: 1994-12-08

Tracks:

  1. The Lion King Symphonic Suite: The Circle of Life
  2. The Lion King Symphonic Suite: I Just Can't Wait To Be King
  3. The Lion King Symphonic Suite: Can You Feel The Love Tonight
  4. Snow White And The Seven Dwarfs Suite: Whistle While You Work
  5. Snow White And The Seven Dwarfs Suite: I'm Wishing
  6. Snow White And The Seven Dwarfs Suite: With A Smile And A Song
  7. Snow White And The Seven Dwarfs Suite: Some Day My Prince Will Come
  8. Snow White And The Seven Dwarfs Suite: One Song
  9. Snow White And The Seven Dwarfs Suite: Heigh-Ho
  10. Aladdin Symphonic Suite: Arabian Nights
  11. Aladdin Symphonic Suite: Prince Ali
  12. Aladdin Symphonic Suite: A Whole New World
  13. Aladdin Symphonic Suite: One Jump Ahead
  14. Beauty And The Beast Symphonic Suite: Belle
  15. Beauty And The Beast Symphonic Suite: Beauty And The Beast
  16. Beauty And The Beast Symphonic Suite: Be Our Guest
  17. Pinocchio Symphonic Suite: Give A Little Whistle
  18. Pinocchio Symphonic Suite: When You Wish Upon A Star
  19. Pinocchio Symphonic Suite: I've Got No Strings
  20. Pinocchio Symphonic Suite: Turn On The Old Music Box
  21. Pinocchio Symphonic Suite: Hi Diddle-dee-dee
  22. Pinocchio Symphonic Suite: When You Wish Upon A Star (reprise)

Customer Reviews:

5 out of 5 stars Great Listening.......2007-01-23

The Kingston Symphony Orchestra (Kingston, Ontario) may not be the NY Philharmonic, but they do a very creditable job of providing wonderful music for easy listening. I was particularly delighted to find orchestral arrangements of these wonderful tunes. I am very glad that I purchased this album and would not hesitate to recommend it to anyone who enjoys this type of music.

5 out of 5 stars Fun Disney.......2007-01-10

I enjoyed this album and found it useful to choreograph dances for my students.

3 out of 5 stars Somewhat sub-standard production quality, but excellent tunes and arrangements.......2005-09-01

The Kingston Symphony Orchestra might not be the very best ensemble in the world (and it shows on this recording), but the lasting power and beauty of the songs on this album and some of the new and lovely arrangements of them are worth the listen. There are some definite technical and musical flaws as far as the recording and ensemble go, but the music and how it's arranged makes up for it.

Three stars for some soaring moments, due to classic tunes and arrangements.

My main beef: Where's The Little Mermaid?? Why discount one of the most beautiful Disney scores ever written?

1 out of 5 stars Crap!.......2005-08-09

What a scam! Terrible arrangements played by a third rate ensemble, called the Kingston Symphony Orchestra, that sounds more like a bad high school orchestra playing in a gym. Don't waste your money on this dog.
Victor Herbert: The American Girl
Average customer rating: 5 out of 5 stars
  • Beautiful Victor Herbert
  • Beautiful Victor Herbert
  • Beautiful Victor Herbert
Victor Herbert: The American Girl

Manufacturer: Arabesque Recordings
ProductGroup: Music
Binding: Audio CD

All Works by HerbertAll Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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ASIN: B000000T6L
Release Date: 1992-10-26

Tracks:

  1. The American Girl Two-Step
  2. The Princess Pat (Sels)
  3. The Dream Girl (Sels)
  4. Natoma (Sels)
  5. A Kiss In The Dark from Orange Blossoms
  6. A Love Sonnet
  7. Inauguration March

Customer Reviews:

5 out of 5 stars Beautiful Victor Herbert.......1999-05-19

This recording (Arabesque Z6561) is one of three CD recordings of Victor Herbert's music by Don Hunsberger and the Eastman School of music produced in the early 1980's. (The others are Arabesque Z6529 and Z6547) All are superbly recorded using the original orchestra arrangements from a composer who was gifted in the art of orchestration. We get a sampling of marches, selections from operettas, humor songs, and a selection from his opera Natoma. Teresa Ringholt sings with the orchestra on a few songs and her sweet soprano voice is perfect for the part. We need more of Victor Herbert's beautiful music to be discovered and performed in the way Herbert intended it to be performed. The authenic Victor Herbert may be the next discovery in the same way the authenic Scott Joplin has been discovered by the public.

5 out of 5 stars Beautiful Victor Herbert.......1999-05-19

This (Arabesque Z6561) is one of three CD recordings of Victor Herbert's music by Don Hunsberger and the Eastman School of music produced in the early 1980's. (The others are Arabesque Z6529 and Z6547) All are superbly recorded using the original orchestra arrangements from a composer who was gifted in the art of orchestration. We get a sampling of marches, selections from operettas, humor songs, and a selection from his opera Natoma. Teresa Ringholt sings with the orchestra on a few songs and her sweet soprano voice is perfect for the part. We need more of Victor Herbert's beautiful music to be discoivered and performed in the way Herbert intended it to be performed. The authenic Victor Herbert may be the next discovery in the same way the authenic Scott Joplin has been discovered by the public.

5 out of 5 stars Beautiful Victor Herbert.......1999-05-19

This (Arabesque Z6561) is one of three CD recordings of Victor Herbert's music by Don Hunsberger and the Eastman School of music produced in the early 1980's. (The others are Arabesque Z6529 and Z6547) All are superbly recorded using the original orchestra arrangements from a composer who was gifted in the art of orchestration. We get a sampling of marches, selections from operettas, humor songs, and a selection from his opera Natoma. Teresa Ringholt sings with the orchestra on a few songs and her sweet soprano voice is perfect for the part. We need more of Victor Herbert's beautiful music to be discoivered and performed in the way Herbert intended it to be performed. The authenic Victor Herbert may be the next discovery in the same way the authenic Scott Joplin has been discovered by the public.

Christian Music:

  1. Open Letter
  2. Parade: Music from the Motion Picture "Under the Cherry Moon" [Soundtrack]
  3. Pon de Replay [CD-single] [Enhanced] [Import]
  4. Private Room
  5. Real Chuckeeboo [Import]
  6. Rhythm of Love
  7. S.S.T./Brand New Orleans [CD-single]
  8. Shake It Off [CD-single] [Enhanced] [Import]
  9. Shalamar - Greatest Hits [Right Stuff]
  10. Songs

Christian Music

christian music

Christian Music

Sneaker [Import]

Sir George Martin Presents Tchaikovsky [Enhanced]

Single Collections for Japan Only [Import]

Lonesome Country

The Workout 2000

The Dinosaurs!

Terkish [Import]

The Stranger [Enhanced] [Original recording remastered]

Sounds of a Beat Generation: The Modern World

Raised on Radio

Sticks and Stones

Reggae Thong Thong, Vol. 2

Scouts Honor... [Explicit Lyrics]

Triumph

It's Christmas Time