Stand Up Now

1. Love Would Never Keep Us Apart

2. Stand Up Now

3. Moving On

4. See the World

5. Do the Same

6. It is Good to be Alive

7. Magic Wand

8. That's Music

9. Angel in the Whirlwind

10. The Smartest Thing I've Done

11. You are Loved

12. Irish Medley

13. Christmas Medley

Stand Up Now,CJA

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Average customer rating: The picture

100 Hymns & Songs of Inspiration Manufacturer: Castle Music UK ProductGroup: Music Binding: Audio CD All Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music General | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Monk, William Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruckner | Bruckner, Anton | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Christian & Gospel | Styles | Music Compilations | Christian & Gospel | Styles | Music | Contemporary Christian | Gospel Christian Contemporary Music | Christian & Gospel | Styles | Music Praise & Worship | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Pop | Box Sets | Stores | Music Similar Items: A Heritage of Hymns: Classic Recordings of the Great Songs of Faith and Inspiration Abide with Me and other favourite hymns Best Loved Hymns Praise to the Lord - Hymns From St. Paul's Cathedral Hymns Triumphant 1 & 2 ASIN: B00008GEKT Release Date: 2003-04-14

Tracks:

1. Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
2. Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
3. Now Thank We All Our God - Choir Of Gloucester Cathedral
4. This Day, The First of Days - Choir Of Gloucester Cathedral
5. Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
6. God Save the Queen - Choir Of Gloucester Cathedral
7. Day of Resurrection - Choir Of Gloucester Cathedral
8. God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
9. Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
10. O Come All Ye Faithful - Choir Of Gloucester Cathedral
11. Awake My Soul and With the Sun - Choir Of Norwich Cathedral
12. Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
13. All People That on Earth Do Dwell - Choir Of Norwich Cathedral
14. Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
15. There Is a Green Hill - Choir Of Norwich Cathedral
16. Lord of Beauty - Choir Of Sheffield Cathedral
17. Rejoice Today With One Accord - Choir Of Sheffield Cathedral
18. New Every Morning - Choir Of Sheffield Cathedral
19. Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
20. O God Our Help in Ages Past - Choir Of Sheffield Cathedral

Tracks:

1. Morning Has Broken - Choir Of Marlborough College Chapel
2. Happy Are They - Choir Of Marlborough College Chapel
3. In Christ There Is No East or West - Choir Of Marlborough College Chapel
4. Silent Night - Choir Of Marlborough College Chapel
5. Be Thou My Guardian - Choir Of Marlborough College Chapel
6. Ye Servants of the Lord - Choir Of Marlborough College Chapel
7. At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
8. To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
9. Behold the Great Creator Makes - Choir Of Marlborough College Chapel
10. Rejoice the Lord Is King - Choir Of Marlborough College Chapel
11. Creator of the Stars of Night - Ely Cathedral Choir
12. He Comes With Clouds Descending - Ely Cathedral Choir
13. O Little Town of Bethlehem - Ely Cathedral Choir
14. Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
15. This Is the Day the Lord Hath Made - Ely Cathedral Choir
16. How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
17. Lord Thy Word Abideth - Ely Cathedral Choir
18. Jesus Lord We Look to Thee - Ely Cathedral Choir
19. O Lord Our God Arise - Ely Cathedral Choir
20. Lord of All Hopefulness - Ely Cathedral Choir

Tracks:

1. Soldiers of Christ Arise - Choir Of Wakefield Cathedral
2. Lift Up Your Hearts - Choir Of Wakefield Cathedral
3. Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
4. Maker of the Sun - Choir Of Wakefield Cathedral
5. O King Most High - Choir Of Wakefield Cathedral
6. O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
7. Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
8. We Love the Place O God - Choir Of Wakefield Cathedral
9. Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
10. Give Rest O Christ - Choir Of Wakefield Cathedral
11. Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
12. O Thou in All Thy Might So Far - Choir Of Truro Cathedral
13. O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
14. O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
15. Strife Is O'er the Battle Done - Choir Of Truro Cathedral
16. O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
17. Jesus Shall Reign - Choir Of Truro Cathedral
18. God of Love My Shepherd Is - Choir Of Truro Cathedral
19. O Jesu Saviour of Mankind - Choir Of Truro Cathedral
20. Immortal Invisible God Only Wise - Choir Of Truro Cathedral

Tracks:

1. Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
2. All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
3. Come Rejoicing - Choir Of All Saints - Margaret Street, London
4. God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
5. Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
6. Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
7. Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
8. Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
9. Once in Royal David's City - Choir Of Keble College
10. God Be in My Head - Choir Of Keble College
11. O Thou Who Camest from Above - Choir Of Keble College
12. Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
13. Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
14. For All the Saints - Choir Of St Edmunsbury Cathedral
15. Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
16. Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
17. I Was Glad - Choir Of Eastbourne College Chapel
18. Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
19. Locus Iste - Choir Of Eastbourne College Chapel
20. Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel

Tracks:

1. Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
2. While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
3. O Worship the King - The Choir of the Abbey School, Tewkesbury
4. O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
5. Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
6. Jesus Christ Is Risen Today - The Choir of York Minister
7. First Nowell - The Choir of York Minister
8. Abide with Me - The Choir of York Minister
9. Breathe on Me Breath of God - Choir Of Keble College
10. Rock of Ages - Choir Of Keble College
11. On This Day, The First of Days - Choir Of Keble College
12. Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
13. O Quam Gloriosum - Choir Of Eastbourne College Chapel
14. Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
15. O for a Closer Walk With God - Choir Of Eastbourne College Chapel
16. Prayer of St Patrick - Choir Of Eastbourne College Chapel
17. Lord's Prayer - Choir Of Eastbourne College Chapel
18. Blessed Be the God and Father - Choir Of Eastbourne College Chapel
19. Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
20. Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel

Album Description

Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.

