Van Hunts self-titled debut record is a sultry trip back in time, where the single named musician conjures up the heady specter of '70s R&B, channeling vintage Marvin Gaye and Curtis Mayfield, then punctuating that smooth soul with some Sly Stone rhythm and grit, and early Prince naughtiness, without managing to sound hopelessly derivative. Why? Because behind every old school nuance is an ingenious vocal tic or instrumental fillip that reveals the quirky genius of this newcomer who not only sings but writes, produces, and arranges all his own material. The sinuous guitar, brash off-rhythms, and bubbling bass lines are perfect foils for the musicians decidedly modern tales of thwarted love and commitment. Van Hunt may be a fan of retro soul, but to his credit he doesnt even attempt to resurrect some the social anachronisms of the times. --Jaan Uhelszki
Van Hunt,Van Hunt,Capitol,Contemporary R&B,Neo-Soul,Pop,Rock,Soul/R & B,Urban
Average customer rating:
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Baby Einstein: Lullaby Classics
Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001IXTU4 Release Date: 2004-03-16 |
Tracks:
- Variations (Twinkle, Twinkle), K265/300e
- Minuet In G From Anna Magdalena
- Piano Sonata In C, K 545, 2nd Movement
- Spring Song
- Piano Sonata In D, K 576, 3rd Movement
- Jesu, Joy Of Man's Desiring, BWV 147
- Canon
- The Moldau
- Preludes Book II, Clair De Lune
- Sonata No.14 (Moonlight), 2nd Movement, Op.27
- Symphony No.9, New World
- Fur Elise, WoO 59
- The Four Seasons, Winter, RV267, 2nd Movement
- Orchestral Suite No.3 In D, Air, BWV 1068
- Sonata No.8 (Pathetique), 2nd Movement, Op.13
- Kinderscene, Op.15
- Waltz No.15, Lullaby
Product Description
The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)Customer Reviews:
Lame.......2007-07-22
Sounds like a cheap plastic toy.......2007-06-20
Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.
would make you sleepy.........2007-06-15
Kid's Music.......2007-06-08
Baby Einstein: Lullaby Classics
Not soothing.......2007-06-07
Average customer rating:
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Build Your Baby's Brain
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000AE72 Release Date: 1998-08-25 |
Tracks:
- Eine kleine Nachtmusik: Allegro - Philadelphia Orch; Ormandy, E.
- Fse
- Arrival of the Queen of Sheba from "Solomon"
- Alla Turca
- Quintet in a Major for Piano and Strings, Op. 114 "Trout"
- Concerto No. 1 in E Major, RV. 269 "Spring" (From the Four Seasons)
- "Jesu Joy of Man's Desiring" from Cantata No. 147
- Canon in D
- Quintet in a Major for Piano and Strings, Op. 114 "Trout"
- Air ("On the G String") From Orchestral Suite No. 3, BWV 1068
- Sheep May Safely Graze from Cantata No. 208
- Water Music, HWV 348-350 (Wassermusik)
- Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan"
- Serenade No. 13 in G Major, K. 525 "Eine Kleine Nachtmusik"
- "Dove Sono" from le Nozze Di Figaro, K. 492
- "Li Darem la Mano" from Don Giovanni, K. 527
- Bist du Bei Mir, BWV 508
Amazon.com
Hundreds of compilation recordings have been thrust on the market in recent years on the theory that classical music makes a nice, non-threatening accompaniment to everything from working out to making love. And here we have one compilation promising to make your baby smarter. It's offensive enough that the music featured on these compilations is spliced up so that the most you hear of any work is a single movement; what's really annoying is the poor quality of so many of the featured performances. So it is some consolation that the artists here include such 20th-century legends as the Cleveland Orchestra under Szell and the Budapest String Quartet with Mieczyslaw Horszowski. Of course if these folks were alive, one can imagine their violent objection to this presentation of their work. --Gwendolyn FreedCustomer Reviews:
Build Baby's Brain through Classics Vol 1.......2006-07-25
Wonderful stimulating music for baby.......2006-06-23
Intelligence is not hereditary, but rather a result of stimulation during infancy and birth. Sure, it isn't a guarantee that your child *will* become a genius if you attempt to educate them from birth, but there is no doubt that real educational stimulation of a young mind is a powerful indicator that the child will be more advanced than the average child.
Music is not just notes played. Music--real music--is everything. Though the music of today will fade, classical music will always be around because it is classic. It fits no matter what era you place it in. There is always a home for it. The artists are timeless just as the beautiful melodies are.
I certainly believe that babies who listen to music will become more familiar with and more easily understand music and instruments. Therefore, they will be quicker of mind. It is just a fact that people who play instruments are usually of higher intelligence.
I don't think that people are destined to be stupid or geniuses. I believe it is a question of environment. I feel I'm a great mother but I haven't done everything I could have been doing to help my son's mind expand as an infant. Now that he is a toddler (18 months) I am teaching him to read and exposing him to the magic of classical music in hopes that it will help mold him and set him apart from the rest.
Minds are trainable. You just have to work at it. This CD compiled of beautiful pieces composed by instrumental geniuses will help you do just that.
The greatest CD!!.......2006-01-17
And as for the comment that the music has nothing to do with intellingence, you stand alone on that front. Besides, what does it hurt? It's great, soothing music and the babies enjoy it.
Forget baby, it's mine?.......2005-09-01
Love this CD--why all the complaints?.......2004-08-30
Average customer rating:
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Beethoven for Babies
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009OU6 Release Date: 1998-08-11 |
Tracks:
- Six National Airs With Variations, Op. 105: The Cottage Maid (Welsh)
- Six National Airs With Variations, Op. 105: The Last Rose Of Summer (Irish)
- Six National Airs With Variations, Op. 105: Chiling O'Guirg (Irish)
- Six National Airs With Variations, Op. 105: English Bulls (Irish)
- Ten National Airs With Variations, Op. 107: St. Patrick's Day (Irish)
- Ten National Airs With Variations, Op. 107: O Mary, At The Window Be (Scottish)
- Ten National Airs With Variations, Op. 107: Oh, Thou Are The Lad Of My Heart (Scottish)
- Ten National Airs With Variations, Op. 107: Fur Elise
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 8 In C Minor ('Pathetique') - Adagio cantabile
- Ten National Airs With Variations, Op. 107: String Quartet No. 13 In B-Flat - Alla Danza Tedesca. Allegro assai
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 7 In D - Menuetto (Allegro)
- Ten National Airs With Variations, Op. 107: The Creatures Of Prometheus - Finale. Allegretto
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 18 In E-Flat - Menuetto (Moderato e grazioso)
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 20 In G - Tempo di menuetto
- Ten National Airs With Variations, Op. 107: Symphony No. 8 In F - Allegro scherzando
- Ten National Airs With Variations, Op. 107: Symphony No. 9 In D Minor ('Choral') - Ode To Joy
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 15 In D ('Pastoral') - Rondo (Allegro ma non troppo)
- Ten National Airs With Variations, Op. 107: Symphony No. 6 In F ('Pastoral') - Hymn Of Thanksgiving
Amazon.com
For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of "Pathétique" is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ("Pastoral"). Programmed amidst the piano pieces, which are great studies in dynamics and musical spacing, are some fine orchestral snippets, none longer than five minutes. The collection does a fine balancing act, condensing works that don't inherently lend themselves to shortened renditions and carefully managing moods, entry, and egress to each segment. This is fine anthology work. --Andrew BartlettCustomer Reviews:
Beethoven for Babies.......2007-05-21
Nicest classical CD I have found for my baby (& me).......2005-09-01
Ode To Beethoven.......2005-05-13
Pseudoscientific crap, but some of the music is good here.......2004-05-27
That having been said, if you are stupid enough to believe any of this "Mozart Effect" horse manure --- which continues to have no support in any sort of controlled test environment --- then your babies will probably inherit your limited intellectual capacities & no amount of Beethoven & Mozart will ever be able to help them.
