Live In the Moment

About the Artist
10 great songs featuring exceptional artists in pop, rock, r&b and dance that make you feel good. Music that gets into your soul.

Spirit Foundry is the exceptional artistry of these great singers: Shary Bardo Bourke, Britt Savage, Cindi Wheeler, Kim Parent & Beth Raebeck Hall

Product Description
Spirit Foundry is a CD filled with great music- 10 different songs that make you feel good. Why different styles of music and singers? Because each of us is different with our own unique musical tastes. There is something here for everyone.Think of it like a compilation of pop, rock, r&b and dance.And then some. Featuring exceptional singers and musicians, Spirit Foundry is a collaborative effort between award-winning singer songwriter Beth Raebeck Hall and nationally acclaimed author Celia Straus. The purpose of this CD is to provide great music with positive messages of hope. The divine lives within all of us, though at times , seems a million miles away. We hope you will remember you are special, unique and an important part of our world.

Live In the Moment,Spirit Foundry,Spirit Foundry,10 great songs featuring exceptional artists in pop, rock, r&b and dance that make you feel good; music that gets into your soul.

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Average customer rating: Age breeds a shining moment Nice but dismissable. Disappointing by Quartet West standards If you breathe and have ears, buy this record! A Night and a Lonely Town

The Art of the Song Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Haunted Heart Now Is the Hour Always Say Goodbye Nocturne Quartet West ASIN: B00000JNMR Release Date: 1999-07-27

Tracks:

1. Lonely Town
2. Why Did I Choose You
3. Moment Musical Opus 16 No.3 In B Minor
4. In Love In Vain
5. Ruth's Waltz
6. Scenes From A Silver Screen
7. I'm Gonna Laugh you Right Out Of My Life
8. You My Love
9. Prelude En La Mineur
10. The Folks Who Live On The Hill
11. Easy On The Heart
12. Theme For Charlie
13. Wayfaring Stranger

Amazon.com

Bassist Charlie Haden was an integral part of Ornette Coleman's pioneering avant-garde groups in the '50s and '60s and led his own equally forward-thinking Liberation Music Orchestra. His ensemble Quartet West, with tenor saxophonist Ernie Watts, drummer Larance Marable, and pianist Alan Broadbent, revealed a sentimental side of his musical personality that surprised many. This recording, with string arrangements by Broadbent, sounds like a soundtrack to a Raymond Chandler film as Haden's sturdy bass tones make him a worthy supporting actor. But although Shirley Horn's ethereal voice sparkles on "Lonely Town," "In Love in Vain," and "I'm Gonna Laugh You Right Out of My Life," and crooner Bill Henderson's towering pipes are radiant on "Why Did I Choose You," "Ruth's Waltz," "You My Love," and "Easy on the Heart," all of the material is in pretty much the same ballad tempo, which, compounded by the time length of the CD, robs it of the romantic resonance it could truly shine on the listener. --Eugene Holley Jr.

Customer Reviews:

Age breeds a shining moment.......2003-11-20

The criticisms miss the point. This is an effort that does a rare thing - it brings together men and women who can put the experience of life to judicious use in their art. Unlike listening to the deterioration other performers have faced, in later years, at the hands of studio production teams that no longer know what to do with them, Charlie Haden has found a way to create a beautiful volume of space in which to let the years of these venerated performers shine through. It is in this space you shall hear the notes of lives lived and savored.

Nice but dismissable........2001-08-09

Haden's pleasant miscellany of neglected but deserving ballads is indeed a mixed bag, but somehow his focus, purpose, and method elude this listener. Neophyte writers are frequently enjoined to compose with a sharp, definitive, unified "thesis." Haden could have used a bit of coaching along these lines before producing this collection. Even drawing upon a common composer (as opposed to ranging from Kern to Rachmaninoff to public domain) might have provided the needed coherence to the project.

In any case, it's always a welcome experience to hear Shirley Horn; the revival of a touching ballad like "In Love in Vain" merits our appreciation; and though I was never a big fan of Bill Henderson (an acquired taste), he deserves to be recorded based on the evidence of this recording.

In sum, this album is more than anything else a "sampler" and should have been priced accordingly.

Disappointing by Quartet West standards.......2001-05-09

The outstanding Quartet West album is 'Always Say Goodbye'. On that CD, Broadbent demonstrates his skills at orchestral arrangement, and Haden deftly selects great oldies to intermingle with some of his own superb compositions. Haden also takes some historic performances -- such as Jo Stafford on vocals -- to bring a resonance to the new covers. The experiment was very successful.

You can see the logic behind this subsequent album: instead of using dusty old recordings, why don't we use today's state-of-the-art production to capture the voices of several current artists? And why don't we let Alan orchestrate the whole album?

The trouble is that the orchestration, beautiful though it is throughout, constrains the band terribly. And the vocals swamp the album. (Actually the Jo Stafford track on 'Always Say Goodbye' is one of the weakest on the album.) They say that the saxophone is the instrument closest to the human voice, and it is Ernie Watts who suffers most on this album, The sax is simply crowded out by all the singing. It is only on the stand-out track, 'Prelude en la mineur', an instrumental re-working of a Ravel piece, that Watts finally gets a chance to let rip.

Shirley Horn's vocals are fine, particularly on 'Lonely Town'. But I simply cannot listen to any of the tracks containing Bill Henderson's voice, and sadly, there are four of them.

The most touching song is the last one, where Haden himself bravely takes the vocal lead. It's a song his mother used to sing on the radio, back in the early 1940s, when the entire Haden family would appear on KWTO Springfield. It is a farewell to the dead, and also a reassurance that one day they will meet again.

If you want a quick survey of this CD, check out tracks #1, #9 and #13. It's a long way from the days of Haden's playing with Ornette Coleman and the Liberation Orchestra, and it's very mellow.

If you breathe and have ears, buy this record!.......2001-04-15

I first heard of Charlie Haden on Dublin's best radio music show - The Mystery Train presented by John Kelly on RTE Radio 1. I bought this CD and it has never been off my current play list. This is beautiful music that touches the heart. Listen to Wayfaring Stranger, Lonely Town, I'm Gonna Laugh You Right Out Of My Life, or Ruth's Walz after a tough day at the office or jammed in traffic and you will be back in touch with the good things in life. As someone who has evolved though Thin Lizzy, The Eagles, Eric Clapton, Queen, U2, Ella Fitzgerald, Louis Armstrong, BB King, Grant Green etc, Charlie Haden is proof of my graduation. After since buying other and even better Haden CD's, I am looking forward to seeing him in concert with Quartet West here in Dublin on April 29. BUY IT NOW!

