| 1. Above Water |
| 2. Kick Back |
| 3. Rock Bottom |
| 4. When I Close My Eyes |
| 5. Fallen Heroes |
| 6. Sometimes It Takes Time |
| 7. Alice In Wonderland |
| 8. How Much? |
| 9. Your Type |
| 10. Slow Motion Live |
| 11. Taking Me To The Top |
| 12. Through The Sands Of Time |
Editorial Reviews
Go and lend a willfull ear to Jeff Pikes' music, you may enjoy it as I most certainly did.
Product Description
Jeff Pike of "A1A"- The Official Jimmy Buffett Tribute Show keeps his irons in a lot of different fires. Each one different than the other and all quite unique. "The Other Side" is Jeff's brand new second independent release. Favorable reviews of the CD compare Jeff's original music to that of REO Speedwagon, Styx, Hall and Oates, The Tubes, Toto, Brian May, Gino Vannelli and Christopher Cross. A wide variety of different musical influences generally results in unique, creative music. Such is the case with Jeff's music.
The Other Side
The Other Side,Jeff Pike,Jeff Pike,Strong, melodic, adult alternative album oriented rock. Reminiscent to music by Toto, The Tubes, 10cc, Brian May of Queen, Daryl Hall and Alan Parsons. A very pleasant, easy and uplifting listening experience.
Average customer rating:
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On the Other Side
Tierney Sutton Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LV6RB4 Release Date: 2007-02-06 |
Tracks:
- Get Happy (Version 1)
- Happy Days Are Here Again (Version 1)
- You Are My Sunshine
- Glad To Be Unhappy
- Sometimes I'm Happy
- Happy Talk
- Haunted Heart
- I Want To Be Happy
- Make Someone Happy
- Great Day!
- Happy Days Are Here Again (Version 2)
- Get Happy (Version 2)
- Smile
Amazon.com
On the Other Side is an album of happy songs--"Get Happy," "Make Someone Happy," "Happy Talk," etc.--but isn't always so chipper in contemplating life and love. Indeed, it's difficult to imagine Tierney Sutton, one of whose calling cards as a jazz singer is her intensity, letting herself go--consider her inclusion of "Haunted Heart" at the middle of the album as a reflection of that. But in the cozy embrace of her working band, including the fine pianist Christian Jacob and two bassists, Sutton excels at exploring different shades of feeling, boosted by a guest turn by the ebullient veteran trumpeter and singer Jack Sheldon. Her somber dark tones, which bring her contemporary Patricia Barber to mind, are offset by a llilting catch in her voice that may remind you of Diana Ross. Ultimately, you wish her delivery was less cooly detached, but she has a winning ability to make the familiar new, as heard on two creative pairings of "Get Happy" and "Happy Days Are Here Again." --Lloyd SachsCustomer Reviews:
"On the Other Side".......2007-07-12
songs to put you in a mood.......2007-07-07
Just great.......2007-06-08
Tierney is better cd after cd
Nice addition to the Sutton archive.......2007-05-24
Sutton's new CD, The Other Side, makes a strong thematic statement. It consists mostly of traditionally upbeat songs such as "Get Happy," "Happy Days are Here Again," and "Make Someone Happy" and gives them a pensive, ballad-like treatment. Given Sutton's energy and her band's restless probing, none of the tunes comes off as lugubrious, but a sequential listening of the entire CD is likely to jade the senses of even the most devoted Sutton fan.
The best approach is to ignore the programmatic intent and focus on the truly remarkable numbers: "Haunted Heart" derails expectations in offering the most conventional of vocal lines over an atypical and initially incongruous accompaniment. But the tension between the vocal and the rhythm lines finds resolution at various points along the way. This radical treatment of such a well-entrenched classic is risky, but finally compelling. Another standout, "Get Happy (Version 2)," features stunning work from pianist Jacob Christian and drummer Ray Brinker. In "Happy Talk," Sutton improvises some of her best scat to date.
In a November concert, Sutton told her audience, "Basically, we take a song and work it until it's unrecognizable." Usually, that experimental impulse makes the break toward freer interpretations. Not this time. Most of these pieces are restrained and subdued. Their tone is the antithesis of their message. But the formula works for most of the numbers, and the CD marks another significant milestone in Sutton's evolution as a unique voice.
