Soul

Cathy McCann, Shepherd Express, Critics Choice, November 28, 2002
...the range of Sarah Vaughan, the intonation of Ella Fitzgerald and the power and soul of Aretha Franklin...

Product Description
Original, state of the art, voodoo blues, hot jazz, burnin' bebop, grindin', cryin', ain't no lyin' type of soul. SOUL. If you got one, you'd better get one.

Soul

Soul,Deirdre Fellner & The Whole of Soul,Deirdre Fellner & The Whole of Soul,Original, state of the art, voodoo blues, juiced-up jazz, burnin' bebop, grindin', cryin', ain't no lyin' type of soul. SOUL - if you got one, you'd better get one.

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Average customer rating: Something Very Different Great CD Refreshing!! If you like winehouse WTF happened to "Addicted"?

Back to Black Amy Winehouse Manufacturer: Republic ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music Contemporary R&B | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Introducing Joss Stone Alright, Still Corinne Bailey Rae The Reminder Icky Thump ASIN: B000N2G3RY Release Date: 2007-03-13

Tracks:

1. Rehab
2. You Know I'm No Good
3. Me & Mr. Jones
4. Just Friends
5. Back To Black
6. Love Is A Losing Game
7. Tears Dry On Their Own
8. Wake Up Alone
9. Some Unholy War
10. He Can Only Hold Her
11. Bonus Track 1

From Amazon.co.uk

Amy Winehouse's second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she's taken her inspiration from some of the classic 1960's girl groups like the Supremes and the Shangri-Las, a sound particularly suited to her textured vocal delivery, while adding a contemporary songwriting sensibility. With the help of producers Mark Ronson and Salaam Remi, "Rehab" becomes a gospel-tinged stomp, while the title track (and album highlight) is a heartbreaking musical tribute to Phil Spector, with it's echoey bass drum, rhythmic piano, chimes, saxophone and close harmonies. Best of all, though, is the fact that Back to Black bucks the current trend in R&B by being unabashedly grown-up in both style and content. Winehouse's lyrics deal with relationships from a grown-up perspective, and are honest, direct and, often, complicated: on "You Know I'm No Good", she's unapologetic about her unfaithfulness. But she can also be witty, as on "Me & Mrs Jones" when she berates a boyfriend with "You made me miss the Slick Rick gig". Back to Black is a refreshingly mature soul album, the best of its kind for years. --Ted Kord

Album Description

Hailed by Newsweek Magazine as a cross between Billie Holiday and Lauryn Hill, British soul singer Amy Winehouse's U.S. debut, Back To Black hits the US amid a flurry of accolades, radio and TV buzz unprecedented in recent years for a young siren.

Her brassy mix of emotive vocals tinged with 60's girl-group stylings, sly funk, and anguished jazz, sparked the New York Daily News to crown Back To Black a "marvelous debut that would do Etta James proud" while New Yorker Magazine called her "a fierce English performer whose voice combines the smoky depths of a jazz chanteuse with the heated passion of a soul singer," and Spin Magazine affirming "there's never been A British star quite like her."

Back To Black smolders with a bristling fusion of old school doo-wop/soul inflected uprisings, (the charismatic singer/songwriter wrote or co-wrote all of the songs on the album) brewing instant classics such as the Shirley Ellis influenced "Rehab," the Supremes tinged title song "Back To Black," the aching "Wake Up Alone," and the album's closer, "Addicted."

Album Details

Ivor Novello Award Winner, Mercury Music Prize and Triple Brit Nominee Amy Winehouse, Follows the Release of her New Single "rehab" and Recent Sell-out Mini-uk Tour, with the Hugely Anticipated Release on October 30th of her New Album "back to Black". On "back to Black", the Follow-up to her Platinum Debut "frank" which Established her as One of the Most Exciting and Challenging Artists in Pop Music, Amy Confirms, Beyond Any Reasonable Or Unreasonable Doubt, What a Truly Remarkable Talent She Is.

Customer Reviews:

Something Very Different.......2007-07-29

I was in San Francisco , in a cd store of all places..go figure , and they were playing this cd.
At first i thought it was a very old re issue from the 50's Motown era, but when the guy at the counter said it was new and a hot seller i decided to listen.
First i heard Rehab , a pretty fun and amusing way to talk about bad habits..should be Lindsay Lohan's theme song.
Then came You Know I'm No Good, which i totally related to...lol.
Needless to say i went back home to boring Connecticut , and ordered it from Amazon, at half the price!
I have to say while Ms Winehouse is very young, she has a nice singing style that makes you think of 50's Motown and Jazz..and once more she does it pretty well!
Some of the songs have strong lyrics, but are not clearly noticed unless you really listen hard to the track , many are just plain fun , and have a good beat.
My very favorite song on this cd is when Amy slows it way down to do a torchy type ballad called Love Is A Losing Game.. This song is awesome! and Amy's vocals make you melt with feeling!
This young woman is clearly destined for much greater things.
The funny thing is she sounds like a black diva yet she is from the UK, and i was told is quite Jewish!
More power to her i say!
In fact Amy is quite pretty if you can get a glimpse of her without the rats nest hairpiece, gaudy makeup, and one too many tats.
I in no way insult her , but know she would clean up very well as she starts to mature and get beyond the youth oriented market i am sure her label has her set on.
This cd is pretty good and Amy's distinctive style is surely worth a listen!

Great CD.......2007-07-28

Love the music, very blues sounding. Some of the music sounds like it came from other songs, but it's a great make you smile CD.

Refreshing!!.......2007-07-27

Wow, what a refreshing blast bursts from the speakers when you hit play on Amy Winehouse's second disc. Her wonderfully strong, smoke-tinged, Ronnie Spector-channelling voice jumps out at you from the open musical arrangements that frame it. And it's not a contradiction in terms to describe those arrangements as both loose and tight. They are. Like many of those 60s classics, there's an honest organic quality to them but they never feel sloppy. In fact, the whole thing is wonderfully evocative of the classic 60s r'n'b girl groups but Winehouse's lyrical concerns and some of the electronic percussion place it firmly in the here and now. My favorites are You Know I'm No Good and the sensational title track, and Rehab is an irresistible singalong. But the whole thing is a breath of fresh air in the current musical climate.

If you like winehouse.......2007-07-26

You have to like her type of music to like the CD obviously but Id say the best songs on here are the ones youll hear on the radio. The rest of the CD is a little lack luster but good enough to bop along to. Unless you really LOVE winehouse youd probably be better off downloading (legally, ha) "rehab" and "back to black". The remix at the end is pretty cool though.

WTF happened to "Addicted"?.......2007-07-26

Everybody knows this record is a 5 star album, but why did they take "Addicted" off of the US version? Anybody who wants the real 'Back To Black' should get the UK version. The Ghostface verse on "You Know I'm No Good" is kinda unnecessary, especially as a bonus track swapped out for "Addicted".

