Riding an '80s backbeat and their own velvet harmonies, 112R&B's answer to the pure-pop boy bandsails into Pleasure & Pain with "Let This Go," a hard-edged charmer that works equally well as pound-the-steering-wheel morning commute music or a sophisticated club jam. The rest of the disc follows suit, detouring here and there for ladies-only love songs ("Nowhere," "That's How Close We Are"), a soul interlude ("We Goin' Be Alright"), and sexy toe-dips into hip-hop ("If I Hit" featuring T.I. and "Closing the Club" featuring Three 6 Mafia). More than anything, this fifth album is a measure of the band's musical mettle: Instead of trading entirely on the 1996 sound that earned them a ride up the charts with "Only You," Q, Mike, Slim, and Daron work it out in a way that says they're as done with the last century as the rest of us. Best of all, that baby-don't-break-my-heart wail that could pay the boys' bills by itself works its way into nearly every track.--Tammy La Gorce
Pleasure & Pain,One Twelve,Def Soul Classics,Pop,R&B,Soul/R & B,Urban
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Seconds of Pleasure
Rockpile Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001Z3U56 Release Date: 2004-04-27 |
Tracks:
- Teacher Teacher
- If Sugar Was As Sweet As You
- Heart
- Now And Always
- A Knife And A Fork
- Play That Fast Thing (One More Time)
- Wrong Again (Let's Face It)
- Pet You And Hold You
- Oh What A Thrill
- When I Write The Book
- Fool Too Long
- You Ain't Nothin' But Fine
- Take A Message To Mary
- Crying In The Rain
- Poor Jenny
- When Will I Be Loved
- Back To Schooldays
- They Called It Rock
- Crawling From The Wreckage
Amazon.com
Though Rockpile managed only one, nigh-perfect album at the height of the '80s new wave boom, its members--Dave Edmunds, Nick Lowe, Billy Bremner, and Terry Williams--had played together in various incarnations, in some instances for over a decade: Edmunds and drummer Williams had been in the '60s power trio Love Sculpture; all had played on Lowe's '78 album Jesus of Cool and Edmunds's '79 collection Repeat When Necessary. But Seconds of Pleasure became their most complete and satisfying pop statement--if their ironic swan song, as well. This newly remastered collection features the complete original album, as informed and vibrant a tribute to American rockabilly and R&B roots (with an amped-up take of Joe Tex's "If Sugar Was as Sweet as You" and inviting reworkings of Gene Chandler's "Teacher Teacher" and Chuck Berry's obscure "Oh What a Thrill") as any contemporary group has ever managed--especially considering three quarters of the material is either Rockpile originals or contemporary compositions, like "Wrong Again" by Squeeze songwriters/mainstays Difford and Tilbrook. The generous slate of bonus tracks features all four acoustic, live-in-the studio tracks from the Nick Lowe and Dave Edmunds Sing the Everly Brothers tribute EP distributed with initial pressings of the LP; two fine live BBC recordings from '77; a cover of Graham Parker's "Back to Schooldays"; a band original, "They Called It Rock"; and a blistering live rendition of Parker's "Crawling from the Wreckage" from one of the band's last appearances together at the Concert for Kampuchea. Though Lowe may now downplay them as "a posh bar band" who "specialized in playing Chuck Berry music four times faster than anyone else," Rockpile was truly one of the great rock bands of their--or any--era. --Jerry McCulleyCustomer Reviews:
One of the best CDs ever recorded!.......2007-05-12
Great Pop Music! .......2007-01-15
pub rock's supergroup.......2006-03-20
+1/2 -- Swansong from legendary UK rock 'n' roll quartet.......2005-09-28
I've gone back and forth on this LP. I found it disappointing upon first hearing it, feeling it didn't compare favorably to Lowe's "The Jesus of Cool" or Edmunds' "Tracks on Wax 4." But over the years I've found the songs to grow on me, and though the CD reissue (and perhaps the original LP) has a somewhat pinched, barely-stereo mix on many tracks, the performances and arrangements hold up. Columbia's Legacy reissue sweetens the original eleven tracks with seven worthy bonuses, including the essential quartet of Everly Brothers songs that were included on a 7" with the original LP. An additional trio of live tracks ("Back to Schooldays" "They Called it Rock" "Crawling From the Wreckage") show how powerfully sloppy the band was as a live act. 4-1/2 stars, if allowed fractional ratings. [©2005 redtunictroll at hotmail dot com]
Still a great big pile of rock (and then some).......2005-09-13
What was puzzling to outsiders about the Rockpile breakup was that it was such a contrast to the upbeat, almost joyous music on their only album under the band name. They rumbled out of the gate with that catchy "Teacher Teacher," with Nick singing in that distinctive British wise-owl voice of his (I never knew it was a Gene Chandler tune), straight into Dave and his high-pitched Welsh warble belting out Toe Tex's "If Sugar Was as Sweet as You" as another sing-song soul raveup. And save for a couple of speed bumps, they kept up the pace for a full album, with the high point being the pure, unadulterated, full-on, boyish "Heart," sung in high spirits (and high register) by bassist Billy Bremner. And along the way, there are also the bar-band bounce of "Play That Fast Thing (One More Time)" and "You Ain't Nothin' but Fine," Edmunds driving home the rock'n'roll grind of Difford & Tilbrook's high-rev "Wrong Again (Let's Face It)," a very Berry remake of Chuck Berry's "Oh What a Thrill," and the overreaching heartache of "Now and Always," a tune that wouldn't have been out of place in Buddy Holly's record collection. "Seconds of Pleasure" was one great big lovable pile of rock when I bought it in college and played it over and over, and 25 years later, it still is. The only things that have aged are the musicians and their fans.