A Night and a Lonely Town.......2000-05-24

Despite its problems, I think this album still deserves a five-star rating. Seemingly inspired by the music of moody classic cinema, a listener might well envision a seedy nightclub in a fog-swept black & white San Francisco of the 1940s or a tearful Ingrid Bergman about to board a twin-propellor leaving Rick and Casablanca behind her forever.

Regardless of which side of the Atlantic you envision on your moody musical journey, this is definitely a lounging type of music, perfect for lazy Sunday afternoons, after-theatre drives around town on warm summer evenings, warm candle-lit baths, or romantic dinners for two. The beautifully romantic ballads range from the longing "Lonely Town" to the mostly-resolute "I'm Going to Laugh You Right Out of My Life" to the quietly complacent "The Folks Who Live on the Hill." Interspersed with these great standards, however, are wonderful instrumental pieces which frame the remaining vocals with stunningly dramatic moods.

The only flaw is the rather unappealing voice of Bill Henderson, who seems to be suffering from a weak set of lungs, if not from lack of enthusiasm. Henderson seems to strive for the vocal capabilities of Shirley Horn, who sings on 1, 4, 7 and 10, but is incapable of achieving those same dramatic pitches of his fellow artist. Nevertheless, he does an adequate job on "Ruth's Waltz" and "Easy on the Heart" even if "Why Did I Choose You" is downright painful to listen to. Haden, who sings on 13, seems similarly incapable of reaching Horn's heights, but "Wayfaring Stranger," the traditional song he chose to render, is capable of carrying itself with the slow somber tone it evokes in the listener.

Regardless of its faults, this remains a beautiful album. I definitely recommend it to anyone who loves the kind of sit-at-home music it captures so very well in its beautifully jazzy tunes that are, at the very least, easy on the ears.

Average customer rating: Beautiful God Bless Daniel Rodriquez Music From and For the Heart Daniel Rodriguez Some definite winners on this album

The Spirit of America Daniel Rodriguez Manufacturer: Manhattan Records ProductGroup: Music Binding: Audio CD All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: In The Presence From My Heart God Bless America Ronan My Life Belongs to You ASIN: B00005Y1YC Release Date: 2002-02-12

Tracks:

1. God Bless America
2. We Will Go On
3. Ave Maria
4. This Is The Moment
5. Danny Boy
6. Bring Him Home
7. Shenandoah
8. America The Beautiful
9. The Lord's Prayer
10. Into The Fire
11. You'll Never Walk Alone
12. The House I Live In

Amazon.com

It's said politics makes strange bedfellows. But it's got nothing on the peculiar marriage of art and history inspired by the tragic events of 9/11/01. Before that day, Daniel Rodriguez was a member of New York's finest, working as an NYPD security officer at the Manhattan South precinct. If it seemed an odd calling for a gifted, operatically trained tenor, it was employment many a journeyman artist could relate to: the proverbial "day job." As it turns out, no police academy in the world could have trained Rodriguez for the crucial role his city's darkest hour thrust upon him. While his colleagues mourned their staggering losses and toiled around the clock in rescue efforts, Rodriguez delivered renditions of "God Bless America" that rallied both his city and his country, much as Kate Smith's version of the Irving Berlin patriotic standard had done at the dawn of WWII.

Contemporary jazz great-producer Tom Scott took it from there, showcasing Rodriguez's powerful voice in this deftly arranged album focused sharply on personal and national inspiration. Taking his cue from his own hero, Mario Lanza, Rodriguez instills no small amount of drama in his performances, and it serves him well on tracks like the American folk classic "Shenandoah," a rousing take on Scarlet Pimpernel's "Into the Fire," and the relative Sinatra rarity "The House I Live In." The "God Bless America" here varies from the original single release, with Rodriguez reading the spoken intro once delivered by Mayor Rudolph Giuliani. Is Rodriguez the greatest tenor of modern times? No. But it's hard to imagine a talent better suited to the challenge history has thrust upon him; we're lucky--make that blessed--to have him. --Jerry McCulley

Customer Reviews:

Beautiful.......2007-07-21

This cd will bring tears to your eyes. His voice is so clear and lovely. I bought this cd for my mother for her birthday in September. It is so sad that the events of September 11 had to occur for this man to be discovered.

God Bless Daniel Rodriquez.......2007-07-16

This alblum is a treasure to own and listen to. He really captures the spirit of patriotism. I have played his songs at a local fireworks show that I DJ at and his songs are up there with the other songs by artists by Mr. Lee "God Bless The U.S.A." Greenwood and other great artists. New York City and the nation needed him at a time when we were trying to recover from the worst tragedy in the history of the U.S.A. and he was there for us.

Music From and For the Heart.......2006-11-25

Daniel's album is music to be shared with family and with friends to help further ensure warmth, strong family ties, and love of our beautiful country. His voice is magical, skilled, rich and so memorable that it can take one on a journey from yesterday to promise for a bright tomorrow. This is a superb rendering of past unforgettable music. His solemn rendition of the peace song "God Bless America" is the album's centerpiece and truly unforgettable....

Daniel Rodriguez.......2006-11-11

I first heard of Daniel Rodriguez a couple of months ago when he sang on Jay Leno's show. He was/is WONDERFUL! His voice is beautiful, but he sings from the heart, and that makes him exceptional.

Some definite winners on this album.......2005-12-14

My favorites are "Ave Maria" and "The Lord's Prayer" where Daniel truly shows off his vocal talents. I could have done without the choir backup on "Ave Maria" but nonetheless a great rendition.

The ending that he has for the "The Lord's Prayer" almost brings a tear to my eye each time I hear it. Well done Daniel.

