More Than That (Pop Male) (Karaoke)

Product Description
Sing pop male hits! This CD+G features 9 note-perfect multiplex tracks of great pop male songs. Perfect for practice, performances, auditions, and more! Includes 2 versions of each song (guide vocals, and instrumental background track). Full lyric book included.

More Than That (Pop Male) (Karaoke),Various,Pocketsongs CDG

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Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: I love pgroove! Slightly better than Perpetual Yawn Southern Trance Jam Rock Good stuff! unbelievably powerful

Sweet Oblivious Antidote Perpetual Groove Manufacturer: Harmonized ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: All This Everything Livelovedie Anchor Drops Taught to Be Proud Launchpad ASIN: B00015HVH4 Release Date: 2003-01-21

Tracks:

1. Threeweeks
2. Perihelion
3. Sundog
4. TSM 2
5. Teakwoodbetz
6. Astromonkey
7. Robotwaltz
8. Walkinginplace
9. Playground
10. Sweetobliviousantidote

Customer Reviews:

I love pgroove!.......2005-09-25

I just bought this cd about 3 weeks ago, learning from a buddy of mine how awesome they are, and plus they are from my home town of Savannah Georgia, so I knew I had to give it a try. When I got the cd I listened to it all the way, and couldn't stop listening to it for like a week, then I bought tickets to see them on Halloween, and recently just bought their other cd(which is also fab). I am totally excited about seeing them on Halloween I've heard that they are so much more intense live.

Slightly better than Perpetual Yawn.......2005-07-01

With no disrespect to those who wrote positive reviews, I find this release only slightly better than "All This Everything" [...] But hey, at least I enjoyed Teakwood Betz off of this release!

Southern Trance Jam Rock.......2005-04-24

This was the best thing to come out of Georgia in 2003. If you want to get a free taste of what they sound like in a live setting download a free show from the internet archive. Kind of reminds me of early Phish crossed with Micky era Widespread Panic.

Good stuff!.......2005-03-20

This CD is worth every penny, and is sure to please. These guys have come a long way since J.J. Cagneys in Savannah, Georgia! If you ever get a chance to see them live you'll be hooked...

unbelievably powerful.......2005-03-19

I am in shock at the one listener, R. Pinto, that completely dissed this musical masterpiece. I guess there's always one....
Walking in Place is one of the best songs I've ever heard, so powerful, so beautiful. This is one of the most talented bands I know of, and having been blessed to see them live on multiple occasions, I was blown away at their live performances. All of them. And I am going to go back and see them every chance I get. This is one group of talented boys, and I recommend them to anyone who has taste enough to appreciate some good music.

Average customer rating: Perfect Release of a two-fer Finally "Alone" on CD! Terrible sound and terrible packaging JUDY AT HER BEST with SPECTACULAR SOUND! Garland the Great

Judy in Love & Alone Judy Garland Manufacturer: S&P Records ProductGroup: Music Binding: Audio CD Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Miss Show Business/Judy That's Entertainment!/I Could Go on Singing The Best of the Capitol Masters: The London Sessions The Letter Live in Paris ASIN: B0000641C8 Release Date: 2002-04-23

Tracks:

1. Zing! Went The Strings Of My Heart
2. I Can't Give You Anything But Love
3. This Is It
4. More Than You Know
5. I Am Loved
6. I Hadn't Anyone Till You
7. I Concentrate On You
8. I'm Confessin' (That I Love You)
9. Do I Love You?
10. Do It Again
11. Day In-Day Out
12. By Myself
13. Little Girl Blue
14. Me And My Shadow
15. Among My Souvenirs
16. I Gotta Right To Sing The Blues
17. I Get The Blues When It Rains
18. Mean To Me
19. How About Me
20. Just A Memory
21. Blue Prelude
22. Happy New Year
23. Then You've Never Been Blue (bonus track)

Customer Reviews:

Perfect Release of a two-fer.......2004-11-20

The person who wrote the review below is wrong : the "Alone" album was recorded and released in mono sound, in 1957. "Judy in Love" was Garland's first album recorded and released in stereo, in 1958.

The sound on this disc is spectacular. The original session tapes were used, for the best sound possible. It is glorious sound here, folks.

