Songs for the New American Century

Songs for the New American Century

Track Listings

1. Soviet Disco
2. Clergy on Fire
3. The Plea Before the Scream
4. Miracle in G
5. Exercise 1
6. Western Green
7. Memento Mori
8. Daylight Saving Time
9. Jill Pole
10. Exercise 2

Songs for the New American Century,The Melody Unit,Self-released,Alternative,Indie Pop,Indie Rock,Pop,This five-piece outfit plays simple, melodic, boy-girl pop music bolstered by a slew of pulsating, atmospheric guitar and keyboards.

Instruments of the Orchestra
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Manufacturer: Naxos
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Leontyne Price Sings Barber
Average customer rating: 4.5 out of 5 stars
  • a voice teacher and early music fan
  • An American Voice of the Century
  • An Essential Barber Disc
  • Price sings songs and arias written for her!!!
  • Fab voice, OK music
 Leontyne Price Sings Barber

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Barber: Knoxville Summer of 1915/Dover Beach/Hermit Songs/Adromache's Farewell
  2. Leontyne Price: The Ultimate Collection
  3. R. Strauss - Ariadne auf Naxos / Schwarzkopf · Seefried · Streich · Schock · Prey · PO · Karajan
  4. Hermit Songs: High Voice
  5. In Concert

ASIN: B000003FNF
Release Date: 1994-05-10

Tracks:

  1. Hermit Songs, Op.29: At Saint Patrick's Purgatory
  2. Hermit Songs, Op.29: Church Bell At Night
  3. Hermit Songs, Op.29: Saint Ita's Vision
  4. Hermit Songs, Op.29: The Heavenly Banquet
  5. Hermit Songs, Op.29: The Crucifixion
  6. Hermit Songs, Op.29: Sea-Snatch
  7. Hermit Songs, Op.29: Promiscuity
  8. Hermit Songs, Op.29: The Monk And His Cat
  9. Hermit Songs, Op.29: The Praises Of God
  10. Hermit Songs, Op.29: The Desire For Hermitage
  11. Sleep Now, Op. 10, No. 2
  12. The Daises, Op. 2, No. 1
  13. Nocturne, Op. 13, No. 4
  14. Nuvoletta, Op. 25
  15. Knoxville: Summer Of 1915
  16. Antony And Cleopatra: Give Me Some Music
  17. Antony And Cleopatra: Give Me My Robe

Amazon.com

Early in her career, Leontyne Price formed an artistic liaison with Samuel Barber that resulted in his composing the female lead in Antony and Cleopatra for her. The disastrous premiere of that opera prevented Price from making a complete recording--a tragic loss in my opinion. She did record excerpts, however, and we at least have this disc to document these and the many other Barber works that she performed with incomparable artistry. Opera singing being what it is, Price didn't often have the chance to sing in English, so these performances are not only historically important, they are uniquely communicative as well. --David Hurwitz

Customer Reviews:

5 out of 5 stars a voice teacher and early music fan.......2007-02-28

Samuel Barber(1910-1981), an American composer who studied piano, composition and singing at the prestigious Curtis Institute in Philadelphia, Pa. His works adhered largely to a lyrical, Romantic style within a loosely Classical framework. He left a rich legacy of more than 100 songs(only 37 published) and 3 operas in addition to many instrumental works...
Only a few of Barber's song texts come from American sources; more often he chose the work of Irish or English writers. He was drawn to 'Knoxville: Summer of 1915', a reflection of the American poet James Agee, because for him it vividly evoked his own childhood. With hints of blues and gently shifting rhythms, "Knoxville" is a mature expression of Barber's artistry as a musical poet and a master of orchestral color.
"The Hermit Songs" were first performed by Leontyne Price, soprano, with the composer at the piano at the Library of Congress, Washington,D.C..pn October 30, 1953. They are a setting of anonymous Irish texts of the eighth to thirteenth centuries written by monks and scholars. They are small poems,thoughts or observations, some very short, and speak in straightforward, droll, and often surprisingly modern terms of the simple life these men led, close to nature, to animals and to God.
I think a brief quote from one of my favorite of these Hermit songs sums up the kind of prose contained in most all of them: from 'The Monk and his Cat' :Pangur, white Pangur, How happy we are Alone together, Scholar and cat. Each has his own work to do daily; for you it is hunting, for me study......'
The music on this disc is well executed, and if you are a Barber advocate, it's a great collection of his song material. I happen to like MOST of his music, but it's for me a 'mood ' thing. He was born very close to where I live, so I guess I feel a kinship of sorts. I do think that he is one of the 'greats' in contemporary music!

5 out of 5 stars An American Voice of the Century.......2005-10-09

While there is no question that Leontyne's opulent voice - here young and lustrous in the "Hermit Songs" recital (1953!) would have been a magnet for any composer, her affinity for Barber is clear, and his for her. The studio recording of the "Hermit Songs" has a better acoustic, but this one is just as thrilling in interpretation, and a bit less studied - and it has the two James Joyce settings, as well.
The "Knoxville" is beautifully judged - soft and swinging to start, then opening up into the drama and poetry of the middle and late sections. The Eleanor Steber original commission will always set the standard, but Price expands it that much farther, with longer phrases, and an ineffable langour that both she and Steber identified as the "Southern" stamp on this music. It's universal, as far as I am concerned, but it exalts and breaks the heart at the same time. Agee and Barber drink from the same fountain here.
I have never heard the entire "Anthony & Cleopatra", again written for Price, so I can't judge the work as a whole, just these two numbers. I have a special affection for the first scene, however - "Give Me Some Music" shows Price, in her absolute vocal prime, complete mistress of color and mood, and the motive, "My man of men" reappears in her final, regal, death scene. When she sings "O happy horse/ who bears the weight of Antony!" - I swear, my hair curls, no matter how many times I hear it.
In short, gotta have it.

