Aasha is an exciting an unique pop artist that sings and writes her own songs in Chinese, English and Japanese. She is the first Caucasian artist to write her own Chinese pop songs and is the first artist to have Chinese songs in the US Top 40 pop Charts. The release of her debut album "Dream" was a great success with 5 songs reaching the Top 40 Pop Charts.
She was named "#1 Hot Artist" two times by Asia's largest music site and was selected as the "MP3.com Babe" by the Universal/Vivendi Group. She has been featured in many news articles throughout Asia and has performed at live events in the United States. Aasha will soon be touring throughout Asia. This artist is quickly moving into the international spotlight!
Product Description
Aasha is in exciting artist with a totally unique style. Her RED HOT new CD offers something that you have never heard before. It is "MANDOPOP", a mixture of Mandarin Chinese and English lyrics set to a mixture of musical styles including Pop, Dance and R&B with some Asian and other ethic sounds to add that touch of spice. It is an east meets west sensation!
Dream,Aasha,RAW Productions,An exciting and unique mix of pop, dance, R&B flavored with Asian sounds to spice things up.,Pop,Pop Vocals,Rock/Pop
Average customer rating:
|
Systematic Chaos
Dream Theater Manufacturer: Roadrunner Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PTYP5C Release Date: 2007-06-05 |
Tracks:
- In The Presence Of Enemies
- Forsaken
- Constant Motion
- The Dark Eternal Night
- Repentance
- Prophets Of War
- The Ministry Of Lost Souls
- In The Presence Of Enemies- part II
Album Description
Progressive rock masters Dream Theater return in full force with their ninth studio album Systematic Chaos. The album features heavy riffs, soaring melodies, and intricate arrangements. Dream Theater appeases its loyal fans but also reaches out to all rock fans with hook-laden hits like "Constant Motion," "Forsaken," and "The Dark Eternal Night."Customer Reviews:
Don't Like As Much As The Last 2, But Still AWESOME!!!!.......2007-07-29
I bought the CD that comes with the Bonus DVD. It has all behind the scenes at the recording of this CD. Pretty cool stuff. Portnoy is funny, with his Ali G impersonations. This is a great CD!! A must for all Dream Theater fans.
Incredible musicians !.......2007-07-29
I am please to own this one. Very hot !
A Magnum Opus after 20 years of Prog-Metal.......2007-07-26
They were formed in 1985 and here we stand in the year 2007 and 10 studio albums later with Systematic Chaos which I think is arguably their finest work to date.
Some of their previous releases took a little time invested listening for the tracks to grow on me. They always did and I always grew to love the music. Systematic Chaos stands out for me as a DT album which I LOVED on first listening. I mean I think I nearly blew the speakers out in my house the first time The Dark Eternal Night started piping through my system.
Some standout tracks on Systematic Chaos:
In the Presence of Enemies - Part 1: First track on the album and a great opener for DT as it has a very progressive feel to it with a complicated riff that they play with in several different forms leading up to James LaBrie cutting into vocals at 5:13. For some reason, 'clean and crisp progressive metal' comes to mind when thinking about this track.
Forsaken - Opens with a creepy sounding piano sequence from Jordan Rudess which would find itself at home in a movie like "The Exorcist" and then explodes with the rest of the band playing a variation of that theme. The lyrics are very creative and spell a story of a person being visited at night by a 'forsaken' who tempts the victim to give themselves up. This song has a more ballad type feel and you are tempted to sing along with this one.
The Dark Eternal Night - If In the Presence of Enemies is clean and crisp, then this song is its antithesis sounding grungy and ballsy. It starts with John Petrucci on a seven string guitar playing a filthy riff. The vocals cut in at 1:11 with LaBrie and Portnoy together distorted and angry. This is a song where your volume knob has a mind of its own and speaker companies may make some money in replacement parts. This wouldn't be out of place on a Megadeth album and I think DT may find some new fans with this tune.
A note on the 5.1 mix on the bonus DVD...this isn't just the music cloned on the surround and center speakers. The music has actually been mixed. You will hear panning and splitting of vocals and instruments. The bonus DVD is well worth having if you are fortunate enough to have a surround system.
The documentary on the DVD is the only thing I wasn't entirely happy with. While it was cool to see how the songs take shape, there were a few things that bothered me. For one, if you watch this with a good sounding subwoofer, be ready to turn it down during the interviews with John Petrucci as they were done in a very windy alley and subwoofers will lovingly reproduce all that wind making the interview almost impossible to sit through. The second thing is a bit nitpicky, but I feel they should have future proofed the documentary a little better by filming it in a 16:9 aspect ratio. Widescreen TVs will be ubiquitous in the near future as prices continue to tumble. It would have been nice not having to watch it in pillar box format on my tv.
Most bands don't last 20 years. If they do, they are tired sounding and probably ready to hang it up. DT is in their prime after 2 decades, and if they continue to make albums like this, the fans will respond with good album sales and sold out shows. I hope to see a 30th anniversary tour in the future.