Pehaps the person that wrote the review below is thinking of the previous two-fer of "Judy in Love" from England, a few years back, paired with the "Judy" album. That CD sounded very flat and dry.

Get this new and improved disc, and you'll love it.

Finally "Alone" on CD!.......2003-10-01

I just received this Judy "double bill" and I can only say it's GREAT!! "Alone" was always one of my favorite Judy albums, and I am more than pleased to have it on CD now. The sound is not stereo, as another reviewer point out, but it never was recorded in stereo. I have the old vinyl, and that's mono too, but also pretty worn, after all these years. The liner notes actually are pretty good too. The original covers are reproduced, with the original liner notes reprinted, AND some fresh liner notes about this re-issue. There, you can read that the "alone" recordings are from 1957, and that "Judy in Love" is from 1958, and was her first stereo album for Capitol.

So why is "alone" my favorite Judy album? Maybe simply because it was one of my first encounters with Judy, when I was 17 years old. I didn't realize at the time that the selection of songs is pretty unusual. It's not the repertoire she sang a lot in her live and TV shows. I love the mostly subdued pathos on this album, although she does belt it out occasionally, in her own inimitable way. The songs are about 'surviving on your own', and some times about finding your inner strength, in a bittersweet way. The album is not very cheerful, but it does make me feel good, in a sentimental way. The arrangements are very good, just right, in the 'proper' fifties style. The strings have a very warm quality, which wasn't always the case in those days. There is also a beautiful large choir singing in the background on some tracks.
Some of the songs are very unknown, which makes this album special too. Happy New Year, for instance, is a beautiful torch song, written over a very slow version of Old Lang Syne in minor key; a real gem of a song! Blue Prelude is also a great song, so don't be discouraged by the titles you may not know.
All in all, a 'must have' for any Judy fan, but also a wonderful introduction if you want to get acquainted with Judy's singing. "Judy in Love" is an excellent example of her warm joyful singing, while "Alone" gives you all those wonderful torch songs. A balanced package, with a passionate Judy in great voice!!

Terrible sound and terrible packaging.......2003-06-27

Let me rant. This CD has 2 albums on it. 1 is mono and the other stereo!? I have these albums on records and they are both stereo. I feel ripped off. Also, these albums do not sound anywhere like the records in quality. In fact, they sound very boring and lacking of any sort of life. Judy did very big, exciting production numbers and the sound on this CD makes them sound stale and dead. I returned this CD and demanded my money back. The store clerk said I wasn't the only one. Thumbs way down.

JUDY AT HER BEST with SPECTACULAR SOUND!.......2002-05-11

JUDY IN LOVE is perhaps Garland's greatest studio album. A superb collaboration with Judy in wonderful voice, and arranger Nelson Riddle at the top of his form. Inexplicably, this album is only now making its CD debut in the U.S. Capitol Records seemingly had no interest in releasing it themselves, so they've sublicensed it to S&P Records, who have done a terrific mixing and remastering job. Comparing the sound to a recent UK import is overwhelmingly impressive. The UK release sounds mediocre, and this new issue belies its having been recorded 44 years ago.
JUDY IN LOVE is paired with her monaural ballad album ALONE, which was arranged and conducted by Gordon Jenkins. The two albums together are a distinct contrast and yet only show the versatility and mastery of Garland. The highlight of the ALONE tracks is Jenkins' schmaltzy, yet irresistable I'VE GOT A RIGHT TO SING THE BLUES. ALONE was previously issued on CD by Capitol years ago, but has been long out of print, so this collection is a dream come true for Garland fans.

The 5 Star rating is for the recordings and the way they've been beautifully produced. It does not, however, represent a true rating for the package itself, which has been saddled with awful,
amateurish liner notes which are so poorly written that it's a blatant insult to Garland. What a shame the producers who took such care in creating such a great sounding album, didn't bring the same kind of excellence to the accompanying package. This should not detract anyone from buying this CD, but buyers looking for an interesting commentary on the legendary lady and these specific tracks will have to go elsewhere.