Customer Reviews:

The picture.......2006-12-11

I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.

Average customer rating: Best Off Broadway Show

Three Guys Naked From The Waist Down (1985 Original Off-Broadway Cast) Jerry Colker Manufacturer: Jay Records ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: Romance Romance Romance Romance (1988 Original Broadway Cast) Anyone Can Whistle - Live at Carnegie Hall (1995 Broadway Concert Cast) Invaders Above Suspicion ASIN: B000005BGQ Release Date: 1996-11-19

Tracks:

1. Overture-Promise Of Greatness
2. Angey Guy/Lovely Day
3. Don't Wanna Be No Superstar
4. Operator
5. Screaming Clocks (The Dummies Song)
6. The History Of Stand-Up Comedy
7. Dreams Of Heaven
8. Don't Wanna Be No Superstar (Reprise)
9. Kamikaze Kabaret
10. The American Dream
11. What A Ride
12. The 'Hello Fellas' TV Special World Tour
13. A Father Now
14. 'Three Guys Naked From The Waist Down' Theme
15. Dreams Of Heaven (Reprise)
16. I Don't Believe In Heroes Anymore
17. Promise Of Greatness (Finale)

Customer Reviews:

Best Off Broadway Show.......2001-03-14

This show is a blast! It's a very funny story about some comics trying to make it in the big leagues. The music is so entertaining and the guys are hilarious. If you like comedy, you'll love Three Guys.

Average customer rating: A Rose By Any Other Name... "Thus I salute the stronghold, safe from dread and dismay! Free at last! I Love This Recording The Goodall Ring - 1975 - Restored and Remastered

Wagner: The Rhinegold English National Opera Manufacturer: Chandos ProductGroup: Music Binding: Audio CD All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Siegfried (Goodall Ring Cycle/Chandos Opera in English) The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English) Wagner: The Valkyrie ASIN: B00005B550 Release Date: 2001-05-22

Customer Reviews:

A Rose By Any Other Name..........2007-07-02

The figure of speach may not be completely correct in this instance, but, well, I hope you get the point. In any case, for a Dutch speaking person, like I, to hear 'The Ring' in a language other than the original German feels - almost shockingly(?) - natural. Certainly, this modern English translation, to me, is as least immediate, and probably even more immediate, than the original (archaic) German text. And in music drama, immediacy is essential. Maybe it is also the wonderfully natural translation, I don't know, but it works for me, the Ring in English.
But most of the credit has to go to the music, the singers, and the recording as such. I believe that this (originally analogue) remastered recording has one of the best recorded sounds and acoustics of any Ring, studio or 'live'. It is wonderfully clear but warm, kind of velvety (very unlike Solti), with beautifully natural balaces between voices and orchestra. Audience noises can be heard (including a delightful little ripple of laughter) but never really obtrusively so, thankfully. And I love the thunderclap-sound effect when Donner strikes his hammer against the rocks - very tastefully done, and lending extra power to the scene.
All the time one reads in reviews everywhere of the very slow speads at which the music is conducted by Sir Reginald Goodall. Well, that may be so, but I, for one, am certainly endeared to Sir Reginald Goodalls 'caressing' of the music, as a result of which wich the Leitmotifs come out more clearly than ever. The slow - but nonetheless very concentrated, and always involved - playing has, to me, an almost mesmerizing effect. Certainly, compared to many other recordings, the music may sound stretched almost beyond breaking point. But in the end, I think it is really just that: a matter of speed, no more. The concentration never falters and the dramatic arc never saggs. There is live 'music magic' going on here, I feel, even if the English National Opera Orchestra may not be (as precise or as diciplined as) a Wiener Philharmoniker or a Bayreuther Festspielorchester. Certainly, Sir Reginald Goodall must have loved this music and these opera's: one feels a slowly beating but constant loving pulse that energizes the drama and the music.
But we also have the singers. And what a great singers! While the best may be yet to come (with Alberto Remedios as Siegmund and Siegfried, and Rita Hunter as Brunnhilde), we here, in The Rhinegold, already have one of the most commanding of Wotans (Norman Bailey, with wonderful burnished timbre). Also, Emile Belcourt stands out as a wonderfully sleek but full-voiced Loge. Derek Hammond-Stroud's Alberich may not be as black as Gunther von Kannen's (for Barenboim), for example, but there is enough anguish, frustration and anger to lend his character a convincing reality and depth. And the giants too, are a winning pair. Especially Fafner (Clifford Grant) is as imposing and powerful as one may ever wish.
With all the rave reviews, here and elsewhere I can't wait to hear The Valkyrie, (especially) Siegfried and Twilight of the Gods. This certainly is a winning 'Ring', to be kept alongside any other 'great' recorded 'Ring' out there, IMHO. To me, it can hold its own alongside any other favorite recordings.
Please, sample this Ring (try for example the Chandos website for fragments of all of the music) and decide for yourself. Highly recommended.

