Yesterday Love

Yesterday Love

Track Listings

1. Love At Second Sight
2. Yesterday Love
3. Just Us Together Tonight
4. How Could You Leave
5. Takeya's Song
6. I'm The One To Blame
7. I Found You Out
8. Trust Starts With Us
9. Love and Time
10. Ain't No Reason

Editorial Reviews

About the Artist
Without a doubt, Gerald is on his way to super stardom upon the release of his new CD entitled "I'm In It For Love!". He has self produced an entire sizzling repertoire of smooth, soulful, bass booming, lovemaking, R&B groovers. Mr. Greene is truly a balladeer at heart. His phenonimal songwriting abilities come bursting through on this CD.

Product Description
Lenox International Records is an indie label that was started by Denny Greene of Sha Na Na fame. Since the label's inception in the early 80's, they've been making records. Now, with the advent of CD's, brother and recording artist in his own right, Gerald Greene has come to the forefront with "Yesterday Love", a single taken from the forthcoming full length album entitled, "I'm In It For Love!"

Yesterday Love,Gerald Greene


Once Upon A Mattress (1959 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • "Mattress" CD was excellent
  • an oldie but a goodie
  • Nothing like the original --
  • Awesome
  • I saw the original on Broadway
Once Upon A Mattress (1959 Original Broadway Cast)
Marshall Barer
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Once Upon a Mattress
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  5. Bye Bye Birdie (1960 Original Broadway Cast)

ASIN: B000002ONH
Release Date: 1993-04-13

Tracks:

  1. Overture - Orchestra
  2. Many Moons Ago - Harry Snow
  3. An Opening For A Princess - Joe Bova and Ensemble
  4. In A Little While - Allen Case, Anne Jones
  5. Shy - Carol Burnett, Joe Bova And Ensemble
  6. Sensitivity - Jane White, Robert Weil
  7. The Swamps Of Home - Carol Burnett, Joe Bova And Ensemble
  8. Normandy - Harry Snow, Matt Mattox, Anne Jones
  9. Spanish Panic - Jane White
  10. Song Of Love - Carol Burnett, Joe Bova And Ensemble
  11. Quiet - Jane White And Ensemble
  12. Studio Dialogue - Carol Burnett
  13. Happily Ever After - Carol Burnett
  14. Man To Man Talk - Matt Mattox, Joe Bova
  15. Very Soft Shoes - Matt Mattox And Ensemble
  16. Yesterday I Loved You - Allen Case, Anne Jones
  17. Nightingale Lullaby - Ginny Perlowin
  18. Finale - Joe Bova, Matt Mattox, Jack Gilford And Ensemble

Amazon.com

Based on Hans Christian Andersen's tale The Princess and the Pea, Once Upon a Mattress opened in May 1959 and was a solid success, if not a huge blockbuster. It did well enough, in any case, to warrant a 1997 revival starring Sarah Jessica Parker. The show was far from revolutionary, but it provided a really fun vehicle for a cast of top stage personalities, including black actress Jane White, who played Queen Aggravain (a part originally written for comedienne Nancy Walker) in whiteface. But of course, Once Upon a Mattress's heart and soul was Carol Burnett, who, in her Broadway debut created the part of Princess Winnifred and delivered two of Mary Rodgers's best songs, the hilarious "Shy" and the spunky "Happily Ever After," which sounds a bit like Jule Styne at his most rhythmic. Burnett's timing and performance remain as sharp as they were 40 years ago. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars "Mattress" CD was excellent.......2007-01-09

I've really enjoyed this CD. I only wish the play was available on DVD.

5 out of 5 stars an oldie but a goodie.......2006-03-15

Loved Carol Burnett then and love her now. This original cast CD is a lovely trip down memory lane.

5 out of 5 stars Nothing like the original -- .......2006-01-30

No offense to any of the subsequent "Freds" but Carol Burnett OWNS this role. The recording is as fresh and funny as anything being done today and this is the version musical theatre fans should have in their library. Get it.

5 out of 5 stars Awesome.......2006-01-22

My school did this musical last year (Spring 2005) and I had never heard of it before, so I bought both the Revial and the Original Cast Recordings. Fell in love. I was Sir Harry and loved both songs that I sang in. In my opinion, those are the two best songs in the entire musical, but then again, I'm biased.

Once Upon A Mattress OCR is by far the best out there. Don't get me wrong, the Revival Cast did a wonderful job (soundtrack at least) But There is something about Carol Burnett. She was meant to sing be Fred. But one thing that I didn't like is that "The Minstrel, the Jester & I" wasn't in this recording. But that is really the only problem I had with this.

My fav songs include:
In a Little While (because I sang it)
Yesterday I Loved You (again, I sang it)
Many Moons Ago
Shy

Would I recomend this CD? YES I WOULD!! I would shout it from the rooftops that people should by this CD! It's a funny, quaint little musical that people need to know about. I LOVE IT!

5 out of 5 stars I saw the original on Broadway.......2005-12-19

Once Upon a Mattress was one of the first Broadway shows that I ever saw and I was totally mesmorized and laughed so hard that my side hurt. Carol Burnett was the perfect person to play Fred and it was one of those magical performances that stays with you for a lifetime. The original cast album captures the fun and spirit of the show.