5 out of 5 stars An Essential Barber Disc.......2002-03-13

What a fabulous collection of music by Samuel Barber. Leontyne Price is at her absolute best in the songs. The entire Hermit Songs are here with four others. These recordings are of particular interest since Ms. Price performs with Samuel Barber at the piano. It is interesting to compare these recordings to the latter ones sung by Cheyrl Studer with John Browning at the piano for tempo changes.

The recording of Knoxville: Summer of 1915 is arguable the best of those available. Ms. Price sings with great sensitivity and Thomas Schippers and the New Philharmonia provide excellent support. Ms. Price said that Knoxville reminded her of her own childhood, and her commitment to the music comes through. I have the recording of Knoxville sung by Eleanor Steber, who commissioned this work, but I have always regarded the Price recording as the one to have.

The two excerpts from Antony and Cleopatra are of great interest since Ms. Price sang the role of Cleopatra at the premiere in 1966. Her performance here, also conducted by Schippers, is wonderful. The transfer to CD of these recordings is excellent. Perhaps the only down side is that the Hermit Songs were performed before an audience so there is applause between each song. After a while, this becomes monotonous. This disc is a must for anyone interested in Barber's music, and in particular for Knoxville.

5 out of 5 stars Price sings songs and arias written for her!!!.......2001-12-05

This CD on which Leontyne Price memorializes many of the songs and arias composed by Sam Barber with her in mind should be in every collection of those who appreciate Barber's vocal music and the magnificent voice of one of the world's greatest singers of the 20th century. The collaboration of Barber and Price on the "Hermit Songs" and others reveals the composer's affection for the singer and the singer's understanding of the dramatic intent of the word and music. Alone, Price's interpretation of "Knoxville: Summer of 1915" is worth the price of the CD; it is singularly exquisite and cannot be matched! Price brings unmatched beauty, power, and understanding to the arias from "Anthony and Cleopatra" -- an opera composed with her voice in mind. It is indeed sad that Price never recorded "Vanessa," nor the song cycle "Despite and Still," nor the hauntingly beautiful "Sure on this Shining Night." You will not be disappointed if you buy this CD.

3 out of 5 stars Fab voice, OK music.......2001-08-07

What is it that everyone seems to adore about Samuel Barber's music for voice. The man clearly wrote some absolutely divine orchestral pieces, there's no disputing that. But his vocal work seems to be lackluster. Hermit Songs is an example of modern classical music at it's worst. Disjointed, unmelodic, and difficult to follow. Price who's diction is fabulous on the later Knoxville piece is mushy durin the Hermit Songs, her voice is young and fresh, but not particularly glorious. She does deserve praise however for her promotion of American Music

Knoxville 1915 is a much better piece than Hermit songs and has more lyrical moments, but it still sounds so modern. If it has just been an orchestral piece it might've been fabulous but that is unfortunately not the case. It's almost as if Barber wrote a piece for orchestra and wrote a seperate piece for voice and just joined them, whether they made sense together or not. Unlike Hermit Songs, Price's performance more than makes up for the lack of brilliance in the music. Her diction is amazingly clear, even Callas would be jealous and her voice soars, where the music allows her to at least.

The selections from A+C are worty enough, another unreal performance by Price, one wonders if there was a better interpretor of American Music ever, maybe Steber. These works are more traditional sounding and thus go over better, but they seem a bit bland, without Price infusing them with energy this listener would have lost interest
The MARIO LANZA Collection
Average customer rating: 4.5 out of 5 stars
  • Selections from the Greatest Voice of the Last Hundred Years
  • A Must Have
  • The Mario Lanza Collection
  • The MARIO LANZA Collection
  • WONDERFUL!!!!!
 The MARIO LANZA Collection

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mario Lanza: At His Best!
  2. Christmas with Mario Lanza
  3. Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
  4. American Caruso
  5. Lanza: Greatest Hits

ASIN: B000003F6V
Release Date: 1991-11-12

Tracks:

  1. Be My Love
  2. I'll Never Love You
  3. Because You're Mine
  4. The Song Angels Sing
  5. Drink, Drink, Drink
  6. Serenade
  7. The Loveliest Night of the Year
  8. La Donna E Mobile
  9. Because
  10. For You Alone
  11. Golden Days
  12. Deep In My Heart, Dear
  13. If I Loved You
  14. Yours Is My Heart Alone
  15. One Night Of Love
  16. Beloved
  17. Beautiful Love
  18. With A Song In My Heart
  19. You Are My Love
  20. Call Me Fool

Tracks:

  1. All The Things You Are
  2. My Song,My Love
  3. Love Is The Sweetest Thing
  4. Will You Remember
  5. Granada
  6. Lolita
  7. Serenade
  8. Temptation
  9. Lygia
  10. Lady of Spain
  11. This Land
  12. Lee-Ah-Loo
  13. Tina-Lina
  14. Boom Biddy Boom Boom
  15. The Bayou Lullaby
  16. The Lord's Prayer
  17. And Here You Are
  18. Song of Songs
  19. Somewhere A Voice Is Calling
  20. I Never Knew

Tracks:

  1. Ciribiribin
  2. Wonder Why
  3. Come Dance With Me
  4. O Sole Mio
  5. Younger Than Springtime
  6. For the First Time (Come Prima)
  7. Never Till Now
  8. Arrivederci, Roma
  9. If You Were Mine
  10. Behold!
  11. A Night to Remember
  12. Love in a Home
  13. Do You Wonder
  14. Softly as in a Morning Sunrise
  15. One Alone
  16. Aida:Celeste Aida
  17. Carmen: Flower Song
  18. La Traviata: Brindisi
  19. Rigoletto:Questa O Quella
  20. Pagliacci:Vesti La Giubba
  21. Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