If you are new to DT I can't think of a better way to start than picking up Systematic Chaos
Amazing, as expected.......2007-07-22
Brilliant.......2007-07-20
Average customer rating:
|
Carnavas
Silversun Pickups Manufacturer: Dangerbird Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FUF86Q Release Date: 2006-07-25 |
Tracks:
- Melatonin
- Well Thought Out Twinkles
- Checkered Floor
- Little Lover's So Polite
- Future Foe Scenarios
- Waste It On
- Lazy Eye
- Rusted Wheel
- Dream At Tempo 119
- Three Seed
- Common Reactor
Amazon.com
If the idea of basement tapes made by Billy Corgan and Doug Martsch appeals to you, say hello to your new favorite band. Silversun Pickups are fairly early adopters of the 1990s revival, but they're not grunge dorks or anything, and they're from L.A. so they dress nice. Their music updates the anthemic but gauzy heavy rock sound that Veruca Salt and the Smashing Pumpkins had down pat. Thankfully, they strip it down and add plenty of finely distorted guitar leads to the whole thing. It's nice. With a spacey, laid-back sound due in no small part to knob-twiddlers Tony Hoffer and Dave Cooley, repeated listens are mandatory. Just don't pass out on the couch. --Mike McGonigalAlbum Description
The wait is over. Silversun Pickups are about to unveil their debut full length on July 25. The Angelenos have been hard at work in the studio for months since the release of their EP 'Pikul', and are excited for the finished copy to hit the shelves. Singer/guitarist Brian Aubert offers, "We worked our asses off and we are very proud of the finished product." Using Pikul as the blueprint, the full-length seamlessly continues with Silversun's signature sound. Aubert continues, "We stayed very focused on a feeling for the full-length. It's colder, more mechanical, moodier - but at the end of it all, it's a rock record. And that's what we wanted to make." The album captures the moody nature of Silversun Pickups' sound: fuzzy guitars, driving bass grooves, ethereal keyboards, angular drums, all complemented by Aubert's unmistakable, raspy vocals. This duality is the quality that sets the Silversun Pickups apart.Customer Reviews:
Wonderful Modern Dreamrock?.......2007-07-24
This cd has some of the catchiest melodies and vocal harmonies I have heard in a long time. The songs are excellent and keep you hooked for a long time if your a fan of songs like "1979" from Smashing Pumpkins. Just FYI for everyone, I'm not doing the whole band comparison thing in this review, everyone else has overdone it so much that its just annoying at this point. The only thing I will say is that if you like songs like "1979" then you will thoroughly enjoy this album. Its almost as if the band took a song like "1979" and said "hey! lets use it as a blueprint and then make an album full of songs even more melodic and catchy!" They succeed with flying colors by the way, they incorporate the sound of their elders while bringing in that new indie confidence and artful style.
The album never becomes annoyingly catchy, it just sort of sits in your brain and hangs out, forcing you to comply and gently bob your head in that gentle agreement kind of way. I couldn't find a week track on the album, it keeps you in that trance like state for a good while and you never feel compelled to change the track because you don't like what your hearing. It is overall an extremely well done debut album from a talented new band that uses many different parts to form a new whole. They have obviously studied many bands from the last 25 years and learned everything they could to make a great album. Sure it is reminiscent of Smashing Pumpkins, but it also does it in such a way that you have to hand it to them, they made a truly compelling modern album that for once doesn't scream "I want to sound like every other popular band and become rich and famous too!", and for that reason alone I appreciate the Silversun Pickups. As slightly familiar as they sound, they remind you of bands that actually had a lot of credit and talent. I honestly believe that Smashing Pumpkins, Sonic Youth, and other influential bands feel slightly flattered that a new band is taking after them in such a talented and revitalized way. Hopefully other bands will come out that can learn how to creatively utilize the ideas of truly great bands without becoming blind advocates of blatant [...].
I can't wait for their next album.
wow.......2007-07-24
Interesting Good Modern Music.......2007-07-21
1. Melatonin - 10/10
2. Well Thought Out Twinkles - 10/10
3. Checkered Floor - 9.5/10
4. Little Lover's So Polite - 8.5/10
5. Future Foe Scenarios - 9/10
6. Waste It On - 8.5/10
7. Lazy Eye - 9.5/10
8. Rusted Wheel - 9.5/10
9. Dream At Tempo 119 - 8.5/10
10. Three Seed - 10/10
11. Common Reactor - 9.5/10
Overall : 92% A-
It's an overall pretty relaxing listen. There are a lot of good to great tracks and the cd was the complete opposite of a disappointment as I bought it on a whim. As it turns out I had heard the song "Lazy Eye" before without realizing it. Since I can't tell who they really sound like I couldn't tell you what types of people would like this so anyone into modern indie music should give this a shot.
Awesome CD!!.......2007-07-19
In The Mode Of "Keep It Simple, Stupid", All I Can Say Is..........2007-06-23
Therefore I like "Carnavas" a lot. Shiny, fuzzy, androgynous vocals, oblique enough require digging into.
Standout tracks are:
"Well Thought Out Twinkles" (all twinkles should be well thought out)
"Checkered Floor"
"Common Reactor"
"Future Foe Scenarios"
"Little Lover's So Polite"
A touch of post-grunge from whence the sun does shine.