If, on the other hand, you are introducing Junior to classical music, you could do worse --- but you could also do better. Go get Arrau's complete Beethoven sonatas & concerti, get the Berg Quartett's complete Beethoven quartet cycle, and get John Eliot Gardiner's complete Beethoven symphonies --- just for a start. Also, don't stop with Beethoven & Mozart. My 9-month old daughter gets a diverse exposure to a thousand years of music, and very little is off limits. She got acquainted with the Bartok Quartets within her first couple of months, and it doesn't look like we have created an axe murderer or anything like that.
Anyway, if you want to create a classical music lover, do it right and go the distance, rather than doing it piecemeal with CDs like this. Your baby may still be a moron, but at least will be a moron with exquisite taste.
Nicest classical music CD I've found for my baby (& me).......2003-11-23
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Mozart:The Complete Piano Sonatas and Variations
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YA0U Release Date: 2000-11-07 |
Tracks:
- I: Allegro
- II: Andante
- III: Allegro
- I: Allegro Assai
- II: Adagio
- III: Presto
- I: Allegro Moderato
- II: Andante Amoroso
- III: Rondeau: Allegro
- I: Adagio
- II: Menuetto I - Menuetto II
- III: Allegro
- I: Allegro
- II: Andante
- III: Presto
Tracks:
- I: Allegro
- II: Rondeau En Polonaise: Andante
- III: Tema (Andante) Con Variazioni (I-XII)
- I: Allegro Con Spirito
- II: Andante Un Poco Adagio
- III: Rondeau: Allegretto Grazioso
- I: Allegro Maestoso
- II: Andante Cantabile Con Espressione
- III: Presto
Tracks:
- I: Allegro Con Spirito
- II: Andantino Con Espressione
- III: Rondeau: Allegro
- I: Allegro Moderato
- II: Andante Cantabile
- III: Allegretto
- I: Tema (Andante Grazioso) Con Variazioni (I-VI)
- II: Menuetto - Trio
- III: Alla Turca: Allegretto
- I: Allegro
- II: Adagio
- III: Allegro Assai
Tracks:
- I: Allegro
- II: Andante Cantabile
- III: Allegretto Grazioso
- Adagio - Allegro - Andantino - Piu Allegro - Tempo I
- I: Molto Allegro
- II: Adagio
- III: Allegro Assai
Tracks:
- I: Allegro
- II: Andante Cantabile
- III: Allegretto
- I: Allegro
- II: Andante
- III: Rondo
- I: Allegro
- II: Adagio
- III: Allegretto
- I: Allegro
- II: Adagio
- III: Allegretto
Tracks:
- Tema ('Laat Ons Juichen'): Allegretto
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7: Adagio
- Variation 8: Tempo I
- Tema (Air): Allegro
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5: Adagio
- Variation 6: Tempo I
- Variation 7
- Tema (Menuetto): Andante
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5: Adagio
- Variation 6: Allegretto
- Tema (Menuet)
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7
- Variation 8
- Variation 9
- Variation 10
- Variation 11: Adagio
- Variation 12: Allegro
- Tema (Air): Allegretto
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7
- Variation 8: Tempo Di Menuetto
- Variation 9
- Variation 10: Allegretto
- Variation 11
- Variation 12: Molto Adagio
- Allegretto
Tracks:
- Tema
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7
- Variation 8
- Variation 9
- Variation 10
- Variation 11: Adagio
- Variation 12: Allegro
- Tema
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7
- Variation 8
- Variation 9
- Variation 10
- Variation 11: Adagio
- Variation 12: Presto
- Tema: Andante
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7
- Variation 8: Adagio
- Variation 9: Allegro
- Tempo Di Tema
- Tema
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7: Adagio
- Variation 8: Allegro
- Tema
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
Tracks:
- Tema: Allegretto
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7
- Variation 8
- Variation 9: Adagio
- Variation 10: Allegro
- (Tempo I)
- Tema: Allegretto
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7
- Variation 8
- Variation 9
- Variation 10
- Variation 11: Adagio
- Variation 12: Allegro
- (Tempo I)
- Tema: Allegretto
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Tema
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7
- Variation 8: Adagio
- Variation 9: Allegro
- (Tempo I)
- Tema
- Variation 1
- Variation 2
- Variation 3
- Variation 4
- Variation 5
- Variation 6
- Variation 7: Adagio
- Variation 8: Allegro
- (Tempo I)
Customer Reviews:
like sparkling mineral water.......2006-12-22
For starters, Mozart achieves his sparest, cleanest, most limpid lines when writing for solo piano. Then comes Daniel Barenboim, whose reading of Mozart is crisply and unemotionally classical. Not for him the drawn-out keyboard soliloquy. On the contrary, Barenboim gives us Mozart, only Mozart, and nothing but Mozart, clean and shimmering as sparkling mineral water.
This is not to say that Barenboim as pianist is unfeeling. On the contrary, the Fantasia in C Minor - to choose just one example with almost random lack of care - is quite moving. But not with a flourish. Rather, with almost sinewy restraint. The presentation represents a fine grasp of the master composer, nurtured with discipline across the length and breadth of the voluminous sonatas.
Indeed, the sheer volume of the Mozart piano sonatas is intimidating. It is astonishing to imagine one man having mastered it as Barenboim has. EMI Classics has done us the favor of collecting these two gentlemen's asynchronic collaboration in one set, affordable at that.
If Mozart is a musician for the ages and Barenboim a performer who left a formidable imprint on the twentieth century, their collaboration as represented in these recordings is a watershed that will need to be referenced by students of classical piano for at least another hundred years, or until people can only remember as far back as the Dixie Chicks.
Buy Barenboim on Mozart before that happens, and so stick your thumb in the dike against the evil day.
Soulless Rendition.......2005-10-16
Lovely.......2005-03-17
"The sonatas of Mozart are unique: too easy for children, too difficult for adults. Children are given Mozart to play because of the quantity of notes; grown ups avoid him because of the quality of notes." - Artur Schnabel
Top notch performances.......2004-06-17
When you are a musician you must avoid in the cliche , and you should feel the music as a whole and the playing must be the consequence of a overlong process that begins in your soul , then your inner mood , your intellect and finally your fingers. I remark the aspect when you are in front of Mozart, Beethoven Wagner, Bruckner, Bach , Schubert and Bartok , because these composers are in a highest level than the others and the music itself is merely a device for expressing deeper issues.
That's why this set is superb. Barenboim plays a Mozart rich in expresiveness , he gives to Mozart presence .