5 out of 5 stars Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

5 out of 5 stars A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

5 out of 5 stars The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

4 out of 5 stars The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

5 out of 5 stars WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.
American Masterpieces
Average customer rating: 4 out of 5 stars
  • excellent collection
  • A Classic Performance of Schuman!
  • American Masterpieces - For pleasure or music ed. resource
 American Masterpieces

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Ives: Holidays Symphony
  2. Opera Overtures & Incidental Music
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  5. Samuel Barber / Thomas Schippers

ASIN: B0000029WJ
Release Date: 1997-07-01

Tracks:

  1. Candide: Overture
  2. Variations On 'America'
  3. New England Triptych: Be Glad Then, America
  4. New England Triptych: When Jesus Wept
  5. New England Triptych: Chester
  6. Adagio For Strings, Op. 11
  7. American Salute ('When Johnny Comes Marching Home')
  8. The Pleasure Dome Of Kubla Khan
  9. Woodland Sketches, Op. 51: To A Wild Rose
  10. Promenade
  11. Cakewalk: Grand Walkaround
  12. Jamaican Rumba
  13. On Your Toes: Slaughter On Tenth Avenue
  14. Acadian Songs And Dances: Sadness
  15. Acadian Songs And Dances: Papa's Tune
  16. Acadian Songs And Dances: The Alligator And The 'Coon
  17. Acadian Songs And Dances: Super-Sadness
  18. Acadian Songs And Dances: The Squeeze Box

Customer Reviews:

5 out of 5 stars excellent collection.......2002-06-11

i'm just going to write about my favorite piece on here, which has been heard by all who saw Platoon. that is Barber's Adagio. hearing this piece conducted here by Bernstein sends chills down my spine, especially in the well done section using silence after the climactic rise in notes!

3 out of 5 stars A Classic Performance of Schuman!.......2000-09-17

I must agree with the previous reviewer, that "American Masterpieces" comprises a very thoughtful collection yet suffers slightly from poor interpretation of certain pieces. But the presence alone of the classic performance of William Schuman's "New England Triptych" by Andre Kostelanetz and the New York Philharmonic makes this compilation all worth it. I have looked forward for this particular version of Schuman's work to be released on compact disc for several years, in the meantime not being entirely satisfied with other versions that have circulated, i.e. Howard Hanson/the Eastman-Rochester Orchestra on the Mercury Living Presence label, -very poorly executed with an off-key, off-timed horn in the first movement, or the version on the RCA label by Leonard Slatkin and the St.Louis Symph.Orch. which is very well done, yet to my ear still does not compare to the depth and lively energy with which Kostelanetz and the New York Philharmonic presents this work.

I was disappointed with the manner with which the first two pieces by Berstein and Ives were conducted. The "Candide Orchestra" lacked the sensitivity of the performance by Lukas Foss /Milwaukee SO on the Pro Arte label, while Slatkin does a much better job with the Ives piece for RCA.

But the remainder of colorful material following Schuman on this CD - even with the overdone "Adagio for Strings" by Barber - makes for a very rewarding listening experience, with the only disappointing exception of the third piece ( "A Narrative") curiously missing from Virgil Thomson's "Acadian Songs and Dances", yet present on an old scratchy, mono LP that I have on the Decca label (Thomas Scherman /the Little Orchestra Society). Did Thomson later revise this suite? Or did this CD run out of space? If the latter is true, one can only wish that Barber's overplayed "Adagio" would have been bumped to make room for the entirety of Thomson's superb "Acadian Songs".

4 out of 5 stars American Masterpieces - For pleasure or music ed. resource.......2000-07-28

The American Masterpieces CD is an excellent compilation of music that is uniquely American. Much of the material is based on folk sources, and all of it is thoughtfully selected. The only negative is that some of the music is not the best version available, but I'm sure that's due to the limitations of the Sony label. The "Adagio for Strings," for example, is taken at a slightly fast tempo, lessening the dramatic impact of the build-up. The selections are a music educator's delight. Bernstein's "Candide Overture" is perfection. Ives' "Variations on America" is a wonderful study in the use of a familiar theme in an unusual manner. "When Jesus Wept" can be sung by a chorus and then compared with Schuman's treatment. Gould's "American Salute" is an exciting study in theme and variations on the familiar tune, "When Johnny Comes Marching Home." And, of course, Gershwin's "Promenade" is delightful, and an excellent follow-up for the Fantasia 2000 film. The reason I bought the recording was for the Gottschalk "Grand Walkaround" and "Jamaican Rumba" by Benjamin. Both are based on American folk materials (Sweet Potatoes - Louisiana, and Mango Walk, respectively). The original songs can be sung, compared, performed in an Orff arrangement, and then presented in the orchestral interpretations. The folk songs are both found in the McGraw Hill music series, Share the Music, Grade 5. If you like this CD, try the American Salute CD from Musical Heritage Society.
San Francisco and Other Jeanette MacDonald Favorites
Average customer rating: 5 out of 5 stars
  • Queen of Songs
  • Jeanette MacDonald Favorites
  • A MUST for any Jeanette fan!
  • Jeanette MacDonald Was Unique
  • An excellent demonstration of Jeanette MacDonald's artistry
 San Francisco and Other Jeanette MacDonald Favorites

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. When I'm Calling You
  2. Love's Old Songs
  3. Ah Sweet Mystery of Life: Anthology (1931-1938)
  4. San Francisco
  5. Through the Years

ASIN: B000003F6P
Release Date: 1991-11-09

Tracks:

  1. Ciribiribin
  2. The Firefly: Giannina mia
  3. The Firefly: The Donkey Serenade
  4. Naughty Marietta: Ah! Sweet Mystery Of Life
  5. Naughty Marietta: Italian Street Song
  6. New Moon: Lover Come Back To Me
  7. New Moon: One Kiss
  8. Smilin' Through: Land Of Hope And Glory
  9. Rose Marie: Indian Love Call
  10. San Francisco
  11. The Holy City
  12. Love Parade: March Of The Grenadiers
  13. Monte Carlo: Beyond The Blue Horizon
  14. The Fortune Teller: Romany Life
  15. The Vagabond King: Only A Rose
  16. Les filles de Cadiz
  17. Ave Maria
  18. Songs My Mother Taught Me
  19. Romeo et Juliette: Je veux vivre dans ce reve
  20. Faust: Il etait un roi de Thule
  21. Faust: Air des bijoux
  22. Louise: Depuis le jour

Customer Reviews:

5 out of 5 stars Queen of Songs.......2007-07-29

I received this CD 'San Fracisco and other Jeanette MacDonald Favorites' a few days ago and have listened to it carefully several times. She is about a generation before my time; so far I have seen only two pictures of her: 'San Francisco' and 'The Merry Widow'. In San Francisco, I discovered she can also sing opera successfully to some degree As for The Merry Widow, I much prefer the later version performed by Lana Turner and Fernando Lamas although Turner didn't sing by herself in the film and Lamas is a lot more convincing than Maurice Chevalier as a Casanova type beau; to be truthful, I can't stand grandpa Chevalier. I beleive I also saw another of her movie which she played quite late in her career because she played mother to Jane Powell, this one I saw in the theater in my teenage days, for your information, I saw almost every MGM musicals in those heyday years. Unfortunately though, I don't quite remember the story of it, but I do remember vaguely that MacDonald sang Un bel di from Puccini's Madama Butterfly and when she sang she formed her mouth so beautifully that one could forget it if she didn't sing well.

One thing I can assert with confidence is that MacDonald is a very beautiful lady oozes with glamour, and is very classy. Classiness was a very prominent and widespread quality of female stars in that era, Lana Turner who played the wealthy merry widow was just one case. If I were to make a list it would occupy a full page, nowadays, it would be impossible to name just three or four female stars with class, no offense, please. Now let me come back to the main subject that is MacDonald's art of singing. Well, she certainly has good vocal technigue, her high note is firm to the very top and she is able to sustain it for a considerable duration as she has displayed quite often in this disc. The voice itself is delicate and sweet, just like her person. However, she tends to sing with monotone which make her singing sounds bland, like no. 4, Ah! Sweet Mystery of Life, may be if she move a notch down the scale it would sound more pleasant. Songs My Mother Taught Me is just about the only song she successfully sings with feelings. Here, I would like to point out that a few songs are worth repeated listenings: Ciribiribin, The Donkey Serenade, Italian Street Song, and of course, Songs My Mother Taught Me.
Songs no. 16 to 22, I'm sorry to say that they are not up to my standard, I have been listening to opera singing for over thirty years you know. I must mention here that MacDonald's French seems very good, I don't know French though, nevertheless, I can tell just by listening

Queen of Songs is a title crowned her by the Chinese people in that time, she was indeed highly esteemed.


5 out of 5 stars Jeanette MacDonald Favorites.......2007-05-13

This CD is an incredible testimony and celebration of an American Master Singer.
A must have for all. An introduction to quality and good taste for a new generation of music lovers.

5 out of 5 stars A MUST for any Jeanette fan!.......2006-04-25

This CD is a gem! The songs included on it are beautiful and show off MacDonald's incredible voice. The best part of this CD, however, is the sound quality. Unlike many of her other recordings, and those featuring her with frequent costar Nelson Eddy, the sound on this CD is pristine, and you can barely tell the recordings are 50+ years old!

4 out of 5 stars Jeanette MacDonald Was Unique.......2001-03-12

It really doesn't matter whether or not she could sing; Jeanette MacDonald was unique. On these old recordings, her voice sounds thin and watery, and contemporary tastes do not respond so readily to the sentimentality and predictability of her movies. But she was a gracious lady and glittering presence on the silver screen. These film songs do suggest the excitement she generated when her movies first appeared. And how many truly major singers she inspired! Joan Sutherland recalled meeting MacDonald a few years before her death. Said Sutherland: "I still had stars in my eyes."

5 out of 5 stars An excellent demonstration of Jeanette MacDonald's artistry.......1998-12-18

The highlights of this Jeanette MacDonald CD include her excellent singing of Delibes' "Les Filles de Cadiz," the Bach-Gounod "Ave Maria," and the "Jewel Song" from "Faust." A much-underrated artist, MacDonald proves here that she can handle a wide range of music, from concert songs and opera arias to familiar tunes from her operetta films. Particularly fine are her renditions of "Only a Rose," and Herbert's "Romany Life" (in spite of an amateurish male chorus). Highly recommended not only as a tribute to filmdom's first lady of song, but also to listeners who enjoy both opera and musical comedy.
A Copland Celebration Vol. 2
Average customer rating: 4.5 out of 5 stars
  • Terrific vocal talents for Copland's music
  • finally sandburg's lincoln portrait
  • Wow! Pretty Good Deal
 A Copland Celebration Vol. 2

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. A Copland Celebration Vol. 1
  2. A Copland Celebration Vol. 3
  3. The Copland Collection: Orchestral Works, 1948-1971
  4. Copland Conducts Copland
  5. The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B000050HWT
Release Date: 2000-11-07

Tracks:

  1. Vitebsk, Study On A Jewish Theme
  2. Sextet For Clarinet, Piano And String Quartet: I. Allegro vivace
  3. Sextet For Clarinet, Piano And String Quartet: II. Lento
  4. Sextet For Clarinet, Piano And String Quartet: III. Finale
  5. Piano Quartet: I. Adagio serio
  6. Piano Quartet: II. Allegro giusto
  7. Piano Quartet: III. Non troppo lento
  8. Duo For Flute And Piano: I. Flowing
  9. Duo For Flute And Piano: II. Poetic, Somewhat Mournful
  10. Duo For Flute And Piano: III. Lively, With Bounce