"Thus I salute the stronghold, safe from dread and dismay!.......2007-06-12

Okay, so we have the Solti, Bohm, Karajan, Goodall, Boulez, Janowski, Levine, Haitink, and Sawallisch Rings on the market (I haven't listened to the other Ring recordings yet, sorry to say). And all of these leave me to one conclusion: the many differences lead me to believe that all of these ring sets have their own authenticities and setbacks. And here they are:

TIMING (Estimate):
Solti's Ring: 14 hours, 30 minutes
Bohm's Ring: 13 hours, 30 minutes
Karajan's Ring: 14 hours, 50 minutes
Goodall's Ring: 16 hours, 50 minutes
Boulez's Ring: 13 hours, 40 minutes
Janowski's Ring: 14 hours, 0 minutes
Levine's Ring: 15 hours, 20 minutes
Haitink's Ring: 14 hours, 10 minutes
Sawallisch's Ring: 14 hours, 0 minutes

CONDUCTING:
Solti: Solti's conducting is driven with sheer muscle, but sometimes he makes the Ring overemotional. His Walkure & Gotterdammerung Preludes are clear examples: they're annoyingly bombastic. Nonetheless he almost seldom loses control with anything. His clear focus on the drama is astonishing.

Bohm: I must say his live Bayreuth recording brings out some of the best. He puts more faith in the orchestral score, but he also gives it more intensity. His tempi are some of the quickest, but they still don't seem rushed at all (except maybe "Wohin schleich'st du eilig und schlau"). I especially like his "Forging Scene" & "Hagen Summons the Vassals"; both are the most energetic on disc.

Karajan: Karajan's chamber approach is very interesting. Instead of going for the drama or the energy, the conductor goes for the beauty. Almost everything in his Ring sounds very ethereal because of his excessive use of lyricism. His orchestral preludes (except Walkure Act 1) sound more beautiful than others, and much of the soft parts (such as Siegfried Act Three Scene Three) are controlled nicely. His "Funeral March" and "Immolation" are recommendable. Siegfried Act Three Scene Two could have improved with more tension.

Goodall: Oh, boy. While I do praise Goodall with his amazing attention to detail, his ridiculously sluggish tempi will tick some Wagnerites off: nothing is faster than andante. But I did enjoy listening to the slow beauty of his "Wotan's Farewell/Magic Fire Music". This was recorded live and sung in English.

Boulez: Here it is, folks - the controversial Centennial Ring. To fit the Ring Cycle in the industrial age, Boulez gives it a very Schoenbergian, Bartokian atmosphere. Much of his tempi are very quick, very Bohm-like, though they're still not as fast as Bohm. Keep in mind, though, this live Ring works only if you hear AND see it (the DVD's work best).

Janowski: This is a very classical Ring. Instead of bombast, spacious, or lyrical passion, maestro Janowski gives us the straightforward approach. He goes straight for Wagner's original intentions (precise tempi, dynamics, flow of leitmotivs, etc.), which makes this another exquisite Ring. "Hagen Summons the Vassals" is probably the fastest I've ever heard (along with Sawallisch's). Rheingold Scene Four can be best described as "sensational".

Levine: While he does stay true to the score like Bohm, this conductor makes for a somewhat dull Ring. His handling of the orchestra is nice, but the moderately slow tempi he chooses is flawed. It should be more animated. His beautiful "Funeral March" and "Erda's Warning" are two of the few flawless features.

Haitink: This might be seen as a disappointment. If you want great conducting, then this is for you. If you want a persuasive array of singers, look somewhere else. Haitink's conducting saves this work from being a total flop. There is nothing quite like his Rheingold & Gotterdammerung ("Siegfried's Rhine Journey" is a bit forced, but magnificent nonetheless).

Sawallisch: I guess you can say that Sawallisch is half-Karajan, half-Janowski. While he does stay true to the orchestral score like Janowski, he also puts in a little Karajan-like lyricism. At some points he loses track with orchestra and singers (as does every live recording) but Bohm has more control. This was also recorded live.

ORCHESTRA:
Solti's Vienna Philharmonic: The woodwinds are the most beautiful in Solti's Ring (the "Forest Murmurs" is clear evidence of that). French horns and Wagner tubas make this a recommended listening. The strings in "Heda Heda Hedo" could've added a bit more work, but they are strikingly spectacular everywhere else. The orchestra gives it their all in Siegfried Act Two & Three, but they are at their weakest in Walkure Act One & Three (Bohm's Bayreuth does it better). Overall, it's the loudest and certainly most bombastic out of all the Ring orchestras combined.

Bohm's Bayreuth Festival: The ultimate Wagnerian orchestra gives it their all. The brass both high and low are the most powerful, while the woodwinds are the most delicate. The strings are muffled only a few times, otherwise the eighteen anvils are perfectly loud and clear. Erda's scenes aren't as effective as Janowski's, but the entire Walkure is more successful than Janowski's when it comes to tone & technique. Overall, this orchestra is the most dramatic.