Average customer rating: Disappointed :( Superb Got a mind full of good intentions and a mouth full of Raisinets be careful with your expectations....... Prince being Prince

Planet Earth Prince Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | R&B | Styles | Music General | Funk | R&B | Styles | Music Similar Items: S.S.T./Brand New Orleans 3121 Libertad Absolute Garbage Zeitgeist ASIN: B000RMC7H0 Release Date: 2007-07-24

Tracks:

1. Planet Earth
2. Guitar
3. Somewhere Here On Earth
4. The One U Wanna C
5. Future Baby Mama
6. Mr. Goodnight
7. All The Midnights In The World
8. Chelsea Rodgers
9. Lion Of Judah
10. Resolution

Amazon.com

Because it would be un-Prince-like to release a new studio album without kicking up a little controversy first, the Artist Formerly Known As a Cool-Looking Symbol gave away copies of Planet Earth with a British news tabloid weeks before its U.S. release. Among the reasons he shouldn't have: nobody who catches wind of the peerless funk-rock-soul he lays out on these 10 tracks--least of all longtime fans--would think twice about shelling out for it. A big chunk of the appeal is that Prince finds his way back to his guitar here. The title track, a politically right-on-time environmental rant, steers him back toward "Purple Rain" territory, as does "Lion of Judah" ("Guitar," oddly, doesn't--it's more of a straight-up, shout-it-out modern rocker). And the flirty numbers are seriously flammable: "Somewhere Here on Earth" seduces with a crackly jazz vibe, while "Mr. Goodnight" gets friendly with a refined slip of rap. Coolest of all are two tracks at cross purposes-- "Chelsea Rodgers" fuses funk with disco until it's so far off the hook it's in a heap on the floor, and "All the Midnights in the World" paints a picture of artistic maturity through piano and lyrics that lean hard on positivity. There's an elegance to it that Prince fans, no strangers to pop music that's truly sublime, won't fail to appreciate. --Tammy La Gorce

Album Description

Simply put, Planet Earth is the album longtime Prince fans have been waiting for. Several cuts on this album revisit some of the classic Prince sound the captured fans all over the world and helped deem him an incomparable music icon. Superstar and legendary musician prince kicked off 2007 with a show stopping Super Bowls Half-time performance. Prince pulled out all the stops during the second most-watched super bowl broadcast ever. With an estimated 93.2 million viewers to entertain, Prince wasted no time showing off his stages powers and irrefutable guitar skills. He masterfully captured the attention and respect of music fans in general, while sending a message to long time Prince fans that he was ready to once again reign supreme.

Customer Reviews:

Disappointed :(.......2007-07-31

Like another reviewer mentioned, due to critical praises I expected a lot more from Prince's latest CD, but was let down. I like a couple of the songs, but I'm not crazy about them, which for a crazy Prince fan like me, is a big downer. Oh well, thankfully I have all his previous other great stuff to listen to (which I'm doing right now).

Superb.......2007-07-30

This is the best over-all album I've heard of Prince since his ground-breaking 'Purple Rain' quite a few years ago. From the title of the album, I thought it would be an earth theme package but it's anything but - although the title song is a great piece of work in itself. Something on this album for everyone. Some ballads, others racier tunes. Extreme good orchestra rifts with piano, guitars and sax. Any of these selections could be a hit and almost made for FM radio. My favorite album of the year so far.

Got a mind full of good intentions and a mouth full of Raisinets.......2007-07-30

Prior to "Planet Earth," the last Prince album I can say I liked was "Rave Unto the Joy Fantastic." The last two ("3121" and "Musicology") - though obviously both commercial comebacks - did next to nothing for me. They were just more additions to the growing list of disjointed, thrown-together sub-par works that Prince began releasing back in '94 with "Come" (though not including every album after that, just that the good ones were less and less frequent). I distinctly remember how distressing it was for an artist who was responsible for such a long line of carefully crafted albums to expect record buyers to be satisfied with willful sloppiness. Yeah, with "Come" (and others) he was hurrying to get out of his Warner's contract - but all these years after the fact, what matters is the music and not his fued with the label. I continue to maintain that he hasn't released a truly great album since 1992's 'Symbol' album (and even that one was flawed, i.e. Tony M was still on board). And I still say that "The Truth" (i.e. disc 4 of "Crystal Ball") is the closest he's come to that greatness in the years since.

All that said, I'll reiterate: I like this new album. It turned out to be a nice surprise - not a major return to form, but a mostly consistently enjoyable collection of new songs. Are they all new? It's hard to say - I do have trouble believing all the musicians who are credited in the album's sparse (nearly non-existant, truth be told) liner notes turned up for recent sessions. Some of this music was quite possibly in the can for many years - the wildly varying tone, and overall sound, throughout the album supports this idea. Before delving into a song-by-song look, I'll summarize my overall feelings. The focus here seems to be tight, concise pop songwriting. Prince used to break boundaries and take chances with song form, but since those days seem long gone I'm satisfied to hear relatively straightforward songs containing strong melodies and memorable hooks. It's far preferable to the aimlessness of recent sludge like "3121" and "Musicology." I also like hearing so many guitar solos - much more than anything since "Chaos and Disorder" way back in 1995. Throughout "Planet Earth," there are lots of little musical surprises and quirks - unexpected chord changes, unpredictable melodic twists, unusual backing vocal arrangements. No, it's not "Lovesexy" revisited by any means, but it keeps the listener from being bored to tears (like the last couple of albums did).

To be more specific, take the opening - and also title - track. On a musical level, "Planet Earth" sounds very much to me like the Prince of old. The plaintive - though highly dramatic - verses that give way to swelling choruses, ultimately climaxing with a passionate guitar solo: it's a full-fledged epic Prince track (bold move to open the record with what sounds like a big finish). The piano/synth/backing-vocals section midway through sounds the vintage late-80s era. Lyrically, I'm less enthusiastic. Prince didn't used to be so literal when tackling "big issues." Here - not surprisingly, given the title - he deals mainly with the fragility of our ecosystem. Sorry, but no celebrity can escape the hypocrisy charge when lamenting the mistreatment of the atmosphere while simultaneously boasting of private jets traveling the four corners of the globe. Prince, how big is your carbon footprint? In the final verse, he sings about sending off young soldiers to fight a war, asking "If they're blessed to make it home, will they still be poor?" I'm not exactly sure what he's implying about the financial status of the armed forces, but I am a bit confused about something: in this song, and later in the album, the lyrics do get a tad bit political. I was under the impression that Jehovah's Witnesses remain strictly apolitical. How can he include this type of subject matter without violating that belief? I'm not taking any shots at his religion, I'm just genuinely curious about this seeming contradiction.

"Guitar" takes us back to mid-90s NPG, "Undertaker" style. I wouldn't be surprised if that's Michael B kicking it on this rock track. Many have mentioned it - and 'I will follow' their lead (get it?) - the main riff sounds like a certain early U2 song. Once you accept that, the song is a fun rocker with some good solos and a light-hearted lyric (what a relief after the pretentions of the first song's message).

"Somewhere Here On Earth" starts off with a hokey 'scratchy record' sound, apparently signaling it's 'old school' balladry. There's also a bit of cringe-worthiness in the lyric, "In this digital age, you could just page me/I know it's the rage." Um, really? I don't know many people who still carry around pagers - but I guess "You could just text me" didn't rhyme as well. Or it could suggest this song's been in the vault for a few years. That wouldn't be a stretch, as it sounds like it could've been on just about any album from "Around the World In a Day" onward - which I mean in the best way: it's a very good falsetto ballad in the classic Prince mold. A tad overlong, though, at nearly 6 minutes, as no new ideas are introduced to justify the length.

Things get even better with "The One U Wanna C" - a straight-ahead pop tune with a subtle, yet comfortable, countryish twang. Again, this sounds so unlike anything Prince has done in years I can't help but wonder if he pulled it out of the vault. As lightweight as it is, I love everything about it - except for the line "I ain't trying to be a hater" (which is the first of several instances of Prince forcing some 'modern' slang into his lyrics). I do like that he sings "I come like thunder" and "If u wanna get creamy" because it proves that the JW's didn't shut down the innuendo completely.

Uh-oh -- Prince gets all lover-man in "Future Baby Mama" -- and there's another (obvious) example of that 'modern' slang. Building a song around the phrase "baby mama" wasn't a great idea, even if he did break out the Linn for this one (which isn't all that exciting anyway - he was trying to evoke the old days in the exact same way back on "Rave Unto the Joy Fantastic" back in '99!). Still, it ain't an entirely unpleasant sounding song, but it feels very out of place in context of the four songs that preceded it. Maybe the course will be corrected shortly...

