Island Romance

Dolphin Dream Weddings, Oct 2000 - DolphinDreamWeddings.com
"...Great music!...interesting & catchy...captures the essence of Maui and aloha of tropical paradise...perfect keepsake and memorable gift!"

Product Description
Created by popular demand, "Island Romance" features 4 classic hits and 6 new island favorites in a contemporary adult style, with lush vocal harmonies, 12-string guitar, and rich orchestration with a touch of island sounds. This CD was created with the theme of tropical romance in mind. Take the islands home with you - "Island Romance" will bring your heart back to the land of sunshine, rainbows and dreams!

Island Romance

Island Romance,Sheryl Preston & Michael Beachwood

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Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Three Cheers for the Irish!!! Ellis Island song brings tears to my eyes How Are Things In Glocca Morra? How Are Things In Glocca Morra? The Best Historical CD Ever!

Ellis Island The Irish Tenors , Brendan Graham , Chauncey Olcott , Irish Traditional , Johnny Cash , John Francis Patterson , Dermot MacMurrough , C. Kirkham , Eric Bogle , Burton Lane , Thomas Osbourne Davis , Irving Berlin , and Frank McNamara Manufacturer: Music Matters ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Irish Tenors | ( I ) | Featured Performers, A-Z | Classical | Styles | Music General | Folk | Styles | Music Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music Britain | British Isles | Europe | International | Styles | Music Ireland | British Isles | Europe | International | Styles | Music General | International | Styles | Music General | Celtic | International | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Tenors | Voices | Opera & Vocal | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music General | International | Indie Music | Stores | Music Celtic | Europe | International | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music Similar Items: The Very Best of The Irish Tenors The Irish Tenors / McNamara, McDermott, Kearns, Tynan Live in Belfast Home for Christmas Heritage ASIN: B000059TBG Release Date: 2001-03-06

Tracks:

1. Isle of Hope, Isle of Tears
2. My Wild Irish Rose
3. Love Thee Dearest
4. Forty Shades of Green
5. Courtin' in the Kitchen
6. The Stone Outside Dan Murphy's Door
7. I'll Tell My Ma
8. Macushla
9. Slievenamon
10. The Green Fields of France
11. Trasna Na Dtonnta (Over The Waves)
12. Oro Se Do Bheatha Bhaile (Long Life to You on Your Homecoming)
13. An Poc Ar Buile (The Mad Goat)
14. The Rose of Tralee
15. The Old Bog Road
16. How Are Things In Glocca Morra
17. The Croppy Boy
18. A Nation Once Again
19. Let There Be Peace
20. Danny Boy
21. God Bless America

Product Description

1. Isle Of Hope, Isle Of Tears
2. My Wild Irish Rose
3. Love Thee Dearest
4. Forty Shades Of Green
5. The Courtin Medley
A. Courtin, In The Kitchen
B. The Stone Outside Dan Murphy s Door
C. I ll Tell My Ma
6. Macushla
7. Slievenamon
8. The Green Fields Of France
9. The Irish Medley
A. Transna Na Dtonnta (Over The Waves)
B. Oro Se Do Bheatha Bhaile (Long Life To You On Your Homecoming)
C. An Poc Ar Buile (The Mad Goat)
10. The Rose Of Tralee
11. The Old Bog Road
12. How Are Things In Glocca Morra
13. The Croppy Boy
14. A Nation Once Again
15. Let There Be Peace
16. Danny Boy
17. God Bless America

Format: CD

Amazon.com

The Irish Tenors' fourth album sees the trio of Anthony Kearns, Ronan Tynan, and Finbar Wright paying a sentimental musical tribute to Ellis Island, the hallowed landmark that met the majority of immigrants entering the United States at the beginning of the 20th century. Needless to say, the Tenors' repertoire this time around is full of reflective ballads of love, loss, and homesickness, including the original "Isle of Hope, Isle of Tears" that opens this disc. Throughout this studio recording, the Irish Tenors are in fine form and backed by a soft-hued orchestra that never interferes with their soaring vocals. Traditional tunes include "My Wild Irish Rose," "How Are Things in Glocca Mora," and, of course, "Danny Boy" (the last sung by all three tenors, with refreshingly simple solo piano accompaniment). Thankfully, the threesome didn't forget that the immigrants had fun, too, as evidenced by some lighthearted fare; "The Courtin' Medley" features the Tenors at their most upbeat and comical. Ellis Island is a moving aural portrait of the struggles and triumphs of the Irish émigrés and a must-have for fans of the threesome. Newcomers may enjoy the Tenors' debut disc even more, as the earlier live album is a slightly more upbeat and spirited affair. --Jason Verlinde