And the bonus tracks make it all the better. The live cuts are OK (all said, I wish they could've licensed their version of "Little Sister" with Robert Plant from the Kampuchea album), but the inclusion of the "Nick Lowe & Dave Edmunds Sing The Everly Brothers" EP, a limited-edition four-song 7-incher from the early pressings of the LP, is just plain wonderful. They paid loving tributes to Phil and Don without trying to ape them, and just to have pristine versions of their incredibly sweetly sad versions of "Message to Mary" and "Crying in the Rain" is worth the price of the CD.
Y'know, every time I hear or see Nick Lowe these days, I get this feeling of sadness. These days, he kills us quietly with his stellar writing and his acoustic guitar. But I remember too fondly the days of Rockpile -- of this album and previous clever Nicktunes such as "Cruel to Be Kind," "(What's So Funny 'Bout) Peace, Love and Understanding," "They Called It Rock," "American Squirm" and "Rollers Show" -- and just wish for one more bit of that Rockpile magic. And having the enhanced CD brings back the very same feeling.
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For Your Pleasure
Roxy Music Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000256KE Release Date: 2000-03-14 |
Tracks:
- Do The Strand
- Beauty Queen
- Strictly Confidential
- Editions Of You
- In Every Dream Home A Heartache
- The Bogus Man
- Grey Lagoons
- For Your Pleasure
Amazon.com
Roxy Music Photos
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More from Roxy Music
Country Life |
The Best of Roxy Music |
Avalon |
Roxy Music |
Stranded |
Siren |
Customer Reviews:
The Final Battle.......2006-06-15
Eno even admits as much, that everybody improved after the break-up
He was able to do his thing (Beautifully) and Roxy went on to be a more suitable pop offering under complete control of Ferry, not a bad thing, they became an example of art-pop with him at the helm and released album after album of beautiful music...
Eno went on to change the world (in my view) creating a musical genre called "ambient" still standing today ...
Both succeeded (A nice story)
There was a time when both Roxy Music and Eno were releasing albums simultaneously and it was staggering the power and artful skill exhibited on both records
such as "Stranded" (Roxy) and "Here come the warm jets" (Eno both in 73)
1974 saw "Country Life" (Roxy) and "Taking Tiger Mountain" (Eno)
1975 saw "Siren" (Roxy) and "Another Green World" (Eno)
1976 was ... Oops Roxy Music stumbled and made some live crappy album Eno released the brilliant "Before and After Science" ... the story goes on and on and I love them both and you should too..
I suggest buying it all, from both Eno and Roxy (right now) you can't lose.
Hmm.......2006-06-10
Pain For Your Pleasure .......2006-05-31
This record faired better than their debut in the ROLLING STONE RECORD GUIDE of 1979 that I reference constantly, garnering three stars, and I give this album another point than THE GUIDE did, yet despite this album's advances from the band's debut, I still rate it below that debut, ROXY MUSIC (which I rated highest with five stars). This is not because the songwriting is less brilliant here, it is even perhaps perfected on this second album. But here there is some obscuring of songs which on later Roxy Music albums are showcased, sans Eno-type effects and theoretically stripped of that influence, apparent on Roxy Music's third album STRANDED.
So, I don't care for "The Strand" too much, at least by 2006, and find it a mixed bag including weak and dated lyrical moments ("a danceable solution...to teenage revolution") which seems most directed at their English fan base at the time than the void of eternity. Yet, it is stunning to know English juveniles were listening to albums of such sophistication as FOR YOUR PLEASURE in 1973 which the USA was not.
Though I appreciate the necessary exploration vocally, aurally, and tonally with "The Bogus Man" it is ultimately, at nearly 10 minutes, a track to be skipped. Upon repeated listening, that track drags down the whole record. Also, contrary to other reviews, Brian Eno's contribution is most apparent on the title track, the album closer "For Your Pleasure." I don't find such apparent influence on "The Bogus Man," so, don't blame Eno. That title track, "For Your Pleasure," is my own favorite, but this whole album is more like your oatmeal than a chocolate bar: necessary and good for you, but not necessarily always a "pleasure." If you are easily challenged, the last and title track is one of the most challenging with Ferry's affected singing and its textural ending that in the 1970s would have had me rushing to my turntable to determine what was wrong and why it was making such a throbbing noise, which in fact may have been the point. It can be humbling, humorous, frightening, inspiring, and horrible to face truth. A woman's voice at the end here exclaims: "You didn't ask why."
Other tracks benefiting from Eno significantly: the lushly gorgeous and mesmerizing "Beauty Queen," the insightful terminator "Editions of You," and the STONES inspired "Grey Lagoons" ...all standouts on this remarkable record. "In Every Dream Home A Heartache" has less to do with Eno and more to do with Bryan Ferry's creepy lyric and eerie vocal for its legendary effect; who wants to listen to that every day? Phil Manzanera's a** scorching finale is both supple and soothing with a cleansing reprise, the afterburner. Yet, it does leave one with the puzzling question of who are ROXY MUSIC ?? All these years later, everybody knows Brian Eno left Roxy Music after this album, but I must mention it, because the next album, also great, is stripped but no better because of it. Yet, FOR YOUR PLEASURE remains a rare, important, quite imperfect, but necessary and unique record for all who hear that it is, indeed, FOR YOUR PLEASURE. Do you dare listen? You didn't ask why.
