| 1. As Long As There's Love |
| 2. If You Didn't Love Me |
| 3. Not Yet |
| 4. Why Don't You Kiss Him |
| 5. Hand On Your Heart |
| 6. Kinder |
| 7. Beauty And The Beast |
| 8. Our Song |
| 9. Waiting For A Miracle |
| 10. What Time Won't Heal (I Will) |
Editorial Reviews
Meet Zoe... How many 17 year olds do you know who:
-Sing beautifully, play the violin, arrange and compose as well as engineer using her own Pro Tool equipment at her family recording studio and puts together her own show;
-Recorded an album of original material at Ocean Way Recording and Capitol Studios in Hollywood using some of the finest arrangers, musicians and engineers in the world;
-Already signed a 5.1 DVD surround sound deal with DTS Entertainment;
-Is embarking on a 20 venue concert tour around England
Product Description
A heavenly voice sings classic pop songs with a contemporary twist featuring finely crafted hooks and lyrics everyone can relate to.
Zoe,Zoe,Weberworks Entertainment,A heavenly voice sings classic pop songs with a contemporary twist featuring finely crafted hooks and lyrics everyone can relate to. All-star band.
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The Else
They Might Be Giants Manufacturer: Idlewild/Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QTCY5O Release Date: 2007-07-10 |
Tracks:
- I'm Impressed
- Take Out the Trash
- Upside Down Frown
- Climbing the Walls
- Careful What You Pack
- The Cap'M
- With the Dark
- The Shadow Government
- Bee of the Bird of the Month
- Withered Hope
- Countrecoup
- Feign Amnesia
- The Mesopotamians
Amazon.com
Twenty years after their debut album introduced a well-read duo with a peculiar wit and a gift for contagious melodies, They Might Be Giants--a.k.a. John Linnell and John Flansburgh--still come across as exhilarating and spanking fresh as the theme song to Comedy Central's Daily Show. (Oh yeah, that's them, too.) Fresh off the Giants' second children's record (2005's Here Come the ABCs), the New York twosome began a production alliance with L.A.'s Dust Brothers that resulted in The Else, another collection that ranks with any in their memorable discography. From the fast-tempo opener "I'm Impressed" through the '60s pop edge of "The Mesopotamians," endearing hooks reel you in just far enough for the humorous, often oddball lyrics to bury you. But several times the implications in the lyrics are all too real, such as the love undertones of "Contrecoup" and "Take Out the Trash," an uncannily catchy dump-your-boyfriend song that suggests "Once you get him out, tell him not to come back again." Contradictions like these never bother to disrupt the sequencing, but rather drive home what we already know about They Might Be Giants: they already are. --Scott HolterCustomer Reviews:
TMBG delivers big on album 12..........2007-07-31
Buy it for the bonus disc!.......2007-07-27
It also comes with a disc entitled "The Else." This disc is surprisingly unremarkable. Perhaps its conventionalism will make it more accessable to fans of mainstream radio, I don't know. Although I will make one remark: Have you ever sketched, written, or recorded a great idea, but then worked hard trying to improve and refine it, only to find the polished, finished product had lost the vitality of the original? Yeah... I think that must be what happened with the material written for "The Else". Over-produced to the point of being... well... let's say it does not hold one's attention.
The initial appeal of TMBG was that they DID NOT sound like every other corporate rock entity. So what happened? It seems they want to "play it safe" these days for the official album tracks, only daring to exert their true genius in the dark recesses of podcasts, b-sides and bonus discs.
In summation: Buy it for the bonus disc while it's still available! That alone is worth a four-star rating. Console yourself that no, TMBG haven't "lost it"; rather, they seem to "hide it" these days.
Everyone's entitled to their opinion .......2007-07-25
I'm Impressed.......2007-07-24
This is the first album since Apollo 18 that I've taken to instantly on the first listening.
Plus, there are some very good songs on the bonus podcast CD...the best being Brain Problem Situation.
Sadly, the worst TMBG has done........2007-07-20
From start to finish it is the worst kind of synth-pop; if you ever wanted your They Might Be Giants to be more hip-hop and less... oh, interesting, then this is your Great Big Chance.
It's one of the few albums I've purchased that actively *angered* me. I felt my blood pressure rising after each track, offended that this was the band that brought me the sublime "She's an Angel", the stellar "Subliminal", and the super "Sapphire Bullets of Pure Love." Okay, that's enough alliteration for one review.
What happened? What happened with this one, TMBG? Again, I stress; if you are big into hip-hop/drum n' bass, you might like this. If you enjoy Flood, State Songs (side-project, but still worthy of the catalog), John Henry, or heck, even Mink Car, give this one a pass. I even cancelled my tickets to see The Else tour in Cleveland this album was so bad!
In fairness, there are a couple of songs that are passable;
Bee of the Bird of the Moth and Contrcoup are listenable, and The Mesopotamians retains a spark of previous TMBG cleverness.