Karajan's Berlin Philharmonic: The entire orchestra sounds polished, not to say that it is bad. Indeed the drama is still there, but much of the suspense is lacking (the scenes with Fasolt and Fafner come to mind). The brass sometimes overpowers the strings, which can be a serious problem. Gotterdammerung "Three Norns" Scene sounds very mysterious, very eerie.

Goodall's English National Opera: This orchestra sounds nice, even if the sluggishness can bring them down at times. The Flight of the Valkyries doesn't sound too good in a slow tempo, but the entire orchestra does sound lucid here. Siegfried Act Two Prelude is the creepiest. All of the leitmotivs are heard loud and clear, just like in Janowski's version.

Boulez's Bayreuth Festival: While it doesn't really pack the same punches as Bohm's Bayreuth, it still delivers a stunning performance. Orchestral interaction between characters (Ex. Siegfried's motifs mixed in with Mime's motifs) fares better than Berlin's and English National's. Rhine maiden motifs are given more wit, while the Dragon motifs are played with less eeriness. Beauty makes up for the irritatingly quick "Wotan's Farewell".

Janowski's Staatskapelle Dresden: This orchestra has the same force & flair as does Boulez's Bayreuth Festival, only Dresden sounds much clearer due to the fantastic digital sound. Even minor details are heard clear in this Ring. The strings imitate the Siegfried forest very well, while the woodwinds representing the songbird are wonderful (but not as wonderful as Solti's songbird). Dresden's "Magic Fire Music" (along with Berlin's) is the most extravagant.

Levine's Metropolitan Opera: The brass and woodwinds are the true stars. The strings sound too tired to continue on in Siegfried & Gotterdammerung. The Finale to Rheingold is absolutely stunning (the trumpets and trombones will not disappoint), and the Second Act of Walkure is the most impressive, the most refined.

Haitink's Bavarian Radio Symphony: This may very well be like Metropolitan, only this sounds much more poignant. The strings sound better and the percussion sound clearer. The leitmotivs are almost never screwed up. First scene of Rheingold will take one's breath away.

Sawallisch's Bavarian State: Wrong notes in this live recording won't matter, as the entire orchestra gets everything going in all four nights at the opera. The strings never surrender to imperfection, and the winds are marvelously aligned. I just wish that some of the singers would keep up with the orchestra.

SINGERS:
-Wotan
Solti: Hans Hotter is the superior Wotan. He sounds powerful throughout the Ring (except Rheingold, in which a less stellar George London performs).

Bohm and Janowski: Theo Adam in Bohm's live recording is another treat. While he is not as equally impressive as Hotter, he can certainly conjure up everlasting emotions. Adam sounds weaker in Janowski's studio recording, but he still doesn't disappoint.

Karajan: Dietrich Fischer-Dieskau plays Wotan in "Rheingold," while Thomas Stewart replaces Fischer-Dieskau in "Walkure" and "Siegfried". I don't think Fischer-Dieskau was a good choice; he sounds too humane and too light. Stewart makes an astounding improvement in both "Walkure" and "Siegfried".

Goodall: Norman Bailey has that divine spark that Hotter used to cherish. He's heavy and unblemished, and he handles the English text with flair and sheen.

Boulez: If you watch Donald McIntyre on the Centennial Ring production, then you can tell that he's a fine "industrial" Wotan. If you just hear him on CD, then you'll be disappointed. His diction is weak, his emotions are forced, and his voice sounds robotic. The DVD's will do.

Levine and Haitink: James Morris is a notch below Hotter, Adam, and Bailey, but he overpowers Fischer-Dieskau pretty much throughout the Levine's and Haitink's Ring.

Sawallisch: I may be biased, but Robert Hale just didn't do it for me. He sounded dull and tedious, and his Wotan's Farewell wasn't enough to sadden me.

-Brunnhilde
Solti and Bohm: Birgit Nilsson is the best Brunnhilde on the market. Her Valkyrie cry is delightful, and her final scene in Gotterdammerung is brilliant beyond belief.

Karajan: Regine Crespin is without a doubt one of the finest Brunnhildes after Nilsson. She's fantastic in Walkure Act Three. I just wish she stayed on as the Valkyrie later on in the Ring (Helga Dernesch is no good in Gotterdammerung, sorry to say).

Goodall: Rita Hunter is at her strongest in Walkure and Siegfried. She is at her weakest in Gotterdammerung. What may have caused her downfall in the fourth installment? "The world may never know."

Boulez: How can anyone not be impressed by the Brunnhilde of Gwyneth Jones? One can almost feel her excitement during Siegfried Act Three, and her fear in Walkure Act Three. Her weakest point is probably during her Gotterdammerung Prologue (a bit too stressed).

Janowski: Jeannine Altmeyer is basically the most controversial Brunnhilde on CD. Some people say that she's too light and weak, while others say she sounds young and very enchanting. I'm with those who think Altmeyer was a good choice, but you yourself (the shopper) are going to have to decide whether she's good or not.

