Stark and soothing, Natasha makes music to float away by...
Product Description
With a baby grand piano and a voice highlighted by the occasional shimmering harmony, "Essence" is unapologetic in its simplicity.
Essence,Natasha,Sibling Row,Pop,Pop Vocals,Popular Music,Rock/Pop
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Fallen
Evanescence Manufacturer: Wind-Up ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000089RVX Release Date: 2003-03-04 |
Tracks:
- Going Under
- Bring Me To Life
- Everybody's Fool
- My Immortal
- Haunted
- Tourniquet
- Imaginary
- Taking Over Me
- Hello
- My Last Breath
- Whisper
Amazon.com
The Daredevil soundtrack provided a nice boost for this previously unknown quartet from Little Rock, Arkansas. Evanescence's songs "My Immortal" and the imposing "Bring Me to Life" are clear standouts in the film, mainly because they work so well with the dramatic, eerie undertones of the storyline. They reappear here on the band's debut, alongside a selection of similarly brooding tracks that evoke pensive artists like Tori Amos and the Cranberries. Vocalist Amy Lee has the kind of voice that can cause weeks of insomnia, but on songs like "Tourniquet" and "Haunted" she belies the music's sinister mood with evenhanded spirituality, thoughtfully letting some light shine through the tempest. --Aidin VaziriCustomer Reviews:
What you hope for if you've ever heard "Bring Me to Life".......2007-07-16
Indispensable.......2007-07-09
Light in the Darkness.......2007-07-03
"Bring Me To Life" is a stunning track on its own merit that could stand to lose the male pseudo rap-rock vocal yelling "Wake Me Up". (If you hear the demo version without the male vocal you will understand) I find it amusing that fans of bands like Linkin Park and Limp Bizkit are buying this disc just on the basis of this track alone only to realize that the rest of the disc is moody, dark journey into the belly of various beasts. Nevertheless, Amy Lee has a haunting voice that layers beautifully over gothic rock/metal passages much like Tarja, Anneke, Christina, and Tori Amos. "Haunted" is a short, but remarkable track that allows Amy's vocals to breathe chilling words of despair. Just read the cold words to "Imaginary" and you wonder what exact demon tortures the writer's (Ben Moody) soul.
Overall, this disc is way too deep and thought provoking for its target audience. For those of us that have supported this style of music for years, please don't pass judgment against this disc until you have experienced the overall enchantment within its 11 tracks.
Amy Lee: The most underrated voice in music today.......2007-06-27
After selling 14 million copies worldwide and having a strong sophomore release with "The Open Door", I decided to give Evanescence another chance, returning to the debut album "Fallen". Sometimes it takes giving an album a second chance to make a first impression, and this time around I guess I was ready to embrace a band that was deemed as Goth Metal by the masses, but had a female vocalist that was able to help them rise above the all too familiar growl and dirge vocal efforts that usually fall into this category. Strong singles that stand out to me start out with Track 1 in "Going Under", which has a nice, simple guitar piece that has enough grind to stay down in the darker, more brooding sounds of this style of music. Track 6 is a tune called "Tourniquet" and has some eerie tones that help it start out before breaking into a clean, balanced attack of guitars and percussion. The overall structure of this album is great, and although I said there are several singles I like, I will just sum it up by saying there is something great about every song on this album.
What really is a selling point for me, however, is the lead singer Amy Lee. Amy's voice is poetic in deliverance of the songs and has a great overall emotional connection with the music, while at the same time her range allows her to add a lot of diversity to each and every song throughout the album. Overall you have a powerful set of music that rocks when it has to, and has some piano melody to add to the mix (Track 6 and 9 in particular) that I feel sets it apart from a lot of the genre's and classifications that people have been trying to put it in. If you are not much into newer "Nu-Metal" or what have you, but enjoy some of the progressive metal sounds and intricate approaches of such musicians, you just might find Evanescence to your liking. As stated before, it took me a few years to "come back" and discover them, but the wait was worth it and I look forward to any new releases this band has to offer.