Later during the run of the show a friend of mine joined the chorus and when we talked about the experience, he told me that the joy that was on stage was similar to that felt by the cast and that was apparent on the album. They especially liked working with Ms. Burnett as she was a giving and caring actress.

I recommend this album to anyone who wants to spend some time just feeling good.
Placido Domingo: A Love Until The End Of Time
Average customer rating: 4.5 out of 5 stars
  • love songs easy to listen too
  • This is an oldie but a goodie!
  • Great for boring candlelight dinner or quick ride in an elevator.
  • Beautiful music
  • A Valentine's Day Gift for all time
Placido Domingo: A Love Until The End Of Time
Ken Hirsch , Jule Styne , John & Paul McCartney Lennon , Consuelo Velazquez , John Denver , Andrew Lloyd Webber , Richard Rodgers , Henry Mancini , Johnny Mercer , Armando Manzanero , and Maureen McGovern
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000026H6
Release Date: 1990-10-25

Tracks:

  1. Maria
  2. Siboney
  3. A Love Until The End Of Time
  4. Noche Azul
  5. La Comparsa
  6. Save Your Nights For Me
  7. Time After Time
  8. Malaguena
  9. Yesterday
  10. Besame Mucho
  11. My Life For A Song
  12. Annie's Song
  13. Siempre en me Corazon
  14. Love Came For Me (Love Theme From Splash)
  15. I Don't Talk To Strangers
  16. Blue Moon - Moon River
  17. Autumn Leaves
  18. Adoro

Customer Reviews:

5 out of 5 stars love songs easy to listen too.......2007-05-07

I love a classical voice singing this type of mustic, or sacred (from the operas (in English), or, out of print sacred. Wish I could find a source for some of my old tapes (some recorded from 78s) of artists like Jerome Hines (Holy City, 1962-3, 78 record I transferred to tape), Russel Davis (1970 or early 8os record I coped, of tape my Dad had copied), William Harness, Kathleen Battle, etc. etc. I enjoy a wide range of music, but had operatic training, so understand the requirements for superior vocal skill. John Denver had much of the quality. Music for me is part of the fabric of life.

4 out of 5 stars This is an oldie but a goodie!.......2006-11-09

One of his first albums of "popular" songs and one of the best of the songs we have loved for years with a fresh, new Domingo treatment. Just as his album with John Denver was a something new for him, these songs are out of the opera world. You'll never hear any of them performed by anyone up to the "gold standard" of Domingo. That being said, I love this album, but - the accent gets in the way on the English songs. You have to be able to accept the accented English and just listen to the gorgeous voice singing some very romantic songs. I highly recommend!

2 out of 5 stars Great for boring candlelight dinner or quick ride in an elevator........2006-10-31

As much as I enjoy listening to Placido Domingo's popular recordings this is not one of his best performances. Missing the full-blooded belting that can be heard on his other albums ("Be My Love" for example). The orchestration is very mediocre and uninspired.
For a romantic mood, "Perhaps Love" (simply fabulous) is much better choice.

5 out of 5 stars Beautiful music.......2006-02-23

I have been looking for this title for a long time...in all the wrong places.

5 out of 5 stars A Valentine's Day Gift for all time.......2005-02-02

If you truly want to touch someone's heart, give this as a Valentine's gift. I received the CD last year and I love every minute. It makes a loving gift of one of the greats. With such a long career you would think that Placido would disappoint. So far it hasn't happened. This year my honey and I will see him in concert! Another Valentine's day wish come true.
Bach Meets the Beatles: Revisited
Average customer rating: 4 out of 5 stars
  • Magnificent!
  • Interesting and surprising
  • Superb artistry!
  • True to Bach, with a hint of The Beatles
  • Worth a try, but don't expect much
Bach Meets the Beatles: Revisited

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

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  1. The Movie Album Classical Pictures; John Bayless
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ASIN: B0002739O0
Release Date: 2004-06-29

Tracks:

  1. Penny Lane
  2. Yesterday
  3. Can't Buy Me Love
  4. Let It Be
  5. If I Fell
  6. Imagine
  7. I Want To Hold Your Hand
  8. Michelle
  9. A Hard Day's Night
  10. And I Love Her
  11. Eleanor Rigby
  12. Lady Madonna

Album Description

Bach Meets The Beatles: Revisited features 12 best-selling Fab Four tracks performed in the distinctive style of the Baroque master by contemporary pianist John Bayless. Classics like "Penny Lane", "I Want To Hold Your Hand", "Yesterday", "Eleanor Rigby", "Lady Madonna", and others are arranged as if Bach himself were behind the keyboards.

Customer Reviews:

5 out of 5 stars Magnificent!.......2007-06-02

I have listened to this album time and time again. I never tire of its beauty, its passion, and its inventiveness. It is one of the few albums I must always have on my MP3 player. It is a work of genius by a man who is brilliantly interpreting the genius of the Beatles. The recording quality is superb.

5 out of 5 stars Interesting and surprising.......2006-06-11

I love this CD. It combines the best of both worlds--classical and rock. Paul McCartney said he took Bach pieces and made them into something new; for instance he used Bach chord progressions for his song "Jenny Wren," on his newest "Chaos and Creation" CD. Well, Bayless takes Beatles melodies and does great Bach-style things with them here. It is fun to hear Beatles done in the Baroque style, interestingly and flawlessly. Bayless is creative in his arrangements, AND he performs so well. This CD makes me smile. I betcha Bach and all four Beatles are smiling whenever its played.