Levine and Sawallisch: Hildegard Behrens is just like Nilsson and Crespin: while she's not the best, she is definitely another perfect Brunnhilde of choice. She's at her most dazzling when she performs Walkure (Levine) and Siegfried (Sawallisch).

Haitink: Hmph. I was hoping that Eva Marton would do well here. I was seriously let down by her strained singing. She does okay in "Annunciation of Death", but she is at her worst in "Immolation".

-Siegmund & Sieglinde
Let's see. For the Siegmunds, we have James King for Solti and Bohm, Jon Vickers for Karajan, Alberto Remedios for Goodall, Peter Hoffman for Boulez, Siegfried Jerusalem for Janowski, Gary Lakes for Levine, Reiner Goldberg for Haitink, and Robert Schunk for Sawallisch. For the Sieglindes, we have Regine Crespin for Solti, Leonie Rysanek for Bohm, Gundula Janowitz for Karajan, Margaret Curphy for Goodall, Jeanine Altmeyer for Boulez, Jessye Norman for both Janowski and Levine, Cheryl Studer for Haitink, and Julia Varady for Sawallisch. Hmm . . . Jerusalem is good . . . and so is Vickers . . . Janowitz is charming, and so is . . . Oh, what the heck? All the singers for Siegmund and Sieglinde are fantastic. Three exceptions, though: Goldberg and Schunk don't sound heroic enough, and Norman for Levine doesn't sound young and innocent enough.

-Siegfried
Solti and Bohm: Wolfgang Windgassen may very well be the best Siegfried for the ages. His `Forging Scene" in both renditions are defiantly inspiring. His last scene in Gotterdammerung is celestial and overwhelming.

Karajan: Jess Thomas (Siegfried) and Helge Brilioth (Gotterdammerung) may not be as ideal as Windgassen, but they do know how to be a magnificent heldentenor. Thomas pulls it off with Act One and Three.

Goodall: Wow! What a singer that Alberto Remedios! He never drags in either of the last two installments, and he uses the correct emotions in every scene that he is in.

Boulez: Is Manfred Jung a good tenor? Yes. Is he a good Heldentenor? NO. He doesn't have that heroic voice like Windgassen and Remedios. Again, the DVD's are your safest bet.

Janowski and Sawallisch: Rene Kollo's Siegfried is a poetically expressive one. In Janowski's version he sounds playful when he's in Mime's home, and he sounds willed when he's in the Gibich Hall. He is not good enough in Sawallisch's version, however. His tiresome "Forging Scene" is obvious evidence of that.

Levine: Oh, Reiner Goldberg. At least you tried. Seriously, he sounds too tedious (especially in Gotterdammerung Act Three Scene Two) and too old. Levine should've chose Kollo or Jerusalem when he recorded his studio Ring.

Haitink: Have you ever seen Siegfried Jerusalem on the Levine/Metropolitan DVD? Well, here he is again, and this time, he sings with more valor and enthusiasm. Bravo!

-Alberich
Solti and Bohm: Gustav Niedlinger has a heaviness that overwhelms a few other baritones. When he sings his only sequence in Gotterdammerung Act Two Scene One, his emotion is so pure that his son Hagen would've drowned himself in tears (Too melodramatic? Sorry about that.). The only problem is that his character sounds too one-dimensional. Alberich isn't just some cardboard-cutout bad guy. He has a very good reason why he wants to take revenge on the world. Overall, Niedlinger is amazing throughout Wagner's Ring (He deserves many awards for "Bin ich nun frei?").

Karajan: I guess you can say that Zoltan Kelemen tries his best throughout. He is not good in Rheingold, but he gets better in Siegfried and Gotterdammerung.

Goodall: Derek Hammond-Stroud is three-dimensional, but not that much. Still, he can sound very demanding in Rheingold Scene One and Siegfried Act Two Scene One.

Boulez: What we have here is the weak Alberich of Hermann Becht. When he's in Nibelheim, the authority isn't there. When he's in the Neid-Hohle forest, the creepiness isn't there. And when he's near the Gibich house, the misery isn't there. Even on DVD he's unsatisfactory.

Janowski: Siegmund Nimsgern may be the most humane Alberich yet, but it's all good. He sings with more passion than Kelemen and more robustness than Hammond-Stroud. Niedlinger's ferociousness puts him below, however. "Schaf'st du, Hagen, mein sohn?" is noteworthy.

Levine and Sawallisch: Ekkehard Wlaschiha is one hell of a vigorous Alberich. I praise him in Rheingold Scene One and Three. His performance in Siegfried (both versions) could've improved with more distrustfulness towards Mime and the Wanderer.

Haitink: No offense, but Theo Adam as Alberich? Come on . . .

-Mime
Solti and Karajan: Gerhard Stolze is the creepiest Mime ever known to humankind. This dwarf outsings other Mimes on the market. When he sings "Die stucken! Das Schwert!" his anger and fear is the most effective to almost all Ring listeners.

Bohm: Erwin Wohlfahrt wins second place. He gives a first-rate performance in Siegfried Act One, but loses some of his edge in Act Two. He is an exceptional Mime nonetheless. Look for him in Karajan's Rheingold, also.

Goodall: Gregory Dempsey isn't emotional enough. He doesn't sound fearful or depressed at all, which makes him the dullest Mime for the Ring.

