Begin

Product Description
Unique guitar-based debut album from singer/songwriter, Paul Romano. 10 beautiful and melodic songs span the spectrum from mellow rock to alternative pop. Each song is a memorable experience worth repeating.

Begin,Paul Romano

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Average customer rating: Sweet, Surprising and Happy She sounds like a little chirpy bird annoying at first but then she grows on you Regina has a Beautiful Voice, Insteresting Songs, and Instrumental Talents too Some good, some bad...

Begin to Hope Regina Spektor Manufacturer: Sire ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Alternative Folk | Contemporary Folk | Folk | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Soviet Kitsch The Crane Wife Not Too Late The Reminder Alright, Still ASIN: B000FFJ80I Release Date: 2006-06-13

Tracks:

1. Fidelity
2. Better
3. Samson
4. On The Radio
5. Field Below
6. Hotel Song
7. Apres Moi
8. 20 Years Of Snow
9. That Time
10. Edit
11. Lady
12. Summer In The City

Amazon.com

The style known as "anti-folk," as realized by practitioners like Ani DiFranco and Billy Bragg, is derived from a punk aesthetic, and thus tends to be spare and confrontational. But while Regina Spektor's music is anti-folk in the way it subverts the traditional coffeehouse vibe, it's less interested in rebellion and more concerned with the joy of eccentricity, melody and surprise. Begin To Hope is full of surprises, and like her promising major label debut Soviet Kitsch, it displays an easy facility with song structure that enables her to go in different--sometimes wildly off-the-wall--directions without sounding scattered. Classically trained on the piano, she's been compared to Tori Amos, but her music isn't as delicate or precious. Fiona Apple comes up as well, but just because neither fits in the usual female singer/songwriter cookie cutter mold doesn't mean they sound the same. Her voice is actually the primary attraction, cracking and loopy on would-be lullabies like "On The Radio" and "Field Below," then punchy and cute on "Hotel Room." But the music, if understated in the mix next to her vocals, makes an impression as well, breaking in with twisty piano arpeggios ("20 Years of Snow") and occasional touches of electronica. It's a consistently intelligent and daring record, yet remains enormously listenable--a neat trick for anti-folk, or any other genre of music for that matter. -Matthew Cooke

Album Description

Regina Spektor's last album, 2004's Soviet Kitsch, garnered praise from Time, Rolling Stone, Spin, Vanity Fair, The New York Times and many others. But this Russian-born, Bronx-bred singer-songwriter-pianist, who emerged from the NYC café circuit, continues to expand her vision. On Begin To Hope, produced by David Kahne (The Strokes, Sublime, Sugar Ray), she broadens here palette with electric guitar, drum machines and seductive electronic loops, finding new canvases for her provocative vocal style. Hope for pop has arrived with Regina Spektor.

Customer Reviews:

Sweet, Surprising and Happy.......2007-07-27

If you're in the mood for something a little different,
If you want some music that makes you feel good,
If you like an album you can play straight multiple times,
If you like female vocals,
Regina's Begin to Hope is for you.

She sounds like a little chirpy bird.......2007-07-17

My friend recommented her to me. I heard her single Fidelity before and thought it nice then forgot about it. Just on impulse, I grabbed her cd from my friend's car and decided to give it a listen today. Glad I did, I just love it and gushed to my friend and he sent me more of her songs. I love her even more. Regina has such a unique style both on melody and lyrics. It's hard to put in words, you just have to listen to her. Give her a try. I'm going to get all her albums.

annoying at first but then she grows on you.......2007-06-30

Regina Spector recieved radio play at the station I listen to as well as having a short article in Newsweek. I purchased her CD based on these things . The first few listens of her CD annoyed me. There were too many "clever hooks" that she does with her voice. But, after about 10 listens, her music started to grow on me. Like alot of young artists, she brings a fresh perspective on perpetual themes but also has themes that are unusual. She plays the piano very well and her voice is clear and strong. I don't know if I will want to listen to her CD 5 years from now when it's lost the novelty but it's a good start for a young artist.

Regina has a Beautiful Voice, Insteresting Songs, and Instrumental Talents too.......2007-06-26

By chance, I clicked on one video on Youtube that played a very pretty song. After googling a few words from the song, I came up with the name Regina Spektor. Amazon was where I discovered Regina's album, Begin to Hope. Her songs are quirky and her voice is very sweet and unique. She really has a wide range of sounds that she can make with her vocal cords. Her voice is very lovely. She can play the piano, write songs, and make harmonious sounds with her vocal cords or instruments. I don't know the exact meaning of her song "Fidelity," but Spektor's voice vibrates with energy, beauty, and youth. Some songs are like an addictive drug. Fidelity" is one such song; I can listen to this song many times without getting bored. Spektor has such a refreshing sound compared to the more popular pop singers. This is a wonderful album that I purchased from Amazon after learning about Regina Spektor.

