| 1. Live For Me |
Editorial Reviews
Tatiana is a singer/songwriter who has been professionally trained in voice, dance, modeling and acting. She is of Puerto Rican and Dominican descent, resulting in the features of a Latino beauty and the voice of a captivating angel.
Tatiana has competed in and won numerous beauty pageants and talent shows since her early teenage years. Tatiana has been requested to open for Grammy nominated and Grammy winning recording artists. Tatiana has commanded stadium filled crowds throughout North America and Europe to standing ovations. In 1999, Tatiana was crowned Miss Teen Puerto Rico of Trenton, in addition to winning Best Vocalist at the Hispanic Youth Showcase. Tatiana opened for recording artist Lou Bega at the San Paolo Stadium in Naples, Italy, on the wave of his chart topping single Mambo#5. At the request of Governor James McGreavey of New Jersey, Tatiana sang the National Anthem at Governor McGreavey's inauguration, to rousing acclaim.
Tatiana was the winner of the 2003 Fanta-Coca Cola Model Search and New Jersey Network's (NJN) 2003 Road To Stardom contest.
Tatiana Segura's fan base believes that she will carry on the powerful legacy of those such as Selena, Celia Cruz and Gloria Estefan.
Product Description
Destined to be a classic, Tatiana Segura's debut single, "Live For Me", is truly for anyone that has ever lost, or been separated from a loved one. "Live For Me" will touch your heart, stir your soul and bring healing, hope and a renewed sense of purpose to live on.
To honor her Hispanic heritage, "Live For Me" has been recorded in Spanish as well - "Vive Por Mi". Response to the song has been overwhelming in both the mainstream and Latino markets.
Live For Me,Tatiana Segura,MarketPlace Music,Latin Urban/Pop - An unprecedented cross-over artist with mass appeal to the Pop, Urban and Hispanic markets.
Average customer rating:
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Josh Groban Live at The Greek (CD/DVD)
Josh Groban Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00063LTH4 Release Date: 2004-11-30 |
Tracks:
- Oceano
- Mi Mancherai (il postino)
- Mi Morena
- Canto Alla Vita
- Remember When It Rained
- Remember
- America
- Never Let Go
Tracks:
- Oceano
- Per Te
- To Where You Are
- Mi Mancherai (il postino)
- Mi Morena
- Alejate
- Canto Alla Vita
- Nocturne/Bohemian Rhapsody (performed by Lucia Micarelli)
- Alla Luce Del Sole (special guest artist: Bela Fleck)
- My December
- Caruso
- Remember When It Rained
- Vincent (Starry, Starry Night)
- Remember
- You Raise Me Up
- America
- Never Let Go
Amazon.com
If Josh Groban's unabashedly melodramatic musical fusion inspires grousing on both sides of the classical/pop pundit divide, the screams of the (mostly) young female fans that punctuate these 2004 performances at L.A.'s historic Greek theater better underscore the real point. This set's CD and more expansive DVD complement each other well; if anything, supplemented by a live string ensemble and crack backing band, they're a warmer, more focused showcase for the singer's talents than the studio albums that made his meteoric fame. In peak form, Groban variously delivers forceful renditions of his pop-operatic powerhouses "Canto Alla Vita" and "Anna Luce Del Sole" (the former featuring a drum solo [!] from Groban, the latter a fine guest turn by Bela Fleck on banjo), takes a surprising solo piano break on Paul Simon's "America," waxes Central Asian on Troy's "Remember" and brings the crowd to its feet with the heart-on-his-sleeve dramatics of Closer's "Never Let Go." They're all informed by the singer's insouciant, youthful enthusiasm, arguing that Groban is gifted with more than just a magnificent voice; he's a complete natural as a performer as well. The DVD also includes a tour diary narrated with typical charm by the singer, as well as bonus live performance of "Believe" from the Polar Express soundtrack. --Jerry McCulleyAlbum Description
Josh Groban's 2002 PBS "Great Performances" special was a #1 selling DVD and the best-selling long-form music video of 2003. His second "Great Performances" special was taped at L.A.'s Greek Theater in the summer of 2004. For fans of the young sophisticated pop phenomenon who has sold more than 8 million albums, this CD+DVD package is just the latest great performance in the career of Josh Groban. DVD Extras: On the road with Josh for Summer 2004 Tour and a special performance of "Believe" from The Polar Express (it's PBS footage mixed w/ film footage).Customer Reviews:
Josh is even better in live!.......2007-04-14
Very Good!.......2007-02-09
Let me explain..........2007-01-14
The waving of the light sticks was started at the very beginning of his first tour, mainly to show him how much the fans appreciated the concerts. The first idea was to wave them during the last verse of "You Raise Me Up," when the choir came out. Later, fans added another show of support by waving blue light sticks during "Vincent (Starry Starry Night."