Boulez and Levine: Heinz Zednik is yet another excellent Mime, VERY fun to listen to. There is much humor and eccentricity in his voice, and that's what makes his dwarf much more compelling than Dempsey's dwarf. His performance in Rheingold Scene Three is pure gold, while his performance in Siegfried (particularly "Willkommen, Siegfried!") is a stunning achievement.

Janowski: Peter Schreier is for Siegfried, while Christian Vogel is for Rheingold. Vogel is less than perfect, while Schreier is way beyond outstanding. Schreier is less ghoulish and more benevolent, more three-dimensional than Stolze and Wohlfahrt. He is equal to Zednik when it comes to humaneness and lyricism. The only flaw I can find is his handling of "Die stucken! Das Schwert!" He could've added a bit more fear in that sequence.

Haitink: Peter Haage sounds like he's entertaining young kids. His version of Mime is a bit childish, and the dark humor that the dwarf brings out sounds-over-the-top here. Nonetheless, he is still entertaining to listen to ("Wer halfe mir?" has never sounded better).

Sawallisch: Helmut Pampuch is just like Schreier and Zednik: he's very VERY good. Nuff said.

-Loge
Solti: Set Svanholm may be the weakest Loge. He is not very ominous throughout all of his scenes, and his lack of a sinister atmosphere is greatly affects the entire Rheingold. But he'll soon be forgotten later on during the Trilogy.

Bohm: Why the heck would the conductor have Wolfgang Windgassen play both Siegfried AND Loge? The demi-god needs to sound different from a son of a Walsung. Again, another Loge that's marred by lack of cunning.

Karajan: Gerhard Stolze is easily the most entertaining Loge to listen to. He has the wit, the craftiness, and the untrustworthiness that the character deserves. His scenes in Scene Three are delightful.

Goodall: Emile Belcourt isn't as good as Stolze, but he certainly can make some of the best of an English-speaking Loge.

Boulez and Haitink: I can summon Heinz Zednik's performance in just three words: Brilliant Beyond Belief!

Janowski: Peter Schreier is the most eccentric out of all of them, and that's a fact. Much of his singing involves imagination, peril, vengeance, and deviousness. Belcourt and Zednik depend only on vengeance and deviousness, Stolze only imagination and deviousness, Windgassen and Svanholm only peril. His odd conversations with Alberich and the gods/goddesses are classic.

Levine: Siegfried Jerusalem doesn't seem like a good choice for Loge. He's better off playing Siegmund or Siegfried, but not a demi-god.

Sawallisch: Robert Tear is on par with Stolze and Zednik. Sometimes he takes things too low, but all is forgiven with his management of character development.

-Everyone Else
Uh-huh, what can I say? Everyone else does a good job in all Ring recordings. Matti Salminen is the perfect Hagen (Janowski, Levine, and Sawallisch), while Kirsten Flagstad is the most brilliant Fricka (Solti). Anja Silja is the most memorable Freia (Bohm), while Kurt Moll makes the most fabulous Hunding yet (Janowski, Levine, and Sawallisch). The Norns and Rheinmaidens do a splendid job in Solti, Janowski, and Levine. The Vassals (male choir) are at their unsurpassed in Bohm, Goodall, and Boulez. The only flawed Erda is Anne Collins (Goodall), maybe too light and too heavy at times. All in all, no one here is graded C or lower.

CONCLUSION: I have yet to listen to Barenboim's Bayreuth presentation, Neuhold's Badische version, and the essential mono recordings (Furtwangler, Krauss, etc.), but I'm pretty sure that have their advantages and disadvantages. So there you have it. We have the histrionic Solti, the energetic Bohm, the otherworldly Karajan, the spacious Goodall, the industrialized Boulez, the truthful Janowski, the unhurried Levine, the abnormal Haitink, and the serious Sawallisch Rings. They have their own authenticities and setbacks, and they certainly have their own significances for Ring listeners everywhere.

The Box Set: Wagner: The Ring Cycle (Box Set)
-The Valkyrie (Part 2): Wagner: The Valkyrie
-Siegfried (Part 3): Siegfried (Goodall Ring Cycle/Chandos Opera in English)
-Twilight of the Gods (Part 4): The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

Free at last!.......2004-09-18

I've enjoyed listening to the Ring cycles by Solti, Bohm, and Furtwangler, but my pleasure has always been dampened by the necessity to follow the dramas with a German/English libretto. This performance freed me from that burden and allowed me to listen to the Ring with my ears alone for the first time. And what a delightful experience it was! I found I could understand about half the words the first time through. but that was enough for me to understand what the characters were saying and concentrate on Wagner's great music. Some of the characters (Loge and Alberich, for example) are almost perfectly comprehensible, while others (Fricka in particular) might as well be singing in German. The sound itself is superb, with perfect balances between orchestra and voices. Goodall's conducting is famously slow (about half an hour longer than usual), but he is never slack and he reveals a wealth of detail in the orchestration. The singers are a mixed lot, with Loge, Alberich, and Mime particularly effective. Bailey is hardly the grandest of Wotans, but he is solid and convincing. In any event, for us non-German listeners, this recording is a real treat. I would not recommend it as a first Ring (Bohm is a good choice, though some of his tempi are rather hectic), but as a supplement to a recoding in the original language, it is hard to beat. Give it a try! As for me, I'm ready to go on to "Die Walkure" (pardon me, "The Valkyrie").

