Stay-Rod

Product Description
The Feel-good sports hit of the Season! 4 songs that let Seattle Mariner fans express their desire to keep their star short-stop A-ROD in Seattle!

Stay-Rod,Sweetster

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Average customer rating: THE SHAPE OF THINGS TO COME a voice teacher and early music fan

George Frideric Handel: Esther Manufacturer: CORO ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Indie Music | Stores | Music Similar Items: Handel: Jeptha Handel - Joshua / Kirkby, Bowman, Oliver, Ainsley, George, The King's Consort Samson Handel: Alexander's Feast Handel: Joseph and his Brethren / Robert King ASIN: B0001B0A94 Release Date: 2004-06-01

Tracks:

1. Overture Andante - Larghetito - Allegro
2. Recitative Habdonah/Haman: " 'Tis greater far to spare"
3. Aria Haman: " Pluck root and branch from out the land"
4. Recitative Persian Officer: "Our souls with ardour glow"
5. Chorus: "Shall we the God of Israel fear?"
6. Recitative First Israelite: " Now persecution shall lay by her iron rod"
7. Aria: " Tune your harps to cheerfull strains"
8. Chorus: " Shall we of servitude complain"
9. Aria Israelite Woman: " Praise the Lord with cheerful noise"
10. Recitative Israelite Woman: " 0 God, who from the suckling's mouth"
11. Aria Second Israelite: " Sing songs of praise, bow down the knee"
12. Chorus: " Shall we of servitude complain"
13. Recitative Priest of the Israelites: " How have our sins provoked the Lord!"
14. Chorus: "Ye sons of Israel mourn"
15. Aria Priest ofc The Israelites: "0 Jordan, Jordan, sacred tide"
16. Chorus: "Ye sons of Israel mourn"
17. Andante
18. Allegro
19. Adagio
20. Allegro

Tracks:

1. Recitative Esther/Mordecai: " Why sits that sorrow on thy brow?"
2. Aria Mordecai: " Dread not, righteous Queen, the danger"
3. Recitative Esther: "I go before the King to stand"
4. Aria Esther: " Tears assist me, pity moving"
5. Chorus: " Save us, O Lord"
6. Recitative Ahasuerus/Esther: "Who dares intrude into our presence"
7. Duet Esther/Ahasuerus: " Who calls my parting soul from death?"
8. Aria Ahasuerus: "0 beauteous Queen, unclose those eyes!"
9. Recitative Esther: " If I find favour in thy sight"
10. Aria Ahasuerus: " How can I stay when love invites?"
11. Recitative Third Israelite/Fourth Israelite: " With inward joy his visage glows"
12. Chorus: " Virtue, truth and innocence"
13. Arioso Priest of the Israelites: " Jehovah, Crown'd with glory bright"
14. Chorus: " He comes, he comes to end our woes"
15. Recitative Ahasuerus/Esther: " Now, a Queen, thy suit declare"
16. Arioso Haman: " Turn not, a Queen, thy face away"
17. Aria Esther: " Flatt' ring tongue, no more I hear thee!"
18. Recitative Ahasuerus: "Guards, seize the traitor, bear him hence!"
19. Aria Haman: " How art thou fall'n from thy height!"
20. Chorus: "The Lord Our enemy has slain"

Album Description

Handel's oratorios vary greatly in their presentation. In many ways, Esther is a rarity;it is by far the most intimate, not surprisingly as it was composed for the Duke of Chandos. The Duke's Palladian palace near the village ofEdgware had not been completed in time for the first performance so this may have taken place (as did Acis and Galatea) in the intimate surroundings of a small church, St Lawrence, Whitchurch.

We decided, therefore, that we should attempt to convey that intimacy of performance on disc; so we performed in the round with microphones in the middle, the orchestra in front of me, the choir behind and the soloists alongside. The result is everything that chamber music should be where players and singers can enjoy every aspect of Handel's masterpiece.

"The 'sound' of Esther, superbly communicated in the recorded performance here, is pure enchantment... The choral singing has an exceptional grandure, and the instrumental playing a shimmering beauty. Among the soloists, none of whom is less than accomplished, Nancy Argenta and Michael Chance dominate... Both singers affirm a new golden age of Handel interpretation".