Barenboim plays music as Vegh or Furtwangler did it , always seeking the landscape far beyond the score . That's why they are so original in their performances . The rapture is not a device for exhibite his skills , it''s the final product of a long process.
Acquire this set. It's an unvaluable treasure.
Very good, but a bit misleading?.......2004-05-15
My only complaint with this 8 CD set is that the advertised piano sonatas occupy the first 5 CDs; the last three are piano variations -- interesting, but not of the quality of the sonatas themselves. Surely a less-expensive 5-CD set, providing just the sonatas advertised in the title, would offer better value for money. On the other hand, 5 great CDs for $48 isn't a bad deal.
Average customer rating:
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Van Hunt
Van Hunt Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001BKAGM Release Date: 2004-02-24 |
Tracks:
- Dust
- Seconds Of Pleasure
- Hello Goodbye
- Down Here In Hell (With You)
- What Can I Say
- Anything (To Get Your Attention)
- Highlights
- Precious
- Her December
- Hold My Hand
- Who Will Love Me In Winter
- Out Of The Sky
Amazon.com
Van Hunt's self-titled debut record is a sultry trip back in time, where the single named musician conjures up the heady specter of '70s R&B, channeling vintage Marvin Gaye and Curtis Mayfield, then punctuating that smooth soul with some Sly Stone rhythm and grit, and early Prince naughtiness, without managing to sound hopelessly derivative. Why? Because behind every old school nuance is an ingenious vocal tic or instrumental fillip that reveals the quirky genius of this newcomer who not only sings but writes, produces, and arranges all his own material. The sinuous guitar, brash off-rhythms, and bubbling bass lines are perfect foils for the musician's decidedly modern tales of thwarted love and commitment. Van Hunt may be a fan of retro soul, but to his credit he doesn't even attempt to resurrect some the social anachronisms of the times. --Jaan UhelszkiCustomer Reviews:
Pretty damn awesome! 4.5 stars........2007-07-25
I first saw Van Hunt singing his song, "Dust" on TV for his video. A while after, I saw this CD at the mall and recalled that I liked his first single so I decided to take a chance on it. The whole car ride home, we listened to it and it blew me away. It's pretty mellow mostly but there are definitely upbeat numbers too.
My favorite song by him so far is Hold My Hand. I don't know why, but it just is. Get this today and get one for a friend. The chances are that they will like!
4.5 stars!
Fire.......2007-05-04
and .... just something new.... love this cd. Because it is quite an
exhibit of his great range and diversity. Can't wait to hear more from this artist...
Just Press Play.......2007-04-11
Not quite the new Prince, but still a highly talented musician who should command respect for years to come.......2007-03-24
Addicted.......2007-02-18
Average customer rating:
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A Bride's Guide to Wedding Music
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YD53 Release Date: 2002-02-19 |
Tracks:
- Bach: Jesu, Joy Of Man's Desiring
- Vivaldi: Largo Winter
- Bach: Air On A G String
- Torelli: Trumpet Concerto
- Bach: Sheep May Safely Graze
- Handel: Let The Bright Seraphim
- Handel: Pastoral Symphony
- Boccherini: String Quintet, Minuet
- Mendelssohn: On Wings Of Song
- Liszt: Dream Of Love
- Rachmaninov: Vocalise
- Debussy: Claire De Lune
- Satie: Gymnopedie No.1
- Gluck: Dance Of The Blessed Spirits
- Debussy: Arabesque
- Bizet: Intermezzo
- Elgar: Salut D'amour
- Debussy: Prelude A L'apres - Midi D'un Faun
Tracks:
- Wagner: Bridal Chorus
- Clarke: Trumpet Voluntary
- Handel: Royal Fireworks Music, Overture
- Gabrieli: Canzon V
- Charpentier: Te Deum
- Purcell: Trumpet Tune
- Mussorgsky: Promenade
- Pachebel: Canon In D
- Handel: Larghetto
- Vivaldi: Guitar Concerto In D Major, Largo
- Handel: Water Music, Air
- Macdowell: To A Wild Rose
- Beethoven: Pathetique Sonata, Adagio
- Melchior: Adagio
- Gounod: Ave Maria
- Schubert: Ave Maria
- Franck: Panis Angelicus
- Faure: Pie Jesu
- Rachmaninov: Rhapsody On A Theme Of Paganini
- Schumann: Romance For Violin And Piano
- Massenet: Meditation
Tracks:
- Mendelssohn: Wedding March
- Vivaldi: Concerto For Two Trumpets In B, Allegro
- Telemann: Trumpet Concerto In D, Allegro
- Vivaldi: Spring, Allegro
- Telemann: Trumpet Concerto In B, Allegro
- Handel: Concerto Grosso, Hornpipe
- Bach: Brandenburg Concerto No.4, Allegro
- Handel: Arrival Of The Queen Of Sheba
- Schumann: Piano Quintet In E Flat Major
- Widor: Toccata
- Dubois: Toccata
- Walton: Crown Imperial
- Bach: Cantata No.51. 'Jauchzet Gott In Allen Landen.' Alleluia
- Mozart: Exsultate Jubilate, Alleluia
- Handel: Water Music, Hornpipe
- Chopin; Variations On A Theme From 'La Cenerentola'
- Faure: Sicilienne
- Offenbach: Barcarolle
- Faure: Berceuse
- Saint-Saens: The Swan
- Brahms: Waltz In A Flat
- Grieg: Wedding Day At Troldhaugen
Album Description
The process of choosing music for a wedding day can certainly be a daunting process for any couple. There are many choices and the questions can be endless. Traditional music or something off the beaten path? Will your Mom cry (and not in a good way) if you do not come down the aisle to the traditional Wedding March from Wagner, or are you eager to try something new? This collection is designed to give the bridal couple some key pointers to navigate the world of classical music for their wedding day. The package includes over 3 1/2 hours of music on 3 CDs for all portions of the wedding service, all from the Naxos classical label (known for high-quality recordings at inexpensive prices). Wedding day favorites are there, along with new discoveries and tunes you may have never considered for a wedding. All pieces are hand selected by professional wedding musicians and consultants. As a bonus, the 20 page booklet will lead you through the process of choosing music, from hiring musicians to sample programs. Everything you need to create your own unique personal wedding soundtrack.Customer Reviews:
GREAT WEDDING MUSIC!.......2007-01-24
Good Music.......2006-07-05
A very complete selection of ceremony music!.......2005-02-02
Comprehensive Classical Selection.......2004-04-15
Just one note..........2003-06-07
Beautiful, but perhaps not so suitable for a wedding.
