| 1. Demon's Kiss |
| 2. It Doesn't Take Much |
| 3. You Wouldn't Know How |
| 4. Caravan |
| 5. By Whose Authority |
| 6. Manhattan's Happening |
| 7. Julian |
| 8. When The Sun Looks Like The Moon |
| 9. On A Bridge In The Rain |
| 10. Desperate Silently |
| 11. Glitter Woman |
| 12. Anytime At All |
| 13. Love Again |
| 14. Caravan (unplugged) (bonus track) |
Editorial Reviews
I don't like chick singers but Sarah is an exception- She Rocks! Alluring voice, picturesque lyrics and she's HOT! Caravan is deep and moving and my friends can't get enough of Love Again. Sarah is a star!!
Product Description
Dripping with sass and sensuality.
SARAH! blazes through high spirited pop rock music. You can't help but be infected by her lush, sultry voice and charismatic presence. SARAH! masterfully fuses penetrating lyrics and haunting melodies. Her unique view of the world weaves through her words with depth and powerful expression...in pure SARAH! style.
Get ready to move and be moved! You will be up dancing and singing along.
Electric! Passionate! Enchanting! No one does it like SARAH!
TOP RECOMMENDATION
SARAH!
SARAH!,SARAH!
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Jersey Boys (2005 Original Broadway Cast)
Ronald Melrose , Ken Dow , Anik Oulianine , Stephanie Cummins , Deborah Hurwitz , Kevin Dow , Joe Payne , Larry Saltzman , Dave Spier , Bill Hayes , Randall Andos , Bob Milikan , Debra Shufelt , Maxine Roach , Belinda Whitney , Cenovia Cummins , Eric de Gioia , Louise Owen , Robin Zeh , Sarah Schwartz , Shinwon Kim , Christian Hoff , Daniel Reichard , Donnie Kehr , Erica Piccininni , J. Robert Spencer , Jennifer Naimo , John Lloyd Young , Sara Schmidt , Tituss Burgess , Steve Orich , and Bob Gaudio Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BFH2QY Release Date: 2005-11-01 |
Tracks:
- Ces Soirees la'
- Early Years Medley
- Cry For Me
- Backups Medley
- Sherry
- Big Girls Don't Cry
- Walk Like A Man
- December, 1963
- My Boyfriend's Back
- My Eyes Adored You
- Dawn (Go Away)
- Big Man In Town
- Dialog: A Little Trouble
- Beggin'
- Dialog: See How You Handle It
- Medley Listen Listen
- c'mon marianne
- Can't Take My Eyes Off Of You
- Working My Way Back To You
- Fallen Angel
Amazon.com
Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth VincentelliAlbum Description
Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30.Customer Reviews:
Jersey Boys.......2007-07-30
Jersey Boys relived.......2007-07-28
Jersey Boys-original broadway cast recording.......2007-07-26
Jersey Boys (2005 Original Broadway Cast).......2007-07-19
Jersey Boys.......2007-07-08
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Grey Gardens - A New Musical (2006 Original Broadway Cast)
Manufacturer: P.S. Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000G75A9I Release Date: 2006-08-22 |
Tracks:
- The Girl Who Has Everything
- The Five-Fifteen
- Mother Darling
- Goin' Places
- Marry Well
- Hominy Grits
- Peas in a Pod
- Drift Away
- The Five-Fifteen (reprise)
- Daddy's Girl
- The Telegram
- Will You?