5 out of 5 stars Superb artistry!.......2005-12-31

As a professional classical musician (and erstwhile Beatles fan - my mother raised me listening to them at home in the late 70s) I have to commend this delightful album! The playing itself is fantastic, and the artistry and skill of John Bayless in imitating Bach is really amazing. It's just plain fun to listen to, but sounds like "real" classical music. I've bought this as a gift for many other musical colleagues, to rave reviews!

5 out of 5 stars True to Bach, with a hint of The Beatles.......2005-08-13

This CD is a tribute to Bach with a hint of The Beatles infused between. It rings true to Bach's complex, multi-voiced piano pieces with mild Beatles undercurrents. Beautifully done. I completely disagree with the previous reviewers.

2 out of 5 stars Worth a try, but don't expect much.......2005-08-08

I like listening to experimental music, and thus I have a lot of respect for this album for what it attempts to accomplish. I had high expectations for this experiment because I am a huge fan of Bach and the Beatles. It's very hard to hear any Beatles influence during most of the album. Unless the money that you plan to spend on this album is disposable, I suggest that you consider spending some time listening to the samples before investing in this album.
Arthur Fiedler & The Boston Pops Play the Beatles
Average customer rating: 4.5 out of 5 stars
  • Could have been better
  • awesome music
  • AMAZING!
  • Arthur Fiedler and the Boston Pops do the Beatles
  • Some Moments - but doesn't live up to expectations
Arthur Fiedler & The Boston Pops Play the Beatles

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004KH76
Release Date: 2000-03-07

Tracks:

  1. Eleanor Rigby
  2. And I Love Her
  3. Ob-La-Di, Ob-la-da
  4. Hey Jude
  5. With A Little Help From My Friends
  6. Yellow Submarine
  7. I Want To Hold Your Hand
  8. Penny Lane
  9. A Hard Day's Night
  10. The Fool On The Hill
  11. Yesterday
  12. Michelle
  13. I Want To Hold Your Hand
  14. And I Love Her
  15. A Hard Day's Night
  16. I Want To Hold Your Hand

Customer Reviews:

2 out of 5 stars Could have been better.......2006-08-22

Not the best treatment of Beatles music from the classical point of view. London Symphony was much better.

5 out of 5 stars awesome music.......2006-03-10

Hearing the Beatles music arranged in classical format shows what great musicians and composers Lennon and McCartney were.

5 out of 5 stars AMAZING!.......2005-01-08

I cannot help but smile when I listen to the beautiful arrangements on this album. It blends the Beatles' genius for melody with the great percussive sound and incredible energy of Arthur Fiedler and the Boston Pops. I've heard other orchestral versions of Beatles songs, but none has compared to this one (if anyone has found a better CD, please post a note here). Any Beatles or Pops fan should definitely own this CD. I can't stop listening!

4 out of 5 stars Arthur Fiedler and the Boston Pops do the Beatles.......2005-01-01

As conductor of the Boston Pops for almost half a century, Arthur Fiedler brought popular classical music and pop music with a classical twist to the people. Leonard Bernstein was providing an intellectual and more glamorous musical education for Americans, but Fielder was coming into our living rooms on a weekly basis with his Boston Pops concerts. Fielder and the Boston Pops produced a lot of records, mostly with RCA in the 1950s through the 1970s, most of which offered everything from classical overtures and ballet pieces to movies themes and the hits of the Beatles.

It was inevitable that with over a hundred albums the Boston Pops would do the Fab Four. They were the first orchestra to perform the songs of the Beatles in 1964 when Fiedler returned from a trip to Liverpool ("I Want to Hold Your Hand" was the first one they ever did). These are not just these songs played by a classical orchestra but rather arrangements done for this purpose. You will notice that one of the standard ways of arranging these songs is to use the chorus as the introduction for the song (e.g., "Eleanor Rigby," "Hey Jude"). If you can guess from the drumming at the beginning of "Ob-La-Di, Ob-La-Da" or "Yellow Submarine" what those songs are then you are way ahead of me, but that is the sense of fun that Fiedler brought to these songs by giving them the John Phillip Sousa treatment.

Sometimes it is such the simple elegance of doing the guitar parts with strings, as with "And I Love Her," or even the staccato strings of "Penny Lane," that makes the songs enjoyable. Then there are the mood chances invoked by turning "A Little Help From My Friends" into a work of minor chords. My assumption is that if you pick up this album you will know the songs, but not these arrangements, so you should just forget about looking at the play list and just listen to the music.

There are a quartet of bonus tracks on the album, featuring live versions of "I Want to Hold Your Hand," "And I Love Her," and "A Hard Day's Night." These are not different versions of these songs, which is too bad because I thought it would be interesting to see if the Pops arrangers could come up with different classical ways of doing the same songs. The final track is actually Fiedler talking about how the Pops came to play the Beatles music, as a "novelty." I have not listened to this sort of music for a while, but it makes for nice background music and there are more albums out there. Remember "Saturday Night Fiedler"?