smart people BUY THIS CD.......2007-06-24
lets start with Going under great rock i would give it a 9/10
every one knows this song Bring me to life AWSOME all around 10/10
the everybodys fool was a good try good message to i would give it a 7.5/10
the 4th one was also very nice not for rock fans but nice 8.5/10
haunted was my Lest liked did not do what Amy does best 5.10
The 6th one Very very nice not the best but not the best 8/10
the 7th one nice strings very nice to 8.5/10
the 8th one rock on 9/10
hello tryed to be like the 4th one BUT failed badly 6.5/10
we are allmost done My last breath they did it again Very nice 9/10
last one whisper 9/10
and it wont tell you but theres 1 more its number 4 again but with guitars again BUY THIS CD
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The Essence
Deva Premal Manufacturer: White Swan ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QB42 Release Date: 1998-06-01 |
Tracks:
- Gayatri Mantra
- Om Asatoma
- Tumare Darsham
- Om Namo
- Shima Shima
- Sammasati
- Yemaya Assessu
- Gayatri Mantra - Bonus Track
Album Description
This top selling New Age/World beat CD is smooth, silky, calming and peaceful. Featuring Deva Premal's transcendant voice, ambient grooves, keyboard and hand percussion, THE ESSENCE invokes the heart healing power of ancient chants and mantras. The Gayatri Mantra, the oldest known to mankind, is the centerpiece of this truly meditative CD. Ideal for yoga, healing work, meditation and dancing."This is the music of Earth Angels, listen with your 3rd ear!" Gabrielle Roth
Album Description
2001 release from the soothing ethnic fusion vocalist. Includes the bonus track 'Gayatri Mantra'. White Swan.Customer Reviews:
Deva Premal.......2007-04-26
music to soothe the soul.......2007-01-08
peaceful and enchanting..powerful.......2006-09-02
Beautiful, Ethereal and Uplifting.......2006-03-01
I was a little surprised to see that I had played the crown jewel of this collection - the Gayatri Manta - well over a hundred times over the last five years or so. Deva Premal's interpretation of this famous piece is extraordinarily fine, as is the entire album. It is almost impossible not to be uplifted by her amazing voice, which is rich, resonant and deepened by the most extraordinary sub-harmonics. Indeed if you are not, it may be a helpful pointer that something is not going quite right in your body or in your life, and that it's time to get some guidance about how to help yourself.
So much more than music, this is sound therapy.
Bliss.......2006-01-30
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Essence
Lucinda Williams Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B8GS Release Date: 2001-06-05 |
Tracks:
- Lonely Girls
- Steal Your Love
- I Envy The Wind
- Blue
- Out Of Touch
- Are You Down?
- Essence
- Reason To Cry
- Get Right With God
- Bus To Baton Rouge
- Broken Butterflies
Amazon.com's Best of 2001
Few artists in recent memory have been able to wring more from less than Lucinda Williams. The hauntingly beautiful, wistful, and often breathtaking Essence is another case in point of how far raw emotion and honesty can carry an artist. Williams's singing is at its paralyzing best throughout 11 bare originals, an incredibly affecting vocal performance by a woman who was not blessed with exceptional tone, range, or pitch. Throughout, her voice is incredibly naked, vulnerable, and wrought with feeling. "Blue" and "Broken Butterflies" are gorgeous anti-lullabies whose simple melodies belie their poignant ruminations. The title track is a sultry and susceptible sex-as-drug come-on while "Reason to Cry" has all the hallmarks of a classic country lament. The only departure from the subdued mood is "Get Right with God," a rousing gospel tune that practically begs for salvation through punishment and is the rare acknowledgement of a world beyond Williams's own fears and desires. More meditative than the personal narratives found on Car Wheels on a Gravel Road, Essence is ultimately more powerful. Williams wallows in sorrow and weakness, and the result is moving and disarming. --Marc GreilsamerCustomer Reviews:
Oh My God, Essence Is A Gorgeous Record..........2007-05-10
Strong songs on this roots rock CD are the longest ones -- Are You Down, Bus to Baton Rouge, Essence, Out of Touch -- because Lucinda's backing band gets to display their wares. Their instrument choices are often unexpected and unusual: fuzz bass, guitars (electric experience, electric octave, live loop, resolectric, slide, and tremolo), one note harmony, acoustic papoose, violins and violas.