- The Revolutionary Costume for Today
- The Cake I Had
- Entering Grey Gardens
- The House We Live In
- Jerry Likes My Corn
- Around the World
- Choose to Be Happy
- Around the World (reprise)
- Another Winter in a Summer Town
- The Girl Who Has Everything (reprise)
Product Description
GREY GARDENS proclaimed the #1 Show of the Year by Time Magazine is preserved here in its Original Broadway Cast Recording. The show had been previously recorded following its off-Broadway premiere in the spring of 2006 (and its cast album released by PS Classics in August of 2006), but this new recording features the new songs and new cast members that were added for its Broadway transfer last fall. The new GREY GARDENS opened on Broadway on November 2, 2006, to rave reviews, led by Ben Brantley in The New York Times, who called it an experience no passionate theatergoer should miss! Starring Tony Award winner Christine Ebersole and Tony Award nominee Mary Louise Wilson, it subsequently appeared on over 25 Best of 2006 lists, including #1 Show of the Year (Time), Best Musical of the Year (USA Today, Entertainment Weekly) and Performance of the Year (The New York Times, New York) for Ms. Ebersole. In addition to the new songs and new performances, this Original Broadway Cast Recording also features an all-new 32-page full-color booklet complete with lyrics and Broadway production photos.Amazon.com
Based on the Maysles brothers' cult 1975 documentary of the same name, this musical is an endearing-and sometimes genuinely heartwrenching-oddity propelled by Christine Ebersole's exceptional, for-the-history-books performance. The movie followed the kooky duo of Edith Bouvier Beale and her daughter, Little Edie Beale, as they lived with their 52 cats in a derelict East Hampton mansion. The show's first act, set in 1941, is a prologue of sorts, while the second act, set in 1973, follows the movie closely. Ebersole plays Edith in Act I (which she concludes in dazzling manner with "Will You?") and Little Edie in Act II (when Mary Louise Wilson comes in to play the mother). And while Wilson is superb, this is Ebersole's show. Technically, she is flawless-just listen to the way she changes her voice between the acts-but she also makes Little Edie a poignant eccentric, a lost soul stuck in a world of deluded, decaying grandeur. It all peaks in the poignant "Around the World," the show's best song and an Ebersole tour de force. Note that this recording documents the Off-Broadway production; the show transferred to Broadway in the fall of 2006 with a slightly altered first act. --Elisabeth VincentelliCustomer Reviews:
Wonderful score.......2007-07-29
UNBELIEVABLE!!!.......2007-07-27
All About EBERSOLE!.......2007-07-27
A Tour-de-Force from Ebersole.......2007-07-25
I agree with some of the other reviews that Act II is certainly the stronger, more diverse part of the musical although "Will You" which closes Act I is truly beautiful. Act II is much more clever with it's mix of broad comedy as seen in "The Revolutionary Costume For Today", "The Cake I Had" and "Jerry Likes My Corn to the absolute heartbreaking poignancy of "Around the World" and "Another Winter in a Summer Town".
If you haven't seen this show - RUN don't walk to the Walter Kerr Theater and see it before it closes. If not, the soundtrack is all we will have to remember what will go down as another classic Broadway tour-de-force.
The Broadway musical lives on.......2007-07-17
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Surfacing
Sarah McLachlan Manufacturer: Bmg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002VT6 Release Date: 1997-07-15 |
Tracks:
- Building A Mystery
- I Love You
- Sweet Surrender
- Adia
- Do What You Have To Do
- Witness
- Angel
- Black & White
- Full Of Grace
- Last Dance
Amazon.com essential recording
There's the requisite number of gorgeously melodic and deeply heartfelt songs here--the addictive "Sweet Surrender," the Hollywood-style ballad "I Love You," the sad, profound "Angel," the flat-out spectacular "Witness." McLachlan's not prolific, but this short, bittersweet album proves again that what she and producer Pierre Marchand do release is cut from the finest of cloth. --Jeff BatemanCustomer Reviews:
Great album, bad recording.......2007-06-17
I'm crying from excitement!.......2007-06-16
OH MY GOD! THIS IS SUCH AN AMAZING ALBUM AND ARTIST AND I AM YEARNING FOR A LILITH FAIR! I WILL GO ANYWHERE TO HEAR THIS BEAUTIFUL VOICE/PERSON UP CLOSE AND PERSONAL!
A perfect album!.......2007-05-26
Sensuous sounds from a pop siren..........2007-05-25
An outstanding album.
Possibly McLachlan's best........2007-04-28
Songs like 'Building a mystery', 'Sweet Surrender' and 'Adia' have soft quitar tunes, still stay in memory, and their nostalgic ambience follows you from time to time even when you don't listen to the cd. McLachlan also has quite a unique voice and she knows how to use it.
In short, this is an album from a real musician. Undoubtedly, the best acoustic/soft rock comes from Canada and Europe.