Garland the Great.......2002-05-02

A beautiful compilation of two classic, original "Judy" albums. These are two of the six studio albums she recorded for Capitol in the fifties, and these are probably the best. While Judy's vocal tone is not at its best on "Judy in Love", the song selections and her interprative genius make up for the slight vocal imperfections. "More Than You Know", "I Am Loved" and "By Myself" are absolute delights, and are clearly definitive versions of these songs. In addition, the ballads shine with passion and tenderness. "Alone" is mostly filled with similarly tender songs, and on this one Garland is in fine, full voice throughout. "Little Girl Blue" is a particular standout, and the addition of the never before released "Then You've Never Been Blue" is a special treat for fans and newcomers. Popular singing doesn't come any better than this.

Average customer rating:

Hallelujah: 35 Great Sacred Choruses Manufacturer: Sparrow ProductGroup: Music Binding: Audio CD All Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tavener | Tavener, John Kenneth | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Gospel | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Gloria: Music of Praise & Inspiration Hallelujah! & Other Great Sacred Choruses Oxford Church Anthems Choral Masterpieces The #1 Choral Album ASIN: B0001KL4OU Release Date: 2004-03-23

Tracks:

1. Gloria In Excelsis Deo - Vivaldi
2. Ave Verum Corpus - Mozart
3. And Then Shall Your Light Break - Mendelssohn
4. If Ye Love Me - Tallis
5. Hallelujah - Beethoven
6. Jesu, Joy Of Man's Desiring - J.S. Bach
7. The Heavens Are Telling - Haydn
8. Panis Angelicus - Franck
9. Magnificat - J.S. Bach
10. Ave Verum Corpus - Byrd
11. How Lovely Is Thy Dwelling Place - Brahms
12. Miserere Mie, Deus - Allegri
13. Hallelujah, Amen - Handel
14. How Lovely Are The Messengers - Mendelssohn
15. For Unto Us A Child Is Born - Handel
16. Lacrimosa - Mozart
17. Laudate Dominum - Mozart
18. Hallelujah Chorus - Handel

Tracks:

1. Zadok The Priest - Handel
2. Sanctus - Gounod
3. He, Watching Over Israel - Mendelssohn
4. O, Sacred Head, Sore Wounded - J.S. Bach
5. Thine Be The Glory - Handel
6. Ave Maria - Rachmaninov
7. Gloria - Haydn
8. God So Loved The World - Stainder
9. Rejoice In The Lord Always - Purcell
10. I Was Glad - Parry
11. O Taste And See - Vaughan Williams
12. O Clap Your Hands - Vaughan Williams
13. Song For Athene - Tavener
14. The Old Hundredth - Vaughan Williams
15. Thou Knowest, Lord - Purcell
16. Ode To Joy - Beethoven
17. A Gaelic Blessing - Rutter

Average customer rating: Moved to tears Nonesuch delivers.Again harmonia in excelsis Our greatest living composer Wonderful CD

The John Adams Earbox: A 10-CD Retrospective Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Adams | Adams, John | ( A ) | Featured Composers, A-Z | Classical | Styles | Music Ives, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Ives, Charles | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music San Francisco Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Minimal Techno | Techno | Dance & DJ | Styles | Music Classical | Box Sets | Stores | Music Opera & Vocal | Box Sets | Stores | Music Similar Items: Steve Reich 1965-1995 John Adams: The Dharma at Big Sur/My Father Knew Charles Ives Naive & Sentimental Music 25 Years: Retrospective Century Rolls ASIN: B00001SID1 Release Date: 1999-10-19

Tracks:

1. Lollapalooza
2. John's Book Of Alleged Dances: Judah To Ocean
3. John's Book Of Alleged Dances: Toot Nipple
4. John's Book Of Alleged Dances: Dogjam
5. John's Book Of Alleged Dances: Pavane: She's So Fine
6. John's Book Of Alleged Dances: Rag The Bone
7. John's Book Of Alleged Dances: Habanera
8. John's Book Of Alleged Dances: Stubble Crotchet
9. John's Book Of Alleged Dances: Hammer & Chisel
10. John's Book Of Alleged Dances: Alligator Escalator
11. John's Book Of Alleged Dances: Standchen: The Little Serenade
12. John's Book Of Alleged Dances: Judah To Ocean (Reprise)
13. Slonimsky's Earbox

Tracks:

1. Two Fanfares For Orchestra - Tromba Lontana
2. Two Fanfares For Orchestra - Short Ride In A Fast Machine
3. Common Tones In Simple Time
4. El Dorado - Part I. A Dream Of Gold
5. El Dorado - Part II. Soledades