OK, if you still find that annoying, that's your right. However, the flag waving at the end of "To Where You Are" was special. This concert was filmed on September 11, and the flags were waved at the end of "To Where You Are" for those who were lost, and the families of those who were lost, on 9/11/2001.
It's your right if you still find these things annoying. I just thought I'd try to help you to understand.
Since this is a forum for giving our opinions of the DVD, I have to say that I love it. He has a beautiful voice and I love listening to him under any circumstance. The DVD is wonderful, IMHO.
Re-Live the Concert Experience!.......2007-01-09
DVD is so worth the price.......2007-01-08
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American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SK7 Release Date: 1992-10-20 |
Tracks:
- Opening Solo Violin
- Jeanie With The Light Brown Hair
- Hard Times Come Again No More
- The Voice Of Bygone Days
- Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
- Open Thy Lattice, Love (1844)
- Beautiful Dreamer (1864)
- That's What's The Matter
- Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
- Molly! Do You Love Me? (1850)
- Sweetly She Sleeps, My Alice Fair (1851)
- Comrades, Fill No Glass For Me (1855)
- Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
- My Wife Is A Most Knowing Woman (1863)
- Gentle Annie (1856)
- Linger In Blissful Repose (1858)
- Ah! May The Red Rose Live Alway (1850)
Customer Reviews:
It's Dreamy.......2007-01-10
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).
The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.
Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.
I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.
If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."
If you love good music, and you have heart which can be stirred, and you love your country, this is for you.
I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.
I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.
My Favorite Composer of all time.......2006-08-20
I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour
but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..
An American classic from Hampson that brings smiles and tears.......2006-07-17
In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.
OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.
It's simply lovely.......2004-12-14
This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.
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Beyond Imagination
Opera Babes Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007MB2F Release Date: 2003-01-14 |
Tracks:
- One Fine Day (Un Bel Di From Madame Butterfly)
- Sempre Ricordo (Piano Concerto in A minor)
- There's A Place (From The New World Symphony)
- Beyond Imagination (From A Midsummer Nights Dream)
- O Fortuna (From Carmina Burana)
- Lakm2O (Flower Duet)
- Ebben?..Ne Andro Lontano (from La Wally)
- You Live On In My Heart (Cinema Paradiso)
- Chanson Boh (From Carmen)
- Remember Me
- Stranger In Paradise (From Kismet)
- Ode II Joy (From Symphony No. 9)
- 1001 Nights (From The Nutcracker Suite)
- Barcarolle (From The Tales Of Hoffman)
- LakmVibeTribe Mix)
- Ave Maria
- Vittoria! (Aida 2002)
Amazon.com
Plucked from a wet afternoon of busking Bizet and Puccini to passersby on the Piazza in Covent Garden in the spring of 2001, soprano Rebecca Knight and mezzo Karen England soon found themselves singing in slightly larger venues: the FA Cup and Champions League soccer finals. That the management company doing the plucking had recently performed a similar Cinderella crossover act for Russell Watson offered portent, and indeed the Babes--the moniker began as a joke--were soon on their way to this recording debut. The marketing shtick and its soccer connections may offend purists, but it's the football hooligans that the Babes are trying to win over here; can Borodin soothe the savage Manchester United fan? Their classically trained voices mesh gloriously, with England's warm mezzo showing particular character in her solo turns.The repertoire choices here cover material that may already be familiar to fans of Charlotte Church (i.e., Delibes "Flower Duet") and other crossover acts, but they do include some