Customer Reviews:

THE SHAPE OF THINGS TO COME.......2007-01-26

Esther is the first of Handel's oratorios by a good many years, written when he was 33 and enjoying the patronage of the Duke of Chandos. When he later became his own impresario and was running into trouble as a composer and producer of Italian operas he turned to oratorio as a strategic alternative, but at this early date his concern was to deliver staged entertainments for the Duke, and Esther, contemporary with the work that later gained the title Acis and Galatea, seems to have been just an unusually serious specimen of its type.

As often with Handel, there is no fully official version of the score, and this particular score may not even be fully complete from any point of view. The libretto seems to have been the work of someone in the frivolously named association of big literary figures called the Scriblerus Club, perhaps Dr John Arbuthnot, dedicatee of Pope's great poetic Epistle, but Pope himself may have had a hand in it too. As we have it here, the work breaks into two very asymmetrical parts. Scenes 1 and 2 start with a recitative lasting only seconds from Habdonah followed by a longer one in which Haman announces his onslaught on the Israelites, and from there on feature only anonymous participants. Esther herself and the other named characters make their appearance first in scene 4, but the change of tone occurs in scene 3. At this point the music gains gravity first in the chorus Ye sons of Israel with its extraordinary modulations and then in the striking aria O Jordan, Jordan. I myself feel that this weightier tone is maintained to the end, whether or not the writer of the liner note is correct in saying that the long final chorus with solos is out of proportion to its context.

Throughout - in the first part as well as in scenes 3-6 - the instrumental writing is vivid and varied, with an extraordinary pizzicato accompaniment to Tune your harps and then an even more extraordinary obbligato from the harp itself at Praise the Lord. The harpist is no less than Jan Walters, but sometime I would like to see the score and check out what seem some odd rhythmic interactions here between her and the soloist Nancy Argenta. There are no fewer than ten vocal soloists in a work lasting a little over an hour and a quarter, and a very distinguished bunch they are. I was particularly pleased to find Michael Chance in the countertenor role of the Priest of the Israelites as I admire the strength of his tone, but there is no real weakness among them, unless Lynda Russell as Esther has a couple of very slightly awkward high notes in Flatt'ring tongue, which must be a little nerve-wracking to sing as she has to find her note for herself unaccompanied at the start and later at the reprise. You will see some big names among the instrumentalists too, with Crispian Steele-Perkins on the trumpet making a predictably fine contribution towards the end, and of course with Jan Walters in that marvellous harp part early on. The chorus gets some wonderful work to do, and rises to it fully. I really am unable to worry about the proportionateness of the final chorus when I hear that incomparable Handelian build of tone, sung by 18 singers and sounding as if there were 100.

There is a good liner note by Graydon Beeks Jr, not perhaps the last word in lucidity (neither is the plot of the libretto come to that) but worth re-reading. Harry Christophers himself contributes a short foreword largely concerned with the recording process and highlighting the contributions of Mark Brown and Mike Hatch, his long-time technical collaborators. I was interested to see also the name of Geoff Miles in a role described as `editor'. What responsibilities this involved is not stated and perhaps I ought to know without being told, but I know the work of Geoff Miles as recording engineer from elsewhere and it gave me confidence just to see that he is involved in the proceedings, and the technical work is predictably excellent.

My collection of Handel oratorios is now almost complete, and what a wonderful musical experience they are. Each is unique in its own way, but Esther is unique in some very special ways, and I suggest that you do not wait until you are my age to get to know it.