I Love This Recording.......2002-04-05

I was a little suspicious when approaching this English-language version of Das Rhinegold. I was considering assembling this as my third RING set (behind Solti and Levine) and had listened to THE VALKYRIE (Die Walkure) with a little initial disappointment. Although the live sound quality was very interesting, the tempo was much slower than I was used to and thus a little disconcerting, and the English words were harder to understand than I had hoped. Nevertheless, I persevered and listended to THE RHINEGOLD (probably my favorite of the four RING operas, although I know this puts me in a minority) and was amazed. Best of all, after listening to this album I revisited the Goodall VALKYRIE and discovered a new appreciation! Now the Goodall set ranks as one of the best I've heard. It just needed to get under my skin a bit.

What's so good about it? Three things stand out for me: First, the slow tempi that were a litle rough at first actually allow, upon repeated listenings, a new discovery and understanding of Wagner's unfathomable genius. Every nuance is slowed down just enough to be fully accessible. Second, the modern English translation really does make this a different experience...my initial mistake was thinking that English lyrics could allow me to listen to this as background music, and that's not the case. However, if one devotes the same attention to this as a German recording, the time wil be richly rewarded. Finally, the smaller orchestra creates an almost chamber music-esque setting, which compliments the music in an undefinable way. Despite being in English, this is almost more Germanic than original-language recordings.

I still probably wouldn't get this as the first foray into Wagner's RING (I still think Solti or Levine are the choices for that). But for someone who already has some familiarity with the work, this will provide a lifetime's enjoyment. Cudos to Chandos for resurrecting these recordings!

The Goodall Ring - 1975 - Restored and Remastered.......2001-06-08

I have been curious about this for years. When I saw the packaging, I wondered whether this was the same Ring that has been kicking around for a couple of decades from the Sadler's Wells performances of the mid-70s. News flash: It's the same. However, the box says that it's been re-mastered with something called 24-bit digital mastering. Since I never heard the old records, I have no idea if this is better. Judged on its own, the sound is terrific. This live recording really places the listener in the theater with clarity and authentic spaciousness. So often, a live recording will capture the audience up close, then the orchestra, then the singers, cataloguing every throat being cleared and every bow being tapped. Somewhere in the distance, the singers voices follow their heavy tread over the stage. Not here. There is an intimacy to the sound here that approximates sitting in about the tenth row back in a large hall. It doesn't sound like the opera's being played in your room; it sounds as though your room has been transformed into a medium sized theater. I found it uncanny.

As to the experience of the drama in English, that too is remarkable, at least for someone like me whose home-tongue is English. The drama takes on an immediacy that I have never experienced before. This factor alone is why you should explore this Ring. I can't overemphasize the impact on me that this recording had on me because it was in English and because it was well-acted. Surely this is what Wagner meant, at least dramaturgically (obviously allowing that you can't actually see the action).

Overall, the singing is competent, and in some places, it's excellent. None of the cast really stands out musically. Norman Bailey's wobbly Wotan could have certainly benefitted from a deeper, richer tone. Still, and perhaps more importantly, he creates a god who is clearly unsure of where the moral highground is, even when he's standing on "an open space on a mountain summit." Everyone, for that matter, is dramatically convincing, especially Emile Belcourt (Loge) and Derek Hammond-Stroud (Alberich) and Robert Lloyd (Fasolt), all of whom, by the way, have excellent diction. And speaking of diction, I almost could have done without the libretto when the men were singing. Not so with the women, whose diction was uniformly wanting.

Goodall's pace is notoriously glacial. Still, it's interesting to hear it parsed in this way, and I never had the feeling that I was going to fall off the world. Which is to say that the tempos were deliberate, not affected. This was definitely a labor of love for RG and the English National Opera. The orchestra is a little thin sounding, and perhaps, not entirely up to the score. Occasionally a horn mis-blew and a cello creaked. This is unavoidable in live performances, I suppose. Still, there is a surprising sense of smallness to the ensemble, even though there's never a moment when the balance between singers and players is lost. As a result, the overall effect is a balance of clarity and urgency that is clearly the upside of Goodall's idiosyncratic "vision" of the score. Not a huge or "erotic" sound, but always committed, intelligent, and sometimes impassioned.

For all of its flaws, this is an astonishing and, for me, an indispensible recording because it made me listen to this opera with new ears. While it's not the most lyrically pleasing recording (Karajan) or musically authoritative (that would be Solti, IMHO), dramatically, this Rhinegold excells any recording I know of. I will definitely buy the rest of the set.

