Crossing

Product Description
Acoustic Pop Rock with and Edge. Upbeat and rocky with a 70’s production feel reminiscent of Patti Smith, Grace Slick, and Kate Bush. Crossing is the 4th release from Amy Meyers. Major influences are Joni Mitchell, Sheryl Crow, Shawn Colvin, and Elton John.

Crossing,Amy Meyer,Amy Meyers,San Francisco Singer/Songwriter. 4th Release from this very talented vocalist and writer. Pop, Folk, and Rock songs that get stuck in your head.

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Average customer rating: Beautiful! Winged Migration CD Beautiful Soundtrack WINGED MIGRATION THE RIGHT MUSIC FOR THE RIGHT MOVIE

Winged Migration Various Artists Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Singer-Songwriters | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Winged Migration Himalaya March of the Penguins Microcosmos The Chorus (Les Choristes) ASIN: B00008V5TE Release Date: 2003-04-22

Tracks:

1. To Be By Your Side - Nick Cave
2. Masters Of The Field - Robert Wyatt
3. Northern Bound
4. The Crossing
5. The Highest Gander - Robert Wyatt
6. Beating Drums
7. The Return Of The Cranes
8. The Blue Thread
9. The Red Forest - Robert Wyatt
10. Like A Breath Of Air - A Filetta
11. The Takeoff
12. Amidst The Factory Smoke
13. The Glider
14. After The Hunt
15. The Paper Parrot
16. The Swans Flight
17. Feathers
18. The Wounded Dove - Gabriel Yacoub
19. Off Camera

Customer Reviews:

Beautiful!.......2007-04-24

I've owned this CD for several years now, and it definitely remains on my short, short list of favorites! The music is beautiful and contemplative, drawing the listener into the journey of migration undertaken by the birds who inspired it. Everything is amazing on it: the writing, the instrumentation, the vocals. This albumn is definitely not just for fans of the movie, but for anyone who loves slow, calming, thoughtful music.

Winged Migration CD.......2007-02-08

Awesome, for the most part- best after watching the documentary. A couple of songs had to skip through, but the rest is a good post movie mental review- watch the movie first...

Beautiful Soundtrack.......2007-01-06

I loved this movie and the soundtrack makes it ever better. I havent bought a CD in a while and this one is reasonably priced and rare.

WINGED MIGRATION.......2006-08-29

The movie is excellent. The scenery is breathtaking, but you actually feel like you are flying with the geese. Geese are amazing birds. A must see.

THE RIGHT MUSIC FOR THE RIGHT MOVIE.......2006-06-22

Even if you haven't seen the beautiful french documentary, you'll love this soundtrack. The score captivates listeners from the very beginning and the song "To Be By Your Side" by Nick Cave gives the very special mood that the movie requires. Bruno Coulais is the same composer from HIMALAYA, thus you may understand better the sort of music you're listening: half ethnic, half new age and totally haunting. Don't miss it.

Average customer rating: Sad, Really Sad An excellent movie themes antology by ELMER BERNSTEIN Excellent Great Film Music Fun, Powerfull music

The Essential Elmer Bernstein Film Music Collection Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Classical | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Jerry Goldsmith: 40 Years of Film Music The Wild West: The Essential Western Film Music Collection Varese Sarabande 25th Anniversary Celebration Way Out West: The Essential Western Film Music Collection, Vol. 2 John Barry: The Collection ASIN: B0007XTQ14 Release Date: 2005-06-07

Tracks:

1. The Magnificent Seven
2. To Kill A Mockingbird (Suite)
3. The Buccaneer (Overture)
4. Walk On The Wild Side
5. An American Werewolf In London (Metamorphosis)
6. The Age Of Innocence (End Titles)
7. The Comancheros
8. Ghostbusters
9. Heavy Metal (Taarna's Theme)
10. Johnny Staccato
11. True Grit (Rooster Cogburn/A Warm Wrap-Up)
12. Hollywood And The Stars
13. Zulu Dawn (River Crossing)

Tracks:

1. The Great Escape
2. The Man With The Golden Arm
3. Far From Heaven
4. The Sons Of Katie Elder
5. Airplane (Suite)
6. The Shootist (Main Title)
7. Hawaii (Overture)
8. The Birdman Of Alcatraz (Finale)
9. The Hallelujah Trail (Overture)
10. The Bridge At Remagen
11. Thoroughly Modern Millie (Sky-Hi)
12. The Scalphunters
13. The Ten Commandments (Overture)

Album Description

*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.

*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.

*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."

*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.

Customer Reviews:

Sad, Really Sad.......2007-05-13

These CDs don't meet the standards that I expect from Elmer Bernstein's wonderful film music.
*It's just Boring*
The ensemble doesn't have the energy one would expect to play "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.