...in a word, no. "Mr. Goodnight" sounds like it could've been on ANY "Emancipation"-onward album. It's a sort-of rap song, and I hoped he was done with that kind of thing. Suddenly the vibe of the album has been completely altered, and necessarily in a good way. Not that I don't love the funky R&B that has been Prince's bread and butter his entire career - I most certainly do. But this generic-sounding stuff evokes "New Power Soul" more than "Sign O the Times"...or even "Diamonds & Pearls" for that matter. In fact, songs like "Come On" and "Shoo-Be-Do" from that 1998 disappointment KILL this "Mr. Goodnight" bit of indulgence. Oh well, at least it DOES have the funniest food reference in a Prince song since the immortal "Cap'n Crunch with soy milk."

"All the Midnights In the World" - short, but oh so sweet. My favorite track, and it clocks in at just 2 minutes, 21 seconds. THIS is classic Prince pop: idiosyncratic lyrics, melodically inventive, captivating vocal performance. Can this possibly be a new song? Or is this some lost "Dream Factory"-era track? It's so fantastic I can't really explain it. Who but Prince would include a reference to Zuzu's pedals from "It's a Wonderful Life"? "Amethyst and rubies, crystals and black pearls/I'd trade them all just to spend with you/All the midnights in the world." I don't usually use words like splendiferous, but it truly applies to this gem of a song.

Nowhere to go but down, I guess, after such a natural high - but "Chelsea Rogers" is actually a pretty entertaining dance track nonetheless. It's a funky disco-style song, sung along with a husky-voiced woman (reminded me of Mavis right at the beginning). It doesn't really DO all that much in nearly 6 minutes (one of only three tracks that push past 5 minutes). It's about the same length as the title track, yet unlike that well-structured epic, it wears out it's welcome after the halfway point. I haven't really bothered to figure out if the lyrics, which apparently concern a real-life fashion model, tell a coherent story.

"Lion Of Judah" brings it back to guitar-oriented rock. It's grown on me over repeated listenings, though I'm not sure what he's getting at in the lyrics. Sure sounds like something was on his mind though. A failed relationship, it would seem - one that he didn't want to end, and felt ended in the midst of miscommunication...leaving him seeking some sort of revenge? I don't know really, but I like the guitar playing.

"Resolution" - bouncy up-tempo pop, kinda like a less corny "Graffiti Bridge." Also kinda like the opening track: I like it musically, I'm less wild about the lyrics. It's actually a good bookend - both songs tackle "big issues," albeit in a clumsy way. I really like the melody, the simple arrangement, and especially the backing vocals. But spelling out the world's problems in less than four minutes is a tough order for anyone. Actually, in the final verse ("Love is like a circle, no beginning and no end..") he has the right idea - keep it a bit vague, rather than trying to specifically explain the "main problem" with war (that no one ever wins) and with people (that they never do what they say). In fact, his reasoning is incorrect in both cases, so why bother trying to cover so much ground in one song? Anyway, the lyrics are just too dopey-hippy for me to take seriously - I still enjoy the heck out of the song on a musical/performance level.

I've been listening to the album as I write this. I really have to say: the highest praise I can offer is that every time it ends, I feel like starting it up and listening all over again. I haven't felt that way about a Prince album in far too long. Not because it stands as a truly classic Prince album, but because it's the most tuneful and entertaining album he has released in ten years. And, of course, there's that track 7 that brings joy everytime it rolls around.

be careful with your expectations..............2007-07-30

I made the mistake of reading a few reviews (Rolling Stone, Entertainment Weekly, etc.) prior to buying this CD. I was very excited that the reviews called it a "return to form" and compared it to "Purple Rain" and "Parade" era Prince. Add to this the fact that Wendy and Lisa are part of the band here, and I was definitely looking forward to hearing "Planet Earth." Well now that I have listened to it for several days...there is certainly his usual genius on a few songs, but way too many ballads/slow jams (his most recent CDs seem to have TERRIBLE pacing...i.e., the sequencing of songs sucks)...there is no doubt that "Guitar" is a cool single and that there's a few good funky tunes here, but again, to me I found about half of it to be filler. His crappy songs are still better than most people's gold, but this is not Purple Rain the sequel, or the successor to Parade or Sign o' the Times, etc. Oh well, I will keep holding out hope...and enjoying a few of the songs on here.

Prince being Prince.......2007-07-29

It really is unfair for me to write a review on Prince. I am a long time fan. Critics say it harkens backto his 80's sound. Well, maybe. But it sounds like Price being prince. He lets us know that he still rocks! Planet Earth the title track shows this. His guitar liks can't be beat (as he showed on both the Super Bowl half time show and the jam session on his induction into the Rock and Roll Hall of fame). He gets mellow and shows that he still owns the dance floor on other cuts. Prince does what he wants when he wants as shown by giving the cd away. So people, stop tripping. He's the Purple One!

Average customer rating: Evolution of Robin Thicke Get caught up in the thicke of things Robin Thicke- Greatest CD ever Love it! GREAT MUSIC FROM A GREAT ARTIST

Evolution of Robin Thicke Robin Thicke Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Contemporary Blues | Blues | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rock | Styles | Music Similar Items: A Beautiful World Collaborations Once Again Luvanmusiq Introducing Joss Stone ASIN: B000M8NMV4 Release Date: 2007-02-09

Tracks:

1. Got 2 Be Down
2. Complicated
3. Would That Make U Love Me
4. Lost Without U
5. Ask Myself
6. All Night Long
7. Everything I Can't Have
8. Teach U A Lesson
9. I Need Love
10. Wanna Love U Girl
11. Can U Believe
12. Shooter - Lil' Wayne
13. Cocaine
14. 2 The Sky
15. Lonely World
16. Angels

Amazon.com

R&B with tempo: Justin Timberlake resurrected it, and it's proving way more influential than that other lost commodity--sexy--he claimed to be bringing back in 2006 on FutureSex/LoveSounds. Timberlake is to Robin Thicke what 'N Sync and Backstreet Boys were to a band like O-Town, in fact: he pretty much made it all possible. But even though it took one blue-eyed soulster with a hot look and an achy falsetto to bang down the door for another, Thicke presents a convincing case here that he had the goods to get us grooving all along: Evolution is a classy disc that tiptoes up to its listeners, first with an elegant duet with Faith Evans ("Got 2 Be Down"), next with a slick lament that wouldn't sound out of place on a Boyz II Men disc ("Complicated"), and then with a sweet plea that commands a finger-snap ("Would That Make U Love Me"). By the time we reach the long, sweeping lullaby that is the final track, "Angels," we've also had a taste of Thicke's swaggering side ("I Need Love," "Cocaine"), his hip-hop loving side ("All Night Long" and "Shooter," both with Lil Wayne), and the side that fantasizes about 1950s Latin ballrooms ("Everything I Can't Have," a hot tamale of a number that commands a visual if ever there was one: it's impossible to hear this song without imagining a raven-haired woman with a red rose between her teeth). Despite the range of moods on display, they're all in service to Thicke's inner R&B smoothie, and they all brush up against the ear with something like affection. Hard as it will be for listeners of a certain age to get past knowing that Thicke is the son of Alan Thicke, the actor who did his part to cheese up 1980s TV with the sitcom Growing Pains, they're going to have to: with his fan base swelling by the second, the evolution of Robin Thicke is going to be a deservedly loud one. --Tammy La Gorce

Album Description

NOTE: This deluxe edition features a ringtone of "Lost Without U," an autographed poster, and cell-phone wallpaper.

The Evolution of Robin Thicke is the second solo album from the critically acclaimed, Grammy award winning songwriter and producer of records for such artists as Michael Jackson and Christina Aguilera. The album is a timeless work of art. With a voice of purity, passion and soulfulness, Robin brings to life the stories and emotions of the last two years of his life.