Customer Reviews:

Three Cheers for the Irish!!!.......2007-05-30

A glorious concert in a historic setting, with all involved in top notch form. Finbar finds a great old Johnny Cash number, Ronan sings a Glocka
Mora to end all, and Anthony Kearns sings murderously difficult versions
of Macushla and The Croppy Boy like an angel. And their Courtin' and Irish
Medleys, and their "Nation Once Again" trios are simply glorious glees.

With the benefit of a grand theme, this is perhaps the best, and best balanced, of all their programs.

Ellis Island song brings tears to my eyes.......2006-03-17

This magical album crosses oceans and centuries and puts me in touch with my Irish ancestry. The title song tells a story similar to my greatgrandmother's and even though I've heard it many times now, I still weep for her.

How Are Things In Glocca Morra?.......2004-04-16

Long a fan of Irish music, I have turned to a series of artists to satiate my appetite. Bing Crosby and John McCormick have been succeeded by the Irish Tenors.

This CD has a bit more of an Irish American theme as "Isle Of Hope, Isle Of Tears" and "God Bless America" illustrate. Interspersed among these tunes are traditional Irish tunes such as "Macushla" and "Croppy Boy", along with newer songs, such as "The Green Fields Of France" and "How are Things In Glocca Morra?"

The singing is excellent, the words understandable. I appreciate the inclusion the lyrics of the songs contained on the insert of the cover. These are songs you will want to learn, whose stories you will want to research. I have. Listen again and again!

How Are Things In Glocca Morra?.......2004-04-16

Long a fan of Irish music, I have turned to a series of artists to satiate my appetite. Bing Crosby and John McCormick have been succeeded by the Irish Tenors.

This CD has a bit more of an Irish American theme as "Isle Of Hope, Isle Of Tears" and "God Bless America" illustrate. Interspersed among these tunes are traditional Irish tunes such as "Macushla" and "Croppy Boy", along with newer songs, such as "The Green Fields Of France" and "How are Things In Glocca Morra?"

The singing is excellent, the words understandable. I appreciate the inclusion the lyrics of the songs contained on the insert of the cover. These are songs you will want to learn, whose stories you will want to research. I have. Listen again and again!

The Best Historical CD Ever!.......2003-11-21

I think this is best CD since Live in Belfast! it also has 2 songs not included on the video! it's a unique album of how the immigration to Ellis Island and New York turned out. It also has songs of the war such as The Green Fields Of France (The Best One) or, the croppy boy. I would recommend this to anyone!

Average customer rating: Mixed feelings Your love for this superb collection will be here to stay... He's done it again Absolutely 'S WONDERFUL! A beautiful 2 disc CD-another hit for Michael

The Michael Feinstein Anthology Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Nostalgia | Miscellaneous | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Romance on Film/Romance on Broadway Hopeless Romantics Pure Gershwin Nice Work If You Can Get It: Songs by the Gershwins Michael & George (Feinstein Sings Gershwin) ASIN: B000065DVH Release Date: 2002-05-21

Tracks:

1. Nice Work If You Can Get It
2. Isn't It Romantic
3. Swinging On A Star
4. Ask Me Again
5. Rhode Island Is Famous For You
6. 'S Wonderful
7. Wonder Why
8. Too Marvelous For Words
9. Where Do You Start
10. Theme From The Bad And The Beautiful
11. Easy To Love
12. Alexander's Ragtime Band
13. Who Are You Now?
14. You're An Education
15. You Are There
16. Sophisticated Swing
17. Love Can Change The Stars
18. Come Out, Come Out Wherever You Are
19. Half Of April (Most Of May)
20. Marianne
21. They Can't Take That Away From Me
22. I Love A Piano

Tracks:

1. That's Entertainment
2. My Favorite Year
3. Ten Feet Off The Ground (With Rosemary Clooney)
4. I Never Felt Better
5. Someone To Watch Over Me
6. Kiss Her Now
7. The Ugly Bug Ball
8. For You, For Me, Forever More
9. The Mole People
10. And So To Bed
11. You're All The World To Me
12. Old Friend
13. Isn't It A Pity (with Rosemary Clooney)
14. Pattisserie
15. Open Your Eyes
16. For Love Alone
17. I Won't Send Roses/Time Heals Everything
18. Get Out And Get Under The Moon (with Page Cavanaugh)
19. My Romance
20. Love Is Here To Stay
21. Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Average customer rating: A great operatic soprano scales it down for more popular tunes Emmy Bettendorf doubles her presence on the Internet.

