Live For Me

Live For Me

Track Listings

1. Live For Me

Editorial Reviews

About the Artist
Tatiana is a singer/songwriter who has been professionally trained in voice, dance, modeling and acting. She is of Puerto Rican and Dominican descent, resulting in the features of a Latino beauty and the voice of a captivating angel.

Tatiana has competed in and won numerous beauty pageants and talent shows since her early teenage years. Tatiana has been requested to open for Grammy nominated and Grammy winning recording artists. Tatiana has commanded stadium filled crowds throughout North America and Europe to standing ovations. In 1999, Tatiana was crowned Miss Teen Puerto Rico of Trenton, in addition to winning Best Vocalist at the Hispanic Youth Showcase. Tatiana opened for recording artist Lou Bega at the San Paolo Stadium in Naples, Italy, on the wave of his chart topping single Mambo#5. At the request of Governor James McGreavey of New Jersey, Tatiana sang the National Anthem at Governor McGreavey's inauguration, to rousing acclaim.

Tatiana was the winner of the 2003 Fanta-Coca Cola Model Search and New Jersey Network's (NJN) 2003 Road To Stardom contest.

Tatiana Segura's fan base believes that she will carry on the powerful legacy of those such as Selena, Celia Cruz and Gloria Estefan.

Product Description
Destined to be a classic, Tatiana Segura's debut single, "Live For Me", is truly for anyone that has ever lost, or been separated from a loved one. "Live For Me" will touch your heart, stir your soul and bring healing, hope and a renewed sense of purpose to live on.

To honor her Hispanic heritage, "Live For Me" has been recorded in Spanish as well - "Vive Por Mi". Response to the song has been overwhelming in both the mainstream and Latino markets.

Live For Me,Tatiana Segura,MarketPlace Music,Latin Urban/Pop - An unprecedented cross-over artist with mass appeal to the Pop, Urban and Hispanic markets.


Josh Groban Live at The Greek (CD/DVD)
Average customer rating: 2.5 out of 5 stars
  • Josh is even better in live!
  • Very Good!
  • Let me explain...
  • Re-Live the Concert Experience!
  • DVD is so worth the price
Josh Groban Live at The Greek (CD/DVD)
Josh Groban
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00063LTH4
Release Date: 2004-11-30

Tracks:

  1. Oceano
  2. Mi Mancherai (il postino)
  3. Mi Morena
  4. Canto Alla Vita
  5. Remember When It Rained
  6. Remember
  7. America
  8. Never Let Go

Tracks:

  1. Oceano
  2. Per Te
  3. To Where You Are
  4. Mi Mancherai (il postino)
  5. Mi Morena
  6. Alejate
  7. Canto Alla Vita
  8. Nocturne/Bohemian Rhapsody (performed by Lucia Micarelli)
  9. Alla Luce Del Sole (special guest artist: Bela Fleck)
  10. My December
  11. Caruso
  12. Remember When It Rained
  13. Vincent (Starry, Starry Night)
  14. Remember
  15. You Raise Me Up
  16. America
  17. Never Let Go

Amazon.com

If Josh Groban's unabashedly melodramatic musical fusion inspires grousing on both sides of the classical/pop pundit divide, the screams of the (mostly) young female fans that punctuate these 2004 performances at L.A.'s historic Greek theater better underscore the real point. This set's CD and more expansive DVD complement each other well; if anything, supplemented by a live string ensemble and crack backing band, they're a warmer, more focused showcase for the singer's talents than the studio albums that made his meteoric fame. In peak form, Groban variously delivers forceful renditions of his pop-operatic powerhouses "Canto Alla Vita" and "Anna Luce Del Sole" (the former featuring a drum solo [!] from Groban, the latter a fine guest turn by Bela Fleck on banjo), takes a surprising solo piano break on Paul Simon's "America," waxes Central Asian on Troy's "Remember" and brings the crowd to its feet with the heart-on-his-sleeve dramatics of Closer's "Never Let Go." They're all informed by the singer's insouciant, youthful enthusiasm, arguing that Groban is gifted with more than just a magnificent voice; he's a complete natural as a performer as well. The DVD also includes a tour diary narrated with typical charm by the singer, as well as bonus live performance of "Believe" from the Polar Express soundtrack. --Jerry McCulley

Album Description

Josh Groban's 2002 PBS "Great Performances" special was a #1 selling DVD and the best-selling long-form music video of 2003. His second "Great Performances" special was taped at L.A.'s Greek Theater in the summer of 2004. For fans of the young sophisticated pop phenomenon who has sold more than 8 million albums, this CD+DVD package is just the latest great performance in the career of Josh Groban. DVD Extras: On the road with Josh for Summer 2004 Tour and a special performance of "Believe" from The Polar Express (it's PBS footage mixed w/ film footage).

Customer Reviews:

4 out of 5 stars Josh is even better in live!.......2007-04-14

I recently saw Josh on his new tour with Awake, and it was so awesome that inspired me to buy this DVD to replicate the experience a little bit. I loved it! Especially loved the few extra songs I've never heard before (Mi Morena, America). Some people were complaining about the nasal sound and quality, but this is a live show so of course it sounds a little different. Bottom line is I think Josh is a great preformer and his very funny also :)

4 out of 5 stars Very Good!.......2007-02-09

This CD/DVD was very good. I watched the DVD and was impresed with the way He handles the "spot light." He seems to be a very humble person and I think that is what makes his music so enjoyable to listen to. Not forgetting his awesome voice!

5 out of 5 stars Let me explain..........2007-01-14

There are several reviews that talk about how annoying it is for the fans to wave light sticks and/or American flags in this DVD. Perhaps if I explain why, it will seem less annoying.

The waving of the light sticks was started at the very beginning of his first tour, mainly to show him how much the fans appreciated the concerts. The first idea was to wave them during the last verse of "You Raise Me Up," when the choir came out. Later, fans added another show of support by waving blue light sticks during "Vincent (Starry Starry Night."