The album is filled with incandescent magic. It is an album that tells the tales of love, loss, temptation, redemption and finding hope when all the odds are against you. "My greatest desire with this album was to write songs that were completely honest and sing them with the emotion I was feeling when I wrote them, so that whoever listens to my music is brought as close to my experiences and life as possible."

Reflective, redemptive, passionate and etched with a soulfulness that is undeniable, The Evolution of Robin Thicke is an imaginative and heart-felt album that you cannot help but be moved by, bob your head to and smile throughout.

FEATURING GUEST APPEARANCES BY Faith Evans, Pharrell, and Lil' Wayne PRODUCTION BY The Neptunes

Customer Reviews:

Evolution of Robin Thicke.......2007-07-30

Arrived when promised and in excellent condition. Best music I have heard in a long time.

Get caught up in the thicke of things.......2007-07-27

Rarely do you find a cd that has every cut worth listening too, worth singing too, worth repeating over and over again.....it is excellent.

Robin Thicke- Greatest CD ever.......2007-07-25

If you haven't purchased this c.d., you're definitely missing out. This is one of those c.d.s that come along every blue moon where you can listen to every track and enjoy it without skipping to the next. His voice is a voice you will definitely fall in love with. He made a great choice by collaborating with Lil' Wayne and Mary J. Blige on a few of the tracks. What I really enjoyed about the c.d. were the tracks with the bass guitar. I've recommended this c.d. to all my friends, and they love it as well. I recently purchased his first album- "A Beautiful World" and it's great as well. Get it now!!!!!!!!

Love it!.......2007-07-20

Well I just received this CD in the mail from Amazon and bought it because I saw Robin Thicke on Good Morning America where he sang "Lost Without You" which I love. The rest of the CD in most cases is excellent - with the exception of one or two songs on it I think it deserves to do very well. I also like the fact that he doesn't only sing falsetto, and he sings in very different styles which really shows his versatility.

GREAT MUSIC FROM A GREAT ARTIST.......2007-07-20

I have been a Robin Thicke fan since I saw the once long haired singer belting out "When I Get You Alone". Another early song to fall in love with is "Stupid Things". I have to admit that when I heard "Shooter" with Lil Wayne, I was not even thinking about getting this CD. I HATE THAT SONG!! But once I heard "Can U Believe", I ordered it, and have been listening to the entire CD everyday now. You won't be dissapointed!! I hope the rest of world learns to love him like I have been doing for a while now.

Average customer rating: the beastie boys have done it again Skip it Poor Chill Background Dreck

The Mix-Up Beastie Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Jazz | Styles | Music Soul-Jazz & Boogaloo | Jazz | Styles | Music General | Rap & Hip-Hop | Styles | Music Experimental Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Funk | R&B | Styles | Music Similar Items: Icky Thump Zeitgeist We Are the Night Era Vulgaris Libertad ASIN: B000PY32CE Release Date: 2007-06-26

Tracks:

1. B For My Name
2. 14th St. Break
3. Suco De Tangerina
4. The Gala Event
5. Electric Worm
6. Freaky Hijiki
7. Off The Grid
8. The Rat Cage
9. The Melee
10. Dramastically Different
11. The Cousin Of Death
12. The Kangaroo Rat

Amazon.com

Having long since shed their image as hip-hop's clown princes, the Beastie Boys now bring what feels like their emeritus recording, a celebratory instrumental memoir of all of the influences (except punk) that brought them to their secure place among hip-hop's fickle elite. The party opens with the aptly titled "B for My Name," its plodding bounce staking claim to the mid-tempo path the album treads almost throughout. "14th St. Break" picks up the pace, especially in the auxiliary percussion breakdown, complete with rally whistle. Then, beginning with "Suco de Tangerina," the album drops into a deep groove cut from dub- and dancehall-tinged ostinati that carry through a full third of its tracks. Among these, "The Gala Event" suffers from a lack of developmental motion that characterizes many of these tracks, but highlights still abound. "Off the Grid," for example, departs from the otherwise unbreakable chill and rips the proceedings wide open, blooming again and again in a series of pulsing riffs that celebrate the very institution of the instrumental groove. More than 20 years since Licensed to Ill took a long, irreverent piss into the mainstream, it seems you can still fight for your right to party. --Jason Kirk

Amazon.com

The Mix-Up is Beastie Boys' first-ever full album of all-new instrumental material. The follow-up to 2004's To The 5 Boroughs, The Mix-Up features Diamond, Horovitz and Yauch back on drums, guitar and bass, with able assistance from Keyboard Money Mark and percussionist Alfredo Ortiz, on 12 brand new wordless, sample-less, scratchless originals. Sure to please fans of the instrumental cuts from Check Your Head and Ill Communication and the cult hit compilation album made up largely of those tracks, The In Sound From Way Out!, The Mix-Up finds NYC's favorite sons drawing on one of their arsenal's primary strengths and pushing it into bold new directions.

Beastie Boys Photos

More from Beastie Boys

Paul's Boutique	Check Your Head	Ill Communication
Licensed to Ill	Awesome, I Shot That	DVD Video Anthology - Criterion Collection

Customer Reviews:

the beastie boys have done it again.......2007-07-30

a lot of people are basing this album on from their prevous popular albums like check your head, hello nasty (my favorite), 5 boroughs, ect. but there are a lot of ignorant people out there and dont realize that they have already made an album with just instruments called the in sound from the way out. and it was excellent and so was this album. put it on and just sit back and chill to it. the beastie boys do a great job mixing it up, which is one of the reasons why i love the beastie boys and one of the reasons why they are my all time favorite! its all about the music, a good band can make music with lyrics but a great group can produce music without lyrics. this album has been everything i have asked for, if you loved anything from the beastie boys, im sure you will love this. i know i did!

Skip it.......2007-07-30

I would say if you are new to the band you might find this appealing. For me it was not the same as past musical experiences I had in listening to albums of the past, including several that came after the famous "Licensed to Ill" which I have heard is one of Capitol Records all-time best selling albums. This CD left me frustrated as I did not feel there was very much creativity at all. As they say; "to each his own" but I personally felt this CD was a letdown.

Poor.......2007-07-28

Picked this up, was so excited, first song...all insturmental...i was like ya cool, i dig, then next song...no lyrics, all the way through the 12 tracks. very dissapointed, sure the mysic is good, but thats not what makes the beastie boys the beastie boys. if you are eager to listen then give the sample on amazon a quick listen, chances are that is all you will need

Chill Background.......2007-07-27

The Beasties are always giving the people what they want. They may not know they want it but after you get it, you realize you needed it. This is one of those records. It's not anything ground-breaking but it is just what you'd expect form an all instrumental (that's right, no lyrics) record from them. This record is great to chill to or have on the background of any get-together. It takes you right back to the instrumental songs of Check Your Head and Ill Communication records but is totally all brand new music. Nothing here appears on their The In Sound From The Way Out Album but it is similar in it's construction. I enjoyed The Mix-Up and I hope you do too.

Dreck.......2007-07-26

This ferkachte CD is barely worth the plastic it was printed on. How the Beastie Boys could have gone from the heights of Check Your Head and Ill Communication, and the ensuing instrumental mashup masterpiece The In Sound From Way Out, to this limp, soulless, grooveless piece of dreck is beyond me. Seriously, take it from one schmegege to another, you will not be kvelling when you listen to this.