Some good, some bad..........2007-06-24

This cd has a few AWESOME songs on it. It also has a few AWFUL songs on it. First and foremost, I HATE any kind of drug reference, and had I known there would be some on this cd, I would have passed on it. So, with that said, I enjoyed the first 4 songs or so, and didn't like the rest. Very unique voice, great talent, but I think she needs someone to take her under their wing and help get her going with some good stuff that doesn't involve any drugs. We just don't need it. Call Mutt Lange. Maybe he can give you a clean boost to get those few great song hooks into the charts. Can I get my money back and just buy the first two songs?

Average customer rating: Spunky Good but mainstream Magnifique. I don't like most women singer songwriters, but.... Love It!

Begin to Hope Regina Spektor Manufacturer: Sire ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Alternative Folk | Contemporary Folk | Folk | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Soviet Kitsch Mary Ann Meets the Gravediggers and Other Short Stories (CD & Region 2 DVD) Soviet Kitsch Live At Bull Moose Songs ASIN: B000FFJ80S Release Date: 2006-06-13

Tracks:

1. Fidelity
2. Better
3. Samson
4. On The Radio
5. Field Below
6. Hotel Song
7. AprMoi
8. 20 Years Of Snow
9. That Time
10. Edit
11. Lady
12. Summer In The City

Tracks:

1. Another Town
2. Uh-merica
3. Baobabs
4. Dusseldorf
5. Music Box

Album Description

Regina Spektor's last album, 2004's Soviet Kitsch, garnered praise from Time, Rolling Stone, Spin, Vanity Fair, The New York Times and many others. But this Russian-born, Bronx-bred singer-songwriter-pianist, who emerged from the NYC café circuit, continues to expand her vision. On Begin To Hope, produced by David Kahne (The Strokes, Sublime, Sugar Ray), she broadens here palette with electric guitar, drum machines and seductive electronic loops, finding new canvases for her provocative vocal style. Hope for pop has arrived with Regina Spektor.

Customer Reviews:

Spunky.......2007-06-04

I'm someone with an eclectic taste when it comes to music, loving everything from Bach to Pink Floyd. This album, I must say, extremely pleased me. It brought the laid back style you'd think of when dealing with the blues or artists like Dido or Nora Jones. Yet, there was something different. The stylings were not what I had expected, being mostly familiar with Fidelity, they left me wanting the other albums to hear what attitudes Spektor reveals. The lyrics are inspiring, the attitude spunky and everchanging, and everything else goes to compliment and support Spektor's unique voice.

Good but mainstream.......2007-05-17

I will first state that that I am a big fan of Regina Spektor, I just went to her show in Chicago on may 13th and her borders in-store on may 14th. Having had been to the show I must say the begin to hope is good but a bit of a disappointment when compared to previous college released efforts, live only songs, and her debut studio full length soviet kitsch. The tracks on begin to hope do still reflect Regina's unmistakable unique style but are a bit toned down from her usual songs and are a bit over produced. This album seems to have been made to attract more mainstream listeners. But I have to admit to being a bit bias because I'm not big fan of mainstream acts because when MOST acts become mainstream they lose a bit of them selves. I like most of the songs on this effort because I'm a big Regina Spektor fan but there are better songs on previous efforts. The only song I find complete unlistenable is 20 years of snow.
The attacted ep disc is good as well. The stand out the ep is Dusseldoft and Music box. But I have to pose the question why make a regular album then a special edition. If you're a fan why would you not want the extra songs.

Magnifique........2007-05-12

I'm a french guy who discovered Regina 3 month ago and I fell in love with her music. Her voice is very impressive, the arrangements are excellent and every song is a rare pearl. I'd like to see her quickly in France. "Magnifique" as we say here.

I don't like most women singer songwriters, but...........2007-04-27

I can't stand singer songwriters who spill their emotions musically with a predictable, dull, and uninspired chords over piano (a.k.a. Lillith fair style). There's a new sheriff in town ladies, so eat humble pie. I saw Regina on Letterman and became an immediate fan. Her originality, musicianship, and original vocal style, hooks, and accompanyment makes me about as excited as I was when the Beatles put out Sgt. Pepper. It's that good! It's brilliant, It's fun, and her voice is one of the best pop vocalists I've heard since Dusty Springfield. I'm hooked on her videos too. I have to listen to "On the Radio" at least twice a day. It makes me very happy! aaa aaa a la a oh!

Love It!.......2007-03-09

I didn't get into Regina until I heard "Fidelity" for the first time on VH1. Now I find myself with all four of her CDs along with her two EPs and both of the Limited Edition versions of both this CD (Begin To Hope) and the one for Soviet Kitsch.

This 2 Disc Limited Edition version is definelty worth it! Music Box and Uh-Merica have been two over my favorite song - quirky and fun and unbelievably addicting!