OK, if you still find that annoying, that's your right. However, the flag waving at the end of "To Where You Are" was special. This concert was filmed on September 11, and the flags were waved at the end of "To Where You Are" for those who were lost, and the families of those who were lost, on 9/11/2001.

It's your right if you still find these things annoying. I just thought I'd try to help you to understand.

Since this is a forum for giving our opinions of the DVD, I have to say that I love it. He has a beautiful voice and I love listening to him under any circumstance. The DVD is wonderful, IMHO.

5 out of 5 stars Re-Live the Concert Experience!.......2007-01-09

Was fortunate enough to attend Josh's "Closer" concert tour date at Jones Beach--amazing voice. Getting this album brought back all of the memories of that amazing evening outdoors under a "Starry, Starry Night." I used to not bother purchasing live albums because they had poor audio quality, but not anymore. Love this album! (Actually, I love all of his stuff.)

5 out of 5 stars DVD is so worth the price.......2007-01-08

I disagree with some of the reviewers complaining about a nasal sounding CD. Yes, there are few parts where it may sound a little nasal but people have to remember that this a LIVE concert and if they wanted perfect sound they should buy the studio album instead. He still sounded brilliant and great. The DVD is fantastic for all those who don't have the luck or means to attend a Groban concert. It captures the energy and pure joy of a concert. Sometimes its even better than being at the concert because you can see Groban close up. I hope that there will be a concert DVD released for the AWAKE concerts.
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Average customer rating: 4.5 out of 5 stars
  • It's Dreamy
  • My Favorite Composer of all time
  • An American classic from Hampson that brings smiles and tears
  • OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!
  • It's simply lovely
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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  1. Song of Home
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ASIN: B000002SK7
Release Date: 1992-10-20

Tracks:

  1. Opening Solo Violin
  2. Jeanie With The Light Brown Hair
  3. Hard Times Come Again No More
  4. The Voice Of Bygone Days
  5. Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
  6. Open Thy Lattice, Love (1844)
  7. Beautiful Dreamer (1864)
  8. That's What's The Matter
  9. Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
  10. Molly! Do You Love Me? (1850)
  11. Sweetly She Sleeps, My Alice Fair (1851)
  12. Comrades, Fill No Glass For Me (1855)
  13. Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
  14. My Wife Is A Most Knowing Woman (1863)
  15. Gentle Annie (1856)
  16. Linger In Blissful Repose (1858)
  17. Ah! May The Red Rose Live Alway (1850)

Customer Reviews:

5 out of 5 stars It's Dreamy.......2007-01-10

This is a very wonderful recording of Stephen Foster by a master singer.
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).

The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.

Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.

I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.

If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."

If you love good music, and you have heart which can be stirred, and you love your country, this is for you.

I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.

I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.

5 out of 5 stars My Favorite Composer of all time.......2006-08-20

Growing up playing his stuff on piano, I love the instrumentality of this CD..the violins give off that wail that he speaks of..I am not sure what it is about Stephen Foster but these verses..grab me like no other..there is so much sensitivity to it..

I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour

but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..

5 out of 5 stars An American classic from Hampson that brings smiles and tears.......2006-07-17

Stephen Foster was the greatest American composer of sentimental parlor ballads--he so perfectly imitated folk songs that his music wound up turning into them. In an age of home music-making and later of families sitting around the radio, Foster's songs were a staple, often performed by crossover artists from opera like Lawrence Tibbett. Those were plump, ripe styles of singing, highly flavored by church hymns.

In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.

5 out of 5 stars OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25

Simply one word, WOW!!!
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.

5 out of 5 stars It's simply lovely.......2004-12-14

I didn't know Stephen Foster (I thought): wrong: Oh Susanna, etc, I knew, but had no idea who the composer was.

This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.
Beyond Imagination
Average customer rating: 4 out of 5 stars
  • wallpaper
  • simply beautiful, so just enjoy it
  • Sloppy renditions and amateurish
  • Great songs reinvented, with a twist
  • Praise for Beyond Imagination
Beyond Imagination
Opera Babes
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00007MB2F
Release Date: 2003-01-14

Tracks:

  1. One Fine Day (Un Bel Di From Madame Butterfly)
  2. Sempre Ricordo (Piano Concerto in A minor)
  3. There's A Place (From The New World Symphony)
  4. Beyond Imagination (From A Midsummer Nights Dream)
  5. O Fortuna (From Carmina Burana)
  6. Lakm2O (Flower Duet)
  7. Ebben?..Ne Andro Lontano (from La Wally)
  8. You Live On In My Heart (Cinema Paradiso)
  9. Chanson Boh (From Carmen)
  10. Remember Me
  11. Stranger In Paradise (From Kismet)
  12. Ode II Joy (From Symphony No. 9)
  13. 1001 Nights (From The Nutcracker Suite)
  14. Barcarolle (From The Tales Of Hoffman)
  15. LakmVibeTribe Mix)
  16. Ave Maria
  17. Vittoria! (Aida 2002)

Amazon.com

Plucked from a wet afternoon of busking Bizet and Puccini to passersby on the Piazza in Covent Garden in the spring of 2001, soprano Rebecca Knight and mezzo Karen England soon found themselves singing in slightly larger venues: the FA Cup and Champions League soccer finals. That the management company doing the plucking had recently performed a similar Cinderella crossover act for Russell Watson offered portent, and indeed the Babes--the moniker began as a joke--were soon on their way to this recording debut. The marketing shtick and its soccer connections may offend purists, but it's the football hooligans that the Babes are trying to win over here; can Borodin soothe the savage Manchester United fan? Their classically trained voices mesh gloriously, with England's warm mezzo showing particular character in her solo turns.