3 out of 5 stars Some Moments - but doesn't live up to expectations.......2004-09-30

During the 20th century, Arthur Fiedler was one of the most celebrated conductors of orchestral music. He is most famous for being the longtime conductor of the Boston Pops Orchestra. As someone who is a novice to classical music, I have found Arthur Fiedler's music very easy to get into. Namely, Fiedler made classical music easy - for the everyday fan to enjoy. One way Fiedler accomplished this is through doing popular tunes in the classical style. Fiedler's style often added a new gusto to classical music concerts by including not only popular music, but also Broadway tunes, jazz, folk, and advertising jingles - all done in the classical style (in the late 70s, he even did Saturday Night Fever tunes - 'Saturday Night Fiedler'). One might get very excited to hear that there is a collection in which Fiedler does Beatles tunes. I've always thought the Beatles' music would lend itself perfectly in the classical music arena - especially their later works. On this particular collection "Arthur Fiedler and the Boston Pops Orchestra play The Beatles", it does have it moments where things work very well. However, overall this collection did fall short on my high expectations that I had.

There are several things that disappoint me about this collection. For starters, there is only a total of two songs from the Beatles best three albums: "Sgt Pepper's Lonely Hearts Club Band" has one song ("With a Little Help From My Friends"), The "White Album" has one song ("Ob-La-Di Ob-La-Da"), while there is no songs from "Abbey Road". As mentioned above, I thought the Beatles' later material lent itself well to being played with an orchestra. These albums are really the cornerstone of this period, yet there is two songs between these three albums. I understand that Fiedler's "Play the Beatles" was put together in 1969, but I still expected much more of a presence from these albums. I think many of the tunes on these albums could have lent itself very easily to classical music. For example, songs such as "Sgt Pepper's Lonely Hearts Club Band", "Lucy in the Sky With Diamonds", "When I'm Sixty-Four", "Day in the Life", "Come Together", "Golden Slumbers", "Carry That Weight", "Birthday", and "Helter Skelter" would have sounded wonderful being played under the classics. I don't know if the Fiedler and the Boston Pops ever did these songs, but if they did - they should have been included. If they were done, it would be nice to hear them on an updated version of this collection. Some of these tunes are available on other classics collection, but Fiedler's Orchestra was the best at playing this music, so I would have liked to have heard it here.

The other thing that disappoints me are some of the selections themselves. Most of the tunes do keep to the sound you would expect from the Beatles, but some do not sound as good as I would expect. "With a Little Help From My Friends" just doesn't sound much like the original tune. The song that I consider the signature song by the Beatles - "Hey Jude" is an extreme disappointment - it just doesn't capture the magic of the original song. Songs like "Michelle" and "And I Love Her" do keep to the Beatles sound, but they somehow miss the mark. Perhaps these two songs aren't the best songs to be done with a Classical Orchestra.

However, this collection is not all bad. There are some positive points that do shine. There are several songs which surprise me on how well they sounded being played in the classical sense. "Eleanor Rigby" is one of those. You can feel a lot of power and emotion with that song. Another song that surprises me how well it sounds being played as a classical piece is "Penny Lane". Fiedler is also able to demonstrate a lot of power by playing by playing "Penny Lane' as a classical piece. In "Yellow Submarine", Fiedler puts a military and marching band spin on the song. It gives the song a whole new dimension. As for my favorite piece on the collection - it has to be "Fool on the Hill". Somehow I almost like "Fool on the Hill" played as a classical piece better than how the Beatles do it. Other songs that sound good are a couple of the Beatles' earlier tunes - "I Want to Hold Your Hand" and "A Hard Day's Night"

It is worth noting that there are some live versions of these songs included with Fiedler's studio recordings. In particular there are live versions of "And I Love Her" and "A Hard Day's Night". There are also multiple versions of the same song included. You will hear three different recordings of "I Want To Hold Your Hand" (one from 1964 and two from 1969 - you will hear a change in tempo). There are also two versions of "A Hard Day's Night" (the live 1965 version and a 1969 studio recording). Counting the live and studio versions - there are also two versions of "And I Love Her".

It is also worth noting that on the final song (the third version of "I Want To Hold Your Hand"), there is a spoken introduction by Arthur Fiedler which is about 1 minute long in which Fiedler explains why he started playing Beatles music. The liner notes contain a one panel writeup by Peter Dellheim that discuss a little more background about the success Fiedler has had playing the Beatles.

Overall, this isn't a bad collection. I had higher expectations knowing how good a conductor Arthur Fiedler is as well as knowing how good many of the Beatles' songs would have sounded. This might appeal to the Beatles fan wanting to hear songs Classical, and possibly even vice versa - but if you want to go deeper with the Beatles being played classical, you may have to go elsewhere.
Yesterday's Love Songs/Today's Blues
Average customer rating: 5 out of 5 stars
  • What my dad used to play on his 'record box'
  • darryl's review...
  • A great album that emphasizes Wilson's versatility.
  • Nancy Blows Ella and Sarah away!
  • Wilson times two!!!
Yesterday's Love Songs/Today's Blues
Nancy Wilson
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005HH2
Release Date: 1991-05-21

Tracks:

  1. The Song Is You
  2. The Very Thought Of You
  3. Satin Doll
  4. Bewitched
  5. Sufferin' With The Blues
  6. Someone To Watch Over Me
  7. The Best Is Yet To Come
  8. Never Let Me Go
  9. Send Me Yeaterday
  10. All My Tomorrows
  11. Please Send Me Someone To Love
  12. Blue Prelude
  13. What Are You Doing New Years Eve
  14. The Show Goes On
  15. West Coast Blues
  16. Tell Me The Truth
  17. My Sweet Thing

Customer Reviews:

5 out of 5 stars What my dad used to play on his 'record box'.......2007-01-11

For nostalgia's sake, I wanted to hear 'Satin Doll'--and I felt that it wasn't enough. One of the last of the great song stylists, Nancy Wilson deserves to be played over, and over and over to get the full effect. A great voice.