Since you're interested, please know Essence was affectionately recorded at Mastermix Studios in Minneapolis, Minnesota during 2001. Many of the polishing touches on this recording are very subtle, but the genius lies in Lucinda's use of predominantly male singers -- Jim Lauderdale, Gary Louris, and Charlie Sexton -- for both harmony and background vocals. Joy Lynn White also appears on three tracks.
Even though the shorter songs -- Steal Your Love, I Envy The Wind, Blue, Reason To Cry -- are pleasant, they really could have stood out more. Steal Your Love (Track Two) could have shimmered with harmonica, peddle-steel guitar and clarinet. I Envy The Wind (Track Three) could have likewise benefited from an extended refrain with flutes, piccolos, and recorders.
Not to complain really, but Blue (Track Four) and Reason To Cry (Track Eight) both sound like dour songs that could have been uplifted through some sort of piano accompaniment. Williams sings these tracks with such soft tenderness and love that background piano might have proved distracting, but I'd love to hear these tracks covered by the talented Cat Power for example.
Could I name two favorites? Certainly. Out Of Touch (Track Five) is the closest thing to a pop song. Bus To Baton Rouge (Track Ten) is also a delicate and sentimental song that tells a complex stories in under forty lines. Other than gems Blue and I Envy The Wind, I could listen to this pair of songs for hours.
Essence (Track Seven) is one of two power ballads on this album, and Lucinda nails it down perfectly with driving vocals that glimpse at addiction, death, obsession and transcendence. Alternately, Get Right With God (Track Nine) has biblical undertones, is more rollicking, and serves as the prefect counterpoint to the album closing Broken Butterflies (Track Eleven) which hints at forgiveness and healing.
Personal aside: Does anybody have Lucinda's email address? I had it before but lost it. I'd love to give her more songs.
Possibly her best.......2007-02-09
Lucinda gives hope on an otherwise bleak, generic 21'st century music scene.......2006-12-30
Absolutely sublime.......2006-08-14
"For Girls Under Heavy Blankets with Heat Rising.".......2006-05-04
Her songs are deceptively simple. Their power comes from her images, her delivery and the way the music supports the lyrics. "Lonely Girls," the first cut, sets the stage for the rest. The brisk, light melody, juxtaposed against her sorrowful wail, pushes the sadness deeper. Backup for the predatory "I'm Gonna Steal Your Love," beats like an excited heart. She drags out the words, savoring every anticipated pleasure. The slow, rocking instrumental to "I Envy the Wind," and her voice, almost breaking with sorrow as she tenderly, and with exquisite sensuality, describes the way the elements are free to touch the one she longs for, is painful to hear. The words to "Blue" create the most delicate and beautiful images of the color blue - that particular deep, purple blue that suddenly surprises the eyes and the heart in an ordinary moment. But the lodestone at the center of this amazing album is the pulsing, and obsessive "Essence," with a beat that drives her passionate lyrics of carnal cravings to a boiling point.
In between these heated cuts are tender, sad songs of lost loves. The last cut, " Broken Butterflies," is a personal message to a lover whose anger destroys beauty and love. All this is the stuff of lonely girls.
The music ranges from the whining, bleeding sound of country and western, to jazzy blues. Especially delicious are: the sultry openings for "Are You Down," and the sexy, staccato guitar opening for "Can't Put the Rain Back in the Sky," with it's organ echo, and. punctuated drum beat with a brushed whisper.
The only cut that seems out of place is "Get Right With God." Perhaps a little penance is necessary after these hot, lustful numbers. It's the most upbeat number on the whole album. Maybe we needed it.