The repertoire choices here cover material that may already be familiar to fans of Charlotte Church (i.e., Delibes "Flower Duet") and other crossover acts, but they do include some pleasant surprises, like Offenbach's Barcarolle from The Tales of Hoffmann and "You Live On in My Heart," a reworking of Ennio Morricone's enchanting Cinema Paradiso theme with lyrics by Knight. But in a rush toward the musical middle of the road, it's the productions themselves that sometimes overwhelm the Babes with bathos ("Ave Maria"), hollow thunder ("Aida 2002"), and electro club kitsch (the 'Vibe Tribe' mix of "Flower Duet"). Former Art of Noise mainstay Anne Dudley's tastefully restrained coloring of Tchaikovsky's "1001 Nights" is one of the notable exceptions. They're babes, they sing opera--with fair promise--for the masses, and if they turn one in a hundred from football hooliganism to a well-mannered appreciation of Grieg and Dvorák, won't it all have been worth it? --Jerry McCulley

Customer Reviews:

3 out of 5 stars wallpaper.......2007-07-12

overorchestrated, overproduced aural wallpaper...that said, still, these women have wonderful voices and are worth hearing. They are oversold,too...Opera Babes! Indeed. Folks who like Enya will like this.

5 out of 5 stars simply beautiful, so just enjoy it.......2007-06-11

my daughter has taught me to love opera. this immediately captured me. the Babes' voices blend so beautifully. I love it! who cares about Puccini, Classic Opera, blah, blah, woof, woof. I love this album

2 out of 5 stars Sloppy renditions and amateurish.......2007-05-15

I heard one of the selections on Sirius and liked it so I bought the CD. Upon hearing the entire CD I was disappointed that the only selection I liked was the one that prompted me to buy the product. The voices are nice but they are simply adding voice to opera masterpieces that do not fit. They are certainly not of the caliber of Sarah Brightman or Charlotte Church and don't look for that. Their sound is mellow, dim and without the emotion that does an inservice to the opera pieces they sing. I found the CD lackluster and in all honestly very "amateurish".

5 out of 5 stars Great songs reinvented, with a twist.......2006-09-30

Expanding upon the recent interest in Gregorian chant fusion as well as rich-voiced solo vocalists such as Josh Groban, operatic soprano Rebecca Knight and mezzo soprano Karen England offer full-vibratoed, somewhat modernized interpretations of favorite classical themes. Backed by chorus, orchestras, keyboards and drums, they draw from such diversely satisfying works as Puccini's opera "Madame Butterfly," Grieg's "Piano Concerto in a minor," Dvorak's "New World Symphony," Mendelssohn's "Midsummer Night's Dream," Orff's "Carmina Burana," Delibe's "Lakme," Beethoven's "Ode to Joy," Tchaikovsky's "Nutcracker Suite," Offenbach's "The Tales of Hoffman," Schubert's "Ave Maria," and Verdi's "Aida." Some of the arrangements are fairly traditional, while others are noticeably enhanced. The emphasis tends to be on pretty pieces with sweet melodies, though a few are more intense in nature (#1, 4, 5, 15 and 17). A couple of pop songs, still sung in operatic style, are thrown in for good measure, although they don't have the same appeal and mystique as the old favorites. All of the selections feature both vocalists together, singing in lovely, close harmony. The arrangers of this elegantly hip music include Jon Cohen, Noely, Frank Gallagher, Deni Lew and Anne Dudley, with multi-language lyrics (for the adaptations of instrumental works) by Rebecca Knight and others. I have to admit that I occasionally found myself longing for the modern additions to be more consistently interesting and distinctive--in other words, equaling the artistry of the classics that they're accompanying. Track #1, which really shines, is a well-done example. Alternately, perhaps the source songs might have been better off left in their pure, original styles rather than watered down with schmaltzy, predictable underpinnings that don't add much to the music. But like Enigma did for medieval chant, the Opera Babes are endeavoring to bring some wonderful, time-tested music to a wider audience, fusing it with modern idioms in way that is artistic and generally appealing. For more opera fusion, compare the work of Amici Forever (a group of five singers, both male and female), and the oddly packaged but similar-in-concept album "Coco de Mer" by Adam Plack.

5 out of 5 stars Praise for Beyond Imagination.......2006-02-26

What I really enjoyed about this album was its distinctive sound and arrangement of the material. I enjoy classically performed opera and was surprised how much I like the Opera Babes' versions. Of course, the wonderful voices added immensely to the high quality of this product.
I Oughtta Give You a Shot in the Head for Making Me Live in This Dump
Average customer rating: 4.5 out of 5 stars
  • I am on a string and you can lead me anywhere
  • Goodnight Moon
  • Shivaree throws one heck of a party!
  • It's all Good
  • Alice in Dr. Seus-land
I Oughtta Give You a Shot in the Head for Making Me Live in This Dump
Shivaree
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00001ZSTB
Release Date: 1999-10-19

Tracks:

  1. Cannibal King
  2. Bossa Nova
  3. Daring Lousy Guy
  4. Arlington Girl
  5. Oh, No
  6. Lunch
  7. Goodnight Moon
  8. I Don't Care
  9. Pimp
  10. Idiot Waltz
  11. Ash Wednesday
  12. Arrivederci

Customer Reviews:

4 out of 5 stars I am on a string and you can lead me anywhere.......2007-06-28

Shivaree is what more pop should sound like -- an embittered torch singer who secretly dreams of experimental electrofolk. This odd trio debuted with "I Oughtta Give You a Shot in the Head for Making Me Live in This Dump," whose title gives you a hint about what their eerie fusion ballads and alt-rock sound like.

It opens on a deliciously sick note with "Cannibal King," which is basically some wobbling keyboard, and Ambrosia Parsley singing, "The cannibal king with the big nose ring/Fell in love with a sweet young maid/And every night by the pale moonlight/This is what you'll hear him say..." Well, that's not very sick, but Ambrosia makes a loud yummy sound at the end.

The actual music starts with "Bossa Nova," a little alt-countryish song peppered with samples and clashes of synth. And, of course, a girl's incisive breakup with her guy ("I'm never talking to you again/I'll go join the marines/And then I will peacefully sail away with some safe magazines!"). Then we get the deliciously jagged electropop of "Daring Lousy Guy."