The Greatest Female Singer of Our Generation..........2007-04-15
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See You on the Other Side
Korn Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BMSTMS Release Date: 2005-12-06 |
Tracks:
- Twisted Transistor
- Politix
- Hypocrites
- Souvenier of Sadness
- 2-Way
- Throw Me Away
- Love Song
- Open Up
- Interlude #2
- Coming Undone
- Getting Off
- Liar
- For No One
- Interlude #3/I've Seen It All
- Tearjerker
Amazon.com
On its seventh album--and first without founding member Brian "Head" Welch--Korn makes a few changes and gets on with proving that it's still a viable force within the world of heavy rock. The venerable veterans lean on outside help from the songwriting team of the Matrix and producer Atticus Ross (Nine Inch Nails). The end result is that this is a big change for Korn and one that will garner large shares of message board controversy on wether this album is more industrial than nü. The band is at its deftest on "Getting Off," "Politics" and "Coming Undone," which highlight the industrial bend. Stalwart fans need not worry for "Liar" and "For No One" remain in lock-step with classic Korn. One need not listen to the full hour-plus to discover flaws. Its center becomes weighed down with bland mid-tempo numbers and the final song detracts from the powerhouse close the record might have had they ended with "Interlude #3/I've Seen It All." Still, Korn has demonstrated that it's capable of weathering the storm and emerging with an album that will carry them onward. -- Jedd BeaudoinAlbum Description
With such daring new songs as "Twisted Transistor," "Politics," and "Love Song" among others, it's clear that KoRn--Jonathan Davis, James "Munky" Shaffer, Fieldy and David Silveria--have opened the doors to even more creativity and disarray. And no one does "disarray" like KoRn. The result is the most revolutionary KoRn album since their debut, a barb-wired, bastard son of blinding musical fury, dark and twisted lyrical candor, and searing, sociopathic tendencies. It's the culmination of everything KoRn have come to represent musically, morphed with an industrial-strength alter ego that's been suppressed--until now. "See You On The Other Side" is more than the evolution of KoRn--it's an evolution of heavy.Customer Reviews:
Shucked Korn......is all they are now.......2007-07-21
excellent album.......2007-06-04
The weak link in the Korn music catalog........2007-05-31
awsome! this is sweetness!.......2007-04-19
politics-7/10
hypocrites-7.5/10
souvenir-5/10
10 or a 2-way-3/10
throw me away-10/10
love song-7/10
open up-10/10
coming undone-7.9/10
getting off-7/10
liar-8/10
for no one-9/10
seen it all-?/10
tearjerker-1/10 :-)
Korn's changing, but they still good.......2007-03-23
Average customer rating:
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The Other Side
Chuck Brown , Eva Cassidy , and Eva Cassidy Manufacturer: Liaison Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005FN2 Release Date: 1995-12-12 |
Tracks:
- Let The Good Times Roll
- Fever
- You Don't Know Me
- I Could Have Told You So
- Gee Baby, Ain't I Good To You
- I'll Go Crazy
- You Don't Know What Love Is
- Drown In My Own Tears
- God Bless The Child
- Red Top
- Dark End Of The Street
- The Shadow Of Your Smile
- Over The Rainbow
- You've Changed
Amazon.com
Only in America could an album like this have come together: Eva Cassidy, a young vocalist who, had she lived, might have gone on to become her generation's favorite song interpreter, trading verses with Chuck Brown, seasoned godfather of the D.C. underground funk movement known as go-go. By the time this was recorded in 1992, the go-go trend had long since peaked for Brown, while the twentysomething Cassidy was still an unknown local session vocalist. Yet, on this set of standards, the two collaborate as if they were picking up where they'd left off decades earlier, from easy-riding versions of "Let the Good Times Roll" and "Gee Baby, Ain't I Good to You" to near-definitive renditions of "Over the Rainbow" and "Dark End of the Street." And while it's easy to focus on the posthumously acclaimed Cassidy, Brown's haunting solo turn on "You Don't Know What Love Is" suggests that unjustly overlooked talents are still making music in the shadows of our nation's capital. --Bill FormanCustomer Reviews:
Is It Just Me?.......2007-06-12
As to the music itself... The Eva Cassidy movement is so fervent it's tough to criticize anything she's ever done, but this is a very mixed collection of cuts that doesn't really even belong inside one jewel box. Three or four absolute pearls in a slurry of tired standards performed so perfunctorily they sound like they were taped on the Catskills circuit in the 1950s. Nothing wrong with Eva's voice, or Chuck Brown's for that matter, but you can smell the mothballs on much of the song selection and non-arrangements.