Average customer rating: A Legendary Singer. Lorraine Hunt Lieberson's Bach: The mind of God revealed!! Glorious singing to treasure for decades Lorraine Hunt-Lieberson (1954-2006), supreme Handelian The Stellar Hunt Lieberson

Lorraine Hunt Lieberson: Handel Arias Manufacturer: Avie ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Bach: Cantatas BWV 82 and 199 Peter Lieberson: Neruda Songs Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto Lorraine Hunt - Handel Arias Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan ASIN: B00022LZW8 Release Date: 2004-08-10

Tracks:

1. Ah! Whither Should We Fly...
2. ...As With Rosy Steps The Morn
3. O Bright Example Of All Goodness!...
4. ...Bane Of Virtue, Nurse Of Passions
5. The Clouds Begin To Veil The Hemisphere...
6. ...Defend Her Heav'n!
7. Lord, To Thee Each Night And Day
8. She's Gone, Disdaining Liberty And Life...
9. ...New Scenes Of Joy
10. Cantata
11. Cantata
12. Cantata
13. Cantata
14. Cantata
15. Cantata
16. Cantata
17. Cantata
18. Se Bramate D'amar, Chi Vi Sdegna
19. Frondi Tenere E Belle...
20. ...Ombra Mai Fu

Amazon.com

If you think you've heard Handel's "Ombra mai fu" (known as his "Largo") so often, and in so many different arrangements, and sung by so many different voices, that you can no longer be moved or surprised by it, think again. This CD of Handel arias, mostly from his Theodora or the cantata La Lucrezia, ends with "Ombra mai fu," and as sung by Lorraine Hunt Lieberson, it is so tender, so beautiful, so impeccably shaded, that you'll think you're hearing it for the first time. But that's only four of this disc's 67 minutes---a follow-up to Hunt Lieberson's extraordinarily successful CD of Bach cantatas. There's not a dull or disinterested moment to be heard anywhere. As the violated Lucrezia, Hunt Lieberson alternately rages against the man who raped her and turns her grief inward; the former is terrifying in its intensity, the latter makes us almost feel as if we're eavesdropping. The five arias for Irene, Theodora's friend, confidante, and the upholder of Christian beliefs are all magical prayers or statements of faith, and from Hunt Lieberson, they become real, with each word honestly conveyed and colored. The voice itself is unfailingly beautiful---warm, lush, never forced, agile when necessary---and her breath control is stunning. She is backed ideally by Harry Bicket and The Orchestra of the Age of Enlightenment, and the string soloists in the ensemble---the viola da gamba player, lutenist, etc.---are as gifted as she is. If you want proof that Handel was a great dramatist with a special gift for communicating emotion, all while listening to sublime sounds, this CD is a must. --Robert Levine

Customer Reviews:

A Legendary Singer........2007-03-07

I simply don't have the heart to review Mrs. Lieberson's works.
If we call Ms. Bartoli a 'great' singer, then the description of 'legendary' more aptly depicts Mrs. Lieberson.
If ever a truly good artist lived, Mrs. Lieberson is one such.
The only singer that could be recalled singing in such style is Teresa Berganza; but still, they are different.
This is one of my favourite interpretators of Haendel. Having been 'treated' by those coloraturas of arias of Haendel's period by Ms. Bartoli and others, I find the singing of Lorraine Hunt Lieberson a great relief - at last, this is what Haendel would want it to be. And I equally enjoy the singing of soprano arias by Mrs. Lieberson - the timbre is warmer, but still with all the shimmer - so different from the dark mushy tones of other celebrated 'lyrical soprano' around.
Don't want to say more. Mrs. Lieberson's leaving last year is too heavy a news for me.

Lorraine Hunt Lieberson's Bach: The mind of God revealed!!.......2007-01-06

These deeply felt performances of two of Bach's most moving cantatas show this transcendent singer's combination of emotional honesty and profound musicality, all combined to reveal the very mind of God through divine redemption from suffering. The disc is to be treasured even more in light of the Ms. Lieberson's recent untimely death from cancer. I'm an agnostic, but this music makes me envious of those who can believe. Roy in Pope Valley, California

Glorious singing to treasure for decades.......2006-07-11

By any measure, America's Lorraine Hunt Lieberson is at least the equal of Italy's premier diva, mezzo-soprano Cecilia Bartoli, although she does not have the same superstar status. It is difficult to recall past mezzos with clearer enunciation of English text, (as favoured in nine excerpts from Theodora), the richness of voice, displayed in full-throated fortissimo and sharply contrasted pianissimo of utmost delicacy, evokes fondest memories of the tragically doomed Kathleen Ferrier. Masterfully chosen to display every facet of Hunt Lieberson's consumate command of Handel's dauntingly difficult music, the disc's repertoire - recitatives and linkig arias from the operas Theodora and Serse, and the cantana La Lucrezia - is stunning. An unsung mezzo who makes the senses tingle!