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The Essence of Melissa Manchester
Melissa Manchester Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002VT5 Release Date: 1997-05-20 |
Tracks:
- If It Feels Good (Let It Ride)
- Easy
- Bright Eyes
- Midnight Blue
- Through The Eyes Of Grace
- Home To Myself
- Alone
- O Heaven (How You've Changed Me)
- Good News
- Through The Eyes Of Love (Theme From Ice Castles)
- Just Too Many People
- Lovers After All
- Fire In The Morning
- Whenever I Call You Friend
- Don't Cry Out Loud
- You Should Here How She Talks About You
- Caravan
- Just You And I
- Come In From The Rain
Customer Reviews:
An overlooked effort from Manchester.......2005-10-11
Respectable collection for 70's MOR singer-songwriter.......2005-06-04
As for "If It Feels Good (Let It Ride)" and "Easy" from Home To Myself, both show her sound in the making, be it the upbeat piano in the first, and the leisure melodies of the second, which goes into uptempo bursts in some of the chorus repeats. She cites Laura Nyro as an influence for the catchy piano tune "Bright Eyes"
Her first Top 40 hit was the #6 ballad and #1 adult contemporary hit, "Midnight Blue," from the Melissa album. Co-written with Carole Bayer Sager, who did many other songs with her, this is a smooth, quiet, and relaxing song. The followup single was co-written with Vini Poncia of KISS and Ringo Starr fame. A more upbeat number "Just Too Many People" this #30 single was about lonely people "afraid to take a stand," and "living in a house divided." As the liner notes say, this song was banned on some stations who perceived it for being pro-abortion, which it wasn't.
The theme of exploring solitude is present in "Home To Myself" and "Alone." In the first, being alone isn't bad, depending on how one spends it, and that's something I relate to a lot: "Make my own time/it's mine to spend/think to myself/my youngest friend" and "it's not so bad all alone coming back to myself again." The second, with its lounge jazz inflections, vibes and sax included, calls for a needed time-out, for being in "a place in me, and I have to be there alone." Nice, leisurely, introspective songs, both of them.
Why the theme from Ice Castles, "Through The Eyes of Love" didn't even dent the Hot 100, is a mystery, as it has the caliber of "Midnight Blue", with great vocals, string orchestration, and arrangements that make for a worthy pop hit. Too overblown, maybe? Not in this writer's opinion. One of my favourites here.
Of interest here is, "Whenever I Call You Friend" the song she wrote with Kenny Loggins, who decided to sing it with Stevie Nicks. It hit #5 in 1978, but Melissa decided to cover it herself, doing a more relaxed string-laden version.
Her second Top Ten hit, the #10 ballad "Don't Cry Out Loud" has a nice sound and vocals from Melissa, yet, given the purpose of singer-songwriters expressing what's in their hearts, the chorus is somewhat repressive: "don't cry out loud/just keep it inside/learn how to hide your feelings." The song reaches a crescendo with strings and what sounds like a piccolo trumpet. This song renewed my interest after I heard American Idol finalist Diane DeGarmo's cover of this.
With the new decade, Manchester hit #32 with "Fire in The Morning" and her duet with Peabo Bryson, the jazz-pop of "Lovers After All" reached #54 in 1981, showing signs that maybe she was being outdated with the onset of new wave. Odd considering acts like Christopher Cross and Air Supply had staying chart power during the same year.
The only song I heard of hers on the radio but was clueless to who it was turned out to be her last Top 40 hit, the Grammy winner for Best Pop Vocal Performance, "You Should Hear How She Talks About You." This catchy pop tune, which draws comparison to some of Laura Branigan's early stuff, was also her highest charting Hot 100 hit and third Top Ten, scraping the Top 5 in 1982.
While missing one Top 40 hit, "Pretty Girls," this does justice to Melissa Manchester's role as singer-songwriter and adult contemporary favourite of the 70's.
Great Songs And More!.......2004-06-12
Before this collection was available, her "greatest hits" album from 1983 was the best compilation you can find. Thankfully, The Essence Of Melissa Manchester is a better collection! Nineteen wonderful tracks dating from her start in 1973 when her focus was on jazz-flavored songs. All her Top 40 hits are included except for the #39 hit "Pretty Girls" from 1979.
The packaging is superb: liner notes to highlight her music career along with comments on each individual songs. There are plenty of pictures with song credits. As a bonus, both Barry Manilow and Carole Bayer Sager have their own personal comments about Melissa. That alone was worth the price of this CD!
Finally, this collection works for both the casual fan (who will get her hits and full-portrait of Melissa) and for the Melissa fan (who would appreciate her best work on one CD).
Not quite 100% Essence.......2003-11-15
I highly recommend "Essence" to anyone that enjoys listening to what a true vocalist sounds like, rather than the cookie-cutter mediocrity that saturates today's airwaves.