2 1/2 stars for the pearls.
Gives you chills ~! .......2007-04-26
She truly was the greatest female singer ever - her passion and pathos is unparalled . Her rendition of " God Bless the Child" is the best ever ! It will bring tears to your eyes .
This pairing is incredible - I have always been a sucker for a good duet and these two are superb and the musicians are first rate also . I guarantee you will love this gem of a CD !
Magic.......2006-08-27
Outstanding Recording - Flawless Performance.......2006-05-03
Eva? Simply the Best.......2004-06-23
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Encore
Russell Watson , and Leonard Bernstein Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JI9W Release Date: 2002-10-01 |
Tracks:
- Va, Pensiero (Verdi)
- Volare
- The Prayer
- 'O Sole Mio
- Ave Maria
- Mattinata (Leoncavallo)
- You Are So Beautiful
- Somewhere
- Che Gelida Manina (Puccini)
- E Lucevan Le Stelle (Puccini)
- Magic Of Love
- Catch The Tears
- Is Nothing Sacred?
- Bohemian Rhapsody
- Celeste Aida (Verdi)
- Where My Heart Will Take Me (from "Enterprise")
Amazon.com
Following up on the release of his debut CD, The Voice, Russell Watson is back with Encore, another mix of opera favorites and popular songs. By now Watson has become virtually a household name--he sells out large concert venues and remains on the top-seller charts. On Encore, we find Puccini and Verdi sharing the billing with Lulu and Lionel Ritchie on the CD's 16 tracks, which range from the much-loved Bach-Gounod "Ave Maria" to "Where My Heart Will Take Me," the theme for Enterprise (the latest Star Trek TV series). Indeed, a more fitting title might have been The Voices, since Watson explores opera, sacred works, film, television themes, and pop songs. The orchestral arrangements on tracks such as "Va, Pensiero" may not win him any fans from the opera contingency, but Watson reveals a captivating sound on pop ballads, including "You Are So Beautiful" and "Somewhere." If you enjoyed The Voice, you're certain to want an encore. --Rebecca AgnewCustomer Reviews:
awsome CD.......2007-06-09
Versatile Singer.......2007-03-30
il divo ancora music.......2006-11-10
Amazing..........2006-05-05
His wrost CD.......2005-01-12
The Classical stuff is great but The pop stuff is some of the wrose pop stuff he has even done.
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The Other Side
Billy Ray Cyrus Manufacturer: Word Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000D9PLF Release Date: 2003-10-28 |
Tracks:
- Face Of God
- Wouldn't You Do This For Me?
- Always Sixteen
- I Need You Now
- Love Has No Walls
- Tip Of My Heart
- Did I Forget To Pray
- Holding On To A Dream
- I Love You This Much
- The Other Side
- Amazing Grace
Product Description
Brand New sealed condition, includes original CD, case and paperwork. First Class Shipping. Ask me for my CD List. :DCustomer Reviews:
Still Impressed.......2007-05-30
This is a great CD. The messages thru the songs are good. If you know the Lord, you'll hear His messages throughout this CD, but the sound is soooooo Billy Ray. I just love it. Thank you so much Billy Ray!!!
Tracie in Fairfield OH
Best effort.......2005-01-18
The songs are beautiful and really showcase his great voice.
Inspirational and uplifting.......2004-04-14
The Other Side.......2004-02-28
Proud to be his fan!.......2004-02-22
A talented singer like him is really rare nowadays, regardless of music genre.
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The Other Side
Godsmack Manufacturer: Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DZE4L Release Date: 2004-03-16 |
Tracks:
- Running Blind
- Re-Align
- Touchi
- Voices
- Keep Away
- Spiral
- Asleep
Customer Reviews:
Godsmack CD "The Other Side".......2007-02-24
I normally listen to XM radio, the Spanish stations or Frank's Place. Godsmack is not the music I would normally purchase. However, the group has a very deep appealing sound. I actually bought the CD for a friend of mine who is deployed over in the Persian Gulf - I thought if his son who is in Iraq likes it, then perhaps the fighting men and women over there would also relate and enjoy this CD.