Sorry to rain on the parade, but it's back to the uneven Spine, which looks like Lincoln compared to the miserable The Else.
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The Calling
Mary Chapin Carpenter Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MNOXI0 Release Date: 2007-03-06 |
Tracks:
- The Calling
- We're All Right
- Twilight
- It Must Have Happened
- On And On It Goes
- Your Life Story
- Houston
- Leaving Song
- On With The Song
- Closer And Closer Apart
- Here I Am
- Why Shouldn't We
- Bright Morning Star
Amazon.com
In recent years, Mary Chapin Carpenter--once among the most promising stars of the folkie infiltration of Nashville ("Down at the Twist and Shout," "I Feel Lucky")--abandoned all desire to dot the country music charts. Free of that ill-fitting yoke she returned to being what she really was all along: A literate acoustic singer-songwriter. In 2004, she released a tour de force, Between Here and Gone, which combined affecting social commentary on the events of 9/11 with personal meditations on her changed life as a married woman living in rural Virginia. The Calling picks up where that album left off, using the same co-producer, pianist Matt Rollings, and core musicians, including John Jennings, who helped Carpenter shape her sonic landscape some 20 years ago. If the new album goes farther in advocating a political conscience--"On with the Song" takes jabs at the jingoistic rubes who dissed the Dixie Chicks, while "Why Shouldn't We" insists we'll have worthy heroes in office again one day--it largely invokes the same quiet, warm, and conversational tone as its predecessor. On the whisper-soft "Twilight," which frames a perfect, peaceful evening with a nearly spiritual grace, a listener might easily imagine himself chatting with the artist about long-held secrets and shared experiences, the Blue Ridge Mountains looming in the background. That is part of Carpenter's gift--connecting with her audience's shadow self, using her deeply nuanced alto to fill even the simplest words with profound knowing. As a pure craftsman, however, she ranks with the giants of past generations in capturing the small, bruised hearts seemingly lost in the chaos of a catastrophic event. "Houston," one such song here, recalls Woody Guthrie's great "Deportee" in its power and the pathos of the Hurricane Katrina victims who were forced to evacuate their homes, leaving everything behind but fear and hope. "Mama's got her baby/Sleeping in a grocery cart," it begins, at once setting up a picture of wrenching desperation. Carpenter, no stranger to blue moods herself, knows how tough it is to emerge from a dark period of pained restlessness to find one's very self again. The album's soothing closer, "Bright Morning Star," like much of the record as a whole, offers a beacon of light and safe harbor for those shipwrecked on life's rocky shores. --Alanna NashAlbum Description
As a songwriter and performer, Mary Chapin Carpenter has long since transcended the traditional notions of genre and style, finding widespread acclaim for her poetic, elegantly - observed compositions. The Calling, her first release for Zoë/Rounder, is the most topical album she's made in her twenty-year career. While it unequivocally addresses issues both public and political - from the after-effects of Hurricane Katrina to religious zealotry to the trial-by-radio of the Dixie Chicks -- there is also something deeply personal about this extraordinary collection of songs. The album is a powerful, provocative meditation on the mysteries of fate and circumstance, which mingles timeless questions with contemporary issues. Introspective, defiant and deeply resonant, The Calling is a profound set from one of modern songwriting's most distinctive voices.Featuring "It Must Have Happened," "We're All Right," and "On with the Song."
Customer Reviews:
The Calling.......2007-07-24
CD of the year.......2007-07-23
Terrific songwriting.......2007-07-19
Best Yet!!.......2007-07-10
Really nice..........2007-07-08
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Seastories
Minnie Driver Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QTCY5Y Release Date: 2007-07-17 |
Tracks:
- Stars & Satellites
- Sorry Baby
- Beloved
- Cold Dark River
- Mockingbird
- How To Be Good
- King Without a Queen
- Mary
- Lakewater Hair
- London Skies
- Coming Back To Life
- Love Is Love
Album Description
Though best known as an actress, Minnie Driver defied critics' expectations and established herself as a serious artist and musician with her well-received debut album Everything I've Got in My Pocket. Her new CD SEASTORIES goes farther in exploring new musical territory, from the rich sonic textures of "Beloved" to the bluesy soul of "Cold Dark River" to the seductive minor key groove of "Mockingbird" to the poetic chamber folk of "Lakewater Hair." Producer Marc "Doc" Dauer and guest musicians Ryan Adams and The Cardinals, Liz Phair and Rami Jaffee (The Wallfowers) match but never overwhelm Driver's vivid lyrics, soaring melodies and spirited performances on this thoroughly pleasing collection of intelligent pop."Blasting holes in the actor-singer stigma...Minnie Driver isn't like most actors who treat making records as a hobby. She's actually good." - HARP
Customer Reviews:
Is This One A Grammy? In My Heart It Is!!!.......2007-07-25
Very, very, very good........2007-07-21
(Addendum)
I've now listened to the CD about 20 times and I'm just thrilled. I previously talked about the first five songs but the sixth song How To Be Good has become my favorite. Beloved is damn close to being the perfect single too. This is one hell of a CD.