It lost some of the distinctiveness of their first album, but was still, and still is, a Great Record.......2006-05-25
On the other hand, the first Roxy album was so unusial, between the sound of Ferry's voice, his crafty-campy style of songwriting, and Brian Eno's strange sound sheets, that there just wasn't anything else out there in 1972 that sounded even remotely like it. The first Roxy album was very much the proverbial breath of fresh air.
This second Roxy album, while still a set of oustanding songs, sounds more conventional, as Ferry goes a little more to the classic Rock 'n' Roll ethos, and the album's songs are suggestive of other people- like Chuck Berry or Eddie Cochrane or the Rolling Stones or anguished Gospellers in Black churches in southern America. The strange edge is still there, has to be because Brian Eno is still in the group. But his presence is not so deeply felt on each song of this album, unlike the first where the spectre of Eno could be heard from first to last. There is one song that has the markings of the first album, the bizarre "In Every Dream Home a Heart Ache" the lyrics of which devolve from suburban melancholy to object fixations (or Ferry imagening a sexual triste with an inflatable doll). But the track abrubtly breaks out of this murmering grey dirge with a heavy burst befitting Led Zeppelin.
The peak of this album is the extended work out track known as "Bogus Man." Eno makes his most definate contribution to the album here, and the progress of the band as a playing club is again demonstrated to impressive results. The album is still wonderful, interesting, and eminently entertaining; and while it might be a five star for most any other group of the time (like the then critically overated "Stories") for Roxy their great masterpiece was still ahead of them, ("Stranded") and the loss of Brian Eno and the gain of Eddie Jobson.
5 stars for 5 stars!! Perfect........2006-05-22
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Pleasure Victim
Berlin Manufacturer: Geffen Gold Line Sp. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000OXB Release Date: 1996-03-19 |
Tracks:
- Tell Me Why
- Pleasure Victim
- Sex (I'm A...)
- Masquerade
- The Metro
- World Of Smiles
- Torture
- Sex (I'm A...) (Extended Version)
Customer Reviews:
A Classic.......2007-06-09
Tell me why and The Metro and the best cuts on this CD....but every song is highly listenable and you will find yourself humming along then singing along then memorizing each song lyric. Definate MUST HAVE
Pleasure Wave.......2007-01-27
"Tell Me Why" - With rapid, atmospheric synths, dancy drums and passionate Nunn vocals, this number gets you moving right away. This is a great album starter.
"Pleasure Victim" - Here is the title track. Trippy, hypnotic synths and soaring vocals from Nunn make this a rather haunting melodic number. One of my favorites.
"Sex (I'm A...)" - The most erotic song on the album by far. Fast paced and demanding with much sensual singing and not to mention moaning from Nunn and John Crawford. Features throbbing melodic and intense synths.
"Masquerade" - A rather happy and enjoyable number. Very upbeat and bright synths with matching Nunn vocals. This is one of my favorite songs. It's very contagious and one to dance to.
"The Metro" - Probably Berlin's most recognized hit and my favorite from the album. Another song to bop your head to, this song really tells a story. The synths are unforgettable in this one. It goes from smooth, to rather dreamy and atmospheric amongst the catchy beat. "The Metro" is the center of the singer's story of a relationship.
"World Of Smiles" - Okay, this is a rather quirky and strange tune, but nevertheless enjoyable. Then again, New Wave defined quirky and strange. As always, the passionate intensity of Dunn is there.
"Torture" - A very interesting piece. Slow shuffling beats and very melancholy synths that are almost hurting, as if dying slowly inside along with Dunn's slow and painly soulful and sensual vocals. The whole song itself clearly matches the title.
"Sex (I'm A....) (extended version)" - Just like it says, this is simply more of the same as in the original heard before. The beat is slightly different; you can's really hear the thud of the drums as much (however, I prefer the thudding drums). Anyway, at the end of the song here, there's a rather funny comment that Dunn makes and I would have to agree with her, hahaha.
Let me just say that David Diamond and John Crawford are gods of the synthesizer. They are a true asset to the 80's New Wave style, helped bring out the vocals and beats and of course helped make the band what it is. And Terri Dunn was a perfect fit with her sensual vocals. The whole band is one of the defining New Wave bands of the 80's as mentioned before. So if you're a New Wave fan, curious about Berlin, or want to get to know about 80's New Wave better, I suggest you pick up "Pleasure Victim." It's not the greatest New Wave album by any means, but still decent and a good listen.
Two good songs and the rest is filler.......2006-06-23
Ok for starters, but things got better........2006-06-08
So what does it sound like? Well its new-wave power pop with borderline Hi-NRG overtones. The underground hit "Sex (I'm A...)" is bolstered with a chattering synth bassline that could have come straight out of Eurodisco. Funny, then, that the song is this hilariously macho and sexist rubbish about a woman promising to be everything a man could fantasize about...it apparently caused a stir at the time with it's explicit content but it just sounds amusing now: "I'm a little girl... I'm a hooker... I'm a goddess...I'm a one-night stand" are some of the lines poor Terri Nunn has to sing while the drum machine and percussion huff and puff away in the background. I have nothing but respect for Terri Nunn, she's a great singer and accomplished performer, so thank goodness that Berlin matured as each album was released and she was able to sing songs with a bit more substance!
Actually, all the other songs on the album are probably better than "Sex (I'm A...)" lyrically, although they all have the same tinny synth backing. it works most of the time though, and it was definitely "the" sound of it's time. My favourite is the opener "Tell Me Why", but the slower songs are as good as the fast paced ones, with "Pleasure Victim" and "Torture" being fairly memorable songs. The weakest tracks for me have to be "The Metro" (too much bleep-bleeping and tin-pot bashing ) and "World of Smiles" (it just goes nowhere). Bear in mind also, that this is an incredibly short CD - and the inclusion of the extended version of "Sex" makes scant difference as it's a very unremarkable edit job.