5 out of 5 stars darryl's review... .......2007-01-10

this cd is a nice one, the popular song, tell me the truth is on here, the very thought if you and some more songs that i like. i wasnt ewven born when these songs cam out, but i remember my mother used to play tell me the truth. the cd is nice, take a listen to the samples...

5 out of 5 stars A great album that emphasizes Wilson's versatility........2006-01-09

Nancy Wilson can do it all--and does on this CD from 1963. A singer who sings some jazz, some pop, some blues, some soul, and some standards from the Great American Songbook, she manages to do everything well and appeal to everyone, a statement proven by the fact that during the sixties, she was second only to the Beatles in total sales at Capitol Records.

With her light, high voice and great feel for tempo and phrasing, she ranges here from an Eartha Kitt-like sound in "Bewitched" to the gorgeous ballad "Never Let me Go" and one of her best songs, the energetic "My Sweet Thing," with its syncopated pop rock sound. Throughout the album, Gerald Wilson, arranger and band leader, shows off her young voice (she is only 26 here) to its best advantage. Though he is leading a big band with unlimited potential for a big sound, he uses the orchestra almost as a quartet--the string section operates almost as a solo instrument, and the woodwind section sounds like a single sax or clarinet--despite its size. The result is that the huge orchestra never competes with Nancy Wilson, and despite its size, it sounds appropriate to a solo voice.

Some of the best tracks here are blues songs. "Sufferin' with the Blues" offers Wilson an opportunity to wail, while the five songs on the bonus tracks (the "Today's Blues" section), featuring Wild Bill Davis on organ as backup, are among the best on the CD. "West Coast Blues," a fast, off-tempo song, is a star turn for Wilson, with unusual phrasing, as she carries words across beats and measures, and fully lets go emotionally. "Tell Me The Truth," a song in which Wilson whispers that she wants the truth about her relationship, became one of her biggest hits. "My Sweet Thing," with its syncopated pop/rock beat, the most unusual song on the album, is one in which Wilson carries the tune and rhythm into pop dimensions.

If you are looking for a CD of great jazz, look at Sarah Vaughan's "Crazy and Mixed Up." If you are looking for a CD of soul, check out Aretha Franklin's many great albums. But if you are looking for a terrific album which offers a little of many genres--an album in which the vocalist can do it all--then play the samples of Nancy Wilson's "Yesterday's Love Songs" and buy this CD. This is a terrific album by one of the great, versatile singers from the last third of the 20th century. n Mary Whipple

5 out of 5 stars Nancy Blows Ella and Sarah away!.......2003-12-31

This album is again proof of why Nancy is simply the best. She may not be able to scat like Ella or sing 4 octaves like Sarah but her phrasing is second to none.

5 out of 5 stars Wilson times two!!!.......2003-11-23

What makes this an amazing recording are the arrangements of Gerald Wilson! Listen to the samples to see what I mean. Every jazz fan should own this disc.
Cello Submarine: Beatles Classics by the 12 Cellists of the Berlin Philharmonic
Average customer rating: 4 out of 5 stars
  • falls short
  • Ah, the beuty of the cello:
  • Very well done
  • BEATLES IN CLASSICS
  • You're missing the point........
Cello Submarine: Beatles Classics by the 12 Cellists of the Berlin Philharmonic
Lennon & McCartney , Beatles , 12 Cellists of the Berlin Philharmonic , and Rolf Kuhn
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

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  5. The Greatest Hits of the Beatles: Classical Style

ASIN: B000000S89
Release Date: 1995-11-07

Tracks:

  1. Yellow Submarine
  2. Let It Be
  3. Something
  4. The Fool On The Hill
  5. Help
  6. Yesterday
  7. Michelle
  8. A Hard Day's Night
  9. Norwegian Wood
  10. Here, There And Everywhere
  11. Can't Buy Me Love
  12. Hey Jude

Customer Reviews:

2 out of 5 stars falls short.......2006-08-06

Sure I love the Beatles. And while I don't have much of an ear for classical, there is a lot I like. And I'm a sucker for rock music with real string sections. But this CD just doesn't hold my interest; it sounds like elevator classical. Who'd've thunk that one could make a string arrangement of Yesterday or Yellow Submarine that would bore me?

Perhaps if I could discern the "wittily chopped up [variations comparable to those] which Mozart and Beethoven wrote on the well-known songs of their own day," I'd like it more. But my wife (who plays in a local symphony, and does have an ear for classical motifs) also finds the songs uninspiring.

The only tracks which held my interest were Help and Can't Buy Me Love.

5 out of 5 stars Ah, the beuty of the cello:.......2006-06-04

Okay, I have no idea why people are judging this based purely on lablings: quite frankly, it should be about the music, and nothing else.