An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10

Silva Screen Records, presents this antology of the music from the late great composer/conductor ELMER BERNSTEIN, who supervised this recording just before die.
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround

Excellent.......2007-04-22

it's unfortunate that more tracks weren't able to be recorded as theree was a good 15-20 minutes of space remaining on both discs. Regardless, this is an excellent sampler, especially in conjunction with Varese's Bernstein sampler including rare stuff like the Black Cualdron.


With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.


The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.

I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.

Great Film Music.......2007-03-09

This is a great recording of some of the best film music ever. From the
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.

Fun, Powerfull music.......2007-02-17

It's great! It brings back memories of my dad. He loved John Wayne and the old cowboys of the Magnificent Seven. But it's nice just to listen and relax (it's not all cowboy music).

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition What to Listen for in Music ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Stay Away Edinburgh Military Tattoo Not like being there, but a good appetizer Pipes and Drums: Amazing Grace

The Edinburgh Military Tattoo: Bagpipe Marches of Scotland Manufacturer: Legacy ProductGroup: Music Binding: Audio CD Britain | British Isles | Europe | International | Styles | Music Scotland | British Isles | Europe | International | Styles | Music General | International | Styles | Music British Isles | Europe | Compilations | International | Styles | Music General | Rock | Styles | Music Marches | Miscellaneous | Styles | Music Pop Rock | Pop | Styles | Music General | Classical | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music CDs $7 - $10 | International General | International | Today's Deals in Music | Formats | Music All Bargain Titles | International General | International | Today's Deals in Music | Formats | Music CDs $7 - $10 | British Isles | Europe | International | Today's Deals in Music | Formats | Music All Bargain Titles | British Isles | Europe | International | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 International | 4-for-3 Music | Stores | Music 4-for-3 Jazz | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Scotland the Brave: Bagpipes Greatest Hits Highland Pipes & Drums (Bagpipe Music of Scotland) The Bagpipes & Drums of Scotland Bagpipe Marches and Music of Scotland Regimental Marches of British Army, Vol. 1 ASIN: B000002NQ9 Release Date: 1994-07-18

Tracks:

1. Pipes And Drums: Amazing Grace/Fanfare Trumpets: Fanfare Militaire
2. Pipes And Drums: The Rock And Wee Pickle Tow/I Lo'ed A Laddie But Ane/The Drummer's Call...
3. Massed Military Bands: The Band Strikes-Mexican Hat Dance
4. 4/4 Marches And 3/4 Retreats: Hills Of Alva/Far O' Er Struy/Torosay Castle/Lord Byron...
5. Waltzes: Hearken My Love/The Herding Song/My Lodging's On The Cold Cold Ground/Westering Home
6. 2/4 Marches: Kitchener's Army/Balkan Hills/The Rhodesian Regiment
7. 2/4 March, Strathspey And Reel: Miss Elspeth Campbell/The Shepherd's Crock/Smith O' Chilliechassie
8. 4/4 And 2/4 Marches: Scotland The Brave/Highland Laddie/The Earl Of Mansfield...
9. 6/8 Marches: 10th H.L.I. Crossing The Rhine/Mrs. Lily Christie/Dovecote Park
10. Waltzes: Loch Broom Bay/My Home
11. 4/4 March, Strathspeys, Reels, Hornpipes And Jigs: Peter McKenzie Warren/Sporting Jamie...

Customer Reviews:

Stay Away.......2006-01-05

While the piping is excellent, the audio, particularly in the first half of the cd is terrible. Nearly 15 minutes are almost indecipherable. I think the recording was made with a hand held mike at the edge of a field.

Edinburgh Military Tattoo.......2001-05-19

The Edinburgh Military Tattoo first started in 1947 with some spirited displays of army piping and dancing. Since that time the show has grown to become a world class act, unfortunately losing some of its traditional elements along the way. The word "Tattoo" is a corruption of the Dutch "Doe den Taptoe" which literary means "turn off the taps", a reference to when a lone drummer would play a "tattoo" or drum roll to signal the inkeeprs to stop serving beer and to summon the troops back to barracks. This ceremony was performed by the British while they were in the low countries during the early 18th century, but it is a custom common to many armies of that time, in particular the various German princeapalities of the day. Over time the Tattoo evolved into a more elaborate affair as more bands and musicians were drawn into its fare. What we have here is the modern development of the form started in previous centuries. The Edinburgh Tattoo is justly famed for its display of massed pipes and bands, and while the recording quality here is not the best, the listener can still get a good idea of the spectacle produced. The original recording of this 1972 show was recorded by EMI, but this version is a knock-off cut that was done by a small American record firm, and which since has been sold about in various forms as a popular item. It is unfortunate that we don't have a better version of the show for listeners than this. The Tattoo produces a recording every year, as well as a video which can be obtained by contacting the Edinburgh Military Tattoo via their website which can be found using any search engine. The good thing about this recording is that it does provide a glimpse of the show in its heyday, where modern fluff and show biz influences had not crept in as much as they have today. For this reason this CD is worth having, and serves as an introduction to this great pageant of the Scottish regiments and the British army. Even though the show is watered down today with pop elements, the grandeur is still there when the massed pipes and drums march out onto the castle esplanade playing the grand old tunes. Even the politically correct producers can't ruin this grand sight, and its hoped they never will!