The Essence of Melissa Manchester.......2003-07-20
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Essence of the Forest
Deep Forest Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001NBLRM Release Date: 2004-07-27 |
Tracks:
- Sweet Lullaby (Version 2004)
- Marta's Song
- Madazulu
- Night Bird (Version 2004)
- Freedom City
- Desert Walk (Version 2004)
- Dignity
- Ekue Ekue
- Boheme
- Yuki Song
- Deep Weather
- Green And Blue (Live)
- Twosome (Marta Et Katalin Version)
- Will You Be Ready
- Undecided (Deep Radio Mix)
Customer Reviews:
Deep Forest - Essence of my music collection.......2007-02-25
The Best of The Forest.......2007-02-08
Essence of the Forest is a masterpiece collection.
The wonderfull reproduction of eternal music of the French duo will not dussapoint anyone in this beautifull world, united so well by the Deep Forest music.
I Love the Essence of the Forest! Thank You Eric and Michel !
My first exposure to this duo and not my last...........2005-05-26
A mixed bag of surprises.......2004-08-14
Excelent new 6 tracks.......2004-08-03
Deep Forest I reconized, even that the track Desert Walk sound diffrent, better than the released in World Mix. For me, now Desert Walk 2004 and Night Bird 2004 should be singles of this album, they are so good songs.
Sweet Lullaby 2204 is excellent. Ana Torroja sounds good in Sweet Lullaby 2003. The remixes of Yuki Song and Will You be Ready sound better than in music detected. I LOVE THIS ITEM AND I AM WAITING FOR THE DVD OF THE VIDEOS OF DEEP FOREST, THE BEST IN THE MUSIC IN THE TELEVISION
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Essentials
Chris Spheeris Manufacturer: Essence Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AN12HM Release Date: 2005-09-13 |
Tracks:
- Aria
- Psyche
- Margarita
- Marionette
- Mediterraneo
- New West
- Embrace
- Alegria
- Elektra
- Always
- Quiver
- Desires of the Heart
- Slow Dance
- Bombay
Product Description
Newest CD by Chris SpheerisCustomer Reviews:
Some of the Best of Chris Spheeris.......2007-07-13
Don't just listen to Chris Spheeris, get off that couch, you old potato and let your feet discover their long lost ancient dances...you want to get lost in the Ageian, vine twist in Santorini and Crete, you know you do! Oppa!
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Essence of Rhythm
Zakir Hussain Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009HRR Release Date: 1998-07-28 |
Tracks:
- Tal-Posta In 5 Beats Raga/Jhinjoti on Sarangi
- Tal-Pancham Sawari In 15 Beats/Raga Asa Mand (Naghma) On Sarangi
- Jhaptal in 10 Beats/Raga Jhinjoti on Sarangi
Customer Reviews:
For the tabla lover.......2004-10-04
The sarangi and tanpura are very much in the background, playing the melody and drone of traditional classical music of India. The tabla playing is indeed masterful and brilliant. The music is well-recorded.
Any fan of truly exceptional drumming should enjoy this recording. Fans of traditional Indian music may wish to hear more of the other instruments in the mix.
~heidimo
No false advertising here.......2004-04-26
U S T AAAAAAAAAA D J I.......2002-03-18
Punjabi at its best.......2001-01-17
Amazing.......2000-07-07
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Eros
Chris Spheeris Manufacturer: Essence Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001UJD Release Date: 1997-09-16 |
Tracks:
- The Arrow
- Alegria
- Carino
- Psyche
- Quiver
- Slow Dance
- Mediterraneo
- Juliette
- Always
- Eros
Customer Reviews:
This is my favorite CD and I listen to it all of the time........2007-01-03
A fabulous record!.......2006-02-27
The emotional range is surprisingly wide: from enjoyable themes until contemplative gazes to nocturnal memories.
Specially recommended for all those have decided to go in search of new sounds.