Average customer rating:
|
Plans
Death Cab for Cutie Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AADYRQ Release Date: 2005-08-30 |
Tracks:
- Marching Bands of Manhattan
- Soul Meets Body
- Summer Skin
- Different Names for the Same Thing
- I Will Follow You into the Dark
- Your Heart Is an Empty Room
- Someday You Will Be Loved
- Crooked Teeth
- What Sarah Said
- Brothers on a Hotel Bed
- Stable Song
Amazon.com
When an indie-rock band as intimately and fiercely loved as Death Cab for Cutie makes the inevitable major-label jump, it often telegraphs a painful death. Witness Husker Du, the Replacements, Nirvana--hell, even R.E.M. After a successful four-album run on tiny Seattle imprint Barsuk, however, Death Cab for Cutie just might buck the trend on its Atlantic premiere. Yes, you can grumble about the production (a little too slick), the proportion of ballads (a little too many) and the overall feeling of restraint (a little too much), but ultimately the album delivers everything the group does best in emotional, experimental songs such as "What Sarah Said" and "I Will Follow You into the Dark," which both blend stark lyrical details with acoustic guitars and soft-focus electronics. In "Soul Meets Body," meanwhile, songwriter Ben Gibbard has come up with the kind of blissful, beatific pop song that's capable of disarming even the harshest skeptic. "A melody softly soaring through my atmosphere," he sings. --Aidin Vaziri
Catching up with Death Cab for Cutie
Something About Airplanes |
We Have the Facts and We're Voting Yes |
Forbidden Love [EP] |
The Photo Album |
You Can Play These Songs with Chords |
Transatlanticism |
Customer Reviews:
Some fantastic singles.......2007-06-27
I'll follow You into the Dark!.......2007-05-16
Hoping to pull this up to 4.5 stars..........2007-04-11
This was my introduction to Death Cab For Cutie by a friend. She made me listen to "Soul Meets Body", and I was in love with that song. I purchased the album, and to my surprise, there were a few tracks I liked more than "Soul Meets Body". There are a couple of tracks that don't work well ("Brothers on a Hotel Bed", for instance), but when it does work well, it's a mellow and beautiful listen.
Standout tracks: "Marching Bands of Manhattan", "I Will Follow You Into the Dark", "Crooked Teeth", "Soul Meets Body", "Summer Skin", "Your Heart is an Empty Room".
IT'S ALL GOOD.......2007-03-23
Pleasantly Surprised!.......2007-03-11
Average customer rating:
|
Systematic Chaos
Dream Theater Manufacturer: Roadrunner Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PFUAO6 Release Date: 2007-06-05 |
Tracks:
- In the Presence Of Enemies-Part I
- Forsaken
- Constant Motion
- The Dark Eternal Night
- Repentance
- Prophets Of War
- The Ministy Of Lost Souls
- In the Presence Of Enemies-Part II
Amazon.com
Dream Theater has built a career on delivering some of the most consistently strong progressive rock albums in history and Systemic Chaos proves no exception. Built upon the trademark musically diverse but stylistically reliable principles that made albums such as Six Degrees of Inner Turbulence and Train of Thought instant classics, this album features new career highs such as "Prophets of War," "Forsake," and "Constant Motion." Although the band has flirted with commercially viable material in the past, especially on 2005's solid and exciting Octavarium, Systemic Chaos proves unrelenting in its pursuit of pure heavy rock. There are plenty of surprises in store, even for stalwart fans, perhaps one of the reasons that Dream Theater remains in a class by itself, ahead of the pack and ahead of the times. A truly outstanding album by any measure.--Jedd BeaudoinAlbum Description
Progressive rock masters Dream Theater return in full force with their ninth studio album Systematic Chaos. The album features heavy riffs, soaring melodies, and intricate arrangements. Dream Theater appeases its loyal fans but also reaches out to all rock fans with hook-laden hits like "Constant Motion," "Forsaken," and "The Dark Eternal Night."Customer Reviews:
Greatest Achievement Since "Scenes From a Memory".......2007-07-27
After "Scenes From A Memory", it always sounded to me as if the band was searching for a new sound in an almost "learn-as-you-go" recording technique. Because of this, the music suffered certain inconsistencies. For example, while the entire second disc of "6 Degrees" was basically a masterful hour long medley of different influences and styles, I found songs like the 'stem cell song' to be the equivalent of garbage. "Train of Thought" was a nice surprise with its dark, guitar-driven sound, but it seemed more metal than prog. Again, a work in progress. I've got to be honest with you - I thought "Octavarium" was horrible. So with this up and down behavior I was reluctant to even buy "Systematic Chaos". Boy was I wrong.
The price of this cd is worth the first minute of the first song alone, which sounds more like Liquid Tension Experiment than anything Dream Theater has written in the last few years. Metal influences like Pantera and Metallica can be heard throughout this release but also progressive music ala Marillion or ELP. For once, I feel like Dream Theater has achieved a healthy balance between their prog and metal sides. I'm not going to give a song-by-song review...listen for yourself. I would just urge Dream Theater fans to stop using "Images and Words" as a point of reference as to what Dream Theater "should sound like". Dream Theater should sound like they always have, and as they continue to sound.
As far as the musical performances go, my only complaint would be James LaBrie. At times I think he tries to sound original and ends up sounding like a fool. Other than that, a stellar release!
Dark.... derivative.... disappointing........2007-07-24
On a more positive note, James LaBrie's singing is more listenable than it has been on most previous efforts, in part because he sticks to the lower parts of his range (his voice is really grating at higher elevations IMO). And as always, the band is tighter than tight.
As I said before, this might grow on me and I'll at least give it a chance. But for now I'm underwhelmed.
You will agree with me if:.......2007-07-22
1. You think Images and Words is Dream Theater's best album (I don't, but if you do, you will likely agree with this review.)
2. You dislike Linkin Park and DragonForce (or listen to them rarely.)
3. You absolutely love Scenes from a Memory.
4. You were slightly disappointed in Octavarium but didn't hate it.
Now to the review.