Lorraine Hunt-Lieberson (1954-2006), supreme Handelian.......2006-07-06

I have never heard a voice purer of tone, more flexible in phrasing, and so gorgeously produced in a homogeneous column of sound such as this artist in Handel's repertoire. It is very tastefully sung (unlike a certain person whose name begins with R and ends with enaaay Fleming) and so dramatically touching that one could not help but feel that this repertoire finally has found its instrument. And how sad it is to know that this instrument has passed away two days ago. Lorraine Hunt-Lieberson died two days ago in her home in Santa Fe, New Mexico of breast cancer. It is such a huge loss to the opera world, as she is an artist who is still experiencing the prime of her career. The voice is just so beautiful, the tone so pure, that I lament that we can no longer hear any great roles from this artist. She will be missed.

The Stellar Hunt Lieberson.......2006-03-19

Simply put, Lorraine Hunt Lieberson is one of the very best classical singers alive. She combines vocal elegance and purity with an emotional delivery that raises her above the crowd of technically proficient singers who just don't possess her depth of musical understanding or emotional commitment. Hunt Lieberson is a true artist who resists easy classfication except to say she is perfect in what she does.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: great great great A Music Score Benchmark Good sound, but themes are redundant Heroic images Excellent Score! One of Horner's best.

The Rocketeer: Music From The Original Motion Picture Soundtrack Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 1990s | By Decade | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Rocketeer Willow (Soundtrack) Hook: Original Motion Picture Soundtrack Dragonheart: Original Motion Picture Soundtrack Jurassic Park: Original Motion Picture Soundtrack ASIN: B000000OAW Release Date: 1996-03-12

Tracks:

1. Main Title/Takeoff
2. The Flying Circus
3. Jenny
4. Begin The Beguine
5. Neville Sinclair's House
6. Jenny's Rescue
7. Rendezvous At Griffith Park Observatory
8. When Your Lover Has Gone
9. The Zeppelin
10. Rocketeer To The Rescue/End Title

Customer Reviews:

great great great.......2007-07-29

this is james horner at his best.original themes dosent sound at all like his other work.this album is for anyone who loves great film music and uplifting music.a must have

A Music Score Benchmark.......2006-07-15

This soundtrack is one of my continuing favorites. I tell you that for film scores, this one sets the bar pretty high. Since this soundtrack was released, I have personally used this one as the benchmark test for any new stereo equipment I have purchased. The spectrum of sound included, in the second track in particular, will test the speakers of a new sound system better than many test disks that I've seen. The sound is able to pull you into your mental review of the film more effectively than most other soundtracks out there, with certain exceptions of course. This soundtrack is overall that which many scores fail to be, a musical painting of the film, not just filler music. This is a memorable disk for a memorable film.

Good sound, but themes are redundant.......2005-08-06

I enjoy this CD very much. The music has a sweeping charm and romantisicm to it. My only problem is that this score pretty much consists of two themes, the Rocketeer Theme and Jenny's theme, played over and over again. There's nothing wrong with the two themes, on the contrary they are both very enjoyable, but the CD simply needs more variety.

On a different note, the Cole Porter songs are wonderful for anyone who enjoys his music, and the singer has a sultry voice that's perfect for the selection.

Heroic images.......2004-10-16

Superman and Batman two heroes who get all the movies, toys, cartoons, etc... however with the Rocketeer we can start a new trend. Th Music by Horner fits right in with Superman by Mr. Williams and surpasses Mr. Elfman's work in Batman. on my Mix for heroes I included the Rocketeer as a tune for the golden Age Green lantern The Current GL has the Last Starfighter The Rocketeer is a thrilling adventure of the likes we just dont see any more The Music by Mr. Horner frames it and matches the spirit of it all so perfectly. you could have the worst day of your life and yet feel like a million bucks after listening to this sweeping score!

Excellent Score! One of Horner's best........2004-10-09

Since he wrote the score for Braveheart and won an Oscar for Titanic, James Horner has been among the most disappointing of film composers. His works have been highly derivative and this often makes the listener deride the composer for his lack of so-called talent. The Rocketeer proves te depth of Mr. Horner's talent. It's sweeping melodic main theme is a perfect counterpoint to the theme of flight running throughout the movie. His love theme is a classic old fashioned melody that perfectly fits with the movie and his use of the piano to subtly bring out the movie is totally fantastic. The Rocketeer is among the best of James Horner's works and is one of his most enjoyable scores. His work is truly a masterpiece. While the movie's special effects may seem dated, Horner's score is immortal and shows just how beautiful his music is when he writes original music.