Not like being there, but a good appetizer.......2000-11-23

The producers and engineers for this CD are to be commended for the remarkable quality they obtained on this outdoor recording! While not quite like being there, it does convey the spirit and energy of the Tattoo.

Pipes and Drums: Amazing Grace.......2000-06-11

I love the sound of the pipes for this one song, and is my favorite.

Average customer rating: TO INFINITY AND BEYOND Extra Tracks Make a Great Record Greater One of the most influential and defining albums of the 80s Timeless, Fat Guitar Sounds Great trip back in time!

The Crossing Big Country Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music Britain | British Isles | Europe | International | Styles | Music Scotland | British Isles | Europe | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Rock | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Steeltown Seer The Best of Big Country The Buffalo Skinners John Wayne's Dream ASIN: B00005Y1ZE Release Date: 2002-02-05

Tracks:

1. In A Big Country
2. Inwards
3. Chance
4. 1000 Stars
5. The Storm
6. Harvest Home
7. Lost Patrol
8. Close Action
9. Fields Of Fire
10. Porrohman
11. Wonderland
12. All Fall Together
13. Angle Park
14. The Crossing
15. Chance (re-recorded single version)

Customer Reviews:

TO INFINITY AND BEYOND.......2007-07-25

THIS ALBUM WILL BLOW YOUR KILT UP! YOU HAVE NEVER HEARD SONGS THIS POWERFUL! VERY MOVING HEARTFELT LYRICS ABOUT THEIR COUNTRY AND CULTURE. THIS IS A MUST HAVE IF FOR NO OTHER REASON THAT NOTHING ELSE OUT THERE IS IN THE SAME STYLISTIC CATEGORY. THEY LITERALLY BANG THIS MUSIC OUT ON THE "CROSSING"

Extra Tracks Make a Great Record Greater.......2007-05-01

This is a great album and with the addition of the extra tracks is even better. Particularly fitting is the inclusion of " The Crossing" which is one of the best on the album. I originally owned the tape format and pretty much wore it out. Big Country came along at an interesting time in my life. I was questing for great guitar music and finding bland over produced hair-metal. Then bands like Big Country, The Alarm and U2 came along and showed that you could have unique guitar based rock and still have substancial lyrical content. This album has many stand out songs beyond, "In a Big Country". Chance is very slow and melodic but has a killer guitar riff that is worth listening to the entire song. Close Action opens with some really great bitting guitar work. Porrohman is the best song on the album and a truly amazing blend of rock and traditional music. I really like much of their work after this album but this is the recording that really defines Big Country.

One of the most influential and defining albums of the 80s.......2007-02-02

The Crossing is one of the most influential and defining albums of the 80s. The guitars speak for themselves in this album. Includes the instant classic "In a Big Country". Adamson and company delivered a work of art with this CD.

This CD also includes the songs from the Wonderland EP as bonus tracks (on the same CD) after the original Crossing songs.

Highly recommended!

Timeless, Fat Guitar Sounds.......2007-01-05

This is a nearly perfect work of great guitar sounds, song writing and band chemistry. The ebows, the flange, the upfront basslines, and pummeling drums, plus the harmonies all combine to make a sum wayyyy bigger than the parts. Sure, you know the tune "In a Big Country", but check out the masterpieces "Porrohman" and "The Crossing"-- these songs are rock symponies with movements that will take you to unexpected places. Sure, you know the mock-bagpipe sounds, but the band also evokes asian textures on "Chance". Lyrically it's very poetic. Sadly, this is something lost in later releases, along with the incredible harmonies found on this work and Steeltown. Finally, this should not be considered a work just of Big Country, but also of Steve Lillywhite. You'll hear things in common (especially drums) on this disc to work he produced for the likes of U2, Coldplay, Peter Gabriel, The La's, Morrissey, The Pogues, Psychedelic Furs, The Rolling Stones, Simple Minds, XTC, etc.

Great trip back in time!.......2006-11-10

This is a great cd that not only takes you back to the eighties but allows you the ability to enjoy the old days of good music.

Average customer rating: great music SEASON OF THE WITCH!!!!!!!!! Crossing Jordan DVD Wonderful Music Selection Wow!