Minnie, let me be the first to congratulate you on what should be a well deserved Grammy nod.
Surprisingly stunning.......2007-07-19
A Star Indeed!.......2007-07-18
SeaStories brings it "too the shores".......2007-07-17
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At the End of Paths Taken
The Cowboy Junkies Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVIXIW Release Date: 2007-04-17 |
Tracks:
- Brand New World
- Still Lost
- Cutting Board Blues
- Spiral Down
- My Little Basquiat
- Someday Soon
- Follower 2
- It Doesn't Really Matter Anyway
- Blues Eyed Saviour
- Mountain
- My Only Guarantee
Amazon.com
The Cowboy Junkies' gothic Americana takes a psychedelic hue on At the End of Paths Taken, replete with Beatlesque string sections and snarling, distorted guitar leads. It's an often epic album, exemplified by the opening track, "Brand New World," which starts off like a lament and ends with a triumph of surging strings. Atop it all sits singer Margo Timmins. She's the lover everyone wants, a voice that is at once world-weary and inviting, domineering and seductive. She's the perfect vehicle for writer and brother Michael Timmins--especially on an album that deals with adult themes--because if nothing else, Margo sounds like an adult, a woman who has experienced the world and life and things that maybe we shouldn't talk about. A mother's frustration never sounded as ominous and threatening as on "Cutting Board Blues." Sitting astride a buzzsaw guitar riff and a groove of doom, she talks about walking away from it all, leaving her cutting board behind. Many of the themes concern adulthood and children with a sense of despair about the world those children are entering on songs like "My Little Basquiat." There are moments of light and hope on At the End of Paths Taken, but overall it is a deliriously dark and brooding album. --John DilibertoAlbum Description
Despite its title, the new Cowboy Junkies album, At the End of Paths Taken, is as much about new beginnings as it is about endings. It is also about human connections, the struggle to sustain those connections over time, and the complexities that can arise even when those connections are maintained. It is, in other words, a classic Cowboy Junkies album - a suite of smart, richly textured songs that value subtlety over broad, generic strokes, songs that prize insight and casual revelations over easily digestible clichés. Family lies at the heart of the album's eleven songs, and, of course, that is appropriate, too. Three of the band's members - singer Margo Timmins; songwriter, producer and guitarist Michael Timmins; and drummer Peter Timmins - are siblings, and bassist Alan Anton has been a member since the group formed in Toronto in 1985. Few bands have lasted nearly as long with their original line-up intact, and fewer still have created as consistently satisfying a body of work.Customer Reviews:
The Junkies Just Improve With Age.......2007-06-21
Fantastic.......2007-05-02
Highlights of the album are Cutting Board Blues, My Little Basquiat, Follower 2, and It Doesn't Really Matter. The album reminds me of Open in some ways - a big departure in sound from their previous albums. I'd rank it up there with One Soul Now, which is my favourite album of theirs in the last decade (Caution Horses remains my personal favourite).
Buy the album - and don't forget to see the band live if they're coming to your neck of the woods (unfortunately no Texas dates yet - drat).
What a great CD..........2007-04-21
Same Talent, Different Direction.......2007-04-21
I have noticed these same changes in other artists' music as they have matured. In most cases, I have found these developments disappointing (Sting, Annie Lennox, Tori Amos, Peter Gabriel) as it seems like the angst and edge that originally drove these artists' creativity later gave way too something over-worked, something more science than art, something more benignly pleasant than engaging. In this case, however, I am not disappointed for the most part. Margo's hauntingly beautiful voice is still entrancing (although its changed a little too). The family themes are real rather than overly sentimental. The Cowboys still have some edge, as shown in Cutting Board Blues. And there's still some of that forlorn feeling of their earlier work in Spiral Down. It Doesn't Really Matter Anyway has a little of each and is a great song. Someday Soon didn't work for me at all, but maybe its just a matter of taste. Also, even though Mountain could be a great song, I don't like the rambling male voice in the background, its too distracting. And I wasn't hip on the kids' voices in My Only Guarantee, even though it would also be an otherwise great song. (Maybe these two songs waded into the "over worked" category just a bit).
Ultimately, while there are selected albums out there that I like better than any of the Cowboy Junkies albums that I have, I think the Cowboy Junkies could easily be characterized as consistently being the best band of the last three decades. They deserve more recognition than they have received in the U.S, but perhaps a lack of commercial success in the U.S. is part of what has kept them so great over the years. Also, Cowboy Junkies, if you read this - thank you for coming to Idaho to play. I never thought I'd get a chance to see you live and it was wonderful.