Average customer rating: No One Does Live Better At last, THE GRAMMY just call her...DIANNE REEVES, M.D. The spirit of jazz Pure elegance of a songstress

In the Moment: Live in Concert Dianne Reeves Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | R&B | Styles | Music Vocal Pop | Live Albums | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Blue Note Records | Amazon.com Label Stores | Stores | Music Dance Pop | Dance & DJ | Indie Music | Stores | Music General | Jazz | Indie Music | Stores | Music Vocal Jazz | Jazz | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music General | R&B | Indie Music | Stores | Music Similar Items: Good Night, And Good Luck The Calling: Celebrating Sarah Vaughan Quiet After the Storm A Little Moonlight I Remember ASIN: B00004TR12 Release Date: 2000-07-18

Tracks:

1. Morning Has Broken
2. Afro Blue
3. The First Five Chapters
4. Triste
5. Bridges
6. Love For Sale
7. Come In
8. The Best Times (Grandma's Song)
9. Testify
10. Suzanne
11. Mista

Amazon.com

For three decades, Dianne Reeves has been one of the most popular vocalists, thanks to her well-produced recordings and engaging live shows. On this date, recorded before an audience of 300 fans, Reeves weaves her trademark, hornlike contralto over smooth grooves that cross over mainstream jazz, contemporary pop, and world-music lines. Her band, featuring keyboardist Otmaro Ruiz and Wynton Marsalis's bassist, Reginald Veal, delivers the Cat Stevens-associated church hymn "Morning Has Broken," Mongo Santamaria's classic "Afro-Blue," and Cole Porter's immortal "Love for Sale." She also pays homage to jazz's Brazilian roots with her splendid, spirited readings of Antonio Carlos Jobim's "Triste," a duet with guitarist Romero Lubambo, and Milton Nascimento's "Bridges." On her lyrical, midtempo "Come In," Reeves's cousin, keyboardist George Duke, turns in a brilliant solo, and "The First Five Chapters" is an autobiographical number inspired by author Portia Nelson. But the zenith of the set is "The Best Times (Grandma's Song)," her new version of her most requested song, "Better Days," which sings the praises and virtues of family values better than our politicians. --Eugene Holley Jr.

Customer Reviews:

No One Does Live Better.......2007-01-17

"Good evening ladies and gentlemen! How's everybody doing tonight? You're my guests and this is my living room!" Hearing this, you know you're in for a real treat and Dianne does not disappoint.
This is such a great live CD and Dianne's voice is so pure and clear. Every song is masterfully sung with beautiful twists and turns. The music is just awesome. My favorites are Suzanne, Afro Blue, and Morning Has Broken. Take this wonderful live journey with Dianne - sit back and enjoy. If you like this CD and you've never seen her live, you've got to check her out. The sista is BAAAAAAAAAAAAAAAAAAAAAAD!

At last, THE GRAMMY.......2001-05-23

This is the CD that made the world take notice. This is not her best body of work. She has giving loving fans better then this and never won a Grammy. This just tells you what a big talent the world has been missing. On studio recordings, Miss Reeves is above the game. Her live shows as this, can never be surpassed. I would love to see her make another live CD covering some of her other favorites. But, if you never saw her live shows this is a treat.

just call her...DIANNE REEVES, M.D........2001-04-30

("M.D." in this case stands for musical doctor...) Those of us who have seen DR live know it is an experience unlike any other. Onstage, she makes her own rules and then breaks them-- seeming to constantly reinvent her songs/voice/ musical identity, all the while maintaining an intimacy with the audience that is as easeful as it is proufound/magical. I think that she does a number of very radical things with her music in general, and that her particularly radical style is exemplified by her performances on stage, and here in this album. When I say radical, I mean: somehow during the creative process of performing, she makes the radical choice to include the listener/audience over and over again EXPLICITLY in her creation. She has, I think, an innate and extremely rare understanding of the nexxus of human emotion and art (who else would dare put forth an album as raw and complex and contradicory as "Art and Survival'?) and is able to use her talent to make the final product far more than the sum of its parts. She goes beyond her role and status as an entertainer, giving medicine to her audience, medicine that lives on in the human heart long after the concert is over. Ironically, it's this, the most astounding aspect of her musicianship, that makes her most vulnerable to criticism. Most will agree on the dazzling voice, but: one reviewer of this album called "5 Chapters" "self-indulgent"; others have claimed she is too experimental and not a "true" jazz singer. I, myself, referred to some songs on "Bridges" as "didactic" (see review). It was listening to this live album that made it click: refrains "Testify" and "Mista" now are embedded in my consciousness, self-activating affirmation chants that I hold dear in times of spiritual/emotional crisis. These songs annoyed me when I first heard them! Now I understand what she's doing: disobeying the sacred unspoken tenet of the European sensibility, that says we must "show but not tell" in art. The tenet the enforces the division between the experience and the expression. In the live world with DR, there is no division: when she greets the audience, she's singing; when she introduces each and every member of the band, telling stories all the way [left out on this album :( ], she's singing; when she talks about her start in the music business, her love of singing, her family, her heart being broken, she's doing this singing-talking thing that as far as I know is completely original to her, at least to the extent that she does it. And the singing is beautiful, and the talking is interesting-- thus, again-- more than the sum of their parts: the synergy of her miraculous presence and talent. Unmatched. She's THE singer for this millenium. I'm running out of room here but the truth is that Dianne is the queen of jazz...and the doctor of our broken hearts. Let us praise her...

The spirit of jazz.......2000-07-30

Once again Dianne Reeves demonstrates with her music she's one of a kind, one of the very few vocalist that relly say something new and, no matter what the critics say about her not focusing on pure jazz, SHE IS the perfect incarnation of what the spirits of jazz is: challenging the boundaries of music, pursuing freedom,improvisation, cultivating an exquisite taste with a sensibility that goes deep down into gospel, soul, r&b, afro, reggae to find a reveal new treasures. Above all this, naturally, stands her voice: warm, deep, rich in coulour and expression contralto,a voice guided by a sense of rythm and technical mastership going from moaning, caressing, soaring, roaring, culminating with an ability to scat that leaves you speechles. This time Diane's been caught in the rapture of a live performance, possibly her best dimension. She sing her heart out and kills you with a brilliant Brasilian trip: the acoustic reading of "Triste" is magnificient, matched by Nacimentos' "Bridges" that is already "the definitive cover" of this beautiful song. Then, she and her extraordinary band sweep you away with a salsa-latin flavoured "Love for sale" that will have even Cole Porter surely nodding with satisfaction from high above. What a voyage.. and then he comes George Duke playing the piano and dressing an old Dianne's hit "Come in" new, soulful and smooth and caressing and... beautiful... Each of the the songs of this superb set are simply stunning: a perfect collection to appreciate the art of Dianne Reeves, indeed. After her first, sensational "New Morning" live in Paris, this is the second chance to travel on the wings of real live jazz with one of the truest and best artists on the music scene today : when you're done, you just want to stand up and cry: Bravissima Dianne!