Average customer rating:

Faazon Family, Vol. 2 Faazon Manufacturer: FaaZon ProductGroup: Music Binding: Audio CD General | Rap & Hip-Hop | Styles | Music ASIN: B000CA8WPI Release Date: 2005-08-30

Tracks:

1. Intro - DJ Chuck-T & DJ Dynamite
2. South Cack - Faazon & The Family (Freestyle)
3. Redneck Fan Skit- Comedian Shawn Cornelius
4. Drop That Thing Girl - Faazon Solo
5. Slim Thug Checkin In
6. Faazon the Boss- Faazon Solo
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8. Crack a Ni*** Head - Faazon & The Family
9. Interlude - Comedian Shawn Cornelius
10. Can't Hold a Thug Down - Faazon Ft. B.F.S.
11. Higher - Queen Diva, Digga, & Faazon
12. Face Down - Digga Solo
13. Smoke Somethin'- Faazon & Rollin Weight
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16. Trackside Thug - Vinny Testilini Solo
17. Back Up off Me - Uxspectid Solo
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19. Irrelevant Wangsta - Young Sheats Solo
20. 'œdem My Grandbabies'Skit - Comedian Shawn Cornelius
21. Sexy S.C. - Fonzorelli Solo
22. Interlude - DJ B-Lord
23. Hotel - Faazon Ft. Blackberry
24. Move - B.F.S. Solo
25. Wit Me or You Aint- B.F.S. Ft. Vinny Testilini
26. www.faazon.com - DJ Dynamite
27. That's a Wrap - B.F.S. & Fonzorelli
28. Hustle on My Grind - B.F.S. & Faazon
29. Love Is Gone - Digga Solo
30. This Life - Faazon, Piazo, & Whitechild

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It's All Right Now Stand Up Strait Manufacturer: Highland Road Records ProductGroup: Music Binding: Audio CD Pop Rock | Pop | Styles | Music ASIN: B000FH64NU Release Date: 1999-07-20

Tracks:

1. It Doesn't Matter
2. Strikes 'N' Spares
3. Blu Chair
4. Big Green
5. Begot
6. One Weekend in Eight Months
7. No Show
8. It's Not Okay
9. Shurfoot Willie
10. You Better Wear Yo' Jacket
11. South Suburban Anthem

Product Description

High energy, fun-filled, punk/ska sound, from a very young band 1. It Doesn't Matter 2. Strikes 'n' Spares 3. Blu Chair 4. The Big Green 5. Begot 6. One Weekend In Eight Months 7. No Show 8. It's Not Okay 9. Shurfoot Willie 10. You Better Wear Yo' Jacket 11. South Suburban Anthem

Average customer rating: CJA great

Stand Up Now Manufacturer: Pinnacle American Records, LLC ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music General | Pop | Indie Music | Stores | Music ASIN: B00007KLCU Release Date: 2002-12-01

Tracks:

1. Love Would Never Keep Us Apart
2. Stand Up Now
3. Moving On
4. See the World
5. Do the Same
6. It is Good to be Alive
7. Magic Wand
8. That's Music
9. Angel in the Whirlwind
10. The Smartest Thing I've Done
11. You are Loved
12. Irish Medley
13. Christmas Medley

Customer Reviews:

CJA great.......2004-06-26

I love their harmony and background music.I wished they had more CD's.

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Now Gods, Stand Up for Bastards A Handful of Dust , Alastair Galbraith , Bruce Russell , and Peter Stapleton Manufacturer: Hermes ProductGroup: Music Binding: Audio CD ASIN: B000M8ITUI

Product Description

1996 release based on the first two lessons of Rosicrucian Linguistics. Tracks: Book Nature (chapter the first), Oration on the Dignity of Man, Explusion of the Triumphant Beast, Lullian Art, Book Nature (chapter the second), Dark Lantern of Reason.

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Only the Lucky Ones (can win) Simon , Arranged by Roy "C" & Scott Frazier , and Produced by Roy "C" Manufacturer: Three Gems ProductGroup: Music Binding: Audio CD Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music ASIN: B000MNGSVU

Product Description

Songs: I Can See Clearly Now, Only the Lucky Ones, I've Got a Smile on My Face. Stand by Me, Don't Give Up on Love, It Hurts Me Too, A Woman Needs More, Over the Mountains.

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Mean People Suck DJ Supersoul Manufacturer: Cash Now Records ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Rock | Styles | Music Dance Pop | Dance & DJ | Indie Music | Stores | Music ASIN: B00007LV76 Release Date: 2002-12-12

Tracks:

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3. A Guy Can't Win
4. Americoz Freekey
5. Get Up and Dance
6. The New York Two Step
7. House Party

Album Description

Standup comic DJ Supersopul's latest dance party mix.

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FRANK SINATRA [3 CD Set / 35 Songs] OL' MAN RIVER / A GOOD MAN IS HARD TO FIND / MY HEART TELLS ME TRACK LISTINGS............................ , mimi / i'll string along with you / after i say i'm sorry / a lover is blue / speak low , dance ballerina dance / serenade of the bells / devil & the deep blue sea / my heart tells me / i wonder who's kissing her now / long ago and far away , lilli bolero / suddenly it's spring / i wish i didn't love you so / you're the top / lilly belle / wing & a prayer , it's all up to you / some other time / you've got a hold on me / a good man is hard to find / right kind of love , s'wonderful / they say it's wonderful / blue skies / begin the beguine / ol' man river / don't blame me , and laura / it all depends on you / i fall in love with you everyday / the music stopped / i don't stand a ghost of a chance / you do something to me ProductGroup: Music Binding: Audio CD ASIN: B000TMY6LI

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