Still, it's fun to play, and Terri Nunn is already capable of stealing the show, even working with this rather adolescent material. The Berlin albums got better after this one, so think of "Pleasure Victim" as their way of just testing the water.
Great Dance Tracks.......2006-03-21
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Rocky Horror Picture Show: 25 Years of Absolute Pleasure
Original Soundtrack Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YR3I Release Date: 2000-10-03 |
Tracks:
- Science Fiction, Double Feature
- Dammit, Janet
- Over At The Frankenstein Place
- Time Warp - Tim Curry/Susan Sarandon/Barry Bostwick/Richard O'Brien/Patricia Quinn/Little Nell/Johnathan Adams/P
- Sweet Transvestite
- The Sword Of Damocles
- I Can Make You A Man
- What Ever Happened To Saturday Night?
- I Can Make You A Man (Reprise)
- Toucha-Toucha-Touch Me
- Once In A While
- Eddie's Teddy
- Planet, Schmanet, Janet Floor Show:
- Rose Tint My World
- Don't Dream It. Be It
- Wild And Untamed Thing
- I'm Going Home
- Super Heroes
- Science Fiction, Double Feature (Reprise)
Amazon.com
Another installment of the Cult Show That Will Not Die, the 25th anniversary edition of the Rocky Horror soundtrack has, of course, the kinds of things one would expect of an anniversarial edition. These include previously unreleased tracks and a CD booklet that attempts to explain the inexplicable: how character actor Richard O'Brien's little slice of weirdness became such a hit that, a quarter of a century later, it's a Broadway production once again. Even today, there are people out there being, well, exposed to the phenomenon that is Rocky Horror for the first time, and the reaction is always the same: either utter enchantment or utter mystification. There's no denying that the show has a certain appeal. Creator O'Brien has called it "something any 10-year-old can enjoy," and maybe that's the secret: something about Rocky Horror's barely controlled insanity connects with our inner children. Maybe it's Tim Curry's magnetic performance. Maybe it's the music. Maybe it's '70s nostalgia. Whatever the reason, Rocky Horror has proved that one need not be mainstream to become an icon of popular culture. While the images and ideas contained therein might hardly turn a head today, there's nothing else like it that's quite as much fun. --Genevieve WilliamsCustomer Reviews:
Close, but not quite there........2007-03-28
I don't regret buying it, because my copy of the soundtrack was the older release on tape.
I'm very happy to have the otherwise unreleased songs on this album. The sound quality is good, but not especially noteworthy.
But the dialogue clips are insufferable. A soundtrack album is supposed to be the music, not an "album of the movie." These clips drastically decrease the likability of this recording - that and the missing end of Planet Shmanet.
There's also the plus that those silly remixes of the Time Warp are absent. And splitting up the Floor Show music sequence is a real plus.
PAGES WERE WATER STAINED AND WAVY.......2007-01-30
ALMOST Complete.......2006-10-28
KUDOS: For including Planet Schmanet Janet (albeit in edited form) I love the beat on it and love the part where Riff Raff and Magenta are laughing and he tells her to shut up.
I think the reason I like the movie (Which I consider more of a Rock Opera than a musical) is the music. Although some of it is better with the pictures it goes to, The songs are great for random singing. Whoever the session drummer was on this was really good as well. Nice fills. I actually enjoy the movie and dislike going to the theater to see it.
Unless you want an idiotic remix of Time Warp, this is the definitive (for now) version to get. We complain but come on, you don't think at some point they won't do another anniversary edition?
Mr. O'Brien, if you read these sites, I heard you wanted to do a sequel, PLEASE DO! just give us more groovy music, be in it and bring back some of the characters from the first one and I'll see it!
havent got it yet.......2005-10-20
as for the people who dont know where the song super heoreos goes is when the castle takes off and u see them on the ground. The crim.s line and "crawling on the planets face some insects called the human race lost in time lost in space" is the last verse. (yes the line was off the top of my head i've wtched a few times too many)
the once in a while song i havent figured oput yet where that goes.
Fond Memories.......2005-08-04
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For Thy Pleasure
Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000070S Release Date: 1996-09-26 |
Tracks:
- Brandenburg Concerto No. 6: I. Allegro
- Brandenburg Concerto No. 6: II. Adagio ma non tanto
- Brandenburg Concerto No. 6: III. Allegro
- The Well Tempered Clavier: Prelude
- No. 1 In C The Well Tempered Clavier: Fugue No. 1 In C
- Brandenburg Concerto No. 3: III. Allegro
- The Arrival Of The Queen Of Sheba
- The Well Tempered Clavier: Fugue No. 3
- Abdelazer: Rondeau
- Monteverdiana: I. Toccata
- Monteverdiana: II. Balletto
- Monteverdiana: IV. Sonata
- Fantasia Upon One Note
- Little Fugue In G Minor
- Concerto for Four Violins: I. Largo e staccato
- Concerto for Four Violins: II. Allegro
- Concerto for Four Violins: III. Adagio
- Concerto for Four Violins: IV. Vivace
- Canon In D: The Pachelbel 'Loose' Cannon
Customer Reviews:
Excelent Performance.......2007-01-10
For Thy Pleasure: Yeap, It is Very Enjoyable .......2006-10-25
Buying the cd gave me a lot of joyful time. All the music in the cd were excellent. I believe there are a lot of musicians who are techically perfect but only a few of them can give me this kind of pleasure. All the music are beautiful and graceful. On top of that all of them are absolutely enjoyable.