Average customer rating: We love this C.D.! Glorious sound

Baby Cello: 24 Cellos Play for Baby and All Manufacturer: Cala ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Octets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ellington | Ellington, Edward Duke | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Children's Music | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Categories | Baby Products | Apparel | Bathing & Skin Care | Bedding | Car Seats | Diapering | Feeding | For Moms | Furniture | Gear | Gifts | Health & Baby Care | Nursery Décor | Potty Training | Safety | Strollers Similar Items: Sweet Dreams Baby Sleep Planet Sleeps Music for Babies - Playful Baby Music for Babies - Cheerful Baby ASIN: B0006UYOO2 Release Date: 2006-11-20

Tracks:

1. The Swan
2. Ave Maria
3. Greensleeves
4. Black Orpheus
5. The Dove
6. Vocalise
7. Dance Of The Sugar Plum Fairy
8. El Condor Pasa
9. Begin The Beguine
10. A Child's Folksong
11. Farewell To Cuba
12. Songs My Mother Taught Me
13. Blessing
14. Satin Doll
15. The Girl From Ipanema
16. Coventry Fantasy

Product Description

Baby Cello CD. Soothing Music From 24 Cellos 1. The Swan 2. Ave Maria 3. Greensleeves 4. Black Orpheus 5. The Dove 6. Vocalise 7. Dance of the Sugar Plum Fairy 8. El Condor Pasa 9. Begin the Beguine 10. A Childs Folksong 11. Farewell to Cuba 12. Songs my Mother Taught Me 13. Blessing 14. Satin Doll 15. The Girl from Ipanema 16. Coventry Fantasy

Customer Reviews:

We love this C.D.!.......2005-04-03

We received the Baby Cello C.D. as a gift, and my husband and I just love it. The music is truly moving in the most uplifting way, and the songs chosen are just beautiful; not at all stuffy. The true test was when our two-year-old, who had not had a nap all day, got completely wired and still would not go to sleep after 10 p.m. She screamed for 20 minutes as we tried to get her down, until I put Baby Cello on, and the screaming stopped instantaneously! She went to sleep to the C.D. without another wimper! We highly recommend Baby Cello for parents and babies alike, and have bought it for other parents with babies that we know. It uplifts, as well as soothes, depending upon what time of day we put it on, and it serves as wonderful dinner music as well. We can't imagine anyone not loving this C.D.! A.and J. Pieri, Albany,CA

Glorious sound.......2005-01-23

I am so pleased with Baby Cello. The sound of this music is utterly glorious. Soothing doesn't begin to describe it. My 2 year old and I love listening to it at all times of day.

Average customer rating: A Dissappointing Effort from a Great Celtic Voice! Brilliant singer, brilliant CDs! "Like a sally in the rock I will bend with the wind..." ARTIST IN TOP FORM one of the best singers alive

The Winds Begin to Sing Karan Casey Manufacturer: Shanachie ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music General | International | Styles | Music General | Celtic | International | Styles | Music Ireland | British Isles | Europe | International | Styles | Music General | International | Indie Music | Stores | Music Celtic | Europe | International | Indie Music | Stores | Music Similar Items: Songlines Chasing the Sun Distant Shore Seal Maiden: A Celtic Musical The Words That Remain ASIN: B000059LEK Release Date: 2001-03-13

Tracks:

1. Who Put The Blood
2. The King's Shilling
3. Weary Of Lying Alone
4. Eirigh Suas A Stoirin
5. Eppie Morrie
6. Strange Fruit
7. Where Are You Tonight I Wonder
8. Buile Mo Chroi
9. You Brought Me Up
10. The Snows They Melt The Soonest
11. The Liberty Tree

Customer Reviews:

A Dissappointing Effort from a Great Celtic Voice!.......2003-07-04

When news of Karan Casey's leaving the amazing Solas band to go solo first hit, I was both bummed and excited. On one hand, I did not look forward to the possible end of one of the world's greatest Celtic folk acts, but, on the other, loving her first solo work, the brilliant: "Songlines", I really was jazzed to hear her new stuff.
Thankfully, Solas continues, as strong as ever, unfortunately the same (in this listeners opinion) can't be said for "the winds begin to sing"...
In a nutshell, this record drags - from start to finish. Gone is the fire, the highs & lows, the well crafted and brilliantly sung tunes of "Songlines"...
Ms.Casey's voice is in fine form, but it can't save this record of average songs, and average playing & production.
I miss Seamus Egan's touch in the producers role ( Solas & "Songlines) which may have helped in song writing / song selection and definitely would have lit a fire in the production here.
I find my opinion of this record has not changed since I bought it on it's release day in 2001, and it rarely, if ever, gets play now. Of course the hardcore Casey fan (who will buy anything with her name on it) will disagree here, but save your money on this one and buy her earlier work.
I only hope her future releases put her back in the saddle as one of the world's great Celtic folk voices!

Brilliant singer, brilliant CDs!.......2002-12-18

First off: I have a bias. I am the founder of the Celtic Music Society of Montgomery, and Casey is playing for us in February. She will be the second concert we've presented (the first was irish guitarist Gerry O'Beirne) and that should tell you something about my enthusiasm.