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Everything I've Got in My Pocket
Minnie Driver , and Minnie Driver Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002W4T4O Release Date: 2004-10-05 |
Tracks:
- Everything I've Got in My Pocket
- Invisible Girl
- Fast as You Can
- Wire
- Home
- Deeper Water
- So Well
- Hungry Heart
- Down
- Yellow Heart
- Ruby Adeline
Amazon.com
British actress Minnie Driver's debut album is a more than credible affair--and a far cry from the usual travesty that unfolds with thespians who pine to be rock stars--outdistancing efforts by brethren like Don Johnson, Russell Crowe, and more recently Juliette Lewis. But then Driver was well on her way to becoming a recording artist as a member of the Puffs, Rock and Brown, but was sidetracked when she scored the starring role in 1995's Circle of Friends. If this CD is any indication, she should have rethought her priorities. Driver's voice is a wistful and stylish hybrid of a rather morose and breathy Kathleen Edwards and a more austere Sheryl Crow, raiding her own rather colorful autobiography for material, giving fans a chance to pick apart her rather melancholy lyrics to decipher which one of her famous beaus--like Matt Damon, Harrison Ford, Josh Brolin, or John Cusack--inspired them. Driver convinced members of the Wallflowers and Pete Yorn (whose brother is her agent) to play join her in the studio, giving her music a deft authentic gloss that might not have surfaced had she just used nameless studio pros. As a result Driver's music is languid and sensual dream pop, verging on alt country, but never making it over that rickety wooden fence. --Jaan UhelszkiAlbum Description
The delete bins of history are littered with the recording attempts of actors who fancy themselves as singers. In the case of Minnie Driver, music actually came first. She began singing in London's jazz clubs as a teenager, eventually joining a band that landed a deal with Island Records. She was in the midst of negotiating a solo deal with EMI when the hit film Circle of Friends came along and changed her life. But she always longed to return to music, and with the release of Everything I've Got in My Pocket, Driver has made the album she's been dreaming of making since her teenage years. Backed by a group that includes members of the Wallflowers and Pete Yorn's band, the album deftly blends Driver's sultry, bittersweet vocals with sparse, atmospheric pop and a hint of contemporary folk. With ten original songs and an unforgettable cover of Bruce Springsteen's "Hungry Heart," Driver's debut marks the arrival of an accomplished singer-songwriter.Customer Reviews:
Very mellow soothing sexy CD.......2007-06-01
Very good actress, believable in romance, funny in comedy, spellbinding in her current project " The Riches", is here a self examining songwriter, and once again a very good one. As a bonus (or due to not enough original tracks to fill out a CD) there is a heart wrenching version of Sprinsteen's "Hungry Heart" that is also quite memorable.
Her voice is a sexy, soft, raspy and breathy, no power balads here, and no iratating vocal runs. It gives it a refreshingly honest feel, like it is meant for just you.
If you are looking for something fairly fresh and mellow, (performed by a grown up beautiful woman) you will not be dissapointed with this buy!
Everything I've got in my pocket.......2007-05-16
Praise to Ms. Driver.......2006-09-07
I truly hope Ms. Driver will follow this album with another. It will be a great loss to us if she does not.
if you like tori amos you will like minnie.......2006-03-22
impressive.......2006-03-02
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Low Country Suite
King Wilkie Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PAU2VC Release Date: 2007-06-26 |
Tracks:
- The Raising Of The Patriarchs
- Wrecking Ball
- Millie's Song
- Rockabye (Farewell Lonesome Dove)
- Angeline
- Savannah
- Crazy Daisy
- Stone & Steel
- Oh My Love
- Ms. Peabody
- Captivator
Amazon.com
Though the uptempo "Wrecking Ball" shows that King Wilkie can function just fine as a straightforward bluegrass band, most of the music by the acoustic Virginia sextet draws more from classic rock and vintage country, and particularly from the influences where the two converge. The harmonies of "Millie's Song" recall those of the Everly Brothers, "Savannah" sounds like one of the Band's evocations of the American South, the singalong "Crazy Daisy" and the atmospheric insistence of "Stone & Steel" suggest the Byrds of the same era, and the honky-tonk shuffle of "Angeline" draws from the country side of the Rolling Stones. Yet bittersweet ballads such as "Rockabye (Farewell Lonesome Dove)" and "Captivator" are the sort of material that could fit just fine on country radio. From the chamber strings of "Oh My Love" to the ragtime whistle of "Ms. Peabody," this label debut showcases a band of impressive range, depth, and potential. --Don McLeeseAlbum Description
Even as they were named 2004's Emerging Artist of the Year by the International Bluegrass Music Association, the sound of King Wilkie was extending outward in directions that could no longer be comfortably contained under the bluegrass banner. The band spent the next two years touring non-stop, building a die-hard following and honing an idiosyncratic new sound. The result is the evocative, harrowing Low Country Suite - a dramatic push into uncharted sonic terrain. Produced by Jim Scott (Tom Petty, Dixie Chicks, Wilco), Low Country Suite draws on the pioneering spirit of Sweetheart of the Rodeo-era Byrds, Gram Parsons' solo LPs, and "Country Honk" Stones, while the album's gentler songs are equally informed by the stark, confessional folk of Nico, Nick Drake, and Leonard Cohen. Haunting yet strangely uplifting, Low Country Suite is the captivating sound of a band willing to leave precedent behind to create intoxicating new music from the jagged remains of yesterday.Customer Reviews:
A new sound - King Wilkie.......2007-06-27
oh, and see them live in small venues while you still can.
thank me later
A Class of Their Own!.......2007-06-27
A little something for everyone!