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The Very Best of Beverly Sills
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006VYELE Release Date: 2005-04-26 |
Tracks:
- Una Voce Poco Fa - Sherrill Milnes
- Dunque Io Son - Sherrill Milnes
- Contro Un Cor - Sherrill Milnes
- Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
- E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
- Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
- Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
- V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
- Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
- Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
- Via, Caro Sposino - Ambrosian Opera Chorus
- Tornami A Dir Che M'ami - Ambrosian Opera Chorus
- La Morale In Tutto Questo - Ambrosian Opera Chorus
Tracks:
- Vilia - Beverly Sills
- Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
- Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
- Libiamo Ne' Lieti Calici - John Alldis Choir
- Un Di Felice, Eterea - John Alldis Choir
- E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
- Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
- Che Fai? - John Alldis Choir
- Addio Del Passato - John Alldis Choir
- Parigi, O Cara - John Alldis Choir
Amazon.com
Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith EislerAlbum Description
Details TBA. EMI. 2005.Customer Reviews:
Here's what the fuss was all about!.......2007-07-17
Beverly Sills - The Best.......2007-04-01
Beverly Sills' highs are breathtaking!.......2006-09-18
THE 2005 OPERA CD OF THE YEAR.......2006-08-19
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!
EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22
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The Phantom of the Opera (Original 1986 London Cast)
Charles Hart Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YTY2 Release Date: 2001-02-06 |
Tracks:
- Prologue
- Overture
- Act One, Scene I: Think Of Me
- Act One, Scene 2: Angel Of Music
- Act One, Scene 3: Little Lotte.../The Mirror (Angel Of Music)
- Act One, Scene 4: The Phantom Of The Opera
- Act One, Scene 5: The Music Of The Night
- Act One, Scene 6: I Remember.../Stranger Than You Dreamt It...
- Act One, Scene 7: Magical Lasso...
- Act One, Scene 8: Notes.../Prima Donna
- Act One, Scene 9: Poor Fool, He Makes Me Laugh
- Act One, Scene 10: Why Have You Brought Me Here.../Raoul, I've Been There
- Act One, Scene 10: All I Ask Of You
- Act One, Scene 10: All I Ask Of You (Reprise)
Tracks:
- Entr'acte
- Act Two, Scene 1: Masquerade/Why So Silent...
- Act Two, Scene 3: Notes.../Twisted Every Way...
- Act Two, Scene 5: Wishing You Were Somehow Here Again
- Act Two, Scene 5: Wandering Child.../Bravo, Monsieur
- Act Two, Scene 7: The Point Of No Return
- Act Two, Scene 8: Down Once More.../Track Down This Murderer
Amazon.com essential recording
What's left to be said about Andrew Lloyd Webber's adaptation of The Phantom of the Opera a decade after its premiere? That it's maddeningly ubiquitous? A stitch-up of various themes shoplifted from the Italian operatic repertoire? A critic-proof crowd pleaser that's probably being staged somewhere in the world as you read this? A megahit that will likely outlive Titanic in the pop-culture pantheon, Phantom has largely redefined--for better or worse--the manner in which modern musicals are conceived, staged, and marketed. Its influence has reached far beyond the traditional confines of London and Broadway. A favorite example: an abridged version that was the centerpiece of Los Angeles's longest-running transvestite revue, replete with 14-inch chandeliers and a man-playing-a-woman-playing-a-man in the title role. --Jerry McCulleyCustomer Reviews:
Phantom Revisited.......2007-07-25
A disappointment after the film soundtrack........2007-06-11
Sarah Brightman overpronounces to the point of absurdity with her hebrew "heard" and "operar" in "Why Have You Brought Us Here." In "Down Once More" I only know what she's saying because I already knew the words from Emmy Rossum in the film. Brightman sounds no more elegant than Carlotta, whose voice I actually prefer because, ironically, it's more pure and understandable. However, Brightman is a fabulous opera singer with wonderful vibrato and a very impressive range... but Rossum is still the preferable choice.
Michael Crawford... man or woman? He may be a high-flying tenor, but sometimes that just goes too far, making him sound whiny and weak. Another major note: he cannot act! He may be more operatic than Gerard Butler in his singing, but he is a horrendous actor. "Down Once More" was turned from the heart-wrenching ultra-powerful piece I know into a disappointment thanks to Crawford's terrible "acting." Also, "Music of the Night" is a disaster when he sings it. Not only does his bad acting tear it down substantially, but he tries to sing bass notes. Tries and fails, mind you. He ends up making the piece a strangled, overpronounced, over-legato mess. He is a wonderful opera tenor, with truly inspiring vibrato, but his sometimes whiny voice and horrible job with the role of the Phantom make him somewhat lesser than Gerard Butler.