Average customer rating:
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Beethoven: Complete Piano Sonatas / Daniel Barenboim
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000C2KP Release Date: 1998-10-20 |
Tracks:
- Sonata No.1 In F Minor, Op.2 No.1: Allegro
- Sonata No.1 In F Minor, Op.2 No.1: Adagio
- Sonata No.1 In F Minor, Op.2 No.1: Menuetto: Allegretto
- Sonata No.1 In F Minor, Op.2 No.1: Prestissimo
- Sonata No.2 In A Major, Op.2 No.2: Allegro vivace
- Sonata No.2 In A Major, Op.2 No.2: Largo appassionato
- Sonata No.2 In A Major, Op.2 No.2: Scherzo: Allegretto
- Sonata No.2 In A Major, Op.2 No.2: Rondo: Grazioso
- Sonata No.3 In C Major, Op.2 No.3: Allegro con brio
- Sonata No.3 In C Major, Op.2 No.3: Adagio
- Sonata No.3 In C Major, Op.2 No.3: Scherzo: Allegro
- Sonata No.3 In C Major, Op.2 No.3: Allegro assai
Tracks:
- Sonata No.5 In C Minor, Op.10 No.1: Allegro molto e con brio
- Sonata No.5 In C Minor, Op.10 No.1: Adagio molto
- Sonata No.5 In C Minor, Op.10 No.1: Finale: Prestissimo
- Sonata No.6 In F Major, Op.10 No.2: Allegro
- Sonata No.6 In F Major, Op.10 No.2: Allegretto
- Sonata No.6 In F Major, Op.10 No.2: Presto
- Sonata No.7 In D Major, Op.10 No.3: Presto
- Sonata No.7 In D Major, Op.10 No.3: Largo e mesto
- Sonata No.7 In D Major, Op.10 No.3: Menuetto: Allegro
- Sonata No.7 In D Major, Op.10 No.3: Rondo: Allegro
- Sonata No.22 In F Major, Op.54: In tempo di Menuetto
- Sonata No.22 In F Major, Op.54: Allegretto - Piu allegro
Tracks:
- Sonata No.4 In E Flat Major, Op7: Allegro molto e con brio
- Sonata No.4 In E Flat Major, Op7: Largo con gran espressione
- Sonata No.4 In E Flat Major, Op7: Allegro
- Sonata No.4 In E Flat Major, Op7: Rondo: Poco allegretto e grazioso
- Sonata No.9 In E Major, Op.14 No.1: Allegro
- Sonata No.9 In E Major, Op.14 No.1: Allegretto
- Sonata No.9 In E Major, Op.14 No.1: Rondo: Allegro comodo
- Sonata No.10 In G Major, Op.14 No.2: Allegro
- Sonata No.10 In G Major, Op.14 No.2: Andante
- Sonata No.10 In G Major, Op.14 No.2: Scherzo: Allegro assai
Tracks:
- Sonata No.11 In B Flat Major, Op.22: Allegro con brio
- Sonata No.11 In B Flat Major, Op.22: Adagio con molta espressione
- Sonata No.11 In B Flat Major, Op.22: Menuetto
- Sonata No.11 In B Flat Major, Op.22: Rondo: Allegretto
- Sonata No.12 In A Flat Major, Op.26: Andante von variazioni
- Sonata No.12 In A Flat Major, Op.26: Scherzo: Allegro molto
- Sonata No.12 In A Flat Major, Op.26: Marcia funebre sulla morte d'un Eroe: Maestoso andante
- Sonata No.12 In A Flat Major, Op.26: Allegro
- Sonata No.13 In E Flat Major, Op.27 No.1: Andante - Allegro
- Sonata No.13 In E Flat Major, Op.27 No.1: Allegro molto e vivace
- Sonata No.13 In E Flat Major, Op.27 No.1: Adagio con espressione - Allegro vivace
Tracks:
- SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Grave - Allegro molto e con brio
- SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Adagio cantabile
- SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Rondo: Allegro
- Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
- Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
- Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato - Adagio - Presto agitato
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro assai - Piu allegro
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Andante con moto
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro ma non troppo - Presto
Tracks:
- Sonata No.15 In D Major, Op.28 'Pastoral': Allegro
- Sonata No.15 In D Major, Op.28 'Pastoral': Andante
- Sonata No.15 In D Major, Op.28 'Pastoral': Scherzo: Allegro vivace
- Sonata No.15 In D Major, Op.28 'Pastoral': Rondo: Allegro ma non troppo
- Sonata No.21 In C Major, Op.53 'Waldstein': Allegro con brio
- Sonata No.21 In C Major, Op.53 'Waldstein': Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)
- Sonata No.19 In G Minor, Op.49 No.1: Andante
- Sonata No.19 In G Minor, Op.49 No.1: Rondo: Allegro
- Sonata No.20 In G Major, Op.49 No.2: Allegro ma non troppo
- Sonata No.20 In G Major, Op.49 No.2: Tempo di menuetto
Tracks:
- Sonata No. 16 In G Major, Op. 31 No. 1: Allegro vivace
- Sonata No. 16 In G Major, Op. 31 No. 1: Adagio grazioso
- Sonata No. 16 In G Major, Op. 31 No. 1: Rondo: Allegretto - Adagio - Presto
- Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Largo - Allegro
- Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Adagio
- Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Allegretto
- Sonata No.18 In E Flat Major, Op.31 No.3: Allegro
- Sonata No.18 In E Flat Major, Op.31 No.3: Scherzo: Allegretto vivace
- Sonata No.18 In E Flat Major, Op.31 No.3: Menuetto: Moderato grazioso
- Sonata No.18 In E Flat Major, Op.31 No.3: Presto con fuoco
Tracks:
- Sonata No.24 In F Sharp Major, Op.78: Adagio cantabile - Allegro ma non troppo
- Sonata No.24 In F Sharp Major, Op.78: Allegro vivace
- Sonata No.25 in G major, Op.79: Presto alla tedesca
- Sonata No.25 in G major, Op.79: Andante
- Sonata No.25 in G major, Op.79: Vivace
- Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Das Lebewohl (Les Adieux): Adagio - Allegro
- Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Abwesenheit (L'Absence): Andante espressivo
- Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Wiedersehn (Le Retour): Vivacissimamente - Poco andante - Tempo 1
- Sonata No.27 In E Minor, Op.90: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
- Sonata No.27 In E Minor, Op.90: Nicht zu geschwind und sehr singbar vorzutragen
Tracks:
- Sonata No.28 In A Major, Op.101: Allegretto ma non troppo
- Sonata No.28 In A Major, Op.101: Vivace alla Marcia
- Sonata No.28 In A Major, Op.101: Adagio, ma non troppo, con affetto - Tempo del primo pezzo - Allegro
- Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Allegro
- Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Scherzo: Assai vivace - Presto - Tempo 1
- Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Adagio sostenuto
- Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Largo - Allegro - Prestissimo - Allegro risoluto (Fuga a tre voci, con alcune licenze)
Tracks:
- Sonata No.30 In E Major, Op.109: Vivace, ma non troppo - Adagio espressivo - Tempo 1
- Sonata No.30 In E Major, Op.109: Prestissimo
- Sonata No.30 In E Major, Op.109: Tema: Andante molto cantabile e espressivo - Variazioni 1-6
- Sonata No.31 In A Flat Major, Op.110: Moderato cantabile, molto espressivo
- Sonata No.31 In A Flat Major, Op.110: Allegro molto
- Sonata No.31 In A Flat Major, Op.110: Adagio ma non troppo
- Sonata No.31 In A Flat Major, Op.110: Fuga: Allegro ma non troppo - L'istesso tempo di arioso - L'istesso tempo della Fuga - Meno allegro
- Sonata No.32 in C minor, op.111: Maestoso - Allegro con brio ed appassionato
- Sonata No.32 in C minor, op.111: Arietta: Adagio molto semplice e cantabile - Variazioni
Customer Reviews:
Barenboim's Beethvoen.......2007-06-27
One of the very best ever.......2007-02-15
dead in the water.......2007-01-12
Better off finding a better performance of these if you really want to be "blown away". My favorite "Beethoven" conductor would have to be Herbert von Karajan; and as for individual pianists my all time favorite is Maurizio Pollini, whose performances are exquisite, in both technique and expression! If you are a music lover you should really check his work out if you haven't already. My favorite Beethoven CD by him is "Die Spaten Klaviersonaten" (Beethoven) by Deutsche Grammophon in their "legendary recordings" series. It is a real gem! (the sound quality is excellent also)
Sublime expression nourished by a colossal vision!.......2006-03-23
And that is a very remarkable good point in this musical moment where the pianist technique is eclipsing and even annulling the personal approach in the most of pianists all over the world. Honesty, conviction, vision and commitment dress those interpretations loaded of expression and personality.