Music to relax, dance, work, clean, drive, and play to!
I listen to it over and over again.
King Wilkie has earned another loyal fan!
... and 1/2 .... A genuine, relaxed, good-time vibe full of alluring radiance & emotional pathos .......2007-06-26
Initially formed in 2002 by Ted Pitney (guitar) and Reid Burgess (mandolin), these two graduates of Kenyon College in Ohio moved to Virginia to start a bluegrass band. The rest of the group includes Abe Spear (banjo), Drew Breakey (bass), Nick Reeb (fiddle), and John McDonald (guitar). In 2003, King Wilkie signed with Rebel Records. In 2004, they won IBMA's Emerging Artist of the Year Award. In 2005, their thoughtful melody-driven songs began marking an evolution of their musical makeover. The compositions on "Low Country Suite" are a number of pleasantly smooth movements that take us on a breezy jaunt through nostalgic, romantic or placid emotions. With some understated lap steel, organ, piano, harmonica or percussive embellishment in the mix, the set's result is one of mostly serene, laid-back imagery. "Angeline" is one of the more raucous offerings, with a hint of 1970s folk rock tonality. With its raw emotion and gritty realism, "Wrecking Ball" is a wild, thrilling ride with old-time spirit. "She's a wrecking ball coming through my wall so tall, like a house of straw these beautiful dreams will fall ....." The slow swing and bright lyricism of "Ms. Peabody" also provides some nice diversity to a mostly ethereal set mainly about "restlessness, coming of age, loss of innocence." The themes of absolution and liberation are clearly stated in "Captivator."
Produced by Jim Scott, an objective of "Low Country Suite" was to capture the band's own pioneering spirit in a manner reminiscent of the Byrds, Gram Parsons, Rolling Stones, Neil Young, or Bob Dylan. "King Wilkie creates their own genre of music -- a beautiful, true and honest sound," Scott once said. It's a lofty goal, and King Wilkie demonstrates both the aptitude and confidence to make a significant mark. The band now has the support of the reputable Rounder label, and I commend them for their flexibility, adaptability and relaxed sophistication. Thirty years from now, "Low Country Suite" may not be looked at as their defining work that established King Wilkie as an irresistible, clarion voice, but it certainly is a genuine, relaxed, good-time vibe full of alluring radiance and emotional pathos from their collective gut. (Joe Ross, staff writer, Bluegrass Now)
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Martha Wainwright
Martha Wainwright Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007VZ9EE Release Date: 2005-04-12 |
Tracks:
- Far Away
- G.P.T.
- Factory
- These Flowers
- Ball And Chain
- Don't Forget
- This Life
- When The Day Is Short
- Bloody Mother Fucking Asshole
- Oprah Song
- The Maker
- Who Was I Kidding
- Whither Must I Wander
Amazon.com
With her debut album appearing at the age of 28, Martha Wainwright has lived in a musical world since she was born. She posses a voice with timbres similar to her brother, Rufus, and to her mother and aunt, Kate & Anna McGarrigle. She also has a way of stretching syllables out for reasons at once musical and textual, very much like her father, Loudon Wainwright, from whom she's also inherited a bold autobiographical stance, albeit couched in her own particular poetics. A bracing confidence informs these thirteen songs, from the bright shiny pop of "G.P.T." and "The Maker" (with the unmistakable voice of Rufus on backup vocals) to the fragile balladry of "Whither Must I Wander." Martha Wainwright continues the family tradition of audacious debuts. -- David GreenbergerAlbum Description
Martha Wainwright comes from a family that some would call "musical royalty." She is the daughter of Kate McGarrigle and Loudon Wainwright III, and sister of Rufus Wainwright, yet she writes and sings with a style completely her own. After several tours as opener and band-mate for Rufus Wainwright, and appearances on albums by Rufus, the McGarrigles, Gordon Gano (Violent Femmes) and Linda Thompson, Martha made her own bold statement with the release of her EP BMFA earlier this year. The EP garnered rave reviews: The London Times called it a "tour de force" while The New York Times named it "a gorgeous teaser" to her forthcoming full-length debut. The release of that self-titled debut album takes things to a whole new level. An album of contrasts, Martha Wainwright features tracks filled with raw, fiery, passionate energy alongside unforgettable, hauntingly beautiful ballads.Customer Reviews:
Husband and wife differences........2007-07-30
martha mush.......2007-06-08
SERIOUSLY........2007-01-15
and now for the review.....wow! that is how i descrbe this....This album is so beautifully done....Martha's voice is truly unique and gorgeous and magnificent! My personal favorite is TV SHOW....this song just calls to me and has decided to play in the soundtrack of my life...if that makes sense...anyway, like her brother, mother, aunt, and father....she has found her way in to my heart and also my music library...THIS WOMAN IS LOVE!!! so if you are TRULY loving some good music....buy this album!!! and the EPs....and anything else Martha puts out mmmk!!