As for Raoul, either one is just as skilled as the other. One is more youthful and soft, while the other is more masculine and bass. I think they are equally skilled in all categories.
Every piece in this soundtrack I prefer the film version of, although sometimes there are parts of songs which I feel differently about. The only full song I prefer from this over the film soundtrack is none other than "The Phantom of the Opera." The film version has too many drawn out instrumental bits, which can get tedious. Also, it is missing my favorite verse. The "Phantom" from this soundtrack has vastly better vocal performances from both singers, since Gerard is very strained and this song is all about singing, not really acting.
The only song I like more in this version is "Phantom of the Opera." All others are, for the most part, a disappointment. Just a plain disappointment.
Phantom of the Opera.......2007-05-21
Awesome! must get for Phantom or opera fans...........2007-05-17
The Phantom Of The Opera (1986 Original London Cast).......2007-05-10
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Fumbling Towards Ecstasy
Sarah McLachlan Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002VN7 Release Date: 1994-02-15 |
Tracks:
- Possession
- Wait
- Plenty
- Good Enough
- Mary
- Elsewhere
- Circle
- Ice
- Hold On
- Ice Cream
- Fear
- Fumbling Towards Ecstasy
Amazon.com essential recording
Pre-Lilith Fair, McLachlan had critical acclaim and a cult following but was otherwise just another hard-working female singer/songwriter--one who wasn't blasting down doors with overt sexuality or popping along in front of a male Svengali. Similar in their emotional urgency to her more recent work but delightfully less polished, these folk-rock songs are surprising gems. If not for McLachlan's poignant vocals, lyrics like "Your love is better than ice cream" (on "Ice Cream") would sound childishly absurd (especially alongside deeper material like "Hold On"), but here they're given just as much respect as the weightier issues she explores. A great album to accompany your moments of introspection. --Rebecca WallworkCustomer Reviews:
Must have Sarah McLachlan CD.......2007-07-08
Awesome.......2007-06-16
I'm 21 and I've never been to a Lilith Fair....I really wish Sarah, Alanis, Sheryl, and all the rest would just get together and say "Hey, we're overdue for another Fair!" God knows I'd be the first to buy a front row ticket!
This album is seriously AMAZING and it opened the door to many more amazing albums by McLachlan. At least it did for me. This album gives me the feeling equivalent of that of a kid being showered in the best candy.
Better than Ice Cream, I tell ya!
Good acoustic rock.......2007-04-16
It is a beautiful collection of rock ballads. The lyrics are good, the music is good, Sarah's voice is beautiful, in short it is a very good item to have in a collection. This is mainly material for people that are into rock/soft rock/ folk and enjoy the tunes of Leonard Cohen and/or Sheryl Crowe, although I can't say that any of the two are identical to her.
Next to his CD I would recommend Elisa's "Then Comes the Sun" (which in fact I favour a bit more).
And a small warning: this is exclusively good, relaxing acoustic material. It is not the type of music that will wake you up before storming for an endless night out. It definitely has quality but is not dance material, so don't buy it and then diss it...
An all-time favorite.......2007-02-15
love it love it love it.......2006-12-21
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Time to Say Goodbye
Sarah Brightman , and London Symphony Orchestra Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SMW Release Date: 1997-09-23 |
Tracks:
- Time To Say Goodbye (Con Te Partiro) - Andrea Bocelli
- No One Like You
- Just Show Me How To Love You
- Tu Quieres Volver
- In Pace
- There For Me
- Bilitis-Generique
- Who Wants To Live Forever
- La Wally
- Naturaleza Muerta
- En Aranjuez Con Tu Amor
- In Trutina
- O Mio Babbino Caro
- Alleluja
Amazon.com essential recording
Fans of small, pretty-voiced soprano Sarah Brightman will not be disappointed by this CD. In addition to some pop songs, Brightman sings high-flying excerpts from Orff's Carmina Burana, Puccini's "O mio babbino caro" (performed better by almost any other operatic soprano elsewhere), and "Alleluia" from Mozart's Exsultate Jubilate. One might call this a crossover disc; others might just see it as a recording featuring a pop singer with artsy aspirations. Whatever it is, Brightman's fans love her; others do not. Two duets with tenor Jose Cura remind the listener what opera singing really ought to sound like. --Robert LevineAmazon.com
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More from Sarah Brightman
Classics |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
make room for Sarah, there's no scarcity of room.......2007-07-22
Just enjoy the music.