Average customer rating: We'll never turn back Mavis Staples rules quafable but not transcendent Yes and no Passion and soul

We'll Never Turn Back Mavis Staples Manufacturer: Anti ProductGroup: Music Binding: Audio CD General | Blues | Styles | Music Traditional Blues | Blues | Styles | Music Gospel | Christian & Gospel | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music Similar Items: West My Name Is Buddy Twelve The Sermon On Exposition Blvd. [Deluxe Limited Edition --- includes 5.1 SACD version and 40 minute DVD of making the record] Sky Blue Sky ASIN: B000MR8SZU Release Date: 2007-04-24

Tracks:

1. Down In Mississippi
2. Eyes On The Prize
3. We Shall Not Be Moved
4. In The Mississippi River
5. On My Way
6. This Little Light
7. 99 And 1/2
8. My Own Eyes
9. Turn Me Around
10. We'Ll Never Turn Back
11. I'Ll Be Rested
12. Jesus Is On The Main Line

Amazon.com

As musical activists in the 1960s civil rights movement, the Staple Singers were powerful voices for equality and change. And more than 40 years after Pops's daughter Mavis spent a night in a West Memphis, Arkansas, jail at the behest of a racist cop, she still remembers the terror of the experience, as well as the counsel of Dr. Martin Luther King. That episode is at the centerpiece of "My Own Eyes," one of the most moving offerings on this collection of songs of racial struggle in the '50s and '60s, produced by guitarist Ry Cooder and featuring backing from the original Freedom Singers and Ladysmith Black Mambazo. Throughout, the album proves both emotionally chilling and spiritually uplifting. On J.B. Lenoir's "Down in Mississippi" and Marshall Jones's "In the Mississippi River," for example, Cooder makes fine use of pounding percussion and snaky electric guitar to capture the danger and fear inherent in the Deep South at the time, while the title song and "Jesus Is on the Main Line" draw on gospel and the traditional framework of church hymns to promise positive solutions. Staples, who adlibs on several cuts, connecting the injustice of yesterday to the continuing marginalization of blacks in the wake of Hurricane Katrina, remains a remarkable performer, employing a throaty sensuality that rises from a deep well of tremulous emotion. If her album is musically uneven at times, her artistry and strength continue to shine as undimmed beacons. --Alanna Nash

More from Mavis and the Staple Singers

Have a Little Faith	A Piece of the Action	Only for the Lonely
The Best of the Staple Singers	Great Day	The Staple Singers: Greatest Hits

Album Description

From the liner notes, by John Lewis:

When I listen to this music, it takes me back. It takes me back to the red clay hills of Georgia, to the Black Belt of Alabama, and the Delta of Mississippi. It takes me back to the moans and groans and pains of an oppressed people yearning for freedom. It takes me back to the time when hundreds and thousands of us decided we were "sick and tired of being sick and tired," as Fannie Lou Hamer said. It takes me back to the days when ordinary people inspired by a dream decided to quench our hunger and thirst for justice in the fountains of mercy and love.

Back then, some people thought legalized segregation in America would never come to an end. But those of us in the Civil Rights Movement were inspired by a higher calling. And even if it cost us our very lives, "we weren't gone to let nobody turn us `round". We believed that the action of peace, the way of non-violence, and the power of love could overcome our oppression and remind our oppressors of their own humanity. Through the power of this faith our nation witnessed a non-violent revolution of values, a revolution of ideas that changed America forever.

The music you are listening to right now was the soul of that revolution. It was this music that gave us hope when it seemed like all hope was gone. It was the heartbeat of this music and its steady, reassuring message that bound us together as one solid force. So when we were beaten, arrested and jailed; when we stood together on picket lines or marched through the streets of the Deep South; when we faced the guns drawn, the billy clubs and the bullwhips raised; when we were teargassed, trampled by horses, or scattered by fire hoses, it was these songs that lifted us and pushed us to a higher place.

It is my hope that when you hear Mavis Staples, when you hear the Freedom Singers, and the other artists on this CD, that you too will be inspired. I hope this music will help you find the courage to stand up, speak up, and speak out and answer the call of your own conscience. It is my hope that this music will help you see what ordinary people with extraordinary vision can do when they decide they will never turn back.

Rep. John Lewis

Customer Reviews:

We'll never turn back.......2007-07-05

I enjoyed this cd very much. I had listened to the Staples singers years ago and was glad to see Mavis recording again.

Mavis Staples rules.......2007-06-28

This is one fantastic recording. Mavis has a magnificent voice . . . perfect for the songs and full of depth and determination. The musicians notably ry cooder and back up singers are up to the task as well. Mavis let her light shine brightly!!

quafable but not transcendent.......2007-06-27

This is a solid album, similar in tone to the recent retreads by the Blind Boys of Alabama and John Hammond. The historical and emotional baggage it carries help one to listen with a sympathetic ear, and perhaps lend it more pathos than is earned strictly on aesthetic merits.

Yes and no.......2007-06-27

A tribute to the legacy of the Civil Rights movement and the Staple Singers themselves. Doesn't really live up to the hype, though. Mavis has still got the drive and passion, but her voice doesn't have the range and nuance.

Passion and soul.......2007-06-26

Mavis Staples sings with passion and true soul the songs of the Civil Rights movement on "We'll Never Turn Back". The CD has all the sounds of a great Ry Cooder CD too because he did arrangements of many of the songs and he plays on them too. This CD's version of "This Little Light of Mine" shows what can be done respectfully to bring a whole new sound to an old song. This CD really deserves 5 stars.

Average customer rating: ongoing developing talent Save your money.... We both see clearly now 2 Song CD Jossing Around

Introducing Joss Stone Joss Stone Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Britain | British Isles | Europe | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Soul | R&B | Styles | Music General | Rock | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music R&B | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Back to Black Not Too Late Corinne Bailey Rae Mind, Body & Soul The Soul Sessions ASIN: B000MTPAGI Release Date: 2007-03-20

Tracks:

1. Change (Vinnie Jones Intro)
2. Girl They Won't Believe It
3. Headturner
4. Tell Me `Bout It
5. Tell Me What We're Gonna Do Now feat. Common
6. Put Your Hands On Me
7. Music feat. Lauryn Hill
8. Arms Of My Baby
9. Bad Habit
10. Proper Nice
11. Bruised But Not Broken
12. Baby Baby Baby
13. What Were We Thinking
14. Music Outro

Amazon.com

In the run-up to this, her third album, Joss Stone told a phalanx of glossy magazines that the difference between this disc and the two that preceded it was a newfound clarity of vision. Whereas the other records--their gold status notwithstanding--represented the fumblings of a huge-voiced kid being bossed around by experienced music-biz types, this one, she promised, would reveal the real her. Thus, the titular "introduction." To which anybody who spins the 14 groovy and fully unbuttoned tracks herein will wish to reply not "nice to meet you"--far too lame a sentiment for so fully realized a disc--but "Where have you been all my life?" As good as Joss Stone's previous efforts are, Introducing Joss Stone represents a giant step forward: there's a freshness to these songs that suits her age (19 as of the album's release) and a funkiness that suits modern pop sensibilities. There's also a cross-hatching of visions with artists like Lauryn Hill and Common that will rightly advance her reputation as an artist who can sling disco, R&B, and rock almost as convincingly as soul. Splicing girl-group harmonies with blaxploitation-style funk with Joplin-esque and, at times, Shelby Lynne-reminiscent vocals, Stone works these Raphael Saadiq-produced beats with the stealth and steadiness of a '70s-era legend who's still going strong. "Girl They Won't Believe It," she wails against the tight hoo-hoo harmonizing of talented backup singers on the opening track; get a load of how much she's accomplished in the space of three albums, and you won't believe it, either. --Tammy La Gorce

Amazon.com

Joss Stone Photos

More from Joss Stone

Mind, Body, & Soul

The Soul Sessions

Mind, Body, & Soul Sessions [DVD]

Customer Reviews:

ongoing developing talent.......2007-07-28

Some great stuff in here, and I really do enjoy JS's voice. Listening to this CD gave me this urge to go research older Stevie Wonder for some reason...I suspect that's a good sign. For some reason, though, I like her previous effort more. It's going to be interesting to continue to watch this still-young artist continue to develop.