Please try the last track, "Canon In D: The Pachelbel 'Loose' Cannon" when you are blue.
Amazing Guitars...And Then Some!.......2006-10-17
Pleasure For Your Musical Soul .......2006-02-22
This CD is a must for anyone who loves guitar and arrangments that will have you humming in your sleep!!
Just amazing playing!.......2005-05-17
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Strange Pleasure
Jimmie Vaughan Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000298D Release Date: 1994-04-12 |
Tracks:
- Boom-Bapa-Boom
- Don't Cha Know
- Hey-Yeah
- Flamenco Dancer
- (Everybody's Got) Sweet Soul Vibe
- Tilt A Whirl
- Six Strings Down
- Just Like Putty
- Two Wings
- Love The World
- Strange Pleasure (Modern Backporch Duende)
Amazon.com
Jimmie Vaughan's first solo album includes a subdued country-gospel-blues eulogy for his late brother Stevie Ray in the form of "Six Strings Down," written by Art and Cyril Neville. The bulk of the recording, though, comes in the form of the relentless, Texas-blues rave-ups that made Jimmie the solid rock at the base of the Fabulous Thunderbirds. Dr. John gives a New Orleans shuffle to two songs he cowrote with Jimmie, but more typical is the first single, "Boom-Bapa-Boom," which boasts a hypnotic rhythm perfectly described by its title. Jimmie's refusal to play an unnecessary note makes his grooves irresistible. --Rickey WrightCustomer Reviews:
Legendary Jimmie Vaughn.......2007-05-25
Kick-ass record from Jimmie Lee Vaughan!.......2004-08-04
Overall, this is Jimmie's best cd so far. I don't personally think he will ever take over the world with his music, because he doesn't draw attention to himself. But that doesn't stop him. He is as big a legend to me as Stevie is. Not just because he is Stevie's brother, but because he is a fantastic guitar player, and one of the most underrated guitar players of all-time. It's a damn shame. And another thing, Jimmie is also a great singer for the music he does. He hardly gets any credit for that, so I am giving him that now. I am glad that Stevie got you to sing on Family Style, for that was the start of something great. Stevie is my all-time favorite, but if anyone says that Jimmie isn't very good, they should be shot. Rock on, JLV!
The work of a dedicated individualist........2002-05-20
Hugely Underated CD Don't think about it...just buy it!!!.......2001-10-21
Jimmie Vaughan's band is amazingly tight, his vocals are much better than expected. The songs are from a far better musical era. They are reminiscent of something that came from Memphis in the 60's. He uses no bass player. The organist uses bass pedals to round out the bottom of the sound. Austin guitar legend Denny Freeman plays both rhythm guitar & piano and is equally deft at either instrument. The doo wop singers he brought out on tour (after they blew him away in the studio)were a great compliment to his sound. I loved this CD. A tip for guitar players trying to cop his sound: Many people have written in articles that he has gone to an open tuning, with a capo. I was able to talk with him and found that he tunes conventionally, but uses the capo on the proper fret for the key of the song he is playing. This allows him to pull off the strings from any position to get a note which is in key with the song. It is like playing every song in the key of E. This makes his sliding/pulloff licks work. He was not using an open tuning as many people believe. Anyway, buy the CD and good luck playing his chops. Remember, SRV looked up to him. That is a reccomendation.
Just for being a great cd.......2001-02-06
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The Pleasure Principle
Gary Numan Manufacturer: Beggars UK - Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006NTW Release Date: 1998-06-23 |
Tracks:
- Airlane
- Metal
- Complex
- Films
- M.E.
- Tracks
- Observer
- Conversation
- Cars
- Engineers
- Random
- Oceans
- Asylum
- Me! I Disconnect From You (Live)
- Bombers (Live)
- Remember I Was Vapour (Live)
- On Broadway (Live)
Customer Reviews:
A True New Wave Genius.......2007-06-19
Numan is only now being credited for his work practically inventing the entire New Wave movement, and this album certainly stands the test of time as one the classics of the genre. Order it without hesitation, slip on your headphones, and prepare for a real listening treat.
best album ever.......2007-04-24
We're so exposed..........2007-03-30
This is a notable rock achievement---a rock album with no guitars. The synthesizers (Minimoog and Polymoog) are put through some guitar pedals and create some big, fat, fuzzy sounds that are pitched, distorted, swished, whatever. The bass and drums are `real', and Numan continues the sci-fi-robot-future-Phillip K Dick-inspired rock. As on Replicas, the hooks seem effortless.
There are a number of Numan classis in addition to Cars, some of them still regularly performed live. Films, for instance, is a funky, menacing number. Metal is a live staple, covered and remixed numerous times and still working. Conversation is another rambling, robot-inspired number with a long synth breakdown at the end, similar to Cars. M.E. is another dark and menacing number, now well-known for the Basement Jaxx use of the sample riff.
Many folks now acknowledge this as an important, influential album, yet Numan remains cult (if at all in the US). The Pleasure Principle is cohesive, the sound has aged incredibly well, and it's ahead of it's time for 1979--not bad for a kid. The remastered and reissued Beggar's Banquet discs are all excellent. The b-sides (three of them) are atmospheric and completely in line with the mood of the album--kind of dark, mechanical, but effortlessly catchy. The live tracks (four) are of excellent quality and come from the Living Ornaments series of live albums (also highly recommended). With a `distant' sound, warm synths, and dark lyrics, Numan was in his own world.