It's difficult to say whether, if Sarah had not chosen to sing so many duets with male vocal stalwarts, we would have pegged her voice as made for that format. But there's no turning back now. She simply shines in concert with the likes of Bocelli and Cura. The little heart of this reviewer, at the least, soars as she does so.
Some of the ire that Brightman draws from music critics of more defined criteria is generated by her gift for self-promotion, perhaps even as much as by her cross-genre peregrinations. Alas--and I say this as a fan of opera and a lamenter of its declining claim on our Western culture--that reflects more a failing of opera to convince its potential audiences of its need to exist than of a bare excess on Brightman's part. Who is to say? And why worry about it. The world, indeed, is a very big place and music is no zero sum game. I say bring it *all* on!
Just don't bring it on without Sarah Brightman. She's a piece of the furniture now, a beguiling, surprising, melodic piece of the room's personality.
This album is nearly too good to be true. 'Just Show Me How To Love You', with José Cura, is almost overwhelming in its pathos and power. Singing in several languages, Brightman's timbre seems to change dramatically with each. One could almost swear there's more than one female lead on the cd.
There is not. Brightman has simply chosen to lend her voice to the project of making it her specialty to be eclectic. Given the artistic and cultural silos and barrios in which we confine ourselves, we could use a little more of that around here.
Meanwhile, just enjoy the music. There is most emphatically room for *this* splendid album in this big, beautiful, troubled world of ours.
How to shake depresion.......2007-07-07
Gorgeous and accessible..........2007-05-27
A Bit Disappointed.......2007-04-02
Amazing and touching..........2007-02-03
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Mirrorball
Sarah McLachlan , and Sarah McLachlan Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IOSU Release Date: 1999-06-15 |
Tracks:
- Building A Mystery
- Hold On
- Good Enough
- I Will Remember You
- Adia
- I Love You
- Do What You Have To Do
- Path Of Thorns
- Fear
- Possession
- Sweet Surrender
- Ice Cream
- Fumbling Towards Ecstasy
- Angel
Amazon.com essential recording
Grafted from McLachlan's supremely satisfying 1998 performances, Mirrorball is drawn almost equally from the multiplatinum Surfacing and its superior predecessor, Fumbling Towards Ecstasy. (Included also is the lovely, hard-to-come-by "I Will Remember You.") Live, a haunting ballad such as "Possession" becomes a fevered, aggressive bit of psychedelia. "Hold On" reveals new depths when performed behind the beat with morphing time signatures and driving piano. McLachlan's warmly expressive voice is still at the epicenter of her performances. She roams through these 14 songs with agile ease, riding the rails between singing for dramatic arena effect--huskily growling, airily trilling--and knowing what to play down with her sensually controlled crooning (witness such gems as Fumbling's title song and "Good Enough"). Overall, McLachlan's vocals match the heavily percussive intensity of her band and the build of her backing vocalists, producing a more spacious sound than the precise pitch rendered on her studio recordings. --Paige La GroneCustomer Reviews:
Great inspiring!.......2007-03-27
Amanda Grant
Calgary AB
Age 13
Sarah is a gift.......2007-03-27
listening to her is a rich
and soulful blessing.
I definitely recommend that
you receive her gift and
often. An angel.
Good, but incomplete........2006-10-24
Great recording!!.......2006-07-11
Mirrorball ranks as one of the best albums in my collection and for a live album that's saying a lot. It is also my first choice for anyone who asks, "I want a friend to hear her stuff but I know know what I should suggest".
Near Perfect Live-Album!.......2006-07-05
The opening song "Building a Mystery" I first heard when someone played the "Lillith Fair" dvd for me. This was the song that opened my eyes and ears for McLachlan and her music.
Among other outstanding songs "Hold on", "I Will Remember You", "Aidia" and the early song "Path of Thorns" deserve a mention. Great to hear the audience sing along on the live-favourite "Ice Cream"!