In the great tradition of the great Beethovenian keyboard giants of the past, Daniel explores and plays every little bar with that well felt intensity of someone who in Beethoven `s there is much more than simple music. In Beethoven the music is not a goal by itself; but a revelation superior to any philosophy; all his musical legacy possess values that are placed of the standards. There is not art without second intention and that is precisely what Barenboim has made with this fabulous cycle of Beethoven Sonatas.
If you really want to listen remarkable performances far beyond of the trivial conventionalisms, go for this record.
Performed with great enthusiasm.......2004-05-16
Personally, I think his style is just right for Beethoven (but perhaps just a bit much when he plays Mozart). I'm very glad that I bought this set, but some might prefer Brendell's (Phillips) or Kempff's (DG) more sedate versions.
Average customer rating:
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On the Jungle Floor
Van Hunt Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EMGJM2 Release Date: 2006-04-04 |
Tracks:
- Intro
- If I Take You Home (Upon...)
- Hot Stage Lights
- Daredevil, baby
- Ride, Ride, Ride
- Being A Girl
- Suspicion (She Knows Me Too Well)
- Mean Sleep
- Priest Or Police
- Character
- Interlude
- No Sense Of Crime
- At The End Of A Slow Dance
- The Thrill Of This Love
- Hole In My Heart
- The Night Is Young
Amazon.com
Here's something you didn't know about Van Hunt: Randy Jackson is his manager. Which says a lot about the "American Idol" judge's prime-time panning of pitchy would-be Stevie Wonders-- mainly, that he knows what he's talking about. If there is still a neo-soul show to be stolen, Van Hunt, for sure, has made off with it: This sophomore effort, with well-spaced nods to Prince, Curtis Mayfield, and the Isley Brothers, is way weightier than anything Maxwell or D'Angelo ever attempted and every bit as stylish maybe more so. But what's most surprising is the disc's depth. Van Hunt knows his way around a smooth seduction--look no further than track two, "If I Take You Home (Upon ...)," which earns an A in that category--but he also has a little something to contribute to the modern rock conversation (the Kravitz-esque "Ride, Ride, Ride"), and he won't duck associations with disco ("The Thrill of This Love"), either. Even '80s-revivalism, as demonstrated here by "At the End of a Slow Dance," doesn't prove too great a challenge. Tie it all up with a bow (or, this being Van Hunt, maybe an ascot) and you still get a solidly singular vision. That is the magic of Van Hunt and what makes him, in alt-soul circles, the man. --Tammy La GorceCustomer Reviews:
Excellent second album!.......2007-07-25
This talented singer/writer/producer has been producing solid work since he penned Dionne Farris's hit "Hopeless." Just like his much-overlooked first album, this one delivers and soulful mix of R&B, Rock and Funk. There are so many great tracks on this release, that there is something for everyone. Although Hunt mixes different musical styles, he still puts a cohesive stamp on it that makes them flow well together.
My favorite tracks are Priest or Police, Daredevil Baby, Being a Girl, At The End Of A Slow Dance, If I Take You Home, and Hot Stage Lights.
I can't wait for the new EP.
Not as great as the first. But it's OK........2007-05-31
But I do like Daredevil, Baby. I've had this CD since May 13th, 2006 and when I first heard it, I didn't know what to make of it, but a while later, I ended up liking the song. The production on No Sense of Crime is nice and playful, the lyrics, somewhat relatable. Mean Sleep is a decent song (though I can't compare to Lenny's because I've never heard it before) and Hot Stage Lights has a killer vibe during the chorus (or pre-chorus, I'm not sure :P). I can't get enough of it.
Another note that I must get through to you is that Van Hunt's lyrics have always been amongst the best and most descriptive (when he tries). See the intro to The Thrill Of This Love which has a slightly dreamy feel to it. It's not the greatest song otherwise, but it's decent. The album closes with The Night Is Young where Van Hunt struggles with the thought of where he is at the point of his life: getting older, reminiscing about the past, etc. It has a bit of a melancholy feel to it, but not overly so.
Things that could've been left off the album completely:
Ride, Ride, Ride and the intro as well as the interlude; the latter two are pretty much Van Hunt and some guy being as silly as possible. Not bad, but not necessary either.
Overall, there are about 4 songs that I enjoyed thoroughly (minus the intro and interlude).
If you want to get to know Van Hunt, I'd start with his far superior album, Van Hunt and then if he grabs you, get On The Jungle Floor. Be warned though, this album is much edgier, if that's your thing. To be honest though, I think this CD is a BORDERLINE sophomore slump. Fewer songs here grabbed me like they did with his self-titled album.
Final rating: 3.5 stars
Bye. ^_^
Great work!.......2007-05-19
Soulful.......2007-02-11
Most people are living their lives without any substance. This kind of music helps bring substance back into our lives without sacrificing any of your enjoyment.
As much as I enjoy this cd, I don't think it's as good as Van Hunt's self-titled first album. That probably has to do with the fact that he aligned himself with American Idol Randy Jackson to help produce this album.
I LUV U VAN BABY, U MAKE CURTIS MAYFIELD PROUD!*U HAV MY SUPPORT (SEXXY CARAMEL)!!.......2006-11-20
.....I KNOWN ABOUT VAN FROM HIS DEBUT ALBUM "VAN HUNT" MOST MEMORABLE SONG
WAS "SECONDS OF PLEASURE"! WHICH ALSO CAN BE HEARD ON THE "SOMETHING NEW"
SOUNDTRACK. VAN IN MY EYES & MANY OTHERS "STANDS ALONE" BUT IN HIS MUSIC
I CAN HEAR THAT HE HAD "GREAT TEACHERS", MANY GREAT INFLUENCES SUCH AS:
THE GREAT CURTIS MAYFIELD, DONNY HATHAWAY, LENNY KRAVITZ & A LITTLE
JIMMY HENDRIX! WHAT TURN ME ON 2 "ON THE JUNGLE FLOOR" WAS NOT ONLY HIS
NAME BUT AFTER WATCHING "SOMETHING NEW" & HEARING SONG #2 "IF I TAKE U
HOME" WHILE THE END CREDITS WERE ROLLING... 4 THOSE OF U THAT DIDN'T GET
IT VAN DOESN'T SKIP-A-BEAT! #8 FEATURING Nikki Costas IS THE ONLY DULL
SONG BUT THE WORDS ARE SIGNIFICANT... I CAN PLAY IT STRAIGHT THROUGH!!!!