I'm a big Dream Theater fan. I have all of their albums. I liked their recent album Octavarium, but it had some flaws that really hurt the album. I looked to Systematic Chaos to fix those errors. I read some very complimentary reviews from a variety of people. People have said that if you like Train of Thought (as I do), you'll like Systematic Chaos. What I got was a slap in the face. I don't care if you like ToT, it's way better than SC (You have been warned.) Anyway, I guess I should mention what I liked:
When it comes to the instruments, the music was well played. They are a very tight band, and I enjoy their musical composition. This album is no exception. However, that was far overshadowed by two major things:
The lyrics are horrible. I felt like I was listening to a satanic DragonForce clone. Just horrible. Johnny P, stick to guitar playing, it's what you're good at. When I listen to Dream Theater, I want to hear The Mirror, Space-Dye Vest, Metropolis part one and two, A Change of Seasons, etc. The classics. I especially like the lyrics for the AA stuff. But I don't give a crap about an ancient monster or somebody who sells their soul to Satan. And what the @#$% was up with the Vampire song? Give me a break! I know Dream Theater is a music-first-and-then-we'll-worry-about-lyrics-which-aren't-important band, but if the lyrics are sufficiently terrible, the album sucks, even with good music. This is the case with Systematic Chaos.
The second thing that ruins the album is the chanting. Need I say more? And yet I WILL say more because that chanting is so awful. Horrible. Completely unenjoyable. If I want to listen to that, I'll listen to Linkin Park, not Dream Theater. It completely overshadows the good music I mentioned earlier. It completely draws your attention away from LaBrie's much improved singing. I give him full credit for his actual singing. It's some of his best. But it's hard to pay attention to it when you hear that awful crud JP and MP are... uh... "singing."
2 Stars because I'm a Dream Theater fan. Here's to hoping their next album is completely different. Time to go listen to Scenes from a Memory again...
Just "ok" for DT - "great" compared to anyone else.......2007-07-21
These guys (all 5 members) are incredibly talented and never cease to amaze musically. But, in my opinion, not all of these songs seem to fit the DT maturity level. "Constant Motion" has a VERY predictable vocal melody closely resembling Metallica, which is a kick in the nuts to LaBrie, who is an excellent vocalist - he can do way better than this! Also, Portnoy's backing vocals are kind of annoying on that track #3. They should let LaBrie do his job. I would not be suprised to find out that LaBrie and Rudess end up going somewhere else in the near future. Even Rudess' keyboard wizardry is somewhat stifled on this album. Track #1 (In the presence of enemies Part 1) is very fresh melodically where as Track #8 (Part 2) is dark, directionless and even corny? Dark Master.........what the hell?. Track #4 is very dark and hard lyrically, which is fine if your 17 years old and like thrash. Track #6 (Prophets of War) is good but isn't it time to quit talking about war in the east? This is the 3rd-album-in-a-row to have such a song. Find a new topic already. All the rest of the tracks are just "ok" compared to what they are cabable of. They climaxed with the album "Scenes from a Memory", no doubt about it. I thought with that being Rudess' first DT release that it would have gotten better and better. None of the DT albums since have matched SFAM. I am still dedicated to DT music and hope they will rise above the "kid thrash" phase, and get back on track again. Sorry die-hards, but I have to be honest.
A return to form, of sorts.......2007-07-16
"The Ministry of Lost Souls" is easily one of their three best songs of the 00's, "Repentance" demonstrates that they do in fact have the ability to slow it down and craft a wonderful, mellow song without having to remind listeners of their chops every other minute, and "In the Presence of Enemies" is a solid epic that is broken into two pieces and bookends the record. "The Dark Eternal Night" is arguably the heaviest song they have ever written. It is ripe with distorted almost death metal-like vocals, heavy guitar riffs, and plenty of technical flash, which normally would be a bit too over-the top for me, but in this instance, it comes across as the band just trying to have a little fun. It is mindless metal song, but it is good fun to crank up while cruising on the freeway.
On the flip side, the lead single from the album, "Constant Motion," is a strong contender for worst Dream Theater song ever. The verses smack of Metallica-wannabe syndrome, there are some truly embarrassing vocal moments by drummer Mike Portnoy (who really ought to stick to just playing drums, and leave all of the vocals to James LaBrie), and a keyboard solo by Jordan Rudess that merely sounds like a game of "let's see how many notes I can jam into the smallest space possible." Fortunately, "Constant Motion" is the only clunker on this record. The rest is all at least very good.
One more thing...the only other negative thing I can really say about this album is that the lyrics are, to put it nicely, not good. But then again, who really listens to Dream Theater in search of good lyrical content? The days of Kevin Moore crafting lyrical masterworks are long gone, so for now, it is best to focus on the music, most of which is very good.
Average customer rating:
|
Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000031WEN Release Date: 2000-10-17 |
Tracks:
- Overture/Prologue
- Honey, Honey
- Money, Money, Money
- Thank You For The Music
- Mamma Mia
- Chiquitita
- Dancing Queen
- Lay All Your Love On Me
- Super Trouper
- Gimme! Gimme! Gimme!
- The Name Of The Game
- Voulez-Vous
- Entr'acte
- Under Attack
- One Of Us
- S.O.S.
- Does Your Mother Know
- Knowing Me, Knowing You
- Our Last Summer
- Slipping Through My Fingers
- The Winner Takes It All
- Take A Chance On Me
- I Do, I Do, I Do, I Do, I Do
- I Have A Dream
Amazon.com
Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth VincentelliCustomer Reviews:
Mamma Mia.......2007-03-22
Mamma Mia Musical CD.......2007-03-21
JUST GREAT MUSIC.......2007-03-08
Mamma Mia.......2007-01-29
Not good at all.......2007-01-09
Average customer rating:
|
Siamese Dream
Smashing Pumpkins Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000WJZ Release Date: 1993-07-27 |
Tracks:
- Cherub Rock
- Quiet
- Today
- Hummer
- Rocket
- Disarm
- Soma
- Geek U.S.A.