I first encountered Casey on emusic.com, looking for someone else. Her voice was immediately arresting. She used to sing with Solas, and her loss has diminished that group greatly.

I did a radio promotion for the O'Beirne concert, during which the announcer played a brief excerpt from this album. By the time I got back to my desk at work we had sold 6 tickets-- for a concert four months away, on the strength of a brief 30 second clip! (from Martinmas Time, from her other solo album Songline) That's how evocative her voice is. She has the expression and range of a jazz singer, a little-girl quality like Triona O'Domhnaill (you may remember her from Bothy Band, Relativity and Nightnoise, as well as her solo albums) and a strength of expression and emotion that is unforgettable.

This is a fabulous followup to Songlines, and it takes more risks. "Who put the blood" is a retelling of "Edward, Edward"-- haunting but also jaunty. "The King's Shilling" has made it onto a compilation CD of mine. Her cover of Andy M. Stewart's "Where are you tonight I wonder" is simply dangerous listening for anybody recovering from a breakup. "Strange Fruit" doesn't quite work for me, but then, I'm in the South :) and it's hard to escape Billie Holliday...

As a singer she's now become one of the few artists I would buy a CD from on name alone. Don't miss this one!

"Like a sally in the rock I will bend with the wind...".......2002-10-31

I have been listening to this album for several months now, trying to find the right way to approach Karan Casey's music. It would be easy to just class her as and Irish folksinger and leave it at that, but her choices cover a wider range than that, and some of her more modern work is outstanding. Especially when they fall into the heart of her range.

That being said, most of the tracks on this CD are of traditional songs arranged by Casey. She has a decided preference for a sparse, acoustic sound, and I cannot fault her for that. Most often some combination of guitar, violin, piano, and something thrown in for color. All of the songs are thoughtful choices, and the truth is the quality is so high that I have few favorites. Perhaps "You Brought Me Up", "The King's Shilling", and the infectious "Eppie Morrie." "The Liberty Tree" I am also partial to because I'm still a revolutionary under this middle class disguise.

Karen Casey's voice is almost a grand success. She has a great knack for color and variation that stands her in good stead. Her range unfortunately is somewhat limited, and in the high end begins to sound strained when she pushes. On the other hand, her true range has the kind of edgy Irish quality that lends itself to the plaintive melodies she often sings, and works will in jazzy settings as well. I think her artistic control is excellent - listen for the little bands and quavers that she uses to bring the music to life.

I don't want to over-hype this album because it deserves better than that. Nor do I want to mislead potential buyers into thinking that it is all of a piece. Karan Casey uses a wide range of Irish music to demonstrate both its variety and its timelessness. This makes the CD interesting on many levels, and I think that is what makes it worth continued attention, far beyond the time when the novelty of its ethnic echoes has worn off.

ARTIST IN TOP FORM.......2002-08-14

James Taylor, what a voice. First time you hear it, it's like, how did that guy get such a soothing, intimate voice like that? Sweet, profound. Fast forward a few years to Karan Casey, and there! The same endearing vocal qualities----comforting, vulnerable, confident. A voice that compares to Sandy Denny, Astrud Gilberto, Sarah McLaughlin. Great command of vocal ornaments, a little like country singer George Jones that way. A little like Dick Gaughan's (sadly) now out of print "No More Forever." A recording you'll go back to for many years.

The CD holds together well, nice continuity, good flow. Great production (for me, that means knowing how to say "no," as in no violin sections, no tambourines). Her "Songlines" CD was good, but more of a band effort, with Karan taking a backseat at times to the incredibly talented musicians she attracts. This effort is Karan at the top of her game---shining brilliantly over music that is still every bit as interesting as the more complex arrangements of previous work.

Her choice of material reflects her position as THE vocal center of Irish traditional music. Her association with archivist Frank Harte assures the listener of a wealth of material that begs to be recorded. Knowing this CD is like sharing a secret with a friend. It's a wonderful effort. Thanks Karan!

one of the best singers alive.......2002-01-26

An absolutely amazing voice. She's got incredible flexibility & range. Her gaelic is kinda strange on some albums - i'm told she's not a native speaker & they also stress things differently in the southeast, but if you can deal with that you will LOVE everything she sings.

Average customer rating: The Best Single Shaw Disc It''s good but not what your are expectig. Artie Shaw and His Orchestra My introduction to Artie Shaw A great deal on the best from this Swing genuis!