pleasant surprises, like Offenbach's Barcarolle from The Tales of Hoffmann and "You Live On in My Heart," a reworking of Ennio Morricone's enchanting Cinema Paradiso theme with lyrics by Knight. But in a rush toward the musical middle of the road, it's the productions themselves that sometimes overwhelm the Babes with bathos ("Ave Maria"), hollow thunder ("Aida 2002"), and electro club kitsch (the 'Vibe Tribe' mix of "Flower Duet"). Former Art of Noise mainstay Anne Dudley's tastefully restrained coloring of Tchaikovsky's "1001 Nights" is one of the notable exceptions. They're babes, they sing opera--with fair promise--for the masses, and if they turn one in a hundred from football hooliganism to a well-mannered appreciation of Grieg and Dvorák, won't it all have been worth it? --Jerry McCulley
Customer Reviews:
wallpaper.......2007-07-12
simply beautiful, so just enjoy it.......2007-06-11
Sloppy renditions and amateurish.......2007-05-15
Great songs reinvented, with a twist.......2006-09-30
Praise for Beyond Imagination.......2006-02-26
Average customer rating:
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I Oughtta Give You a Shot in the Head for Making Me Live in This Dump
Shivaree Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001ZSTB Release Date: 1999-10-19 |
Tracks:
- Cannibal King
- Bossa Nova
- Daring Lousy Guy
- Arlington Girl
- Oh, No
- Lunch
- Goodnight Moon
- I Don't Care
- Pimp
- Idiot Waltz
- Ash Wednesday
- Arrivederci
Customer Reviews:
I am on a string and you can lead me anywhere.......2007-06-28
It opens on a deliciously sick note with "Cannibal King," which is basically some wobbling keyboard, and Ambrosia Parsley singing, "The cannibal king with the big nose ring/Fell in love with a sweet young maid/And every night by the pale moonlight/This is what you'll hear him say..." Well, that's not very sick, but Ambrosia makes a loud yummy sound at the end.
The actual music starts with "Bossa Nova," a little alt-countryish song peppered with samples and clashes of synth. And, of course, a girl's incisive breakup with her guy ("I'm never talking to you again/I'll go join the marines/And then I will peacefully sail away with some safe magazines!"). Then we get the deliciously jagged electropop of "Daring Lousy Guy."
From there on, Shivaree experiments with variations of the fusion music: the electronica-riddled piano songs, jazzy little ballads, mournful alt-rocky laments, funky tunes about "a back stabbing Hollywood pimp," and the exquisitely soulful "Goodnight Moon." But things mellow out somewhat in the last trio of songs, which include a cynically romantic ballad, a wistful acoustic melody, and finally the "Arrivederci."
Shivaree have grown and changed over the years, but their debut album is still a pretty solid listen -- they take your basic folky-rocky-countryish melodies, and weave in some electropop and jazz. And they've got some truly wicked, incisive songwriting, as if the title didn't tip you off.
The band manages soft and poppy songs with equal alacrity: solid riffs, great drumming, and some gentle interweaving of piano melodies and acoustic guitar. And of course, lots and lots of synth -- blippy, funky, and shimmering soft canopies of shivering sound. Danny McGough isn't quite perfect, though -- Shivaree has a tendency to cram synthy tangles into any quieter spots between vocals.
But Parsley takes center stage, with the voice and attitude of a world-weary torch singer -- throaty and hostile, with a jaded view of romance and the world. She sings of free spirits, abusive boyfriends ("Your throat is going to be exploded/and I'm still being shy!"), fear of the dark, and nasty entertainment bosses. "Something's under the bed/Now it's out in the hedge/There's a big black crow sitting on my window ledge/And I hear something scratching through the wall..."
Shivaree started off remarkably strong in their debut album "I Oughtta Give You a Shot in the Head for Making Me Live in This Dump," which lives up to its name -- bitter, beautiful, and wickedly funny.
Goodnight Moon.......2006-05-14
Was it worth buying this CD? For me, yes. Absolutely. Can't get enough of Goodnight Moon; also, this seems to be the type of album one has to play a few times to truly appreciate the music.