Tracks:

  1. Lincoln Portrait - CARL SANDBURG
  2. Twelve Poems Of Emily Dickinson: I. Nature, The Greatest Mother
  3. Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle
  4. Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven?
  5. Twelve Poems Of Emily Dickinson: The World Feels Dusty
  6. Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him
  7. Twelve Poems Of Emily Dickinson: VI. Dear March, Come In!
  8. Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be
  9. Twelve Poems Of Emily Dickinson: VIII. When They Come Back
  10. Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain
  11. Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes
  12. Twelve Poems Of Emily Dickinson: XI. Going To Heaven!
  13. Twelve Poems Of Emily Dickinson: XII. The Chariot
  14. Old American Songs (Set 1): The Boatmen's Dance (Minstrel Song, 1843)
  15. Old American Songs (Set 1): The Dodger (Campaign Song)
  16. Old American Songs (Set 1): Long Time Ago
  17. Old American Songs (Set 1): Simple Gifts (Shaker Song)
  18. Old American Songs (Set 1): I Bought Me A Cat
  19. Old American Songs (Set 2): The Little Horses (Lullaby)
  20. Old American Songs (Set 2): Zion's Walls (Revivalist Song)
  21. Old American Songs (Set 2): The Golden Willow Tree
  22. Old American Songs (Set 2): At The River (Hymn Tune)
  23. Old American Songs (Set 2): Ching-A-Ring Chaw (Minstrel Song)
  24. Billy The Kid: I. The Open Prairie - Oscar Levant
  25. Billy The Kid: II. Street In A Frontier Town - Oscar Levant
  26. Billy The Kid: V. Celebration Dance (After Billy's Capture) - Oscar Levant

Customer Reviews:

4 out of 5 stars Terrific vocal talents for Copland's music.......2002-08-08

This second Copland collection focuses on unique talents of veteran performers.

William Warfield lends his voice and his interpretations of Copland's Old American Songs, and he sings them as they were meant to be, not as classical diletantes felt they should be. You have authenticity here.

Martha Lipton likewise contributes an older world charm and charisma to Copland's settings for Emily Dickenson's words.

Carl Sandberg's resonant reading of his own words is worth the full price of this set.

And then the inimitable Oscar Levant's piano treatment of the orchestral pieces...Levant had a wry touch to his interpretations that gave him a voice all his own.

There's much more here, quite a bit that's less than familiar and therefore increases one's familiarity with Copland.

5 out of 5 stars finally sandburg's lincoln portrait.......2001-08-17

For all those like myself who have waited a decade for "A Lincoln Portrait" with Carl Sandburg's narration on CD, here it is finally! Sandburg's heartfelt reading of Lincoln's words is easily the most inspired and inspiring of the legions of others whose voices have been recorded. The orchestration by Kostelanetz also vastly surpasses others. Compare Henry Fonda's reading for example to see a poorly mixed tape where the narrator's voice is overwhelmed by the orchestra.

4 out of 5 stars Wow! Pretty Good Deal.......2001-03-13

I was surprised to find two CDs of such quality being sold for the price of one. It also contained many hard to find Copland works.

Vitebsk is exciting. Strings do much of the work here. The music is very unique to any other Copland works. Definitely here a sample of this.

The Sextet is very interesting. The combination of strings and piano is a prefect balance along with the clarinet doing much of the harmony. It is the same song though as Copland's 2nd symphony, the 'short' one.

Duo for Flute and Piano is fun and happy. The 1st movement fluctuates quite a bit in the feeling but is a very nice combination. The second movement is slightly morbid but the feeling of happy hi ho is not lost. The 3rd movement is light and bouncy and can be described as typical Copland.

Lincoln Portrait is powerful. Though I don't see how it fits on this CD has a rarity or a chamber work. It is the besy Lincoln P. I've ever heard though.

Old American Songs and Poems of Emily Dickinson are not that good though. It's a vocalist and a piano accompanyingthe vocalist. The vocalists are not that good and I felt needed to feel the music a little more. Thomas Hampson and Dawn Upshaw made a CD with these songs which is much better (the only problem is that that CD only has 8 of the 12 Emily Dickinson Songs).

Billy the Kid was a nice way to finish off. It's just a few excerpts played on solo piano. It was interesting hearing the piece performed this way.

The recording quality is okay sometimes and kinda slipping other times. Then again, these are classic recordings for the most part. The skill though of the orchestra and soloists for the most part is that of a high quality. I definitely recommend this CD to any Copland fans out there trying to discover more about Copland. It's a very nicely put together CD and price worthy too.
Ned Rorem: Selected Songs
Average customer rating: 4 out of 5 stars
  • Great vocal virtuosity
  • Confuzzled
  • An American Composer of Art Song
  • more German than Rorem
  • delightful art songs
 Ned Rorem: Selected Songs
Ned Rorem , and Carole Farley
Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Susan Graham - Songs of Ned Rorem
  2. Rorem: The End of Summer, Book of Hours, Bright Music
  3. Rorem: Three Symphonies
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  5. Songs by Roger Quilter

ASIN: B00005QISU
Release Date: 2001-11-20

Tracks:

  1. The Waking
  2. Root Cellar
  3. My Papa's Waltz
  4. I Strolled Across An Open Field
  5. Memory
  6. Orchids
  7. The Serpent
  8. Night Crow
  9. Snake
  10. Lilltel Elegy
  11. The Nightingale
  12. Nantucket
  13. Lullaby Of The Woman Of The Mountain
  14. Love In A Life
  15. What If Some Little Pain...
  16. Visits To St. Elizabeth's
  17. Stopping By Woods On A Snowy Evening
  18. Spring
  19. See How They Love Me
  20. Now Sleeps The Crimson Petal
  21. I Am Rose
  22. Ask Me No More
  23. Far-Far-Away
  24. Early In The Morning
  25. Alleluia
  26. Such Beauty As Hurts To Behold
  27. Sally's Smile
  28. Youth, Day, Old Age, And Night
  29. O You Whom I Often And Silently Come
  30. Full Of Life Now
  31. As Adam Early In The Morning
  32. Are You The New Person?