Tracks:

1. Harmonielehre - Part I
2. Harmonielehre - Part II The Anfortas Wound
3. Harmonielehre - Part III Meister Eckhardt And Quackie
4. Violin Concerto - Part I
5. Violin Concerto - Part II Chaconne:
6. Violin Concerto - Part III Toccare

Tracks:

1. Chamber Sympony - Mongel Airs
2. Chamber Sympony - Aria With Walking Bass
3. Chamber Sympony
4. Hoodo Zephyr - Tundra
5. Hoodo Zephyr - Dissappointment Lake
6. Hoodo Zephyr - Hoodo Zephyr
7. Gnarly Buttons - The Perilous Shore
8. Gnarly Buttons - Hoe-Down (Mad Cow)
9. Gnarly Buttons - Put Your Loving Arms Around Me

Tracks:

1. Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
2. A Sermon On Romance
3. Consuelo's Dream
4. Mike's Song About Arresting A Particular Individual
5. Tiffany's Solo
6. Song About The On-Site Altercation
7. Song About The Bad Boys And The News
8. Your Honor My Client He's A Young Black Man
9. Leila's Song; Alone (Again Or At Last)
10. Three Weeks And Still I'm Outta My Mind
11. Crushed By The Rock I Been Standing On
12. Dewain's Song Of Liberation And Surprise
13. !Este Pais! / This Country
14. One Last Look At The Angel In Your Eyes
15. Finale

Tracks:

1. Lollapalooza
2. John's Book Of Alleged Dances - Judah To Ocean
3. John's Book Of Alleged Dances - Toot Nipple
4. John's Book Of Alleged Dances - Dogjam
5. John's Book Of Alleged Dances - Pavane: She's So Fine
6. John's Book Of Alleged Dances - Rag The Bone
7. John's Book Of Alleged Dances - Habenera
8. John's Book Of Alleged Dances - Stubble Crotchet
9. John's Book Of Alleged Dances - Hammer & Chisel
10. John's Book Of Alleged Dances - Alligator Escalator
11. John's Book Of Alleged Dances - Standchen: The Little Serenade
12. John's Book Of Alleged Dances - Judah To Ocean (Reprise)
13. Slonimsky's Earbox

Tracks:

1. Harmonium - Negative Love
2. Harmonium - Becuase I Could Not Stop For Death
3. Harmonium - Wild Nights
4. Shaker Loops - Shaking and Trambling
5. Shaker Loops - Hymning Slews
6. Shaker Loops - Loops and Verses
7. Shaker Loops - A Final Shaking

Tracks:

1. The Chairman Dances - Foxtrot For Orchestra
2. Grand Pianola Music - First Movement
3. Grand Pianola Music - Second Movement
4. Grand Pianola Music - Third Movement: On The Dominant Divide
5. Fearful Symmetries

Tracks:

1. Nixon In China - Opening
2. Nixon In China -
3. Nixon In China -
4. Nixon In China - Landing Of The Spirit Of '76
5. Nixon In China -
6. Nixon In China -
7. Nixon In China -
8. Nixon In China -
9. Nixon In China - Cheers
10. Nixon In China -
11. Nixon In China - Opening
12. Nixon In China -
13. Nixon In China -
14. Nixon In China -
15. Nixon In China -
16. Nixon In China -
17. Nixon In China -
18. Nixon In China -
19. Nixon In China -
20. Nixon In China -
21. Nixon In China -
22. Nixon In China -

Tracks:

1. The Wound-Dresser
2. Christian Zeal And Activity
3. Five Songs - Thoreau
4. Five Songs - Down East
5. Five Songs - Cradle Song
6. Five Songs - At The River
7. Five Songs - Serenity
8. Eros Piano

Amazon.com

Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

Customer Reviews:

Moved to tears.......2004-03-18

Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

Nonesuch delivers.Again.......2002-11-27

John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

harmonia in excelsis.......2001-11-12

I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

Our greatest living composer.......2001-07-22

As a composer, I'm staggered that anyone could fail to be gripped by this music.

That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

Wonderful CD.......2000-04-02

This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!