Crossing Jordan Various Artsits Manufacturer: Sony ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Soundtracks | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: CSI: Crime Scene Investigation CSI: Miami: The Soundtrack Providence Everwood: Original Television Soundtrack Nip/Tuck ASIN: B00008PX87 Release Date: 2003-04-01

Tracks:

1. I Wanna Be Your Man - Sam Phillips
2. Days - Marc Anthony Thompson
3. Can't Find My Way Home - Alison Krauss
4. The Wind Cries Mary - Cassandra Wilson
5. Season Of The Witch - Richard Thompson
6. Hang Down Your Head - Lucinda Williams
7. You're Gonna Need Somebody On Your Bond - The Holmes Brothers
8. Buckets Of Rain - Vic Chesnutt
9. You're Innocent When You Dream - Jill Hennessy
10. Pale Blue Eyes - Joe Henry
11. Trouble - The Holmes Brothers
12. It's All Over Now, Baby Blue - Jill Hennessy
13. Crossing Jordan Themes Medley - Wendy Melvoin & Lisa Coleman
14. Black Coffee - Rosemary Clooney

Customer Reviews:

great music.......2007-07-05

i only bought this cd for the allison krauss song, but it turned out to be full of great music, even though i've never even seen the show. cheers!

SEASON OF THE WITCH!!!!!!!!!.......2007-01-09

$3.99 ... just for Thompson's ripping take on "witch" ...
get it just for that ... it's well worth it. amazing.

Crossing Jordan DVD.......2006-10-23

I've always loved this show , now, the question is.... where is the dvd???or if anyone knows where we could get the dvd shows... that would really be great...

Wonderful Music Selection.......2006-03-29

This is a great compilation with some very exciting covers. What I really wish they would do is release a "greatest hits" CD for EACH SEASON. There is some superb music in that series - not just the great cover versions, but overall. Nearly every episode has a song that makes you sit up and take notice.

I would also be quite pleased with a CD of "Garrett's favorites". He listens to some excellent music on that old Victrola phonograph. I'd love to be able to gather them up on one CD (or two disc set).

My advice: Buy this CD. It has something for almost everybody and the price is great.

Wow!.......2006-03-13

I'm a big fan of Crossing Jordan. This is the first TV soundtrack CD I ever bought and I love it. My most favorite songs are "Buckets of Rain," "You're Innocent When You Dream" and "It's All Over Now, Baby Blue." These songs really get to me emotionally and I get wistful when I'm listening. I play the CD at least once a day. I really hope Jill Hennessy comes out with her own album; I'll definitely be getting it.

Average customer rating: Like Mick without Keith...not bad, not the stuff of legends The start of the rot? Stands the test of time better than any of his latter output a new phase Rod, What The Hell?!

Atlantic Crossing Rod Stewart Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Classic Rock | Styles | Music CDs $7 - $10 | Pop General | Pop | Today's Deals in Music | Formats | Music CDs $7 - $10 | Adult Contemporary | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Adult Contemporary | Pop | Today's Deals in Music | Formats | Music CDs $7 - $10 | Hard Rock | Hard Rock & Metal | Today's Deals in Music | Formats | Music All Bargain Titles | Hard Rock | Hard Rock & Metal | Today's Deals in Music | Formats | Music 4-for-3 Classic Rock | 4-for-3 Music | Stores | Music 4-for-3 Hard Rock & Metal | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: A Night on the Town Never a Dull Moment Foot Loose & Fancy Free Smiler Blondes Have More Fun ASIN: B00004Y6O1 Release Date: 2000-09-19

Tracks:

1. Three Time Loser
2. Alright For An Hour
3. All In The Name Of Rock 'N' Roll
4. Drift Away
5. Stone Cold Sober
6. I Don't Want To Talk About It
7. It's Not The Spotlight
8. This Old Heart Of Mine
9. Still Love You
10. Sailing

Customer Reviews:

Like Mick without Keith...not bad, not the stuff of legends.......2007-03-31

"Atlantic Crossing" is one of the best post-Ron Wood solo albums from Rod Stewart. That said...the unavoidable fact that Stewart's work with Wood and MacLagen and Lane and Jones was what put him on the map...there are a few solid tracks on this album worth your attention. "Drift Away" isn't half bad, but Dobie Gray did it to perfection, so why do we need another version? "Stone Cold Sober" is the kind of rock and roll that Stewart should still record, refreshingly free the leering, adolescent and ignorant sexism of "Hot Legs" (The Faces were an aural porno flick, but they were adults). The Isley Brothers' "This Old Heart Of Mine" is the song that really taps into Rod's rock and roll heart, and there lies the problem in his recent career...crass commercialism forms the foundation for Rod Stewart Y2K and beyond. Stewart could sing the phone book if he put his HEART into it, but in modern times he seems perfectly happy with being a fourth-rate Barry Manilow. C'est La Vie...or Ooh La La, depending on your viewpoint. "Unplugged...and Seated" was the long-overdue reunion with Woody. "When We Were The New Boys" was the final parting shot from the Rod we all knew and loved. Then Elvis left the building. The King is dead. Long live the King.

The start of the rot?.......2006-07-15

Well that all depends on which musical phase of Rod Stewart's career you prefer. There was his 'Mercury' period, spanning the 4 years prior to this album and where, IMO he produced his finest output. Once Rod decided to abandon his roots, move permanently to the US, change record labels, and deliberately set out to make albums to attract a mass market, all in one fell swoop, the magic started to wane for me.