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Wintersong
Sarah McLachlan Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HBKCDC Release Date: 2006-10-17 |
Tracks:
- Happy Xmas (War Is Over)
- What Child Is This? (Greensleeves)
- River
- Wintersong
- I'll Be Home For Christmas
- O Little Town Of Bethlehem
- The First Noel/Mary Mary
- Silent Night
- Song For A Winter's Night
- Have Yourself A Merry Little Christmas
- In A Bleak Mid-Winter
- Christmas Time Is Here
Amazon.com
An album like this could cement Sarah McLachlan as a middle-of-the-road crooner ready for the Andy Williams Christmas Show, but there's more beneath the surface of Wintersong than just Christmas chestnuts, over-roasting on an open fire. Longtime McLachlan producer Pierre Marchand blurs the borders with ambient sound effects, distorted guitars, and subtle echoes. He adds a Mark Isham-esque muted trumpet solo emerging out of reverse echoes on "I'll Be Home for Christmas" as if viewing the song through a distorted mirror. Violins that sound like they're being blown through a Leslie speaker combine unpredictably with a banjo on "O Little Town of Bethlehem." And on the seventh song, McLachlan finally kicks the album into another gear, turning "The First Noël" into a storming entreaty backed by tribal drums and surging low strings. Her voice is like the serene angel amidst the raging storm. I wish McLachlan had taken more chances like this, instead of the subtle framing she employs around melodies that remain true to form. Surprisingly, the more contemporary songs by John Lennon, Joni Mitchell, and Gordon Lightfoot are the least inventive. Her reading of Mitchell's incandescently wistful "River" is overly faithful to the original, and Lennon's "Happy Xmas (War Is Over)" sounds like karaoke, right down to the Spector-esque production and children's choir. But given that Lennon's prayer for peace still remains unanswered, that fidelity could be intentional. Regardless, this is familiar Christmas fare delivered in an intimate and ethereal fashion that will satisfy those who believe in the nostalgic spirit of the season. --John DilibertoMore from Sarah McLachlan
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Customer Reviews:
At Her Best.......2007-07-06
Heart-full sound.......2007-07-05
Christmas in July.......2007-06-26
After several listens, I'd have to say that this isn't just another Christmas album. The album has many stand out tracks and is a mix of the traditional and the more modern. My favorites are River (which is Joni Mitchell's song) and Wintersong (a new song Sarah wrote herself).
A worthwhile album and one any fan of Sarah's should add to their collection.
It's always Christmas morning with Sarah.......2007-06-12
Touching and tender and superb in its vocal and sound arrangements. It evokes a Christmas from some other time. Especially haunting is track # 9: Song for a Winter's Night. It's full of pining and it reads like a poem.
Wrapping it all up is a gift fit for Christmas: Diana Krall. Although she doesn't sing, she plays the piano, and you can tell.
Definitely one for those who love XMAS music and for those who love Sarah. You can't go wrong.
What a great artist.......2007-05-16
Average customer rating:
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Buffy the Vampire Slayer - Once More, with Feeling
Various Artists , Joss Whedon , Sarah Michelle Gellar , and Christophe Beck Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006J3WH Release Date: 2002-09-24 |
Tracks:
- Main Title
- Overture/Going Through the Motions
- I've Got a Theory/Bunnies/If We're Together
- The Mustard
- Under Your Spell
- I'll Never Tell
- The Parking Ticket
- Rest In Peace
- Dawn's Lament
- Dawn's Ballet
- What You Feel
- Standing
- Under Your Spell / Standing (Reprise)
- Walk Through the Fire
- Something to Sing About
- What You Feel (Reprise)
- Where Do We Go From Here?