a voice teacher and early music fan.......2006-04-04

Handel began composing the oratorio 'Esther' in 1718. There is some confusion as to who actually worte the libretto for it, but the story follows very closely the biblical story of Esther in the Book of Esther in the old testament. The story tells of a plot of Haman, the Agagite (Michael George-bass) jealous and powerful vizier of King Xerses (Ahasuerus-Tom Randle-tenor) of Persia(485-464), to destroy in a single day all the Jews living in the Roman Empire. He is moved to this out of hatred for the Jewish servant Mordecai (Mark Padmore-tenor),who for religious motives refuses to render him homage. The day of the proposed massacre is determined by lot. Meanwhile, Esther,niece and adopted daughter of Mordecai, is chosen Queen by King Xerses. She averts the pogrom planned against her people and has the royal decree of extermination reversed against Haman and the enemies of the Jews. Mordecai replaces Haman, and together with Esther, works for the welfare of their people. As you can see this makes for an interesting Oratorio, which it truly is!
This is a "small" contribution compared to many of Handel's other works. However, it is not "small" in a musical sense. There is much creativity on the part of Handel as to orchestral scoring; he exploits his small orchestra and chorus in surprising ways, introducing new vocal and instrumental colours throughout the score, adding and subtracting instruments and voices in many and varied ways. This is a listening surprise as it moves along. And what a great performance on the part of the Christophers as well as some outstanding vocal soloists. Mark Padmore's (Mordecai) aria "Tune Your Harps to Cheerful Strains" was superb as was the Duet between Lynda Russell (Esther) and Tom Randle (Ahasuerus).But the aria that really drew me into the entire drama was sung by Michael Chance (Priest) "O Jordan, Jordan, sacred Tide." It was perfection itself!!!!The Chorus was extremely good and dictionally perfect. It is a great listening experience.

Average customer rating:

Stay with Me Rod Stewart Manufacturer: Special Music ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music CDs $7 - $10 | Hard Rock | Hard Rock & Metal | Today's Deals in Music | Formats | Music All Bargain Titles | Hard Rock | Hard Rock & Metal | Today's Deals in Music | Formats | Music ASIN: B000008L5W Release Date: 1992-04-28

Tracks:

1. Stay With Me
2. (I Know) I'm Losing You
3. Maggie May
4. Every Picture Tells a Story
5. Jodie
6. Oh No, Not My Baby
7. I Wish It Would Rain
8. Country Comfort
9. Reason to Believe
10. Angel
11. Street Fighting Man
12. Pinball Wizard

Average customer rating: Fun and Refreshing

Broadway's Greatest Gifts: Carols for a Cure, Vol. 5 Manufacturer: Rock-it Science ProductGroup: Music Binding: Audio CD All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Hanukkah | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Hanukkah | Holiday Music | Special Features | Music ASIN: B0006Q3MUS Release Date: 2003-11-18

Tracks:

1. Holiday Hop [It's a Wonderful Life]
2. O Holy Night - Gary Adler, John Tartaglia
3. Peces en el Rio (The Fish in the River)
4. Dreidel, Dreidel, Dreidel
5. This Christmas Day
6. Christmas Lullaby
7. Coming of Christmastime
8. Rod's Christmas
9. Silent Night
10. Wrapped Up Nice - Idina Menzel

Tracks:

1. I Saw Three Ships
2. Sing Out - Liz McCartney
3. Too Fat to Fit
4. I'll Stay Strong - Michael Lavine,
5. Ave Maria
6. Jingle Bells, Chicago Style
7. Angelo Rosenbaum
8. How Great Our Joy/Joy to the World - Steve Lavner, Denny Paschall, Glenn Rainey
9. Christmastime on Highway 13
10. O Tannenbaum

Product Description

This perennial favorite brings Broadways best wishing you their holiday best! Hairspray, Gypsy, Nine and Avenue Q are just of few of the shows raising their voices for the cause. Also lending their voices are Antonio Banderas, Hugh Jackman and Harvey Fierstein. Songs Include: 42nd Street The Holiday Hop Aida I'll Stay Strong Avenue Q Rod's Christmas Beauty & the Beast This Christmas Day Big River Silent Night Boy From Oz Wrapped up Nice Cabaret O Tannenbaum Chicago Jingle Bells, Chicago Style Gypsy Sing Out Hairspray Dreidel, Dreidel, Dreidel The Lion King Angelo Rosenbaum Mamma Mia A Christmas Lullaby Nine Los Peces en El Rio (The Fish in the River) Phantom of the Opera Joy to the World/ How Great our Joy The Producers Too Fat to Fit Rent O Holy Night Taboo Ave Maria Thoroughly Modern Millie The Coming of Christmastime Urinetown Christmastime on Highway 13 Wicked I Saw Three Ships

Customer Reviews:

Fun and Refreshing.......2006-03-05

I purchased this CD on a whim, and I was absolutely shocked when I got to track #4- "Dreidel, Dreidel, Dreidel," by the cast of "Hairspray." I loved the upbeat humor, and as the song progressed, I realized I'd heard this version before- it was on South Park! I could not BELIEVE what I was hearing, but I completely adored it. As I listened through the rest of the 2-CD set, I concluded it would undoubtedly be one of my favorite holiday albums. It was a wonderful combination of traditional renditions, such as a beautiful "O Holy Night" performed by the cast of "Rent" and new, humorous songs, including "Too Fat to Fit" by the cast of "The Producers" which was had a personality reminiscent of "Queer Eye for the Straight Guy," "Angelo Rosenbaum," sung by Thom Christopher Warren of "Lion King," and "Sing Out" by the cast of "Gypsy."