Eros....Forever...........2003-05-12
BEST GUITAR & SYNTHESIZER ALBUM .........2001-12-30
Remarkable!.......2000-08-13
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Essence
Peter Kater Manufacturer: Source Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000018I4 Release Date: 2001-04-20 |
Tracks:
- Essence
Customer Reviews:
Just About the Most Peaceful Music I Have Ever Used As a Therapist.......2006-12-23
Inner-peace.......2004-12-16
Awesome but reject the shamanism.......2003-10-16
Heaven on Earth.......2002-12-05
The most relaxing selection of songs I've ever heard........2001-09-21
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Time Is Of The Essence
Michael Brecker Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000296PM Release Date: 1999-11-02 |
Tracks:
- Arc Of The Pendulum
- Sound Off
- Half Past Late
- Timeline
- The Morning Of This Night
- Renaissance Man (A Tribute To Eddie Harris)
- Dr. Slate
- As I Am
- Outrance
Amazon.com
Tenor saxophonist Michael Brecker has offered his horn to countless studio sessions since the late 1960s, many including his own bands. Purists might have considered Brecker's reputation sullied by his association with fusion--especially as performed in the 1970s by the Brecker Brothers, which featured him alongside his brother Randy on trumpet, and later by Steps Ahead--but since the mid-1980s, the tenorist has been on a post-bop roll. Time Is of the Essence extends Brecker's broad command of the styles pioneered during the mid-1960s. He's playing with a veritable supergroup, Pat Metheny adding efficient strums and riffs on guitar and Larry Goldings pillowing the atmosphere on a Hammond B3 organ. Three drummers alternate on the session, with the great Elvin Jones making the most turbulent storm and Bill Stewart providing the most detailed textures. Jeff "Tain" Watts mixes Jones's romping power with a sense of the delicate, loaning Brecker's melodies an added dimension. For his part, Brecker plays hard and fast with absolute proficiency. The tunes are gutsy and sharp, with lots of creative soloing and up-tempo energy. --Andrew BartlettCustomer Reviews:
Make Time For This Music.......2007-05-23
First time I saw MB was in support of his 1987 Impulse! debut at the Great American Music Hall in San Fran. (Wait - that's not true - Steps Ahead did a great show right here in Kzoo, October 1984.) (wait - that wasn't first either - Chick Corea Three Quartets Band, Hill Auditorium, Ann Arbor, spring 1981 - dawg! well anyway..) He had Mike Stern, Joey Calderazzo (who I'd never heard of before), a bass player (Jeff Andrews maybe?), and Adam Nussbaum. Funny that I can't think of the bass player's name. It wasn't a heavy, but Brecker rarely played with anyone who wasn't, or who wasn't about to be. I say funny, because TIOTE is the only MB release that I can think of where there is no bass player. That's because Larry Goldings was on loan from John Scofield or had escaped Sco's clutches or something. Goldings puts both hands (probably both feet too) to excellent use on the Hammond, which essentially fills up the bass end, while smoothing out the hole in Brecker's otherwise organ-less discography. Not that MB didn't ever have a keyboard player before (in addition to or sometimes just in place of piano) - Good Heavens NO!! Mixing it up with keys and strings (most frequently the 6-er variety) was Brecker's bread and butter. He even seemingly played keyboards himself whenever he ventured into the realm of the Steiner EWI (what a great instrument!). Here, though, on TIOTE, Brecker is *all* tenor and Goldings is *all* B3, and the results go way beyond what we had waited so long for.
At that GAMH date, Brecker seemed to me both like a man possessed and like a brother giving it all away to you at the same time. On TIOTE, it's not like he's holding anything back. He isn't. But he *does* have this extra gear that he can drop it into whenever he wants to. And typically he wants to whenever he hears the call of the drums. Ah, yes, the DRUMS! This album has dream drums! And not just from Jeff "Tain" Watts, who was well incorporated by this time into MB's working routine, in addition to all his Branford stuff and his own stuff and all the other "stuff" that he felt like making time for (obvious pun, yes I'll stop now). Bill Stewart's on board too and isn't HE sensational? I don't care who else is on the gig - if you tell me that Bill Stewart's gonna be playing with a band downtown tonight - I'm gonna be there! And I don't mean that he just thrills you with every move he makes - what I mean is that he integrates himself completely into each piece with his great big ears and plays so... intelligently, that's it. He's also an excellent tune-smith himself, elsewhere. Here on TIOTE, the pens belong to Brecker (5), guitarist Pat Metheny (2), and to Goldings (1), with one more (see below).