Save your money...........2007-07-25

If you're looking for a great follow up to her first CD, you'd be hard pressed to find it here. "Introducing Joss Stone" sounds nothing like her first album, all of the songs are R&B based (not the jazz/blues/soul music of the first) and most of the lyrics I couldn't understand. I would think twice in purchasing this if you really liked the first album and are expecting something similar.

We both see clearly now.......2007-07-19

I love Joss Stone's voice. There's no denying it, the girl's got a set of pipes that are un-matched in this current generation of musicians, but I'm not sure Joss has found her groove yet.

Admittedly, at 14 she was too young to make the important decisions to launch her career, but this girl's been through more changes than the weather.

I think when she really hits her groove, folks will stop comparing her to Shelby Lynne, etc. It'll happen, but 19 may still be too young.

You want to hear a great Brit chick with more heart and identity, you need to listen to "Put your Records On" by Corrine Bailey Rae. Corrine doesn't have Joss' voice, but she's got down who she is.

2 Song CD.......2007-07-17

There are two 5-star songs on this CD: "Tell Me What We're Gonna Do Now" and "Girl They Won't Believe It". The other songs bring this CD down to 4-stars.

Jossing Around.......2007-07-17

I think this is the 5th review I have written today, so I guess you will have to deal with the silly puns. What you don't have to deal with is some lame R&B album. Joss Stone is squarely on the map with this effort. Buy this thing baby!

She has a rich voice and knows how to turn a phrase. Her style is not indicative of Joss turning 20 this year. If she is this good now, I can't wait to see what she has produced over a 20 or more year career.

Get this one because it she has a lot to offer, and this I think is only the beginning.

Kevin

Average customer rating: Not a s good as I remember poor sound quality Classic Beatles Fusion Album A New Direction

Rubber Soul The Beatles Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Britain | British Isles | Europe | International | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music British Invasion | Classic Rock | Styles | Music Supergroups | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Revolver [UK] Abbey Road Sgt. Pepper's Lonely Hearts Club Band The Beatles (The White Album) Magical Mystery Tour ASIN: B000002UAO Release Date: 1990-10-25

Tracks:

1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
7. Michelle
8. What Goes On
9. Girl
10. I'm Looking Through You
11. In My Life
12. Wait
13. If I Needed Someone
14. Run For Your Life

Amazon.com essential recording

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." --Don Harrison

Customer Reviews:

Not a s good as I remember.......2007-07-28

But then how good is a [...]memory? I dunno. It just didn't resonate like the old days. A handful of greats like MICHELLE, but mostly songs that are forgettable.

poor sound quality .......2007-07-26

I was SO disappointed with the CD. I loved the album when it came out, but the CD lacked the sound quality befitting this classic. I was glad to see that it's still in circulation via Amazon, but something went wrong.

Classic Beatles.......2007-07-21

One of my favorite Beatles albums. I've had it on vinyl since it came out many years ago and have all of the Beatles compilations on CD, but I wanted to have this whole album on CD, too. Finally got around to it and after I played it once, I was reminded what a great album this is!

Fusion Album.......2007-07-18

At an abundant time of musical creativity, George Martin keeps released material progressing at a pace that connects us with some familiarities found in their earlier music and yet must begin to open the door for us to witness the musical revolution he saw emerging shortly, and still managed well having the support of the four.

A New Direction.......2007-07-02

Rubber Soul was very different in the approach and sound of the previous albums. Meet the Beatles, Please Please Me, etc were all good albums but for the most part it was just bubble gum music that teen girls ate up.

During the time of Rubber Soul, the guys were getting into differnt styles of music from their own. Bob Dylan was a huge influence on every artist after him, his writting influenced a new direction for John and Paul. Also like everyone else drugs creeped into play.

Drive My Car is a good opening track that is a good transition into this new sounding album. It's what kids in the suburbs expected. Norwegian Wood is basically the same thing as Bob Dylan's 4th Time Around with a sitar.

The other Songs like Nowhere Man are kind of surreal in the lyrics and singing of the three. John and Paul had similar songs in Michelle and Girl. Michelle has that smooth sound that's his bread and butter, and Girl is basically Johns version of the same song (in my opinion).

John always took more chances in his writting than Paul. Paul was a lot more commercial and was hesitant to do anything drastic. In My Life is my favorite track on the album and I think it's one of the best out of their whole catalog.

George and Ringo also have their time to shine. In Previous songs, Rino could only play the back beat cause if he tried anything else you couldn't hear it over the screaming girls. This new direction really gave him more freedom to fill the empty space of the songs. And George is always spot on with his playing. I love how he just seemed to stay true to himself after all the mania.

I look at Rubber Soul, Revolver, and Sgt. Pepper as almost like a trilogy. All three just have nice transitions that you can some how tell that that's the order they were released in. The maturaty in the lyrics, the new sounds incorporating new instruments and musicians.

Back to Rubber Soul... Overall it's one of my favorite albums of all time. It's definitely an album everyone should listen to. The songs are timeless and it sounds like nothing else. I love how the songs never go out of "style" I don't really believe one can slap a date on the music because it's revelant even today. There's always new generations discovering this music continuing the legacy of the Four Working Class Lads from Liverpool.

Average customer rating: One Of the Best Albums of 2007 I AM... AMAZED! What we've all been waiting for I AM IN LOVE WITH I AM! excellent cd

I Am Chrisette Michele Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music Similar Items: So Much Better Back to Black Sex Love & Pain Ms. Kelly Collaborations ASIN: B000Q364KG Release Date: 2007-06-19

Tracks:

1. Like A Dream
2. Work It Out
3. Best Of Me
4. Your Joy
5. Good Girl
6. Be Ok feat. will.i.am
7. If I Have My Way
8. Mr. Radio
9. Golden
10. Let's Rock
11. Love Is You
12. In This For You
13. Is This The Way Love Feels

Amazon.com

If you didn't get to know Chrisette Michele by way of Jay-Z (she was the one singing sparkling hooks on "Lost Ones") or Nas (she channeled Billie Holiday on "Can't Forget About You"), stop wasting valuable seconds. Though the hype on this pure-voiced, raunch-resistant songstress has her resuscitating a classic jazz sound that rarely infiltrates R&B--comparisons to Lady Day, Nina Simone, and Ella Fitzgerald are mounting--she's more her generation's answer to Erykah Badu: any notes she wraps her lips around come out fresh-sounding, and she adds to the effect with a built-in elegance that's irresistible to R&B and non-R&B fans alike. Hip-hoppers get a custom dose of Michele's magic on "Be O.K.," featuring the flabbergastingly prolific yet still likable Will.i.am, jazz sentimentalists will instantly succumb to "Like a Dream," and anybody with ears on his or her head will warm to the slinky slow jam that is "If I Have My Way." Michele's is a rare talent; count on this outstanding debut propelling her to stratospheric heights. --Tammy La Gorce

Album Description

I Am, her soulful debut album, is an artistic exploration that fuses 24-year old Chrisette Michele's diverse musical interests into a wonderland. "I realize that I'm new to the music world, but I've been preparing for this moment for long time," says the Long Island native. Even before signing a recording contract, Michele had performed on concert bills with more established artists like Kem, India.Arie, Angie Stone, and Lionel Richie. "India saw me singing at the Village Underground in New York City. She came backstage that first night and graciously offered me a gig as her opening act," says Michele. Working hard in the studio writing songs and recording demos, Michele finished an album's worth of material before even trying to get signed. "I've been creating songs since I was 12, so I knew I needed the right musical blend in order to stand out from the many other performers trying to get a deal." Though already a fan of gospel and classical, it wasn't until Michele was 17 that she also developed a passion for jazz. "When I was still in high school a teacher introduced me to jazz singer Astrud Gilberto, and afterwards my life was all about jazz," she remembers. With the release of I Am, Chrisette Michele will soon be sharing those musical dreams with the rest of the world.