Pure elegance of a songstress.......2000-07-19

Dianne Reeves has shown us once again why she is, indeed, this century's lady of song. Her rendition of Morning has Broken leaves open the simple yet intricate voicings of the instrumentation as her pure sound floats over the melody in an interpretation that could only be hers. Of special note and completely unique is her interpretation of "Travessia", called "Bridges", by Brazilian composer Milton Nascimento. This song was one of the first of his compositions that Milton ever performed live, but was well imprinted upon the minds of Brazilian fans by Elis Regina's passionately haunting rendition. Never before has so much justice been done to the bleedingly evocative cultural portrait that is Milton's music. The interpretation is reminiscent of Dianne's "Yemanja" off her "Quiet after the storm album". This album is a treasure for any distinctive collection. I'll stake my name to it.

Average customer rating: Great compilation A disappointment

DRG 25th Anniversary Show Stopping Performances Manufacturer: Drg ProductGroup: Music Binding: Audio CD All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Previn, André | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: Barbara Cook at the Met with Special Guests Curtains (2007 Original Broadway Cast) ABC (Adler, Bock, Coleman) 110 in the Shade (2007 Broadway Revival Cast) The Drowsy Chaperone (2006 Original Broadway Cast) ASIN: B00005Q6IN Release Date: 2001-10-23

Tracks:

1. A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
2. Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
3. Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
4. Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
5. Nunsense: I Just Want To Be A Star - Christine Anderson
6. Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
7. Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
8. Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
9. Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
10. The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
11. Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
12. Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
13. A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
14. The Madwoman Of Central Park: Better - Phyllis Newman
15. Greenwillow: Never Will I Marry - Anthony Perkins
16. Song Of Singapore: I Can't Remember - Loretta Swit & Company
17. Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
18. I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
19. The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
20. Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
21. Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

1. 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
2. Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
3. Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
4. High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
5. Tenderloin: Artificial Flowers - Patrick Wilson
6. State Fair: Driving At Night/Our State Fair - Company
7. Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
8. Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
9. The Green Bird: O Foolish Heart - Company
10. Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
11. The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
12. Snoopy!!!: Poor Sweet Baby - Pamela Myers
13. SeesawNobody Does It Like Me - Michele Lee
14. March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
15. Lunch: Perfectly Alone - Carol Burnett
16. 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
17. Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
18. Godspell: All Good Gifts - Sal Sabella & Company
19. The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

Average customer rating: Peculiar Amazon indexing

100 World's Best Loved Melodies Manufacturer: Madacy Records ProductGroup: Music Binding: Audio CD Polkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by J.S. 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ASIN: B0009VNBR4 Release Date: 2005-07-05

Tracks:

1. Blue Danube
2. Waltz of Flowers
3. Waltz No. 1
4. Waltz of the Snowflakes
5. Naila Waltz
6. Spanish Dance
7. I Dream of Jeannie With the Light Brown Hair
8. Sugar Plum Fairy
9. Dance of the Comedians
10. Camptown Races
11. Carnival of the Animals Finale
12. Dance of the Clown [From "A Midsummer Night's" Dream]
13. Dance of the Hours
14. Dance of the Swans [From "Swan Lake"]
15. Faust Ballet
16. Tritsch Tratsch Polka
17. Hungarian Dance
18. Dance of the Priestesses
19. Overture from "William Tell"
20. Toreador Song [From "Carmen"]
21. Overture from "Carmen"
22. Samson & Delilah
23. Ride of the Valkyries
24. Baracole from "The Tales of Hoffmann"
25. Scheherazade
26. Water Music - The Hornpipe
27. Nocturne
28. Eine Kleine Nachtmusik
29. Hungarian Rhapsody
30. Prde L& Arlenne
31. Preer Gynt Suite No. 1 Anitra's Dance
32. Liebestraum
33. Adagio from "The New World Symphony"
34. Flight of the Bumblebee
35. Ave Maria
36. Air on a G String
37. Neapolitan Song
38. Violin Concerto
39. Serenade No. 4

Tracks:

1. When You Wish Upon a Star
2. Chances Are
3. Calcutta
4. Cherry Pink and Apple Blossom White
5. Gigi
6. They Call the Wind Maria
7. Memories Are Made of This
8. Catch a Falling Star
9. Smoke Gets in Your Eyes
10. So in Love
11. Begin the Beguine
12. Misty
13. Little Things Mean a Lot
14. Embraceable You
15. It Might as Well Be Spring
16. On the Street Where You Live
17. Moment to Remember
18. Anniversary Song
19. Golden Days
20. Theme from a Summer Place
21. Tonight
22. Lullaby of Broadway
23. Easter Parade
24. Tenderly
25. Young at Heart

Tracks:

1. Claire de Lune
2. Piano Concerto No. 1
3. Minute Waltz
4. Piano Concerto
5. Fantasy Impromptu
6. Piano Sonata No. 20 - Finale
7. Swan
8. Polonaise No. 6
9. Waltz in C Minor
10. 1812 Overture
11. Light Cavalry Overture
12. Nutcracker Overture
13. Marche Militaire
14. Tannhauser Overture
15. Radetsky March
16. Tragic Overture
17. Triumphal March
18. Tales of Vienna Woods
19. Emperor's Waltz
20. Waltz. Wine, Women and Song
21. Voice of Spring
22. Fledermaus Overture
23. Skater's Waltz
24. Roses from the South
25. Romance
26. Symphony No. 5
27. Mer
28. Moonlight Sonata
29. Capriccio Espagnol
30. Lohengrin
31. Symphonie Fantastique
32. Greensleeves
33. Souvenir
34. Lonely Heart
35. Die Meistersinger
36. Polovtsian Dance

Customer Reviews:

Peculiar Amazon indexing.......2007-06-08

A search for Deep Purple's "Smoke on [in] the water," brought up this title. I rate it only #1 because I could not locate the "Smoke on the Water" listing. Amazon seems to be having an indexing problem.