Customer Reviews:

5 out of 5 stars Great vocal virtuosity.......2005-04-07

This is a great recording, by two great artists. Carole Farley is the ideal singer for Ned Rorem's songs. She spell out every
word and every nuance, giving each song and every poem their full character. The songs are a revelation. I recommend this recording without hesitation.
Christoph (Berlin, Germany)

3 out of 5 stars Confuzzled.......2004-01-03

While these song are GREAT...I cannot get over Carole Farley; her voice is so affected (kind of like a sprechstimme; overly dramatic...). I love the fact that Rorem himself is playing the piano, and as a singer, the catalogue of songs is good to have...but cant say I could ever manage getting over Farley's affectation. There are far superior recordings out there.

5 out of 5 stars An American Composer of Art Song.......2003-04-02

American popular song, whether standards, show tunes,jazz, blues, or rock, is one of our country's most visible artistic achievements. American classical (or Art) songs are much less known. Ned Rorem (b. 1923) is probably the greatest American composer in this unfamiliar medium. Rorem is sometimes dubbed the "American Schubert."

This disc features 32 of Ned Rorem's songs for voice and piano. Soprano Carole Farley is the accomplished singer, and Ned Rorem himself plays the piano. The disc is special because it features settings of the works of American poets. The CD begins with 9 settings of poems by the mid-twentieth century poet, Theodore Roethke, and concludes with settings of 5 poems by Walt Whitman. The disc also includes settings of poems by William Carlos Williams, Gertrude Stein, and Paul Goodman, among others. Thus the disc combines in a special way American creative effort in poetry and in music.

Rorem's songs are declamatory in style. Typically, the voice line delivers the text of the poetry in a sort of chant. The relationship between the voice line and the piano is far from Schubertian. Generally, the piano takes a separate line and accentuates the voice by means of large chords or by runs or by other comments and punctuation on the voice. The texts are well set and the music is effective. There are some unusual harmonies with jazz and blues influences. Rorem's piano accompanyment on this disc gives the recording a sense of authenticity -- we get a good idea of how the composer wants his songs to be conveyed.

The disc includes excellent program notes and texts of all the songs. Naxos has received deservedly high praise for its "American Classics" series which makes much music written by Americans available on CD at a low price. This disc includes some lovely, little-known songs. It is an excellent introduction to the American art song and to the music of Ned Rorem.

3 out of 5 stars more German than Rorem.......2002-07-20

I've been a Rorem fan since hearing a highschool friend perform some of his work in her college recital. His startling, atonal songs were an instant revelation. For years there were few reliable CDs of his vocal work. A scandal considering his reputation rests more on his art songs and chamber music than on his orchestral pieces. This Naxos entry of a wide overview of his best songs is thus quite welcome, due largely to its availability, wide distribution and professional packaging (he's had some shoddy issues before with incorrect liner notes, etc.; the challenge of the low budget).

I can't call myself an unalloyed fan of soprano Carole Farley however. Her delivery here recalls the speak-singing style of German 12-tone composers (a specialty of hers), and can sound melodramatic, especially when she rushes the more delicate passages.

I prefer Rorem's softer, more melodious French side, the one that descends from Impressionism and is more warmly emotive. While Farley loses the shading of some of the more fragile songs, she is well-suited to the longer, more forceful pieces. I've heard many readings of "Early in the Morning" (one of Rorems most popular songs) by male and female vocalists, and its tale of wistful nostalgia is muted by Farley's direct approach. However, she nails "My Papa's Waltz," a fractured setting for a Roethke poem about a frightened child forced to dance with a drunken father. Here her acting skills come to the fore, and she perfectly captures the tipsy madness of the song. Rorem can be quite theatrical himself on occasion. She does almost as well with "See How they love me," a ballad with a regular pace that allows her assertive style to breathe.

At any rate it's great to hear these lovely songs in a recent (2000) recording, accompanied (rather emphatically, but perhaps he's matching his theatrical singer) by Rorem himself.

The similar Susan Graham album is more to my taste, but this is a more than competent bargain set.

4 out of 5 stars delightful art songs.......2002-01-02

rorem's songs are amazing, and naxos has done well
to group them by poet. the complete settings of roethke
are particularly compelling and edgey.

carole farley's voice is lovely, but her phrasing
and willingness to push her voice seems
a big departure from the styling of art songs i've
heard by poulenc and somers.

this takes some getting used to- at least 3 or 4 complete
listen-throughs in my case. her voice is almost jazzy,
kind of like early recordings by holly cole.

anyway, rorem accompanies her on piano so obviously
this reading fits with his intent; his playing is also delightful.

one small quibble- although there are 32 songs, the CD is
57 minutes- brief by naxos standards.
The Americans: Complete Recordings on Deutsche Grammophon
Average customer rating: 5 out of 5 stars
  • Very Good To Memorable Recordings of Bernstein's American Composer Recordings
 The Americans: Complete Recordings on Deutsche Grammophon

Manufacturer: Deutsche Grammophon
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Binding: Audio CD