Average customer rating: A lot of fun! Sublime Moffo and cast LOTS OF FUN AND BEAUTIFULLY SUNG Great Moments from Die Fledermaus Sparkling vintage Johann Strauss

The Great Moments from Die Fledermaus Manufacturer: RCA ProductGroup: Music Binding: Audio CD Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Moffo, Anna | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Die Fledermaus Vocal Score (Dover Vocal Scores) Johann Strauss - Die Fledermaus / Domingo, Te Kanawa, Prey, Royal Opera Covent Garden Mozart: Arias The Exciting Voice of Sergio Franchi/ Live at the Cocoanut Grove Verdi: La Traviata ASIN: B00001R3MT Release Date: 1999-10-12

Tracks:

1. Die Fledermaus: Overture
2. Die Fledermaus: Though Honesty Is Said To Be The Policy That's Best
3. Die Fledermaus: Calamity, Catastrophe
4. Die Fledermaus: Alfred! - Here We Are, Just You And I
5. Die Fledermaus: Propriety, Propriety
6. Die Fledermaus: More Often Than Not...Chacun a son gout
7. Die Fledermaus: Look How I Look (Adele's Laughing Song)
8. Die Fledermaus: Echoes Of Hungary! (Czardas)
9. Die Fledermaus: Champagne Is So Romancing, Tra La La La
10. Die Fledermaus: Oh, mon ami, We'll Meet Again
11. Die Fledermaus: Happiness, Here's To Health And Happiness
12. Die Fledermaus: A Waltz, Lets Have A Waltz
13. Die Fledermaus: Oh, For The Life Of An Actress
14. Die Fledermaus: I Am Very Fond Of Elderberry Wine And Sherry

Customer Reviews:

A lot of fun!.......2007-04-25

This is so much fun! It's a shame that this is a "selections only" version rather than the complete work. That said, "Die Fledermaus" is not a great serious work, but a bon-bon. And what a delightful bon-bon!

First, the cast. An interesting combination. Anna Moffo is a delightful Rosalinda; her lush voice works well here. Jeanette Scovotti as Adele may be less well known, but her work is fine indeed (way back when, I owned the Reader's Digest "Operetta" collection, in which these two reversed roles). Rise Stevens, an estimable mezzo, sings Orlofsky with a nice touch. Sergio Franchi plays Alfredo. Eisenstein is well sung by Richard Lewis. George London, a mainstay at the Met, took on Falke. Finally, John Hauxvell sang Frank. And they all seem to be having a grand old time in the singing. The Vienna State Opera Orchestra and Chorus are well led by Oscar Danon.

Second, the singing. The English translation is hardly great art. But the infectious presentation by the singers renders this close to irrelevant. "Calamity, Catastrophe" has everyone in a dither, with a quick tempo that catches the listener up in the excitement. Rise Stevens does a wonderful turn in "More often than not. . .Chacun a son gout." Well sung indeed. Adele's "Oh for the life of an actress" is an affecting piece, with Jeanette Scovotti doing a nice job singing.

So, if you want an infectious, fun version of "Die Fledermaus" (even with a rather lame English translation), this will work well for you.

Sublime Moffo and cast.......2007-03-04

Terrific recording of highlights from Strauss' "Die Fledermaus", sung in English by Anna Moffo and Sergio Franchi in lead roles with Vienna State Opera Orchestra. Anna Moffo's voice is simply sublime and her magnificent performance demonstrates why she is one of the finest sopranos. First rate cast also includes the wonderful Rise Stevens in fine voice. Sound quality is excellent and stereo. I have only one complaint - why did they not release the full version instead of merely highlights? This disc left me wanting more of this delightful opera.

LOTS OF FUN AND BEAUTIFULLY SUNG.......2006-06-29

The sublime Anna Moffo in radiant voice at her peak surrounded by a first rate cast in an excellent translation -only wish it was complete instead of just excerpts!

Great Moments from Die Fledermaus.......2006-02-10

This is a delightful 1963 recording of highlights from the Johann Strauss operetta "Die Fledermaus", sung in English by major stars of the day, and accompanied by the Vienna State Opera Orchestra. Anna Moffo sparkles in the role of Rosalinda, showing quite clearly why she was regarded as one of the finest singing actresses of her time. The great mezzo Rise Stevens, at the end of her career here, has a grand time as a throaty Count Orlofsky. Jeanette Scovotti is quite good in the soubrette role of Adele, her light, bright voice contrasting nicely with Moffo's rich, sensuous soprano. The men in the cast are equally good. Richard Lewis, George London and John Hauxvell are all in fine voice and lend a splendid comic flair to the proceedings. The English translations are well done and easy to understand. Uncork a bottle of champagne, sit back and let this recording take you back to Old Vienna!