Average customer rating: Save some $ money! Get the newer January 2006 reissue set instead. 6, or Even 7 Stars! A must have for Piano and classical music lovers Ah, Rachmaninoff, brilliant star of music, how we adore you Review from a spoiled modern listener

Sergei Rachmaninoff: The Complete Recordings Manufacturer: RCA ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music Polkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by J.S. 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Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Scriabin, Alexander | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Rachmaninov, Sergei | ( R ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Beethoven: 29 Piano Sonatas / Gilels Liszt: Piano Works Rachmaninov Plays Rachmaninov--Ampico Recordings (1919-29) Arthur Rubinstein plays Chopin [Box Set] Shostakovich: The String Quartets ASIN: B000003FB7 Release Date: 1992-09-15

Tracks:

1. Concerto No. 2, Op. 18 In C Minor: Moderato; Allegro
2. Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
3. Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
4. Concerto No. 3, Op. 30 In D Minor: Allegro ma non tanto
5. Concerto No. 3, Op. 30 In D Minor: Intermezzo: Adagio
6. Concerto No. 3, Op. 30 In D Minor: Finale: Alla breve

Tracks:

1. Concerto No. 1, Op, 1 In F Sharp Minor: Vivace
2. Concerto No. 1, Op, 1 In F Sharp Minor: Andante
3. Concerto No. 1, Op, 1 In F Sharp Minor: Allegro vivace
4. Concerto No. 4, Op. 40 In G Minor: Allegro vivace
5. Concerto No. 4, Op. 40 In G Minor: Largo
6. Concerto No. 4, Op. 40 In G Minor: Allegro vivace
7. Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace
8. Rhapsody On A Theme Of Paganini, Op. 43: Variation I: (Precedente)
9. Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
10. Rhapsody On A Theme Of Paganini, Op. 43: Variation II: L'istesso tempo
11. Rhapsody On A Theme Of Paganini, Op. 43: Variation III: L'istesso tempo
12. Rhapsody On A Theme Of Paganini, Op. 43: Variation IV: Piu vivo
13. Rhapsody On A Theme Of Paganini, Op. 43: Variation V: Tempo precedente
14. Rhapsody On A Theme Of Paganini, Op. 43: Variation VI: L'istesso tempo
15. Rhapsody On A Theme Of Paganini, Op. 43: Variation VII: Meno mosso, a tempo moderato
16. Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII: Tempo I
17. Rhapsody On A Theme Of Paganini, Op. 43: Variation IX: L'istesso tempo
18. Rhapsody On A Theme Of Paganini, Op. 43: Variation X: Poco marcato
19. Rhapsody On A Theme Of Paganini, Op. 43: Variation XI: Moderato
20. Rhapsody On A Theme Of Paganini, Op. 43: Variation XII: Tempo di minuetto
21. Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII: Allegro
22. Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV: L'istesso tempo
23. Rhapsody On A Theme Of Paganini, Op. 43: Variation XV: Piu vivo scherzando
24. Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI: Allegretto
25. Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII: (Allegretto)
26. Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII: Andante cantabile
27. Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX: A tempo vivace
28. Rhapsody On A Theme Of Paganini, Op. 43: Variation XX: Un poco piu vivo
29. Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI: Un poco piu vivo
30. Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII: Un poco piu vivo (Alla breve)
31. Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII: L'istesso tempo
32. Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV: A tempo un poco meno mosso

Tracks:

1. Isle Of The Dead, Op. 29
2. Vocalise, Op. 34, No. 14
3. Symphony No.3, Op. 44 In A Minor: Lento; Allegro moderato
4. Symphony No.3, Op. 44 In A Minor: Adagio ma non troppo
5. Symphony No.3, Op. 44 In A Minor: Allegro

Tracks:

1. Sonata, Op. 30, No. 3 In G: Allegro assai
2. Sonata, Op. 30, No. 3 In G: Tempo di minuetto, ma molto moderato e grazioso
3. Sonata, Op. 30, No. 3 In G: Allegro vivace
4. Sonata D. 574 In A: Allegro moderato
5. Sonata D. 574 In A: Scherzo: Presto; Trio
6. Sonata D. 574 In A: Andantino
7. Sonata D. 574 In A: Allegro vivace
8. Sonata, Op. 45 In C Minor: Allegro molto ed appassionato
9. Sonata, Op. 45 In C Minor: Allegretto espressivo alla Romanza
10. Sonata, Op. 45 In C Minor: Allegro animato

Tracks:

1. Partita No. 4, BWV 828: Sarabande
2. Harpsichord Suite No. 5: Air And Variations - 'Harmonious Blacksmith'
3. Sonata, K. 331: III: Turkish March
4. 32 Variations, WoO 80 In C Minor: Thema: Allegretto
5. 32 Variations, WoO 80 In C Minor: Variation I
6. 32 Variations, WoO 80 In C Minor: Variation II
7. 32 Variations, WoO 80 In C Minor: Variation III
8. 32 Variations, WoO 80 In C Minor: Variation IV
9. 32 Variations, WoO 80 In C Minor: Variation V
10. 32 Variations, WoO 80 In C Minor: Variation VI
11. 32 Variations, WoO 80 In C Minor: Variation VII
12. 32 Variations, WoO 80 In C Minor: Variation VIII
13. 32 Variations, WoO 80 In C Minor: Variation IX
14. 32 Variations, WoO 80 In C Minor: Variation X
15. 32 Variations, WoO 80 In C Minor: Variation XI
16. 32 Variations, WoO 80 In C Minor: Variation XII
17. 32 Variations, WoO 80 In C Minor: Variation XIII
18. 32 Variations, WoO 80 In C Minor: Variation XIV
19. 32 Variations, WoO 80 In C Minor: Variation XIX
20. 32 Variations, WoO 80 In C Minor: Variation XXII
21. 32 Variations, WoO 80 In C Minor: Variation XXIII
22. 32 Variations, WoO 80 In C Minor: Variation XXIV
23. 32 Variations, WoO 80 In C Minor: Variation XXV
24. 32 Variations, WoO 80 In C Minor: Variation XXVI
25. 32 Variations, WoO 80 In C Minor: Variation XXVII
26. 32 Variations, WoO 80 In C Minor: Variation XXVIII
27. 32 Variations, WoO 80 In C Minor: Variation XXXI
28. 32 Variations, WoO 80 In C Minor: Variation XXXII
29. Return Home
30. Polish Songs: The Maiden's Wish
31. Die schone Mullerin: Das Wandern
32. Schwanengesang: Serenade
33. Polonaise No. 2 In E
34. Songs Without Words, Op. 67: Spinning Song
35. Impromptu, Op. 90, No. 4 In A Flat
36. Concert Etude No. 2: Gnomenreigen
37. Orfeo ed Euridice: Melodie
38. Etude, Op. 104b, No. 2 In F
39. Etude, Op. 104b, No. 3 In A Minor
40. Spanisches Liederspeil: The Smuggler
41. Minuet, Op. 14, No. 1 In G
42. Liebesfreud