With Rod's newly acquired champagne lifestyle Atlantic Crossing was the first album he produced from this era. However AC does contain 2 very famous classic ballads in the Stewart repetoire - "I don't want to talk about it", and of course the one song and single that many fans consider to be his signature tune, "Sailing", though he never actually wrote it. Inexplicably this was not a hit in the US, although it topped the charts for weeks just about everywhere else. Both these tracks well demonstrate the emotional quality of Rod Stewart's voice. And it's this aspect of his singing which his legion of fans of all ages find so appealing about the guy. 'Drift Away' the Dobie Gray classic is also covered here, but I prefer the original, although Rod does a more than adequate job with it.

The rockers are the downside on this album. "Stone Cold Sober", "Three Time Loser" are standard type blues rockers, the sort of songs Rod could do in his sleep having performed this type of material countless times in the past. But somehow, without the presence of the Faces behind him, from here on all of Stewart's rockers on his albums seemed to lack genuine quality and conviction, with which he performed so brilliantly in his days with Mercury. This became much more obvious on later albums, the most notorious examples being 'Hot Legs', and 'Do Ya Think I'm Sexy'. Here, these songs just sound mundane, and having girlie back-up singers doesn't help.

It's true that from Atlantic Crossing onwards Rod Stewart achieved far greater fame and fortune than he ever did before moving to the US. Part of this I suspect was due to his well publicised off-stage antics with models/film stars. All this publicicity only helped to bring him to the attention of a wider audience. AC is not a bad record,(there were far worse albums to come a few years later). It's certainly listenable, and doesn't sound too dated, but I personally would not buy AC for reasons outlined. But if this more commercial side of Rod Stewart is your bag, then you will probably love this album.

Stands the test of time better than any of his latter output.......2006-03-05

I love this album its definitely stood the test of time well and it was better than any other Rod did ever after 1975 (is it really 30 years old?).

The title refers to Stewart's departure for the US and the cover depicts the transition and he is accompanied by top session musicians (including Steve Cropper, Barry Beckett and Lee Sklar) and veteran American producer Tom Dowd to create an overall slick sound.

The album is divided into two parts - slow side and fast side. The slow side is much stronger than the fast side overall, and all the hits and best-known tracks are on the slow half. Although there were no major hits in the US, 'Sailing' was number 1 in UK for 4 weeks in the summer of 1975. All 5 tracks on the slow side are excellent.

Stewart's version of Danny Whitten's 'I Don't Want To Talk About It' must be one his best performances ever. 'Its not the Spotlight' is convincing. Track 3 on the slow half is the original version of 'This Old Heart of Mine' which is far superior to the later version. 'Still Love You' grows on you, and last but not least the catchy 'Sailing'.

The fast side unfortunately suffers from one or two weak tracks and the vocals aren't as strong, apart from 'Drift Away' (which really belongs in the slow half). The rest are mostly uptempo rockers, of which 'Three Time Loser' and and 'Stone Cold Sober' catch fire.

I originally had it on vinyl. Interestingly in some editions of the original LP the slow half was side one, and 'Stone Cold Sober' was listed as the final album track. The digitally remastered edition is the best yet - the original CD recording quality was poor so its definitely worth the upgrade.

Even though its not quite as strong as some of Rod's earlier material (including 'Maggie May'), this is his best out of all his albums that came Warner Brothers. A great album, worth having even if you only like the slow tracks, and one that you can always come back to enjoy.

a new phase.......2005-11-12

This album represented a musical break with the past for Stewart. His first 5 CD's had very similar formats and styles (folk-rock and ballads with violins with a mix of hard-rock). His 4 CDs with the Faces during the same period also followed a similar format, except they were more sloopy, blusely, and sounded similar to the Stones.

For this CD, Stewart abandoned those formats for a hybrid of the two. It is not as good as his first 4 CDs or his 4 CDs with the Faces, but is worth buying. Steve Cropper, the pipe-smoking guitarist in the Blues Brothers movie, plays guitar on this CD!

Stewart would continue the musical style in this CD for two more albums (Night on the Town and Foot Loose), make one more decent album (Blondes Have More Fun) and would never be the same since, within a few years TOTALLY breaking from his past with songs like "Love Touch."

Now, he is kind of a hack, which is a shame because for about 10 years (1968-1978) his only rivals were the Stones and McCartney. McCartney has made a respectable comeback in time to reclaim his stature...we're still waiting for Stewart.

Rod, What The Hell?!.......2004-11-16

Rod Stewart has for some time been the blue-collar, hard-labouring, all-American guy...

Except he is English and has this incessant will to create sell-out American styled and fused albums.

The Great American Songbook has been such a huge, gravely overrated set of albums I'm getting tired. For starter he's not American, he's not `great', nor is America (just joking honestly, I am English you see). I just question why label yourself under such false pretences.