The Lighter Side of Emmy Manufacturer: Dutton Labs UK ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rubinstein | Rubinstein, Anton | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Classical | Imports | Stores | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Soundtracks | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music ASIN: B00021Y9B8 Release Date: 2004-08-10

Customer Reviews:

A great operatic soprano scales it down for more popular tunes.......2007-05-21

The German soprano Emmy Bettendorf made her operatic debut in 1914 and in Germany (she seldom traveled abroad, mostly a tour of Holland) she was considered one of the most outstanding operatic sopranos of her time. She sang a variety of what in the Italian repertoire is called "spinto" (lyric-dramatic) and in the German repertoire "lyrisch-dramatische" roles. She made a a number of operatic recordings well-known to vocal recording collectors, including one of the best recordings ever of "Senta's Ballad" from Wagner's Der Fliegende Hollander and duets from his Lohengrin and Tannhauser with the incomparable heldentenor Lauritz Melchior. She even ventured into the heavy dramatic repertoire with the role of Brunnhilde in Wagner's Siegfried. By the mid-1920's her voice could no longer sustain such heavy fare and she undertook to sing lighter opera and operetta. It was at this time that she undertook to record much of this popular repertoire for the German Parlophon label. Lucky us.

Duttonlabs of the UK has lovingly transcribed 20 of these titles on the CD "The Lighter Side of Emmy". What we hear is a fresh voice that entirely belies its history of heavier usage. It is perfectly integrated between its registers, with beautiful, floated top notes and a sensuous mezzo-soprano timbre in her mid- and lower range; a wonderful legato and a great sense of phrasing. As well, she treats the text of each song with love and a style idiomatic to this genre of music. I have listened to it many times since I acquired it, just to capture in my mind the luscious sound of the voice.

The recording quality and the transfers are first rate. In addition to Emmy, one gets to hear in duets with Emmy a bit of another great light singer of the period, the tenor Herbert Ernst Groh (though he sings on Track 6, not Track 5 as indicated by the jacket) as well as another popular tenor of the times, Hans Clemens. Otto Dobrindt is the classy conductor on many of the tracks. The included biographical notes are excellent.

Emmy Bettendorf doubles her presence on the Internet........2004-08-19

With this 75 minute CD, the estimable German soprano of long ago Emmy Bettendorf doubles her representation on the Internet. From her discography of about 200 items, Dr Robert Jones has here selected 20 non-operatic recordings made between the years 1925 and the early 1930s. In the Berlin of those days, her recording company Parlophon seemed always to have inexhaustible resources to pour into their cheap label productions. There were arrangers to render popular instrumental works by Tchaikovsky, Grieg, Elgar, Waldteufel and Rubinstein into song; there was not only a chorus to add but also budding tenors like Herbert Ernst Groh; and there were conductors like Otto Dobrindt to direct it all. The records had wide appeal in their day, one critic asserting that Emmy Bettendorf's singing could "make men go weak at the knees".

With motherhood looming, Emmy Bettendorf retired in 1932. It is possible to find on the Internet a letter she wrote, in faulty English, after WW2 had left her in severely reduced circumstances, in which she lists some preferred items that might be included in food parcels. Her fortunes later revived when she became lecturer in drama at the Berlin Conservatory. She died in 1963.

I hope a track listing is provided to accompany this review.

Average customer rating: Mixed bag

Camilla Nylund Sings Sibelius, Debussy, Britten & Kuula Manufacturer: Hanssler Classics ProductGroup: Music Binding: Audio CD All Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B0000365N1 Release Date: 1999-10-13

Tracks:

1. Varen flykatar hastigt, Op. 13,4: Fruhling schwindet eilig
2. Saf, saf, susa, Op. 36,4: Schifrohr
3. Den forsta kyssen, Op. 37,1: Der erste Kuss
4. Var det en drom?, Op. 37,4: Wares ein Traum
5. Flickan kom ifran sin alsklings mote, Op. 37, 5: Madchen kam vom Stelldichein
6. Norden, Op. 90,1: Der Norden
7. Tujotin tilehen kauam, Op. 2, 2: Lange starrte ich ins Feuer
8. Sinikan laulu, Op. 16A, 1: Leid der sinikka
9. Sinipiika, Op. 23, 1: Die Walidmaid
10. Purjein kuutamolla, Op. 31A, 1: Segelfahrt im Mondschein
11. Beau Soir: Schoner Abend
12. Romance
13. Les Cloches: Die Glocke
14. Paysage sentimental: Die empfindsame Landschaft
15. Voici que le Printemps: Heir ist der Fruhling
16. Let The Florid Music Praise!, Op. 11: Lasst eure Musik erbluhen
17. Now The Leaves Are Falling Fast: Jetzt fallen schenll die Blatter
18. Seascape: Seestuck
19. Nocturne
20. As It Is,Plenty: Welch ein Uberfluss

Customer Reviews:

Mixed bag.......2005-06-09

This is one of a series of recitals from Hanssler in their Vocal Series published in 1999, and which I have to confess I picked up in a bargin bin. Alan Blyth gave it a warmish review in the Sept 99 Gramophone, as warm as possible given the absence of texts and translations in a full price recital. Though I note the Ingeborg Danz Brahms CD in the same series does have texts.

Comparing the Sibelius settings with Soderstrom, Otter and Karneus I found that Camilla Nylund didn't particularly have much to say that these Swedish singers didn't - perhaps since all the Sibelius settings on this CD are of Swedish poets. I can't compare Nylund with fellow Finns Monica Groop and Soile Isokoski. What I bought the CD for were the four settings of Sibelius' contemporary Kuula - but again, without texts had the same vaguely lost feeling as the Gramophone reviewer. A much better buy would be the recital "From the Heart of Finland" by Mattila reviewed March 97 Gramophone 3/1997, Ondine ODE892-2, which includes some different Kuula songs, or Camilla Nylund's Kilpinen CD on CPO, both of these with texts and translations for those of us who don't speak Finnish.

I don't have any particular comment on the Debussy or Britten settings.

Average customer rating: Beautiful and unique Artistic perfection still a great album wonderful artist music fan from dublin

Romantic Themes & Celtic Dreams: The Nocturnes of John Fiel Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Concertos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | International | Styles | Music General | Celtic | International | Styles | Music General | Jazz | Styles | Music General | New Age | Styles | Music ASIN: B00000HXEN Release Date: 1999-01-12

Tracks:

1. To A Secret Place (Nocturne In E Minor)
2. Our Island Of Dreams (Nocturne In B Flat)
3. Midnight At The Waterfall (Nocturne In G)
4. The Nightingale (Nocturne In A)
5. Memory Harbour (Nocturne In C Minor)
6. Around The Fairy Tree (Waltz In A)
7. Run Wild, Run Free (Nocturne In E)
8. Awakenings (Nocturne In E Flat)
9. A Love Is Lost, But Not Forgotten (Nocturne In D Minor)
10. Stolen Moments (Nocturne In A Flat)
11. O'er Moor, & O'er Mountain (Piano Concerto No.1 In E Flat - 2nd Movement)
12. Nights In St. Petersburg (Nocturne In A)

Customer Reviews:

Beautiful and unique.......2005-12-19

I would like to compliment Alison on her beautiful playing and Dave cooke for his unique and complimentary arrangement of this album. This album brought John Field into the present age and transformed it without destroying it. I am not a clasical boffin but this has sparked my interest.

Artistic perfection.......2005-09-01

Alison Hood plays the nocturnes of Irish composer John Field with a soft, gentle perfection; never jarring or heavy,even in the most difficult pieces. The softly played whistles and pipes lend interest and an Irish touch to several of the selections. Delightful to listen to at the end of a stressful day.

still a great album.......2003-10-14

just played this lovely album after losing it for more than a year and it is still a pleasure to listen to... reminds me of some great times and of a special birthday this month... it will always be special. r

wonderful artist.......2001-01-09

i had the pleasure of meeting this artist recently, and she is just as special in real life as she is on cd. her beautiful playing is only enhanced by her personality which has made listening to this album even more of a pleasure since meeting her. her skill as a pianist is obvious on every track but really comes into its own on 'around the fairy tree', 'a love is lost but not forgotten' and, my favourite by a long way, 'o'er the moor o'er the mountains'. i will continue to listen to this album daily as i have done since last may, and enjoy the memories.

music fan from dublin.......2000-10-16

oh my god...what a lucky day for me when i read the reviews on this album and decided to check it out. this young irish pianist plays the music of field in a arranged in a unique and wonderful way by the well known composer and arranger phil coulter...i'm quite sure the classical snobs will have a "field" day with this one but i hope they have the foresight to look deeper into the beautiful playing on this album and realise that this is the perfect way to bring the music of one of irelands best kept secrets, john field, to a new audience. i look forward to the next album from alison hood. not only does she look wonderful, but she plays like an angel.