- Mayonaise
- Spaceboy
- Silverfuck
- Sweet Sweet
- Luna
Amazon.com essential recording
An introductory drum roll drops out and is replaced by a single suspended electric guitar, which is then paralleled by a snare, filled in with the bass, and--crash!--"Cherub Rock," the opening track, is enveloped in an explosion of metal guitar. So the journey begins. This album is pre-experimentation vintage Pumpkins. Produced by Butch Vig (Garbage, Sonic Youth, Nirvana's Nevermind), Siamese Dream is first about guitars. Lots and lots of guitars. A very close second is Jimmy Chamberlain's unquestionably excellent power drumming. Throughout each song, Billy Corgan delivers angsty lyrics in his signature breathy whine. "Disarm" is a nice intermission halfway though the album. As the title of the song suggests, it throws the listener into a different mood with its full string arrangements and radiant orchestral chimes. But then it is back to the aural masochism--a pain that rarely sounds so sweet. --Beth BessmerCustomer Reviews:
Alternative rock masterpiece.......2007-07-21
INTRODUCTION:
With the advent of the alternative music movement in America, new bands were surfacing all across the country. Among them was Billy Corgan's band, the Smashing Pumpkins. The group had already gained a cult following of sorts after touring with other, more popular acts. Their following had increased further with the release of Gish, their first full-length studio album. Two years later, after numerous conflicts and hardships, including Corgan's depression and Jimmy Chamberlain's drug problem, the album was finally released.
OVERVIEW:
Siamese Dream was released in 1993. The band's second studio album featured the classic lineup of Billy Corgan on vocals and rhythm guitar, Jimmy Chamberlain on drums, James Iha on lead guitar, and D'arcy on bass. Guest musicians Eric Remschneider and David Ragsdale provide string arrangements and violin/cello for some tracks.
REVIEW:
Despite the sessions for this album being plagued with hardships coming from every corner of the band, the end product was more than worth it. Billy Corgan had written over fifty songs during the sessions, and was going to disband the group if the album was a failure. Fortunately, he didn't have to do that. Siamese Dream catapulted the band into the American mainstream, and scored even more hits than Gish. The band's sound here is much more mature and developed than on Gish, and this results in a stronger, more coherent album.
-Cherub Rock:
One of the biggest hits on the album, and of the band's career. This song beautifully combines a melodic, peaceful sound, with the hard and heavy rock of the band's early days. The fusion of these two styles results in an absolute masterpiece.
-Quiet:
It's called Quiet, but this song is anything but. This is straight-up, distortion-driven rock. James Iha's distortion-heavy rock guitar sound makes this yet another worthwhile tune. It would not have been out of place on Gish, the band's first album.
-Today:
One of the reasons so many people like the Smashing Pumpkins is for their ability to combine heavy and soft sounds alike. And that reason is why this song was such a big hit. Slow and melodic verses are combined with guitar-intensive choruses and interludes, making for yet another worthwhile track.
-Hummer:
Another fusion of melodic rock and the distortion-intensive material the band was so well known for in its infancy. The final two minutes are all melodic, abandoning the hard and heavy structure of the rest of the song. What results is another great track. While not as popular as some of the other songs on here, this one is no less excellent.
-Rocket:
With Corgan and Iha alike shelling out multiple guitar tracks, this song takes hold of your attention and never lets go. It's another one of the distortion-intensive tunes (clearly the band hadn't outgrown them yet), but the use of the multiple tracks and awesome melodies makes this one a stand-out.
-Disarm:
By far the biggest hit on the album, and definitely the most popular song the band ever recorded that didn't come from Mellon Collie. This isn't your average rock song - it's filled with classical-style melodies, including string sections courtesy of the guest musicians, and church bells chiming. The song doesn't rock hard at all, but it doesn't have to. The beautiful melodies on this song must be heard to be appreciated. Absolute masterpiece.
-Soma:
For the first half of this song, the band shows off their melodic rock side, and quite well. And then, come the second half, James Iha enters the picture, rocking out full force. This one is a fan favorite because it has the best of both musical worlds.
-Geek U.S.A.:
Despite its awkward title, this song rocks hard and never backs down - except for during a very brief, melodic interlude. Once again, Iha is on fire (this guy is such an underrated guitarist.) Awesome track that deserved more credit.
-Mayonaise:
Another distortion-intensive rocker. The band tries to fool you with a minute-or-so long melodic introduction, but catches you off guard with heavy riffs when you least expect it. This album is laden with underrated treasures, and this is one of them.
-Spaceboy:
Here the band takes a break from the rockers and tries something completely different. Acoustic guitars and orchestral backing instrumentation is the primary sound here. These deviations from the rest of the album make this one of the stand-out tracks, even if it wasn't one of the more popular ones on here.
-Silverf*ck:
This is an interesting song, because it's simultaneously the loudest and the quietest song on the album. The intro and outro parts rock hard, even harder than anything else on the album. But a lengthy interlude in the middle is extremely low-pitched - hell, it's even pretty difficult to hear unless you turn up your stereo full blast. But once again, they're nice melodies. Another good fusion of two musical extremes.