I'll tell you why, just take a look at where those babies are in the charts...HIGH. Way too high for an incredulous false-labelled con man. Does this sh*te sell in England, not really no, and it's because he has this disregard for his roots, a hang-up.

As for the music, well, it's nothing great. I get this overwhelming feeling to cough violently when I hear Mr. America sing due to his old husky voice, which sounds like an 80 year old with throat cancer. Also, hang on...IT IS OLD. 70's ok...80's pushing it...90's mmm no more though, BUT NOW. Please just retire and shack up with some blonde thing.

He needs to grow up, cut his hair, get rid of the highlights, settle in his homeland America, marry and stop producing The Great Piece Of Self-Obsessed Ludicrous Songbook. I'm fed up to the teeth with Rodney Stewart, he's dealings with leggy young blondes half his age, his possessiveness with American Music charts, and of course the dollar he sticks up his arse every time a sheep buys this turd.

His use of the American public, idolising himself as an American singer and artist...yes of course us Brits believe you. Yep, I'm done with this old has-been.

Average customer rating: music i hear with my body Beyond Belief You don't listen to it, you experience it Something a little different A near-perfect album

Shadow Behind the Iron Sun Manufacturer: RCA ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Glennie, Evelyn | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music General | Easy Listening | Pop | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Her Greatest Hits Touch the Sound - A Sound Journey With Evelyn Glennie Evelyn Glennie a Luxembourg Clearing Evelyn Glennie: Drumming ASIN: B000031W9F Release Date: 2000-03-07

Tracks:

1. First Contract
2. Shadow Behind The Iron Sun
3. Attack Of The Glow Worm
4. Land Of Vendon
5. Icefall
6. Thunder Caves
7. The Council
8. Warrior's Chant
9. Battle Cry
10. Wind Horse
11. Crossing The Bridge
12. Last Contract
13. Battle Cry - (Bonus Mix)

Amazon.com

If you think the percussionist's role is merely to supply rhythmic backbone, you haven't encountered the phenomenon named Evelyn Glennie. The category-defying Scottish musician has spent her career pursuing the unique route of percussion virtuoso, turning music into an intensely hyperactive verb. Glennie's sound world encompasses a global, pan-cultural panoply of music makers in addition to the standard drum kit: watergongs, bamboo sticks, ceramic bells, car exhaust pipes, finger cymbals, thundersheet--to name a few from the arsenal she uses here (Glennie reportedly owns over 1,000 percussive instruments). Even in her interpretations of works by other composers--such as James MacMillan's Veni, Veni, Emmanuel or the Grammy-nominated Concerto for Percussion by Joseph Schwantner--Glennie scoops out plentiful opportunities for improvisation; but the concept of Shadow Behind the Iron Sun was to allow Glennie to lock herself up in her studio and improvise the entire album. With the help of her collaborator, pop mixmaster Michael Brauer, the result is a fantastically textured, mesmerizing adventure for the ears and the imagination. Despite a vague ambition to explore "as many moods as possible" (Michael Crichton's Eaters of the Dead was apparently the source for some of the picturesque titles here, such as "Attack of the Glow Worm" and "Wind Horse"), the variety and juxtaposition of colors evoke a cinematically gripping, almost synesthetic sense of atmosphere--yet another evolution of "program music" into the 21st century? Much of the fun is in experiencing sounds whose origin remains mysterious, as Glennie performs her one-woman-as-orchestra wonders. --Thomas May

Customer Reviews:

music i hear with my body .......2005-03-09

I love this album!!! Evelyn Glennie is the most profound percussionist I have ever heard. Her music penetrates my body: sometimes I feel it in my heart, sometimes in my solar plexis. I feel it in my soul. This album can be enjoyed over and over and over. Thank You Evelyn Glennie! Big Gratitude!

Beyond Belief.......2004-06-16

I went to a solo concert of hers because I had heard what I thought must be hype of her wonder. I was totally and utterly destroyed by her performance. She has complete technical perfection, tremendous athletic ability (yes percussion demands of the body), personal charm, and dramatic zest. Many of the albums I listened to after disappointed me because she clearly held herself within the strict measure of the others she performed with. I suspect her deafness makes her fearful of any rubatto in an orchestral setting. This album is the only one that begins to give a sense of her god-like gifts.

You don't listen to it, you experience it.......2001-03-01

This CD is a true experience, similar to Charles Ives' "New England Holidays". The range of instruments Glennie uses and creates brings to mind Mickey Hart's statement about drummers being desperate and doing anything to produce sounds. Her music gets into your mind and body. It's appealing enough that my son, a rap fan, sat fascinated while "Land of Venden" was playing. His comment, "This is almost scary!", leads to my opinion that her talent is almost scary. Do yourself a favor and buy this one, it provides great mental and emotional rejuvenation.

Something a little different.......2000-09-23

Even if percussion sans so-called melodic instruments isn't what you think of when selecting a cd you've got to listen to this. Ms Glennie creates quite a melodic and dramatic tapestry and draws the listener right into the middle of it. Yes, it does take a few listenings to penetrate to the gist of it but that only enhances the genuine beauty contained here. Perhaps that is a given in any deeply creative work.