A so so collection.......2007-01-10
Very Nice.......2007-01-07
My only advice: Don't buy it on Amazon. Because there are only seven tracks, paying the Amazon price seems like a waste of money. You can get it on iTunes for $6.99.
Best EP I own.......2006-08-03
Excellent!!.......2006-07-05
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The Other Side Of Time
Mary Fahl Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008S2VE Release Date: 2003-05-27 |
Tracks:
- The Great Unknown
- Going Home
- Want To
- Ben Aindi Habibi
- Redemption
- Paolo
- Una Furtiva Lagrima
- The Other Side Of Time
- Raging Child
- Annie, Roll Down Your Window
- The Station
- Kindness Can Be Cruel
- Dream Of You
- The Dawning Of The Day
Customer Reviews:
A beautiful voice - wasted.......2007-07-10
So, you can imagine after October Project's demise, I was looking forward to hearing more of Fahl. After-all, a voice like that just can't be silenced.
Too bad it wasn't - at least for the garbage on this album. Redemption is probably the only song that shows what she can do with her voice. The rest is just a waste of her talents. God, I certainly hope she does not go down the same road that Karen Carpenter did and make everything she sings sound like a funneral dirge. She's trying very hard with the muck written for this album to do just that. The writing credits alone should have been enough to give it away right there. HOW many people does it take to write ONE song? Apparently as many as want to have a say in it for this disaster. Listen, if you start getting more than two people tossing in their two cents worth on any one song, you had better consider not writing it, much less trying to sing it. It is going to sound like a collage of miss-matched ideas and influences. Gee - just like most of the music (if you can call it that) on this album! I certainly hope that Mary Fahl will be able to find another record label willing to take her on when her current one dumps her for this waste of money and resources - with the priviso of course that all she does is sing the songs a talented songwriter creates for her.
only 3 good song.......2007-01-11
Beautiful and Perfect.......2007-01-09
Emotional Voice.......2006-06-09
Style departure.......2005-08-14
Great Unknown" seems to be an October Project track right off, billowing, inspiring and lush, you would never know the difference. It is my favorite. The rest of the songs really take a departure in style from what I am used to hearing from Mary. Though enjoyable, she seems to be searching for an audience. I hope she continues to put out sounds which can inspire and provoke thought in their writing without getting too sentimental. Pretty girl, great voice, don't let them change your style.
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The Other Side of the Mirror
Stevie Nicks Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002JN1 Release Date: 1989-05-18 |
Tracks:
- Rooms On Fire
- Long Way To Go
- Two Kinds Of Love
- Ooh My Love
- Ghosts
- Whole Lotta Trouble
- Fire Burning
- Cry Wolf
- Alice
- Juliet
- Doing The Best I Can
- I Still Miss Someone
Customer Reviews:
Best Stevie Album Ever!.......2007-06-20
A Firm Favourite..........2006-11-21
"The Other Side of the Mirror" is very keyboard and synth based, due to the presence of Rupert Hine, the man responsible for Tina Turner's "Private Dancer", which alienated alot of fans. The production is very European, which probably explains why it was so succesful outside of the US, and received such a slacking within.
Stand-out tracks include the single "Rooms on Fire" and the luscious "Ooh My Love", "Long Way to Go" and the emotional "Ghosts", which is a track I have always felt Stevie wrote just for me. However, the best track on this album would have to be "Doing the Best that I Can (Escape from Berlin)", which is quite possibly the best song Stevie ever wrote lyrically. It is filled with pain and anguish, and is a real reflection of the personal turmoil most fans know Stevie went through in the late 80s to mid-90s period.
This would definately be the most underrated album of Stevie's career, and definately deserves to be given a chance.
Stevie Nicks - The Other Side of the Mirror (1989) .......2006-06-27
The Other Side of the Mirror feels like Nicks is struggling to regain her momentum. Unfortunately, Rupert Hines was not the best producer for her to work with at such a time. Many of the songs on Mirror are well-written, and she produced a solid hit with "Rooms on Fire." However, many of the tracks are self-indulgent, lyrically off the deep end, and over-produced musically. This creates an overall listless sound, which blunt her usual strengths as a writer and performer.