Begin the Beguine Artie Shaw and His Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Contemporary Big Band | Swing Jazz | Jazz | Styles | Music Similar Items: The Very Best of Artie Shaw Artie Shaw: The Complete Gramercy Five Sessions The Very Best of Benny Goodman Tommy Dorsey - Greatest Hits [RCA] I've Heard That Song Before: Hits of Harry James ASIN: B000002W97 Release Date: 1990-10-25

Tracks:

1. The Nightmare
2. Indian Love Call
3. Back Bay Shuffle
4. Any Old Time
5. Traffic Jam
6. Comes Love
7. What Is This Thing Called Love
8. Begin The Beguine
9. Oh, Lady Be Good
10. Frenesi
11. Serenade To A Savage
12. Deep Purple
13. Special Delivery Stomp
14. Summit Ridge Drive
15. Temptation
16. Stardust
17. Blues (Pts. I and II)
18. Moonglow
19. Moonray
20. Carioca

Customer Reviews:

The Best Single Shaw Disc.......2007-07-03

If you are looking for ONE disc of Artie's work, you can't go wrong with this. The sonics are fine for 78 transfers and the song selection is
above average. This gives a great overview of Shaw's RCA years and the genius he was (he was a trend setter that unfortunatly could never find total happiness in the music business despite the fame and money it brought him). And what a clarinet! There will always be a Goodman/Shaw battle over who was the best clarinet player of the swing era and for good reason. Essential to any big band collection.

It''s good but not what your are expectig. .......2006-08-05

The Artie Shaw band is a very good one. But apart for Begin the Begin and two or three tracks more, the sound is not good and the interpretación has not the brilliance one expect.

Artie Shaw and His Orchestra.......2006-07-30

This music is not my cup of tea but the person I gave it to was happy.

My introduction to Artie Shaw.......2005-06-02

This one is real man. It's has alot of everything from brassing horns, high winds, rhythm sections, banging drums and everything. This marks this as a introduction as a first-time lover Artie Shaw (y'know since '98) since I dug others like Woody Herman, Lionel Hampton, Glenn Miller, Duke Ellington, Benny Goodman, Dizzy Gillespie, among others.

It's sad to hear that he passed from late December of 2004 from seriously of natural causes. God bless his heart and may him rest in peace. I know he left us a legacy that'll live on. As to say ARTIE LIVES!!!

A great deal on the best from this Swing genuis!.......2004-03-13

[First of all, there seems to be some confusion at Amazon as to what tracks are actually on this disc: there are two "editions" listed of the same album (?), but with completely different track details. For the record, here are the tracks on the CD that I own, which I believe is the only one available -- the second listing is a mistake:

1. Nightmare
2. Indian Love Call
2. Back Bay Shuffle
4. Any Old Time
5. Traffic Jam
6. Comes Love
7. What Is this Thing Called Love?
8. Begin the Beguine
9. Oh! Lady Be Good
10. Frenesi
11. Serenade to a Savage
12. Deep Purple
13. Special Delivery Stomp
14. Summit Ridge Drive
15. Temptation
16. Star Dust
17. Blues (Parts I & II)
18. Moonglow
19. Moon Ray
20. The Carioca

If this track listing matches the one you see listed Amazon, then buy with confidence! My review covers these tracks.]

Artie Shaw was an uncompromising, brilliant swing musician and bandleader who was always seeking new creative outlets and stretching the boundaries of swing. He frequently broke up his bands and took vacations from music, only to return with new ideas (he finally retired from music for good in the 1950s, and now lives quietly in Los Angeles). This CD is a great introduction (at a great price) to the man and his music. It focuses mostly on his most popular band: the 1938-1939 band that stole away "The King of the Swing" title from the other clarinet bandleader, Benny Goodman. This was the most popular Big Band of its time, but Shaw disbanded it in disgust at the `business' side of the music business. The CD also contains selections from his band of 1940-41, which enlarged to 22 musicians, including a string quartet, and two tracks from his superb small group, The Gramercy Five. All in all, it's a great overview of Shaw's best two musical periods.

Shaw was an incomparable clarinetist and musical experimenter, and the first track, "Nightmare" (the band's theme song) shows off both sides. As a starter for a swing band, it's an unusual, slow, and very creepy track! But the band gets right into the swing of things afterwards, and we hear the classics that made this 1938-39 band such a powerhouse: "Back Bay Shuffle," "Any Old Time" (with a vocal by Billie Holliday!), "Indian Love Call" (which shows how Shaw could turn a commercial tune his label forced on him into a dazzling work of art -- with a great `skat' vocal from sax player Tony Pastor), "Oh! Lady Be Good" (one of the hottest dance numbers ever!), "Serenade to a Savage" (superb percussion work on this odd piece); and the high-octane power of the one the fastest swing numbers of all time: "Traffic Jam." The band's musicians, which included Buddy Rich on drums, and Georgie Auld and Tony Pastor on tenor sax, just amaze at every turn. The band's principal vocalist, Helen Forrest, sings three beautiful but very swingin' numbers: "Comes Love," "Deep Purple," and "Moon Ray" (which is a live performance from a radio broadcast). Forrest sang with two other great bands of the era, Benny Goodman and Harry James, but she was at her best with Shaw's band: her voice was simply a perfect fit for the musicians, and she seemed to understand exactly what they were all about.