TO NOT APPRECIATE THIS ALBUM MEANS THAT THIS MUSIC CONFUSES U & "THIS
JUST ISN'T 4 U"!! SOME OF US OWN DEPTH & MANY DOESN'T!!LOOOK GO GET IT!!!!
``````````````````````````````````````````````````````````````````````````
1....INTRO "VAN JUST HAVIN FUN"
2....IF TAKE U HOME (WILL U RESPECT ME IN THE MORNIN?)"DON'T KISS & TELL"
3....HOTT STAGE LIGHTS (I RATHER BE SUBTLE, DON'T NEED ALL THE EXCITEMENT)
4....DARE DEVIL BABY "SOMETIMES W/ THE MOST VALUABLE THINGS WE GAMBLE"
5....RIDE,RIDE,RIDE "CRUISE CONTROL, ENJOY THE RIDE"
6....BEING A GIRL "SISTAS LUV 2 HAV FUN EVEN MORE"
7....SUSPICION (SHE KNOWS ME 2 WELL) "YES I KNOW U HAVE MOTIVES" >ICU<
8....MEAN SLEEP f/Nikki Costas My only least favorite. "BECAUSE OF U"...
9....PRIEST OR POLICE "IF THE SHOE FITS SPORT IT"
10..."CHARACTER" R U WHO U PRETEND 2 ME 2 BE?" WHAT'S NATURAL?
11...INTERLUDE "VAN HAVIN FUN ONCE AGAIN"
12...NO SENSE CRIME "THIS 1 IS SENT FROM CURTIS MAYFIELD" I LUV IT!!
13...@ THE END OF A SLOW DANCE "WHAT'S LEFT 4 US 2 DO?" THINK ABOUT IT!!
14...THE THRILL OF THIS LUV "I'M ON THE CLOUDS & I'M DON'T WANT 2 FALL"!
15...*HOLE IN MY HEART* "OH BABY HEAL ME WHERE-EVA IT HURTS" LUV IT 2!
16...*THE NIGHT IS YOUNG "IT'S 2 EARLY CALL IT A NIGHT"! HAV FUN*
````````````````````````````````LUV URSELVES``````````````````````````````
Average customer rating:
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The Complete Wedding Album
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006ONZ Release Date: 1998-04-28 |
Tracks:
- Rigaudon - Empire Brass
- Sinfonia - Michael Murray
- Toccata - Michael Murray
- Wedding March - Michael Murray
- The Prince Of Denmark's March - Michael Murray
- Trumpet Tune In D Major - Michael Murray
- Te Deum - Michael Murray
- Ave Maria - Michael Murray
- Canon In D Major - Yolanda Kondonassis
- Jesu, Joy Of Man's Desiring - Yolanda Kondonassis
- Prelude No. 1 In C Major - Yolanda Kondonassis
- Entrance Of The Queen Of Sheba - Keith Clark
- Air - Orchestra Of St. Luke's
- Hornpipe - Orchestra Of St. Luke's
- Rondeau - Empire Brass
- Unchained Melody - Erich Kunzel
- Through The Eyes Of Love - William Tritt
- Love Theme From Romeo And Juliet - William Tritt
- The Wedding Song (There Is Love - Danny Donnelly
- Dodi Li - Shira Kammen
Tracks:
- Rondeau - Michael Murray
- Sheep May Safely Graze - Michael Murray
- Ave Maria - Michael Murray
- Gymnopedie No. 1 - Michael Chertock
- Clair De Lune - Michael Chertock
- Adagio Sostenuto - Michael Chertock
- Largo - Angel Romero
- Largo - Larry Cooperman
- Largo - Keith Clark
- Allegro - Boston Symphony Orchestra
- Adagio In G Minor For Strings - Keith Clark
- Fantasia On 'Greensleeves' - Leonard Slatkin
- Adagio For Strings - Erich Kunzel
- 'Treulich Gefuart,' Bridal Chorus - Atlanta Symphony Orchestra And Chorus
- Wedding March - Atlanta Symphony Orchestra
Customer Reviews:
GORGEOUS!.......2007-06-13
Wonderful intro To MEHDl ..........2006-06-08
I was instantly blown away by the quality of this music and so I gave it a try and now that I have listened to these CDs several times I really must say that although I'm still a Tomaso Albinoni fan of, I find MEHDl to be a great addition to this CD. I had them both in my multi-disc CD player during the wedding and love the way they compliment each other. I highly recommend that you give this artist a try or atleast just go listen to the samples, I have a feeling you'll be glad you did.
great.......2006-02-19
The Complete Wedding Album.......2005-08-05
Almost the compete wedding album.......2004-05-07
Average customer rating:
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Beethoven: The Complete Piano Sonatas
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GCC Release Date: 1991-07-12 |
Tracks:
- Sonata No. 1, Op. 2 In F Minor: 1. Allegro - Beethoven
- Sonata No. 1, Op. 2 In F Minor: 2. Adagio - Beethoven
- Sonata No. 1, Op. 2 In F Minor: 3. Menuetto. Allegretto - Beethoven
- Sonata No. 1, Op. 2 In F Minor: 4. Prestissimo - Beethoven
- Sonata No. 2, Op. 2 In A Major: 1. Allegro vivace - Beethoven
- Sonata No. 2, Op. 2 In A Major: 2. Largo appassionato - Beethoven
- Sonata No. 2, Op. 2 In A Major: 3. Scherzo. Allegretto - Beethoven
- Sonata No. 2, Op. 2 In A Major: 4. Rondo. Grazioso - Beethoven
- Sonata No. 3, Op. 2 In C Major: 1. Allegro con brio - Beethoven
- Sonata No. 3, Op. 2 In C Major: 2. Adagio - Beethoven
- Sonata No. 3, Op. 2 In C Major: 3. Scherzo. Allegro - Beethoven
- Sonata No. 3, Op. 2 In C Major: 4. Allegro assai - Beethoven
Tracks:
- Sonata No. 5, Op. 10 In C Minor: 1. Allegro molto e con brio - Beethoven
- Sonata No. 5, Op. 10 In C Minor: 2. Adagio molto - Beethoven
- Sonata No. 5, Op. 10 In C Minor: 3. Finale. Prestissimo - Beethoven
- Sonata No. 6, Op. 10 In F Major: 1. Allegro - Beethoven
- Sonata No. 6, Op. 10 In F Major: 2. Allegretto - Beethoven
- Sonata No. 6, Op. 10 In F Major: 3. Presto - Beethoven
- Sonata No. 7, Op. 10 In D Major: 1. Presto - Beethoven
- Sonata No. 7, Op. 10 In D Major: 2. Largo e mesto - Beethoven
- Sonata No. 7, Op. 10 In D Major: 3. Menuetto. Allegro - Beethoven
- Sonata No. 7, Op. 10 In D Major: 4. Rondo. Allegro - Beethoven
Tracks:
- Sonata No. 4, Op. 7 In E Flat Major: 1. Allegro molto e con brio
- Sonata No. 4, Op. 7 In E Flat Major: 2. Largo, con gran espressione
- Sonata No. 4, Op. 7 In E Flat Major: 3. Allegro
- Sonata No. 4, Op. 7 In E Flat Major: 4. Rondo. Poco allegretto e grazioso
- Sonata No. 8, Op. 13 'Pathetique' In C Minor: 1. Grave - Allegro di molto e con brio
- Sonata No. 8, Op. 13 'Pathetique' In C Minor: 2. Adagio cantabile
- Sonata No. 8, Op. 13 'Pathetique' In C Minor: 3. Rondo. Allegro
- Sonata No. 9, Op. 14 In E Major: 1. Allegro
- Sonata No. 9, Op. 14 In E Major: 2. Allegretto
- Sonata No. 9, Op. 14 In E Major: 3. Rondo. Allegro comodo
- Sonata No. 10, Op. 14 In G Major: 1. Allegro
- Sonata No. 10, Op. 14 In G Major: 2. Andante
- Sonata No. 10, Op. 14 In G Major: 3. Scherzo. Allegro assai
Tracks:
- Sonata No. 11, Op. 22 In B Flat Major: 1. Allegro con brio
- Sonata No. 11, Op. 22 In B Flat Major: 2. Adagio con molta espressione
- Sonata No. 11, Op. 22 In B Flat Major: 3. Menuetto
- Sonata No. 11, Op. 22 In B Flat Major: 4. Rondo. Allegretto
- Sonata No. 12, Op. 26 In A Flat Major: 1. Andante con Variazioni
- Sonata No. 12, Op. 26 In A Flat Major: 2. Scherzo. Allegro molto
- Sonata No. 12, Op. 26 In A Flat Major: 3. Marcia funebre sulla morte d'un Eroe