Examples are plentiful. "Two Kinds of Love" is a great duet with Bruce Hornsby, but it lacks the direct emotional connection of "Leather and Lace." "Whole Lotta Trouble" is a horn-blazing rocker that never manages to evoke the drama of "Edge of Seventeen." "Juliet" rocks and "Alice" menaces, but both are ultimately too unfocused to hold together for anyone other than a die-hard Stevie Nicks fan. Her lyrics on "Long Way to Go" are so oddly written that she sounds like she's imitating Jedi Master Yoda. The nadir is "Fire Burning," a mess of a song that takes three minutes to go nowhere.
Nicks may have been working through her demons at the time. Her next release, the aptly titled Timespace, would be a "best of" effort to create as a stopgap as she tried to regain her footing.
I rounded up! 3.5 is more like it..........2006-06-21
With "The Other Side of the Mirror" my love lessens a bit. On the whole, the album is just "O.K." and nothing more. Does it come close to previous works like "Bella Donna" or "The Wild Heart"? No, it doesn't. But it is a decent solo effort and honestly much better than most music put out in the last 12 years or so.
Stevie just isn't "Fresh" with this album. The music may be a tad different but overall it's the same mysterious woman, her love-affairs with various men, the darkness, the velvet. All of it's so familiar, but in this case, too much so.
This album isn't going to win over non-fans or ever be considered a masterpiece. But it's never going to be considered a "bad" effort by those in the know.
I reccomend this as a good addition to any Stevie Nicks fan's collection. Songs to watch for are; "Rooms On Fire", "Long Way To Go", "Two Kinds of Love", and "Fire Burning".
A Good Album....but Short of a Great One.......2006-03-03
Nicks' "The Other Side of the Mirror" takes on a distinctive synth-pop feel. For this album, Nicks would bring in producer Rupert Hine who had garnered a reputation for being successful with synth-pop artists (most notably, Tina Turner for her "Private Dancer" album). Nicks', "The Other Side of the Mirror" would still be a commercial success - and this comes on the heels of a decline of synth-pop which was occuring in the late 1980s. The late 1980s had seen the pop music landscape move more toward a natural guitar-laden sound. Hine deserves a lot of credit for making Nicks' synth-pop effort a commercial success.
Nicks has historically surrounded herself with good musicians for her solo albums. This album is no exception. Most notably on this album is Mike Campbell from Tom Petty and the Heartbreakers. Campbell provides guitar work on four tracks and co-writes three of those songs with Nicks ("Ghosts", "Whole Lotta Trouble", and "Fire Burning"). When Campbell isn't doing guitar, Jamie West-Oram of The Fixx is. Nicks makes some very good use of background vocalists to help her. These background vocalists, Lori Perry-Nicks and Sharon Celani are on all 12 tracks (except for "Ooh My Love" which just has Perry-Nicks on background vocals). A trademark of Nicks is that she often features a male vocalist. For this role, an unlikely vocalist - Bruce Hornsby is brought in for 2 tracks.. Finally Kenny G makes a guest appearance.
Here is a quick synopsis of the 12 tracks on this collection:
"Rooms on Fire": This was the lone Top 10 hit from this album. The song has a strong synth-pop feel and it will be the keyboards will take over this track. This song manages to showcase Nicks' vocals talents at her best. Nicks-Perry and Celani do a terrific job with supplementing Nicks with great background vocals.
"Long Way to Go": This song combines some harder Rock elements with Synth Pop. There is a nice guitar solo by West-Oram. halfway through the song. This is another good song where Nicks-Perry and Celani do a real nice job supplementing some great Stevie Nicks vocals.
"Two Kinds of Love": I'm shocked that this song did not become a hit. Bruce Hornsby shares lead vocals with Nicks on this song. Surprisingly, Hornsby was brought in for his vocals and not his trademark piano work. Hornsby's unique and smooth vocals blend perfectly with Nicks' raspy vocals. While I'm not a Kenny G fan, his saxophone solo works perfectly in this song and can easily be picked up.
"Ooh My Love": Nicks does another nice job on the vocals. It is going to be Rupert Hine's keyboard that can easily be picked out.
"Ghosts": This is one of the Mike Campbell tracks that he co-wrote with Nicks. The song sounds out with a haunting sound and then transitions into something that has a bit of a Tom Petty feel.
"Whole Lotta Trouble": Another Campbell co-written track. This song has a blues element to it. It also has a Tom Petty feel to it. While this song had its moments, I felt the chorus was weak.