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GeneralGeneral | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
New York Philharmonic OrchestraNew York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
Deutsche Grammophon: MusicDeutsche Grammophon: Music | Specialty Stores | Music
Similar Items:
  1. Leonard Bernstein Conducts Sibelius (Collectors Edition)
  2. Stravinsky, Shostakovich: Bernstein's Complete Recordings on Deutsche Grammophon
  3. Schubert, Mendelssohn, Schumann: Complete Recordings on Deutsche Grammophon
  4. Leonard Bernstein Conducts Haydn (Collectors Edition)
  5. Mahler: The Complete Symphonies

ASIN: B0001WGDXU
Release Date: 2004-05-11

Customer Reviews:

5 out of 5 stars Very Good To Memorable Recordings of Bernstein's American Composer Recordings.......2007-07-01

This is yet another superb box set of Bernstein's Deutsche Grammophon recordings, emphasizing his strong affinity and interest in the work of such great American composers like Charles Ives, Aaron Copland and William Schuman. The best recordings are those with The New York Philharmonic of Charles Ives's orchestral works and Aaron Copland's Third Symphony, "Quiet City" suite for horn and strings, and the El Salon de Mexico ballet suite. But I also admire Bernstein's recordings with the Los Angeles Philharmonic of Gershwin's great classical/jazz orchestral works like "Rhapsody in Blue" and "An American in Paris", and the recordings of several other Copland scores, most notably, "Appalachian Spring". Like virtually all of the other recordings in Deutsche Grammophon's "Collector's Edition" series of Leonard Bernstein, these were recorded by Deutsche Grammophon in the 1980s, often during live concert performances held in Los Angeles, Tel Aviv, and New York City (Lincoln Center's Avery Fisher Hall). While some may prefer Bernstein's classic recordings of Copland and Ives for CBS Masterworks (now Sony) in the late 1950s and 1960s, these have the benefit of being digital recordings made by Deutsche Grammophon's then state-0f-the-art recording processes. Without question, anyone who is a fan of Copland's, Gershwin's or Ives' scores and of Leonard Bernstein will surely cherish this fine 6 CD box set.
A Copland Celebration Vol. 3
Average customer rating: 5 out of 5 stars
  • Wonderful
  • Pure joy
  • Copland's vocal work
 A Copland Celebration Vol. 3

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Copland, AaronCopland, Aaron | ( C ) | Featured Performers, A-Z | Classical | Styles | Music
New York Philharmonic OrchestraNew York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
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Similar Items:
  1. A Copland Celebration Vol. 2
  2. A Copland Celebration Vol. 1
  3. The Copland Collection: Orchestral Works, 1948-1971
  4. Copland: Old American Songs/Canticle Of Freedom/Four Motets
  5. The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B000050HWV
Release Date: 2000-11-07

Tracks:

  1. Old American Songs, Sets 1 & 2: The Boatmen's Dance - William Warfield
  2. Old American Songs, Sets 1 & 2: The Dodge - William Warfield
  3. Old American Songs, Sets 1 & 2: Long Time Ago - William Warfield
  4. Old American Songs, Sets 1 & 2: Simple Gifts - William Warfield
  5. Old American Songs, Sets 1 & 2: I Bought Me A Cat - William Warfield
  6. Old American Songs, Sets 1 & 2: The Little Horses - William Warfield
  7. Old American Songs, Sets 1 & 2: Zion's Walls - William Warfield
  8. Old American Songs, Sets 1 & 2: The Golden Willow Tree - William Warfield
  9. Old American Songs, Sets 1 & 2: At The River - William Warfield
  10. Old American Songs, Sets 1 & 2: Ching-A-Ring Chaw - William Warfield
  11. Twelve Poems Of Emily Dickinson: I. Nature, The Gentlest Mother - Aaron Copland
  12. Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle - Aaron Copland
  13. Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven? - Aaron Copland
  14. Twelve Poems Of Emily Dickinson: IV. The World Feels Dusty - Aaron Copland
  15. Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him - Aaron Copland
  16. Twelve Poems Of Emily Dickinson: VI. Dear March, Come In! - Aaron Copland
  17. Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be - Aaron Copland
  18. Twelve Poems Of Emily Dickinson: VIII. When They Come Back - Aaron Copland
  19. Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain - Aaron Copland
  20. Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes - Aaron Copland
  21. Twelve Poems Of Emily Dickinson: XI. Going To Heaven! - Aaron Copland
  22. Twelve Poems Of Emily Dickinson: XII. The Chariot - Aaron Copland
  23. In The Beginning - Aaron Copland
  24. Lark - Aaron Copland

Tracks:

  1. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Gently Flowing - Aaron Copland
  2. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderate Tempo: 'Once I Thought I'd Never Grow Tall As This Fence' - Joy Clements
  3. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately Fast: 'Do You Suppose They're Makin' Food In There?' - Richard Fredericks
  4. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Somewhat Faster: 'We've Been North'/'We've Been South' - Richard Cassilly
  5. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): With Motion: 'Halloo, Halloo' - Norman Treigle
  6. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately: 'If You Boys Work As Smooth As You Talk, We'll Make Good Time In The Fields' - Norman Treigle
  7. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Trifle Slower: 'The Promise Of Living With Hope And Thanksgiving' - Richard Cassilly
  8. The Tender Land: Act Two: That Evening: Lively And Rough - Aaron Copland
  9. The Tender Land: Act Two: That Evening: Quite Slow: 'Thank You, Thank You All' - Joy Clements
  10. The Tender Land: Act Two: That Evening: Very Broadly: 'Ah, Laurie, You Are A Puzzle' - Norman Treigle
  11. The Tender Land: Act Two: That Evening: Briskly: 'Stomp Your Foot Upon The Floor' - Richard Cassilly
  12. The Tender Land: Act Two: That Evening: Somewhat Slower: 'The World Seems Still Tonight' - Richard Cassilly
  13. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Introduction: Starting Slowly - Aaron Copland
  14. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): As At First: 'Daybreak Will Come In Such A Short Time' - Richard Cassilly
  15. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Fast Tempo: 'That's Crazy!' - Richard Fredericks
  16. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Broadly: 'The Sun Is Coming Up As Though I'd Never Seen It Rise Before' - Joy Clements
  17. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): (Still Slower): 'You Are Strange To Me' - Claramae Turner

Customer Reviews:

5 out of 5 stars Wonderful.......2007-04-22

I must confess I am unfamiliar with Copland's "The Tender Land" except for this reissue, which I find to be absolutely magnificent. I realize this is a truncated performance, eliminating what I assume to be a fair amount of spoken dialogue. But I don't care. What is presented here is simply one of the finest American compositions - forget American - one of the finest compositions of the 20th century. Period.