Sparkling vintage Johann Strauss.......2004-02-20

Oscar Danon is the real star of ths recording. His conducting keeps things light and bubbly, just as it should be.

The English translation is acceptable but nothing dazzling, and some of the words and phrases seem awkward. (Purists will argue FLEDERMAUS is best heard in it's original German. For that, go to Decca's wonderful 1960 set which includes the wonderful gala sequence featuring an all-star cast.)

Anna Moffo is a fine Rosalinda and Jeanette Scovotti is perfect for Adele. (The two ladies switched roles that same year to record highlights for Readers Digest TREASURY OF GREAT OPERETTAS.) Rise Stevens is a bit of a plum as Prince Orlofsky, somehwat past her prime and oversinging "A Most Successful Host." Sergio Franchi does better with Alfred and Richard Lewis does fine as Eisenstein.

The Ball scene is given the larger piece of the recording, probably because this is where the opera's most famous "hit tunes" originate.

FLEDERMAUS is very much a piece of another world...a long forgotten time when Vienna was all glitter and balls and waltzes. They had the right attitude then: In the rest of the world the situation was often serious, but not hopeless. The Vienese viewed the situation as being hopeless - but never serious.

THAT is the spirit of this fun recording.

Average customer rating: Gilbert and Sullivan......In Tears An Eye-Opener! The best of King's Singers meets the best of G&S looks pretty good Amazing work from the worlds' foremost a cappella group.

Here's a Howdy Do: A Gilbert & Sullivan Festival Arthur Sullivan , Christopher Laurence , Wild Ray Snurck , Robert [ , and The Kng's Singers Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music King's Singers | ( K ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Easy Listening | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music A Cappella | Folk | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The King's Singers Original Debut Recording Madrigal History Tour A Little Chrismas Music: Kiri Te Kanawa; The King's Singers Kids' Stuff Sacred Bridges ASIN: B000003FLI Release Date: 1993-09-14

Tracks:

1. HMS Pinafore: A British Tar
2. The Mikado: The Sun Whose Rays
3. The Gondoliers: Take A Pair Of Sparkling Eyes
4. Ruddigore: The Ghosts' High-Noon
5. The Pirates Of Penzance: Ah, Leave Me Not
6. The Mikado: A Wand'ring Minstrel I
7. The Pirates Of Penzance: The Pirate King
8. The Mikado: Tit Willow
9. The Pirates Of Penzance: With Cat-Like Tread
10. The Mikado: Brightly Dawns Our Wedding Day
11. The Mikado: A More Humane Mikado
12. The Gondoliers: Rising Early In The Morning
13. Gilbert & Sullivan Medley
14. Patter Matter
15. The Mikado: Here's A Howdy Do

Customer Reviews:

Gilbert and Sullivan......In Tears.......2001-03-14

Once again we discover that amatures should not attempt to emulate what the classical artist "would" have wanted. This poor attempt at a "comical" view of the music of G&S only reiterates to this listener.....Don't Go There... I'm sorry I did and wish that the King's Singers......had never said..."Howdy Do", to me. Though I will keep searching for a true and respectful rendition of H.M.S. Fortunately, this version, makes a great coffee cup coaster......

An Eye-Opener!.......2000-06-23

This delightful album is the kind of work which will make the listener search for MORE by the artists and the composers. If you are not a fan of The Kings Singers, you will become one. If you don't know much Gilbert & Sullivan, you will want to learn! Highest praise.