Tracks:

1. Sonata No. 2, Op. 35 'Funeral March': Grave; Doppio movimento
2. Sonata No. 2, Op. 35 'Funeral March': Scherzo
3. Sonata No. 2, Op. 35 'Funeral March': Marche funebre
4. Sonata No. 2, Op. 35 'Funeral March': Presto
5. Carnaval, Op. 9: Preambule
6. Carnaval, Op. 9: Pierrot
7. Carnaval, Op. 9: Arlequin
8. Carnaval, Op. 9: Valse noble
9. Carnaval, Op. 9: Eusebius
10. Carnaval, Op. 9: Florestan
11. Carnaval, Op. 9: Coquette
12. Carnaval, Op. 9: Replique
13. Carnaval, Op. 9: Sphinxes
14. Carnaval, Op. 9: Papillons
15. Carnaval, Op. 9: A. S. C. H. - S. C. H. A. (Letteres dansantes)
16. Carnaval, Op. 9: Chiarina
17. Carnaval, Op. 9: Chopin
18. Carnaval, Op. 9: Estrella
19. Carnaval, Op. 9: Reconnaissance
20. Carnaval, Op. 9: Pantalon et Colombine
21. Carnaval, Op. 9: Valse allemande
22. Carnaval, Op. 9: Pganini (Intermezzo)
23. Carnaval, Op. 9: Aveu
24. Carnaval, Op. 9: Promenade
25. Carnaval, Op. 9: Pause
26. Carnaval, Op. 9: Marche des 'Davidsbundler' contre les Philistins
27. Nocturne, Op. 9, No. 2 In E Flat
28. Waltz, Op. 64, No. 2 In C Sharp
29. Waltz, Op. 64, No. 3
30. Ballade No. 3, Op. 47 In A Flat
31. Mazurka, Op. 68, No. 2
32. Waltz, Op. Posth. In E Minor

Tracks:

1. Partita No. 3, BWV 1006: Preludio
2. Partita No. 3, BWV 1006: Gavotte
3. Partita No. 3, BWV 1006: Gigue
4. A Midsummer Night's Dream: Scherzo
5. Liebersfreud
6. Die schone Mullerin: The Brooklet
7. Polka de V.R.
8. Etude-tableau, Op. 39, No. 6 In A Minor
9. Prelude, Op. 3, No. 2 In C Sharp Minor
10. Sorochintsy Fair: Hopac
11. Lullaby, Op. 16, No.1
12. Tsar Saltan: Flight of the Bumblebee
13. The Ruins Of Athens: Turkish March
14. Scherzo In A Flat
15. The Seasons: November: Troika
16. Prelude No. 8, Op. 11, No. 8 In F Sharp
17. One Lives But Once
18. Powder and Paint
19. Polka italienne (Piano 4 Hands)

Tracks:

1. Concerto No. 2, Op. 18 In C Minor: Maderato; Allegro
2. Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
3. Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
4. Prelude, Op. 23, No. 10 In G Flat
5. Prelude, Op. 32, No. 3 In E Major
6. Prelude, Op. 32, No. 7 In F Major
7. Prelude, Op. 32, No. 6 In F Minor
8. Etude-tableau, Op. 33, No. 2 in C Major
9. Etude-tableau, Op. 33, No. 7 In E Flat
10. Daisies, Op. 38, No. 3
11. Oriental Sketch
12. Melodie, Op. 3, No. 3 in E
13. Serenade, Op. 3, No. 5 In B Flat
14. Humoresque, Op. 10, No. 5 In G
15. Lilacs, Op. 21, No. 5
16. Moment Musical, Op. 16, No. 2 In E Flat

Tracks:

1. Mazurka, Op. 63, No. 3 In C Sharp Minor
2. Nocturne, Op. 15, No. 2 In F Sharp
3. Waltz, Op. 18 'Grande valse brilliante' In E Flat
4. Waltz, Op. 34, No. 3 'Valse brilliante' In F
5. Waltz, Op. 64, No. 1 'Minute'
6. Waltz, Op. 69, No. 2 In B Minor
7. Waltz, Op. 70, No. 1 In G Flat
8. Scherzo No. 3, Op. 39 In C Sharp Minor
9. Waltz, Op. 64, No. 1 'Minute' In D Flat
10. Le coucou
11. L'Arlesienne Suite No. 1: Minuet
12. Carnival Of The Animals: The Swan
13. Songs Without Words, Op. 67: Spinning Song
14. Waltz
15. Lyric Pieces, Op. 12: Elfin Dance
16. Etude, Op. 28, No. 6 In F Minor
17. If I Were a Bird
18. La jongleuse
19. Dr. Gradus ad Parnassum
20. Children's Corner: Golliwogg's Cakewalk
21. The Seasons: November: Troika
22. Humoresque, Op. 10, No. 2 In G
23. Waltz, Op. 40, No. 8 In A Flat

Tracks:

1. Prelude, Op. 23, No. 5 In G Minor
2. Prelude, Op. 32, No. 12 In G Sharp Minor
3. Prelude, Op. 3, No. 2 In C Sharp Minor
4. Prelude, Op. 32, No. 5 In G
5. Serenade, Op. 3, No. 5 In B Flat
6. Lilacs, Op. 21, No. 5
7. Polichinelle, Op. 3, No. 4 In F Sharp Minor
8. Polka de V.R.
9. Liebesleid
10. Hungarian Rhapsody No. 2
11. Pastorale In E Minor
12. Theme and Variations
13. Waltz, Op. 42 'Two - Four' In A Flat
14. Waltz, Op. 64, No. 3 In A Flat
15. Polka de V.R.
16. Bacarolle, Op. 10, No. 3 In G Minor
17. Prelude, Op. 3, No. 2 In C Sharp Minor

Amazon.com

We remember Rachmaninov today mostly for the music he wrote. But as this set quickly reveals, he was one of the greatest pianists of the 20th century, able to play his own music and a great variety of others with tremendous personality and a technique that is still astonishing. There's no point picking highlights from this set, since they are everywhere. But if you've never heard Rachmaninov play Schumann's Carnaval, try starting there for one of the most imaginative recreations of a piece of music ever recorded. The set also includes Rachmaninov's only recordings as a conductor in two of his own major works. --Leslie Gerber

Customer Reviews:

Save some $ money! Get the newer January 2006 reissue set instead........2006-05-17

At the time of this review, whenever you search for a phrase such as "Rachmaninoff Complete", amazon's search engine always lands on this out-of-print recording (ASIN: B000003FB7) . It's also no fun to see that it costs more than a hundred bucks! But if you type "B000A2AD2S" in the search box, you'll see the new reissued set for half the price. It's the exact same 10 CDs. Just the cover art is different.

Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.

For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.

To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.

(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)

6, or Even 7 Stars!.......2005-06-04

Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.

While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.

Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.

Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...

His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!

The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!

A must have for Piano and classical music lovers.......2005-04-04

To respond to a review about the sound quality-for those people who have no experience with historical performances i.e cortot-hofmann-etc these discs are for the most part much better recorded. There are the inevitable pops and hisses but if these things disturb you, or you cant get past them, then you shouldnt be listening to this kind of thing anyway. the importance here is in the playing, and the playing is extra ordinary. I you want to buy a disc for the reperatoire then i can think of hundreds of performances that will satisfy, but only people with a true interest to hear and study these pieces will be beyond satisfied. I know that may not sound like a lot of fun, but these discs are fun, great, and for me, almost too good to be true. Again, if sound disturbs you, then you may be listening to the music for the wrong reasons. Take from it the playing, the revelations that Rach provides to his pieces, and how fortunate we are that it sounds as good as it does.

Ah, Rachmaninoff, brilliant star of music, how we adore you.......2003-09-14

The music of Rachmaninoff is beyond words, furthermore, beyond imagination. He was a genius, no doubt, and nobody will ever understand how incredibly lucky we are to be blessed with his compositions. Furthermore, it is truly astonishing to hear Rachmaninoff play his own work. There is nothing so beautiful on this earth and there never will be.

Review from a spoiled modern listener.......2003-07-13

I'll admit that I'm a spoiled modern listener, accustomed to having the bang and hiss edited out of a recording, and it took me a while to warm to these. Rachmaninoff's performances are splendid, but if you can hardly hear them over the cacophony of background noise, what's the use? His performance of his own, often overlooked Concerto No. 4 finally made me sit up and listen, even though I've owned two versions of this piece for a number of years (Ashkenazy & Wild).

Average customer rating: A Triumphant Free Spirit Provocative and Beautiful Superb! Electrifying Performance Tsk tsk

Live From South Africa Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Pratt, Awadagin | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Beethoven: Piano Sonatas Pratt: Transformations Awadagin Pratt: A Long Way From Normal Play Bach ASIN: B000002RUR Release Date: 1997-01-21

Tracks:

1. Prelude, Fugue and Variation, Op. 18
2. Prelude on 'Nun komm der Heiden Heiland'
3. Moment Musical in B Minor, Op. 16
4. Two Preludes Op. 32: No. 10 in B Minor
5. Two Preludes Op. 32: No. 12 in G-sharp Minor
6. Prelude and Fugue in A-flat Major, BWV 886: Praelidium
7. Prelude and Fugue in A-flat Major, BWV 886: Fuga a 4 Voci
8. Drei Intermezzi Op. 117: No. 1
9. Drei Intermezzi Op. 117: No. 2
10. Drei Intermezzi Op. 117: No. 3
11. Prelude and Fugue in D-flat Major, BWV 872: Praelidium
12. Prelude and Fugue in D-flat Major, BWV 872: Fuga a 3 Voci
13. Prelude and Fugue in D-flat Major, BWV 872: Prelude on 'Ich Ruf' zu dir' BWV 639
14. Prelude and Fugue in D-flat Major, BWV 872: Chromatic Fantasy and Fugue in D Minor, BWV 903

Customer Reviews:

A Triumphant Free Spirit.......2001-11-09

Awadagin Pratt is a free spirit. Not only does he sport luxuriant dreadlocks and sit on a tiny stool, but he also played piano incredibly well. Pratt can do whatever he wants around the margins, because he rendered an intensely dramatic interpretation of these immortal pieces, with a distinctly improvisational air in the rhythms.

Provocative and Beautiful.......2001-11-09

Mr. Pratt is an exceptional performer with a talent for stylizing within the most heatedly virtuosic material. His willful manipulation of tempos and dynamics, his varied articulation, as well as astonishing brilliance and energy, made for a provocative, electrifying performance.

Superb!.......2001-11-08

Acclaimed pianist Awadagin Pratt, known for his unorthodox style -- he sits on a bench very low to the floor. He also eschews the traditional tuxedo in favor of brightly colored shirts and gives the old masters something beyond the standard treatment. However, it's his splendid performance that really counts. His astonishing brilliance and beauty, the romance and lyricism, the incredible technique and prodigious talent, and his superb and imaginative repertoire transport listeners, levitating them into a spiritual dimension, where materials are immaterial.

Electrifying Performance.......2001-11-08

Award-winning pianist Awadagin Pratt plays with a full-bodied intensity that can be at turns intimate and grandly heart-wrenching. It's truly a electrifying performance.

Tsk tsk.......2001-10-13

Sadly, after repeated examination, it indeed appears that the soon-to-be 36-year-old Pratt indeed splices his recordings--i.e., he takes the best individual moments he can come up with to achieve superficial result. Personally, I prefer "honest" classical musicians when I listen to classical, as is generally the standard, though I suppose there may be those who simply want to hear what they want to hear for whatever reason.

Average customer rating: Tureck: the supreme priest of Bach upgrade to 4 stars get the osorio A rare gem! Absolutely Flawless !