Shivaree throws one heck of a party!.......2006-01-29
On the downside- well, I found some tracks stronger than others- I'd characterize this CD as a bit uneven. But that's a small price to pay for something that you're not going to hear on commercial radio.
Sam B.
Stamford, CT
It's all Good.......2005-10-19
Alice in Dr. Seus-land.......2005-09-02
Goodnight Moon may be the band's only really famous song, and it's the only thing on the CD that comes close to being 'pop'-y. The rest range from millitary-style exit marches (Arlington Girl) to obessive-compulsive love ballads (Oh No). Of special note are the excellent Bossa Nova and the altogether much too short Arrivederci and Ash Wednesday. Ash Wednesday in particular is an increadibly tranquil bit remnicent of campfire circles.
Ambrosia Pierce is worthy of the praise sung to her name, her breathy, husky-sweet vocals are clear and well matched to the music, carrying a wide range of emotion and nuance. While not the most dynamic or talented singer on the market, she carries herself well and plays to her strengths, making for music as smart as it is beautiful.
Overall, I Oughtta a strange and wonderful cross between fantasy and nightmare, elegant and poised, with a beautiful edge of maddness. Excellent.
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Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DBTM Release Date: 1998-10-20 |
Tracks:
- Tu ch'hai le penne, Amore
- Amarilli
- Al fonte, al prato
- Lascia la spina
- Agitata da due venti
- Oiseaux, si tous les ans, K. 307
- La Pastorella, D 528
- Havanaise
- Hai luli!
- Zaide
- Malinconia, ninfa gentile
- Ma rendi pur contento
- La conocchia
- Me voglio fa 'na casa
- Mi lagnero tacendo
- Mi lagnero tacendo (Il Risentimento)
- Mi lagnero tacendo (Sorzico)
- L' Orpheline du Tyrol
- Riedi al soglio (Zelmira)
- Le nozze di Figaro: Voi che sapete
- Canzonetta Spagnuola
- Caro mio ben
- Cinco Canciones negras, No. 5: Canto negro
- Carmen: Seguedille (Carmen)
Amazon.com essential recording
In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick StearnsCustomer Reviews:
Buy two and give one to someone you love!.......2007-03-08
If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.
The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.
When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"
This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!
If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.
Highly recommended!
A joyful sample of the human voice........2006-06-12
A sheer delight from start to finish.......2005-07-14
I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.
Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.
As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.
A stunning recording and an absolute favourite to relax to or just to be inspired by.
Exquisite.......2003-01-31
Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.
There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.
She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.
In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.
The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.
Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.
Amarilli - Delicate and beautiful expression of true love.
Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.
Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."
Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.
Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.
La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.
Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.
Hai luli! - A seductive treatment of a song asking "where can my love be?"
"What's the point of living without a lover?"
Zaide - High energy and fast paced. A song about an orphan.
Malinconia, ninfa gentile - Gorgeous and poetic song.
Ma rendi pur contento - She really captures longing and an almost delicate purity.
La conocchia - Light and breezy.
Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.
Mi langero tacendo - Poignant moment.
"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."
Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.
Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)
L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.
Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."
Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.
Canzonetta spagnuola - A muse comes to torment a painter.
Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.
Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.
Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.
And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.
~TheRebeccaReview.com
Cecilia Live.......2002-07-12
On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.
Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.
Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!