(oh and dont just buy this album cos you heard her on the Snow Patrol single....if you are...just go and buy some fall out boy...you shouldnt be here!....sorry...this album deserves to be cherished...not a fad)
-adri-lover of good music
3.5 stars.......2007-01-14
Martha Wainwright.......2006-12-09
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Dreaming Through the Noise
Vienna Teng Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FZESVM Release Date: 2006-07-25 |
Tracks:
- Blue Caravan
- Whatever You Want
- Love Turns 40
- I Don't Feel So Well
- City Hall
- Nothing Without You
- Transcontinental, 1:30AM
- 1 BR/1 BA
- Now Three
- Pontchartrain
- Recessional
Amazon.com
Experimental singer-songwriter Vienna Teng arrives at her ambitious third album at the peak of her considerable powers, with renowned producer/bassist Larry Klein (Joni Mitchell, Madeleine Peyroux) providing a more textured and atmospheric landscape. Contributions from musicians Jay Bellerose (Paula Cole, Duncan Sheik), Carla Kihlstedt (Tom Waits), and Marc Orton (Bill Frisell) make Teng's piano-based, jazzy chamber-folk shiver with new intimacy. But at the core, she remains as seductive and transcendent as ever, even as lyrically she takes more of a storytelling approach. Marrying complex melodies and moody tones to captivating lyrics about fevered longings, unspoken truths, and uncharted suffering, the former software engineer pulls listeners into a secret, subterranean world that is often as murky and disturbing as it is wondrous. On "Whatever You Want," a dutiful "company man" and his perfect wife pull back the curtain to reveal a disquieting darkness. In "I Don't Feel So Well," an unbalanced woman issues a provocative warning to a potential lover ("I thought you should know before you fall"). And on "Now Three," delicate cello lines play off a nearly mystical lyric about prenatal knowing. Teng delivers all 11 offerings in a chillingly pure soprano, multitracking her own voice 32 times on the Hurricane Katrina-inspired (if also overlong and ponderous) "Pontchartrain" to achieve something reminiscent of a Latin liturgical piece. Not yet 28 and frighteningly gifted ("Lake Pontchartrain is haunted: Bones without names, photographs framed in reeds"), Teng seems to know your own soul better than you do--the exquisitely beautiful "Recessional," which inspires the album title, may make you rethink your whole life. The album's most uplifting and hopeful cut: "City Hall," inspired by San Francisco's decision in 2004 to recognize gay marriage. ("Ten years waiting for this moment of fate / When we say the words and sign our names / If they take it away someday / This beautiful thing won't change.") Count Dreaming Through the Noise among the "can't miss" records of 2006. --Alanna NashAlbum Description
One might call quitting a lucrative job as a software engineer for a life as a singer-songwriter a risky career move. Fortunately for Vienna Teng, it has paid off. Within two years of leaving her Silicon Valley career behind, 27-year-old Teng has appeared on the CBS Early Show, Late Night with David Letterman, and NPR, and has gained a large devoted fanbase through constant touring, selling 60,000 copies of her first two albums. Vienna Teng reaches a new musical pinnacle on her third album, and debut for Zoë/Rounder, 'Dreaming Through the Noise.' Producer Larry Klein (Joni Mitchell, Madeleine Peyroux) provides Teng with the perfect setting for an unforgettable set of chamber-folk compositions, which showcase her sharp lyrical prowess as well as her skills as an accomplished pianist. The album's eleven original songs show both an amazing lyrical depth and a broad musical scope, which ranges from the perfect pop simplicity of "Whatever You Want" to the stunning musical tour de force of "Ponchartrain." Clearly her most ambitious work to date, 'Dreaming Through the Noise' confirms Vienna Teng as a brilliant young songwriter at the top of her craft.Customer Reviews:
Beautiful and poetic.......2007-05-29
My favorites on the track are "Blue Caravan" "Nothing Without You" and "Recessional".
Probably her best yet.......2007-05-07
Amazing on CD and Live!.......2007-05-01
At the concert, even though not in the best of venues, Vienna was incredible. She didn't have impressive sound equipment, just a mic and a synthesizer. Her vocals were great and piano playing skills superb.
I realize I only had a small taste of her personality by conversing with her a few brief minutes after the concert, yet she seems very genuine and humble.