From there on, Shivaree experiments with variations of the fusion music: the electronica-riddled piano songs, jazzy little ballads, mournful alt-rocky laments, funky tunes about "a back stabbing Hollywood pimp," and the exquisitely soulful "Goodnight Moon." But things mellow out somewhat in the last trio of songs, which include a cynically romantic ballad, a wistful acoustic melody, and finally the "Arrivederci."

Shivaree have grown and changed over the years, but their debut album is still a pretty solid listen -- they take your basic folky-rocky-countryish melodies, and weave in some electropop and jazz. And they've got some truly wicked, incisive songwriting, as if the title didn't tip you off.

The band manages soft and poppy songs with equal alacrity: solid riffs, great drumming, and some gentle interweaving of piano melodies and acoustic guitar. And of course, lots and lots of synth -- blippy, funky, and shimmering soft canopies of shivering sound. Danny McGough isn't quite perfect, though -- Shivaree has a tendency to cram synthy tangles into any quieter spots between vocals.

But Parsley takes center stage, with the voice and attitude of a world-weary torch singer -- throaty and hostile, with a jaded view of romance and the world. She sings of free spirits, abusive boyfriends ("Your throat is going to be exploded/and I'm still being shy!"), fear of the dark, and nasty entertainment bosses. "Something's under the bed/Now it's out in the hedge/There's a big black crow sitting on my window ledge/And I hear something scratching through the wall..."

Shivaree started off remarkably strong in their debut album "I Oughtta Give You a Shot in the Head for Making Me Live in This Dump," which lives up to its name -- bitter, beautiful, and wickedly funny.

3 out of 5 stars Goodnight Moon.......2006-05-14

Love Ambrosia Parsley's singing voice. Haunting in some ways, smooth, soothing... It seems, though, about the only winner is tune #7, Goodnight Moon, on this CD. This won't stop me from buying something else by this group, or by Ambrosia, should she venture out on her own.

Was it worth buying this CD? For me, yes. Absolutely. Can't get enough of Goodnight Moon; also, this seems to be the type of album one has to play a few times to truly appreciate the music.

4 out of 5 stars Shivaree throws one heck of a party!.......2006-01-29

I liked this CD - it's out of the rut. These aren't people playing to whatever the fickleness of commercialism dictates for the minute, these are folks playing what they want. Hence the music is a bit quirky with the opening an old standard. Overall, I found the CD quite haunting- lots of shivers running up and down my spine. It's also well done- you won't be disappointed if you give it a more serious listen.

On the downside- well, I found some tracks stronger than others- I'd characterize this CD as a bit uneven. But that's a small price to pay for something that you're not going to hear on commercial radio.


Sam B.
Stamford, CT

4 out of 5 stars It's all Good.......2005-10-19

If you loved "Goodnight Moon" you'll like the rest of the album. Although the hit single is the shining light on the CD, the remainder of the songs are just as cool and stay true to the Shivaree style.

5 out of 5 stars Alice in Dr. Seus-land.......2005-09-02

I Oughtta starts off with the extreamly short Cannibal King, a 46 second ditty that highlights pretty much everything important about Shivaree: a macabre subject, a comic undertone, unexpected music and outstanding vocals. Once past the short intro piece, I Oughtta dives full on into the band's eccentric goodness.
Goodnight Moon may be the band's only really famous song, and it's the only thing on the CD that comes close to being 'pop'-y. The rest range from millitary-style exit marches (Arlington Girl) to obessive-compulsive love ballads (Oh No). Of special note are the excellent Bossa Nova and the altogether much too short Arrivederci and Ash Wednesday. Ash Wednesday in particular is an increadibly tranquil bit remnicent of campfire circles.
Ambrosia Pierce is worthy of the praise sung to her name, her breathy, husky-sweet vocals are clear and well matched to the music, carrying a wide range of emotion and nuance. While not the most dynamic or talented singer on the market, she carries herself well and plays to her strengths, making for music as smart as it is beautiful.
Overall, I Oughtta a strange and wonderful cross between fantasy and nightmare, elegant and poised, with a beautiful edge of maddness. Excellent.
Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
Average customer rating: 4.5 out of 5 stars
  • Buy two and give one to someone you love!
  • A joyful sample of the human voice.
  • A sheer delight from start to finish
  • Exquisite
  • Cecilia Live
Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
  2. Cecilia Bartoli - A Portrait
  3. Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
  4. Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
  5. Cecilia Bartoli - Mozart Portraits

ASIN: B00000DBTM
Release Date: 1998-10-20

Tracks:

  1. Tu ch'hai le penne, Amore
  2. Amarilli
  3. Al fonte, al prato
  4. Lascia la spina
  5. Agitata da due venti
  6. Oiseaux, si tous les ans, K. 307
  7. La Pastorella, D 528
  8. Havanaise
  9. Hai luli!
  10. Zaide
  11. Malinconia, ninfa gentile
  12. Ma rendi pur contento
  13. La conocchia
  14. Me voglio fa 'na casa
  15. Mi lagnero tacendo
  16. Mi lagnero tacendo (Il Risentimento)
  17. Mi lagnero tacendo (Sorzico)
  18. L' Orpheline du Tyrol
  19. Riedi al soglio (Zelmira)
  20. Le nozze di Figaro: Voi che sapete
  21. Canzonetta Spagnuola
  22. Caro mio ben
  23. Cinco Canciones negras, No. 5: Canto negro
  24. Carmen: Seguedille (Carmen)

Amazon.com essential recording

In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick Stearns

Customer Reviews:

5 out of 5 stars Buy two and give one to someone you love!.......2007-03-08

(That way, you can get free shipping!) Or, buy Opera Proibita also.

If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.

The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.

When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"

This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!

If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.

Highly recommended!