A near-perfect album.......2000-04-08

Even my dog liked it -- mesmerized by the music, staring at the stereo like the mutt in the RCA logo.

Solo percussion is, admittedly, an acquired taste. The song samples here give you a reasonable flavor of the album. If you don't like them, don't buy it.

At the same time, Glennie has done more than anybody to advance the art, the possibilities, and the popularity of percussion. (I saw her perform a snare solo encore last year that brought the audience to its feet.) In this album, she operates with more freedom and pushes more boundaries than in anything she's done to date. Yet it's still an approachable and genuinely exciting collection of music.

Average customer rating: Good but short Haunting - but credit where it's due, please! Only just satisfied Brief, but brilliant My favorite soundtrack

Miller's Crossing: Original Motion Picture Soundtrack Carter Burwell Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 1990s | By Decade | Soundtracks | Styles | Music Similar Items: Fargo (1996 Film)/Barton Fink (1991 Film) Miller's Crossing Raising Arizona / Blood Simple: Original Motion Picture Soundtracks [2 on 1] The Hudsucker Proxy: Original Motion Picture Soundtrack Being John Malkovich: Original Motion Picture Soundtrack [ECD] ASIN: B0000014RV Release Date: 1990-10-01

Tracks:

1. Opening Titles
2. Caspar Laid Out
3. A Man And His Hat
4. King Porter Stomp
5. The Long Way Around
6. Miller's Crossing
7. After Miller's Crossing
8. Running Wild
9. Rage Of The Dane
10. All A You Whores
11. Nightmare In The Trophy Room
12. He Didn't Like His Friends
13. Danny Boy
14. What Heart?
15. End Titles
16. Goodnight Sweetheart

Amazon.com essential recording

Greatest motion picture of the 1990s? This is it: Joel and Ethan Coen's intricately plotted Irish gangster picture, Miller's Crossing. Carter Burwell has been the Coen's composer of choice since the very beginning (Blood Simple), and this is his most memorable score. The movie and its characters are hard-boiled, pretty tough nuts to crack, but this haunting music (in the same autumnal brown, green, and gray tones as the visuals) lets you know there's a lot more going on beneath the surface. If "Danny Boy" gives you goosebumps (and the version here, gloriously sung by Frank Patterson, surely will), then Burwell's orchestral titles theme will have you putting on a sweater. Jazz-band versions of "King Porter Stomp" and "Runnin' Wild" brighten the mood a bit, but it's the other music that stays with you. --Jim Emerson

Customer Reviews:

Good but short.......2007-07-12

Great Carter Burwell score. One of the best he did for the Coens, along with The Hudsucker Proxy. But less than 30 minutes, that's a bit short...

Haunting - but credit where it's due, please!.......2007-01-19

I'm glad Victor's picked up on this. The main theme, which re-occurs throughout, is indeed Limerick's Lament/The Lament for Limerick, as every Irish schoolkid who dreamt through music class can confirm.

Credit to Burwell for finding it, and for a beautiful evocative arrangemnt, but not for writing it, as the sleevenotes to this soundtrack would have you believe. Credit, and royalties where their due.

Only just satisfied.......2006-03-08

Bought this CD for the Danny Boy track. Unfortunately, it was not the film version. Still good, mind, but not great. The rest of the CD is OK, but very short.

Brief, but brilliant.......2005-06-29

Carter Burwell has written a tremendous score for the Coen Brothers' excellent gangster film--melancholy, wistful, and elegiac. It is definitely worth having, as is the fine version of "Danny Boy," performed by legendary Irish tenor Frank Patterson. However, it loses a star because of its brevity, coming in at just around 30 minutes.

My favorite soundtrack.......2004-03-07

Listened to it hundreds of times. Always pulls you in.

Average customer rating: Kaleidoscope of multi-hued sound that enchants From strength to strength Excellent music from a trio of truly gifted musicians

Crossing Bridges Manufacturer: Omac ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by O'Connor | O'Connor, Mark | ( O ) | Featured Composers, A-Z | Classical | Styles | Music General | Country | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Live Albums | Country | Styles | Music Similar Items: Double Violin Concerto Fire & Grace Appalachia Waltz / Ma, Meyer, O'Connor Thirty-Year Retrospective: Live Heroes ASIN: B00065TZ5A Release Date: 2004-11-02

Tracks:

1. Chief Sitting In The Rain/College Hornpipe
2. Blackberry Mull
3. Appalachia Waltz
4. Old Country Fairy Tale
5. F.C.'s Jig
6. Poem For Carlita
7. Limerock
8. Caprice For Three
9. Vistas
10. Olympic Reel (Medley)

Customer Reviews:

Kaleidoscope of multi-hued sound that enchants.......2005-01-07

Playing Time - 73:50 -- Recorded live at Spivey Hall at Clayton College & State University in Morrow, Georgia, "Crossing Bridges" features violinist Mark O'Connor's Appalachia Waltz Trio, which also features violist Carol Cook and cellist Natalie Haas. The CD's booklet provides this quote from O'Connor - "I always think that music should elevate the spirit, stimulate the intellect and strengthen the heart." If those criteria define his goal, then the consummate pro and his two sidekicks easily succeed. This album of largely original material offers much in the realms of vitality, reasoning and emotion.