The best of King's Singers meets the best of G&S.......1999-09-23

This one is a natural for me. The King's Singers are my favorite group, and Gilbert & Sullivan are my favorite shows. The King's Singers are the perfect group for G&S music, too, with their unique blend of serious musical study and just plain fun. Their medly and patter trio are two wonderfully crafted examples of G&S music, and the rest of the songs are very skillfully presented. I only wish this wonderful group would do another Gilbert & Sullivan recording.

looks pretty good.......1999-09-20

this looks pretty good, but i don't know because i haven't bought it ye

Amazing work from the worlds' foremost a cappella group........1999-08-29

As a lover of both G&S and the King's Singers, I was positively tickled by this wonderful recording. The King's Singers have managed to breath new life into songs that have sunken into obscurity, or worse, cliche'. "Pirate King", "Tit Willow", and "Here's a How-dee-Doo" are especially delightful. The tonal range of this group never fails to amaze me. From the sweetness of David Hurley on top to the astounding Stephen Connelly thundering forth as the Mikado, they are a joy to listen to.

Average customer rating: Clear and beautiful and instructional banjo

Vintage Banjo Mary Z. Cox Manufacturer: Mary Z. Cox ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Country Folk | Country | Indie Music | Stores | Music Similar Items: A Secret Life Of Banjo Walkin' That Banjo Home Old Time Mountain Banjo Banjo Dreamin' Suwannee Nights Clawhammer Banjo, Vol. 3 ASIN: B00015NJ84 Release Date: 1999-12-01

Tracks:

1. Sally Ann
2. Dixie
3. Elzic's Farewell
4. Johnson Boys
5. Cindy
6. Bonapartes Retreat
7. Pigtown Fling
8. Little Black Dog Gone Trottin'down the Road
9. Dunsmore Lasses
10. Cherokee Shuffle
11. Sheebeg Agus Sheemore
12. Sugar Hill
13. Napoleon Crossing the Rhine
14. Sandy River Belles

Album Description

Very listenable clawhammer banjo instrumentals from Florida's 2003 Old Time Banjo Champion. These tunes have been popular for more than a century!

Customer Reviews:

Clear and beautiful and instructional banjo.......2005-07-01

I am a Big Mary Z Cox fan and was lucky enough to meet her right about the time she was coming out with this album, so I heard her explain it to a group of banjoists at the Florida State Fiddling Convention right after this was made. She this was a meditation on the C tunings, especially the open C tuning, or the double C tuning and was a lot of music she first put together sitting on her back porch playing the banjo.

Wish I was her neighbor!

Everything sounds deceptively easy, deceptively clear, deceptively delightful. You think you can see the tab for these tunes or the notes go by on the page she is so clear and precise. Even playing fast dance music or in competitions, Mary seems to know that music is about sounding good, sounding clear, sounding pleasant, and saying something rather than proving how fast your fingers and your mind can be going or how tricky your fingerings, your tunings, or your right hand work can be.

This is clear lovely music. It also gives banjoists on all levels a model of musical excellence. Without being watered down, this is a CD I wouldn't mind playing for folks who hate the banjo. At the same time if I am working on learning C tunings, I get this CD on the player, listen to it, and get educated as to what I could do if I worked at it.

Average customer rating: You have to catch her LIVE :) gets to live on my desert island Nice Talent bcshost@pressenter.com Sophistication Doesn't Deter from the Music

Fly Me Back Manufacturer: Midwest Artists Dist. ProductGroup: Music Binding: Audio CD Pop Rock | Pop | Styles | Music Similar Items: Cold Weather Brenda Weiler Live trickle down ASIN: B00004YUPZ Release Date: 2000-09-05

Tracks:

1. Noella Rae
2. Daisy
3. Breathe
4. You Sweet Thing
5. Sunray
6. Boston
7. Motherless Chile
8. Bold
9. Fly Me Back
10. Better

Album Description

FLY ME BACK is the new album from folk-rock-singer-songwriter Brenda Weiler. Musically, FLY ME BACK represents a departure from the mostly stripped-down acoustic ambiance of her previous two CDS, CRAZY HAPPY and TRICKLE DOWN. Songs like "Noella Rae" and "Breathe" feature drum loops, strings, electric piano and electric guitar while still allowing Brenda's intimate and personal vocals and acoustic guitar to shine through. Other songs, like the achingly direct "Better" and the traditional spiritual "Motherless Chile", were recorded live in the studio. Most importantly, FLY ME BACK shows the power of an artist whose autobiographical yet univeral lyrics touch the listener, and whose voice can change in a heartbeat from a powerful alto to a naked whisper. Critical acclaim for Brenda has included numerous articles, the theme of which can be summed up in this recent quote from the Minneapolis StarTribune: "Weiler's songs work because they're painstakingly real and honest." To that honesty, Brenda now adds a musical conviction that makes FLY ME BACK sure to affect each listener.