A True Gem.......2007-03-08
Highlights include the songs "Metal", "Films", "ME", "Observer", and the perennial New Wave favorite "Cars". The sound is excellent and this reissue from the fine UK indie label Beggar's Banquet contains extensive liner notes and photos. Ah...that Minimoog sound!
Another Album That Changed Pop Music........2007-02-19
Numan's contemporaries like Ultravox never had a hit in the same stratosphere as "Cars".
What makes The Pleasure Principle so crucial, so pivotal in Pop music was that through "Cars", Gary Numan was able to introduce the mainstream audience to synthesizers better than anyone before him. "Cars" brought them to The Pleasure Principle, and The Pleasure Principle introduced them to synthesizers.
David Bowie's Berlin trilogy of Heroes, Low and Lodger(which included Brian Eno playing on much of them) preceded Numan , but they were more ambient(Heroes and Low) and eclectic(Lodger). Hits like "Heroes" had prominent guitars.
The Pleasure Principle has zero guitars.
It does however have Viola.
And Billy Currie of Ultravox also played Violin on a couple of tracks.
No guitars, mostly synth, some violin and viola.
Does that sound like a hit record?
My favorite track is still "Airlane." It is a simple and beautiful piece that opens the album perfectly.
The single Cars was heavy in synths, (even used synth drums) and yet followed a more pop sensibility.
It's not going to have the complexity of a great Philip Glass work or a Brian Eno album.
And that's the point. The Pleasure Principle was an electronic record that showed a whole new audience how beautiful a synthesizer can sound.
A lot of Electronic bands owe a bit of appreciation to the legacy and influence this album left -including Evening Ocean.
The Pleasure Principle is a classic CD that is still amazing today.
Highly recommended.
-EveningOcean CD "The Attraction" Evening Ocean com
THE ATTRACTION
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Red Hot + Rio: Pure Listening Pleasure
PM Dawn with Flora Purim & Airto , and Crystal Waters Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004750 Release Date: 1996-10-15 |
Tracks:
- Use Your Head - Money Mark
- Corcovado - Everything But The Girl
- Desafinado - Astrud Gilberto & George Michael
- Non-Fiction Burning - PM Dawn
- The Boy From Ipanema - Crystal Waters
- Interlude - Red Hot + Rio
- Seguranca - Maxwell
- E Preciso Perdoar - Cesaria Evora,Caetano Veloso,Ryuichi S.
- Interlude - Red Hot + Rio
- Water To Drink - Incognito
- Dancing... - Milton Nascimento
- How Insensitive - Antonio Carlos Jobim and Sting
- Waters Of March - David Bryne and Marisa Monte
- Interlude - Red Hot + Rio
- One Note Samba/Surfboard - Stereolab and Herbie Mann
- Interlude - Red Hot + Rio
- Black Orpheus Dub - Mad Professor
- Maracatu Atomico - Chico Science X DJ Soul Slinger
- Sambadrome - Funk 'N Lata
- Refazenda - Gilberto Gil
- Preciso Dizer Que Te Amo - Cazuza and Bebel Gilberto
Amazon.com
This immaculately conceived and packaged fundraiser for the AIDS awareness foundation is a sharp tribute to Brazilian pop. David Byrne, Milton Nascimento, PM Dawn, Stereolab, Gilberto Gil, and Crystal Waters (vamping through "The Boy from Ipanema") are among those weighing in with sophisticated tunes that will cross from cocktail hipsters to the leading edge of the mass audience. --Jeff BatemanCustomer Reviews:
rhythm music.......2007-06-08
red hot and best!.......2007-05-14
the music, those great catchy samba and bossa nova tunes that became wildly popular during the 1960s, are suited to each of the artists making a guest appearance on the cd.
among the highlights are the trip-hop infused 'corcovado' by everything but the girl, the dance-club happy 'boy from ipanema' by crystal waters--which also contains one of her best vocal performances--, sting's loving, pensive 'how insensitive', maxwell's calming 'security' and caetano veloso's highly erotic 'e preciso perdoar'.
the collection, generally speaking, is a great party cd and each song is treated with a great deal of ingenuity and integrity.
New Takes on Brazilian Pop.......2005-06-30
Most of the songs contained herein were written way back in the day by Antonio Carlos Jobim and at least a few should be vaguely familiar: "The Girl From Ipanema", of course, but also "One Note Samba", "Waters Of March", and "Water To Drink". But these aren't the original versions--they're updates in a variety of styles. Some work pretty well, some will make you want to hurl (mainly Sting's take on "How Insensitive", which is droning and pointless).
Notable are: a punched-up synth-heavy "Ipanema" by one-hit-wonder Crystal Waters, jazz group Incognito on "Water To Drink", world-music-loving David Byrne and sultry Marisa Monte on "Waters Of March", the well-known Caetano Veloso and Ryuichi Sakamoto with the lesser-known Cesaria Evora on "E Preciso Perdoar", Stereolab's quirky and strange "One Note Samba", and Bebel Gilberto on "Preciso Dizer Que Te Amo".
The Red Hot series, which started with the Cole Porter tribute "Red Hot + Blue", has always done excellent work and this compilation is no exception. If you'd like to sample Brazilian pop music of a certain era but you're terrified of breaking out your dad's dusty old Jobim LPs, this is a great way to see what's what.
Also the liner notes are extensive and informative, so you really get your money's worth. I'm still not clear on the divide between samba and bossa nova, but I reckon that's my fault.
Listening Pleasure-RED HOT+RIO.......2004-03-03
Great for Jobim Fans.......2002-07-16
An excellent addition. I have most of the songs on the album on at least two other CDs, but the artists have played with the songs enough to complement the originals.