His rise to fame has been noteworthy. I remember when O'Connor, originally from Seattle, was just a young pup in the 70s drawing a large crowd in jam sessions with mentor Benny Thomasson at the National Old-Time Fiddlers Contest in Weiser, Idaho. In fact, he could identify specific classical composers at age three. He began playing guitar at six and violin at eleven. Before he had fiddled for a year, Mark had won second place at Weiser. At age 12, he was on the Grand Ole Opry. By 14, he'd won various fiddle and guitar championships, and the Winfield, Ks. guitar contest rules were changed to require that contestants wait at least five years before they could win again. He did. Touring with Dan Crary, The David Grisman Quintet, and The Dregs followed. In 1983, he embarked on a solo career and journey that has him "crossing bridges" into many musical genres.

In 1991, Mark & The New Nashville Cats (featuring Vince Gill, Ricky Skaggs, and Steve Wariner) won the CMA "Vocal Event of the Year" Award. Mark O'Connor also won the CMA "Musician of the Year " Award consecutively from 1991-1996. He toured with Marty Stuart and Travis Tritt in 1993. In more recent times, he has focused primarily on classical music. He wrote his first violin concerto in 2000. His 2002 Nashville concert with Chris Thile, Bryan Sutton and Bryon House was captured on his excellent "Thirty Year Retrospective" album (OMAC Records 5). The "Bowtie" track from this album has been nominated for a Grammy in the Country Instrumental category.

Now, O'Connor, Cook and Haas unite to recreate, with expert technical proficiency, the original 1995 "Appalachia Waltz" repertoire and some fine new material in the same tradition. The original two "Appalachia Waltz" CDs and tours featured violinist O'Connor, cellist Yo-Yo Ma and bassist Edgar Meyer. Yo-Yo Ma made a solo version of the title track his signature piece perfect for an encore.

Compared to the original sound with violin, cello and bass, the new trio's sound is more airy, fluid and light. No one should question the credential of Cook and Haas. Cook was a a member of Scott Yoo's great ensemble, Metamorphosen. She's also a champion Scottish fiddler and made her debut with the Edinburgh Symphony at age 16. Haas studied at Julliard under cello legend Fred Sherry. She also loves Scottish folk music. The album's 15-minute closer "Olympic Reel" medley is textbook string pyrotechnics. Some other technically impressive tracks include "Chief Sitting in the Rain/College Hornpipe," "F.C.'s Jig" and "Limerock." All in all, the generous 74-minute album gives us a kaleidoscope of multi-hued sound that enchants us from the first measure to the last. The sheet music is available on Mark's website. (Joe Ross, staff writer, Bluegrass Now)

From strength to strength.......2004-12-03

If you know Mark O'Connor's work, it's probably enough to say that this is up to his usual standard of musicianship. The other striking thing about him is his knack for finding superb collaborators, whether they be giants who inspired him (as in his CD "Heroes") or newer arrivals on the scene, like the young cellist Natalie Haas. She takes on (for instance) Appalachia Waltz, a work which Yo-Yo Ma had all but canonized, and comes through with an inspired performance. I recently heard her play with Scottish fiddler Alasdair Fraser, and it's clear to me that she has a brilliant future ahead of her. As for Carol Cook, this is the first performance of hers I've heard, but it won't be the last. She disproves all the bad press violists get. By the way, this CD does include Amazing Grace, contrary to what a previous reviewer wrote. But by some glitch it's just added on as part of the tenth and last track and is not acknowledged either on the list of tracks or in the notes (which are otherwise very thorough).

Excellent music from a trio of truly gifted musicians.......2004-11-12

I was fortunate enough to catch a performance of this trio in Columbus, GA this past February, and ever since that day I have waited for this CD to come out. Mark O'Connor is a violin/fiddle virtuoso, Carol Cook can coax mezmerizing sounds out of a viola, and the amazing Natalie Haas can make you hear cello in a whole different light. Only two things keep this from being a five-star recording. First, you can never capture the beauty of a live performance on a CD. Second, they should have included the chilling rendition of 'Amazing Grace' that they do in concert. (NOTE: As highlighted by a later reviewer, this track is indeed included as a 'hidden' track at the end. My comments on the piece still stand). At the show I attended that was one piece through which the audience sat transfixed. When the last notes faded, there were several moments of stunned silence, followed by a collective 'WOW' from all assembled there. Still, it's a great listen...give it a try and you won't be sorry.

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