Now, with that said, I have to say this is one of the most beutiful arrangements for a Band I've ever heard. The 12 Cellists of the Berlin Phil have done a phenominal job at creating something amazing and new out of something amazing and old. I have to say that this is for any fan of the Beatles, classical music, and anything cello related. I'd deffinately suggest the buy, as the entire album is gorgeous.

Oh, and Cello Choirs are probobly the best string ensembles in existance (biased, yes: but that's okay, because cello deserves my bias)

5 out of 5 stars Very well done.......2005-09-19

First of all, I LOVE the Beatles, and I LOVE Classical music. Personally I do not care how Amazon lists this CD.
That being said, I have played many arrangements of Beatles songs (mostly for string quartet) and they all leave something to be desired. These arrangements are bright, colorful and imaginative. Some of the songs have quite lengthy introductions that can have even the most devoted Beatles fan without liner notes in hand skipping forward to find out exactly what song they are listening to. I especially loved Norwegian Wood (I almost like it more than the real deal!). I have long been a fan of cello choirs, and for those who can't get enough cello this will be like a trip to heaven! If you like this CD, also try out the London Viola Sound

5 out of 5 stars BEATLES IN CLASSICS.......2004-04-30

This is the title of a CD I have by the 12 Cellists Of The Berlin Philharmonic.Obviously the same one with a different sleeve.
Yet anyone who claims to know anything about the Beatles knows that "Lennon/McCartney" was agreed on at the beginning whoever wrote the song

4 out of 5 stars You're missing the point...............2003-04-15

While I am sympathetic to the concerns of the other reviewers' issues with the song credits, with all due respoect to Beatlemanics, they can get a little carried away with Beatles trivia and forget that we're talking about MUSIC, something they neglected entirely. I found this CD to be filled with very creative arrangements, that were beautifully and flawlessly executed. This "Dandy Dozen" puts a spin on the Fab Four that takes them into a different dimension, artistically speaking, far from the dad-whistled muzak that another reviewer mistook it for. My only objection was that the recording quality was not the highest quality, and a little "noisy".
Moondog 1 & 2
Average customer rating: 5 out of 5 stars
  • Music From Other Lifetimes
  • This needs a more articulate review...
  • happy music
Moondog 1 & 2
Moondog
Manufacturer: Beat Goes On
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004YU0K
Release Date: 2000-11-06

Tracks:

  1. Theme
  2. Stamping Ground
  3. Symphonique No. 3 (Ode to Venus)
  4. Symphonique No. 6 (Good for Goodie)
  5. Minisym No. 1
  6. Lament, No. 1
  7. Witch of Endor
  8. Symphonique No. 1 (Portrait of a Monarch)
  9. Bells Are Ringing
  10. Voices of Spring
  11. What's the Most Exciting Thing
  12. All Is Loneliness
  13. My Tiny Butterfly
  14. Why Spend a Dark Night With Me
  15. Coffee Beans
  16. Down Is Up
  17. Be a Hobo
  18. Remember
  19. I Love You
  20. Nero's Expedition
  21. No, The Wheel Was Never Invented
  22. With My Wealth
  23. This Student of Life
  24. Some Trust All
  25. Wine, Women and Song
  26. Sadness
  27. Maybe
  28. Each Today Is Yesterday's Tomorrow
  29. Imagine
  30. You the Vandal
  31. Trees Against the Sky
  32. Behold
  33. Sparrow
  34. Pastoral

Customer Reviews:

5 out of 5 stars Music From Other Lifetimes.......2007-07-28

I have been listening to Louis Hardin since 1974 when I was simultaneously introduced to MOONDOG and ALL GOOD MEN by Beaver & Krause - I think I must have used up all of my musical luck because nothing (including The Beatles, who are right up there next to God) has since resonated in me the way these two albums have. Hardin's unabashed musical honesty can be found but in two places, children and geniuses, and I think there must be a lot of both in Hardin. Each composition takes you on a different journey, if the listener has the courage to jump aboard; I always close my eyes, to be closer to the way the music was composed. I am particularly fond of his first album MOONDOG for a lot of reasons, but mostly I think because it was my introduction to a composer who has yet to meet his match, even within himself. As times change (and they inevitably will), other of his works will come to the fore and take their rightful place among the few that will always rise above all the rest.

5 out of 5 stars This needs a more articulate review..........2005-12-10

To tell the truth, the only reason I even listened to this disc in the store is because I spotted the cover, and wondered what the hell a guy who looked like that could sound like. I had a gushing smile on my face as I realized there was real talent and expression behind Moondog's odd facade. The first album on this disc (there are two herein) is made up of more "orchestral" material like none you've ever heard before (one of these tracks "stamping Grounds" is in "The Big Lebowski". The second album is made up of a series of short "rounds"; cyclical songs with naturally repetitive compositions (think row row row your boat, or three blind mice). Due to the familiar nature of such song forms, and the unique compositions employed by Moondog, the second album is quite buoyant and joyful. This is an all around great and very familiar listening experience, and quite a timeless set of albums. Get it while you still can!