"Fire Burning": This is the third Campbell co-written track. This has more of a Synth Pop feel than the other Campbell tracks. Not a bad track. Nicks does a nice job on vocals, and gets help from Nicks-Perry and Celani.
"Cry Wolf": On Laura Branigan's "Touch" album, she sang this as a power ballad. Nicks is not a power ballad singer, but gives a nice spin to this song. She doesn't try to do a power vocal here and instead uses her own unique raspy vocals to give this song her own touch. This is one of two songs not written by Nicks.
"Alice": Many have said that this was the cornerstone song to the album. This song makes an analogy to the whole "Alice in Wonderland" theme. Kenny G has a saxophone solo. Many people really like this song, but it just didn't make it for me. It's ok, but I wouldn't say it's great.
"Juliet": Hornsby is back and this time contributes piano work as well as some background vocals. Hornsby's piano gives this song a catchy beat. In another storytelling analogy, she draws an analogy to "Juliet" from "Romeo and Juliet".
"Doing the Best That I Can": A good song captures my imagination and this song just doesn't do that.
"I Still Miss Someone (Blue Eyes)": This is the other song that Nicks did not write. This song is a throw back to the Country-infused days of "Bella Donna" days as Nicks does a good job with this Johnny Cash cover. Nicks-Perry and Celani do a nice job with background vocals.
The liner notes include all of the lyrics as well as musician and production credits. There are some terrific acknowledgements to the contributors by Nicks. Overall, this album should keep Nicks' core fans happy. I'd rate this album a good one, but I do feel it falls short of being a great one.
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The Other Side of Life
The Moody Blues Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001FJP Release Date: 1990-10-25 |
Tracks:
- Your Wildest Dreams
- Talkin' Talkin'
- Rock 'N' Roll Over You
- I Just Don't Care
- Running Out Of Love
- The Other Side Of Life
- The Spirit
- Slings & Arrows
- It May Be A Fire
Customer Reviews:
Still better than today's "music".......2007-06-18
I enjoyed Justin Hayward's Your Wildest Dreams, I just Don't Care, and The other Side of Life. Hayward and Lodge collaborated on Running out of Love and I love the song on all levels, especially their sweet harmony.
John Lodge's It May Be a Fire isn't my fave of his but it was a pleasant surprise as was Rock n Roll Over You.
This CD is for die-hard MB's completists or those who love 80's sounding music. The "core 7 MB only" folks probably hate this one. I love The Moodies and am willing to stick by them thru thick and thin. This CD isn't vintage Moody Blues, but hey it WAS the 1980's.
The beginning of the drum machine with acoustic guitar era.......2007-01-08
Moody Blues sell their soul.......2006-07-30
I remember buying this album along with Deep Purple's "House Of Blue Light" in early '87. I didn't really like either very much. Can you imagine, two of your favorite bands crumbling to the ugly sounds of the mid '80's. To this day, I still don't like this album, but Deep Purple's did grow on me. I guess Purple didn't sound so dated in hindsight, because of the fact they were using real drums and all five of their members were involved. But not the Moodies.
Anyway, the next Moody Blues album, 1988's "Sur La Mer," was a lot better, if you like that "80's sound." But, if you are looking for a really good follow up to 1981's "Long Distance Voyager," you need to find 1983's "The Present."
The Moodies go technopop...yikes!!!.......2006-03-28
Average.......2005-09-12
Christian Music:
- The Singles [Import]
- The Slouch In The Couch Interactive Learning & Music CD
- The Sound Track [Explicit Lyrics]
- Through the Looking Glass [Import]
- To You I Belong Pt. 2 [Import]
- Touch The Sky
- Trouble [CD-single] [Enhanced] [Import]
- Try This [Explicit Lyrics] [Explicit Lyrics]
- Try This [Limited Edition w/ Bonus Dvd] [Clean] [Enhanced] [Limited Edition]
- Twelve Windows
Christian Music
Mon Âge et à l'Heure Qu'il Est [Original recording remastered] [Import]
The Appearances: Book 1 [Explicit Lyrics]
Routes of Rhythm, Vol. 1: Carnival of Cuba
Music for Relaxation, Vol. 3: The Magic of Mozart
Rodgers & Hart Songbook [Import]
Soldiers United for Cash: The Soundtrack [Soundtrack]