5 out of 5 stars A joyful sample of the human voice........2006-06-12

'Live in Italy' by mezzo-soprano Cecilia Bartoli, accompanied by pianist Jean-Yves Thibaudet is, for those of us who do not know Italian and are not avid opera fans, a simply delightful essay in the beauty of the human voice. I am really happy this is not the first Bartoli album I have bought, as others, such as her recordings of French and Italian love songs have more substance to offer (if you don't know the operas from which these pieces are taken) but this recording, with its live ambiance, is a great pleasure all by itself, a very nice change from the somewhat frostier Fraulain Von Otter from the northern climes.

5 out of 5 stars A sheer delight from start to finish.......2005-07-14

Although I rarely follow singers, even I am totally disarmed by Cecilia's magic spell of charm that criticism fails me. You will see that most of my reviews of music are about modern or Renaissance music, so for me to go out and lavish praise on her is really something totally out of the ordinary. Then again her singing is out of the ordinary in that it has an instantly recognisable warmth and captivating personality that makes her the outstanding singer of the current generation for me.

I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.

Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.

As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.

A stunning recording and an absolute favourite to relax to or just to be inspired by.

5 out of 5 stars Exquisite.......2003-01-31

"Her natural command of messa di voce phrasing, willingness to shade the voice away to the quietest pianissimo and acute sensitivity to the words of Caccini's love songs proved irresistible, attracting a generous mix of applause and foot stamping."

Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.

There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.

She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.

In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.

The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.

Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.

Amarilli - Delicate and beautiful expression of true love.

Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.

Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."

Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.

Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.

La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.

Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.

Hai luli! - A seductive treatment of a song asking "where can my love be?"

"What's the point of living without a lover?"

Zaide - High energy and fast paced. A song about an orphan.

Malinconia, ninfa gentile - Gorgeous and poetic song.

Ma rendi pur contento - She really captures longing and an almost delicate purity.

La conocchia - Light and breezy.

Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.

Mi langero tacendo - Poignant moment.

"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."

Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.

Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)

L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.

Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."

Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.

Canzonetta spagnuola - A muse comes to torment a painter.

Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.

Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.

Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.

And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.

~TheRebeccaReview.com

4 out of 5 stars Cecilia Live.......2002-07-12

I have loved her low and warm voice ever since the first time I listened to her, the Italian mezzo-soprano Cecilia Bartoli. With respect and tenderness she treats the composers, whose works she performs while adding her own dimension. She transports me with her art. It is as if we become one person, and I experience her joy of music. Together we share a glimpse of eternity.

On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.

Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.

Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!
Pavarotti & Friends - For The Children Of Liberia
Average customer rating: 4.5 out of 5 stars
  • A Superb Collection of Music
  • This is a delightful combination of music talents to enjoy!
  • This will tenderize your heart.
  • Phenomenal !! A must have for any music library.
  • Outstanding Music, bringing Pavarotti to new heights.
Pavarotti & Friends - For The Children Of Liberia

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  5. Pavarotti & Friends

ASIN: B00000DBVG
Release Date: 1998-10-20

Tracks:

  1. Let It Rain
  2. Stop
  3. How Do I Live Without You
  4. I Hate You Then I Love You
  5. Higher Ground
  6. 'O Surdato 'Nnammurato
  7. Se Bastasse Una Canzone
  8. Betcha Never
  9. Viva Forever
  10. Va, Pensiero
  11. Napule e'
  12. Une Place Pour Moi
  13. Non Ti Scordar Di Me
  14. Tonight
  15. Dreams
  16. Adeste Fideles
  17. Peace Wanted Just To Be Free

Amazon.com

Is music for a good cause a good cause for music? Not really, if you expect artistry. But this smorgasbord of popular international musical stars brings together extreme musical genres for an excellent purpose, and is enjoyable enough for almost anyone. Pavarotti's relaxed and buoyant leadership and still gorgeous tenor add beauty to the rock/pop selections. Trisha Yearwood, Celine Dion, and Stevie Wonder impressively hold their own against Opera Spice; but the other artists pale against the master's presence. The Spice Girls will never be confused with Anonymous 4; Zucchero's growling is scary; Florent Pagny exemplifies French rock; and Pino Daniele's breathy tenor is mellow and soothing. Best for those wanting to experience Pavarotti's vocal beauty in a more popular idiom. --Barbara Eisner Bayer

Customer Reviews:

5 out of 5 stars A Superb Collection of Music.......2002-11-14

As a musician, I first ran into this disk as a PBS broadcast. What caught my ear was that every song in the concert has "the groove." Other than a children's choral cut, not a single song in the entire collection has a flaw. You'd think the Spice Girls would be a silly addition to the concert, but they do a tremendous job. Each artist appears twice, usually with Pavaotti in one of their songs, sometimes twice. Vanessa Williams is Hot! and does an incredible dance number. The engineering is excellent, with solid side-to-side separation for a really "big" sound. All in all, this is one of the favorite CDs in my music library.

5 out of 5 stars This is a delightful combination of music talents to enjoy!.......1999-04-01

We first saw Pavarotti and Friends on Public Television as a fundraising event. We found the CD and especially love to listen to this CD in our car which has a great sound system. Each vocalist is so special and you will be singing along with them after a couple of plays!

5 out of 5 stars This will tenderize your heart........1999-03-07

Brilliant talent for needy children, that touches the soul, and sets it on fire. Your tears will soak your socks. James

5 out of 5 stars Phenomenal !! A must have for any music library........1998-12-29

A most wonderful gathering of some of the world's greatest vocalists. Such a unique blend of international Modern & Classical. If one were to put to test the ability of a vocalist to adapt to a variety of melodies, this is it. Grab your lover and take a trip in their arms with this CD!!