-Sweet Sweet:
Less than two minutes in length, this is the shortest song on the album. The instrumentation is all acoustic and classical flavored. It's an excellent melody, and the only weakness is its brevity.
-Luna:
The band closes out the album with another slow-paced, melodic tune that heavily implements classical instrumentation. It's another unique track, and definitely stands another solid one. Great closer.
OVERALL:
Overall this is a greatest album, one of the finest alternative rock albums to come out of the nineties. It's not quite the masterpiece Mellon Collie and the Infinite Sadness would be - while the band has began maturing, it's clear they're still not above the distortion-filled rock sound that filled their early days. If you're new to the Smashing Pumpkins and you're trying to decide which album or albums you want to purchase, I would recommend buying this one, along with Mellon Collie. Final verdict? VERY HIGHLY RECOMMENDED!
EDITION NOTES:
The Smashing Pumpkins albums have always remained popular and have always been readily available. And being one of their most popular, this one remains available at most major music retailers.
Must have album!.......2007-07-11
An Alt-Rock Masterpiece.......2007-06-29
gorgeous!.......2007-06-16
an all time favorite.......2007-05-19
Average customer rating:
|
Parachutes
Coldplay Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000508U6 Release Date: 2000-11-07 |
Tracks:
- Don't Panic
- Shiver
- Spies
- Sparks
- Yellow
- Trouble
- Parachutes
- High Speed
- We Never Change
- Everything's Not Lost
Amazon.com
Music doesn't come more touching than this. With their debut single alone, the emotion-fortified "Shiver," Coldplay prove they can shift between elated and crushed in a breath, as singer Chris Martin pours out music's oldest chestnut (unconditional yet unrequited love) with the shakiest of voices and a backdrop of epic guitars. For 10 tracks on Parachutes, he adds newfound meaning to the most tired and overused rock sentiments--love found, love lost, love unrequited--over acoustic guitars and emotionally fraught rock. And for once, all the clichés ring true because Chris Martin genuinely sounds like a man picking over the bones of his life, coming up with just as many reasons to be cheerful as seriously depressed. Not that Parachutes is a depressing album--there's too much conviction to the guitars and hope in Martin's words for that. Instead it's a beautifully tender balance that comes as close to perfection as anything that's come before it. --Dan GennoeAmazon.com
Coldplay Photos
|
|
|
||
|
|
|
More from Coldplay
A Rush of Blood to the Head |
X&Y |
Live 2003 |
Customer Reviews:
Parachutes.......2007-04-05
The album has a reserved, modest alternative rock sound that relies on acoustic guitars and keyboards just as much as it does electric guitars and drum rhythms. There aren't many layers or complexity to the ten tracks on Parachutes; they are beautifully simple. Chris Martin will probably never top his vocals on this album. It is his most vivid and honest delivery. One key aspect of Coldplay's music that has never gone well with me is the lyrics, and more specifically their topics. And Coldplay haven't seemed to move from where they started, but that isn't a real weak point for Parachutes, considering that this is where they started.
"Don't Panic" is one of the best songs on the album, both in terms of sound and lyrics, but when the electric guitar comes in you can immediately taste the Radiohead. "Shiver" is a much more "Coldplay" song that has a very endearing, melodic sound to it, and the fact that it isn't in 4/4 shows that Coldplay aren't just talented. But the lyrics - being about a girl - dull this display of intellect and creativity. They more than make up for it on "Spies," a darker-sounding drum-heavy piece that is surely metaphorical about life's worries, drug use, or maybe even communist China. "Sparks" is a beautiful, almost lounge-like piece that is fitting to be about a girl. Both "Yellow" and "Trouble" are overrated, but still very good songs that work perfectly on this album. "High Speed" is another very enjoyable Radiohead-flavored song that contains a lot of atmospheric guitar-work and a grooving bass line. "We Never Change" is perhaps the best song on the album, and is certainly the most expressive and meaningful. "Everything's Not Lost" is the perfect track to close out Parachutes, with its "this could go on forever" guitar and bass riffs and vocals.
The songs in and of themselves aren't particularly brilliant or overwhelming, but the whole is much greater than the sum of its parts. The album cannot be expressed in a song or two like your average pop album. It's not exactly a "Dark Side Of The Moon"-type of album either, but everything works so well from beginning to end that it is in a sense exactly that kind of album.
coldplay "parashutes".......2007-03-19
Can anybody stop this thing ... before my head explodes ..........2007-02-03
Amazing debut album.......2007-02-02
While most casual listeners will be quick to enjoy the pop-friendly "Yellow," it is such songs as "Everything's Not Lost" and "Shiver" that best define this album.
Cold Play rocks.......2007-01-11
Average customer rating:
|
On the Threshold of a Dream
The Moody Blues Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002GQH Release Date: 1997-05-20 |
Tracks:
- In The Beginning
- Lovely To See You
- Dear Diary
- Send Me No Wine
- To Share Are Love
- So Deep Within You
- Never Comes The Day
- Lazy Day
- Are You Sitting Comfortably?