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Pavarotti & Friends - For The Children Of Liberia
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DBVG Release Date: 1998-10-20 |
Tracks:
- Let It Rain
- Stop
- How Do I Live Without You
- I Hate You Then I Love You
- Higher Ground
- 'O Surdato 'Nnammurato
- Se Bastasse Una Canzone
- Betcha Never
- Viva Forever
- Va, Pensiero
- Napule e'
- Une Place Pour Moi
- Non Ti Scordar Di Me
- Tonight
- Dreams
- Adeste Fideles
- Peace Wanted Just To Be Free
Amazon.com
Is music for a good cause a good cause for music? Not really, if you expect artistry. But this smorgasbord of popular international musical stars brings together extreme musical genres for an excellent purpose, and is enjoyable enough for almost anyone. Pavarotti's relaxed and buoyant leadership and still gorgeous tenor add beauty to the rock/pop selections. Trisha Yearwood, Celine Dion, and Stevie Wonder impressively hold their own against Opera Spice; but the other artists pale against the master's presence. The Spice Girls will never be confused with Anonymous 4; Zucchero's growling is scary; Florent Pagny exemplifies French rock; and Pino Daniele's breathy tenor is mellow and soothing. Best for those wanting to experience Pavarotti's vocal beauty in a more popular idiom. --Barbara Eisner BayerCustomer Reviews:
A Superb Collection of Music.......2002-11-14
This is a delightful combination of music talents to enjoy!.......1999-04-01
This will tenderize your heart........1999-03-07
Phenomenal !! A must have for any music library........1998-12-29
Outstanding Music, bringing Pavarotti to new heights........1998-12-06
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Pavarotti & Friends 2
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004272 Release Date: 1995-06-06 |
Tracks:
- Chitarrra romana
- Moon River
- All I Ask Of You
- Mattinata
- Santa Lucia luntana
- Night Fire Dance
- Verranno a te
- Please Forgive Me
- Who Wants To Live Forever
- Notte 'e piscatore
- O Silver Moon
- 'O Sole mio
- Ave maria, dolce Maria
- All For Love
- Brindisi
Customer Reviews:
Artifice not art.......2005-04-20
Live Audience, Variety=Enjoyable Listening Experience.......2002-09-12
audience, and the knowledge that the event was performed for charity, all add up to a very enjoyable listening experience.
Fun.......2002-02-07
Excellent live album.......2001-11-08
torture.......2001-09-25
Average customer rating: |
Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLI8 Release Date: 2004-11-30 |
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Classical Heartbreakers
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000B09Z9 Release Date: 2004-01-13 |
Tracks:
- Piano Concerto No. 1 - Andre Previn
- Intermezzo - Philharmonia Orchestra
- Rhapsody On A Theme Of Paganini - Sir Simon Rattle
- O Mio Babbino Caro - London Symphony Orchestra
- Viola Da Bamba Sonata In G Minor - Ton Koopman
- Beim Schlafengehen - London Philharmonic Orchestra
- Schindler's List Theme - Tasmin Little
- Clair De Lune - Dame Moura Lympany
- Symphony No. 5 - New Philharmonia Orchestra
- Ebben? Ne Andro Lontana - Philharmonia Orchestra
- Moonlight Sonata - Dame Moura Lympany
- Violin Concerto No. 1 In G Minor - Yehudi Menuhin
- E Lucevan Le Stelle - Georges Pretre
- Nocturne In C Sharp Minor - Maria Tipo
- Adagio For Strings - Philadelphia Orchestra
- Cello Concerto - English Chamber Orchestra
- Piano Concerto No. 2 In F - English Chamber Orchestra
- Va Pensiero - Bernard Haitink
Tracks:
- Adagio In G Minor - Sir Neville Marriner
- The Heart Asks Pleasure First / The Promise - Michael Nyman
- Time To Say Goodbye - Orchestra
- Goldberg Variations - Maria Tipo
- Barcarolle - Elisabeth Schwarzkopf
- Piano Concerto No. 2 - Sir Simon Rattle
- Nimrod - London Symphony Orchestra
- Vissi D'art - Maria Callas
- Cavatina - Manuel Barrueco & Steve Morse
- String Quintet In C - Laszlo Varga
- J'ai Perdu Mon Eurydice - John Eliot Gardiner
- Etude In E 'Tristesse' - John Ogdon
- Addio Del Passato - London Symphony Orchestra
- Double Violin Concerto - Bath Festival Orchestra
- Queen Symphony - Royal Philharmonic Orchestra
- Piano Concerto No. 1 - Garrick Ohlsson
- In Paradisum - English Chamber Orchestra
- My Heart Will Go On - Orchestra
- Rhapsody In Blue - Andre Previn
Customer Reviews:
a terrific compilation for beginners.......2006-02-07
"Classical heartbreakers" broke my heart.......2004-06-27
Anybody who is unfamiliar with classical music will appreciate this album. Since it features some of the most moving classical pieces ever written, it is sure to entrance listeners. And by not placing entire 10-minute pieces on the CDs, it will not run on and bore those unaccustomed to the length of most classical music. However, if you are already well-versed in classical music and can listen to entire symphonies with ease, I would advise against buying this album. I now feel a desire to go out again and find the full versions of some of these pieces, since I feel I was cheated by only getting introductions or short movements on most of the album. Guess I should have paid a little more attention to what I was buying.