5 out of 5 stars happy music.......2002-12-28

Moodog is a realy composer of all time. Is create a new conception of street music and universal sound
Paris, 27/12/02 France
Manuel Barrueco Plays Lennon & McCartney
Average customer rating: 4.5 out of 5 stars
  • Barrueco plays Lennon McCartney
  • Brilliant arrangements and performance
  • hmm...
  • Again ?
Manuel Barrueco Plays Lennon & McCartney

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
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ASIN: B000002SL5
Release Date: 1995-08-08

Tracks:

  1. Eleanor Rigby
  2. Here, There And Everywhere
  3. Ticket To Ride
  4. Fool On The Hill
  5. She's Leaving Home
  6. Penny Lane
  7. Lucy In The Sky With Diamonds
  8. A Hard Day's Night
  9. Michelle
  10. Hey Jude
  11. Yesterday
  12. You've Got To Hide Your Love Away
  13. The Long And Winding Road

Customer Reviews:

5 out of 5 stars Barrueco plays Lennon McCartney.......2007-03-20

A first-class CD. Excellent arrangements, especially with London Symphony on "Winding Road."

5 out of 5 stars Brilliant arrangements and performance.......2007-03-06

Aside from the folks who would otherwise waste an opportunity to discuss the worthiness of this album, I fully endorse it as an example of a beautiful combination of excellent playing and superb composing. A good arranger finds the perfect balance between keeping honest to the original music and exploring/exploiting the inherent qualities within it through different means. That's precisely what occurs with this album. You're hard pressed to find better arrangements than the Takemitsu. Leo Brower shows a deft touch for string writing in his arrangements and again his writing for the guitar is spot on. The final two arrangements by Mr. Lubbock are interesting, yet straying further from their original inspiration than the other arrangements, still manage to capture that lovely balance.

There aren't enough accolades to give Maestro Barrueco whose precision and musicianship are nearly unmatched (still a close second to Pepe Romero in my book). An excellent and interesting purchase for guitar, strings, and Beatles lovers alike.

3 out of 5 stars hmm..........2002-02-05

Um... for the record: All the Beatle songs other than those composed by George Harrison or Ringo Starr were credited to "Lennon-McCartney" or "John Lennon and Paul McCartney" by prior agreement of John Lennon and Paul McCartney, whether they actually collaborated (as they did in many cases) or one of them worked by himself.

John Lennon wrote Ticket To Ride, Lucy In The Sky With Diamonds, A Hard Day's Night, and You've Got To Hide Your Love Away.

Paul McCartney wrote Yesterday, Here, There, And Everywhere, Fool On The Hill, Penny Lane, Hey Jude, and The Long And Winding Road.

John Lennon and Paul McCartney collaborated on Eleanor Rigby, She's Leaving Home, and Michelle.

5 out of 5 stars Again ?.......1999-12-05

This is not the first CD on this site where you try to convince us that John wrote The fool on the hill and other songs written by Paul.I really can't believe you're so uninformed.
The Greatest Hits of the Beatles: Classical Style
Average customer rating: Not rated
    The Greatest Hits of the Beatles: Classical Style

    Manufacturer: Compendia
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
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    4. Bach Meets the Beatles: Revisited
    5. The Beatles Gregorian Songbook

    ASIN: B0007LPM82
    Release Date: 2005-03-22

    Tracks:

    1. Eleanor Rigby
    2. Yellow Submarine
    3. Please Please Me/Hard Days Night
    4. Got To Get You Into My Life
    5. And I Love Her
    6. Michelle
    7. Yesterday
    8. Here, There, And Everywhere
    9. The Long And Winding Road
    10. Hey Jude

    Album Description

    Revisit Abbey Road with THE BEATLES GREATEST HITS: CLASSICAL STYLE, an unbelievable collection of your favorite Fab Four songs performed in the distinctive style of revered classical composers such as Johann Sebastian Bach. With hits such as "Yellow Submarine", "Yesterday", and "Hey Jude", THE BEATLES GREATEST CLASSICAL STYLE will become a favorite of Beatles fans and classical music aficionados everywhere.
    Moondog
    Average customer rating: 5 out of 5 stars
    • 35 unmistakable tracks
    • Wonderful
    • The Different Drummer We Once Were
    • For those who love the music
    • Moondog
    Moondog

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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    Traditional Jazz GeneralTraditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music
    Vocal Jazz GeneralVocal Jazz General | Vocal Jazz | Jazz | Styles | Music
    GeneralGeneral | New Age | Styles | Music
    MadrigalsMadrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    ASIN: B0000026QJ
    Release Date: 1989-07-20

    Tracks:

    1. Madrigals: Rounds And Canons: No. 12-Nero's Expedition
    2. Madrigals: Rounds And Canons: No. 13-No, The Wheel Was Never Invented
    3. Madrigals: Rounds And Canons: No. 14-With My Wealth
    4. Madrigals: Rounds And Canons: No. 15-This Student Of Life
    5. Madrigals: Rounds And Canons: No. 16-Some Trust All
    6. Madrigals: Rounds And Canons: No. 17-Wine, Woman And Song
    7. Madrigals: Rounds And Canons: No. 18-Sadness
    8. Madrigals: Rounds And Canons: No. 19-Maybe
    9. Madrigals: Rounds And Canons: No. 20-Each Today Is Yesterday's Tomorrow
    10. Madrigals: Rounds And Canons: No. 21-Imagine
    11. Madrigals: Rounds And Canons: No. 22-You The Vandal
    12. Madrigals: Rounds And Canons: No. 23-Trees Against The Sky
    13. Madrigals: Rounds And Canons: No. 24-Behold
    14. Madrigals: Rounds And Canons: No. 25-Sparrow
    15. Madrigals: Rounds And Canons: No. 26-Pastoral