Overall, the CD set was a wonderful surprise; I had expected a 2 CD set filled with well-sung music, but I was rewarded with a compilation as diverse as peoples' view of the holidays, ranging from the somber expression of religious value to the whimsical, with a jab at the commercial attitude in the middle!

Average customer rating: Marvelous pictures and scenery

Christmas Around the World Manufacturer: Delta ProductGroup: Music Binding: Audio CD All Works by Michael Praetorius | Praetorius, Michael | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Holiday Music | Compilations | Miscellaneous | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Opera & Vocal | Holiday | Miscellaneous | Styles | Music Pop Vocal | Holiday | Miscellaneous | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music CDs Under $7 | Holiday Music | Miscellaneous | Today's Deals in Music | Formats | Music All Bargain Titles | Holiday Music | Miscellaneous | Today's Deals in Music | Formats | Music General Christmas | Holiday Music | Special Features | Music Under $7 | Today's Deals | Holiday Music | Special Features | Music Pop Vocal | Holiday Music | Special Features | Music Similar Items: National Geograhic's The Noble Horse National Geographic's Crocodiles: Here Be Dragons Riverdance: The Show (standard carton edition) National Geographic's Antarctica - The Last Wilderness Riverdance - The Show ASIN: B000001V9P Release Date: 1995-10-17

Tracks:

1. While Shepherds Watched - Sir Malcom Sargent
2. White Christmas - Alvera Cordova/Coro Della Piccola Casa San Giuseppe
3. Nar Juldags Morgon Glimmar - Axel Stordahl
4. Bethlehems Stjarna - Axel Stordahl
5. Jingle Bells - Le Petits Chanteurs De Versailles
6. The Three Wise Men - Le Petits Chanteurs De Versailles
7. Christmas In Kerry - The Little Dublin Singers
8. Adeste Fideles - The Little Dublin Singers
9. Przyleciela Aniolowie - Schola Cantorum Of SS. Cyril/Methodius Seminary/Rev. Harry A. Warasha
10. The Bears Head Carol - Sir Malcom Sargent
11. So My Sheep May Safely Graze - Rod McKuen
12. Simple Gifts - Rod McKuen
13. Lo, How A Rose Is Er Blooming - Bielefelder Kinderchor/Fredrich Oberschelp
14. Silent Night - Bielefelder Kinderchor/Fredrich Oberschelp
15. O Jule Med Din Glede - Axel Stordahl
16. Deilig Er Jorden - Axel Stordahl
17. O Tannenbaum - The Vienna Boys Choir/Xavier Meyer
18. The Kinderlein Kommet - The Vienna Boys Choir/Xavier Meyer
19. The First Noel - The Little Dublin Singers
20. So Long, Stay Well - Rod McKuen
21. Come To Our Manger - The Eusebia Choir/Helen Economopolus

Customer Reviews:

Marvelous pictures and scenery.......2007-07-19

This is a great video of Australia's animals. If, like me, you don't buy into the evolutionary theory, you'll need to edit some of it's content. As usual National Geographic is a strong evangelistic propagandist for evolution. They speak of theory as if it's verifiable fact. This is simply sad. You can use this video to teach on bias in media.

Average customer rating:

Stay-Rod ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music General | Pop | Indie Music | Stores | Music ASIN: B000050AOB Release Date: 2000-09-15

Tracks:

1. Stay-Rod
2. Good To Be A Mariner
3. Stay-Rod (karaoke version)
4. Good To Be A Mariner (karaoke version)

Album Description

The Feel-good sports hit of the Season! 4 songs that let Seattle Mariner fans express their desire to keep their star short-stop A-ROD in Seattle!

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