5 out of 5 stars Pure joy.......2005-07-29

The recording of Copland's The Tender Land is alone worth getting this disc. The rest of the vocal works are just a bonus, a very good bonus! Copland directs a definitive account of his opera, and in this compressed version leaves out all the spoken parts of the full length opera, no doubt depriving us of a lot of good music but on the other hand giving listeners a very concise version that is even stronger musically (although dramatically a little lacking in logic because of the missing parts - for example without knowing of the confrontation during the party scene you would find the boys' departure the next morning puzzling, and the CD notes does not elaborate on the plot, which is about the only negative thing you can say about this set). Listening to the opera in this abridged version gives you the feeling of one hit after another, there is not a single weak point in the score and Copland has a gift for word-setting that can turn clumsy texts such as "girls come and go, some are good, some are not so good" into goosebumps stuff (a lovely dedication to Laurie sung by Grandpa). Other high points include the stunning transformation of the traditional Walls of Zion into the quartet piece The Promise Of Living and a rollicking Party Scene, which contains the best in Copland's clever orchestration and rythmic vitality - it seems all of the composers best traits have all come together in this work. Martin's Act 2 Song 'Laurie...You Know, Laurie' is a rare gem or an aria and beautifully sung. Other hidden gems include the comical 'We've Been North'. The cast is impeccable and the entire performance is flawless. Add to that one of those scores that simply win you over from start to finish, and you can't but fall in love with this music. I once thought that nothing could better Appalachian Spring but that was before I discovered this neglected work.

5 out of 5 stars Copland's vocal work.......2002-08-08

And so on this third set of the celebration of Aaron Copland's music, all attention is on his vocal work including the opera, "The Tender Land".

I can't completely explain why I give this five stars after giving the first two sets four stars each. This is just the way the opera, in particular, strikes me. I'm no great opera fan, and to my knowledge, America just has not yet proved itself in the operatic field although it's tried. It will take time, but I do see Copland's work as someday being considered the best example of American opera. This is all subjective opinion, obviously, and I'm sure there are those more knowledgeable who will disagree. So be it.

All in all, these three sets will give you a complete overview of one of America's most important composers.
Klassizische Moderne, Vol. 2
Average customer rating: Not rated
    		Klassizische Moderne, Vol. 2

    Manufacturer: Arte Nova Classics
    ProductGroup: Music
    Binding: Audio CD

    DuetsDuets | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by TippettAll Works by Tippett | Tippett, Michael | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
    SuitesSuites | Forms & Genres | Classical | Styles | Music
    SinfoniaSinfonia | Symphonies | Forms & Genres | Classical | Styles | Music
    Hogwood, ChristopherHogwood, Christopher | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Brass | Instruments | Classical | Styles | Music
    Britten, Sir BenjaminBritten, Sir Benjamin | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Vocal Works by StravinskyVocal Works by Stravinsky | Stravinsky, Igor | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
    EnglishEnglish | Languages | Opera & Vocal | Styles | Music
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    4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
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    3. Martinu: Works for Violins and Orchestra
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    5. Music For The Theatre, Vol. 1

    ASIN: B00096S2RS
    Release Date: 2005-05-10

    Tracks:

    1. I. Andante
    2. II. Napolitana
    3. III. Espanola
    4. IV. Balalaika
    5. I. Allegro
    6. II. A Lament: Andante Espressivo
    7. III. Presto
    8. IV. Adagio
    9. V. Allegro Assai
    10. Pastorale
    11. Lied Ohne Name
    12. I. Musick To Heare
    13. II. Full Fadom Five
    14. III. When Dasies Pied
    15. Fanfare For A New Theatre
    16. Recitative & Aria: No Word From Tom/Quietly, Night
    17. Recitative & Cabaletta: My Father! Can I Desert Hin?/I Go To Him
    18. I. Poco Presto Ed Agitato
    19. II. Andante Lento
    20. III. Tarantella: Presto Vivace
    21. I. Marche
    22. II. Valse
    23. III. Polka
    24. IV. Galop

    Album Description

    "It is always refreshing to encounter a disc in which consideration has been given to providing a balanced and thought-provoking programme. This is the second installment in Christopher Hogwood's `Modern Classicists' series, and is built upon an eclectic group of Stravinsky's smaller-scale works, with substantial historically influenced interjections by Tippett and Britten. The result is in marked contrast to the Orpheus Chamber Orchestra's foray into the world of Stravinsky's miniatures (DG), in which the scattergun whole somehow falls short of the sum of the delightful parts. By separating the two Suites for small orchestra to form a frame, Hogwood heightens awareness of their individual features, throwing into relief the intervening works, with the vocal and small-scale items on the disc providing an intimate heart at its core...Emma Kirkby is predictably delectable, floating through the Pastorale and an ideally innocent Anne Truelove in the excerpt from The ! Rake's Progress, while the Basel Chamber Orchestra is heart-rending in the `Lament' from Tippett's Divertimento...by far the most satisfying disc as a self-contained programme." (**** rating!) BBC MUSIC MAGAZINE

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