Customer Reviews:

One Of the Best Albums of 2007.......2007-07-31

This is what happens when you put Classic R&B, Urban, and Smooth Jazz together in one set. Chrisette has a vocal maturity, that you don't find in artist twice her age. Her voice is controlled, never overburdened, and always pleasant. My favorite songs on the album are, If I have My Way, Best Of Me, Your Joy, Good Girl, Golden, Love Is You, Is This The Way Love Feels, and the last song which is not listed on the cover, I Am One....Add this album to your collection today.......

I AM... AMAZED! .......2007-07-30

Michele's voice is a recarnation of some of my favorite jazz vocalist yet it has her own fingerprint. The message that resonates throughout this cd is love. All love. This is what music is suppose to be like. "I AM" is unique and a album that will never grow old. It moves your spirit in a way that causes you to want to love harder, not just your lover but everything on earth. This is a Cd you need to purchase immediately. I know this is a Grammy wimmer. Buy It, Buy It, Buy It NOW! You won't regret it... that is if you know good music. Feel the jazz, the neo-soul, the gospel, the R&B, feel the I AM of Chrisette Michele.

What we've all been waiting for.......2007-07-28

Chrisette Michele is the TRUTH! I just got this CD from a friend today. Once I put it in, I haven't listened to anything else. She sings about real situations, feelings, and all of the songs are so soulful. It's like she made an album for all kinds of days - when you want to party, when you want to cry, when you want to be sexy, when you're in love, etc. I've just bought tickets to her show in Nashville on August 18. I'm so impressed with this young woman - I only hope she can keep making music that affects the spirit the way this album does.

I AM IN LOVE WITH I AM!.......2007-07-26

I HAVE BEEN IN LOVE WITH CHRISETTE MICHELE'S VOIVE FROM THE TIME I HEARD IT ON "LOST ONES" BY JAY-Z. THIS CD IS CONSTANTLY IN MY HOME AND OUTSIDE OF IT BY NE. MY NINE-YEAR-OLD DAUGHTER IS ALSO SINGING ALONG NOW! I WOULD HIGHLY RECOMMEND THIS CD TO ANY AND EVERYONE!

excellent cd.......2007-07-26

This was a great 1st cd by her. I am looking forward to her next one.

Average customer rating: great new album Great Value Great selection Continuing writers block The Legend Continues...

The Best of Van Morrison Volume 3 Van Morrison Manufacturer: Manhattan/EMI ProductGroup: Music Binding: Audio CD General | Contemporary Folk | Folk | Styles | Music Britain | British Isles | Europe | International | Styles | Music Ireland | British Isles | Europe | International | Styles | Music General | Jazz | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Blue-Eyed Soul | Soul | R&B | Styles | Music General | Soul | R&B | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Similar Items: Van Morrison At The Movies: Soundtrack Hits The Essential Paul Simon (2 CD/DVD) Live at Montreux 1980 and 1974 Live In Dublin Stand in the Fire ASIN: B000IY0FDA Release Date: 2007-06-19

Tracks:

1. Cry For Home
2. Too Long In Exile
3. Gloria
4. Help Me
5. Medley: Lonely Avenue/4 O'Clock In the Morning
6. Days Like This
7. Ancient Highway
8. Raincheck
9. Moondance
10. Centerpiece
11. That's Life
12. Benediction
13. The Healing Game
14. I Don't Want To Go On Without You

Tracks:

1. Shenandoah
2. Precious Time
3. Back On Top
4. When the Leaves Come Falling Down
5. Lost John
6. Tupelo Honey
7. Meet Me In the Indian Summer
8. Georgia On My Mind
9. Hey Mr. DJ
10. Steal My Heart Away
11. Crazy Love
12. Once In a Blue Moon
13. Little Village
14. Blue And Green
15. Sitting On Top Of the Wolrd
16. Early In the Morning
17. Stranded

Amazon.com

Navigating Van Morrison's extensive catalog since 1993 is a formidable task even diehard fans might not want to attempt. The Irish icon has flirted with blues, jazz, country, pop, Celtic, and his own style of indescribable into-the-mystic spiritually-oriented poetic folk on his numerous releases, making for quite a thorny culling assignment. So the EMI brass were probably ecstatic when the singer took the job himself. He weeds through a dozen or so albums released since Volume 2's mile-marker, and adds a clutch of previously unavailable mixes, rarities, and live tracks. The result: a nearly two-and-a-half-hour, 31-track double-disc set as sprawling, eclectic, and tenacious as Morrison's vision and discography. From occasionally rambling but spirited duets with veterans Bobby "Blue" Bland, Junior Wells, Georgie Fame, Lonnie Donegan, B.B. King, the Chieftains, Ray Charles, and even Tom Jones to concert versions of hits such as "Moondance" and an impressive take on Sinatra's classic "That's Life," along with hidden gems like "Steal My Heart Away," this is a beautifully assembled and sequenced collection. It presents most of this multitalented auteur's facets and softens his often crusty exterior by showing his appreciation for the journeymen that helped develop the trail that Morrison then blazed in his own distinctive style. --Hal Horowitz

Album Description

The new 2-CD collection, compiled by Morrison himself, offers a comprehensive overview of his later material. The set's 31 tracks include previously unreleased collaborations with Tom Jones and Bobby Bland, as well as duets with John Lee Hooker, B.B. King and Ray Charles.

Customer Reviews:

great new album.......2007-07-24

I was excited to hear that Van had out a new album. I've been a huge fan since the 70's.(that's dating myself, isn't it). This album is a nice mix of music and includes some duets with other artists. I'd like to see some brand new music from Van, but this one is great.

Great Value.......2007-07-23

This is a 2 disc CD with lots of great songs. I really like the mix of songs and definitely recommend this to Van Morrison fans.

Great selection.......2007-07-12

I won't call this definitive, but the collection's got some previously unreleased and seldom heard numbers that merit the price and hype. This is a very listenable CD that's something you can just stick in the changer and let it play. Definitely worth the money.

Continuing writers block.......2007-07-10

Despite having most of this already I paid out my money and what did I get? A reasonable overview with some obscurities, one of which "Blue and Green" is worth the cost on its own. While the music is all first class the compiling has created some jarring between tracks. I've always loved The Skiffle Sessions album but Lost John between Leaves Come Falling Down and Tupelo Honey sounds bizarre. Nearly all the tracks he has re-recorded are done better in their original incarnation and one gets the feeling that with this, the movie "best of" and the country abomination Pay The Devil before them that he has nothing to say at present. I love Morrison's music and sincerely hope there is more of it to come, its now been a fair number of years since there has been an album of original material and he is overdue for his muse to return.

The Legend Continues..........2007-07-04

This 'Best Of' is a must for any Vanatic (Van fan)... but more importantly it is a must for anyone who thinks Van's career ended in the 1970s... all the tracks on "Vol. 3" are from 1993-2005 - Van's later writing and singing are well represented on this compilation and with a superb supporting cast of John Lee Hooker, Ray Charles, Tom Jones, Carl Perkins, Lonnie Donegan, Bobby "Blue" Bland and the great Georgie Fame as they come along for the journey...