Customer Reviews:

You have to catch her LIVE :).......2001-09-17

This cd is really amazing. What's even more amazing is seeing Brenda's live performances. I've seen her play a number of times all across Wisconsin and it's always a fun time driving out to see her with friends. What you realize at her live shows is how truly powerful her voice is. She puts lots of emotion into every song and every show is unique. Every show I've seen is just Brenda and her guitar it's even better than the cds. Anyways, about the cd. It's a great one. You won't be disappointed. Happy, unplifting songs... songs you won't ever get tired of lisening to. Get this cd or Crazy Happy. If you get a chance to see her you won't be able to resist buying all of her cds. Enjoy!

gets to live on my desert island.......2001-05-26

Brenda's voice and writing, + John's production and playing are inspired on every one of these songs. Brenda's singing goes from pretty & quiet - to bare & emotional - and is purposely presented in an unadorned & close-up manner. Every arrangement uses different colors & tools - is clean & transparent - & has new "voices" adding in - always at the right time - to keep things moving & interesting. Taken to task in an earlier review here - Brenda's voice is sensitive, pretty, passionate, strong - all of these things - & always the perfect vehicle for her lyrics & melodies. When she chooses to use it that way, Brenda's pretty, lyrical voice is no less convincing, or soulful - for those still willing to accept those values. Mostly, this is a (most likely) small budget recording that has the professionalism & discipline of a big studio effort - without losing any of the inspiration & freshness in the process. The songs here have all the honesty that is present when it's just Brenda & her guitar. This is some of the best music that I've ever heard.

Nice Talent.......2001-04-23

I came to this album through Stuart Davis, another Peppermint guitarist from the midwest. This is my first BW album, which I originally explored via .mp3, before purchase. Having lived in the same geography as she, I am suprised by her width of mind in exploring many ideas openly. I would more likely have placed her into a Massachusetts-Dar Williams-Boston folkie group. But hers is more that that. Clean, peppy, well played, and insightful, I enjoy her work as much as Suzanne Vega, perhaps Ani Difranco, or Dar herself. Kudos on a fine album. Not Prokoffiev, but then, this is not what she is attempting. I enjoy it very much; many artists do things that rub me wrong somehow, but her lyrics and chord structures are unfailingly sympathatic and stimulating to my ear. I recommend her to astute listeners interested in clarifying how their world feels to them, and look forward to more of her work.

bcshost@pressenter.com.......2001-02-25

It is a shame that Brenda Weiler is a midwest secret. Her voice is compelling and addictive. "Fly Me Back" sends chills down my spine. I have been lathargic about listening to contemporary music for 5-10 years. Brenda gave me a reason to listen again. She brings forth a forceful message about many relationship and emotional dilemas. You have to have this album as part of a collection. I am a high school teacher. I played this cd one afternoon when kids were working on art projects. All my students were asking, "who is this". She captures your heart as soon as you play her music once. Daisy and Breathe are both stirring songs on the cd. You will want to sing along and relate your life to all her lyrics. I wish I could give her 6 stars for this one. AWESOME!

Sophistication Doesn't Deter from the Music.......2001-01-17

OK, so I'm a Brenda Wieler fan who's a little longer in tooth than most. I was raised on the best folk/rock of the 60's and 70's (sorry folks, but the 80's produced Ronald Reagan and not much else)and Ms. Wieler's first two CD's were bold attempts which showcased her voice and provocative guitar. "Fly Me Back" takes the solo Brenda and gives her a chance to really soar. The fact that she's backed by a solid lineup doesn't, as is sometimes the case, detract from the honesty and simplicity that served her so well in the past. The additional textures created by the band's quality play brings maturity and depth to what could have been an over-produced mistake.

All in all, a wonderful effort for the young singer-songwriter from the Plains.

Average customer rating:

This I Have Done For My True Love Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD All Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music A Cappella | Folk | Styles | Music Classical | Imports | Stores | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Holst, Gustav | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: A Hundred Miles or More: A Collection ASIN: B00026W672 Release Date: 2004-09-14

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