- The Dream
- Have You Heard (Part 1)
- The Voyage
- Have You Heard (Part 2)
Amazon.com
Released in 1969, just eight months after In Search of the Lost Chord, Threshold continues the Moody Blues's journey as cosmic seekers but in a less exotic manner. Here, Justin Hayward packs away the sitar and the band has swept most of the mystical and Eastern influences under the Kilim rug, replacing them with a science-fictional search for meaning and futuristic production methods. As on two earlier albums, Graeme Edge regales listeners with esoteric poetry, this time adding a whimsical, ironic edge to his ponderous verse. The songs have also undergone a similar overhaul, allowing the band's talent for melody to overcome the psychedelic whirls that embellished the earlier albums. John Lodge's assertive bass takes control of the bucolic "Lovely to See You," Roy Thomas's deceptively cheerful "Dear Diary," and the upbeat "Lazy Days," which also contains an unexpected lyrical sting. Indeed, the entire album is underpinned with a wistful melancholy as the grandiose rockers capture the bittersweet fleeting moments of the '60s. --Jaan UhelszkiAlbum Details
Digitally Remastered - 13 Tracks Include in the Beginning, Lovely to See You, Dear Diary, Lazy Day and More.Customer Reviews:
Tour de force.......2007-06-06
I can honestly say that out of the thirteen tracks, there is only one that I really don't care for: 'Dear Diary'. Who knows, maybe I might learn to love this song someday, and if I do change my mind, then I will most definitely alter my negative review. But right at this moment, it's the one and only song that keeps this album from being a perfect 10 in my book. Usually- and with good reason- I am such a fan of Ray Thomas' work, but this song does absolutely nothing to present this man's awesome vocal abilities in a favorable light. Perhaps if he had sang it differently, ie in his normal vocal tone, it would most assuredly have been a great song. The tune, melody, and lyrics are quite good actually. It's the "way" that Ray sings it that turns me off- sorry Ray. (I still love and miss you, dear sir). Ray does redeem himself very well on 'Lazy Day', a sweet little ode to the peaceful times to be had on an English Sunday afternoon. It's not an intricate or deep song by any means but it has its merits.
Now on to the awesome Mr. Hayward's ballads: Justin's 'Lovely to See You' is a concert staple/favorite for a very good reason: it's a truly lovely, understated song that just makes you plain feel good! 'Never Comes the Day' is one of my favorite Justin penned/lead vocal songs. I had heard it often described as being slightly weird, the lyrics "but you WILL love me tonight" in particular. Perhaps I'm a little slow but I just don't get that feeling from this song. To me, this song is about a man in love who is honest enough to admit that there's "stuff" hidden inside of him that isn't pretty, may be hard to love, and perhaps should be kept hidden. This could be speaking of any of us, myself included. Another reason for me to admire this song: John's background vocals. Any time (on the same song) that he can sing that fab falsetto AND he and Justin can sing harmony is an oh-so-good time to be had by my eager ears. In rounding out Hayward's songs, I have only one word to adequately describe "Are You Sitting" (co-written by Ray) MAGICAL!!
What to say about my dear John's two songs: 'Send Me No Wine' is a great, catchy tune, albeit a MUCH too short one(why oh why John?) This one has a decidely country feel, flavor, and sound to it. This little gem could have come straight out of Nashville in the late 1960's and been right at home here in the Southern United States. This is truly something so very different from anything I've ever heard from him, though he still rocks it out as well. I believe John's songwriting muse short-changed him on this album, as his next great offering 'To Share My Love' is a much too brief song as well. "Makes me feel good" is how Lodge starts this ditty and it does make me feel quite good indeed to hear it, even though Pinder leads most of the vocals on this one. It;s still a good little song but I wanted to hear more. John's rocking bassline is excellent as is Graeme's accompanying drum beat. Love ya Lodgie!
Rounding out my favorites on OTTOAD: Mike Pinder's 'Have You Heard/ The Voyage'(I consider the two to be one song). I will freely admit that I am not a huge Pinder fan, but I HAVE to give the man his much-deserved props. This is, bar none, his best song EVER and it is an absolute pleasure for me to listen to it. The man has a way with words, not to mention his unsurpassed skills on every keyboard instrument known to mankind. He will forever be the Mellotron king. His voice ain't altogether half bad either. What I appreciate the most about this song is that fact that ALL of the Moodies awesome skills and talents as musicians are on pristine display here. I have only seen one "live" (it was a video, sadly) performance of HYH/TV and it quite frankly blew me away, just in seeing how passionately and ferevently the guys played their respective instruments. Oh man, what I wouldn't give to have seen this live "back in the day". If God would grant me the opportunity to go back in time to see only ONE vintage Moodies performance, it would be this song! Graeme Edge's often overlooked drum work is an absolute marvel to see and hear. Ray's flute solos have never been played with such understated zeal. Pinder is so very passionate on the piano and organ, or is it just the Mellotron? Regardless, the man has never sounded better. John's very dirty, low-down, funky, hard-driving (did I use enough adjectives?) bass work is just stellar, especially when played in unison with Edge's drum- truly a treat for the senses! The guys make me tired just watching them play, at what is at times, a frenetic pace. Can you tell that I dearly love this song?!
In closing I'd like to say that this is an album that the Moody Blues can and should be VERY proud of. It is truly a masterpiece created by the minds, hands and voices of five incredible men who are all living legends and supremely talented at their craft. If you don't already have it, get it- TODAY!
Another Stellar Performance.......2007-04-15
The Title Says it All!.......2007-04-15
Few in my generation have not experienced the magic of this album. Every song on it is gold, and the continuity between the songs is perfect. The blending of classic orchestral instruments and rock and roll instruments is perfection. Every ballad is a work of beauty.
To feel good being seranaded by harmonizing voices blended with rich sonic tapestries is the delight of the Moody Blues that will never become outdated.
Stunningly good remaster.......2007-02-16
If you liked the Moody Blues back then, the remasters will blow you away.