- Sonata No. 12, Op. 26 In A Flat Major: 4. Allegro
- Sonata No. 13, Op. 27 In E Flat Major: 1. Andante - Allegro - Tempo I - attaca:
- Sonata No. 13, Op. 27 In E Flat Major: 2. Allegro molto e vivace - attaca:
- Sonata No. 13, Op. 27 In E Flat Major: 3. Adagio con espressione - attaca:
- Sonata No. 13, Op. 27 In E Flat Major: 4. Allegro vivace
- Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 1. Adagio sostenuto - attaca:
- Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 2. Allegretto - attaca:
- Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 3. Presto agitato
Tracks:
- Sonata No. 16, Op. 31 In G Major: 1. Allegro vivace - L.V. Beethoven
- Sonata No. 16, Op. 31 In G Major: 2. Adagio grazioso - L.V. Beethoven
- Sonata No. 16, Op. 31 In G Major: 3. Rondo. Allegretto - L.V. Beethoven
- Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 1. Largo - Allegro - L.V. Beethoven
- Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 2. Adagio - L.V. Beethoven
- Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 3. Allegretto - L.V. Beethoven
- Sonata No. 18, Op. 31 In E Flat Major: 1. Allegro - L.V. Beethoven
- Sonata No. 18, Op. 31 In E Flat Major: 2. Scherzo. Allegretto vivace - L.V. Beethoven
- Sonata No. 18, Op. 31 In E Flat Major: 3. Menuetto. Moderato e grazioso - L.V. Beethoven
- Sonata No. 18, Op. 31 In E Flat Major: 4. Presto con fuoco - L.V. Beethoven
Tracks:
- Sonata No.15, Op. 28 'Pastorale' In D Major: 1. Allegro
- Sonata No.15, Op. 28 'Pastorale' In D Major: 2. Andante
- Sonata No.15, Op. 28 'Pastorale' In D Major: 3. Scherzo. Allegro vivace
- Sonata No.15, Op. 28 'Pastorale' In D Major: 4. Rondo. Allegro, ma non troppo
- Sonata No. 19, Op. 49 In G Minor: 1. Andante
- Sonata No. 19, Op. 49 In G Minor: 2. Rondo. Allegro
- Sonata No. 20, Op. 49 In G Major: 1. Allegro, ma non troppo
- Sonata No. 20, Op. 49 In G Major: 2. Tempo di Menuetto
- Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 1. Allegro con brio
- Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 2. Introduzione. Adagio molto - attaca:
- Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 3. Rondo. Allegretto moderato
- Sonata No. 23, Op. 57 'Apassionata' In F Minor: 1. In tempo d'un Menuetto
- Sonata No. 23, Op. 57 'Apassionata' In F Minor: 2. Allegretto
Tracks:
- Sonata No. 23, Op. 57 'Appasionata' In F Minor: 1. Allegro assai
- Sonata No. 23, Op. 57 'Appasionata' In F Minor: 2. Andante con moto - attaca:
- Sonata No. 23, Op. 57 'Appasionata' In F Minor: 3. Allegro, ma non troppo - Presto
- Sonata No. 24, Op. 78 In F Sharp Major: 1. Adagio cantabile - Allegro, ma non troppo
- Sonata No. 24, Op. 78 In F Sharp Major: 2. Allegro vivace
- Sonata No. 25, Op. 79 In G Major: 1. Presto alla tedesca
- Sonata No. 25, Op. 79 In G Major: 2. Andante
- Sonata No. 25, Op. 79 In G Major: 3. Vivace
- Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 1. Das Lebewohl (Les Adieux): Adagio - Allegro
- Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 2. Abwesenheit (L'Absence): Andante espressivo
- Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 3. Das Wiedersehn (Le Retour): Vivacissimamente
- Sonata No. 27, Op. 90 In E Minor: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
- Sonata No. 27, Op. 90 In E Minor: 2. Nicht zu geschwind und sehr singbar vorzutragen
Tracks:
- Sonata No. 28, Op. 101 In A Major: 1. Etwas lebhaft und mit der innigsten Empfindung: Allegretto, ma non troppo
- Sonata No. 28, Op. 101 In A Major: 2. Lebhaft, marschmassig: Vivace alla Marcia
- Sonata No. 28, Op. 101 In A Major: 3. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, con affetto - attaca:
- Sonata No. 28, Op. 101 In A Major: 4. Geschwinde, doch nicht zu sehr und mit Entschlossenheit: Allegro
- Sonata No. 29, Op. 106 In B Flat Major: 1. Allegro
- Sonata No. 29, Op. 106 In B Flat Major: 2. Scherzo. Assai vivace
- Sonata No. 29, Op. 106 In B Flat Major: 3. Adagio sostenuto. Appasionato e con molto sentimento
- Sonata No. 29, Op. 106 In B Flat Major: 4. Largo - Allegro risoluto
Tracks:
- Sonata No. 30, Op. 109 In E Major: 1. Vivace, ma non troppo - L.V. Beethoven
- Sonata No. 30, Op. 109 In E Major: 2. Prestissimo - L.V. Beethoven
- Sonata No. 30, Op. 109 In E Major: 3. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) - L.V. Beethoven
- Sonata No. 31, Op. 110 In A Flat Major: 1. Moderato cantabile molto espressivo - L.V. Beethoven
- Sonata No. 31, Op. 110 In A Flat Major: 2. Allegro molto - L.V. Beethoven
- Sonata No. 31, Op. 110 In A Flat Major: 3. Adagio, ma non troppo - Fuga. Allegro, ma non troppo - L.V. Beethoven
- Sonata No. 32, Op. 111 In C Minor: 1. Maestoso - Allegro con brio ed appassionato - L.V. Beethoven
- Sonata No. 32, Op. 111 In C Minor: 2. Arietta. Adagio molto semplice e cantabile - L.V. Beethoven
Amazon.com
Wilhelm Kempff was the premier German pianist of the postwar period, so it's no surprise that he was considered one of the supreme interpreters of Beethoven. He recorded complete sets of the sonatas and concertos twice, and just about all the rest of the chamber music with piano as well. Kempff was a classicist by nature, and his approach to Beethoven was clear and poised rather than impulsive, but it was never lacking in sheer power or virtuosity when necessary. His last cycle of Beethoven sonatas is rightly regarded as his musical testament. Even if the mono recordings offered a few more exciting moments in a couple of works, you can't go wrong here--there isn't a dud in the lot. --David HurwitzCustomer Reviews:
The final testament of a great classicist.......2005-11-10
Wilhelm Kempff Plays the Beethoven Piano Sonatas.......2005-08-17
The same holds true as a rough approach to the performance of Beethoven's music -- including the 32 piano sonatas. Some artists emphasize the dramatic, rugged and virtuosic characteristics of the sonatas while others focus upon the music's inward and introspective qualities. The great German pianist Wilhelm Kempff's classic recording of the complete piano sonatas is clearly within the latter approach. Kempff (1895 -- 1991) recorded the complete Beethoven sonata-cycle twice, the first time in the 1950s and the second time in the 1960s. I had the original version on LP and purchased the CD set when LPs became obsolete. I recently had the opportunity to relisten to Kempff's renditions of the sonatas in their entirety.