5 out of 5 stars Outstanding Music, bringing Pavarotti to new heights........1998-12-06

Easily the best in the Pavarotti & Friends series. Always an artist on the cutting edge, with this album, Pavarotti's work will have great appeal to his fans and to scores of new enthusiasts. His duets with the Spice Girls, Vanessa Williams, Zucchero, and Stevie Wonder make it obvious that his voice has adaptability and a passion that takes it into many musical genres with ease. This shouldn't be a surprise to anyone. Sting once commented that great music occurs in the "synaptic gaps" where many different styles come together - this is an album that epitomizes the concept. Neopolitan music is a folk music in Italy, with overtones of American folk/country/jazz/rock, and Pavarotti is the Neopolitan master. This is a perfect fit of artists and selected titles. Earlier combinations of artists in this series were often much too somber, much less fun. Give this one to your teens or your great grandmother ... they'll find they have more musical tastes in common than they'd have ever imagined.
Pavarotti & Friends 2
Average customer rating: 3.5 out of 5 stars
  • Artifice not art
  • Live Audience, Variety=Enjoyable Listening Experience
  • Fun
  • Excellent live album
  • torture
Pavarotti & Friends 2

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Pavarotti & Friends
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ASIN: B000004272
Release Date: 1995-06-06

Tracks:

  1. Chitarrra romana
  2. Moon River
  3. All I Ask Of You
  4. Mattinata
  5. Santa Lucia luntana
  6. Night Fire Dance
  7. Verranno a te
  8. Please Forgive Me
  9. Who Wants To Live Forever
  10. Notte 'e piscatore
  11. O Silver Moon
  12. 'O Sole mio
  13. Ave maria, dolce Maria
  14. All For Love
  15. Brindisi

Customer Reviews:

1 out of 5 stars Artifice not art.......2005-04-20

This album is a big tub of artifice not art. Brian Adams is awful and simply has no voice and probably has nodes on his vocal cords. Pavarotti obviously stands out because he chose the other singers and despite the enormity of his talent (benefit charity or not) offers up shlock. Gustafson has a nice voice, but shouldn't sing Moon River until she learns the words - her voice serves the classical genre better. As for Boceli; I would rather eat worms than listen to another of his tremulous renditions. Sorry, this is pure junk for the ears, regardless of its attempts to raise funds. It does not raise artistic standards!

5 out of 5 stars Live Audience, Variety=Enjoyable Listening Experience.......2002-09-12

O.k., I admit it, I bought this CD because I'm a die hard Andrea Bocelli fan, but I discovered I really love the variety of singers and the spontaneity and excitement of the live performance at the Parco Novi Sad in Modena. Particular favorites--Bryan Adam's "Please Forgive Me," Pavarotti and Giorgia's "Santa Lucia Luntana," and the ensemble singing of "Brindisi." The combination of voices and styles, the live
audience, and the knowledge that the event was performed for charity, all add up to a very enjoyable listening experience.

5 out of 5 stars Fun.......2002-02-07

This is a fun CD with many great singers and a good one. Of Course Pavarotti is one of the greatest voices ever; and along with Bocelli, Nancy Gustafson and Giorgia this CD is filled with great singing and Brian Adams is a good singer. Its just fun to hear Adams singing O Sola Mio with Pavarotti; and its Fun to Hear Pavarotti sing Moon River All for Love, etc.,. Highlights are Santa Lucia Luntana with Pav and Gustafson, Who Wants To Live Forever with Giorgia, Notte 'e Piscatore with Pav and Bocelli, and the two encores with everyone singing (All For Love and Brindisi). The Production of the CD is excelent as well.

5 out of 5 stars Excellent live album.......2001-11-08

This is the 2nd in the 'Pavarotti and Friends' series of benefit concerts. Although there are not the large amount of "superstars" on this cd as later 'Friends' albums were to have, this is an excellent live recording, and I could and have listened to it many times. I don't understand the previous reviewers, but to each his own! This album also introduced me to the beautiful voice of Nancy Gustafson, and I definately want to check out her other work now. And who can resist the wonderful pairing of Pavarotti and Bryan Adams on "O Sole Mio". Worth the price in itself. One thing though .. I know this album and concert was done for charity, but nowhere in the booklet or cd cover does it say which charity is benefitting. The booklet includes lots of photos from the night. Recommended.

1 out of 5 stars torture.......2001-09-25

i would rather ingest shards of glass than listen to this schlock again. whoever thought up the idea of having the phenomenal pavarotti sing with such morons as bryan adams should be forced to stand in the corner and then go to bed without supper. i don't care if this was for a good cause. big deal. give to the red cross or something. but don't make me listen to this horrific CD ever again. it's painful.
Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

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    5. Schubert: The Masterworks [Box Set]

    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Classical Heartbreakers
    Average customer rating: 3.5 out of 5 stars
    • a terrific compilation for beginners
    • "Classical heartbreakers" broke my heart
    • A Fantastic Compilation
    Classical Heartbreakers

    Manufacturer: EMI Classics
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    1. Voice of the Violin

    ASIN: B0000B09Z9
    Release Date: 2004-01-13

    Tracks:

    1. Piano Concerto No. 1 - Andre Previn
    2. Intermezzo - Philharmonia Orchestra
    3. Rhapsody On A Theme Of Paganini - Sir Simon Rattle
    4. O Mio Babbino Caro - London Symphony Orchestra
    5. Viola Da Bamba Sonata In G Minor - Ton Koopman
    6. Beim Schlafengehen - London Philharmonic Orchestra
    7. Schindler's List Theme - Tasmin Little
    8. Clair De Lune - Dame Moura Lympany
    9. Symphony No. 5 - New Philharmonia Orchestra
    10. Ebben? Ne Andro Lontana - Philharmonia Orchestra
    11. Moonlight Sonata - Dame Moura Lympany
    12. Violin Concerto No. 1 In G Minor - Yehudi Menuhin
    13. E Lucevan Le Stelle - Georges Pretre
    14. Nocturne In C Sharp Minor - Maria Tipo
    15. Adagio For Strings - Philadelphia Orchestra
    16. Cello Concerto - English Chamber Orchestra
    17. Piano Concerto No. 2 In F - English Chamber Orchestra
    18. Va Pensiero - Bernard Haitink

    Tracks:

    1. Adagio In G Minor - Sir Neville Marriner
    2. The Heart Asks Pleasure First / The Promise - Michael Nyman
    3. Time To Say Goodbye - Orchestra
    4. Goldberg Variations - Maria Tipo
    5. Barcarolle - Elisabeth Schwarzkopf
    6. Piano Concerto No. 2 - Sir Simon Rattle
    7. Nimrod - London Symphony Orchestra
    8. Vissi D'art - Maria Callas
    9. Cavatina - Manuel Barrueco & Steve Morse
    10. String Quintet In C - Laszlo Varga
    11. J'ai Perdu Mon Eurydice - John Eliot Gardiner
    12. Etude In E 'Tristesse' - John Ogdon
    13. Addio Del Passato - London Symphony Orchestra
    14. Double Violin Concerto - Bath Festival Orchestra
    15. Queen Symphony - Royal Philharmonic Orchestra
    16. Piano Concerto No. 1 - Garrick Ohlsson
    17. In Paradisum - English Chamber Orchestra
    18. My Heart Will Go On - Orchestra
    19. Rhapsody In Blue - Andre Previn

    Customer Reviews:

    3 out of 5 stars a terrific compilation for beginners.......2006-02-07

    I agree with P. Grupe-for classical music lovers, it is a let down to listen to cut tracks of well-performed classical greats, like Chopin's 1st piano concerto in this collection. Nonetheless, this is a terrific compilation for people beginning to get interested in classical music. This compilation is an eclectic mix of the familiar (Beethoven's moonlight sonata, Rachmaninov's Rhapsody on a Theme of Paganini variation no. 18, Myer's Cavatina, Barber's "Adagio for Strings, etc.), the contemporary (Michael Nyman's The Promise, Horner's My Heart Will Go On), and the truly moving (Bach's Double Violin Concerto, Bruch's Violin Concerto, Schubert's String Quintet in C)-relatively obscure pieces usually left out in less inspired and mediocre classical music compilations. It is gratifying to see that opera music has not been left out. Get this cd if only for the Maria Callas tracks, Lucia Popp's performance of Strauss' Beim Schlafengehen, and Dame Kiri Te Kanawa's Addio del passato.

    2 out of 5 stars "Classical heartbreakers" broke my heart.......2004-06-27

    I am an avid listener of classical music, and I purchased this CD expecting to get some of the best classical music ever composed. I guess I expected a bit much though. Although the recording is filled with high quality performances of fantastic pieces, I was disappointed to find that only about half of the pieces are contained in their entirety on this 2-disc set. Songs such as Rhapsody in Blue and Beethoven's Moonlight Sonata were not recorded in full for this album, which caught me off guard and bothered me quite a bit.

    Anybody who is unfamiliar with classical music will appreciate this album. Since it features some of the most moving classical pieces ever written, it is sure to entrance listeners. And by not placing entire 10-minute pieces on the CDs, it will not run on and bore those unaccustomed to the length of most classical music. However, if you are already well-versed in classical music and can listen to entire symphonies with ease, I would advise against buying this album. I now feel a desire to go out again and find the full versions of some of these pieces, since I feel I was cheated by only getting introductions or short movements on most of the album. Guess I should have paid a little more attention to what I was buying.

    5 out of 5 stars A Fantastic Compilation.......2004-05-01

    Most of the musical pieces in this compilation are from versions as they appear in various movies. This is Classical music from classic movies such as: Somewhere in Time, Schindler's List, English Patient, The Piano, Platoon, et al. But make no mistake; the music is what's really worth mentioning here.

    The title says it all. It claims to have "the most moving Classical music of all time," and they certainly have a case, as it is chock full of the kind of emotional pieces that can easily bring you to tears. This double CD compilation with 37 passionately beautiful pieces is a steal at $16.99.

    If you've ever recorded your favorite songs on to tape, or burned them on to a CD, you'll see that this compilation is exactly what EMI Records has done. It is like a greatest hits, volume 1, of poignant Classical music. Almost all of the musical pieces are classic favorites, though there are a few contemporary ones also.

    I found the music on this CD powerful and moving as advertised, and I think that Classical music fans should truly enjoy it. It is well worth the price it's being sold for, and I highly recommend it.

    Since there is some missing information as to who the composers and artists are, here they are:

    Disk 1

    Tchaikovsky - Piano Concerto No. 1 in B Flat Minor Op.23: I. Allegro Non Troppo E Mol; Andre Previn; Horacio Gutierrez; The London Symphony Orchestra

    Mascagni - Intermezzo (Cavalleria Rusticana) {Raging Bull}; Riccardo Muti; The Philharmonia Orchestra

    Rachmaninov - Rhapsody on a theme of Paganini - Variation #18 {Somewhere in Time}; Cecile Ousset; City of Birmingham Symphony Orchestra; Sir Simon Rattle

    Puccini - O Mio Babbino Caro (Gianni Schicchi) {A Room with a View};
    Montserrat Caballe; The London Symphony Orchestra; Sir Charles Mackerras

    Bach - Viola da Gamba Sonata in G Minor BWV1029 - II. Adagio (Opening) {Truly, Madly, Deeply}; Jordi Savall; Ton Koopman

    Richard Strauss - Beim Schlafengehen (Vier Letzte Lieder) {The Hours}; Klaus Tennstedt; London Philharmonic Orchestra; Lucia Popp

    Williams - Schindler's List (Theme) {Schlinder's List}; Iain Sutherland; New World Philharmonic; Tasmin Little

    Debussy - Clair de Lune {Frankie and Johnnie}; Dame Moura Lympany

    Mahler - Symphony No. 5 in C Sharp Minor: IV. Adagietto (Conclusion) {Death in Venice}; New Philharmonia Orchestra; Sir John Barbirolli

    Catalani - Ebben? Ne Andrò Lontana (La Wally) {Diva}; Maria Callas; The Philharmonia Orchestra; Tullio Serafin

    Beethoven - Piano Sonata No. 14 in C Sharp Minor "Moonlight" Op. 27/2 - I. Adagio S; Dame Moura Lympany