But the big hit of this band was "Begin the Beguine," which Shaw `rescued' from a failed Cole Porter musical and turned into three minutes of the best American music ever recorded. This beautiful jazz performance both swings and croons, and even though Shaw later referred to the piece as an "anchor around my neck" because of its huge popularity, I think any musician would be proud to have such an incredible number so closely connected to him.

The tracks from the second band are "Frenesi," "Temptation," "Blues (Parts I & II)," "Moonglow," and "Stardust." The sound is much different, containing the influence of classical music thanks to the string quartet, but it is nonetheless true swing as well. The sound is unique, even if it isn't quite as amazing as the first band. "Temptation" is the real stand-out here; Shaw's solo is startling and inspiring. Two tracks from the small group The Gramercy Five -- "Special Delivery Stomp" and "Summit Ridge Drive" -- show how experimental Shaw was during this period: he replaced the piano with a harpsichord! These are astonishing small jazz recordings. (If you want more of this, buy "The Complete Gramercy Five Sessions" CD.)

The sound is, for the most part, quite good. There is some crackle and noise, but thankfully the producers didn't use any serious noise reduction, like I've heard on some discs, that dampens the instrument range and cuts off the high frequency. Believe me, you won't notice that hiss and crackles within a few minutes when you hear the clarity of the instruments.

This is a great deal on CD packed with one of America's finest musicians at his peak. If you've heard Goodman or Glenn Miller, you owe it to yourself to meet Artie Shaw. Trust me, you'll be amazed.

Average customer rating: Pops Stoppers

Pops Stoppers: Greatest Hits of the Boston Pops Orchestra Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Ellington | Ellington, Edward Duke | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Boston Pops | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Marches | Miscellaneous | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Similar Items: Music of the Night: Pops on Broadway 1990 The Very Best Of The Boston Pops That's Entertainment: Pops on Broadway Unforgettable Swing Swing Swing ASIN: B0000041CP Release Date: 1995-05-16

Tracks:

1. Sophisticated Ladies (Medley) - A Tribute to Duke Ellington:: Sophiscated Lady - Take the 'A' Train - Mood Indigo - It Don't Mean A Thing
2. When The Saints Go Marchin' In

Customer Reviews:

Pops Stoppers.......2007-05-06

Thank you for sending this--excellent recording. Great music, and enjoyed by all generations in our family...from 19 yrs.....to 90 yrs....We all have enjoyed it so much.....Thank you...

Average customer rating: Haunting and dreamlike This music immediately puts me in a reflective state of mind pure magic

Begin Sweet World Richard Stoltzman Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | New Age | Styles | Music General | Classical | Styles | Music Similar Items: Dreams Visions Aria The Essential Clarinet Ax, Stoltzman, Ma : Brahms, Beethoven, Mozart : Trios for Piano, Clarinet, Cello ASIN: B000003EQH Release Date: 1990-10-25

Tracks:

1. Begin Sweet World
2. Everywhere
3. Abide With Me/Blue Monk
4. Full Moon
5. Spiral
6. Amazing Grace
7. Air
8. Pie Jesu
9. Tara
10. La Fille Aux Cheveux De Lin
11. Clouds
12. Morning Song

Customer Reviews:

Haunting and dreamlike.......2001-10-05

This CD beckons you to lie down, close your eyes and relax. I've never heard a clarinet sound so hauntingly beautiful. It's wonderful. If you've never heard Richard Stotzman, try this one.

This music immediately puts me in a reflective state of mind.......1999-05-07

The first time I heard this CD I had to have it for myself. I listen to it when I want to be reflective or just for relaxing. The clarinet practically speaks to you.

pure magic.......1998-11-16

I got the cassette on a lark when my first baby was tiny. Now I have to buy the CD, because I wore out the cassette.

Christian Music:

1. Billboard Hot Hits (karaoke)
2. Black Sheep
3. Blown Away Fools
4. Bring It All Back [CD-single] [Enhanced] [Import]
5. Come to the Wilderness
6. Compact Jazz: Chuck Mangione [Live]
7. Don't Say You Love Me Pt.1 [CD-single] [Import]
8. Empty Room
9. For Such A Time As This
10. Get it Together

Christian Music

christian music

Christian Music

Let's Cut the Crap & Hook up Later on Tonight

Chopin: 21 Nocturnes

Blues and all the Rest

Trucker & Country Songs [Box set] [Import]

Diana Garden: La Dolce Vita

Chimera [Box set] [Enhanced] [Import]

Chico Bomba

Blood Sweat & Tears [Explicit Lyrics]

Blue Jukebox/Stony Road [Import]

Best of (1957-1960)

Collaborations

Aventura

Black Cheez

Il Trovatore

Woodlands