A Fantastic Compilation.......2004-05-01
The title says it all. It claims to have "the most moving Classical music of all time," and they certainly have a case, as it is chock full of the kind of emotional pieces that can easily bring you to tears. This double CD compilation with 37 passionately beautiful pieces is a steal at $16.99.
If you've ever recorded your favorite songs on to tape, or burned them on to a CD, you'll see that this compilation is exactly what EMI Records has done. It is like a greatest hits, volume 1, of poignant Classical music. Almost all of the musical pieces are classic favorites, though there are a few contemporary ones also.
I found the music on this CD powerful and moving as advertised, and I think that Classical music fans should truly enjoy it. It is well worth the price it's being sold for, and I highly recommend it.
Since there is some missing information as to who the composers and artists are, here they are:
Disk 1
Tchaikovsky - Piano Concerto No. 1 in B Flat Minor Op.23: I. Allegro Non Troppo E Mol; Andre Previn; Horacio Gutierrez; The London Symphony Orchestra
Mascagni - Intermezzo (Cavalleria Rusticana) {Raging Bull}; Riccardo Muti; The Philharmonia Orchestra
Rachmaninov - Rhapsody on a theme of Paganini - Variation #18 {Somewhere in Time}; Cecile Ousset; City of Birmingham Symphony Orchestra; Sir Simon Rattle
Puccini - O Mio Babbino Caro (Gianni Schicchi) {A Room with a View};
Montserrat Caballe; The London Symphony Orchestra; Sir Charles Mackerras
Bach - Viola da Gamba Sonata in G Minor BWV1029 - II. Adagio (Opening) {Truly, Madly, Deeply}; Jordi Savall; Ton Koopman
Richard Strauss - Beim Schlafengehen (Vier Letzte Lieder) {The Hours}; Klaus Tennstedt; London Philharmonic Orchestra; Lucia Popp
Williams - Schindler's List (Theme) {Schlinder's List}; Iain Sutherland; New World Philharmonic; Tasmin Little
Debussy - Clair de Lune {Frankie and Johnnie}; Dame Moura Lympany
Mahler - Symphony No. 5 in C Sharp Minor: IV. Adagietto (Conclusion) {Death in Venice}; New Philharmonia Orchestra; Sir John Barbirolli
Catalani - Ebben? Ne Andrò Lontana (La Wally) {Diva}; Maria Callas; The Philharmonia Orchestra; Tullio Serafin
Beethoven - Piano Sonata No. 14 in C Sharp Minor "Moonlight" Op. 27/2 - I. Adagio S; Dame Moura Lympany
Bruch - Violin Concerto No. 1 in G Minor - II. Adagio (Opening) Sir Yehudi Menuhin; The Philharmonia Orchestra; Walter Susskind
Puccini - E Lucevan le Stelle (Tosca) {The Man Who Cried}; Carlo Bergonzi; Georges Pretre; Orchestre De La Societe` Des Concerts Du Conservatoire
Chopin - Nocturne in C Sharp Minor Op. Posth {The Pianist}; Maria Tipo
Barber - Adagio for Strings {Platoon} Eugene Ormandy; Philadelphia Orchestra
Elgar - Cello Concerto in E Minor Op. 85 - I. Adagio - Moderato (Opening) {Hilary and Jackie}; London Philharmonic Orchestra; Norman Del Mar; Robert Cohen
Shostakovich - Piano Concerto No. 2 in F Op.102 - II. Andante Dmitri Alexeev; English Chamber Orchestra; Jerzy Maksymiuk
Verdi - Va, Pensiero (Chorus of Hebrew Slaves) (Nabucco) {The Godfather, Pt. 3}; Bernard Haitink; Covent Garden Chorus & Orchestra of the Royal Opera House
Disk 2
Albinoni - Adagio in G Minor (Realised Giazotto) [Extract] {Gallipoli}; Academy of St. Martin in the Fields; Sir Neville Marriner