Average customer rating: Great lyrics, great lyrics, great album Music to relax by.

Caribbean Cowboy Manufacturer: Sailor Boy Records ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music ASIN: B00004U2JK Release Date: 1997-07-15

Tracks:

1. Rum And Coca-Cola
2. Caribbean Cowboy
3. Jellyfish
4. Moonlit Bay
5. A Mile High On You
6. Heart In Tow
7. Different Stories
8. Time Stands Still
9. Hometown Girls
10. Cinnamon Bay

Album Description

Caribbean Cowboy is a combination of island, jazzy blues, country and adult contemporary selections. Gene Mitchell was writing and pitching songs to Jimmy Buffett and for a planned album for Joey Lee Hamilton. With both tropical and country songs well written and produced to radio quality, Gene's friend Norman Saleet encouraged Gene to release a CD himself as a singer/songwriter. The result was the combination of songs to make the title Caribbean Cowboy. Track 1, Rum And Coca-Cola (not to be confused with the Andrew Sister's song in the 1940's), is an original upbeat tune and is a crowd favorite. Full of the tropics, sailing and beaches, this song has become Gene's theme song as it is the first song from the first CD and introduced him to his continuosly growing audience. "Rum and Coca-Cola, java and granola, one is for the night time, one is for the day, one gets me going, one carries me away!" With lyrics like that, Rum and Coca-Cola is the perfect party song. Track 2, Caribbean Cowboy, is a well written and produced song that combines the old west cowboy hop-a-long music with upbeat Caribbean music for the chorus. "I've got no horse, I've got a boat....I'm a Caribbean Cowboy, I'll never change, I'm riding the wind instead of the range..." leads the listener on a delightful adventure. Kids love this song and Caribbean Cowboy will soon be a children's book. Track 3, Jellyfish, is a bluesy reagge song about a girl's boyfriend who is "like a jellyfish, you can see right through him." Track 4, ah..Moonlit Bay, is a wonderfully romantic song played and sang as smooth as they get. Track 5, A Mile Hig On You, upbeat pop country-rock song about flying away and leaving your love behind and then "coming back from Denver, a mile high on you." Track 6, Heart In Tow, uses a nautical theme to describe falling in love and having your heart towed in a different direction than previously planned. A wonderful love song. Track 7, Different Stories, perhaps the greatest ballad to date written by Gene Mitchell. Peaceful story line tells the tale of a true to life couple who met in the Virgin Isles and sailed away to a new home in Florida. The actual couple still reside in Florida and the sailboat they were married on and sailed the Caribbean is on the cover of Caribbean Cowboy. Track 8, Time Stands Still, is a dynamic love song with strong lyrics. Track 9, Hometown Girls, is a straight forward country tune complete with mandolin and fiddle. Tells the story of a roaming advernturer who leaves the big city behind to come back home to his hometown girl. Track 10, Cinnamon Bay, is upbeat, tropical and tells the tale of adventures and romance on the smallest of the U.S. Virgin Islands, St. John. Cinnamon Bay leaves the listener with wanting to return to Track 1, Rum and Coca-Cola and start the Caribbean Cowboy adventure over again.

Customer Reviews:

Great lyrics, great lyrics, great album.......2004-12-12

The songs on this album are some of the best I've heard in recent years. The tunes are catchy and lyrics are meaningful. "Time Stands Still" could be an instant classic, by anyone's standards. Highly recommended!

Music to relax by........2000-11-11

The music on this CD is wonderful. You can listen to the songs over and over without getting tired of them like most top 40 songs. "Heart in Tow" and "Time Stands Still" were very important songs for my wife and myself while we were dating. I think that anyone in love would relate to "Time Stands Still". Grab a tropical drink and relax to the music of Gene Mitchell. If you are in Panama City, FL, try to catch him live. His music is a real treat.