    Customer Reviews:

    5 out of 5 stars 35 unmistakable tracks.......2005-02-24

    You don't need to buy the double-disc "Moondog 1 & 2" to hear the two albums - all that music can also be heard on this (75 minute) single disc.
    Even though the only cover art of this edition is the original front cover of the 1969 "Moondog" (no original back-cover thereof nor any art from the 1971 "Moondog II",) all 35 tracks are nicely crammed in here.
    What's listed under "Listen to samples" on the amazon page are only the last 20 tracks of this CD and all titles are linked to the wrong tracks.

    "Moondog I" (tracks 1-9) opens with "Theme" and "Stomping Ground" - two somewhat coherent pieces which a few years ago were made quite famous through the soundtrack of Coen Brothers' wonderful movie "The Big Lebowski." The album features a 50+ piece orchestra, which, among other greats, includes jazz veterans Don Butterfield (tuba) and Ron Carter (double bass.) In the list of personnel, Moondog is not credited for playing percussion, but the bass, which I assume is a misprint.
    The beautiful Charlie Parker homage "Lament I: Bird's Lament" is here performed in its original form, but can also be found on the 1994 Moondog recording "Sax Pax For a Sax" on only saxes and percussion.
    The orchestral performances on "Moondog I" aren't flawless, but should not be judged harshly because of the very personal, highly individual, and wonderfully eccentric form of compositions that they are. Budget, which is a very common issue when it comes to orchestral recordings, is another element that probably has not allowed much rehersing or many (if any) re-takes.

    Before ordering this disc I knew that I'd love "Moondog I" since I'd heard most of it previously, but I was skeptical towards "Moondog II" because of some reviews I'd read of it. I was however curious, and listening to it when it had arrived was a very nice surprise.
    Aside from performances by Louis "Moondog" Hardin (percussion, piano, vocals) and his daughter June (vocals,) "Moondog II" features 6 other musicians who, at different points throughout the album, play virginals, recorders, harpsichords, ancient organs, guitars, schom, viola de gamba, and troubadour harp. These instruments alone make a very individual sound, but the compositions (many of which are in 5/4 and 5/8) and the poetry make this the most wonderful group of rounds (short vocal canons) you've ever heard.

    In my 700+ CD collection, this is among my favorites.

    4 out of 5 stars Wonderful.......2004-01-26

    Beautiful, quirky, fascinating. A combination of classical, jazz, and improv, this collection made me close my eyes and just feel the music. Interspersed with several of Hardin's two-line poems as punctuation, the musical pieces are truly a wonder.

    5 out of 5 stars The Different Drummer We Once Were.......2004-01-05

    I bought this album because of a memory, but the music stands up remarkably well to a more objective listening.

    It was my first trip to New York City, and my father approached the wildly-dressed, tall and intiimidating figure standing on the corner of 56th St. and 7th Ave. They conversed in Norwegian long enough for me to draw nearer and realize the stranger represented no threat. In fact, I left with a book of hs canons, which remains in my collection of piano literature to this day.

    I met Moondog once again--serendipitously, on Milwaukee's Wisconsin Avenue one day in the seventies. I have no idea how he got there or how he left, but this time I wanted to protect him from the insensitive pedestrians swirling around us and threatening our shared moment.

    Moondog's music is as singular as he is, and offers a glimpse into his creative spirit. It begins with an idea and a form, not with an emotion or sentiment. Each piece is simple and brief, but not simplistic or fragmentary. He avoids any form of dissonance, even seventh chords and "blue" notes (flatted thirds). Music, like life, he seems to be saying, can be a straightforward, delighting adventure, providing one cherishes the quest itself above its so-called object and maintains a focused attention on the wonders of the present moment.

    My only slight disappointment with this recording is that the madrigals, sung by Moondog and his daughter, are subjected to some studio effects that make them sound more artificial and commercial than they deserve to be.

    5 out of 5 stars For those who love the music.......2003-11-29

    It is simple, it is clear, it is wonderful! I don`t know what style is this. Some people call it `jazz`, but second disc is strongly attached to european madrigal canons. I think, if we listen really good music, we never asked about styles. I heard familiar tunes from Tchaikovsky to Resident`s Duck Stab. You must have this if you`re music lover. If you`re musician (who plays music, dont `have a job`) you must have it too. Listen once or twise, if you don`t like it, simply put it on the shelf. Properly time will come.
    P.S. My favorite `I love you` and `Nero`s Expedition`

    5 out of 5 stars Moondog.......2002-05-16

    I was in the St. Thomas Boys Choir in the early 70's. We would walk to church for rehearsal, and pass Moondog, standing on the corner, usually by the ABC building. A couple of us would talk to him in our free time...he knew our names by our voices. We would listen to his poetry, and he seemed intigued by our choir, although he never heard us, I think. I got his album around this time, and have had it ever since. Fascinating pieces, very intricate, but also with "a hook"...that you find yourself humming along with. I heard he moved to Germany, where he wrote a nine hour canon. Overall, an amazing life story, and an incredible talent.

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