I highly recommend all three of her CDs but DEFINITELY GO SEE HER IN CONCERT!
in a class of her own..........2007-03-02
I came across this album by chance about 2 months ago. Took it home and have become more and more mesmerized by it. And, of course, this led me to go out and purchase her 2 previous recordings.
Vienna plays and sings with such grace. Her lyrics are well-thought-out, and as a result they penetrate the listener's mind and soul to a variety of desired effects. This album has, by far, the best instrumental arrangements out of her three recordings. There are wonderful uses of string ensembles along with some other unique combinations including accordion and mandolin.
I get the impression that there is an incredible mind behind the workings of a great album like this one. Vienna is an artist in the truest since of the word. She conveys her thoughts in a way that is not in anyway shallow, and yet is plainly accessible to a host of music lovers.
Only five stars because that's all I have.......2007-02-17
Next, the moods: "Blue Caravan" is filled with yearning, longing, and adventure. It reminds one of the steppes of Central Asia, or Scheherazade in a moment of candor. "Whatever you want," in contrast, makes a double entendre of cheerfulness: the company man and his wife are wired to gratify, but look forward to their liberation and revenge; the arrangement and orchestration are brilliant and fun. At the extreme opposite is "Pontchartrain," a piece so moving and grave, so emotionally harrowing, that few of the greatest musicians--perhaps Nina Simone--could carry it off. (I recommend listening to that one on headphones, alone or with someone who would understand.)
It's difficult to think of how this album could be more perfect than it is. It attempts much, and accomplishes it all. It occurred to me that I was actually observing the emergence of one of the very few great performers of our lifetime.
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Courage & Patience & Grit - Great Big Sea In Concert [CD/DVD Combo]
Great Big Sea Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JJRIPC Release Date: 2006-11-21 |
Tracks:
- Captain Kidd - Great Big Sea
- Jack Hinks - Great Big Sea
- Sweet Forget Me Not - Great Big Sea
- Billy Peddle - Great Big Sea
- Concerning Charlie Horse - Great Big Sea
- I'm a Rover - Great Big Sea
- A Boat Like Gideon Brown - Great Big Sea
- The Mermaid - Great Big Sea
- The River Driver - Great Big Sea
- Scolding Wife - Great Big Sea
- Old Polina - Great Big Sea
- Shines Right Through Me - Great Big Sea
- When I'm Up - Great Big Sea
- The Night Pat Murphy Died - Great Big Sea
- When I Am King - Great Big Sea
- Danny Boy - Great Big Sea
- Run Runaway - Great Big Sea
- General Taylor - Great Big Sea
- Sea of No Cares - Great Big Sea
- Helmet Head - Great Big Sea
- Consequence Free - Great Big Sea
- Mari-Mac - Great Big Sea
- Ordinary Day - Great Big Sea
- Excursion Around the Bay - Great Big Sea
- Fortune Set - Great Big Sea
- Old Brown's Daughter - Great Big Sea
Amazon.com
Since they emerged in the early 90s, Newfoundland's own Great Big Sea have gradually consolidated a reputation as one of the greatest neo-Celt bands, from anywhere in the Six Nations or, as in this case, beyond. Drawing upon their homeland's strong Irish and Scottish ancestry and centuries-old seafaring heritage, they have fashioned a roistering, danceable sound and a live presence not unlike a bar-band but operating on a massive scale. But for all their good-time, party-hearty extroversion, they also demonstrate a rare affinity for love songs and more introspective types of material. Recorded in spectacular sound before adoring audiences, this "kitchen party," as one band member described it, is at once intimate and grand, folkloric and modern, acoustic and electric. Traditional instruments like fiddle, tin whistle, accordion are fused seamlessly with electric guitars and trap drums, plus tight and charismatic lead and harmony vocals, creating a spiraling energy that takes the crowd by storm and hurtles from living room speakers like a conquering wave. The CD is accompanied by a must-have DVD, which not only includes 26 tracks of concert footage but four essential music videos, one of which, "Lukey," features a collaboration with the Chieftains. --Christina RodenAmazon.com
Since they emerged in the early 90s, Newfoundland's own Great Big Sea have gradually consolidated a reputation as one of the greatest neo-Celt bands, from anywhere in the Six Nations or, as in this case, beyond. Drawing upon their homeland's strong Irish and Scottish ancestry and centuries-old seafaring heritage, they have fashioned a roistering, danceable sound and a live presence not unlike a bar-band but operating on a massive scale. But for all their good-time, party-hearty extroversion, they also demonstrate a rare affinity for love songs and more introspective types of material. Recorded in spectacular sound before adoring audiences, this "kitchen party," as one band member described it, is at once intimate and grand, folkloric and modern, acoustic and electric. Traditional instruments like fiddle, tin whistle, accordion are fused seamlessly with electric guitars and trap drums, plus tight and charismatic lead and harmony vocals, creating a spiraling energy that takes the crowd by storm and hurtles from living room speakers like a conquering wave. The CD is accompanied by a must-have DVD, which not only includes 26 tracks of concert footage but four essential music videos, one of which, "Lukey," features a collaboration with the Chieftains. --Christina RodenAlbum Description
Specially priced 2-disc set! Having sold millions of albums in their native Canada, Great Big Sea is now one of that country's most popular exports. Courage & Patience & Grit: Great Big Sea in Concert features a 26-song DVD with traditional live favorites such as "Jack Hinks," "Scolding Wife," and "Captain Kidd," plus Great Big Sea originals "When I'm Up," "Consequence Free," "Sea of No Cares," and many more, all presented in stereo and 5.1 Surround Sound. The DVD also includes 4 music videos, including a rare clip for "Lukey," a song the band recorded with The Chieftains. This specially priced package also includes a separate audio CD of 22 of the concert's 26 tracks (only 22 would fit on one CD!). "Great Big Sea has been more successful than any other contemporary North American band in bringing Anglo-Celtic folk sounds into rock clubs." - Dirty LinenCustomer Reviews:
They sound tired.......2007-07-23
Nonetheless, an average performance by this band is still better than most bands playing today.