Average customer rating: Brilliant CD!

Vacation Gene Mitchell Manufacturer: Sailor Boy Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Jazz | Indie Music | Stores | Music General | Pop | Indie Music | Stores | Music ASIN: B00068G8MK Release Date: 2004-07-01

Tracks:

1. Vacation
2. Caribbean Crazy
3. Sail-ebration
4. Sugarcane Is Sweet
5. Pictures
6. Make Mine A Pina Colada
7. Coconut Girl
8. Captains
9. Coconut In The Tiki Hut
10. Looking Forward To Nothing To Do
11. Dance Among The Stars
12. Texas Moon
13. Life On A Boat
14. Cuba Groove
15. Parrot Bay

Album Description

Upbeat tropical based pop and jazz about going on and being on vacation. Tropical islands, beaches, boats, romance, Caribbean, Hawaii, Do-Wop, Jazz, Pop, Tropical Rock and even a country ballad wrap around lyrics that will take you away on an eternal vacation. (See lyrics at GeneMitchell.com, click on lyrics on homepage). Vacation, take one now!

Customer Reviews:

Brilliant CD!.......2004-12-12

Year after year, Gene Mitchell comes up with albums that raise spirits and move souls. The originality he has always puts into his music certainly shows in Vacation. I am glad I purchased this CD!

Average customer rating: Another Success!

Greetings From Florida Gene Mitchell Manufacturer: Sailor Boy Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music General | Pop | Styles | Music General | Jazz | Indie Music | Stores | Music General | Pop | Indie Music | Stores | Music ASIN: B00006BSU9 Release Date: 2002-05-22

Tracks:

1. Greetings From Florida
2. Emerald Coast
3. Can't Wait To Be In Miami
4. Captive Of Captiva
5. Good Friend Of Mine
6. Surrender To The Moon
7. Sunshine Children
8. Florida Moon
9. Outside My Window (The Postive Song)
10. Southern Most Sail

Album Description

"Once again Gene Mitchell has combined the highest quality production, sing-a-long melodies and thought provoking lyrics with a central theme, life in Florida! You will find fun, adventure and romance on the beaches and sea, and even childhood dreams and memories within the well crafted lyrics surrounded by a musical variety of island, jazz, pop and country styles. Not only is the music something you will listen to again and again, there are 8 pages of full color artwork by world famous Florida artist Paul Brent. Gene Mitchell on Acoustic Guitar and Vocals, Gary Gibson on Steel Drum and Congas, John Raymond (guitarist for Kenny G) is back and is featured on jazz guitar on "Emerald Coast" and "Surrender To The Moon", Doug Deforest on Bass and Keyboards, Tim Crouch on Mandolin, Violin and Acoustic Guitar, Robby Springfield on Electric Guitar and Steel Guitar, Marty Lovelace on Drums and Maracas and James Kylen on Timbales on "Can't Wait To Be In Miami." Engineered! , !

Mixed and Mastered at Studio 812, Panama City, Florida by Tom Hoots completes this team of professionals that bring you an album of music to treasure. Let the music of Gene Mitchell and The Big Coconut Studio Band, the artwork of Paul Brent and the engineering magic of Tom Hoots take you on an adventure through the Sunshine State! Greetings From Florida! It is a must! Order it today!

Customer Reviews:

Another Success!.......2004-12-12

Having heard Gene Mitchell's previous work and witnessed his superb live performances, I was not surprised at the quality of songs on Greetings From Florida. Gene continues to create great music. This is a very worthwhile purchase.

Average customer rating:

Jigs, Airs and Reels: Music for Recorder and String Quartet Manufacturer: Campion Cameo ProductGroup: Music Binding: Audio CD Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Arnold | Arnold, Malcolm | ( A ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music ASIN: B0001W8E2I Release Date: 2004-11-30

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1. It's Only Love
2. J to Tha L-O!: The Remixes [Clean]
3. Lauren Vision
4. Let's Dance [CD-single] [Import]
5. Let Me Tell You
6. Love City
7. Love for Sale [Explicit Lyrics]
8. M!ssundaztood [Enhanced] [Import]
9. Manhattan
10. Maria (Un Dos Tres)

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Live & Unreleased, 1967 [Live]

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Kingpins Only [Explicit Lyrics]

McCuaig Self-Titled

Live at Leeds [Import] [Live]

Mermaid Avenue

Latin Carnival [Import]

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