Tureck: Live At The Teatro Colón Manufacturer: Video Artists Int'l ProductGroup: Music Binding: Audio CD Musettes | Ballets & Dances | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Busoni | Busoni, Ferruccio | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music ASIN: B000003LIX Release Date: 1994-05-02

Tracks:

1. Adagio In G Major, BWV 968
2. Chromatic Fantasy And Fugue In D Minor, BWV 903
3. Sweet Remembrances (Songs Without Words, Op. 19, No. 1)
4. Moments Musicaux, Op. 94: No. 3 In F Minor
5. Moments Musicaux, Op. 94: No. 2 In A-Flat Major
6. Chaconne In D Minor, BWV 1004

Tracks:

1. Variations And Fugue On A Theme By Handel, Op. 24
2. Gigue (Partita No. 1 In B-Flat Major, BWV 825)
3. Variation No. 29 (Goldberg Variations, BWV 988)
4. Musette In D Major, S. Anh. 126 (Clavierbuchlein fur Anna Megdalena Bach)

Customer Reviews:

Tureck: the supreme priest of Bach.......2004-05-28

Rosalyn Tureck belongs to a reduced kind of artists beyond the standard. She belongs to the elite of Casals, Carreno, Furtwangler, Busoni, Kempff, Neveu, Schnabel, Fricsay and Nykolayeva,Sandor Vegh, among others.
His playing on Bach is so natural and fresh that lets you amazed. And that is a syntom of her deep commitment with the score. Her Bach bretahes, the sonority is filled with dyonisiac rapture, and sounds human even erotic. And I'm not kidding with this last statement.
In this live recording, Tureck shows us her high pianism level. One of the fundamentals aspects of the genius is the overwhelming singleness of its playing. The notes are not forced, flow, simply.
Buy this issue. It is a gem for collectors.

upgrade to 4 stars.......2003-03-08

a follow up. She is amazing in the Chaconne. Not as good as Alicia de Larrocha but close and live.

get the osorio.......2003-03-07

I bought this mainly for the Handel Variations. It must be one of the most difficult things to play live. She gives it her all and comes up lacking. But her Bach is great as usual.

I agree with the reviewer about the Ax and the Cliburn Handel Variations. Worth owning both of them, but if you want THE superior reading get the Osorio on some budget label. The best.

A rare gem!.......2002-02-25

A true artist in one of her most mature moments.
Thank you Rosalyn!

Absolutely Flawless !.......2002-02-25

A true artist in one of her most mature interpretations.
Thank you Rosalyn!

Average customer rating:

Songs from the Shows Manufacturer: Dutton Vocalion UK ProductGroup: Music Binding: Audio CD Duke, Vernon | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Cabaret | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Vocal Jazz | Jazz | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music Broadway & Vocalists | Imports | Stores | Music Pop | Imports | Stores | Music ASIN: B00006RY8M Release Date: 2002-11-12

Tracks:

1. Pennies from Heaven
2. But Where Are You? [Let's Face the Music]
3. For Sentimental Reasons
4. June Is Bustin' Out All Over [From Carousel]
5. Careless Rhapsody [By Jupiter]
6. Jupiter Forbid [By Jupiter]
7. Nobody's Heart [From by Jupiter]
8. Ev'rything I've Got [By Jupiter]
9. Saga of Jenny, Pt. 1 [Lady in the Dark]
10. Saga of Jenny, Pt. 2 [Lady in the Dark]
11. This Is New [Lady in the Dark]
12. Girl of the Moment [Lady in the Dark]
13. My Ship [Lady in the Dark]
14. One Life to Live [Lady in the Dark]
15. Ace in the Hole [Let's Face It]
16. I Said No [Sweater Girl]
17. My Cousin in Milwaukee
18. Someday I'll Find You [Private Lives]
19. Dance Little Lady [This Year of Grace]
20. Zigeuner [Bitter Sweet]
21. I'll See You Again [From Bitter Sweet]
22. Room With a View [This Year of Grace]
23. I Cling to You [Ziegfeld Follies of 1933]
24. What Is There to Say? [Ziegfeld Follies of 1933]

Average customer rating: A luminous recital

Daniel Barenboim Live From the Teatro Colon 2000 Daniel Barenboim , Wolfgang Amadeus Mozart , Fryderyk Chopin , and Alberto Ginastera Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music ASIN: B00006YX6Q Release Date: 2002-12-10

Tracks:

1. I. Allegretto Moderato
2. II. Andante Cantabile
3. III. Allegretto
4. I. Allegro Assai
5. II. Andante Con Moto
6. III. Allegro Ma Non Troppo - Presto
7. Sonata, Kk 9 In D Minor
8. Sonata, Kk 159 In C Major
9. Moment Musical, D780 (No.3) In F Minor
10. 'Des Abends' (Fantasiestucke, Op.12 No.1)
11. Etude, Op.25 No.2 In F Minor
12. Nocturne, Op.27 No.2 In D Flat Major
13. Bailecito
14. Danza De La Moza Donosa (Danzas Argentinas, Op.2 No.3)
15. Polichinelle (Prole Do Bebe, Book 1, 1918)

Amazon.com

Recorded August 19th, 2000 at the Téatro Colon in Buenos Aires, Daniel Barenboim's recital commemorating the fiftieth anniversary of his debut (at age seven) yields uneven results. In Beethoven's "Appassionata" Sonata, for instance, the pianist is below his best form. In contrast to his more controlled (and better engineered) DG recording, Barenboim forgoes the finale's essential repeat, and pounds his way through the coda with no pretense to subtlety. He swoons over Scarlatti's D Minor "Pastorale" sonata, and lays heavily into the C Major (K. 159) Sonata's dancing patterns. Mozart's K. 330 Sonata in the same key comes alive through Barenboim's witty, incisive way with the Finale. Following an iron-bound, charmless Schubert F Minor Moment musical, Barenboim positively sings out Schumann's Des Abends and the Chopin F Minor Etude and D-flat Nocturne. The Resta, Ginastera, and Villa-Lobos encores are played to the hilt, with all the idiomatic élan they deserve. --Jed Distler

Customer Reviews:

A luminous recital.......2006-11-05

Barenboim never forgets his birth land. From time to time, he returns to give the best of his interpretative skills, but the big difference between and the rest of the keyboard players resides in his astonishing vision and well thought approach around the single or elemental piano work

Daniel illuminates the score due his directorial conception around the work; and as well as Ashkenazy, Perahia, Badura Skoda or Edwin Fisher this double vision nourishes and enriches the composition to play.

So, this is a very recommendable album to acquire. Barenboim in the peak of his powers giving the best of his craftsmanship.

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