On the Threshold of a Masterpiece.......2007-01-30
Average customer rating:
|
Recurring Dream: The Very Best Of Crowded House
Crowded House Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002U5B Release Date: 1996-07-23 |
Tracks:
- Weather With You
- World Where You Live
- Fall At Your Feet
- Locked Out
- Don't Dream It's Over
- Into Temptation
- Pineapple Head
- When You Come
- Private Universe
- Not The Girl You Think You Are
- Instinct
- I Feel Possessed
- Four Seasons In One Day
- It's Only Natural
- Distant Sun
- Something So Strong
- Mean To Me
- Better Be Home Soon
- Everything Is Good For You
Customer Reviews:
the return of crowded house............2007-03-15
this greatest hits shows the greatness of a band audio-wise but doesnt show their incredible live presence and on-stage banter that made them legends. Paul Hester sadly left us a few years ago but the news is out:
Thursday, January 25, 2007
Crowded House Reform - Official Statement from the Band
Crowded House founders Neil Finn and Nick Seymour have confirmed that they will be putting the band back together, with plans for a new studio album and world tour.
Talking about the decision Neil said "After spending most of last year making music and hanging out with my friend Nick Seymour we are now announcing our intention to reform Crowded House with a new record entitled Time On Earth. It feels right to us that the band should re-emerge at this time and together with Mark Hart we look forward to reconnecting with the audience that we established and for whom we still hold a deep respect. We aim to make the upcoming shows and the new music every bit as vital and spirited as what has come before. We are conscious that Paul Hester was above all a great drummer and we are currently auditioning to find someone special to take that role."
The band is currently putting the finishing touches on the new album for release later in the year. Tour plans are yet to be announced but the band have confirmed they will play the Coachella Music and Arts Festival in California USA along with Bjork, Red Hot Chilli Peppers and Rage Against the Machine."
they are coming out with a new album this year (2007) and a new tour!!!!
GOD BLESS CROWDED HOUSE.....
Great CD.......2007-02-09
Essential compilation of severely underrated band.......2007-01-19
Almost every band purported to be the Next Big Thing eventually gets compared to The Beatles, whether it's Duran Duran or The Strokes, and it's usually quite a stretch in any number of ways. Not so with Crowded House. In superficial aesthetics the two bands share a lot in common: the Rubber Soul-like harmonies that adorn their album Woodface; the driving, melodic basslines of Nick Seymour (much like Paul McCartney); Paul Hester's non-technical, but undeniably toe-tapping drumming; and Neil Finn's voice, which can break into Lennon-esque, hoarse rock shout, or have a soothing clarinet quality like McCartney.
But the songwriting is where the comparison is most apt. The Beatles' best songs seem almost inevitable and cosmic: *somebody* was bound to happen upon a melody this perfect eventually (as in "Yesterday"), and for some reason Lennon and McCartney were able to pluck such songs out of the air regularly. Neil Finn did the same, several times for each album, with Crowded House. Listen to "Four Seasons In One Day" just once, and you'll hear what I mean.
With this album, all these songs are collected in one place. I can't say how essential this disc is for anyone who appreciates outstanding pop songwriting that goes beyond catchy and crafted and into the realm of something deep and transcendent. The first 10 listens you'll be enjoying the melodies, energy and fantastic production; after that, you'll feel like you've found a new musical best friend. It's that good.
An entire CD that is very easy to listen to........2007-01-13
beautiful, soaring, exciting pop/rock.......2006-12-31
Crowded House may not be a major band - one MTV hit, a couple of radio hits, and they're real big in New Zealand (where they are from) - but they are one of greats. Reminiscent at times of (OK, I know, this gets thrown around too often, but it's true) the Beatles (in their mid-years - think Rubber Soul) and The Ocean Blue, they can mellow with the best (Not the Girl You Think You Are, Four Seasons in One Day). When they choose to rock (Locked Out), the maintain musical and lyrical integrity. Weather With You is an indescribable joy.
Perhaps not for metalheads, but anyone who likes sophisticated (but not overly complex) arrangements, thoughtful lyrics, and spotless, emotional performance will love this.
Average customer rating:
|
Classical Wedding
Various Artists Manufacturer: Spring Hill ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000V1V Release Date: 1996-04-30 |
Tracks:
- Hornpipe from The Water Music
- Ode to Joy
- Psalm XIX
- Jesu, Joy of Man's Desiring
- Trumpet Tune
- Arioso in A
- La Rejoissance from The Royal Fireworks
- Ave Maria
- Trumpet Voluntary
- Canon in D
- Air from The Water Music
- Rondeau from Sinfonies de Fanfares
- The Lord's Prayer
- Bridal Chorus
- Fanfare and Bridal Chorus
- Wedding March
Customer Reviews:
Great Wedding Music.......2007-07-26
just the music for her processional. Thank you again.
Yvonne Barrett
wedding music.......2007-07-18
Great Product.......2007-05-31
Excellent Classical Wedding Music.......2007-05-14
Traditional and wonderful.......2007-04-10
Christian Music:
- Dreams
- Fever
- Flatulina's Fabulous Holiday Spectacular
- Forever [Enhanced]
- Gettin' in Over My Head
- Gettin in Over My Head [Import]
- Ghost Crazy
- Good Dog Bad Dog
- Grace
- GT Speed Racer
Christian Music
Dvorak: Symphony No. 9 in E minor "From the New World"; Symphonic Variations
Dance Anthems: Spring 2004: Mixed By Dave Pearce [Import]
Concrete Jungle [Explicit Lyrics]