Nyman - Heart Asks Pleasure First/The Promise {The Piano}; Unknown artist
Quarantotto & Sartori - Time to Say Goodbye; David Abel
J.S. Bach - Goldberg Variations - Aria {The English Patient}; Maria Tipo
Offenbach - Barcarolle (Les Contes d'Hoffmann) {Life Is Beautiful}; Choeurs Rene Ducios; Clu; Elisabeth Schwartskopf; Jeannine Collard; Orchestre De La Societe` Des Concerts Du Conservatoire
Rachmaninov - Piano Concerto No. 2 in C Minor - II. Adagio Sostenuto (Opening) {Brief Encounter}; Cecile Ousset; City of Birmingham Symphony Orchestra; Sir Simon Rattle
Elgar - Nimrod ("Enigma" Variations) {Elizabeth}; The London Symphony Orchestra; Sir Adrian Boult
Puccini - Vissi d'Arte (Tosca); Georges Pretre; Maria Callas; Orchestre De La Societe` Des Concerts Du Conservatoire
Myers - Cavatina {The Deer Hunter}; Manuel Barrueco; Steve Morse
Schubert - String Quintet in C D956 - II. Adagio (Opening) {Carrington}; Hungarian Quartet; Laszlo Varga
Gluck - J'Ai Perdu Mon Eurydice (Orphée et Eurydice); Anne Sofie Von Otter; John Eliot Gardiner; Orchestre De L'Opera De Lyon
Chopin - Étude in E "Tristesse" Op.10/3; John Ogden
Verdi - Attendo, Attendo...Addio del Passato (La Traviata); Dame Kiri Te Kanawa; Myung-Whun Chung; The London Symphony Orchestra
Bach - Double Violin Concerto in D Minor BWV 1043 - II. Largo Ma Non Tanto {Children of a Lesser God}; Bath Festial Orchestra; Christian Ferras; Sir Yehudi Menuhin
Kashif - Queen Symphony - III. Adagio {Who Wants to Live Forever - Save Me}; Royal Philharmonic Orchestra; Tolga Kashif
Chopin - Piano Concerto No. 1 in E Minor - II. Romance (Larghetto) (Opening) {The Truman Show}; Garrick Ohlsson; Jerzy Maksymiuk; Polish National Symphony Orchestra
Faure - In Paradisum (Requiem) {The Thin Red Line}; Cambridge Choir of Kings Choir; English Chamber Orchestra; Stephen Cleobury
Horner - My Heart Will Go On {Titanic}; David Abel
Gershwin - Rhapsody in Blue (Conclusion) {Manhattan}; Andre Previn; The London Symphony Orchestra
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Songs of Free Men/ A Paul Robeson Recital
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029YJ Release Date: 1997-12-09 |
Tracks:
- Balm in Gilead
- Chassidic Chant
- Quiet Flows The Don: From Border To Border
- Quiet Flows The Don: Oh, How Proud Our Quiet Don
- Elijah, Op. 70: The Lord God Of Abraham
- The Purest Kind Of Guy
- Joe Hill
- The Peat-Bog Soldiers
- The Four Insurgent Generals
- Native Land
- Song Of The Plains
- Cradle Song
- Within Four Walls
- By An' By
- Sometimes I Feel Like A Motherless Child
- John Henry
- Water Boy
- My Curly Headed Baby
- Mah Lindy Lou
- Wagon Wheels
- The House I Live In
- Showboat: I Still Suits Me
- Sylvia
- Showboat: Ol' Man River
- Porgy And Bess: It Ain't Necessarily So
Amazon.com
There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed DistlerCustomer Reviews:
Robeson on wax.......2007-06-19
The voice, the sound quality and the interpretation.......2004-09-24
A Voice from the 40s, often dated, often moving.......2002-09-01
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.
Robeson at his best.......2000-05-12
In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).