WONDERFUL GOOD!!!!!!.......2007-07-04
Different, though enjoyable.......2007-05-24
Courage & Patience & Grit - Great Big Sea In Concert [CD/DVD Combo].......2007-04-12
Arrr!! This be a hardy bit of the good stuff, matey!.......2007-03-09
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Strangelet
Grant Lee Phillips Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MTPAEK Release Date: 2007-03-27 |
Tracks:
- Runaway
- Soft Asylum (No Way Out)
- Fountain Of Youth
- Hidden Hand
- Dream In Color
- Chain Lightning
- Raise The Spirit
- Same Blue Devils
- Killing A Dead Man
- Johnny Guitar
- Return To Love
- So Much
Amazon.com
Once the vision and voice behind the critically acclaimed alternative band Grant Lee Buffalo, Grant-Lee Phillips is now a five-album solo artist with an unpretentious shtick: sweeping melodies, narrative lyrics, and a truly hypnotic vocal style. After garnering success in both movie and television soundtracks and releasing a cover record of songs from the '80s underground, the Californian has made perhaps his most intimate recording yet. Phillips plays nearly every instrument (including ukulele) on a dozen songs that crisscross between anguish and optimism, discord and salvation, but are crafted with the deftness of a poet and the ingenuity of a composer. Those that rise to the top display the commanding influences of his '70s youth, most notably the folksy "Killing a Dead Man," which recalls Zuma-era Neil Young, the country-blues singalong "Hidden Hand," and "Raise the Spirit," a down-and-dirty ditty that rattles the woofers as only Marc Bolan could. Still at the top of his game, Phillips is never one to allow his prolific initiative to sour--a formula that bodes well for record six, and all of us lucky enough to hear it. --Scott HolterCustomer Reviews:
Good, but not extraordinary.......2007-04-30
My least favorite of his solo albums yet, but with that said, it was still pretty darn good.
GLP's best solo album.......2007-04-14
His recent 80's album was worth one listen. Yes, Grant has the best voice in rock, but that doesn't mean he sings "Love My Way" better than Richard (nicotine foghorn) Butler. I'm not sure he'll ever rock or really unleash his voice like on "Mighty Joe Moon", but a few songs early on are louder and almost rock out. So far, the first 3 cuts are very strong. Then 3 separate songs have a T. Rex/Bryan Ferry glam-dream-pop feeling. 1 or 2 songs sound like "Virginia Creeper" out-takes. Anyway, this CD can appeal to fans from all stages of his career. As much as Coldplay made me hate falsetto voices, Grant is THE master of falsetto, and several octaves below too. Sell your copy of "Ladies Love Oracle", this is the real thing.
I hope he keeps making albums for 50 years because I'll keep buying 'em!.......2007-03-30
The intimate, quiet songs are the ones I think Grant does best, but there are some good "rock" songs on this album too. I've read a lot of T. Rex/Mark Bolan comparisons for songs like "Johnny Guitar" and "Raise The Spirit" and they're apt. But even so, they have Grant's own distinctive dream-like sound, which is unlike any other artist recording today.
The arrangements on every song on this album are excellent, and a lot fuller and more textured than on "Virginia Creeper" (no knock on that album by the way). "Fountain Of Youth," "Dream In Color," "Killing A Dead Man" and "Same Blue Devils" all sound like they're simple songs, but have a lot more going on upon closer listen. "Hidden Hand" sounds like it could be early 70s John Lennon to my ear.
Each of Grant's solo albums have had a slightly different flavor to them, and this one would be great for a Saturday night with a few close friends. He's still growing and maturing and these songs are beautiful, personal songs that you feel lucky to get to hear. Pick this up as soon as possible - it's excellent!
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