Kempff's readings of the sonatas are highly personal and introspective. His tempos tend to be slow and fluid, the pedal is used a great deal, phrasing is highly legato, and volume is, for the most part, subdued and restrained. He offers a metaphysical, thoughtful reading of Beethoven which probes within. It is a moving and convincing way of rendering the sonatas, and I came away from my experience with the set over the past several days with a renewed devotion to this music. I have attempted about half of the sonatas myself over the years on the piano.
Beethoven's sonatas date from his youthful years in Bonn before his 1792 move to Vienna (the two sonatas of opus 49) to about 1822 (opus 111), five years before the composer's death. Thus, they occupied Beethoven for almost the entirety of his creative life. In listening to this complete set, the listener can follow Beethoven's development essentially chronologically and learn more first-hand about the sonatas and about the changes in Beethoven's styles of composition than can be gained from reading many studies.
Listeners interested in a complete set of the Beethoven sonatas will probably have some familiarity with some of the better-known
named sonatas, such as the "Pathetique", opus 13, the "Moonlight" opus 27 no. 2, the "Waldstein", opus 53, or the "Appassionata", opus 57. After falling in love with some of these works, it will be time for the listener to explore the entire series.
Kempff brings his own personal and introspective readings to each of these familar works. I think he does best with the rondo finale of the "Waldstein," with the "Moonlight" sonata, and with the two final movements of the "Tempest", opus 31 no. 2. His readings of these familiar works on the whole will offer fresh insight into these great sonatas.
But the greatest attraction of this set is the opportunity it provides to explore some of Beethoven's less frequently performed works. Again, Kempff is at his best in works of an introspective character. Thus, those coming to the sonata-cycle for the first time will enjoy his performances of the opus 26 sonata, with the opening variations and the celebrated funeral march, of opus 78, 79, and 81a ("Les Adieux"), of opus 90, and of opus 101, 109, 110, and the great end to the series, opus 111. Opus 90, 101, and 109 are particular favorites of mine, and Kempff plays them beautifully.
There is yet another group of sonatas that also receive excellent readings on the set. This group includes two excellent ambitious early works, opus 2 no. 3 and opus 7 (another favorite), the three sonatas of opus 10, the under-appreciated opus 22, the companion to the more famous "Moonlight" sonata, opus 27 no. 1, opus 31 no. 3 and the enigmatic opus 54, sandwiched between the "Waldstein" and the "Appassionata". The magisterial and heroic "Hammerklavier" sonata, opus 106, is in a class by itself. Each listeners's choices and fovorites among the 32 will vary and change with time and repeated hearings. This collection is an excellent introduction to all of them.
There are many recordings of the set of 32 sonatas and many approaches to the interpretation of Beethoven. His music is broader and deeper than any single reading. I have lived with my set of Kempff for a long time and am still moved and inspired by his playing of this inexhaustible music. Listeners wanting to get to know this great body of work will find much to cherish in these performances by Wilhelm Kempff.
Robin Friedman
full of artistry, very nice........2005-06-06
I think, Kempff was born not only as a great pianist, but also as a musical artist. listen to Kempff just like listen to a small orchestra(among instruments, only piano can do this). His left hand accompanied very well and his right hand song nicely. Some one may say Kempff lacks energetics, but I prefer his style---just like a stream flows naturally, accompanied with birds and flowers.
unlike some energetically played pianists, I never get tired in listening to Kempff. Though those CDs was recorded in 60s, the sonic quality is good enough. highly recommended.
Which One To Get, That Is The Question.......2005-02-10
For those who are not too familiar with Kempff, he is generally regarded as one of the most reputed Beethoven interpreter after Schnabel. Gulda was supposed to succeed them and was somehow stopped short. In Kempff, just like most pianists of the older generation, there is a strong element of improvisation, an element in the making of music which make him sound so fresh and spontaneous which left even Brendel way behind. Furthermore, his playing is so inspired that it never fails to remind us of some transcending church music.
Having said that, Kempff even in the 50s, was never quite as dynamic as Gulda; whereas some may instead find Schnabel's Beethoven even more instructive and not at all less inspired. But Schnabel's are all historic recordings. My no.1 choice for these sonatas is always Backhaus (Decca, in wonderful stereo sound), for some may find Arrau's early Beethoven sonatas boring and Gilel's (which is not exactly a whole cycle in any event) not soulful enough, however much conviction he had for them. And to be honest, I have never finished Brendel's and I have never even tried Ashkenazy's Beethoven except his piano trio with Perlman and Harell and somehow I just stopped there...
Roughly speaking, Kempff's 50s cycle is more energetic, fiery and forceful, wheras his 60s is more colourful, more sublime, and with more subtleties. But that doesn't mean he was off his peak or insufficiently fiery (unlike Schnabel whose first cycle is more preferable than his second cycle recorded in the 50s). Being a complete musician as well as a remarkable composer, there was still some obvious development in his music making even between these two cycles which makes him fairly and squarely an authoritative alternative even to Backhaus: another reason that we should try to listen to both.
And as far as the recorded sound is concerned, there is the difference of more than one whole generation, so that the ordinary music lovers may not find the 50s recording delightful or acceptable at all; whereas few could really complain against the sound of the 60s.
So, if you are a pianist, or if you are a fan of Kempff, you probably will get both his 50s and 60s recordings: for like most great pianists or indeed most great musicians, every time they play, it is going to be different and they are all instructive and inspiring in their own way. I myself grapped both. But if your emphasis is on the early sonatas or just for general enjoyment or even for the last sonatas, it is better to get the 60s.
essential.......2004-06-02
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