    Bruch - Violin Concerto No. 1 in G Minor - II. Adagio (Opening) Sir Yehudi Menuhin; The Philharmonia Orchestra; Walter Susskind

    Puccini - E Lucevan le Stelle (Tosca) {The Man Who Cried}; Carlo Bergonzi; Georges Pretre; Orchestre De La Societe` Des Concerts Du Conservatoire

    Chopin - Nocturne in C Sharp Minor Op. Posth {The Pianist}; Maria Tipo

    Barber - Adagio for Strings {Platoon} Eugene Ormandy; Philadelphia Orchestra

    Elgar - Cello Concerto in E Minor Op. 85 - I. Adagio - Moderato (Opening) {Hilary and Jackie}; London Philharmonic Orchestra; Norman Del Mar; Robert Cohen

    Shostakovich - Piano Concerto No. 2 in F Op.102 - II. Andante Dmitri Alexeev; English Chamber Orchestra; Jerzy Maksymiuk

    Verdi - Va, Pensiero (Chorus of Hebrew Slaves) (Nabucco) {The Godfather, Pt. 3}; Bernard Haitink; Covent Garden Chorus & Orchestra of the Royal Opera House

    Disk 2

    Albinoni - Adagio in G Minor (Realised Giazotto) [Extract] {Gallipoli}; Academy of St. Martin in the Fields; Sir Neville Marriner

    Nyman - Heart Asks Pleasure First/The Promise {The Piano}; Unknown artist

    Quarantotto & Sartori - Time to Say Goodbye; David Abel

    J.S. Bach - Goldberg Variations - Aria {The English Patient}; Maria Tipo

    Offenbach - Barcarolle (Les Contes d'Hoffmann) {Life Is Beautiful}; Choeurs Rene Ducios; Clu; Elisabeth Schwartskopf; Jeannine Collard; Orchestre De La Societe` Des Concerts Du Conservatoire

    Rachmaninov - Piano Concerto No. 2 in C Minor - II. Adagio Sostenuto (Opening) {Brief Encounter}; Cecile Ousset; City of Birmingham Symphony Orchestra; Sir Simon Rattle

    Elgar - Nimrod ("Enigma" Variations) {Elizabeth}; The London Symphony Orchestra; Sir Adrian Boult

    Puccini - Vissi d'Arte (Tosca); Georges Pretre; Maria Callas; Orchestre De La Societe` Des Concerts Du Conservatoire

    Myers - Cavatina {The Deer Hunter}; Manuel Barrueco; Steve Morse

    Schubert - String Quintet in C D956 - II. Adagio (Opening) {Carrington}; Hungarian Quartet; Laszlo Varga

    Gluck - J'Ai Perdu Mon Eurydice (Orphée et Eurydice); Anne Sofie Von Otter; John Eliot Gardiner; Orchestre De L'Opera De Lyon

    Chopin - Étude in E "Tristesse" Op.10/3; John Ogden

    Verdi - Attendo, Attendo...Addio del Passato (La Traviata); Dame Kiri Te Kanawa; Myung-Whun Chung; The London Symphony Orchestra

    Bach - Double Violin Concerto in D Minor BWV 1043 - II. Largo Ma Non Tanto {Children of a Lesser God}; Bath Festial Orchestra; Christian Ferras; Sir Yehudi Menuhin

    Kashif - Queen Symphony - III. Adagio {Who Wants to Live Forever - Save Me}; Royal Philharmonic Orchestra; Tolga Kashif

    Chopin - Piano Concerto No. 1 in E Minor - II. Romance (Larghetto) (Opening) {The Truman Show}; Garrick Ohlsson; Jerzy Maksymiuk; Polish National Symphony Orchestra

    Faure - In Paradisum (Requiem) {The Thin Red Line}; Cambridge Choir of Kings Choir; English Chamber Orchestra; Stephen Cleobury

    Horner - My Heart Will Go On {Titanic}; David Abel

    Gershwin - Rhapsody in Blue (Conclusion) {Manhattan}; Andre Previn; The London Symphony Orchestra
    Songs of Free Men/ A Paul Robeson Recital
    Average customer rating: 4.5 out of 5 stars
    • Robeson on wax
    • The voice, the sound quality and the interpretation
    • A Voice from the 40s, often dated, often moving
    • Robeson at his best
    • some of the greatest songs of the last century
    Songs of Free Men/ A Paul Robeson Recital

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    2. Ballad for Americans
    3. Ol' Man River: His 25 Greatest
    4. Paul Robeson - Here I Stand
    5. Spirituals

    ASIN: B0000029YJ
    Release Date: 1997-12-09

    Tracks:

    1. Balm in Gilead
    2. Chassidic Chant
    3. Quiet Flows The Don: From Border To Border
    4. Quiet Flows The Don: Oh, How Proud Our Quiet Don
    5. Elijah, Op. 70: The Lord God Of Abraham
    6. The Purest Kind Of Guy
    7. Joe Hill
    8. The Peat-Bog Soldiers
    9. The Four Insurgent Generals
    10. Native Land
    11. Song Of The Plains
    12. Cradle Song
    13. Within Four Walls
    14. By An' By
    15. Sometimes I Feel Like A Motherless Child
    16. John Henry
    17. Water Boy
    18. My Curly Headed Baby
    19. Mah Lindy Lou
    20. Wagon Wheels
    21. The House I Live In
    22. Showboat: I Still Suits Me
    23. Sylvia
    24. Showboat: Ol' Man River
    25. Porgy And Bess: It Ain't Necessarily So

    Amazon.com

    There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler

    Customer Reviews:

    4 out of 5 stars Robeson on wax.......2007-06-19

    I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.

    5 out of 5 stars The voice, the sound quality and the interpretation.......2004-09-24

    Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.

    4 out of 5 stars A Voice from the 40s, often dated, often moving.......2002-09-01

    "Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
    No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.

    5 out of 5 stars Robeson at his best.......2000-05-12

    It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.

    In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).