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Movie Adagios
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OC0D Release Date: 2001-10-09 |
Tracks:
- Platoon: Adagio For Strings - Baltimore Symphony Orchestra/David Zinman
- Elvira Madigan: Piano Concerto No.21 In C Major, K.467 - Radu Lupu/English Chamber Orchestra/Uri Segal
- A Room With A View: O Mio Babbino Caro (Gianni Schicchi) - Renata Tebaldi/Orch Del Maggio Musicale Fiorentino/Lamberto Gardelli
- Dangerous Moonlight: Warsaw Concerto - Cristina Ortiz/Royal Philharmonic Orchestra/Moshe Atzmon
- Dances With Wolves: John Dunbar Theme - Hollywood Bowl Orchestra/John Mauceri
- Raging Bull/Godfather III: Intermezzo (Cavalleria Rusticana) - National Philharmonic Orchestra/Gianandrea Gavazzeni
- Brief Encounter: Piano Concerto No.2 In C Minor: Adagio Sostenuto (Excerpt) - Jean-Yves Thibaudet/The Cleveland Orchestra/Vladimir Ashkenazy
- The Mission: Gabriel's Oboe - Prague Philharmonia/Nick Ingman
- The Piano: The Heart Asks Pleasure First - Jean-Yves Thibaudet
- The Gadfly: Romance - Alexander Kerr/Royal Concertgebouw Orchestra/Riccardo Chailly
- Amadeus: Serenade In B Flat Major, K.361 'Gran Partita': Adagio - Members Of The Academy Of St. Martin In The Fields/Neville Marriner
- Sunday, Bloody Sunday: Soave Sia Il Vento (Trio) (Cosi Fan Tutte) - Lucia Popp/Brgitte Fassbaender/Tom Krause/Vienna Haydn Orchestra/Istvan Kertesz
- Diva: Ebben?...Ne Andro Lontana (La Wally) - Renee Fleming/London Philharmonic Orchestra/Charles Mackerras
- Hannah And Her Sisters: Keyboard Concerto No.5 In F Minor, BWV 1056: Largo - Andras Schiff/Chamber Orchestra Of Europe
- Immortal Beloved: Piano Sonata No.14 In C Sharp Minor 'Moonlight': Adagio Sostenuto - Vladimir Ashkenazy
- Carrington: String Quintet In C Major, D956: Adagio (Excerpt) - Weller Quartet
- Amadeus: Lacrimosa (Requiem) - John Alldis Choir/BBC Symphony Orchestra/Colin Davis
Tracks:
- Billy Elliot: Scene (Opening Of Act 2) (Swan Lake) - Orchestre Symphonique De Montreal/Charles Dutoit
- Life Is Beautiful (La Vita E Bella): Barcarolle (The Tales Of Hoffmann) - L'Orchestra De La Suisse Romande/Richard Bonynge
- Dead Poets Society/Picnic At Hanging Rock: Piano Concerto No.5 In E Flat Major, Op.73 'Emperor'... - Vladimir Ashkenazy/The Cleveland Orchestra
- Hilary And Jackie: Cello Concerto, Op.85: Adagio - Moderato (Excerpt) - Julian Lloyd Webber/Royal Philharmonic Orchestra/Yehudi Menuhin
- Out Of Africa: Clarinet Concerto In A Major, K.622: Adagio - Jack Brymer/London Symphony Orchestra/Colin Davis
- Children Of A Lesser God: Concerto In D Minor For 2 Violins, BWV 1043: Largo, Ma Non Tanto - Henryk Szeryng/Maurice Hasson/Academy Of St. Martin In The Fields/Neville Marriner
- Frankie And Johnny: Clair De Lune - Eastman-Rochester Pops Orchestra/Frederick Fennell
- Cinema Paradiso: Nuovo Cinema Paradiso - Prague Philharmonia/Nick Ingman
- Death In Venice: Symphony No.5: Adagietto - Chicago Symphony Orchestra/Sir Georg Solti
- Seven: Suite No.3 In D Major, BWV 1068: Air - Stuttgarter Kammerorchestra/Karl Munchinger
- The Shawshank Redemption: Che Soave Seffiretto (Letter Duet) (The Marriage Of Figaro) - Kiri Te Kanawa/Lucia Popp/London Philharmonic Orchestra/Sir Georg Solti
- Fatal Attraction: Un Bel Di (Madama Butterfly) - Renee Fleming/London Philharmonic Orchestra/Charles Mackerras
- Ordinary People: Canon In D Major - Stuttgarter Kammerorchester/Karl Munchinger
- Truly, Madly, Deeply: Cello Sonata In G Minor, BWV 1029: Adagio (Excerpt) - Janos Starker/Gyorgy Sebok
- Shine: Prelude In C Sharp Minor, Op.3 No.2 - Vladimir Ashkenazy
- On Her Majesty's Secret Service: We Have All The Time In The World - Prague Philharmonia/Nick Ingman
Customer Reviews:
If You Love Classical Music, This CD Is For You .......2007-01-10
Probably Decca's best "Adagios" set.......2006-07-26
A couple drawbacks to this set: (1) The adagio from Rachmaninov's 2nd is truncated to a mere 4 minutes. For this, one is well advised to purchase a CD with the entire concerto, or get a full version of just the adagio elsewhere (Decca does include a full version on its "Romantic Adagios" collection). (2) So much from so many composers is included, that there is too little room for more Beethoven. I'd prefer the adagio from the "Pathetique" sonata to the "Moonlight" one which was included here. For Beethoven adagios, you need the "Beethoven Adagios" set as an accompaniment (where you get, among other things, adagios for the op. 130 string quartet, the 6th symphony, the violin concerto, piano concerto no. 3, the 7th symphony, and the romance for violin no. 2, op. 50). If you're a fan of Mozart music often used in the movies, there's the "Mozart Adagios" set and/or the "Amadeus" soundtrack.