- Coda
- End Credits (Broom Dance/Grr Argh)
- Suite from "Restless
- Suite from "Hush"
- Sacrifice (from "The Gift")
- Something to Sing About (demo)
Amazon.com
While the idea of infusing a weekly TV series with a Broadway musical ethos isn't exactly a new one--think Randy Newman's ambitious Cop Rock--it became something of a turn-of the-century television mini-trend. But few have reached as far--or succeeded--like this November 2001 episode of Fox Network's Buffy the Vampire Slayer. Penned by series creator-producer Joss Whedon and performed by Sarah Michelle Gellar and cast, it's a loving, loopy musical pastiche that takes potshots at everything from Andrew Lloyd Webber to alt-rock. Paralleling the show's lovable pop culture tweaking, the musical styles here (the episode's musical conceit is a curse visited upon Buffy's hometown of Sunnydale) range from a patent footlight chorus of demons being interrupted by Gellar's hard-rocking stake thrusts on "Going Through the Motions" to Spike the Vampire's goth-metal complaint "Rest in Peace," with everything from parking tickets and mustard stain removal to climactic duels with the supernatural getting the Broadway send-up. Also includes strong orchestral score-suites from three other episodes, as well as Whedon and wife Kai Cole's demo for "Something to Sing About." --Jerry McCulleyCustomer Reviews:
Defeintly worth listening to!.......2007-07-21
Rest in Peace- spike sings here apparently hes got a awesome voice theres a pull to this song and its just fun to listen to you hear his passion for Buffy!
Dawns Lament-Dawn has a sweet high voice but not a lot of singing parts I really liked this cause it showed her vocal maturity! It also shows her doubt in the love from her friends!
What you Feel- Wow very jazzy and upbeat. The dancing demons voice is deep it sounds good you get to hear dawn again!
Standing- Giles and Tara sing its very emotional (i don't like Giles voice as much as Taras voice)
Under your spell (reprise)- You get to hear Tara's voice she has some range in this song thats nice. She also has a very good lyrics!
Where do we go from Here- the end of the battle this song is sung you hear everyone in this song. Its got a melcoly underbeat but its kind of sad and nostalgic as well as got the feeling of not being defeated! Its a good song!
I wish for a CD of suites.......2007-07-08
I think this is probably only good for fans of the show. I can't see some random person who has no previous love of the episode wanting these songs. They aren't of high quality. They're simply enjoyable for those who love the episode and want the option to sing along and have fun to it. It's a great CD - for some people.
But then you hit the end. Three spectacular tracks that, if you ask me, are what make this CD actually worth it. In addition to the songs from "Once More with Feeling", we get three scores.
The first suite is from another great episode: "Restless". Here, each theme comes out solidly. "Willow's Nightmare" is a creepy, confusing, sort of Middle-Eastern piece with a very nice feel to it, all taken straight from the episode, bringing to mind the wonderful images. The rest of the suite brings together creepy, intriguing singing and lovely sounds that end with the images fresh on your mind. The very ending is perfect - you can almost hear the words from the episode hiding behind the music, barely spoken and breathed aloud. "You think you know. What's to come. What you are. You haven't even begun." A perfect atmosphere and beautiful music with it.
Next, we're presented with a suite from the incredible episode "Hush". Each moment brings to mind matching scenes from the episode. There is the perfect air of mystery, fear, and that eerie sense of something creepy about to happen. There's the sort of choir-like moment, blending into the lovely, romantic "First kiss" part, and ending on a wholly creepy and terrifyingly wonderful note. A superb episode has this excellent score to add to its wonder.
Finally, we're presented with the incredible "Sacrifice", from the episode "The Gift". This is the direct piece used in that incredible episode and it's impossible to listen to it without feeling your heart move. If there was ever a better piece to put on a CD of Buffy music, this is it. You can see everything that happens, and it's just so perfect and complete you can almost cry. The whole piece is just bound to give you chills and bring back those wonderfully painful memories from the episode.
Honestly, while I do love "Once More with Feeling" and the great, fun songs it has, I find that I play the orchestral pieces here much more often than the others. It's those pieces that invoke the great memories and bring tears to my eyes. They're inexplicably powerful in a way that only one song of the musical can match ("Under Your Spell/Standing (Reprise)", without a doubt one of the best songs of the musical). The songs you can get in the episode. The suites are less accessable. I'd opt to buy this just for that.
In summary: No, this isn't spectacular. It's not of extremely high quality. But it's fun and any Buffy fan can appreciate it. Overall, it's great to sing along to, and the scores and suites are a HUGE bonus. Certainly recommended to all fans of the show, but perhaps not to others who can't quite understand all of the jokes and humor.
But I still wish for some more suites...
Soundtrack CD not as good as Music in the actual episode .......2007-06-21
Get your Koombayayas out - 76 bloody trombones... (that wasn'y included either....
Play the DVD - the soundtrack is much better.
Sing along.......2007-05-28
Thankyou Josh
Buffy soundtrack.......2007-05-26
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