Van is still a mighty force in a world that needs more soul and less pop.

www.vanmorrisonnews.blogspot.com

Average customer rating: Brerakfast in Bed You can't go wrong. News from VT Exactly as advertised Joan O. has got it

Breakfast in Bed Joan Osborne Manufacturer: Time Life Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Contemporary Blues | Blues | Styles | Music Contemporary R&B | R&B | Styles | Music Blue-Eyed Soul | Soul | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music Similar Items: Pretty Little Stranger Courage Are You Listening West Back to Black ASIN: B000O78KZG Release Date: 2007-05-22

Tracks:

1. I've Got To Use My Imagination
2. Ain't No Sunshine
3. Midnight Train To Georgia
4. Baby Is A Butterfly
5. Breakfast In Bed
6. Cream Dream
7. Natural High
8. Heart Of Stone
9. Sara Smile
10. Eliminate The Night
11. Break Up To Make Up
12. I Know What's Goin' On
13. Alone With You
14. Kiss And Say Goodbye
15. Heat Wave
16. What Becomes Of The Brokenhearted

Amazon.com

On Breakfast in Bed, her first release on Time Life Records (yes, that Time Life) Joan Osborne tackles a crop of hand-picked soul and R&B favorites with equal parts sass and sensitivity. Long an underappreciated artist, Osborne is a performer with the wisdom to exercise vocal restraint for an effect that's more Dusty Springfield than Christina Aguilera. Her fine previous outing interpreting soul standards was aptly titled How Sweet It Is, and witness her contribution to the terrific 2002 film Standing in the Shadows of Motown, where Osborne's astute readings of "What Becomes of the Brokenhearted" and "Heatwave" outshone performers like Ben Harper and Gerald Levert (happily, both songs are included here). The title track and Hall and Oates' "Sara Smile" are both canny choices that play to her strengths in delivering credible blue-eyed soul, and six new Osborne-penned songs fit neatly into the record. If her compositions pale a bit next to the classics she covers (with the sultry and slithery exception of the excellent "Eliminate the Night"), give Osborne credit for bravely placing herself side-by-side with songwriting luminaries like Holland-Dozier-Holland and Bill Withers. Breakfast in Bed makes for a leisurely listen on a sunny Sunday morning, so put up your feet and stay awhile. --Ben Heege

Album Description

Joan Osbourne's recently recorded album pays homage to the great Soul and R&B songs of the late '60s and early '70s. The album features a unique combination of unforgettable interpretations of timeless R&B classics. Her first single to radio will be "I've Got to Use My Imagination."

Customer Reviews:

Brerakfast in Bed.......2007-07-27

Okay if you like love songs with kind of an R&B rhythm. (which the entire cd is) I love Joan Osborn's other work, but this is not one of them . . . Excellent artist ~ poor song selection.

You can't go wrong........2007-07-25

This intriguing mix cover songs and originals make this a very enjoyable collection, although the covers are not as varied as say Annie Lennox's Medusa but still engaging all the same. The tracks seem to pull you in more and more with each listen. "Baby is a Butterfly", "Sarah Smile" and "Cream Dream" were all particularly absorbing the first time through. The production is very good and clean. Her voice is as mesmerizing and sensual as always. You can't go wrong.

News from VT.......2007-07-24

Since I first heard Spiderweb on the radio before Relish was widely released I knew I was going to like this woman's work. Over the years I've collected pretty much all Joan's recordings including trades of several soundboard live recordings. With Breakfast in Bed Joan delivers again. She's always doing a change up from release to release.
Ain't No Sunshine by Bill Withers is the only cover ever I've heard that even rates. My sister and I wore Bill's 45 out 2 or 3 times when we were kids. The originals powerful bass line is absent here but Joan's production showcasing drums and of course, her voice makes my memory of Bill's version fade. Joan redefines it without overshadowing it. This is true for many of the covers. The title track I could do without though. Breakfast in Bed was a walk through. A strong cup of coffee....and. Eliminate The Night would work for me as a title tune and an opener. I've Got to Use My Imagination, Midnight Train to Georgia and Sara Smile are renewed and fresh. Heat Wave and What Becomes of the Brokenhearted are repeated from Standing in the Shadows of Motown. Take note of this CD with other Motown covers by Ben Harper, Chaka Khan and Bootsy Collins among others.
Originals Baby Is a Butterfly, Eliminate the Night & I Know What's Goin' On are ones I've heard live before and they have matured.
I'd like to hear a raw & nasty version of Eliminate the Night live. She's playing Concord New Hampshire's Capitol Center for the Arts this November. It's a small venue that's perfect for Joan to showcase her work. Think about getting her Early Recordings CD before you go. If you haven't seen her headline a show in the past and live in New England then take the trek, you won't be disappointed.
I hope she hasn't let Andrew Carrillo get away. Her guitar player on much of her past work has appeared in recent live shows but he's missing here. He joined his brother Frank Carillo & The Bandoleros on their 2005 release Bad Out There. Well worth a listen.
Breakfast in Bed doesn't suffer any though I wonder what's up. He gets my vote for the title "Master of the Telecaster", given to greats Roy Buchanan, Keith Richards, Albert "The Iceman" Collins, Danny Gatton and few others. The "Tele" was the first solid body electric guitar mass produced and while it's design has been copied and modified over the years the standard set-up used by Andrew defined much of Joan's earlier work.
When I hear Joan's new CDs one or two tunes demand notice. Further listens and the whole work becomes seamless.
Joan takes her time between releases. There could be two CDs here. A few more originals could be made into to one CD and the covers working separately as another disc. I don't know if it's production advice, recording contracts or a lack of confidence by Joan on about her own writing but a real Joan Osborne collection hasn't been released since Righteous Love. Relish and Righteous Love mixed in covers but little enough that Joan's own songs made a greater statement. I'm going to make compilations of all her work when I figure out how to use my Ipod.
I have to admit a big bias here. I see Joan Osborne music or concert listings and shell out cash. It's a shame that when I mention Joan I am met with blank looks. Who? Mention What If God Was One Of Us people take note. Really the least important of her work it now sounds like weak pop to me. It may sound as familiar as Stairway to Heaven to many who don't even recognize her name. That song seems to pop up everywhere. If you love this CD and haven't heard others check out her collection. Start with Early Recordings, Relish Righteous Love, or How Sweet It Is.
I do look forward to seeing some more raw, throaty and hard driving music by Joan. But, in 1975 I was listening equally to Carly Simon and Lynyrd Skynyrd. My friends thought I was nuts!
Don't miss Breakfast in Bed but, take care of it or buy two you might wear this CD out and end up asking yourself what happened to Bill Withers?

Exactly as advertised.......2007-07-22

As one reviewer noted, this release is somewhat monotone. Still, it's a relaxing and quality release from Joan that my wife really likes. Getting "What Becomes of the Broken Hearted" is a bonus.

A couple of the originals are really excellent, stay in your head tunes. I'd say if your having Breakfast in Bed, it works. But it's not an all occasions, "hey check this out" kind of release.

Joan O. has got it.......2007-07-19

I'm becoming a bigger fan of Joan every day. I loved her last album, Pretty Little Stranger, even though it was a bit country for her, and I'm not a country music fan. I'm interested in checking out this collection of her covering pop hits. She does covers well, and her voice is so obviously hers, that even though it might be a song you have heard enough times already in your life, hearing the "Joan" version is always a treat. I'm sorry this is not a review of this album in particular, I do plan to get it soon. I'll let you know then! I'm giving 5 stars based on the Amazon video and audio samples. What I can say is that her previous albums are all great, and her live shows are awesome, especially if you can be lucky enough to see her in a smaller venue.

The first time I saw her was pretty much by accident. I wound up crossing through the front of a very large crowd between acts at a Woodstock reunion in Bethel, NY (not Pepsistock in Saugeraties), in the late 90's. Then Joan and her band came on and I'm front and center and she blew me away with St. Teressa or something like that. I've been a fan ever since.

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