I'm a "purist" as to a few works; I'd rather hear the entirety of the "Emperor" concerto than merely the adagio, for instance. In plenty of other cases, an adagio movement is heard just fine as a stand-alone work; plenty of the most beautiful music is used for adagio movements, as these sets make clear enough.
One of the best CDs you'll ever own.......2003-03-23
One reason I chose it was that I was looking for music that could simply be a nice background noise for when I'm working on things that require reading and concentration. I wanted music that would not be a distraction, and this does a good job. It is also great to listen to when doing almost anything, like even cleaning the house or doing laundry. I will admit though, that listening to the selection from Swan Lake might make you want to dance around the living room.
Also, besides the obvious ones that everybody knows (Beethoven's 5th, or Canon in D, etc.) I do not know enough to distinguish specific songs from their composers, which is why I was hesitant to buy a classical CD soley of one artist because once I got it I may not have liked it or been familiar with any of the songs. That is why I picked Movie Adagios because I knew it would be a selection of some of the best classical music from the movies, which it is.
Sublime!.......2002-09-08
Filmmakers have been raiding the classical music files since the days of the silents in order to heighten the mood of a scene and provide a greater emotional impact. Barber's Adagio for Strings has been used not only in "Platoon", as this CD lists, but also in "The Elephant Man". While there's only a small snippet of Rachmininoff's Piano Concerto No. 2 here, it's worth remembering that the entire piece is used throughout the magnificent "Brief Encounter" to heighten the impact of the romance. Mozart's Trio (Cosi fan tutte) was brilliantly used in "Sunday, Bloody Sunday" to comment on a complex romantic triangle.
There are also 5 pieces written directly for the screen, two by Ennio Morricone (the haunting Gabriel's Oboe from "The Mission" and the exquisite Nuovo Cinema Paradiso from "Cinema Paradiso"), two by John Barry (a lovely version of We Have All the Time in the World from the James Bond classic "On Her Majesty's Secret Service" and the elegiac John Dunbar Theme from "Dances With Wolves") and one by Michael Nyman (The heart asks pleasure first from "The Piano").
I love this CD, to relax with, to read with, and just immerse myself in the spectacular sounds of genius.
GREAT MUSIC.......2001-12-03
Those of you who have not got on board with the ADAGIOS, please get on board the next time you go to your favorite music store. You may be surprised at how you have enriched yourselves with great music for your listening pleasure.
You may want to check other reviews here at Amazon under my section in the customers reviews.
Thanks
TRIPP
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The Incredible Film Music Box
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007S687Y Release Date: 2005-05-10 |
Tracks:
- Gone With The Wind: Overture
- Citizen Kane: Overture
- Casablanca: As Time Goes By
- It's A Wonderful Life: It's A Wonderful Life
- The Third Man: The Harry Lime Theme
- The Searchers: Suite
- The Bridge On The River Kwai: Colonel Bogey March
- Vertigo: Prelude
- Touch Of Evil: Main Title
- Ben-Hur: Parade Of The Charioteers
- North By Northwest: Prelude
- Psycho: Suite
- The Magnificent Seven: The Magnificent Seven
- Lawrence Of Arabia: Overture
Tracks:
- To Kill A Mockingbird: Suite
- The Great Escape: Main Title
- Doctor Zhivago: Main Title & Lara's Theme
- The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
- Once Upon A Time In The West: Jill's Theme
- 2001: A Space Odyssey: Also Sprach Zarathustra
- Midnight Cowboy: Midnight Cowboy
- Get Carter: Main Title
- A Clockwork Orange: Ode To Joy
- The Godfather: Waltz & Love Theme
- Jaws: Jaws
- Rocky: Gonna Fly Now
- Taxi Driver: Suite
- Star Wars: Episode IV: A New Hope
Tracks:
- Superman: Main Theme
- Alien: End Title
- Raging Bull: Intermezzo From Cavalleria Rusticana
- Raiders Of The Lost Ark: Raiders March
- Blade Runner: End Titles
- E.T.: The Extraterrestrial: Adventures On Earth
- Once Upon A Time In America: Deborah's Theme
- Back To The Future: Main Theme
- Witness: Building The Barn
- Aliens: Main Title
- Cinema Paradiso: Cinema Paradiso
- Glory: Charging Frot Wagner
- Dances With Wolves: The John Dunbar Theme
- Unforgiven: Claudia's Theme
Tracks:
- The Piano: The Heart Asks Pleasure First
- Schindler's List: Main Theme
- Braveheart: End Credits
- Titanic: My Heart Will Go On
- Saving Private Ryan: Hymn To The Fallen
- American Beauty: Any Other Name
- Gladiator: Now We Are Free
- Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
- The Girl With The Pearl Earring: Griet's Theme
- Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
- Harry Potter And The Prisoner Of Azkaban: Suite
- Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
- Finding Neverland: Impossible Opening
- The Incredibles: Overture
Customer Reviews:
Great Sampling Collection.......2007-07-29
Six Decades of Film Music.......2007-05-13
Excellent collection with fine performances.......2007-03-28
"essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16
There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!
Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.
Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!
Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)
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- Poison
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- Rapture
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- Share My World
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Still Not Getting Any... [Enhanced] [Limited Edition]
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