"And now, Ladies and Gentlemen, for the *star* of our show ..." (yes, this is where one of those rolls goes). "Ladies and Gents, please welcome Mr. Elveen Jones!!" Jones takes the chair we had always wanted to hear him in, and does he disappoint? Are you kidding? This is Elvin Jones, the man, solid, loose, in the pocket, all over the place, the master of polyrhythm himself on 3 tracks for the millenium. On two of these, there's a spot where everybody else drops out so it's just him and MB, and look out!! At one point during "Outrance", the closer, MB drops out too, and I swear from the next room that it sounds just like a bass and drum duo, but there's no Larry, hands or feet - IT'S ALL ELVIN.
Almost done and I still haven't dropped it (those names). Well, the other star of this show is the George Whitty comp "Renaissance Man", which is so perfectly pulled off in honor of the man who had a reason for talkin' ---t, Mr. Eddie Harris. I can barely go two weeks without having to hear at least this one track from this excellent 5 star album. And I could try to turn this review into my personal tribute to all of the great players represented here, real or channeled, who have left us too soon. But it's probably best to simply close with a paraphrase from the title of a Metheny tune: Every Day I Am Thankful For Your Music.
Salaam, Michael
P.S. Major props go out to sound man James Farber for fantastic services rendered. The balance is wonderful. Leave your controls flat cuz this sucker kicks with no help required.
a real smoker! .......2005-09-24
Brecker leads the charge, this time with Larry Goldings on organ, and familiar sideman Metheny on guitar. In my opinion, they hit the ball out of the park on this one.
This time, the focus is really on the music. Often, I think Brecker gets caught up in demonstrating the state of the Tenor (Delta City Blues, My One and Only Love) as only he can. For this one, it's an all hands on deck team effort. The arrangements are great, but it's the hard driving swing that makes this record groove. I think it's absolutely one of Brecker's finest efforts. And check out the drummers on this one. Theey get a chance to really shine, where the songs are well suited to their individual strengths.
Elvin Jones plays like a god, providing herculean drive and swing as always. But, Stewart and Watts match his intensity (as much as anyone else could.)
Goldings is terrific here, and Metheny plays fine as usual. But he also shows a little extra edge, which is always nice.
At the time this came out, I remember a quote by Brecker about how he wore out a few copies of Unity by Larry Young, which featured Joe Henderson's fine Tenor playing matched with Young's organ. With Time of the Essence, Brecker (whether intentional or not) creates a fine tribute to Youngs landmark recording. On Time is of the Essence, Brecker and company created their own matserpiece worthy of comparison.
Shawn
Powerful.......2004-09-04
Accomplished but Challenging.......2002-02-23
The line up of the album is second to none. Metheny takes the lead on Guitar, and Larry Golding's organ playing is exquisite. Rhythm is provided in tun by Elvin Jones, Jeff Watts and Bill Stewart. However, at least for me, the sum is a little less than one might expect from the parts.
Rating this album was a struggle. Technically, it is accomplished; the playing is outstanding, and the production is good. Yet of all my Brecker albums it is the one I play least. Partly, that is purely stylistic, but partly it is that I simply don't find the usual Brecker nuances displayed here. As an introduction to Brecker's music I would avoid this album, at least as a starting point. If you are already an avid Brecker or Metheny fan, I'd recommend it wholeheartedly - there is certainly a great deal of content which bears many repeat listenings.
i've looked at some of these reviews and they make me laugh.......2001-08-02
Christian Music:
- Family Portrait/Party Started [CD-single] [Enhanced] [Karaoke]
- Feel Good Time [Import]
- First Taste Of Love
- Floating Down the River
- Fresh Hits 2000 V.1 [Import]
- Garnet
- Gettin' Close [Explicit Lyrics]
- God, Self & Community
- Goodbye Flatland [Import]
- Guaranteed Chance
Christian Music
Back to the Heavyweight [Import]
All the Best Irish Drinking Songs
Aos Mestres Com Carinho: Homenagem a Dolores Duran [Import]
Bangin on the Wax (Best of the Crips)
Llibre Vermell de Montserrat. A fourteenth century pilgrimage